Songs From the Wood [Original recording remastered]

Amazon.com
The earth-worshipping revelry of 1977's frisky Songs from the Wood was far removed from the heavyweight progressive rock of Jethro Tull's early years. Taking a leaf from the book of Steeleye Span, Songs from the Wood is bright and festive as it mines a rich, green seam of ancient British folklore for inspiration. By marrying the characters ("Jack in the Green") and traditions of the old religion's ritual calendar ("Ring Out Solstice Bells" was an unlikely Christmas hit) to their eccentricity and half-imagined interpretations of British traditional music, Tull came up with one of their albums. This collection unintentionally beseeches the concrete-jungle-dwelling set to retreat to the countryside. With tin-whistles, peppy acoustic guitar, medieval twists and turns, much May Day gaiety and debauchery, and even the odd touch of prog, Songs from the Wood still sounds bewitching in the 21st century. --Kevin Maidment

Product Description
Digitally remastred reissue of 1977 album includes two bonus tracks 'Beltane' (taken from the album 20 Years of Jethro Tull - track done at end of sessions) & 'Velvet Green' (live) (taken from 20 years of Jethro Tull - BBC In Concert Recording 1977). 11 tracks & liner notes written by Ian Anderson. Chrysalis. 2003.

Songs From the Wood,Jethro Tull,Capitol,Album Rock,Flute,Hard Rock,Pop,Prog-Rock/Art Rock,Rock,Rock/Pop

---

Songs From the Wood [Original recording remastered]

Average customer rating: The first of Tull's "so-called" folk-rock trilogy still resonates 30 years on Songs from the Wood Rocks!!!! Well, maybe THIS is my least favorite Tull album. The glory years of Tull Their last great album?

Songs from the Wood Jethro Tull Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Similar Items: Heavy Horses Minstrel in the Gallery Thick As A Brick Aqualung Warchild ASIN: B00008G9JN Release Date: 2003-05-20

Tracks:

1. Songs From The Wood
2. Jack-In-The-Green
3. Cup Of Wonder
4. Hunting Girl
5. Ring Out Solstice Bells
6. Velvet Green
7. The Whistler
8. Pibroch (Cap In Hand)
9. Fire At Midnight
10. Beltane
11. Velvet Green (Live)

Amazon.com

The earth-worshipping revelry of 1977's frisky Songs from the Wood was far removed from the heavyweight progressive rock of Jethro Tull's early years. Taking a leaf from the book of Steeleye Span, Songs from the Wood is bright and festive as it mines a rich, green seam of ancient British folklore for inspiration. By marrying the characters ("Jack in the Green") and traditions of the old religion's ritual calendar ("Ring Out Solstice Bells" was an unlikely Christmas hit) to their eccentricity and half-imagined interpretations of British traditional music, Tull came up with one of their albums. This collection unintentionally beseeches the concrete-jungle-dwelling set to retreat to the countryside. With tin-whistles, peppy acoustic guitar, medieval twists and turns, much May Day gaiety and debauchery, and even the odd touch of prog, Songs from the Wood still sounds bewitching in the 21st century. --Kevin Maidment

Album Description

Digitally remastred reissue of 1977 album includes two bonus tracks 'Beltane' (taken from the album 20 Years of Jethro Tull - track done at end of sessions) & 'Velvet Green' (live) (taken from 20 years of Jethro Tull - BBC In Concert Recording 1977). 11 tracks & liner notes written by Ian Anderson. Chrysalis. 2003.

Album Details

Digitally Remastered Edition of the 1977 Album that Followed their Answer to Punk ("Too Old to Rock N Roll Too Young to Die"). This Set Contrasts Radically with It's Predecessor in that it features Some Some of their Most Melodic and Sweet Material Ever. Hard Rockers Intersperse with Greater Intensity, but this is One of Ian Anderson's Most Satisfying Albums in the Canon. As Always, Martin Barre's Guitar Simply Shines as One of the Band's Greatest Assets.

