Illinois

Amazon.com
Illinois sounds like The Sea and Cake collaborating with the high-school band from a Wes Anderson film on banjo-driven, pulsing meditations on Vince Guaraldi's music for Peanuts. Sufjan Stevens, the singer-songwriter behind the endeavor, is an earnest and whimsical young man who aims to record an album based on every state in the union, though this is just his second attempt since 2003's Michigan. Lavish praise has been heaped upon this precocious twenty-something, who weaves personal recollections, historical narratives, and strange facts together to create lush portraits of Midwestern life. It's not maudlin stuff, and the atypical instrumentation (strings, choirs, trumpets, vibes) is beyond gimmick. Halfway through "John Wayne Gacy, Jr.," when Stevens has you feeling true empathy for a serial killer, it's clear that he really is an artist of the highest order. These are weird and lovely middlebrow ditties; we eagerly await the Broadway adaptation. --Mike McGonigal

Illinois,Sufjan Stevens,Asthmatic Kitty,Americana,Indie Pop,Indie Rock,Pop,Progressive Folk,Rock,Rock/Pop,Singer/Songwriter

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Illinois

Average customer rating: re: ManStar's review How does he do it? What music has been missing Sweet and Honest Music-Making Is Sufjan Stevens a Genius?

Illinois Sufjan Stevens Manufacturer: Asthmatic Kitty ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Indie & Lo-Fi | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music General | Folk | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Fox Confessor Brings the Flood Z Plans The Crane Wife Takk... ASIN: B0009R1T7M Release Date: 2005-07-05

Tracks:

1. Concerning The UFO Sighting Near Highland, Illinois
2. The Black Hawk War, Or, How To Demolish An Entire Civilization And Still Feel Good About Yourself In The Morning, Or, We Apologize For The Inconvenience But You're Gonna Have To Leave Now, Or, 'I Have Fought The Big Knives And Will Continue To Fight...
3. Come On! Feel The Illinoise!: Part I: The World's Columbian Exposition/Part II: Carl Sandburg Visits Me In A Dream
4. John Wayne Gacy, Jr.
5. Jacksonville
6. A Short Reprise For Mary Todd, Who Went Insane, But For Very Good Reasons
7. Decatur, Or, Round Of Applause For Your Stepmother!
8. One Last 'Whoo-Hoo!' For The Pullman
9. Chicago
10. Casimir Pulaski Day
11. To The Workers Of The Rock River Valley Region, I Have An Idea Concerning Your Predicament
12. The Man Of Metropolis Steals Our Hearts
13. Prairie Fire That Wanders About
14. A Conjunction Of Drones Simulating The Way In Which Sufjan Stevens Has An Existential Crisis In The Great Godfrey Maze
15. The Predatory Wasp Of The Palisades Is Out To Get Us!
16. They Are Night Zombies!! They Are Neighbors!! They Have Come Back From The Dead!! Ahhhh!
17. Let's Hear That String Part Again, Because I Don't Think They Heard It All The Way Out In Bushnell
18. In This Temple As In The Hearts Of Man For Whom He Saved The Earth
19. The Seer's Tower
20. The Tallest Man, The Broadest Shoulders: Part I: The Great Frontier/Part II: Come To Me Only With Playthings Now
21. Riffs And Variations On A Single Note For Jelly Roll, Earl Hines, Louis Armstrong, Baby Dodds, And The King Of Swing, To Name A Few
22. Out Of Egypt, Into The Great Laugh Of Mankind, And I Shake The Dirt From My Sandals As I Run

Amazon.com

Illinois sounds like The Sea and Cake collaborating with the high-school band from a Wes Anderson film on banjo-driven, pulsing meditations on Vince Guaraldi's music for Peanuts. Sufjan Stevens, the singer-songwriter behind the endeavor, is an earnest and whimsical young man who aims to record an album based on every state in the union, though this is just his second attempt since 2003's Michigan. Lavish praise has been heaped upon this precocious twenty-something, who weaves personal recollections, historical narratives, and strange facts together to create lush portraits of Midwestern life. It's not maudlin stuff, and the atypical instrumentation (strings, choirs, trumpets, vibes) is beyond gimmick. Halfway through "John Wayne Gacy, Jr.," when Stevens has you feeling true empathy for a serial killer, it's clear that he really is an artist of the highest order. These are weird and lovely middlebrow ditties; we eagerly await the Broadway adaptation. --Mike McGonigal

Customer Reviews:

re: ManStar's review.......2007-07-15

ManStar took a swipe at Sufjan as a cold practitioner making sterile music for self-important women dating closet cases for boyfriends. He later lamented that music, whether it's folk or rock is best served with some outrage, protest and emotion. I have to admit when I first read this I laughed. I went to a post-Illinoise show (in Chicago) and was a little annoyed at Sufjan's campy stage presence, how serious most people took themselves, hanging on every word and not moving. Nobody drank, nobody spoke and heaven forbid if I wanted to whisper to one of the people I was with. A quick "shhhhhh" quickly followed. I understand the idea that Stevens' music is extremely vulnerable to hipster pandering because the result is that humorless, insecure, high IQ, well-educated d-bags seem drawn to it because it confirms that their opinions of themselves. They get the local and historical references, and it seems emotional.

However...that's painting with a broad brush in many respects. First, music doesn't have to be punk, protesty, or in-your-face to be excellent. Folk and rock music is big enough to include music made by and for people who aren't railing at some government/inner demon/society. Second, this music resonates with more than just the aforementioned well-read d-bags because it manages to be celebratory (Chicago), smooth (Jacksonville), narrative (the whole album), quirky (Zombies song) and relatable in its forays into tragedy (Casmir Pulaski). I agree with the people who dislike the Gacy song for its disingenuousness and faux attempt to "relate" to a serial killer. Even if Sufjan is sincere in his relating to Gacy, it's still ridiculous and stupid of him to try to sell his audience on our similarities to mass murderers...and the song comes off as creepy. Sufjan Stevens, and the people who or are listening to him, are not on the precipice of some Gacy-like meltdown.

There is no percentage in calling out an entire fanbase and tarring them as either self-important or "closet-cases." That shows how small-minded you are. What, are all guys supposed to be so jacked up with testosterone at every given minute that even in their free time, when they listen to music, they need to unwind to something that stokes the fires of anger and aggression? Dude what kind of way to chill out is that? There's a time and place for everything. To people who think like that, sorry, but the Minutemen aren't coming back and there are people out there who need a little bit more than three chords and a hollow slogan about how the government sucks.

How does he do it?.......2007-07-07

It seems like an impossible feat. That one person could produce work of such consistent genius. Surfjan seems to have a supernatural songwriting gift. When I first listened to this album I sat in shock as the John Wayne Gasey Jr. track started playing (I hadn't looked at the track listing). Here is a song about a serial killer that, far from leaving the listener wallowing in hatred or revulsion leaves us with a new and completely astounding insight. I won't give it away. If the album consisted of just that one song I would recommend it. But, of course, it has many songs, and it is a wonderful achievement. Some of the material seems to take an odd direction, but it works into the whole. I also have a suspicion that there are many musical references that I'm not catching.

