Now That's What I Call Music! 18

Amazon.com
Those who enjoy the adventurous eclecticism of traditional Top 40 radio should welcome this diverse, 20-track compilation of some of 2004's most memorable hits. Anchored by U2's energetic return to roots, "Vertigo" and Gwen Stefani's rock-of-the-80's-channeling solo breakthrough "What Are You Waiting For," it goes on to dish up everything from the teeny-pop angst of Lindsey Lohan's "Rumors" to the further adventures of Mr. Dizzle, Snoop Dogg himselfizzle (with an assist from Pharrell), on the typically laidback groove of "Drop It Like It's Hot" and the unlikely, country-urban fusing duet of Nelly and Tim McGraw on "Over and Over." The collection continues that contemporary R&B bent via hits like Omarion's "O," Ashanti's "Only U" and John Legend's "Used to Love U." Yet it also makes room for performances as disparate as Howie Day's emotive, adult-alternative standout "Collide," Hoobastank's slick Cali-pop, the modern rock of Chevelle and Three Days Grace and Lenny Kravitz chunky-rhythmed "Lady." Frickin' A serves up a faithful cover of Rick Springfield's "Jessie's Girl" that preserves the infectious schlock-charm of the 80's original, while the spunky pop-punk of Canadian Skye Sweetnam's "Tangled Up in Me" and Australian Keith Urban's '04 contempo-country standout "You're My Better Half" close the anthology out on a upbeat, international note. --Jerry McCulley

Now That's What I Call Music! 18,Various Artists,Sony,Contemporary Country,Pop,Pop-Rap,Pop/Rock,Rock/Pop Collections,Urban,V/a Compilations

Now That's What I Call Music! 18

Average customer rating:

Wonderful, but not my first choice
THE BEST recording of the BEST oratorio ever...
Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Franz Joseph Haydn: The Creation
Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
Mahler: Das Lied von der Erde
Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
What to Listen for in Music
Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

U2- Vertigo
Gwen Stefani- What You Waiting For?
Lindsay Lohan- Rumors
Snoop Dogg- Drop It Like Its Hot
Destinys Child- Soldier
Ashanti- Only U
Chingy- Balla Baby
John Legend- Used To Love U
Nelly w/ Tim McGraw- Over & Over
Frankie J- Obsession
Omarion- O
Howie Day- Collide
Hoobastank- Disappear
Chevelle- Vitamin R
Three Days Grace- Home
Lenny Kravitz- Lady
Good Charlotte- I Just Wanna Live
Frickin A- Jessies Girl
Skye Sweetnam- Tangled Up In Me
Keith Urban- You're My Better Half

Amazon.com

Those who enjoy the adventurous eclecticism of traditional Top 40 radio should welcome this diverse, 20-track compilation of some of 2004's most memorable hits. Anchored by U2's energetic return to roots, "Vertigo" and Gwen Stefani's rock-of-the-80's-channeling solo breakthrough "What Are You Waiting For," it goes on to dish up everything from the teeny-pop angst of Lindsey Lohan's "Rumors" to the further adventures of Mr. Dizzle, Snoop Dogg himselfizzle (with an assist from Pharrell), on the typically laidback groove of "Drop It Like It's Hot" and the unlikely, country-urban fusing duet of Nelly and Tim McGraw on "Over and Over." The collection continues that contemporary R&B bent via hits like Omarion's "O," Ashanti's "Only U" and John Legend's "Used to Love U." Yet it also makes room for performances as disparate as Howie Day's emotive, adult-alternative standout "Collide," Hoobastank's slick Cali-pop, the modern rock of Chevelle and Three Days Grace and Lenny Kravitz chunky-rhythmed "Lady." Frickin' A serves up a faithful cover of Rick Springfield's "Jessie's Girl" that preserves the infectious schlock-charm of the 80's original, while the spunky pop-punk of Canadian Skye Sweetnam's "Tangled Up in Me" and Australian Keith Urban's '04 contempo-country standout "You're My Better Half" close the anthology out on a upbeat, international note. --Jerry McCulley

Customer Reviews:

Lacking in Hits.......2006-09-16

NOW 18 is lacking in hits, and it features low charting songs and songs that didn't even chart. 2 1/2 stars.