Customer Reviews:

The first of Tull's "so-called" folk-rock trilogy still resonates 30 years on.......2007-04-11

Jethro Tull's tenth studio album entitled Songs From The Wood was released in February of 1977.
The album saw the band (which comprised of lead singer/songwriter/flute player Ian Anderson plus guitarist Martin Barre, keyboard player John Evan, drummer Barriemore Barlow, bass player John Glascock whom were now joined by orchestrator David Palmer as second keyboard player) go in a different musical route after the dismal sales of 1976's concept album Too Old To Rock and Roll Too Young to Die (despite the fact that album is one of my personal favorites which was overlooked in the year of Peter Frampton Comes Alive). The Songs From The Wood album when released was the folkiest in sound that the band had recorded up to that point. Was it a good or bad thing, read on and find out as I did when I heard the album on vinyl late last year and then acquired the remastered CD a few months ago.
The title cut opens the album with a superb and funnyish sounding acapella singing which then gives way into a killer song with it ping-ponging between folk and classic hard rock tinged prog rock.
The next track is the acoustic number "Jack-in-the-Green" which tells about an old protector and nurturer of the English woods. The track also states if Jack still exists in this modern world of cars and power lines amongs other things. "Beltane" follows and is another great tune. We follow with the rocker "Hunting Girl" which uses a foxhunting equestrienne as a metaphor to a high-born woman who takes advantage of a lower class person. Great rocker. The first side closed with the band's second Holiday season track "Ring Out Solstice Bells" which is a great number to play at Christmas.
The second half of the album starts with "Velvet Green" which is as folk influenced as can be. The track is a love song set in the folk mentality. "The Whistler" follows and is another English folk influenced number which tells of a minstrel type individual. Next is the epic "Pibroch (Hat in Hand)" which is a rocker with some folk music influences but just burns! The original album ends with the folk number "Fire at Midnight" which celebrates a fellow relaxing by the fire with his love at the end of a long hard, day.
The Songs From The Wood album originally peaked at #8 on the Billboard album chart (to date Tull's last US Top 10 charting album) and was the band's first million seller since 1975's Minstrel in the Gallery.
In 2003, the album was re-released as a remastered CD with two additional songs. First is "Beltane" which is a great number about celebration of the Celtic festival Beltane. Next is a live BBC recording of "Velvet Green" which is probably from the BBC transmitted show which is out on bootleg as Songs From the Hippodrome.
Songs From The Wood is a great record, and still sounds fresh today.
RECOMMENDED!

Songs from the Wood Rocks!!!!.......2007-04-10

I bought the original while stationed in Iceland and the Wood sounds much better today. The song " Pibroch " reminds me of medival acid rock. Each song has it identify and flows freely.

Well, maybe THIS is my least favorite Tull album........2007-03-15

This has got to be the least meaningful, and most frivolous, Tull album ever. Apparently Ian had grown tired philosophical jousting, and wanted to take a mental vacation in the country with his pants zipped none too tightly.

Thank goodness it wasn't a permanent retirement.

The glory years of Tull.......2007-03-07

My final analysis: Tull reached their musical apex with the power trio of Heavy Horses, Stormwatch and this wonderful musical experience known as Song for the Wood. Absolutely essential listening for prog lovers.

Their last great album?.......2007-02-18

Tull was a controversial band back in the 70's. Were they a rock band at all? Were they even a prog. rock band like Yes and Floyd? Or were they something totally unclassifiable? With an enigmatic leader, Ian Anderson, they have some of the biggest hits ever, Aqualung and Locomotive Breath, both with plenty of radio play, and followed up that success with two albums that had only one song each (Thick as a Brick and A Passion Play, both which strangely became #1 albums- how is that possible?). Then in 1977, after a couple of other very successful albums, they popped out Songs From the Wood. This album rocks in a real woodsy sort of way. The title track sounds great on the remastered version, especially the vocals. Hunting Girl is a real standout too. This album stands as a musical work that will never go out of style. It is timeless and a keeper in your collection.

Average customer rating: Sublime and ridiculous Eeeeeeeeeeewwwwwww Better than I thought it would be Brava Renee Art is always new.

Haunted Heart Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming Manufacturer: Decca ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Sacred Songs Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss Renée Fleming Handel Renee Fleming: By Request ASIN: B0007Z9QUS Release Date: 2005-05-10

Tracks:

1. Haunted Heart
2. River
3. When Did You Leave Heaven?
4. You've Changed
5. Answer Me
6. My Cherie Amour
7. In My Life
8. The Moon Is A Harsh Mistress
9. Wozzeck/The Midnight Sun
10. Liebst du um Schit
11. My One And Only Love/This Is Always
12. Can do Amor
13. Psych
14. Hard Times Come Again No More

Amazon.com

While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson

\

Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.

