Based on a True Story [Clean]

Based on a True Story [Clean]

Track Listings

1. They Don't Live Long
2. Bout a Lotta Thangs - Buddy Roe, Trick Daddy
3. Oh Me, Oh My
4. Kill-A-Head
5. Now They Wanna Holler
6. Going Down Like That
7. I'll Be Your Player
8. Based on a True Story
9. Pimp - Buddy Roe, J.T. Money, Trick Daddy
10. I Got Plans - Buddy Roe, Trick Daddy
11. Gone With Your Bad Self - Trick Daddy,
12. Gone With Your Bad Self [Bom Bom Mix] - Trick Daddy,

Based on a True Story,Trick Daddy,Atlantic / Wea,Dirty Rap,Dirty South,Hardcore Rap,Pop,Rap & Hip-Hop


Based on a True Story [Clean]

Based On A True Story
Average customer rating: 5 out of 5 stars
  • Another great album
  • Based on a True REVIEW
  • Fairly Strong Sophomore Effort
  • SUPERB!!!!
  • This is not your typical American Idol Album!
Based On A True Story
Kimberley Locke
Manufacturer: Curb Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Teen PopTeen Pop | Pop | Styles | Music
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Similar Items:
  1. Princess P
  2. Elliott Yamin
  3. My December
  4. Katharine McPhee
  5. One Love

ASIN: B000N0TLHU
Release Date: 2007-05-01

Tracks:

  1. Change
  2. Any Which Way
  3. Trust Myself
  4. Supawoman
  5. Doin' It Tonite
  6. Friend Like You
  7. Fall
  8. I Don't Wanna Know
  9. Talk About Us
  10. You Don't Have to be Strong
  11. Everyday Angels
  12. Band of Gold

Amazon.com

Whether she has to put on a cowboy hat, kick it at the club, or cake on rock-chick quantities of black eyeliner, Kimberley Locke is going to see to it that you like her. Based on a True Story, the 2003 American Idol finalist's second CD, wanders through a dressing room of genres, wiggling into rock ("Trust Myself"), strutting around in R&B and dance ("Supawoman" and "Doin' It Tonite"), and unbuttoning contemporary country ("Fall"). Locke, an artist who otherwise exhibits a Queen Latifah-like gift for keeping it real, probably should have stuck to what fits best: pop (see the excellent first single "Changes"). That she doesn't--that she instead chooses to make an Idol-style show of her versatility--is a little bit of a letdown. But not much. Because she pumps personality and warmheartedness into every song, effectively if not ingeniously carrying off a boatload of styles, she'll still have a lock on a lot of mental lists of all-time-favorite female AI contestants, and deservedly. -Tammy La Gorce

Album Description

Wearing her heart on her sleeve, Kimberley knows her fans will be able to relate to this album because music is the universal language. In her first attempts at songwriting, the product is a collection of songs highlighting the good and bad points of love and friendship. Taking calculated risks and exercising her faith has proven to be the key to unlocking the music that lives within Kimberley Locke.

Customer Reviews:

5 out of 5 stars Another great album.......2007-07-08

Another great album! This one has definitely grown on me...great voice and a nice variety of tunes. I just love her!

5 out of 5 stars Based on a True REVIEW.......2007-06-28

Wow, great voice and songs. Amazing that she is not as hot as Kelly or Carrie.

4 out of 5 stars Fairly Strong Sophomore Effort.......2007-06-26

One of the better singers to come out of the AMERICAN IDOL franchise, Kimberley Locke follows up 2004's ONE LOVE with a similar-sounding set of songs in BASED ON A TRUE STORY. As her previous set demonstrated, Locke is best served musically when wrapping her warm vocals around pop/rock arrangements--opening track "Change" is a wonderfullly adult rock ballad that never succumbs to sappy melodrama, while the country-tinged "Fall" and pop nugget "Any Which Way" showcase Locke's sublime vocal work. It's when trendy production creeps in that the album falters--official first single "Supawoman", justly ignored at radio, is abysmal, while "Doin It Tonite" sounds like a cheap Neptunes-produced knock-off. As a previous reviewer stated, it's a shame listeners(radio and otherwise) won't accept a black woman singing pop-rock music, which is probably why the album provides a little catering for the R&B audience. Nevertheless, if Locke had stuck to more songs along the lines of "Change" or "Fall", there would have been little, if anything, to fault about this set.

5 out of 5 stars SUPERB!!!!.......2007-06-08

Kimberley Locke's second CD, "Based On A True Story," is perhaps the finest release to come from any former American Idol contestant to date. It is extremely good, with a nice variety of musical styles. Kimberley sings her heart out, and she has a simply wonderful vocal range. I loved her first release, yet this one is ten times better. I am a big fan of many American Idol alumni, including Kelly Clarkson, Fantasia, Carrie Underwood... and I must say that Kimberley Locke outshines them all on this splendid release. Try it. It is well worth your money. GREAT CD!!!

5 out of 5 stars This is not your typical American Idol Album!.......2007-06-02

First of all, I don't typically write reviews for albums, nor am I the typical AMerican Idol album buyer. However, if you are looking for a great album, with a great voice, great songs, and something to listen THE WHOLE WAY THROUGH, then buy this album.

If you like "8th world Wonder," you will love this album. Most songs are similar in sound as "8th," what I would call Adult Rock. Kimberly not only has a great voice, that is very powerful, she co-wrote most of the songs.