Highly recommended. (If you have a record player, get the vinyl. It's stunning.)

What music has been missing.......2007-06-12

Although Sufjan Stevens has been around for several albums, his musical influence has not been felt as deeply as it should have been. He breathes fresh air into music and makes albums that defy classification.

Many of the tracks on 'Illinoise' have a way of reaching inside and staying with you in a manner that is difficult to find in music. Many evoke emotions that are difficult, if not impossible, to commit to paper. 'John Wayne Gacy Jr.' is a particular haunting track. It is testament to Sufjan Stevens' talent that he manages to make a song about a serial killer sound moving and seemingly sympathetic.

With lyrics that occasionally meander through U.S. history and beats to match, 'Illinoise' can sometimes feel like a throwback to the music of bygone decades. Perhaps the track 'The Man of Metropolis Steals Our Hearts' is most typical of Stevens' eclecticism. Here he switches back and forth between his own harmonious sound and that of a church choir as well as a drum backing that sounds like something from a White Stripes album.

It remains to be seen whether Stevens will follow through on his promise to make an album in each of the 50 states of the U.S. However if he does it will be to the massive benefit of the listening public.

Sweet and Honest Music-Making.......2007-06-09

It's really hard to put Sufjan's music into a category. I suppose folk music is close - but it has a unique cadence which is hard to really define. This is perhaps why I love this music so much. Sufjan's voice is incredibly sweet and clear, and the music is gentle without ever once being insipid or dull. The blend of instruments at times creates an almost magical feel - banjo, oboe, strings, horn. The chorus of voices on some of the tracks is also clear and cool, as in "They are the Night Zombies."
This album is dedicated to the state of Illinois, and there has also been one of Michigan. I guess it was probably too ambitious to do one for each state, and I think he has abandoned that idea - but the concept works well on this one. It has a city feel and there is a twinge of nostalgia in some of the songs. Mostly, however, the lyrics are unsentimental but thoughtful.
This is the kind of music to listen to late at night, or early in the morning when you get up and are fixing a cup of coffee. It goes with the chirping of crickets, or the early morning twitter of birds. Relax and enjoy it - it is therapeutic. I found it inspiring and would highly recommend it.

Is Sufjan Stevens a Genius?.......2007-05-18

No matter how dark his subject matter (serial killers, assassinated presidents, etc.), Sufjan Stevens' bouyant melodies and soundscapes carry the listener happily along. I have my issues with the album (hence the 4 stars): he seems to take himself too seriously, the choruses can sound a little too much like Polyphonic Spree, and so many musical interludes begin to feel like filler. However, the whimsical tone does not undermine his literate lyrics and the tunes are so catchy and memorable that my 6 year-old daughter can often be heard singing "Chicago".

Average customer rating: only 7 songs wtf? awesome Apparently They know quite a bit ILLINOIS MAKES A STATEMENT WITH, "WHAT THE HELL DO I KNOW." What the hell does Illinois know? Apparently quite a bit about writing music...

What the Hell Do I Know? Illinois Manufacturer: Ace Fu Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music CDs $7 - $10 | Pop General | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music Similar Items: Armchair Apocrypha Costello Music Favourite Worst Nightmare We Were Dead Before the Ship Even Sank Icky Thump ASIN: B000N2G3U6 Release Date: 2007-03-06

Tracks:

1. Alone Again
2. Nosebleed
3. What Can I Do For You
4. One On One
5. Screen Door
6. Headphones
7. Bad Day

Album Description

"The lyrical depth of the Kinks sauteed with the musical overtones of the Flaming Lips and John Spencer Blues Explosion reduction" gushed one critic. Regardless of your leanings, and whether you're happy, mellow, drunk or confused, Illinois plays beautiful music that makes old loves new and the green grass grow.

Customer Reviews:

only 7 songs wtf? .......2007-06-27

It is a decent CD but they are much more interesting live. I saw them open for the kooks in SF and they killed it but the cd is a little boring and emo. And 7 tracks on a cd?

awesome.......2007-06-24

this ep is so good! they music is very fun and catchy and the lyrics are great. illinois is even better live, they put on an awesome awesome show, very energetic and fun, i saw them open for the kooks in may. "screendoor" is my favorite track off the album, but "bad day" was my favorite from their live performance. definately get this album, you won't be disappointed!!

Apparently They know quite a bit.......2007-03-23

For an EP this CD has quite a bit. 6 Songs that range from upbeat to reflectiven and very well might I add, some bands can't get that on a full album. It's a great album to listen to at any time. Have a listen and enjoy. I expect great things from these guys, they definitely have it in them!

ILLINOIS MAKES A STATEMENT WITH, "WHAT THE HELL DO I KNOW.".......2007-03-22

this album is definitely worth your money. why? well, first of all, this band is a sincere band. they are in it for the music, 100 percent. they love their fans too. i was able to meet the band after one of their live shows (which by the way, was OUTSTANDING,) and it was so nice to be greeted with such warm smiles. it added more of a motivation for me to get their name out and make it known: THAT THIS BAND HAS A UNIQUE, ORIGINAL SOUND, GREAT LYRICS, CAN PERFORM EXCELLENTLY LIVE, ANDDDD GIVES A CRAP ABOUT THEIR FANS.

that doesnt happen too often.

dont think about it-- buy the album.

What the hell does Illinois know? Apparently quite a bit about writing music..........2007-03-07

Stated quite simply, this album is a very solid release from a very solid band. I've seen Illinois live many times, and they always put on fun and energetic show. While it's next to impossible to channel the feeling of a live performance into a studio album, "What the Hell Do I Know?" does a commendable job of keeping the energy flowing from song to song.
The combination of lively drum beats and melodic banjo riffs with the complementary guitar and bass lines gives Illinois a very unique sound that is difficult to describe and even more difficult to categorize. There's a very obvious indie-folk element along with some bright pop-rock sound, but the overall result is something one must hear firsthand.
Don't expect lyrics in the powerfully delicate vein of Lennon/McCartney or of the pensive and brooding style of Elliott Smith. Similarly, the musical abilities of the group may leave something to be desired, particularly once the free drinks start flowing during a live show. Instead, listen to and enjoy a progression of songs that are fun and cheerful, as it is immediately obvious that you're listening to a group of guys that truly enjoy playing music with each other.
I gave this EP four stars, as it's very good, but the band does have room to grow and mature. I believe their next albums will reflect this development, and may very well be deserving of a five star rating. Until then, don't hesitate to buy this album!