Customer Reviews:

Sublime and ridiculous.......2007-06-13

The sublime: much of the artistry of this recording is about sound, and the subtle blending/responding of voice with guitar sounds and / or piano sounds. It is in the sensitive musical interplay between the artists where this effort shines. Definitely not recommended for road trips!

The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.

So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).

Eeeeeeeeeeewwwwwww.......2007-06-06

Ugh. Like a manufactured home vs. a stick-built house, Fleming's manufactured (aka "training and technique") blues voice compares unfavorably to other jazz/blues singers/lounge acts. Would not, COULD not, listen to this recording straight through--one big long, breathy, minor key train wreck in the making. Took the CD on a road trip and had to pull over and remove from queue--either that or drive into a wall.

Better than I thought it would be.......2007-04-10

I have to admit, Haunted Heart was a lot better than I thought it would be,especially her recordings of "River", "The Moon's a Harsh Mistress, "My Cherie Amour" and "In my life".
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.

I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.

To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!

Brava Renee.......2007-04-09

This talented woman can sing anything. I really enjoyed this cd with the lights turned down and a glass of wine to relax after a very stressful day at work. Renee could definitely have another singing career outside of opera should she choose. Hearing her drop that gorgeous voice down one octave rivals the best chanteuses in the business - Cassandra Wilson, Nancy Wilson, Regina Belle, Sarah Vaughan, etc. This cd of different musical styles reminds me of Nina Simone and Cassandra Wilson, two great singers whom could interpret any song genre and make their versions special. I loved all the songs and the standouts here are "Haunted Heart", "River", "My One and Only Love", "My Cherie Amour", "Cancao do Amor", and Beatles "In My Life", and "Hard Times Come Again No More".
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.

Art is always new. .......2007-03-10

Renee Fleming is an artist bringing us something new, and beautiful. The poor will always be with us as manifest in those who resent other's movement from their established zones. Renee Fleming is a great female voice with accomplishments her detractors will never have, but in their dreams.

I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Music from the empire The British and their music A good choice of tunes A beautiful CD!

Rule Britannia and Other Music from Last Night of the Proms Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Arnold | Arnold, Malcolm | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Arnold, Malcolm | ( A ) | Composers, A-Z | Classical Music Blowout | Stores | Music Elgar, Sir Edward | ( E ) | Composers, A-Z | Classical Music Blowout | Stores | Music Walton, Sir William | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Ultimate Last Night of the Proms Royal Salute Rule Britannia Music from the coronation of Her Majesty Queen Elizabeth II The Last Night of the Proms ASIN: B00000AEL9 Release Date: 1998-08-25

Tracks:

1. Crown Imperial
2. Jerusalem
3. Enigma Variations, Op 36, Variation No 9 (Nimrod)
4. Fantasia on British Sea Songs: The Saucy Arethusa
5. Fantasia on British Sea Songs: Tom Bowling
6. Fantasia on British Sea Songs: Jack's The Lad
7. Fantasia on British Sea Songs: Farewell Ye Spanish Ladies
8. Fantasia on British Sea Songs: Home Sweet Home
9. Fantasia on British Sea Songs: See The Conquering Hero
10. Fantasia on British Sea Songs: Rule Britannia
11. Overture: 'Tam O'Shanter', Op. 51
12. I Was Glad When They Said Unto Me
13. Orb And Sceptre
14. Pomp and Circumstance, Op. 39, March No. 1

Customer Reviews:

Music from the empire.......2007-06-01

From the 1700s to the mid-1900s, Britian ruled most of the world at some time or another. Part of this experience was the exportation of the English language, English bureaucracy, and the British school system (headmasters, uniforms, standardized testing) to places as disparate as Canada, Singapore, India and Egypt. Yet somehow, music students around the world learn to play Mozart, Beethoven, Bach, or some other continental composer. British music did not get widespread attention until the Beatles. This is surprising given that English composers produced music in ballets, symphonies, overtures, operas and just about every other style and form known. Maybe the reason why is that many locals' first taste of British music was imperial music played upon the entrance of their overlords, or in military parades meant to cower them. Samples of such music are provided in this CD from naxos. Offering works from various English composers from the 1800s to early 1900s, this album leaves out the more melodic and evocative works of English music such as Vaughn-Williams' Greensleeves, Elgar's Pomp and Circumstance, or Jupiter by Holst. Instead, the focus is on music played at ceremonies, whether they be parades, crownings, burials, etc... The result is a nicely-themed CD that is unique in its contents. The sound quality is great, though the orchestration is only good. For example, title piece of Rule Britannia is played much better on other albums. Note that the works on this CD are pure British; no Irish, Scottish or Welsh influences. Overall, a nice CD to listen to.

