At Dawn

At Dawn

Editorial Reviews

Product Description
Thee essential MMJ record. A voice that's both honey & charcoal, deep Southern gothic canvases with gracious acoustic and electric guitars, painterly strokes of harpsichord, harmonica, lap steel, drums swimming in the deepest, darkest, widest pools of reverb, dirigible harmonies that will have you weeping, incensed atmosphere so thick, it's absolutely biblical. '...there's an undercurrent of fatalist resignation that rolls over you like the late-afternoon summer sun' - CMJ. 'At Dawn could be the perfect soundtrack to a summer road trip, or just something you wrap around yourself on the way to work each morning. 14 tracks. Darla. 2001.

At Dawn,My Morning Jacket,Darla Records,766481224143,Alternative Country-Rock,Dream Pop,Indie Pop,Neo-Psychedelia,Pop,Rock,Rock/Pop


At Dawn

The Piper at the Gates of Dawn
Average customer rating: 4.5 out of 5 stars
  • Great album terrible IDIOTIC re-issue
  • You might want to wait if you haven't bought this already...
  • Floyd's Beginnings
  • A Musical Introspective On The Summer Of Love By England's New Psychedelic Band
  • I have to say that I don't get it
The Piper at the Gates of Dawn
Pink Floyd
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

BritainBritain | British Isles | Europe | International | Styles | Music
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ASIN: B000002UA0
Release Date: 1990-10-25

Tracks:

  1. Astronomy Domine
  2. Lucifer Sam
  3. Matilda Mother
  4. Flaming
  5. Pow R. Toc H.
  6. Take Up Thy Stethoscope And Walk
  7. Interstellar Overdrive
  8. The Gnome
  9. Chapter 24
  10. Scarecrow
  11. Bike

Amazon.com essential recording

While they took their name from blues musicians Pink Anderson and Floyd Council when they started out as an R&B combo in the mid-60s, Pink Floyd's leader, guitarist Syd Barrett, soon began piloting the band through unprecedented sonic excursions typified by the title of their 1967 debut album's most celebrated track--the outsized instrumental "Interstellar Overdrive." Equally adept at composing catchy-sounding, Gothic-themed pop songs such as "See Emily Play," "The Scarecrow" and "The Gnome," Barrett seemed destined for greatness--that is, until psychedelic drugs got the best of him, and he abandoned the band to bassist Roger Waters and new guitarist David Gilmour. The rest, as they say, is history. --Billy Altman

Customer Reviews:

1 out of 5 stars Great album terrible IDIOTIC re-issue.......2007-07-04

First, let me say I love this album. Its beautiful, lovely, piquant, quirky, ripping, gripping, insane, rock n roll. Yeah! redgrevillea's review got it right when he mentioned this is art and the rest of the Pink Floyd albums are architecture in comparison. Its one of the few records from this time that has stood, and will continue to stand the test of time. It lives and lives up to it's reputation.

Fans of the later big budget corporate albums will be confused by this record. Seek corporate rock elsewhere you niny brains, there is plenty of that stuff out there. Tons of it. You are obviously in the wrong place.

Unfortunately, REALLY UNFORTUNATELY, this is a textbook example of how to screw a reissue up. Its hard to understand their decisions.

FIRST off leave off the best cut on the original album "See Emily Play" which is a psychedelic classic and maybe THE psychedelic classic of the era!!! DUH! ??? Its the first song on the original and sets the tone for what follows. SECOND change the order of the cuts putting the long instrumental cut that is more like later corporate Pink Floyd RIGHT IN THE MIDDLE... for no apparent reason??? I like Interstellar Overdrive. But it is probably the song that most original Pink Floyd fans will skip EVERY TIME and it shouldn't be right in the middle. Sid got it right the first time when he put it last. It works much better that way. The idiot who decided to reorder the songs is just that, an idiot. You ding dong, you know who you are.

The inclusion of out takes "Bike" and "Flaming" which are not on the original is a good thing. I wish they had included more out takes. There is certainly room for more of the songs from that era. Oh well I guess I'll just have to DOWNLOAD them if I want to hear them. Dumb. The original order should have been preserved and as many of the outtakes as they could fit should have been included at the END after Interstellar Overdrive, to differentiate them from the originals. If they had done that this would be a 6 star CD. The music is great despite the production.

One last thing. Syd's problems, contrary to popular UNINFORMED opinion, were NOT due to drugs. If they were, EVERYONE in Pink Floyd, most of their original fans, and a good percentage of this generation would have succumbed too. Think about it, 90% of the people who built the personal computer industry dropped acid and listened to music like this. Syd had organic mental disease. Every review that mentions that Syd was taken out by drugs should be suspect, because it doesn't take much insight to understand that's just TOTAL NONSENSE.

One star for this reason - so people who are searching might be able to find this, one of the few reviews that makes sense. However its still a great album. I'd want to own a vinyl original before I'd want this but if you don't have a turntable, then buy this and DOWNLOAD "See Emily Play." Maybe just download it all.

5 out of 5 stars You might want to wait if you haven't bought this already..........2007-06-08

A new 40th Anniversary Edition of this CD has just been announced, a 3 CD Box Set!



Tuesday 5th June: Floyd Lays Plans For Piper



To mark the 40th anniversary of the original release of Pink Floyd's first

album 'The Piper At The Gates Of Dawn', a special edition is planned for

release via EMI Records on Tues 28th August in North America, and Monday

September 3rd in Europe.



The packaging, designed by Storm Thorgerson, resembles a cloth-covered book, and holds 3 CD discs, along with a 12-page reproduction Syd Barrett notebook.