1. Vertigo- (C-) Better than their other songs, but still not that good. (#31)

2. What You Waiting For?- (A+) One of her best songs, great music. (#47)

3.Rumors- (A+) I love this song sooooo much, Lindsay's best. (Did Not Chat)

4. Drop It Like It's Hot- (F) Absolutely dreadful, very boring and annoying. (#1)

5. Soldier- (A+) Great song, Destiny's Child rocks, they should get back together. (#3)

6. Only U- (A+) Her best song, funky beat, so dancable. (#13)

7. Balla Baby- (D) Awful rap song! (#20)

8. Used to Love U- (F) His music is so boring, it just sucks really bad. (#74)

9. Over & Over- (B-) I hated it at first, now I like it a little bit more. (#3)

10.Obession (No Es Amor)- (A-) Loved the song, relaxing and fun.
(#3)
11. O- (F) Bad, boring and dry. (#27)

12.Collide- (D)Pretty boring. (#20)

13. Disappear- (C-) It's OK. (Did not chart)

14. Vitamin R (Leading Us Along)- (C) It's mediocre. (#68)

15. Home- (D+) Pretty bad, not great rock. (#90)

16. Lady- (B) I like this song, it was used in Gap commercials with him and Sarah Jessica Parker. (#27)

17. I Just Wanna Live- (B-) I thought it was pretty good. (#51)

18. Jessie's Girl- (C) An ok cover. (Did not chart)

19. Tangled Up in Me- (A+) OMG! I love this song, great music, vocals, and lyrics. (Did not chart)

20. You're My Better Half- (D)I don't like it, it's bad. (#33)

Vol. 18.......2006-07-19

'Now! 18' seems to have picked up the pace a bit, delivering quite a bit of great tracks. 2004 must have been a good year, and I'm pleased to say that the majority of this album shows that is true. Starting with U2's smash hit 'Vertigo' which made me a believer again. Gwen also spices things up with her first solo track, and even though I don't get the split beings that her songs all sound as if they were on a No Doubt album, she still is amazing. Lindsay makes her debut, and 'Rumors' while not as good as some of her other tracks it's still a decent song, good club song.

Speaking of good club songs, um, let me just say that Ashanti kicks @$$ and her song 'Only U' is no exception, and serves as her best song yet. She blazes the comp, beating out Destiny's Child (although 'Soldier' is a great song) and Lindsay for best female vocal track.

Chingy is strong with 'Balla Baby' and Nelly and Tim McGraw are perfect together (I love anything Tim touches) but it's Snoop and Pharell who take the crown for best rap song period. 'Drop it like it's Hot' is brilliant and never gets old!

Omarion leaves B2K for better things, and 'O', even though it's total cliche, is actually really really good. The vibe, the beats and even his voice are all top notch here. Much better than Frankie J's weak 'Obsession'.

The rock selection is decent. Three Days Grace again make a lasting impression, but Chevelle takes the crown for best rock track here, for 'Vitamin R' is freakin' awesome! Skye Sweetnam delivers a nice track, and even though I'm not a huge fan of 'My Better Half' I still gave groove to it every once in a while. The best track though by far is John Legends 'Used to Love U' which is just brilliant in everyway. His voice is silky smooth and the lyrics are amazing. This is one of the better 'Now!' disc's and is sure to please.

The best of the bunch(next to 17, of course).......2006-02-18

I will review each song and give it a mark:

1. U2: Vertigo-I love this song. Great guitars and, as usual, Bono's vocals are top notch! Rating: A

2. Gwen Stefani: What You Waiting For?-An OK song. It could have easily been better, though. Rating: B+

3. Lindsay Lohan: Rumors-I don't much care for this actress/singer approach, but this is an OK song. Rating: B

4. Snoop Dogg: Drop It Like It's Hot-I love this song. I one day hope to beatbox like the guy on this song. Rating: A

5. Destiny's Child: Soldier-Face it. You guys are finished. Forget about singing. Rating: C-

6. Ashanti: Only U-This is a good song with a danceable beat. Rating: B+

7. Chingy: Balla Baby-This song is better than some of his other work, but I still don't prefer his music. Rating: B-

8. John Legend: Used To Love U-This is a good song. "Holla, holla, holla, holla". Rating: B

9. Nelly: Over & Over-I like this song. It's not GREAT, but it's an OK song. Rating: A-

10. Frankie J: Obsession-I don't much care for Frankie J. This is no exception. Rating: C-

11. Omarion: O-Too ballad-y, but that's the approach he was going for. Rating: C

12. Howie Day: Collide-An OK song, I guess. Don't have much to say about it. Rating: B

13. Hoobastank: Disappear-Yeah! This is waaay better than "The Reason". Rating: A-

14. Chevelle: Vitamin R-I love Chevelle! Rating: A

15. Three Days Grace: Home-See note on Chevelle. Rating: A

16. Lenny Kravitz: Lady-Good 'ol fashioned rock 'n' roll for the new generation. Rating: A

17. Good Charlotte: I Just Wanna Live-I love this song. Killer guitars and a great chorus. Rating: A+

18. Frickin' A: Jessie's Girl-Rockier than the original, but it's not great, it's just good. Rating: B

19. Skye Sweetnam: Tangled Up In Me-An OK song I suppose, but she tries too hard to be considered "rock"("Billy S."? Please!) Rating: B

20. Keith Urban: You're My Better Half-I hate country. Rating: D

Now 18 is 50/50.......2005-08-03

First off, this is the first review that I'm writing that will get a helpful vote. I will go by each track, one by one, and tell you what they are.