The British and their music.......2007-05-30

This CD offers an excellent sampler of traditional British music. If you have watched Chariots Of Fire you will recognize Jerusalem By Parry(the final scene at Harold Abraham's funeral). This is a beautiful selection. The Tam O'Shanter Overture dispells the often unjustified characterization of the stuffy Englishman and is a rousing piece. All in all a very enjoyable CD. Buy it!

A good choice of tunes.......2005-06-29

It is a good choice of tunes played often in England. The quality of recording is good, the choice of tunes is good too and the orchestration is good too. It is a good CD to buy.

A beautiful CD!.......2001-12-16

This one is for all those who want a splendid introduction to the music this CD offers. It would make a lovely Christmas present for the discriminating listener. My favorite is "Jerusalem!"

Average customer rating: The Perfect Soundtrack

The End Of Violence: Songs From The Motion Picture Soundtrack Medeski Martin & Wood Manufacturer: Outpost Records ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Until The End Of The World: Music From The Motion Picture Soundtrack Faraway, So Close: Original Motion Picture Soundtrack Stay (Faraway, So Close) What's Going On The Million Dollar Hotel: Music From The Motion Picture (2000 Film) ASIN: B000002RC2 Release Date: 1997-09-09

Tracks:

1. Define Violence - Ry Cooder
2. Shouldn't You Know - Traci Lind
3. Every Time I Try - Spain
4. Untitled Heavy Beat (Part 1 & 2) - DJ Shadow
5. I'm Not Your Baby - U2 & Sinead O'Conner
6. Strange World - Bill Pullman
7. Little Drop Of Poison - Tom Waits
8. Disrobe - Medeski, Martin & Wood
9. Injured Bird - Michael Stipe & Vic Chestnutt
10. Bailare (El Merecumbe) - Raul Malo
11. Me Estas Matando - Los Lobos
12. Mr. Wobble - Latin Playboys
13. Theme For A Trucker - Whiskeytown
14. Unintinetional Prayers - Andie McDowell
15. You May Feel Me Crying - Roy Orbison
16. Bad News - Eels
17. Don't Even Know She Got One - Howie B.
18. In A Heartbeat - Bill Pullman

Amazon.com

Every Wim Wenders soundtrack delivers heaping helpings of class, intellect, and soul, and these 18 all-new tracks rate with Until the End of the World as a start-to-finish treat. There are too many sublime moments to mention, but definitely check out Spain (the low-key combo led by jazzman Charlie Haden's son Josh), D.J. Shadow, Roy Orbison (a newly discovered track massaged by Brian Eno of all people), Raul Malo of the Mavericks, and Michael Stipe with Vic Chesnutt (the pleasingly primitive "Injured Bird"). Sinead O'Connor's tangle with U2 on "I'm Not Your Baby" is also particularly intriguing. --Jeff Bateman

Customer Reviews:

The Perfect Soundtrack.......1999-09-03

Usually, most soundtracks plain suck. But this is a very well thought out, arranged mix that keeps you involved the whole album through. It's not one that you put on for just one or two tracks. Standout tracks include Spain, the Eels(Beck Jr.), Vic Chestnutt and Michael Stipe.

Average customer rating: Lauren Wood No duds in the bunch She's back, thank god. Lauren Wood Lauren Wood

Lauren Wood Lauren Wood Manufacturer: Bad Art Records ProductGroup: Music Binding: Audio CD Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Adult Contemporary | Pop | Indie Music | Stores | Music Soft Rock | Pop | Indie Music | Stores | Music Similar Items: Love, Death and Customer Service Pretty Woman (1990 Film) The Very Best of Nicolette Larson Love Actually Playin' Favorites ASIN: B000005BPL Release Date: 1998-06-23

Tracks:

1. I Will Wait For You (Electric Eyes - Single Version)
2. All I Need
3. Do It Yourself
4. Evidently
5. Soul Searchin'
6. Twisted Reality
7. Still Not Over You
8. But You Are
9. I'm Usually Obsessed
10. Back In Time
11. The Big House
12. 5 Years, 26 Days, and 8 Hours
13. Fallen
14. I Will Wait For You (Electric Eyes - Album Version)

Customer Reviews:

Lauren Wood.......2002-03-08

Bought this CD for a special song and loved hearing all the songs Lauren sings to on this cd. It's great to play during a dinner or when some friends are over.