Discs 1 and 2 will contain the full 'Piper' album, represented in both

stereo and mono versions. Both have been newly remastered by James Guthrie.



Disc 3 includes bonus tracks, including the following: all the Pink Floyd singles from 1967, ('Arnold Layne', 'See Emily Play', and 'Apples And Oranges'), plus the B sides 'Candy And A Current Bun' and 'Paintbox'. Other tracks are a version of 'Interstellar Overdrive' - Take 2 of the original recording sessions, previously only available on an EP in France - and the 1967 stereo version of 'Apples And Oranges'.



Other activities surrounding the 40th anniversary celebrations will be

announced in due course.



_http://www.pinkfloyd.co.uk/index.php_

4 out of 5 stars Floyd's Beginnings.......2007-05-27

Pink Floyd's debut LP released in 1967 sounded very unlike any other band around then. Inspired by the the BBC's Radiophonic Workshop's usage of electronic music (they produced the original Doctor Who theme amongst others), Syd Barrett came up with a medley of sinister nursery rhymes and ideas based on what was to be tagged space rock. Pink Floyd soon became recognised as the UK's first real live psychedelic band.

The excellent opener 'Astronome Domine' gives a good indication of what the Floyd sounded like then, with lyrics about stars, planets and underground caves. As to the best of the 'nursery rhyme' songs there are strange stories about 'Lucifer Sam' (Barrett's cat), 'Matilda Mother', 'Scarecrow' 'The Gnome' and a disturbing final track,'Bike', including accompaniment of ringing clocks and geese. It includes that wonderfully whimsical line "I've got a mouse but it hasn't got a house - I don't know why I call him Gerald".

Of the 2 psychedelic instrumentals, 'Pow R Toc H' has a slight jazzy tinge to it. The epic 'Interstellar Overdrive', is a joint collaboration by the whole band. Nearly 10 minutes long it is typical space rock, and needs repeated listening to really appreciate it. It does have some structure to it and the way the original theme gradually creeps back in is rather clever. The original LP version had more layers of sound on it, so this version on CD comes across a bit thin, unfortunately.

There is only one really duff track on the album which oddly enough is Roger Water's first and only composition here, 'Take Up Thy Stethoscope And Walk'. It truly is a mess. Thankfully his writing skills improved immeasurably after Syd Barrett's departure. But PATGOD's signature and originality lies with its main ideas man, the late Syd Barrett. Although the album in all honesty does sound dated now, for its time it was controversial, original and influential. After Barrett's departure and the addition of Dave Gilmour, PF began to evolve their sound (the follow up to PATGOD already sounded progressively different in style) but they always retained an element of psychedelia on their future albums and never forgot Syd Barrett.

5 out of 5 stars A Musical Introspective On The Summer Of Love By England's New Psychedelic Band.......2007-05-25

When Pink Floyd first started, they were more in outer space than down to earth. The year was 1967. A cultural and social revolution was going on at this time. This was the year everybody was wearing flowers in their hair, smoking pot, and spreading the gospel of peace and love in the midst of unrest and controversy. The message was to make love and not war. The idea was not to face reality but sort of drift off into a fantasy world where everybody loved each other and there was peace and harmony. Drugs were often that escape from reality. The musical movement that was rock 'n' roll also embraced this idea. Legendary recordings such as Sergeant Pepper's Lonely Hearts Club Band were also released that year. British singers and bands were stealing away the popularity and influence that once belonged to American recording artists. The psychedelic movement was in full bloom in places like San Francisco and London. Pink Floyd was London's answer to the Age of Aquarius. They released their debut album The Piper At The Gates Of Dawn. Astronomy Domine took your mind on an interplanetary journey. Interstellar Overdrive took you even farther out. The mastermind behind all this was founding member Syd Barrett. His role and influence in the band was monumental as he would provide the inspiration behind the band's later works such as Wish You Were Here. For those who equate Pink Floyd with getting stoned, this is the album. It has all the makings of taking your mind on a head trip. After Barrett left due to his problems with LSD and David Gilmour took over, leadership began to slowly sway to the direction of Roger Waters who took your mind out of the clouds and back down to earth making you deal with the harsh realities of the human condition. Though the band members did smoke some pot and did a little bit of LSD, they were never really drug-oriented. They never were really serious about topics such as science fiction and the occult. After the departure of Syd Barrett, they pretty much abandoned their "space-rock" image.

2 out of 5 stars I have to say that I don't get it.......2007-04-25

I respect everyone's opinion in here, and I've tried so hard to love this album because I love Pink Floyd and I see how everyone calls it a classic. But I just do not get it. I highly overrated album IMO. Very childlike and underdeveloped, but maybe that is its charm? I see 2 very different Pink Floyds and I have to say I never got into Syd's style. Matilda this, Lucifer that. The Gnome? come on. Astromony Domine was a classic but the rest of the album is a tough listen I'm sorry to say. I'm sure you'll say a true Floyd fan would love this album, well maybe that's true. But for me, when Waters and Gilmour were together, that is the true Floyd IMO. And their reign started with Meddle and ended with the Wall. A brilliant 6 album run (Meddle, OBC, DSOTM, WYWH, Animals, The Wall). For serious collectors, this is a must have and I'll give it 2 stars, but stay away if you expect another 'Wish you were here' purchase, pre-Gilmour can be a tough listen.
At Dawn
Average customer rating: 4.5 out of 5 stars
  • Awful - a review from outside Kentucky
  • Great, just great
  • Greatest album, maybe not even from this planet.
  • The perfect transition to "It Still Moves"
  • Love MMJ
At Dawn
My Morning Jacket
Manufacturer: Darla Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005IBZT
Release Date: 2001-06-05