1. Vertigo
U2
Rock
Song: C

Average at best, I can easily get a better song off of a Chevelle CD.

2. What You Waiting For?
Gwen Stefani
Pop
Song: A+

Oh yeah, this song ROCKS! My favorite off of L.A.M.B., actually, I don't like that album.

3. Rumors
Lindsay Lohan
Untalented Pop
Song: F

Lol, Lindsay Lohan really sucks. This song really proves it.

4. Drop It Like It's Hot
Snoop Dogg
Rap
Song: B-

Rap sucks. This is catchy and an exception.

5. Soldier
Destiny's Child
R&B
Song: C+

They are talented, but the song just sucks a$$.

6. Only U
Ashanti
R&B
Song: F

Just awful. She can't sing lol.

7. Balla Baby
Chingy
Rap
Song: F

Chingy...I don't need to say anything else.

8. Used To Love U
John Legend
R&B
Song: B

The song is alright. Not the best. Not really a hit.

9. Over & Over
Nelly & Tim McGraw
R&B and Country Crossover
Song: F

Untalented. Awful song. Just AWFUL!

10. Obsession
Frankie J
R&B
Song: D-

Filth. I miss his Don't Wanna Try days.

11. O
Omarion
R&B
Song: F

LOL!!!! O?!?!?! WTF?!?!?!
12. Collide
Howie Day
Adult Contemparary
Song: A+

FINALLY! About time for some talent! Great song, and they are talented and WRITE.

13. Disappear
Hoobastank
Rock
Song: C-

They're a good group. I just highly dislike this song.
14. Vitamin R
Chevelle
Rock
Song: A+

YES! YES! A great song!!! The best on the CD!
15. Home
Three Days Grace
Rock
Song: A+

See #14 - Vitamin R
16. Lady
Lenny Kravitz
Rock
Song: C-

His earlier stuff is better.

17. I Just Wanna Live
Good Charlotte
Fake Rock
Song: F

Um, lol. Their vocals sound like they're getting their balls cut off. Awful, medicore, Simple Plan imitation. (FYI, Simple Plan sucks...a lot)

18. Jessie's Girl
Frickin' A!
Rock
Song: B

It's a good song, but they are UNTALENTED!

19. Tangled Up In Me
Skye Sweetnam
Pop
Song: C

They're a great talented band but the song really sucks.

20. Forgot The Title
Keith Urban
Country
Song: F

All country sucks.

Well, I averaged it out, and it comes to 2.8 stars, and I rounded it to 3. So that's D+, below average, below average, selections, artists, and songs, awful, get Now 18, yes, if you're a perfectionist, you'll notice this sentence is too long, therefore I'll end it here, okay, cool, hope, this, was, helpful.

now 19.......2005-07-12

Ok, ok, I know that this is supposed to be a review for Now 18, but I can't review for Now 19 anywhere else. The music on Now 19 is much more updated, with hits like "Hollaback Girl" and "Baby I'm Back." But it's still a little outdated with "Mockingbird." It should have been "A** Like That." And "Somebody Told Me" instead of "Mr. Brightside." Overall, I think this Now CD is much more updated than previous ones.

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

The greatest songs ever?
A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Solo Instrumental | New Age | Styles | Music

Classical | Box Sets | Stores | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Dowland: Complete Lute Works, Vol.1-5
William Byrd: Consort Songs
Bach: The Landowska Recordings
Britten Conducts Britten
Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

Two Almaines
Fant
Walsingham
Mignarda
Almaine
Galliard
Greensleeves
Galliard Upon A Galliard Of Daniel Bachelar
Pavan
Carman's Whistle
Pavan
Monsieur's Almaine
Pavan
Batell Galliard
Galliard
Pavana Bray
Galliard
Pavan
My Lord Willoughby's Welcome Home
Captain Piper's Galliard
Queen Elizabeth's Galliard
Sir John Langton's Pavan
Tarleton's Ressurection
Lady Clifton's Spirit

Tracks:

Landgrave Of Hesse: Pavan
Saltarello
Ballo Detto Il Conte Orlando
Saltarello
Fant
Chromatic Pavan And Galliard: Pavan
Chromatic Pavan And Galliard: Galliard
Fant
Queen Elizabeth's Galliard
Fant
Fant
Finale
Villanella No.1
Villanella No.2
Finale 2
Pavan
Mein Herz Hat Sich Mit Lieb' Verpflicht
Hie' Folget Ein Welscher Tanz
Ich Klag' Den Tag
Der Juden Tanz
Fant
Air De Cour
Branle
Guillemette
Volte
Forlorn Hope Fancy
My Lord Willoughby's Welcome Home (For Two Lts)

Tracks:

The Earl Of Essex Galliard
Lachrimae Antiquae
Galliard To Lachrimae
My Lady Hunsdon's Puffe
Lord De L'Isle's Galliard
The Frog Galliard
Lachrimae Verae
The Shoemaker's Wife
Lady Rich, Her Galliard
Unnamed Piece (Almaine)
Sir John Smith's Almaine
Melancholy Galliard
Sir Henry Gifford's Almaine
Dowland's First Galliard
Mrs Vaux's Gigge
The Earl Of Derby, His Galliard
Semper Dowland, Semper Dolens
Captain Digorie Piper's Galliard
My Lord Chamberlain, His Galliard
Mr Langton's Galliard
Sir John Souche's Galliard
Piper's Pavan
Resolution

Tracks:

The Woods So Wild
Fant I in c
Packington's Pound
Fant II in F
Walsingham
Fant III in g
The Fairy Round
Heigh Ho Holiday
Fant IV (La Campagna)
Go From My Window
Fant V in C
Greensleeves
Fant VI in F
Bonny Sweet Robin
Fant VII in F
Heart's Ease
Fant VIII in G
Loth To Depart
A Fancy
A Fancy
Farewell

Tracks:

Con in D, RV 93: Allegro Giusto - Juliam Bream
Con in D, RV 93: Largo - Juliam Bream
Con in D, RV 93: Allegro - Juliam Bream
Con in F: Allegro - Juliam Bream
Con in F: Adagio - Juliam Bream
Con in F: Tempo Di Menuetto - Juliam Bream
Con in B flat, Op.4 No.6: Allegro - Juliam Bream
Con in B flat, Op.4 No.6: Larghetto - Juliam Bream
Con in B flat, Op.4 No.6: Allegro Moderato - Juliam Bream
Con in G, RV 532: Allegro - Juliam Bream
Con in G, RV 532: Andante - Juliam Bream
Con in G, RV 532: Allegro - Juliam Bream
Son in C, RV 82: Allegro Non Molto - Julian Bream/George Malcom
Son in C, RV 82: Larghetto - Julian Bream/George Malcom
Son in C, RV 82: Allegro - Julian Bream/George Malcom
Son in g, RV 85: Andante Molto - Julian Bream/George Malcom
Son in g, RV 85: Larghetto - Julian Bream/George Malcom
Son in g, RV 85: Allegro - Julian Bream/George Malcom

Tracks:

Monsieur's Almaine - The Julian Bream Consort
Pavin - The Julian Bream Consort
My Lord Of Oxenford's Maske - The Julian Bream Consort
The Flatt Pavin - The Julian Bream Consort
The Bachelar's Delight - The Julian Bream Consort
Kemp's Jig - The Julian Bream Consort
Phillips Pavin - The Julian Bream Consort
O Mistress Mine - The Julian Bream Consort
Fant: La Rondinella - The Julian Bream Consort
Joyne Hands - The Julian Bream Consort
Lachrimae Pavin - The Julian Bream Consort
Fant - The Julian Bream Consort
De La Tromba Pavin - The Julian Bream Consort
It Fell On A Summer's Day - The Julian Bream Consort
Dowland's Adew - The Julian Bream Consort
The Frog Galliard - The Julian Bream Consort
La Rosignol - The Julian Bream Consort
Tarleton's Resurrection - The Julian Bream Consort
Galliard-Can She Excuse - The Julian Bream Consort
Gloriana-Courtly Dances: March - The Julian Bream Consort
Gloriana-Courtly Dances: Corante - The Julian Bream Consort
Gloriana-Courtly Dances: Pavan - The Julian Bream Consort
Gloriana-Courtly Dances: Morris Dance - The Julian Bream Consort
Gloriana-Courtly Dances: Galliard - The Julian Bream Consort
Gloriana-Courtly Dances: La Volta - The Julian Bream Consort
Gloriana-Courtly Dances: March (Finale) - The Julian Bream Consort
Con in D, RV 93: Allegro - The Julian Bream Consort
Con in D, RV 93: Largo - The Julian Bream Consort
Con in D, RV 93: Allegro - The Julian Bream Consort

Tracks:

Joyne Hands - The Julian Bream Consort
Phillips Pavin - The Julian Bream Consort
The Frog Galliard - The Julian Bream Consort
The Jew's Dance - The Julian Bream Consort
Fant - The Julian Bream Consort
The Bachelar's Delight - The Julian Bream Consort
The Sacred End Pavin And Galliard: Pavin - The Julian Bream Consort
The Sacred End Pavin And Galliard: Galliard - The Julian Bream Consort
De La Tromba Pavin - The Julian Bream Consort
Thirsis And Milla - The Julian Bream Consort
Alison's Knell - The Julian Bream Consort
Grimstock - The Julian Bream Consort
Go From My Window - The Julian Bream Consort
Go Nightly Cares - The Julian Bream Consort
Daniel's Almain - The Julian Bream Consort
In Nomine Pavin - The Julian Bream Consort
Come Again - The Julian Bream Consort
Lachrimae Pavin - The Julian Bream Consort
Can She Excuse - The Julian Bream Consort

Tracks:

Chor No.1 - Juilian Bream
Etude in e - Juilian Bream
Etude in c# - Juilian Bream
Prld in e - Juilian Bream
Schottische-Choro (From Ste Popolar Brasileira) - Juilian Bream
Madronos - Juilian Bream
Homenaje, Pour Le Tombeau De Debussy - Juilian Bream J
The Miller's Dance (From The Three-Cornered Hat) - Juilian Bream
Fandanguillo - Juilian Bream J
El Testament D'Amelia - Juilian Bream
Canarios - Juilian Bream
Son - Juilian Bream
En Los Trigales - Juilian Bream
Larghetto - Juilian Bream
Allegro, K.Anh.229 - Juilian Bream
Son in C, Op.15, Allegro - Juilian Bream
Rossiniana No.1, Op.119 - Juilian Bream

Tracks:

Pavanas
Galliardas
Passacalles
Canarios
Villano
Canario
Prld in d, BWV 999
Fugue in a, BWV 1000
Passacaille
Fant
Tombeau Sur La Mort De M. Comte De Logy
Ste in d: Prld
Ste in d: Allemande
Ste in d: Courante
Ste in d: Sarabande
Ste in d: Gavotte
Ste in d: Menuets I And II
Ste in d: Bourree
Ste in d: Gigue
Aria Con Var Detta La Frescobalda
Son in e, K.11
Son in e, K.87
Son in c#
Son in A

Tracks:

Grand Ov, Op.61
Grand Solo, Op.14: Intro
Grand Solo, Op.14: Allegro
Son in A: Allegro Moderato
Son in A: Andante Sostenuto
Son in A: Menuet-Scherzo
Son in A: Rondo (Allegretto)
Rossiniana No.3, Op.121
Son in C, Op.25: Andante Largo; Allegro Non Troppo
Son in C, Op.25: Andantino Grazioso
Son in C, Op.25: Minuetto & Trio/Allegro

Tracks:

Grand Son in A: Allegro Risoluto
Grand Son in A: Romanze
Grand Son in A: Andantino Variato
Son in G, Op.78, D.894, Menuetto
Song Without Words, Op.19, No.6 ('Venetian Boating Song')
Str Qt, Op.12: Conzanetta
Homenaje, Pour Le Tombeau De Debussy
Pavane Pour Une Infante Defunte
Ste Espanola, Op.47: Granada
Ste Espanola, Op.47: Leyenda (Asturias)
Lagrima (Prld)
Three Mazurkas: Adelita
Three Mazurkas: Mazurka in G
Three Mazurkas: Marieta

Tracks:

Sonatina, Op. 52, No.1: Allegretto
Sonatina, Op. 52, No.1: Lento
Sonatina, Op. 52, No.1: Rondo
Segovia, Op.29
El Polifemo De Oro (Four Fragments): Ben Adagio
El Polifemo De Oro (Four Fragments): Allegretto
El Polifemo De Oro (Four Fragments): Largo
El Polifemo De Oro (Four Fragments): Ritmico E Vivo
Quatre Pieces Breves: Prld
Quatre Pieces Breves: Air
Quatre Pieces Breves: Plainte
Quatre Pieces Breves: Comme Une Gigue
Drei Tentos (From 'Kammermusik'): 'Du Schones Bachlein' (Tranquilmente)
Drei Tentos (From 'Kammermusik'): 'Es Findet Das Aug' Oft' (Allegro Rubato)
Drei Tentos (From 'Kammermusik'): 'Sohn Laios' (Lento)
Elegy
Five Bagatelles: Allegro
Five Bagatelles: Lento/Tempo Di Valse
Five Bagatelles: Alla Cubana
Five Bagatelles: Sempre Espressivo
Five Bagatelles: Con Slancio
Theme And Vars, Op.77