No duds in the bunch.......2000-05-31

Lauren Wood, best known for her hit "Fallen" has put together an album of a dozen songs that takes this reviewer on a trip back to the Beatles. With at least 4-5 real hits waiting to don the airwaves, there are no duds in the bunch whatsoever. The ballad Back in Time, is so heart wrenching, it almost hurts to listen to the words. The Beatles influence is so strong, it was a little spooky. You can hear McCartney bass lines with that distinct melodic tone as well as Lennon-type vocals and guitar. Her voice is what makes the album complete. At times she's a deep contralto, other times she sings thin wispy BV's that blend with the music perfectly. The levels of musicalnship is very high. When was the last time you heard a cymbal cresando with mallets played this well (in the sure hit "Back in Time")? Look for the hits to be 1)"The Big House" song about subdivisions buring like the Amazon 2)" Back in time" - tear-out-your-heart ballad. 3) "I'm Usually Obsessed" - chicken-picken (dang near Country-Funk) guitar 4) "Twisted Reality" -complete w/ that trademark Hofner Beatle bass. Must listen Bruce

She's back, thank god........2000-04-14

Lauren Wood is one of those rare women, she has both talent and voice, and proves that she can belt with the best. Using reflections of her life, Lauren digs deep into her soul, and comes up with many fabulous tracks. Check out her web site. It's great. Glad to have you back, and hope for many more fantastic CD's from the best singer ever, period!

Lauren Wood.......2000-04-04

If you liked the cool jazzy sound of "Please Don't Go" and "Fallen" from Lauren Wood in the 1980s, you probably won't like the standard rock 'n' roll instrumentals and lyrics of this new album. The bonus track of "Fallen" simply doesn't belong with the twelve new tracks. I'm sad to see such a bendable voice as Wood's get lost in all too familiar rock licks. She can do so much in modulating her voice, that to hear thse songs indicates a loss of direction for her. I hope she'll return to what made her distinctive.

Lauren Wood.......2000-04-04

If you liked the cool jazzy sound of "Please Don't Go" and "Fallen" from Lauren Wood in the 1980s, you probably won't like the standard rock 'n' roll instrumentals and lyrics of this new album. The bonus track of "Fallen" simply doesn't belong with the twelve new tracks. I'm sad to see such a bendable voice as Wood's get lost in all too familiar rock licks. She can do so much in modulating her voice, that to hear thse songs indicates a loss of direction for her. I hope she'll return to what made her distinctive.

Average customer rating: Love this album, want more... Further Proof The End Times are Nigh A great album, so much promise, yet where did it all go? Totally bland... Acoustic Genius-- Background music for life

Songs from Stamford Hill Wood Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Classic Rock | Styles | Music Similar Items: Evan and Jaron ASIN: B00000K4I3 Release Date: 1999-09-14

Tracks:

1. Stay You
2. Straight Lines
3. Whole Lot To Think About
4. Knock It On The Head
5. I Only Came For You
6. Let Me Fall
7. You Said The Words
8. Could I Be
9. Our Time Has Come
10. You Make Me Feel Bad
11. Man On Fire
12. Never Ending
13. Ending

Customer Reviews:

Love this album, want more..........2006-12-17

I truly loved this album, my Sister introduced me to it a few years back and I still love it. I wish they'd do something new... I'd really love to hear more from them. :)

Further Proof The End Times are Nigh.......2006-09-18

One of the best albums in recent years is going for a penny. Forget the UPC code stuff, this is the true mark of the devil -- a one penny asking price for an album so staggeringly good I'll use an adverb to describe it. Draw a line in the sand. Step on the right side of it. Buy this album. For god sake's, just do it.

A great album, so much promise, yet where did it all go?.......2006-04-27

I find it really sad that this album is going for $0.01 at the moment on marketplace.

It's a great album. I saw Wood live supporting Paul Weller and bought the album on the strength of the performance. It's one of those gems in my CD collection that I'm glad I've got.