Tracks:

  1. At Dawn
  2. Lowdown
  3. The Way That He Sings
  4. Death Is My Sleazy Pay
  5. Hopefully
  6. Bermuda Highway
  7. Honest Man
  8. X-Mas Curtain
  9. Just Because I Do
  10. If It Smashes Down
  11. I Needed It Most
  12. Phone Went West
  13. Strangulation!
  14. Bonus Track 1

Album Description

Thee essential MMJ record. A voice that's both honey & charcoal, deep Southern gothic canvases with gracious acoustic and electric guitars, painterly strokes of harpsichord, harmonica, lap steel, drums swimming in the deepest, darkest, widest pools of reverb, dirigible harmonies that will have you weeping, incensed atmosphere so thick, it's absolutely biblical. '...there's an undercurrent of fatalist resignation that rolls over you like the late-afternoon summer sun' - CMJ. 'At Dawn could be the perfect soundtrack to a summer road trip, or just something you wrap around yourself on the way to work each morning. 14 tracks. Darla. 2001.

Customer Reviews:

1 out of 5 stars Awful - a review from outside Kentucky.......2007-05-02

I listened to "At Dawn" after having listened to "Z," which is their latest release. Like "Z," their songs ramble a bit and they go into long, drawn-out solos - a "jam band" if you will. However this album is much more crude and there is way too much reverb. Call me "urbanized," but the production values are poor and there is a lack of hooks throughout the entire length of album. The album is so long that the CD stops playing near the end on my computer's CD player - "Strangulation!" gets strangulated, and I don't even hear the bonus track. "Honest Man" is the only standout on the album, a blues-driven rocker that is unlike any other song MMJ has done. The rest, well - I'm glad it's in the past.

5 out of 5 stars Great, just great.......2006-07-11

I am now listening to this cd for the first time, and i have to say I love it!!! The music is mesmerizing, almost putting me into musical nirvana. I recommend it highly, as highly as I have ever recommended any cd!!!

5 out of 5 stars Greatest album, maybe not even from this planet........2006-07-07

If you read my title, it sounds like I may be strange or just looking to be goofy, but after I saw My Morning jacket this year at Bonnaroo, I'm not totally convinced that Jim James and the rest of the crew is entirely human. The sound of Jim James and the dynamic sound of the band in full is beyond anything that should ever be possible from a mear mortal human being. The album, AT DAWN, has been one of my favorite five albums of all time for well over a year now, but it's an album that may possibly grow on a person for years, or maybe lifetimes, or maybe even reincarnated lives, etc. It hits the soul in ways I didn't think possible. I really don't think (aside from MMJ themselves) that any album will ever be made again that reaches this deeply into the human spiritual core. This album leaves me trembling and feeling reborn after every listen. I was late getting into My Morning Jacket, and now I can't stop thinking about them and it's almost odd how integrated their music is with my life. Appropriately enough, they have possibly the most fitting song in the history of life to describe how I feel about Jim James and the way the music makes me feel. To take an exact quote from the song "The Way That He Sings":

"Why does my mind blow to bits every time they play that song?
It's just the way that he sings,
not the words that he says, or the band.
Im in love with this soul, it's a meaning that I understand."

Those lines are the most appropriate lines I have ever heard. Because it's the way I feel every time I hear every part of that song, and of the album. Of course, I do love the lyrics and the band, etc, but there is something in the way that he sings that blows my mind to bits. Every song on this album is so beautiful and hypnotic that it could arguably stand out on any other album in music history. Please give this album many chances, and realize that it may take several listens before you even can get to the next level of the greatness of this album. I heard it almost four or five times, casually, before it started to hit me, and then one day, I immediately named it one of my favorite five albums; now it's my number one without any doubts. Only this band could top the effort of At Dawn. I really can't say any more about this album other than that it is just simply the most beautiful thing I have ever encountered in my life. This album is special, and the band is as much. I've only seen them twice, but please see them after you get familiar with at least a couple of their albums, and I promise you will come back home and play their albums more religiously than a priest reads a verse before mass.

4 out of 5 stars The perfect transition to "It Still Moves".......2006-06-27

My Morning Jacket has rapidly evolved over its 4 albums, and the evolution is fascinating to follow. Its 1999 debut album "Tennessee Fire" was a journey into Americana, almost entirely based on dreamy, accoustic songs.

The band's second album "At Dawn" (14 tracks, 74 min.), issued in 2001, eloaborates on the themes explored in "Tennessee Fire" in many songs such as the title track, "Lowdown" and others. But the band expands its sound greatly, introducing the electric guitar on the brooding "Honest Man", an all-out rocker on "Strangulation" and even a slight reggae sound on "Phone Went West", forshadowing the "Off the Record" song on last year's "Z" album. In retrospect, this album is the perfectly logical middle link between "Tennessee Fire" and its next album "It Still Moves", and a great album at that, albeit somewhat overlong at 74 min. Nevertheless, it's a must for any MMJ fan and it certainly won't disappoint the casual fan or any fan of great music.

My Morning Jacket continues to ascend the ranks in the music biz. It builds its reputation not just with great album after gret album, but with amazing live shows. When I saw the band most recently, at Bonnaroo earlier this month, it put on an epic, monstrous really, 3 hour set that started at midnight. It brought the house down with its tireless energy and great song selection (both originals and covers). MMJ will be heard of for many years to come, no question.