Average customer rating: When's the last time "outtake" and "extra" led to "wow" Great songwriting, but it's a bit overwhelming. Kinda like an avalanche.... just buy it Hardly "Outtakes & Extras"! Surprisingly excellent

The Avalanche: Outtakes & Extras from the Illinois Album Sufjan Stevens Manufacturer: Asthmatic Kitty ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Indie & Lo-Fi | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music General | Folk | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Similar Items: The Crane Wife The Letting Go Ys Return to Cookie Mountain (with Bonus Tracks) Boys and Girls in America ASIN: B000FMGWKU Release Date: 2006-07-11

Tracks:

1. The Avalanche
2. Dear Mr. Supercomputer
3. Adlai Stevenson
4. The Vivian Girls Are Visited In the Night by Saint Dararius and his Squadron of Benevolent Butterflies
5. Chicago (Acoustic Version)
6. The Henney Buggy Band
7. Soul Bellow
8. Carlyle Lake
9. Springfield, or Bobby Got a Shadfly Caught in his Hair
10. The Mistress Witch from McClure (or, The Mind That Knows Itself)
11. Kaskadia River
12. Chicago (adult contemporary easy listening version)
13. Inaugural Pop Music for Jane Margaret Byrne
14. No Man's Land
15. The Palm Sunday Tornado Hits Crystal Lake
16. The Pick-up
17. The Perpetual Self, or "What Would Saul Alinsky Do?"
18. For Clyde Tombaugh
19. Chicago (Multiple Personality Disorder version)
20. Pittsfield
21. The Undivided Self (for Eppie and Popo)

Album Description

These are tracks not used on the "Illinois" album; some songs were finished, others weren't, requiring substantial editing, arrangements and/or vocals. The centerpiece of course, is the title track, "The Avalanche", a song intended for the leading role on "Illinois", but eventually cut and placed as a bonus track on the vinyl release. Almost every song on "Illinois" has a counterpart on this outtakes release. "In his own modest way, Stevens has quietly become the master of micro over six years and five albums; his ornately detailed compositions hold a magnifying glass to the dusty ephemera in his curious scope - and, intermittently, the center creases of his US atlas" - Entertainment Weekly.

Customer Reviews:

When's the last time "outtake" and "extra" led to "wow".......2007-06-19

Being a huge fan of Sufjan's Illinoise release, I expected to find a gem or 2 on this out-take cd. I am completely surprised, as it is not just a collection of material that "didn't" make it - Hearing this cd explains exactly why the first version had 22 tracks. There is just not enough space on one cd for the creativity inside this musician. This is not a lone cd for the obsessed fan, but truly another example of his amazing work.

Great songwriting, but it's a bit overwhelming. Kinda like an avalanche...........2007-03-06

I look at it this way. If you still haven't heard of Sufjan Stevens, you've probably spent the past 18 months or so hiding under some musical rock somewhere. And that can be understandable to some extent - everyone does have their own musical tastes, preferences, likes, and dislikes, all of which can confine the average music listener to only being exposed to quite a narrow slice of the musical spectrum. However, I would like to assume that most of the people who would potentially be reading my written/typed words have heard of Mr. Stevens and his multi-state recording project, not to mention his traveling folk orchestra (the Illinois-makers). Thus, I will proceed henceforth under the impression that you have some inkling of this man and his offbeat, yet defined musical style.

Wow... Simply wow. This album represents quite an ambitious musical undertaking, one that few artists would ever dream of undertaking, and I'm not even talking about the 50 States Project. In its most rudimentary form, many people have released CD's full of B-sides, out-takes, rejected tracks, and other assorted songs that didn't quite fit on any other released album. Thus, in and of itself, Avalanche isn't really that revolutionary - many groups throughout music history (whether they themselves or greedy record executives) have created something of this nature and they're usually released to mixed reviews (i.e. Led Zeppelin's Coda). Big deal, right? Aren't most of albums of this nature just a vain attempt by bands to milk their loyal fan bases for extra money (i.e. Pearl Jam's series of live concert releases from their US and European tours a few years back)?

However, where this album stands up and makes people take notice is that Mr. Stevens went back into his journals and pages of scribbling from the recording sessions for Illinois, found all of these songs, finished writing them, cleaned up whatever rough studio version might have exited, and compiled yet another CD (nearly 80 minutes worth) for his listeners. The aspiring, wannabe, wish-I-could-be songwriter living inside of me is excited to listen to these songs, as many of them are truly works in progress. Here is a writer/artist/sings who's willing to open up to his listening audience and declare, "Hey! Here are some broken fragments of songs, some not-so-good songs, and some could-have-been songs! I'm not afraid to release a CD that's not picture-perfect!" When I first heard of the release of this album I was quite excited, because the makeup of these songs and how they were collected was really compelling to me.

But then, the more I listened to the album and gained a decent glimpse into the content of this album and what it represented, my cynical side began to expose itself. I fight my cynicism rather often, as it can be difficult to repress, but it comes to the fore when I think about this album. I enjoy it; in fact, I really enjoy it, but this album screams out, "Over-Indulgence!" And I don't like thinking of artists of various descriptions, whose work I regularly enjoy, as crassly commercial beings, out to make a quick buck with their creativity. But, if you've ever heard any of the programming on any radio station owned by Clear Channel (or other large media conglomerate), you'd know that people sell out and do so often and regularly.

Please don't misunderstand me here - I am not accusing Sufjan of exploiting the ears and wallets of hipsters across the nation by cashing in on the well-deserved acclaim of Illinois. Far from it actually - I think that there are many portions of The Avalanche that are excellent. To be honest (and a fawning fan), I could listen to every single variation (both studio, live, or otherwise) of "Chicago" that Sufjan could ever release. When traveling and performing, he takes pains to recreate and reformulate "Chicago" on a regular basis; he is simply not content to let the song stay as it is, and such an idealistic approach to making music makes me really happy. And just like on Illinois, the "Name" songs on The Avalanche (as in, the songs referring to specifically to people, whether real or fictional) are standout tracks, filled with quality lyrics and his best compositions. I mean, who else would actually write songs entitled "Adlai Stevenson" and "Saul Bellow"? I am in no way denying this guy's talent - Mr. Stevens is a great songwriter, one of the most talented that any genre or subgenre has heard in years.

But, in the long run, I think my problem with this album is that Sufjan is running the risk of watering himself down. A songwriter can simply release too many albums, too many tracks, too many concepts, and too many ideas, and, in the process of doing so, can potentially diminish his or her impact upon music history. Accordingly, there's just too much here, as in, I feel overwhelmed by the sheer length, depth, and breadth of this album, and it's only a collection of B-sides. Sufjan would have done well to engage in a bit of the same self-editing he employed when casting these songs off Illinois in the first place.

I wholeheartedly concur with the idea a great friend of mine had when he reflected upon the entirety of the record - I would have preferred to purchase this album as a succession of 3 or so EP's. Yes, that means I probably would have spent more money, but I would have found much more enjoyment from the collective purchase. Each EP would have included one or two different versions of "Chicago" and, from there, the songs would be collected thematically - "Name" songs, "Place" songs, and then other assorted bits and pieces of things. I would have been really excited about that. I would have been able to decide which version I wanted to enjoy and not feel bad about skipping across songs that I really don't want to hear, because I don't like skipping around - I'm a fan of listening to an album in its entirety, the way that the artist made it to be.