Tracks:

Ste Compostellana: Prd
Ste Compostellana: Coral
Ste Compostellana: Cuna
Ste Compostellana: Recitativo
Ste Compostellana: Cancion
Ste Compostellana: Muneira
Tiento
Son: Allegretto
Son: Andante
Son: Allegro
Fant
Ste Populaire Bresilienne: Mazurka-Choro
Ste Populaire Bresilienne: Schottisch-Choro
Ste Populaire Bresilienne: Valse-Choro
Ste Populaire Bresilienne: Gavotte-Choro
Etude No.5 in C
Etude No.7 in E

Tracks:

Five Impromptus: Recitative
Five Impromptus: Agitato
Five Impromptus: Elegiaco
Five Impromptus: Con Fuoco
Five Impromptus: Arioso
Five Bagetelles: Allegro
Five Bagetelles: Lento
Five Bagetelles: Alla Cubana
Five Bagetelles: Sempre Espressivo
Five Bagetelles: Con Slancio
Hill Runes
Son No.1, Royal Winter Music: Gloucester (Majestically)
Son No.1, Royal Winter Music: Romeo And Juliet (Singing Slowly, With Tenderness)
Son No.1, Royal Winter Music: Ariel (Swiftly, Gently, Mysteriously)
Son No.1, Royal Winter Music: Ophelia (Slowly)
Son No.1, Royal Winter Music: Touchstone, Audrey And William (With Humor)
Son No.1, Royal Winter Music: Oberon (Majestically)

Tracks:

Gtr Con, Op.67: Allegro
Gtr Con, Op.67: Lento
Gtr Con, Op.67: Con Brio
Con: Lento E Rubato/Vivo
Con: Andante Lento
Con: Con Brio
Concierto De Aranjuez: Allegro Con Spirito
Concierto De Aranjuez: Adagio
Concierto De Aranjuez: Allegro Gentile

Tracks:

Gtr Qnt in e, G.451: Allegro Moderato
Gtr Qnt in e, G.451: Adagio
Gtr Qnt in e, G.451: Menuetto
Gtr Qnt in e, G.451: Allegretto
Gtr Qnt in D, G.448: Intro And Fandango - Julian Bream/George Malcolm
Qt in E, Op.2 No.2: Allegro
Qt in E, Op.2 No.2: Adagio
Qt in E, Op.2 No.2: Menuetteo E Trio
Qt in E, Op.2 No.2: Finale: Presto
Gtr Con in A, Op.30: Allegro Maestoso
Gtr Con in A, Op.30: Andantino Siciliano
Gtr Con in A, Op.30: Alla Polacca

Tracks:

My Lady Hundson's Puffe - Dame Peggy Ashcroft/Julian Bream
'If Music And Sweey Poetry Agree' (Sonnet From The Passionate Pilgrim) - Dame Peggy Ashcroft/Julian Bream
The King Of Denmark's Galliard - Dame Peggy Ashcroft/Julian Bream
Envoi To The Phoenix And The Turtle - Dame Peggy Ashcroft/Julian Bream
Mignarda - Dame Peggy Ashcroft/Julian Bream
'The Courser And The Genet' (From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
Queen Elizabeth's Galliard - Dame Peggy Ashcroft/Julian Bream
Loth To Depart - Dame Peggy Ashcroft/Julian Bream
'She Looks Upon His Lips' (Death of Adaonis From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
The Earl Of Derby's Galliard - Dame Peggy Ashcroft/Julian Bream
'Orpheous With His Lute' (From King Henry VIII, Act III, Scene 1) - Dame Peggy Ashcroft/Julian Bream
Lachrimae Pavin - Dame Peggy Ashcroft/Julian Bream
'Weary With Toil' (Sonnet No.27) - Dame Peggy Ashcroft/Julian Bream
'Is It Thy Will?' (Sonnet No.61) - Dame Peggy Ashcroft/Julian Bream
'O, Never Say That I Was False Of Heart' (Sonnet No.109) - Dame Peggy Ashcroft/Julian Bream
Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
'My Mother Had A Maid Call'd Barbara' (From Othello, Act IV, Scene 3) - Dame Peggy Ashcroft/Julian Bream
Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
'Come Away, Come Away, Death' (From Twelfth Night, Act II, Scene 4) - Dame Peggy Ashcroft/Julian Bream
A Fancy - Dame Peggy Ashcroft/Julian Bream
'Two Loves I Have' (Sonnet No.144) - Dame Peggy Ashcroft/Julian Bream
'The Expense Of Spirit' (Sonnet No.129) - Dame Peggy Ashcroft/Julian Bream
Melancholy Galliard - Dame Peggy Ashcroft/Julian Bream
'But She Hath Lost A Dearer Thing Than Life' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
'Ev'n In This Thought' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
Semper Dowland, Semper Dolens - Dame Peggy Ashcroft/Julian Bream
'What Potions Have I Drunk' (Sonnet No.119) - Dame Peggy Ashcroft/Julian Bream
'When To The Sessions' (Sonnet No.30) - Dame Peggy Ashcroft/Julian Bream
Orlando Sleepeth - Dame Peggy Ashcroft/Julian Bream
'Fear No More' (Dirge For Fidele From Cymbeline, Act IV, Scene 2) - Dame Peggy Ashcroft/Julian Bream