I find it really tragic that a band with such a distinct sound just seemed to stop dead in their tracks and never produced that second album.

Those of you who doubt this, gamble a cent (and shipping) - you'll probably find it's well worth it.

Keep the music alive!

Totally bland..........2004-12-26

This band sounds like a cross between Nils Lofgren, Neil Young & Bob Dylan. You are probably now thinking, "Sounds good." Problem is there is nothing special at all here. Totally bland.

Acoustic Genius-- Background music for life.......2004-08-29

This is another one of those "unknown bands" that suddenly sneaks, up on you, and you wonder why you've never heard of them. Apparently these guys mainly play small venues, which is really appropriate, because they have a classicly intimate feeling. Very relaxing acoustic music-- almost a little folky, but in a good way. "Stay You"'s lyrics are really good, and the rest of the songs have the same feeling. You are instantly relieved to find someone who talks about real life things in such a great way. Not obtuse, but still meaningful. Play it in the car, it sounds best as you're driving.

Average customer rating:

The British Music Collection: Peter Warlock Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Warlock | Warlock, Peter | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Songs by Peter Warlock A Warlock Centenary Album Warlock: Capriol Suite; The Curlew; Six Italian Dance Tunes English String Miniatures 5 ASIN: B00005QDYO Release Date: 2004-03-09

Tracks:

1. I. Basse Danse - Nicholas Kraemer
2. II. Pavane - Nicholas Kraemer
3. III. Tordion - Nicholas Kraemer
4. IV. Bransles - Nicholas Kraemer
5. V. Pieds-En-L'air - Nicholas Kraemer
6. VI. Mattachins (Sword Dance) - Nicholas Kraemer
7. Serenade For Strings - Nicholas Kraemer
8. Lullaby My Jesus (Transfer. Carter) - David Hill
9. Youth (Robert Weaver)
10. As Ever I Saw
11. There Is A Lady Sweet And Kind (Thomas Ford)
12. Whenas The Rye Reach To The Chin (George Peele)
13. Sigh No More, Ladies (William Shakespeare)
14. Sleep (John Fletcher)
15. Pretty Ring Time (William Shakespeare)
16. Jillian Of Berry (Fletcher Beaumont)
17. The Bayley Berith The Bell Away (Anon)
18. Passing By (Anon)
19. The Frostbound Wood (Bruce Blunt)
20. Robin Goodfellow (Anon)
21. Twelve Oxen (Anon)
22. Yarmouth Fair (Hal Collins)
23. Romance (Robert Louis Stevenson)
24. To The Memory Of A Great Singer (Robert Louis Stevenson)
25. After Two Years (Richard Aldington)
26. The Droll Lover (Anon)
27. Ha'nacker Mill (Hilaire Belloc)
28. My Own Country (Hilare Belloc)
29. The Birds (Hilaire Belloc)
30. Elore Lo (Anon)
31. The Fox (Bruce Blunt)
32. Fair And True (Nicholas Breton)
33. Roister Doister (N. Udall)
34. The Criketers Of Hambledon (Bruce Blunt)

Average customer rating: Someone shoot that idiot with the popgun POMP & CIRCUMSTANCE - RULE BRITANNIA A Powerful Performance of Belshazzar's Feast

Last Night Of The Proms The 100th Season Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: The Ultimate Last Night of the Proms Rule Britannia and Other Music from Last Night of the Proms ASIN: B000000SPX Release Date: 1995-03-07

Tracks:

1. Toccata And Fugue In D minor, BWV 565
2. Belshazzar's Feast
3. Belshazzar's Feast
4. Belshazzar's Feast
5. Belshazzar's Feast
6. Belshazzar's Feast
7. Belshazzar's Feast
8. Belshazzar's Feast
9. Belshazzar's Feast
10. Belshazzar's Feast
11. Marimba Spiritual
12. Mtation From Tha
13. Pomp and Circumstance March No.1 'Land Of Hope & Glory'
14. Fantasia On British Sea Songs
15. Rule Britannia!
16. Jerusalem

Customer Reviews:

Someone shoot that idiot with the popgun.......2002-06-07

It isn't easy to record the Last Night of the Proms.