So, if ever I get into a conversation with Mr. Stevens, I think what I'd tell him would go something like this - "Hey! Sufjan! Great work on The Avalanche! Next time though, do a better job with track selection. I want to hear your best work, and not just your `Eh, this is OK' kinda stuff. I'd appreciate it."

just buy it.......2007-01-16

I'm a little unhip to the zeitgeist, being a mostly stay-at-home mom, infrequent (lapsed) family physician, and perpetual community nuisance. Until today, I was blissfully unaware of the critical acclaim for "Illinoise." However, I listened to it incessantly after my husband brought it home, and wound up with a copy of "The Avalanche" for Christmas.

That being said, I put on the title track of "The Avalanche," on Christmas Day, and was blown away by the beauty and complexity of its opening. This album has entered the pantheon of those I listened to daily for weeks or even months after their discovery, which puts it in the league of Emmylou Harris's "Angel Band," the first "Trio" album (featuring Emmylou Harris, Linda Ronstadt, and Dolly Parton), the Dixie Chicks' "Home," Billy Bragg's and Wilco's "Mermaid Avenue," Bob Dylan's "Good As I Been to You," and the "O Brother, Where Art Thou?" soundtrack, which is pretty serious company.

Moreover, I cannot say enough about "Springfield, or Bobby Got a Shadfly Caught in His Hair." This tune, with its rich harmonies, stands up against the greatest CSNY songs.

I enjoy the three alternate takes of "Chicago;" as a jazz fan, I'm accustomed to hearing different versions of the same song back-to-back on archival recordings. But I'm aware that the casual listener may find this sort of thing perplexing.

I take exception to the notion that Sufjan Stevens revels in the sameness of his sound: I think that criticism could be directed against Lennon and McCartney, Brian Eno, k.d. lang, Lyle Lovett, Elvis (Costello or Presley), Ray Charles, or any of the above mentioned artists. I would not have it any other way.

Hardly "Outtakes & Extras"!.......2006-11-03

This guy is a freak of nature! Different but in the same vein as Illinoise. I loved it..No fillers to speak of. If you liked some of the more laid back songs on Illinoise!, you'll LOVE this album. Its great regardless.
Highlights are:
Avalanche
Adlai Stevenson
Saul Bellow
The Mistress Witch From McClure
Springfiel, Or Bobby Got A Shadfly Caught In His Hair
No Man's Land
The Perpetual Self, Or "What Would Saul Alinsky Do?

SN

Surprisingly excellent.......2006-09-07

I probably shouldn't say "surpringly" excellent we are after all talking about Sufjan, but when this was released I was hesitant to buy it because I thought of a B-sides and outtakes album as not up to par with regular releases. I thought that if this didn't make the album then it must not be as good, that's pretty much the case with most other artists. Artists other than Sufjan. This album is really amazing and is absolutely level with his other releases. It should be looked at as an album and not a collection of outtakes . I highly recommend this to all Sufjan fans especially those who love "Illinoise"

Average customer rating: Flashy, Fun, and Flamboyant stunning musical review Nice and lively! Sounds even better than when I first heard it A staple

Screamers (Circus Marches) Manufacturer: Philips ProductGroup: Music Binding: Audio CD Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Marches | Miscellaneous | Styles | Music Similar Items: Fennell Conducts Sousa Under the Big Top: 100 Years of Circus Music Fennell Conducts Hands Across the Sea The Grand Old Circus Band Circus Music from the Big Top ASIN: B0000057L1 Release Date: 1991-02-08

Tracks:

1. In Storm And Sunshine
2. Whip And Spur
3. Invictus
4. The Big Cage
5. Bones Trombone
6. Them Basses
7. The Circus Bee
8. The Screamer
9. Thunder And Blazes
10. Robinson's Grand Entree
11. Circus Days
12. Bombasto
13. The Squealer
14. Rolling Thunder
15. Bennett's Triumphal
16. Bravura
17. Bugles And Drum
18. Illinois March
19. Children's March
20. The Interlochen Bowl
21. Onward-Upward
22. Boy Scouts Of America
23. Americans We
24. Officer Of The Day
25. March
26. Second Regiment, Connecticut National Guard March
27. The Mad Major
28. Guadalcanal March From

Customer Reviews:

Flashy, Fun, and Flamboyant.......2007-05-31

The Circus March is unfortunately a style of music that is often ignored, yet can be one of the most difficult things to play. Musicians almost have to have a feel for it to achieve the desired effect. Each march contained herein captures both excitement, showmanship, and even a certain degree of comedy that is associated with this style. Listening to these brings back a by-gone era of bearded ladies, roller coasters, and kettle corn. If you play this regularly, you may even begin to smell the peanuts roasting....

stunning musical review.......2005-09-27

This is music I have not heard, or played, for years. Most impressive musicianship. And the tempos are unbelievable! For this size group, it is amazing--and nothing less would be expected.

I am a retired music teacher, and this brought me back to the times when I played in large marching bands, or smaller groups for the local rodeo, as a college student. Great excitement in listening, and being swept away to a time when I had less to worry about.

The music itself has a great affect on me, besides the impressive way in which it is delivered. Great sound. Great precision. Great music that just isn't played or used much anymore. How fun to relive those moments--especially the ones featuring the trombone.

Nice and lively!.......2004-04-28

I was specifically looking for music of the circus and this recording just blew me away. It is clean and well done -- technically speaking. The Eastman Wind Ensemble is spectacular! If you are looking for something that sounds like a circus band, this is NOT it. This is a very professional, high quality recording of some of the best march music ever composed.

Sounds even better than when I first heard it.......2004-03-01

When I first heard the last eleven marches on this recording; I heard them on tape, and I really enjoyed them, this was back in 1988 when I was in the seventh grade. When I moved in the winter of 1988, I lost that tape. I was very sad when I did, and it was not until the summer of 2002 that I saw this recording at amazon; 14 years later still great, and sounds even better on CD than it did on tape. This time was even better, because it has even more marches, in the old tape, it had what on this recording are tracks 17-28. Tracks 1-16 are equally good, this recording is of a great sentimental value for me...I hope you enjoy as much as I have 14 years later....

A staple.......2003-06-14

A great collection of marches not by Sousa conducting by none other than Fennell. You can't go wrong having this in your band CD collection.