5 out of 5 stars Love MMJ.......2006-04-21

Well, I love My Morning Jacket. From the first time I discovered them, about four months ago on iTunes, I have been hooked. I mean it's just something about the sound and the lead singers voice- it's magical. I'm a big Neil Young and Bob Dylan fan and this takes me to a updated version of that form. They are touring with Pearl Jam, so if you haven't heard of them many people will soon. I don't think the new material from the album Z is all that good, but At Dawn is excellent. Some favorite tracks are Hopefully, The Way That He Sings, Bermuda Highway and At Dawn. Do yourself a HUGE favor if you like slower rock songs with a psycadelic (spelling?) feel then you will love this band.
Piper at the Gates of Dawn
Average customer rating: Not rated
    Piper at the Gates of Dawn
    Pink Floyd
    Manufacturer: Capitol
    ProductGroup: Music
    Binding: Audio CD

    Pop RockPop Rock | Pop | Styles | Music
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    ASIN: B000T05R8Q
    Release Date: 2007-08-28

    Album Description

    To mark the 40th anniversary of the original release of Pink Floyd's first album 'The Piper At The Gates Of Dawn', a special edition is planned for release via EMI Records on Tues 28th August in North America, and Monday September 3rd in Europe. The packaging, designed by Storm Thorgerson, resembles a cloth-covered book, and holds 3 CD discs, along with a 12-page reproduction Syd Barrett notebook. Discs 1 and 2 will contain the full 'Piper' album, represented in both stereo and mono versions. Both have been newly remastered by James Guthrie. Disc 3 includes bonus tracks, including the following: all the Pink Floyd singles from 1967, ('Arnold Layne', 'See Emily Play', and 'Apples And Oranges'), plus the B sides 'Candy And A Current Bun' and 'Paintbox'. Other tracks are a version of 'Interstellar Overdrive' - Take 2 of the original recording sessions, previously only available on an EP in France - and the 1967 stereo version of 'Apples And Oranges'. EMI. 2007.
    The Essential Elmer Bernstein Film Music Collection
    Average customer rating: 4.5 out of 5 stars
    • Sad, Really Sad
    • An excellent movie themes antology by ELMER BERNSTEIN
    • Excellent
    • Great Film Music
    • Fun, Powerfull music
    The Essential Elmer Bernstein Film Music Collection

    Manufacturer: Silva America
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0007XTQ14
    Release Date: 2005-06-07

    Tracks:

    1. The Magnificent Seven
    2. To Kill A Mockingbird (Suite)
    3. The Buccaneer (Overture)
    4. Walk On The Wild Side
    5. An American Werewolf In London (Metamorphosis)
    6. The Age Of Innocence (End Titles)
    7. The Comancheros
    8. Ghostbusters
    9. Heavy Metal (Taarna's Theme)
    10. Johnny Staccato
    11. True Grit (Rooster Cogburn/A Warm Wrap-Up)
    12. Hollywood And The Stars
    13. Zulu Dawn (River Crossing)

    Tracks:

    1. The Great Escape
    2. The Man With The Golden Arm
    3. Far From Heaven
    4. The Sons Of Katie Elder
    5. Airplane (Suite)
    6. The Shootist (Main Title)
    7. Hawaii (Overture)
    8. The Birdman Of Alcatraz (Finale)
    9. The Hallelujah Trail (Overture)
    10. The Bridge At Remagen
    11. Thoroughly Modern Millie (Sky-Hi)
    12. The Scalphunters
    13. The Ten Commandments (Overture)

    Album Description

    *A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

    *New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

    *Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

    *In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

    Customer Reviews:

    1 out of 5 stars Sad, Really Sad.......2007-05-13

    These CDs don't meet the standards that I expect from Elmer Bernstein's wonderful film music.
    *It's just Boring*
    The ensemble doesn't have the energy one would expect to play "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

    5 out of 5 stars An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

    Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
    Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
    Recorded in HDCD and Dolby Surround

    5 out of 5 stars Excellent.......2007-04-22

    it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.


    With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.


    The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

    I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

    4 out of 5 stars Great Film Music.......2007-03-09

    This is a great recording of some of the best film music ever. From the
    great westerns to the Theme from Airplane to music he did for television,
    Bernstein was one of the greatest.

    5 out of 5 stars Fun, Powerfull music.......2007-02-17

    It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).
    Instruments of the Orchestra
    Average customer rating: 4.5 out of 5 stars
    • Instruments of the Orchestra - Great Reference Material!
    • Beginner or Expert
    • Very Informative and Enjoyable
    • Frank's view
    • Excellent Intro for Those Not Familiar with the Orchestra
    Instruments of the Orchestra
    Various Artists
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00006O0NT
    Release Date: 2002-12-03

    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
    16. Old Viennese Dance No.3 'Schon Rosmarin'
    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
    38. Hungarian Dance No.4
    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
    42. Bolero
    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

    Tracks:

    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
    7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
    8. Harold In Italy (Mvt 4)
    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

    Tracks:

    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    Tennessee Fire & At Dawn Demos
    Average customer rating: Not rated
      Tennessee Fire & At Dawn Demos

      Manufacturer: Darla Records
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      Country RockCountry Rock | Rock | Styles | Music
      Similar Items:
      1. Easy Tiger
      2. Mont De Sundua
      3. Icky Thump
      4. Sirens Of The Ditch
      5. The Mix-Up