An essential part of the experience is the audience participation - clapping in time to the Sailor's Hornpipe, bellowing out the chorus of Rule Britannia, the amazing sound of 7,000 people singing Parry's Jerusalem, even the occasional hoots, bangs and other interruptions (as long as they're occasional). It's important to capture this, otherwise all you get is a concert.

Unfortunately this recording seems biased towards the audience. The orchestral sound was muddy, but every pop, squeak, hoot from the audience was crystal clear. Towards the end I was hoping that someone would strangle the idiot with the popgun who was sitting to the right of the auditorium, and interrupting all the quieter passages.

Oh well - put it down to the acoustics of the Albert hall.

I still enjoyed the recording.

POMP & CIRCUMSTANCE - RULE BRITANNIA.......2000-07-07

WITHOUT A DOUBT THE MOST ROUSING CHORAL VERSION OF THESE TWO WORKS EVER RECORDED. BRYN TERFEL'S RENDITION OF RULE BRITANNIA LITERALLY BRINGS DOWN THE HOUSE WHILE THE ELGAR WILL BRING TEARS TO YOUR EYES.

A Powerful Performance of Belshazzar's Feast.......2000-06-01

The performance made of Belshazzar's Feast at this Prom concert is the best I have heard. Having played in a performance of this work, I can attest to its difficulty, yet the BBC Symphony, Singers, Chorus, Bryn Terfel, and Andrew Davis make it sound effortless. The final moments of the work, as the chorus sings of the Israelites jubilation at the fall of Babylon, are some of the most astounding I've heard on a recording.

Average customer rating:

Eclectric Chicago a cappella , and Conductor: Jonathan Miller Manufacturer: Centaur ProductGroup: Music Binding: Audio CD All Works by Lauridsen | Lauridsen, Morten | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B000AYYTSK Release Date: 2005-09-27

Tracks:

1. Nilsen, arr. Gunnar Eriksson: Danse, ikke gr n
2. Jaakko Myji: El Hambo
3. Jerry J. Troxell: Prayers of Steel
4. Malcolm Dalglish: Pleasure
5. Chen Yi: The West Lake (World premiere recording)
6. Bill Evans/Gene Lees, arr. Peder Karlsson: Waltz for Debby
7. Jan SandstrSanctus
8. Bob Chilcott: "Grace/The Clean Platter" from Fragments from his Dish
9. : Chilcott: "The Pie" from Fragments from his Dish
10. : Chilcott: "Harvest in my Croft" from Fragments from his Dish
11. Chilcott: "Christmas Day 1666" from Fragments from his Dish
12. Chilcott: "Whines from the Wood" from Fragments from his Dish
13. : Chilcott: "Grace (reprise)" from Fragments from his Dish
14. Morten Lauridsen: Contre qui, rose
15. Carmichael/Washington, arr. Barnes: The Nearness of You
16. Jonathan Miller: The Fall
17. k.d. lang/Ben Mink, arr. Jonathan Miller: Constant Craving
18. arr. James Erb: Shenandoah

Album Description

This sparkling studio recording from the nine-member Chicago a cappella features an exciting collection of beloved music from the ensemble's first decade. Recorded at Chicago's WFMT Studios by Grammy-nominated engineer Christopher Willis, "Eclectric" includes brilliant new choral works, familiar favorites, and vocal jazz -- a typically diverse collection from this acclaimed group of singers.

Rap Music:

1. Speak [Enhanced]
2. Stand Up [Original recording remastered]
3. Still Not Getting Any... [Enhanced] [Limited Edition]
4. Take It All Away [Enhanced]
5. The All-American Rejects [Enhanced]
6. The Bangles - Greatest Hits
7. The Body Acoustic
8. The Futureheads
9. The Paul Simon Collection: On My Way, Don't Know Where I'm Goin'
10. The Reason [Enhanced]

Rap Music

rap music

Recommended Music:

Kiss FM [Import]

Tchaikovsky: The Nutcracker / Coteau, SF Ballet Orchestra

That's Amore: The Best of Dean Martin

Music: Colin Tilney plays Mozart, Vol. 3

Your Tears Are the Warning Signs [Import]

Tanto Tempo Remix Album [Import]

Talk About It

String Quartets Nos 1 & 2

The Old Dominion Masters [Box set] [Live]

Salsa Mambo Cha-Cha-Cha

These Are the Things

The Swan Singles Collection

This Is Best of Old Skool [Box set] [Import]

I'm Jusvon

Vertigo