Average customer rating: Legacy of John Barnes Chance

Legacy of John Barnes Chance Manufacturer: Albany Records ProductGroup: Music Binding: Audio CD Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Classical | Indie Music | Stores | Music Similar Items: Symphonies 3 4 & 7 Chilling Winds Alfred Reed Live, Vol. 2: Russian Christmas Music Vincent Persichetti Giannini: Symphony No. 3; Praeludium and Allegro; Variations and Fugue ASIN: B0009Y26C2 Release Date: 2005-07-01

Tracks:

1. Incantation and Dance
2. Introduction and Capriccio
3. Symhony No. 2
4. Blue Lake Overture
5. Elegy
6. Variations on a Korean Folk Song

Product Description

Albany Records is proud to release what is a long-overdue memorial to one of the finest American composers of wind ensemble music. Chance was a gifted composer, teacher and administrator who died a tragic death by accidental electrocution at the age of 39. He studied theory and composition with Kent Kennan, Clifton Williams and Paul Pisk. If you are familiar with the “old school” of band music, Chance is as fine a representative as any. His music is brash, exciting, and highly energetic in the way you remember from those works you heard on those great old Mercury recordings with the late Frederick Fennell. Ironically, though such works as the Blue Lake Overture and Variations on a Korean Folk-Song have been in the active band repertory for years, this is the first major commercial release entirely devoted to his music, a “greatest hits” package in fact. Standing out in particular is the Symphony No. 2, perhaps the best work of its kind since the Persichetti Symphony (No. 6) for Band. Based on a four-note motif of C#-D-F-E, the music whips up a remarkable amount of tension and excitement, especially in the last movement. The authoritative performances are under Stephen K. Steele, who began directing the Band Department at Illinois State University in 1987. Under his direction, the Wind Symphony has performed for state and national conventions, including the 1990 American Bandmasters Association and the 1993 and 2001 College Band Directors National Association. Steele and the Wind Symphony can also be heard on two previous releases, TROY500 (music of Persichetti, Syler, Zaninelli and Maslanka) and TROY600 (music of Maslanka and Hagen). Albany has had great success with our catalog of wind music, and we feel this new release, honoring John Barnes Chance, is one of finest.

Customer Reviews:

Legacy of John Barnes Chance.......2006-02-25

A great collection of music that captures a snap shot of a gifted composer. A great addition to any library of band music.

Average customer rating: Great setlist, Antelope jams totally solid show, worth the buy What a great show I expected more from this killer setlist....(3.5 stars) Killer Antelope on the loose !!!

Live Phish Vol. 7: 8/14/93, World Music Theatre, Tinley Park, Illinois Phish Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Neo-Psychedelia | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music General | Rock | Styles | Music Rock Jam Bands | Jam Bands | Rock | Styles | Music Jam Bands | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Classic Rock | Styles | Music Bargain Box Sets | Rock General | Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Rock General | Rock | Today's Deals in Music | Formats | Music Similar Items: Live Phish Vol. 6: 11/27/98, The Centrum, Worcester, Massachusetts Live Phish Vol. 4: 6/14/00, Drum Logos, Fukuoka, Japan Live Phish Vol. 11: 11/17/97, McNichols Sports Arena, Denver, Colorado Live Phish Vol. 8: 7/10/99, E Centre, Camden, New Jersey Live Phish Vol. 18: 5/7/94, The Bomb Factory, Dallas, Texas ASIN: B00006369C Release Date: 2002-04-16

Tracks:

1. Chalk Dust Torture
2. Guelah Papyrus
3. The Divided Sky
4. The Horse
5. Silent in the Morning
6. It's Ice
7. Sparkle
8. Split Open and Melt
9. Esther
10. Poor Heart
11. Cavern

Tracks:

1. 2001
2. Run Like an Antelope
3. Sparks
4. Walk Away
5. Tinley Park Jam
6. Run Like an Antelope
7. Have Mercy
8. Run Like an Antelope
9. Mound
10. The Squirming Coil
11. Daniel (Saw the Stone)

Tracks:

1. You Enjoy Myself
2. Purple Rain/Hold Your Head Up
3. Golgi Apparatus
4. La Grange
5. Mike's Song
6. The Great Gig in the Sky
7. Weekapaug Groove

Customer Reviews:

Great setlist, Antelope jams.......2007-04-12

This is one of the all-time great setlists, and the second set features segues into and out of Antelope throughout. The show is most evocative of the great 11/27/98 show or the 5/7/94 show in the way the band fixate on a great song and build around it. The jamming is exceptional, particularly for a 93 show, which is about a year before the band really hit their stride. High energy sets, and great filler too.

The sound is good. Doesn't feel as live as some of the others in the series, with very little crowd even between songs. Nice stereo mix, with clear keyboards and drums. Mike's bass could stand to be a little higher up in the mix, but it's not something you're going to notice on most sound systems, I suspect. All around, a great release of an absolutely great show. The definitive shows from the live Phish series are 4, 6, 7, 11, 12, and 18. Add to that New Year's Eve 1995 and you have a great representation of the best of the band's live work.

totally solid show, worth the buy.......2006-04-26

this was the first of the live phish series i bought, and it surely did not disapoint, the you enjoy myself is out of controll, the vocals on it sound very crisp and get you into it alot, all the songs are just solid, great jams, the tinsley park jam is great, i wouldent hesitate to buy this show, it will not let you down

What a great show.......2005-09-26

Alright just to start off phish is my favorite band, and i have listened to quite a lot of there shows. But just because there my favorite band i dont think automatically anything they do is gold, on the contrary i have become more critical of phish. alright now on to the show.

this show has a lovely setlist. Basically all of the first set is comprized (i dont know if thats a word) are good songs ranging from classics (chalkdust, Split open and melt) to raritities (esther), except sparkle, and cavern (personally i have heard these songs enough, especially sparkle). To tell you the truth i dont really listen to the first set very often. Its a very good first set and a pretty good introduction to phish, but the second set...

This second set is magic. Starts of with a wonderful opener, 2001 which goes into run like an antelope. Antelope is one of my all time favorite phish songs, and this one of my favorite antelopes. the first bit of the jam in this song is not the most pleasing antelope to your ears (kind of sloppy at points, but i mean come on your gonna get some sloppiness from phish in 93), but it is a really interesting and unique jam to me, and i have grown to love it. but why is this antelope so great? i'll tell you why. a little before the 9 minutes mark its starts to build up, and oh my god, it just goes into some of the sickest stuff i have heard. everyone is playing on fire and perfectly with eachother. trey is playing a catchy riff while page adds on to it perfectly, fishman is REALLY getting into it, and mike... does mike every have a bad day? i mean this song is absolutely RAGING. page takes over the reins at one point and does a fanatastic job. this is some energetic piano playing, even though he screws up a bit at one point, he picks it back up with the organ. this jam gives me the bumps almost everytime i listen to it. it finally slows down a little... just to go into sparks (by the who)! what an awesome song. sparks segues into walk away (dont care too much for this song), that goes into a wacky jam that starts to pickup intensity toward the end of the which goes back into antelope (which is still raging). the mellow reggae tune have mercy comes up next. i really like this song and it is the perfect breather. have mercy winds down to a nice ambient point which goes into the ending of antelope perfectly. another thing to point out about this whole shibang is that all of the segues are pretty fluent. the rest of the set is pretty good too with a bunch of great songs, most notably the squirming coil, and YEM.

sorry that i didnt get into the specifics of the other parts of this show besides the first half of the second set, but that would of taken a really long time.

all that with a mike's groove filler(even if it is only so-so) and youve got yourself, one of the better live phish volumes.

I expected more from this killer setlist....(3.5 stars).......2003-07-30

This was am amazing set list and I was all set to rock once I put this into my CD player for the first time. What I got was some excellent music by other standards but not the best Phish in the sea. It seems like this was a low energy night. The jams are there but they aren't up to regular Phish standards. The Walk Away in the middle of the Run Like An Antelope medley is the highlight and the dispicable/embarrassing Purple Rain is the lowlight.