      ASIN: B000FIH172
      Release Date: 2007-06-12

      Album Description

      When Darla released My Morning Jacket's epic second record At Dawn the first 2500 CD and 1000 LP came with a bonus demos disc, which was like another little At Dawn. It has long been out of print now and we frequently receive requests for it. This beloved demos disc is available once again with the addition of previously unreleased demo versions of key tracks from My Morning Jacket's debut record The Tennessee Fire recording sessions, plus a few other gems recorded during the term that haven't yet seen the light of day. If you're an MMJ fan like Darla you're in for a real treat. Track list: 1. L.O.Z. Intro, 2. The Way That He Sings (demo), 3. Hopefully (demo), 4. Bermuda Highway (demo), 5. Just Because I Do (demo), 6. Lowdown (demo), 7. At Dawn (demo), 8. I Needed It Most (demo), 9. Lead Me Father (demo), 10. Phone Went West (demo), 11. Chills (demo), 12. Heartbreakin Man (demo), 13. The Bear (demo), 14. Picture Of You (demo), 15. I Think I'm Going To Hell (demo) 16. Butch Cassidy (demo), 17. War Begun (Live WFPK), 18. Twilight (Live WFPK), 19. Lil Billy (Live Nashvegas), 20. Magic Man.
      At the Soundless Dawn
      Average customer rating: 4.5 out of 5 stars
      • WOW
      • Oh my god!
      • a good isis alternative
      • Couldn't Hold My Attention
      • Best Album of 2005
      At the Soundless Dawn
      Red Sparowes
      Manufacturer: Neurot Recordings
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
      GeneralGeneral | Indie & Lo-Fi | Alternative Rock | Styles | Music
      Dream PopDream Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
      Ambient PopAmbient Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
      ShoegazingShoegazing | Indie & Lo-Fi | Alternative Rock | Styles | Music
      Experimental RockExperimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music
      Neo-PsychedeliaNeo-Psychedelia | Rock | Alternative Styles | Alternative Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      Psychedelic RockPsychedelic Rock | Classic Rock | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      Experimental MusicExperimental Music | Miscellaneous | Styles | Music
      Similar Items:
      1. Every Red Heart Shines Toward the Red Sun
      2. Oceanic
      3. Panopticon
      4. In the Absence of Truth
      5. Enter

      ASIN: B0007LLP1U
      Release Date: 2005-02-22

      Tracks:

      1. Alone and Unaware, the Landscape was transformed in Front of Our Eyes
      2. Buildings Began to Stretch Wide Across the Sky, and the Air Filled with a Reddish Glow
      3. The Soundless Dawn Came Alive as Cities Began to Mark the Horizon
      4. Mechanical Sounds Cascaded Though the City Walls and Everyone Reveled in Their Ignorance
      5. A Brief Moment of Clarity Broke Through the Deafening Hum, but it was too Late
      6. Our Happiest Days Slowly Began to Turn into Dust
      7. The Sixth Extinction Crept Up Slowly, Like Sunlight Through the Shutters, as We Looked Back in Regret

      Album Description

      Debut from this Los Angeles quintet that features members of NEUROSIS, ISIS, HALIFAX PIER, and the CIGNAL. Their lush, soaring instrumental soundscapes are reminiscent of Goblin, Death in June, Tones on Tail, and early Sonic Youth. Look for touring in Europe, the U.S. and Japan.

      Customer Reviews:

      4 out of 5 stars WOW.......2007-06-27

      First it was Neurosis that punished one's soul in a daunting fashion, then it was Isis whose gargantuan riffs flowed through one's veins and mockingly flurted with the explosion of the listener's heart. Now, the seeds of both legendary bands have created what is now Red Sparowes, and may I add that this cd is utterly addicting. Sounds that grasp your throat and leave you breathless. Masochistic?? Indeed.

      5 out of 5 stars Oh my god!.......2007-03-15

      I can't believe I found a more pretentious band than Godspeed You Black Emperor and Sigur Ros. Look at those song titles! I can almost smell the organic free-trade coffee and hand-rolled cigarettes from here. Five stars just for the size of their egos. Just imagine if this wasn't a side project. I know what I'm getting everyone for Christmas this year.

      3 out of 5 stars a good isis alternative .......2007-01-23

      It'a alright, definently an isis sound, they helped produce these guys, but not like isis. kinda boring.

      3 out of 5 stars Couldn't Hold My Attention.......2006-09-22

      I came to Red Sparowes (through Isis) with very high expectations, and I was not entirely satisfied with this record. Too often, in my view, this record sacrifices emotional content for pretty composition and dreamy soundspace. In many ways, this record retraces the navel-gazing excesses of 1970's prog rock.

      Formally, this is minimal, meditative, non-vocal, headphone-oriented rock music. Comparisons to Explosions in the Sky are very apt. Like that band, Red Sparowes know when to stop playing, and how to use the quiet spaces between the notes to build a quiet intensity. It's just a little too quiet and not quite intense enough.

      Still, I must admit that this band has a lot potential. I look forward to their new stuff.

      5 out of 5 stars Best Album of 2005.......2006-09-02

      While most of the user reviews have been glowing, I am surprised at the handful that accuse Red Sparowes of doing nothing "new". In the limited, narrow world of instrumental (or pseudo-instrumental) post-rock, the Red Sparowes certainly stand head over heels. This is heavy music without being heavy. The melodies are delicate and each composition is carefully crafted. These nuances are even more pronounced when they play live. It is inspiring for an old fart like myself to see kids up on a stage that are channeling a much different energy than the usual trucker-hat, tight pants, tiny t-shirt world of Arcade Fire or Devandra Sufjan Etc. This, in itself, is certainly "new". What Red Sparowes do that no other current band does (and if you can think of any, let me know) is channel the early spirit of '80s goth music. Many of their songs have a similar feel as to a lot of the grandiose introductions on the Cure's "Disintegration", which is, truly, a majestic and beautiful thing. I just hope, with as much energy as these guys have and as committed as they are to other, equally adventurous projects, that Red Sparowes are around for a long time.
      Casanova
      Average customer rating: 4.5 out of 5 stars
      • Sheer Beauty for the Ears
      • Authenticity can sound great as well!
      • a little world of baroque sound
      • Wonderful relaxing music.
      • -
      Casanova