Tracks:

Songs From The Chinese, Op.58: The Big Chariot - Julian Bream/Sir Peter Pears
Songs From The Chinese, Op.58: The Old Lute - Julian Bream/Sir Peter Pears
Songs From The Chinese, Op.58: The Autumn Wind - Julian Bream/Sir Peter Pears
Songs From The Chinese, Op.58: The Herd-Boy - Julian Bream/Sir Peter Pears
Songs From The Chinese, Op.58: Depression - Julian Bream/Sir Peter Pears
Songs From The Chinese, Op.58: Dance Song - Julian Bream/Sir Peter Pears
Folk Song Arrangements: Master Kilby - Julian Bream/Sir Peter Pears
Folk Song Arrangements: The Shooting Of His Dear - Julian Bream/Sir Peter Pears
Folk Song Arrangements: Sailor-Boy - Julian Bream/Sir Peter Pears
Folk Song Arrangements: I Will Give My Love An Apple - Julian Bream/Sir Peter Pears
Folk Song Arrangements: The Soldier And The Sailor - Julian Bream/Sir Peter Pears
Gloriana: The Second Lt Song Of The Earl Of Essex - Julian Bream/Sir Peter Pears
Anon In Love: Fain Would I Change That Note - Julian Bream/Sir Peter Pears
Anon In Love: O Stay, Sweet Love - Julian Bream/Sir Peter Pears
Anon In Love: Lady, When I Behold The Roses - Julian Bream/Sir Peter Pears
Anon In Love: My Love In Her Attire - Julian Bream/Sir Peter Pears
Anon In Love: I Gave Her Cakes And I Gave Her Ale - Julian Bream/Sir Peter Pears
Anon In Love: To Couple Is A Custom - Julian Bream/Sir Peter Pears
Four French Folk Songs: Reveillez-Vous - Julian Bream/Sir Peter Pears
Four French Folk Songs: J'Ai Descendu - Julian Bream/Sir Peter Pears
Four French Folk Songs: Le Rossignol - Julian Bream/Sir Peter Pears
Four French Folk Songs: Marguerite, Elle Est Malade - Julian Bream/Sir Peter Pears
O Mistress Mine - Julian Bream/Sir Peter Pears
Nocturnal, Op.70 - Julian Bream/Sir Peter Pears

Tracks:

Absence - Julian Bream/Sir Peter Pears
What Then Is Love? - Julian Bream/Sir Peter Pears
I Saw My Lady Weep - Julian Bream/Sir Peter Pears
If She Forsake Me - Julian Bream/Sir Peter Pears
Dear, If You Change - Julian Bream/Sir Peter Pears
Come, Phyllis - Julian Bream/Sir Peter Pears
Stay, Time - Julian Bream/Sir Peter Pears
It Was A Lover And His Lass - Julian Bream/Sir Peter Pears
Weep You No More - Julian Bream/Sir Peter Pears
When Laura Smiles - Julian Bream/Sir Peter Pears
Fair, Sweet, Cruel - Julian Bream/Sir Peter Pears
Shall I Sue? - Julian Bream/Sir Peter Pears
Sweet, Stay Awhile - Julian Bream/Sir Peter Pears
Who Is It? - Julian Bream/Sir Peter Pears
Can She Excuse? - Julian Bream/Sir Peter Pears
Come, Heavy Sleep - Julian Bream/Sir Peter Pears
Wilt Thou Unkind, Thus Leave Me? - Julian Bream/Sir Peter Pears
Sorrow, Stay - Julian Bream/Sir Peter Pears
The Lowest Trees Have Tops - Julian Bream/Sir Peter Pears
Time's Eldest Son, Old Age - Julian Bream/Sir Peter Pears
In Darkness Let Me Dwell - Julian Bream/Sir Peter Pears
Say, Love, If Ever Thou Did'st Find - Julian Bream/Sir Peter Pears

Tracks:

Lt Ste No.1, BWV 996: Prld
Lt Ste No.1, BWV 996: Allemande
Lt Ste No.1, BWV 996: Courante
Lt Ste No.1, BWV 996: Sarabande
Lt Ste No.1, BWV 996: Bourree
Lt Ste No.1, BWV 996: Gigue
Lt Ste No.2, BWV 997: Prld
Lt Ste No.2, BWV 997: Fugue
Lt Ste No.2, BWV 997: Sarabande
Lt Ste No.2, BWV 997: Gigue
Trio Son No.1 in E flat, BWV 525: Allegro Moderato - Julian Bream/George Malcolm
Trio Son No.1 in E flat, BWV 525: Adagio - Julian Bream/George Malcolm
Trio Son No.1 in E flat, BWV 525: Allegro - Julian Bream/George Malcolm
Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm
Trio Son No.5 in C, BWV 529: Largo - Julian Bream/George Malcolm
Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm

Tracks:

Con: Allegro Preciso
Con: Andantino E Andante/Cadenza
Con: Allegretto Non Troppo
Five Prlds: No.1 in e: Andantino Espressivo
Five Prlds: No.5 in E: Andantino
Five Prlds:No.3 in a: Andante/Molto Adagio/Andante
Five Prlds: No.4 in e: Lento/Animato/Moderato/Lento
Five Prlds: No.2 in D: Poco Animato
Twelve Etudes: No.1: Allegro Non Troppo/Lento
Twelve Etudes: No.2: Allegro
Twelve Etudes: No.3: Allegro Moderato
Twelve Etudes: No.4: Poco Moderato/A Tempo/Grandioso
Twelve Etudes: No.5: Andantino
Twelve Etudes: No.6: Poco Allegro
Twelve Etudes: No.7: Tres Anime/Piu Mosso
Twelve Etudes: No.8: Moderato
Twelve Etudes: No.9: Tres Peu Anime
Twelve Etudes: No.10: Tres Anime/Vif/Un Peu Anime/Vif
Twelve Etudes: No.11: Lent/Anime
Twelve Etudes: No.12: Anime

Tracks:

Concierto De Aranjuez: Allegro Con Spirito
Concierto De Aranjuez: Adagio
Concierto De Aranjuez: Allegro Gentile
Gtr Con: Andantino; Allegretto
Gtr Con: Lento
Gtr Con: Allegro Con Brio
Gtr Con No.3, Con Elegiaco: Tranquillo
Gtr Con No.3, Con Elegiaco: Interlude
Gtr Con No.3, Con Elegiaco: Finale: Toccata

Tracks:

El Maestro: Pavana I
El Maestro: Pavana V
El Maestro: Pavana VI
El Maestro: Fant XII
El Maestro: Fant VIII
El Maestro: Fant IX
El Maestro: Tento I
El Maestro: Pavana IV
El Maestro: Fant XVI
Los Seys Libros Del Delphin De Musica: Book I: Fant V
Los Seys Libros Del Delphin De Musica: Book II: Fant V
Los Seys Libros Del Delphin De Musica: Book III: La Cancion Del Emperador
Los Seys Libros Del Delphin De Musica: Fant VI
Los Seys Libros Del Delphin De Musica: Book V: Arde Coracon Arde
Los Seys Libros Del Delphin De Musica: Book V: Ya Se Asiente El Rey Ramiro
Los Seys Libros Del Delphin De Musica: Book IV: O Gloriosa Domina (Seys Diferencias)
Los Seys Libros Del Delphin De Musica: Book VI: Conde Claros
Los Seys Libros Del Delphin De Musica: Book VI: Guardame Las Vacas
Los Seys Libros Del Delphin De Musica: Book VI: Tres Diferencias Por Otra Parte
Los Seys Libros Del Delphin De Musica: Book VI: Baxa De Contrapunto
Fant

Tracks:

Fant, Op.30: Intro: Lentemente
Fant, Op.30: Theme: Allegretto
Fant, Op.30: Vars 1 To 5
Fant, Op.7: Largo Non Tanto
Fant, Op.7: Theme: Andante
Fant, Op.7: Vars 1 To 7
Vars On A Theme By Mozart, Op.9: Intro: Andante Largo
Vars On A Theme By Mozart, Op.9: Theme: Andante Moderato
Vars On A Theme By Mozart, Op.9: Vars 1 To 5
Adagio, Op.2, No.1
Polonaise, Op.2, No.2
Intro And Rondo, Op.2, No.3: Andante/Allegro Moderato

Tracks:

Cuentos Para La Juventud: Dedicatoria
La Maja De Goya (Tonadilla)
Danza Espanola No.4 (Villanesca)
Valses Poeticos
Da