Bottom Line: A great setlist and an important concert for die hard fans to have. Not the best place to start for beginners. Being the Phish fanatic that I am, I thin this is better than most CD's that I own but I gave it 3.5 because it is my least favorite of the Live Series.

Killer Antelope on the loose !!!.......2003-06-01

This is one of the best concerts I have ever heard. "The Horse" into "Silent in the Morning" was great, the "Chalk Dust Torture" was awesome, the "Divided Sky" was lovely and the "Cavern" was fierce. The highlight would have to be "2001" into a racing "Run Like an Antelope" into "Sparks" (by the Who!!!!)and then a jam that interwieves into other songs (a fun "Walk Away", a mellow "Have Mercy") before finally getting back to Antelope. Talk about setting the gear shift to the high gear of my soul!! That amazing jam goes into an up-beat, fun "Mound", and I loved how Trey gave the football up-date during a crazy "Daniel Saw the Stone". The multi-tease "You Enjoy Myself" into a hysterical "Purple Rain" was nice, and the "Golgi Apparatus" to end was great. The ZZ Top cover was sweet. The Mike's Groove filler was interesting. A good "Mike's Song" and an experimental "Weekapaug Groove", but the "Great Gig in the Sky" (by Pink Floyd off the greatest album ever made) made me pee my pants. Up until this point, I've just downloaded concerts off of livephish.com (check the site out if you want all the newest Phish stuff), but I'm gonna start buying the cd realeases! Go Phish!!!!

Average customer rating: Lay down your arms... Full Energy in Chicago get this show Two discs of solid love A Scorcher in the Windy City

10/9/00 - Chicago, Illinois Pearl Jam Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Grunge | Rock | Alternative Styles | Alternative Rock | Styles | Music Alternative | Live Albums | Alternative Rock | Styles | Music General | Live Albums | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Rock | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: 06/6/00 - Cardiff International Arena, Cardiff, Wales 8/21/00 - Columbus, Ohio 30/5/00 - Wembley Arena, London, England 8/12/00 - Tampa, Florida 9/1/00 - Philadelphia, Pennsylvania ASIN: B00005APZS Release Date: 2001-03-27

Tracks:

1. Release
2. Corduroy
3. Grievance
4. Gods' Dice
5. Animal
6. Red Mosquito
7. Nothing As It Seems
8. Given To Fly
9. Wishlist
10. Small Town
11. In Hiding
12. Even Flow
13. Light Years
14. MFC
15. Lukin
16. Not For You
17. Betterman

Tracks:

1. Leatherman
2. Nothingman
3. Do The Evolution
4. Insignificance
5. Black
6. Parting Ways
7. Encore Break
8. Sleight Of Hand
9. Solider Of Love
10. Crazy Mary
11. Jeremy
12. RVM
13. Soon Forget
14. Baba O Riley

Customer Reviews:

Lay down your arms..........2004-11-06

This isn't a flawless set- the performance of Corduroy is lyrically flubbed, and Betterman is unremarkable, without the 'tags' that lend the songs personality live. However, I have yet to find a flawless Pearl Jam bootleg, and for those who collect them obsessively (like myself), there are few better from this tour. Several of the songs off Binaural are treated to passionate and spot-on renditions, most notably God's Dice, Grievance, and Insignificance. Several of the band's best live cuts, such as Release, RVM, and Evenflow, are also strong, backed by a packed Allstate Arena crowd. The show ends with a great performance of Baba O' Riley, with Ed exhorting the crowd to sing along- as if they needed the encouragement.

If you're only going to buy one bootleg from this tour, make it #72, the tour ender in Seattle. If you're getting any more, make this one a priority.

Full Energy in Chicago.......2002-08-25

Pearl Jam put together an incredible show for their Chicago performance. Coming off a show that nearly froze them and their fans in Wisconsn, and forced them to wrap things up early, the band went all out in Chicago. Eddie Vedder makes reference to the weather, although vaguely, early on, and promises to play for a while in Chicago.

Whoever was working the sound board for this recording did an excellent job. Each member of the band is captured vividly. The crowd noise is just about perfect for this live recording. Their voices accompany Eddie at just the right volume in songs such as 'Elderly Woman Behind the Counter in a Small Town', 'Release', 'Betterman', 'Black', and 'Baba O'Riley'. The audience participation goes a long way towards capturing the energy of the show.

One of the highlights on the album was accomplished when the band played 'Lukin' as an intro for 'Not For You'. They didn't miss a beat, and the crowd,revved up by the break neck speed of 'Lukin', carried the energy right into the rebellious 'Not For You'.

Although I don't all the official bootlegs from Pearl Jams last tour, I do own several. This is among the highlights of the tour.

get this show.......2001-11-23

This is the best official bootleg that I have heard so far. I have about 20 of them and this is definately a stand out. The band is obviously energetic and play great.

Two discs of solid love.......2001-11-04

Longer than most of their shows, this two-cd set captures the love that Pearl Jam has for their fans. The previous night's show, in East Troy, WI, was intensely cold (as Eddie details on the cd). Since they shortened that show to prevent themselves and their fans dying from hypothermia, Pearl Jam made the next show a long one. The whole thing covers a huge chunk of Pearl Jam's catalog of work and includes a few covers. If you are looking for live music from Pearl Jam, this set is about the largest continuous chunk you're going to find.

A Scorcher in the Windy City.......2001-11-03

Disclaimer: Owner of all 72 official PJ bootlegs. Not including the final show in Seattle, which contains a lot of extra stage talk, this gig in Chicago is the longest entry in the American portion of the 2000 bootleg series. Apparently Pearl Jam decided to make up for the previous night, an extremely cold outdoor gig in Wisconsin that they had to wrap up early before they froze to death. As an added bonus, this show manages to justify its huge length, giving the crowd an extra-long dose of prime intensity. The dependable set list includes a few pleasant surprises, like a majestic opener in "Release," plus the welcome rarities "Red Mosquito" and "In Hiding." Stone Gossard and Jeff Ament keep things moving tonight, giving some of their personal best performances of the tour, especially in "Gods' Dice," "Jeremy," and a better-than-usual "Even Flow." The Man Trilogy ("Betterman" to "Leatherman" to "Nothingman") mellows out the middle of the evening effectively, while "Parting Ways" and "Rearviewmirror" close the first and second sets in convincing and dramatic fashion. If you're looking to buy only a few of these Pearl Jam bootlegs, this one is not one of the most incredible in the series (in the eyes of a die-hard fanatic), but is a great example of a solid and intense performance by a great rock band that is still knockin `em dead after all these years.