      Manufacturer: Hollywood Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by PaisielloAll Works by Paisiello | Paisiello, Giovanni | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by RameauAll Works by Rameau | Rameau, Jean Philippe | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      HarpsichordHarpsichord | Keyboard | Instruments | Classical | Styles | Music
      OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
      ViolinViolin | Strings | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      Latin PopLatin Pop | Latin Music | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
      FrenchFrench | Languages | Opera & Vocal | Styles | Music
      ItalianItalian | Languages | Opera & Vocal | Styles | Music
      Movie ScoresMovie Scores | Soundtracks | Styles | Music
      Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
      GeneralGeneral | Soundtracks | Styles | Music
      Similar Items:
      1. Casanova
      2. Memoirs of a Geisha
      3. Pride & Prejudice
      4. Mrs. Henderson Presents
      5. Match Point

      ASIN: B000BYR9YK
      Release Date: 2005-12-20

      Tracks:

      1. An Untold Story: Assaggio No.1 In G Minor - Johann Helmich Roman
      2. The Legend Of Casanova: Tambourins I/II From Daro - Jean-Philippe Rameau
      3. I Yield To Love: Cello Concerto No.3 In D Minor - Leonardo Leo
      4. Eternal Damnation: Overture From Les Fetes De Polymnie/Overture From Platee/Overture From Zoroastre - Jean-Philippe Rameau
      5. The Doge's Decree: Concerto In C Major - Antonio Vivaldi
      6. A Venetian Virgin - Alexandre Desplat
      7. San Cremori At Dawn: Concerto In C Major For Harpsicord And Strings - Giovanni Paisiello
      8. A Lover's Duel: Overture From La Madrilena - Vicente Martin Y Soler
      9. A Terrible Mistake: Concerto A 5, Op.9, No.4 - Tomaso Albinoni
      10. A Secret Lover?: Sinfonia From The Opera Farnace - Antonio Vivaldi
      11. Marriage Is A Safe Haven: Concerto A 5, Op.9 No.4 - Tomaso Albinoni
      12. Trailing Guardi: Sonata For Violin And Bassocontinuo, Op.5 No.11 In E Minor - Arcangelo Corelli
      13. The Noble Pig: Concerto Per Quartetto No.8 - Francesco Durante
      14. Paprizzio's Arrival: Concerto A 5, Op.9 No.2 In D Minor - Tomaso Albinoni
      15. Inquisitor Pucci - Alexandre Desplat
      16. : Concerto A 5, Op.9 No.4 - Tomaso Albinoni
      17. A Big Idea: Harpsicord Concerto In B Flat Major - Francesco Durante
      18. A Nom De Plume/Carnivale!: Concerto A 5, Op.9 No.6 In G Major/Bouree From Les Plaisirs Champetres - Tomaso Albinoni
      19. The Plume's Nom Is Casanova! - Sonny Kompanek
      20. Dancing At The Doge's Ball: Riguadon From Water Music Suite, No.3 In G Major/Bouree From Music For Royal Fireworks/Loure From Tafelmusik1 - George Frideric Handel
      21. One Step Closer To Heaven: Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni
      22. Casanova's Confession: Sonata Op.5 No.7 In D Minor - Arcangelo Corelli
      23. The Hanging: Violin Concerto 'Il Cimento Dell'Armonia E Dell'INvenzione' Op.8 No.11 In D Major - Antonio Vivaldi
      24. A Great Escape: Overture From Zais/Overture From Nais/Overture From Achante Et Cephise Ou La Sympathie - Jean-Philippe Rameau
      25. My Place Is With Casanova: Overture From Le Temple De La Gloire/Overture From Zais/Sonata For Violin And Bassocontinuo, Op.5 No.7 In D Minor - Arcangelo Corelli
      26. All's Well...:Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni

      Amazon.com

      The action in this tale about the 18th century adventurer and (at least in popular lore) seducer is set in Cassanova's native Venice in the mid-1700s, so it makes sense that the soundtrack would be loaded with Baroque pieces. The Venice-based Tomaso Albinoni is featured prominentaly, along with heavyweights such as Antonio Vivaldi, Jean-Baptiste Rameau, and George Frideric Handel, and lesser-known composers such as Arcangelo Corelli, Francesco Durante, and Alexandre Desplat. Er, actually Desplat is a contemporary French film composer who also released his score for the couldn't-be-more-different Syriana shortly after Casanova came out. Of the two pieces he penned here, "A Venetian Virgin" is in pure Baroque style, while "Inquisitor Pucci" betrays a more modern film-music vibe. Meanwhile, orchestrator Sonny Kompanek rearranged a couple of the tracks and authored the tense "The Plume's Nom Is Casanova," which doesn't sound embarrassing sandwiched between pieces by Albinoni and Handel. Overall, it would have been nice to get longer excerpts from the pieces--many feel chopped into too-small fragments--but the music's innate grace and elegance can't be beat for a period film. Or for any film, really: Vivaldi's Concerto in C Major ("The Doge's Decree") will be familiar to buffs, who will remember it featuring prominently in the Dustin Hoffman-¬Meryl Streep showdown Kramer vs. Kramer back in 1979. --Elisabeth Vincentelli

      Customer Reviews:

      5 out of 5 stars Sheer Beauty for the Ears.......2006-07-25

      For those that purchased this CD, I need not get into how masterfully infectious the movie was. After the first viewing, I found it charming, but after the second, I was hooked by the witty, clever story holding fun twists all along the way. So while I could go on and on about the movie and all of its wonderful aspects, the score was simply priceless. Apt in every scene, and all done with incredible baroque music that I had never had the opportunity of hearing before the film.

