Career overviews programmed by the artists themselves are generally inconsistent affairs, usually due to the musicians' own eccentricities. For Duchess of Coolsville, this long-overdue Rickie Lee Jones compilation covering the years 1979-2003, she decided to sequence most of the songs in alphabetical order. It's a unique, yet rather bizarre, concept that dispenses with all sense of continuity, either chronological or musical. While this randomness behooves an artist as willfully eclectic as Jones, it also makes for a rollercoaster listening experience. Selecting tracks from 10 albums that alternately focused on folk, jazz, pop standards, and even electronica makes putting together any compilation of Jones's work a tough assignment, especially since each of her records has a distinctive flow. The 34 selections on the first two discs hit most, but not all, of the highlights from her often patchy releases. Disc 3 unearths seven demos, some live tracks, and several collaborations, few of which are revelatory. Long in need of a sonic shining, these songs sparkle with fresh remastering, revealing production details most listeners will hear for the first time. While not the best or most coherent collection of Rickie Lee Jones's work that could have been assembled, this anthology provides a reasonably good overview of the Duchess of Coolsville's diverse, distinctive, and often dynamic career. --Hal Horowitz
Product Description
Rickie Lee Jones' career ascent began after famed rock front man Lowell George recored her composition "Easy Money" for a Little Feat album. As an inimitable song stylist, she first made her indelible mark with the scat-flavored hist "Chuck E's In Love" from her acclaimed 1979 self-titled debut LP. Ever since, Jones has blazed an artististically idiosyncratic path on a long string of beautiful, adventurous, and personal albums. Her more-than-distinctive vocals encompass rock, jazz, blues, classic pop, folk, and R&B inflections...Textured with fluent wordplay and delivered with true heart, Rickie Lee's sound is one of the most authentic and original in contemporary music.
Duchess of Coolsville: An Anthology,Rickie Lee Jones,Rhino / Wea,Adult Alternative Pop/Rock,Album Rock,Folk-Rock,Pop,Pop/Rock,Rock,Rock/Pop,Singer/Songwriter,Soft Rock,United States of America
Duchess of Coolsville: An Anthology
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Duchess of Coolsville: An Anthology
Rickie Lee Jones Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009CTUS2 Release Date: 2005-06-28 |
Tracks:
- A Tree On Allenford
- Alter Boy
- Beat Angels
- Bitchenostrophy
- Bye Bye Blackbird
- Chuck E's In Love
- Company
- Coolsville
- Cycles
- Firewalker
- Flying Cowboys
- Ghost Train
- Hey Bub
- It Must Be Love
- Living It Up
- Magazing
- On Saturday Afternoons in 1963
- Pirates (So Long Lonely Avenue)
- Sailor Song
Tracks:
- Satellites
- Scary Chinese Movie
- Skeletons
- Stewart's Coat
- Horses
- Last Chance Texaco
- Tigers
- Traces of the Western Slopes
- Ugly Man
- Up From the Skies
- Vessel of Light
- We Belong Together
- Weasel and the White Boys Cool
- Woody and Dutch On The Slow Train to Peking
Tracks:
- Sunshine Superman
- Makin' Whoopee! -- with Dr. John
- Autumn Leaves -- with Rob Wasserman
- Evening of My Best Day (Live)
- Atlas Marker (Aviator) (Live) -- with Bill Frisell
- Easter Parade -- with Blue Nile
- My Funny Valentine (Live)
- Young Blood (Demo)
- After Hours (Twelve Bars Past Goodnight) (Demo)
- Easy Money (Demo)
- Rodeo Girl (Demo)
- Satellites (Demo)
- Atlas Marker (Bruce Mix-Demo)
- Theme from Gravity (Demo)
- Rondo for 3 Apartments on 34th Street (Demo)
Amazon.com
Career overviews programmed by the artists themselves are generally inconsistent affairs, usually due to the musicians' own eccentricities. For Duchess of Coolsville, this long-overdue Rickie Lee Jones compilation covering the years 1979-2003, she decided to sequence most of the songs in alphabetical order. It's a unique, yet rather bizarre, concept that dispenses with all sense of continuity, either chronological or musical. While this randomness behooves an artist as willfully eclectic as Jones, it also makes for a rollercoaster listening experience. Selecting tracks from 10 albums that alternately focused on folk, jazz, pop standards, and even electronica makes putting together any compilation of Jones's work a tough assignment, especially since each of her records has a distinctive flow. The 34 selections on the first two discs hit most, but not all, of the highlights from her often patchy releases. Disc 3 unearths seven demos, some live tracks, and several collaborations, few of which are revelatory. Long in need of a sonic shining, these songs sparkle with fresh remastering, revealing production details most listeners will hear for the first time. While not the best or most coherent collection of Rickie Lee Jones's work that could have been assembled, this anthology provides a reasonably good overview of the Duchess of Coolsville's diverse, distinctive, and often dynamic career. --Hal HorowitzAlbum Description
Rickie Lee Jones' career ascent began after famed rock front man Lowell George recored her composition "Easy Money" for a Little Feat album. As an inimitable song stylist, she first made her indelible mark with the scat-flavored hist "Chuck E's In Love" from her acclaimed 1979 self-titled debut LP. Ever since, Jones has blazed an artististically idiosyncratic path on a long string of beautiful, adventurous, and personal albums. Her more-than-distinctive vocals encompass rock, jazz, blues, classic pop, folk, and R&B inflections...Textured with fluent wordplay and delivered with true heart, Rickie Lee's sound is one of the most authentic and original in contemporary music.Customer Reviews:
denlan.......2007-02-13
Surprisingly, a little disappointing.......2007-01-20
It was probably a wise business decision for Rhino records to attempt this collection instead of simply remastering those first two masterpiece albums. I don't consider it an artistic triumph, however.
On the plus side, Rhino has equalized or otherwise processed the original material so carefully that songs from different recording venues using different techniques of recording (digital and analog) sound now sound organically whole and integrated with each other. Mainly this involved cutting down a lot of the high frequency content of the originals, rendering Rickie Lee's voice less piercing, but also de-emphasizing the percussion and the brilliant overtones of the guitars. That's not an unreservedly good thing, but it works in the context of making an anthology album.
The alphabetical organization of the tracks does not really work, either. Normally such collections are laid out chronologically, and that probably would have been a better choice here, except that it would have made the falloff in the quality of RLJ's recordings more evident.
The bonus tracks, demos, and miscellaneous on disc three are interesting for the RLJ fan. I don't see them as having lasting replay value.
Listening to this set has lowered Rickie Lee Jones' art in my estimation. I already own most of her records in one format or another. But if this is supposed to RLJ's best, then one must admit that the best of albums like Magazine and Ghostyhead are a bit overrated. Rhino should just get on with remastering her first and second albums.
Beware of shorter version of "The Horses".......2006-11-03
Coolsville is Cool.......2006-07-30
UNBELIEVABLE!!!!!.......2006-06-16
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