Average customer rating: Great disk! an excellent disk, with Jacquet well under control

Flying Home: The Best of Verve Years Illinois Jacquet Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Jump Blues | Blues | Styles | Music Similar Items: The Blues; That's Me! Jumpin at Apollo The Soul Explosion Bottoms Up Bosses of the Ballad/Spectrum ASIN: B0000046T0 Release Date: 1994-03-22

Tracks:

1. Speedliner
2. Pastel
3. Groovin'
4. Cotton Tail
5. Boot 'Em Up
6. Bluesitis
7. Lean Baby
8. Port Of Rico
9. Where Are You?
10. Heads
11. It's The Talk Of The Town
12. The Kid And The Brute
13. Sophia
14. Honeysuckle Rose
15. Star Dust
16. Las Vegas Blues
17. Achtung
18. Have You Met Miss Jones?
19. No Sweat
20. Flying Home

Customer Reviews:

Great disk!.......2000-03-27

This is one of my favorite jazz cds!

an excellent disk, with Jacquet well under control.......1998-08-13

at his best, Illinois Jacquet was as sensual and inviting as any tenor saxophonist in jazz. It is good to hear the echoes of Herschel Evans in Jacquet's playing. My speculation is that Jacquet influenced Ben Webster as they moved into the 1950's. Partly because there is no squealing this is a 4 star disk because I have to save 5 stars for REALLY GREAT DISKS -- of which there are less than 100.

Average customer rating: Amazing jaw dropping show! Dissociative Identities Quadrophenia! Three words: You Enjoy Myself. Phish hit it well!

Live Phish Vol. 14: 10/31/95, Rosemont Horizon, Rosemont, Illinois Phish Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Rock Jam Bands | Jam Bands | Rock | Styles | Music Jam Bands | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Pop Rock | Pop | Styles | Music Bargain Box Sets | Rock General | Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Rock General | Rock | Today's Deals in Music | Formats | Music Similar Items: Live Phish Vol. 13: 10/31/94, Glens Falls Civic Center, Glens Falls, New York Live Phish Vol. 15: 10/31/96, The Omni, Atlanta, Georgia Live Phish Vol. 16: 10/31/98, Thomas & Mack Center, Las Vegas, Nevada Live Phish Vol. 11: 11/17/97, McNichols Sports Arena, Denver, Colorado Live Phish Vol. 12: 8/13/96, Deer Creek Music Center, Noblesville, Indiana ASIN: B00006LHWJ Release Date: 2002-10-29

Tracks:

1. Icculus
2. Divided Sky
3. Wilson >
4. Ya Mar
5. Sparkle >
6. Free
7. Guyute

Tracks:

1. Run Like An Antelope
2. Harpua
3. I Am The Sea >
4. The Real Me >
5. Quadrophenia >
6. Cut My Hair
7. The Punk And The Godfather
8. I'm One

Tracks:

1. The Dirty Jobs
2. Helpless Dancer
3. Is It In My Head?
4. I've Had Enough
5. 5:15
6. Sea And Sand
7. Drowned
8. Bell Boy
9. Doctor Jimmy >
10. The Rock
11. Love, Reign O'er Me

Tracks:

1. Audience Chess Move
2. You Enjoy Myself
3. Jesus Just Left Chicago
4. A Day in the Life
5. Suzy Greenberg
6. My Generation

Customer Reviews:

Amazing jaw dropping show!.......2007-04-13

I went to this show and it still ranks in the top 3 concerts that I have ever been to. There are moments in this show that are still etched in my mind nearly 12 years later...

Aside from the Quadrophenia set there were many great performances at this show. Every set was very solid and had lots of energy.

I will never forget when the second set started with the storm and waves...I knew immediately what they were going to do. As they moved more into it and even into "The Real Me" there were still younger "kids" looking around not sure what album it was. I was 30 and this is the first time that I truly felt old. I suspect that is was obvious I knew what album it was because this guy came up to me and asked "dude, what album is this?"

They did such a great rendition of the Quadrophenia, I was really floored. I disagree with the earlier negative comment about Fishman singing "Love, Reign O'er Me". This was absolutely the right choice. The emotion that he had and the reaction from the audience still gives me goose bumps thinking about it all these years later...it was so intense. I could have left after the second set and been perfectly happy.

When they came out in the third set and did the 40 minute YEM I was speechless. After they finished the encore I really was in awe...

Dissociative Identities.......2006-12-20

I have very mixed opinions about these Phish Halloween live releases. First off, kudos to the band. I have to appreciate any band dedicated to its audience enough to rehearse up an entire albums worth of music for a single show. And it's a clever concept, having the band go in disguise on Halloween not via costumes but by covering a classic album by another band. But here's the down side: The actual music is not that good. The problem is, constrained by both the amount of material they need to learn as well as their attempted fidelity to the original, a band like Phish, appreciated for their improvisatory skill and energetic style, is not playing to its strength. I was beside myself with anticipation prior to hearing Phish covering the Beatles White Album (10/31/95, Live Phish Volume 13). But what I ended up getting was something a little less than the Beatles White Album itself and a little less than Phish playing Phish.

However, of the series, this one was my favorite. On October 31st, 1995, in my old backyard of the Rosemont Horizon, Phish played the Who's Quadrophenia, and it does not disappoint. Something about this Who album translates well to Phish plus horn section.

Even minus the Quadrophenia, this is a live show worth owning. In all fairness to Phish, I should have mentioned before that they do play a generous amount of their own music before and after the Halloween cover album in these shows. Volume 14 features a marathon You Enjoy Myself, A Day in the Life, My Generation (A Who cover but not part of Quadrophenia), a nice Sparkle into Free, and Divided Sky. Buy it and enjoy. Gotta go, nighty-night.

Quadrophenia!.......2006-07-21

The Halloween of 95 had Phish with the major task of finding a new musical costume, and it seems that Quadrophenia was the perfect choice. One of my favorite musical costumes of all time, it was an energy-filled night with a mixture of The Who as well as Phish classics. "Icculus" "Run like an Antelope" as well as "A Day in the Life," and a bluegrass "My Generation" help this halloween to be one that should be treasured!

Three words: You Enjoy Myself........2003-08-04

Phish's Halloween 1995 concert is a great show. It has an excellent first set, highlighted by Trey's jazzy solo in "Ya Mar" and a sweeping "Free." The group's famous spoken word pieces "Harpua" and "Icculus" shine throughout. Unfortunately, I can't comment much on the Quadrophenia songs because I am not familiar with the album, although they are very well performed with the Phishy twist to them, although extended improvisations are missed. The 10/31/98 show featuring the Velvet Underground's Loaded was better in my opinion, largely because I am familiar with the tunes on Loaded, but Phish jams them out on that show.

What I can comment on, however, is one of the crown jewels in Phish history: the epic 40:10 YEM. Yes, I paid 25 bucks for this 4-disc album, but hearing rumors about that YEM made me buy it. It lived up to every expectation and more. Throughout 40 minutes, Phish explores the heights of manic, speed-fueled guitar jamming (listen to the audience go completely nuts around the 15-minute mark) to the depths of space to monolithic blues-derived slow rock. The group's entire history summed up in less than an hour. Equally legendary is the 12/29/94 David Bowie, which is fortunate enough to recieve release in this series.