      The disc walks you through the movie with no changes that I could tell from the original score. The only omission I found was that the song dubbed "Casanova's Theme" is played in much greater length in the closing credits, and that didn't seem to make it to the CD. Not a terrible loss.

      5 out of 5 stars Authenticity can sound great as well!.......2006-07-11

      As an avid baroque music listener and performer, I can attest to the delightfully pleasing performances on the soundtrack as well as the painstakingly accurate performance practices utilized in the recording of this soundtrack.

      The producers of this film fortunately went to the trouble of hiring some of the top period performance musician-specialists in the country (perhaps in the entire world) to record the soundtrack to Casanova. I know, because several of them were faculty members of the Oberlin Conservatory Baroque Performance Institute who went AWOL to Hollywood in June 2005 for the recording sessions. We all forgave them, and were actually quite excited that period music performance was having its day on the silver screen.

      Do not miss this exquisite potpourri of wonderful baroque composers' works performed as closely as humanly possible to the way that they heard their works during their lifetimes! The film may not have been intended to be historically accurate (part of the fun), but the music certainly ended up that way. Not only that, but it sounds heavenly (unlike Casanova's antics) and up-to-date, not musty and old as if it were sealed in a museum case.

      5 out of 5 stars a little world of baroque sound.......2006-02-26

      Lots of interesting baroque music unknown to me and
      put together in dramatic sequences that add zest and
      class to the listening experience. Also wonderful to
      play in auto while driving thru boring country or in
      slow moving traffic!
      This CD will get a lot of play from me.
      5 Stars!

      5 out of 5 stars Wonderful relaxing music........2006-02-25

      Saw the movie and had to have the soundtrack. Great music to relax by. When you need to get away from the cares of the day the classics can't be beat. The producers of this movie certainly chose wonderful music to accompany it.

      3 out of 5 stars -.......2006-02-18

      Good music but each is too short.
      The original version of each may be better.
      Debussy at Dawn
      Average customer rating: 4.5 out of 5 stars
      • An absolute joy
      • CD review
      Debussy at Dawn

      Manufacturer: Philips
      ProductGroup: Music
      Binding: Audio CD

      WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
      PreludesPreludes | Forms & Genres | Classical | Styles | Music
      SuitesSuites | Forms & Genres | Classical | Styles | Music
      General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
      Detroit Symphony OrchestraDetroit Symphony Orchestra | ( D ) | Featured Performers, A-Z | Classical | Styles | Music
      CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
      All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
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      4. Debussy for Daydreaming: Music to Caress Your Innermost Thoughts
      5. Bach for Breakfast

      ASIN: B0000041O4
      Release Date: 1997-10-14

      Tracks:

      1. Suite Bergamasque: Clair de lune
      2. The Sea At Dawn
      3. Dances For Harp & Orchestra - Sacred Dance
      4. Suite Bergamasque: Prelude
      5. La Plus Que Lente
      6. La fille aux cheveux de lin (The Girl With The Flaxen Hair)
      7. Prelude No. 11 For Composed Arpeggios
      8. Nocturnes for Orchestra - Nuages
      9. Pour le piano - Sarabande
      10. Images: Lent
      11. Images: Souvenir de Louvre
      12. Images: Images - Book 1, Reflections In The Water
      13. Images: Rhapsody For Clarinet & Orchestra
      14. Images: Nocturnes for Orchestra - Sirenes

      Customer Reviews:

      5 out of 5 stars An absolute joy.......2006-01-26

      So many pieces on this album are jewels. "Le fille aux cheveux de lin" and "Nocturnes for Orchestra - Sirenes" are particularly heavenly. "The Sea at Dawn" has an amazing sense of freshness and motion to it and is well placed at the beginning of the CD. A few of the songs on here make excellent background music but lack memorable themes. I wish I could wake up to this CD every morning, truly.

      4 out of 5 stars CD review.......2003-04-06

      This is a great debussy CD. This CD is my introduction to Debussy, and now debussy is one of my favorite composers. The music in here is relaxing. The performances are excellent also. One complaint, however, is there is a repeat. There are two of the same pieces on the CD. Overall, this is a great CD.
      The Longest Day: The Ultimate World War Movie Theme Collection
      Average customer rating: 4 out of 5 stars
      • These are not the same arrangements as the original movie soundtracks
      • An outstanding compilation
      • The really good ones are missing.
      • "many were winners by the Academy for best scores"
      The Longest Day: The Ultimate World War Movie Theme Collection

      Manufacturer: Silva America
      ProductGroup: Music
      Binding: Audio CD

      All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
      Goodwin, RonGoodwin, Ron | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by HerrmannAll Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by NewmanAll Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music
      Sakamoto, RyuichiSakamoto, Ryuichi | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by SchifrinAll Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
      Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by KamenAll Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
      RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      Movie ScoresMovie Scores | Soundtracks | Styles | Music
      Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
      GeneralGeneral | Soundtracks | Styles | Music
      Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
      Similar Items:
      1. Battle of Britain
      2. The Longest Day: Music From The Classic War Films (Soundtrack Anthology)
      3. The Wild West: The Essential Western Film Music Collection
      4. Patton (1970 Film): Also Featuring Tora! Tora! Tora! (1970 Film) (1997 Studio Recording)
      5. The Battle of the Bulge: The Original Score by Benjamin Frankel

      ASIN: B00020R02O
      Release Date: 2004-05-25

      Tracks:

      1. The Longest Day
      2. Attack On The Iron Coast
      3. Band Of Brothers-Prelude
      4. Band Of Brothers-Theme
      5. Battle Of Britain
      6. The Battle Of The Bulge
      7. The Blue Max
      8. Das Boot
      9. The Bridge At Remagen
      10. The Bridge On The River Kwai
      11. A Bridge Too Far
      12. The Caine Mutiny
      13. The Captive Heart
      14. Casablanca

      Tracks:

      1. Coastal Command
      2. The Cruel Sea
      3. The Dambusters
      4. The Diary Of Anne Frank
      5. The Eagle Has Landed
      6. Empire Of The Sun
      7. The English Patient
      8. Fear And Desire
      9. Force Ten From Navarone
      10. Gallipoli
      11. The Great Escape
      12. The Guns Of Navarone

      Tracks:

      1. Hanover Street
      2. The Hindenburg
      3. In Harm's Way
      4. Is Paris Burning?
      5. King Rat
      6. Lawrence Of Arabia
      7. Lifeboat
      8. Macarthur / Patton
      9. Malta G.C.
      10. Merry Christmas Mr. Lawrence
      11. Midway
      12. The Mountain Road
      13. 1941

      Tracks:

      1. The Naked And The Dead
      2. The Night Of The Generals
      3. Paradise Road
      4. Paths Of Glory
      5. Pearl Harbor
      6. Saving Private Ryan
      7. Schindler'S List
      8. Sergeant York
      9. The Sharkfighters
      10. Sink The Bismarck!
      11. 633 Squadron
      12. Where Eagles Dare
      13. The World At War
      14. The Longest Day

      Customer Reviews:

      3 out of 5 stars These are not the same arrangements as the original movie soundtracks.......2007-01-21

      I was disappointed that these are not the same arrangements as the original movie soundtracks. For example, in Colonel Bogey, the countermarch from the movie soundtrack is not included in the arrangement on this CD. Don't get me wrong, the songs are good, but I would have preferred the same arrangements as the original movies.

      5 out of 5 stars An outstanding compilation.......2006-08-25

      This compilation is superb and a real must-buy. From Band of Brothers to A Bridge Too Far: every war movie theme is represented here. An all time classic.

      3 out of 5 stars The really good ones are missing........2005-07-18

      While this compilation has some masterpieces such as the theme from The Great Escape and Is Paris Burning, it's missing some of the finest tracts ever written. Where is the theme from Victory and Ernest Gold's stirring epic from Cross of Iron? The closing theme from Inchon was also a feast for the ears, but it's not here. It was written by Jerry Goldsmith, one of the foremost soundtrack composers of our time. Instead we're subjected to the likes of Hanover Street and The English Patient. I'll admit Inchon and Victory weren't Academy Award winning movies, but their soundtracks were second to none. As John Stossel would say," Give me a break"!!!

      5 out of 5 stars "many were winners by the Academy for best scores".......2004-05-26

      Silva America presents the essential in film music during the period of World Wars ~ "Longest Day:Ultimate World War Movie Theme", featuring some long forgotten cues, 53 to be exact that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

      Released to commemorate the sixth Anniversary of D-Day, never has there ever been such a tribute compilation package from any other label and Silva comes to the forefront ~ featuring The City of Prague Philharmonic Orchestra (Paul Bateman, Nic Raine Tony Bremner and Carl Davis as conductors), The Philharmonia (Kenneth Alwyn, Jerry Goldsmith, Mario Klemens and Paul Bateman as conductors) and also the world renown Crouch End Festival Chorus (David Temple as choir master) ~ what a gathering of talented musicians and singers fill this collection supreme.

      The lineup of composers is a Who's Who in the world of film music ~ John Addison, Tomaso Albinoni, Kenneth J. Alford, Paul Anka, John Barry, Arnold Bax, Elmer Bernstein, Eric Coates, Carl Davis, Klaus Doldinger, Antonin Dvorak, Benjamin Frankel, Gerald Fried, Hugo Friedhofer, Jerry Goldsmith, Ron Goodwin, Bernard Herrmann, Maurice Jarre, Michael Kamen, Jerome Moross, Alfred Newman, Clifton Parker, Alan Rawsthorne, Ryvichi Sakamoto, Lalo Schifrin, Gerard Schurmann, David Shire, Max Steiner, Dimitri Tiomkin, Ralph Vaughan Williams, John Williams, Gabriel Yared and Hans Zimmer ~ set the stage for compositional human drama while exploring the deepest troves of musical emotion ~ one masterpiece after another, each cue manages to display both a convincing authenticity of the times and places ~ experience every tracks passion and skill for striking the exotic orchestral colors, explosive power and spectacular works of full large scale orchestral arrangements previal at every turn.

      We are grateful to James Fitzpatrick (producer), Reybnold da Silva (executive producer), Rick Clark (associate producer/album sequence), Marion Garden (associate producer) and the whole gang at Silva America who have resurrected many of the soundtracks for the "film-score-buffs" in all of us.

      Total Time: 4-CD-Set ~ Silva America 812 ~ (5/25/2004)

      Rap Music:

      1. Awake Is the New Sleep
      2. Belladonna
      3. Broken Social Scene
      4. Contraband [Content/Copy-Protected CD] [Enhanced] [Explicit Lyrics]
      5. Court & Spark
      6. De Nova [Explicit Lyrics]
      7. Deja Entendu
      8. Diamonds on the Inside
      9. Digital Ash in a Digital Urn
      10. Diva

      Rap Music

      rap music

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