The show closes with an amusing (if predictable) cover of "My Generation," featuring one Jonathan Fishman gleefully trashing his drum kit (surprise!) Kieth Moon-style. Fun way to close the show. But if not for the YEM, this would have been simply a very good Phish show. The YEM made it a show that would go down in Phishistory. 'Nuff said.

Phish hit it well!.......2003-01-14

Quadrophenia is one of the most complex albums made, and also one of the best. I am honored, as a who and phish fan, that phish did a cover of quadrophenia, my personal favorite who album. I know it was tough for trey to sing as daltrey and play guitar as townshend at the same time, but fishman had the hardest job of taking keith moon's job. Either way, phish played awesome and if you are a phish or who fan, buy this album

Average customer rating: Still very acceptable sound: B-, content: A+ Illinois Speed Press/Remastered Response to the Critics Loved these albums for 35 years, but this CD has flaws...

Illinois Speed Press/Duet Illinois Speed Press Manufacturer: Futuredge Music ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Indie Music | Stores | Music Similar Items: Rhinoceros Crabby Appleton Windmills/She Is a Song The Last Roundup Pickin' Up the Pieces ASIN: B00015EKIW Release Date: 2003-11-25

Tracks:

1. Get in the Wind
2. Hard Luck Story
3. Here Today
4. Pay the Price
5. P.N.S.- When You Come Around
6. Be A Woman
7. Sky Song
8. Beauty
9. Free Ride
10. Right on Time
11. Night People
12. G.I.T.W (Instrumental version)
13. Duet
14. Country Dumplin'
15. Sadly Out Of Place
16. The One Who Knows
17. Dearly, ii. Bittersweet, iii. Random Roads (And His Big Band), iv. Dearly Theme Reprise
18. Morning Blues
19. Bad Weather
20. The Life
21. The Visit
22. Seventeen Days

Album Description

This is a limited edition remaster of Illinois Speed Press' two releases: "Illinois Speed Press" released in 1969, and "Duet" released in 1970. Bonus tracks, including singles, have been added to the first disc. Flash files providing band information, reviews, timelines, liner notes, have been added to the second disc. The remaster captures the music as the band meant for it to be heard. NOTE TO PURCHASERS: the original source tapes were close to unusable. As result, Futuredge was faced with the dilemma as to whether to cut out certain horrible sections or clean them as best as it could to preserve the integrity of the original music. Futuredge opted for the latter. You may hear in one or two songs a short digital glitch. There is nothing wrong with your CD player. Futuredge is continuing to use additional technologies to see if we can restore those few seconds to a more perfect quality.Also note that there were no source materials available for the bonus tracks. As a result, while Futuredge has made every attempt to "clean" these tracks, some noise will be heard.

Customer Reviews:

Still very acceptable.......2007-05-09

I read the other reviews and though I can certainly hear a few pops and scuffs here and there, I am just glad to get this on disc since the vinyl LP is lost and I'll probably never find it. There are a couple tracks on the first disc, near the end that sound pretty rough, but to be honest, Its kind of different and reminds me of days when recordings on LP records, eight track or cassette tape just weren't perfect. I like this album and it's easy to see where Poco came from after you listen to disc 2. Don't be scared off by a few glitches here and there, if you are thinking of picking this up.

sound: B-, content: A+.......2006-03-18

Overall, a great CD, but am I the only one who:
- can't find the "Overture" track in the flash files
- wonders why several scratches were left in that could
have easily been edited out.
- wishes Mr. Thaler had done the remastering with an eye
on being more true to a live performance rather than
the original recording. Some of the tracks scream for
a little reverb. Why be true to something that sounds
like it was recorded in an anechoic chamber?

Still, the music is the important thing & I have to second
the opinion of Mr. Abraytis; this is the real thing. There's
some great stuff for Poco fans, but the real treats for me
are "Morning Blues" & Kal David's blues oriented tracks.

Illinois Speed Press/Remastered.......2005-06-19

Columbia Records should be ashamed for not putting this cd out, as it was on their imprint originally, and a great album of music. Future Edge should be applauded for having the good taste to take the time to do the remastering and put the cd out. I am sure they are not making a fortune on this. Although I love the music, I was leery about buying the cd because of all the negative reviews of the sound quality, but I bought it despite the negativity, and let me say, you're all nuts. No, this cd is not audiophile quality, nor is it good by today's standards, but it sounds great given the condition of the master tapes(again, Columbia Records should be ashamed) and the other sources that were available to Mr. Thaler. While the music does comes first, I should mention that I am very fussy about the sound that comes out of my system. I am what my friends call " a pain in the ass audiophile" I have the typical high end system that does a great job of resolving the music and lets me hear everything (warts, big and small) and I can say 100% that I was not put off by the sound in any way, shape, or form. If you remember loving this album when it came out in late '69, if you like songs that actually have melodic content, good voices out in front, and some great guitar playing then go out and buy this disc and enjoy.

Response to the Critics.......2005-06-01

In response to the comments made regarding ISP, the decision to remove the first track from the debut self-titled album was not ours; it came from the artists who hated it and did not want it on the record let alone on the compilation. In actuality, it IS there--- you have to search for it as we embedded it in the flash files. That way it was not left out but was not prominent either.

As to the remaster, the original source materials were horrid at best and barely usable. We looked for any source material and did our best. Ultimately, the choice was to complete the project with the issues or abandon it altogether. After discussions with a number of hardcore fans, we decided to press forward. The flash files and extra bonus material, I believe, make the package worthwhile. Please contact us with any further questions.

---John Thaler

Loved these albums for 35 years, but this CD has flaws... .......2005-02-22

I am happy to see these releases in print again and on cd for the first time. I have enjoyed my vinyl copies for some 35 years. However, as some have said, there are some nasty flaws with this CD release - #1: They decided to leave off the first song of the first album called "Overture". Yes, it may be a bunch of tape snipets taken from the album and spliced together with no apparent structure, but for the producer John Thaler to be so insensitive as to arbitarily cut anything from the original work, that is completely unacceptable. Shame on you John, who do you think you are hacking off a part of ISP's debut release! #2: As recognized by others, there is a nasty digital glitch in "PNS..." which I find hard to excuse. I have never heard a digital glitch like this one in any other professional cd release, regardless of the recordings age. It sounds more like an incompetent mistake than a planned compromise to my ears. #3: The first bonus cut "Right On Time" starts before the last album cut "Free Ride" has completed, abruptly cutting off the last feedback-drenched chord. Another insensitive, sloppy and unforgivable mistake. Shame on producer John Thaler's sloppiness and insensitivity toward this historic debut recording. Fortunately, the 2nd album Duet is included in it's entirety. Hey John, why didn't you arbitrarily cut something from it?

Rap Music:

1. In Between Dreams
2. It Takes Two
3. It Was Written [Clean]
4. Jacksonville City Nights
5. Just Reality
6. Keepin' It Roudy and Cloudy
7. Life Courage Death [Explicit Lyrics]
8. Life In Slow Motion [Content/Copy-Protected CD]
9. Lifehouse [Enhanced]
10. Love. Angel. Music. Baby.

Rap Music

rap music

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Social Call