I can't pick a favorite, but I will give you a rundown of the tracks on this album:
1. Change - This is an amazing song, amazing voice. Most artists now when you listen to their vocals, there are several layers of their voice to make it stronger. She does not have that....her voice is that powerful.
2. Any Which way - Rock song with a great chorus and a soaring bridge at the end! It will get you going.
3. Trust Myself - again, another rock song. This one will have you believing in yourself. Again, awesome bridge at the end!
4. Supawoman - to be honest, when this song was released last year as a fast song, I didn't like it. However, this is a slowed down version and I have found myself addicted to it. Listen to the lyrics.
5. Doin' It tonight - a simple dance song. At first is seemed too simple, but I love her lower range in this song. You will start dancing when you hear it.
6. Friend Like You - DOn't be fooled by the title....this is not a happy song, however, she uses the Rock sound perfectly here. A great song.
7. Fall - This will bring tears to your eyes. Beautiful slow song with amazing, powerful vocals.
8. I don't wanna know - Again, the rock sound works so well for her. Good song.
9. Talk about us - this is more R&B than the rest of the album, but it is a nice change up.
10. You don't have to be strong - Blues song, very nicely done.
11. Everyday Angels - A feel good anthem! Nicely done
12. Band of Gold - WOW! She truly has a gift to make any song great!

This album is worth it. It's not like any other AI album. You will be listening to this album over and over. Let me know if you can pick just one favorite!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
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  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Based on a True Story
Average customer rating: 5 out of 5 stars
  • Dubbin' in NZ
  • Real Reggae Funk n Dub
  • You won't need to listen to anything else..
  • "Do it for the love of music."
Based on a True Story
Fat Freddy's Drop
Manufacturer: Kartel
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
GeneralGeneral | Reggae | International | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
GeneralGeneral | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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ASIN: B000ICLT9G
Release Date: 2006-11-14

Tracks:

  1. Ernie
  2. Cay's Crays
  3. This Room
  4. Ray Ray
  5. Dark Days
  6. Flashback
  7. Roady
  8. Wandering Eye
  9. Del Fuego
  10. Hope

Customer Reviews:

5 out of 5 stars Dubbin' in NZ.......2007-06-27

Fat Freddy's Drop is one of a slew of talented New Zealand-based bands merging electronica, dub, reggae, and other styles into a particular Pacific Island sound. Joe Dukie (Dallas Tamaira) is one of the leaders of this treasure trove of sonic delights, which I discovered on a trip to the North Island a few years back. Also well worth checking out, but a bit hard to find are Salmonella Dub (gotta love that name), Rhian Sheehan, Black Seeds, and Trinity Roots, among others. "Based on a True Story" is laid back, funky, roots reggae that will leave you tapping your toes and groovin'... Most songs take some time to build momentum, unfortunate perhaps in today's "5 second" soundbite world, but rewarding to the patient listener. Standout tracks are Cay's Crays, Flashback, Ernie, Del Fuego, and the FFD classic Hope.

5 out of 5 stars Real Reggae Funk n Dub.......2007-04-13

This is one of the most exicting albums I have discovered in the last couple of years because these guys have a very unique genre crossing sound from funk to reggae to dub to jazz. I love reggae but always feel starved of quality new product until Based On a True Story. Ditch the i-pod, this must be listened to from start to finish. It's catchy, cruisy simple and just plain satisfying. Get it!

5 out of 5 stars You won't need to listen to anything else.........2007-02-12

This cd is sooooooo good! It has a little bit of everything...I never get tired of listening to it. I have turned on friends to this cd, and they all come back saying the same thing...they can't stop listening to it. Cays Crays is one of my favorite all time songs. The lyrics and music keep me hanging on, and just when it sounds like the song is over, it gives you a taste of roots and dub. The horns on this cd are great, and are something that is lost these days to synthesizers on most cds. The musicians on this cd are all very talented and truely understand music, and it shows on this creative cd. I've been to New Zealand twice and it is my favorite place in the world, and listening to this cd takes me back there to enjoy the vibes and mana of Aotearoa.
Other great New Zealand artists to check out if you enjoy this are Trinity Roots, The Black Seeds, Salmonella Dub, Kora, and Hollie Smith(she can be heard on some of FFD's tracks and has an EP out). Conscious Roots 2 is a great compilation to listen to for an ontroduction to different NZ artists. I am a roots lover, so my recommendations reflect that...Enjoy!

5 out of 5 stars "Do it for the love of music.".......2007-02-08

It's easy to see how much these 7 guys really do love music, as the New Zealand collective known as Fat Freddy's Drop offer up a real diverse sounding album, filled with reggae and jazz infused downtempo vocal tracks. Joe Dukie, aka Dallas Tamaira has one of the smoothest sounding voices of any electronic or pop male vocalist I've heard in a while. His soulful and crisp sound instantly take any lyrical journey up a notch to the next level. It's DJ Fitchie doing the mixing, Fulla Flash on sax, Jetlag Johnson on guitars, Dobie Blaze on keys, Ho Pepa on trombone, and Tony Chang on cornet. These guys have no shortage in delivering jazzy soundscapes with a touch of dub and reggae to back Dukie.

It's a different sounding album then most US music listeners would be accustomed to, as it's a far cry from the pop that's scattered across our top 40. However, in New Zealand, this album has been on their top 40 chart for an astonishing 90 weeks and counting, and was the biggest selling album in NZ in 2006. It's no wonder, as this is a quality album, by a unique musical collaboration. Mixing jazz, electronica, reggae, and soulful vocals, Fat Freddy's Drop have created a mind opening venture into current music trends.

The album features the singles Flashback, a vocal track which sounds reminiscent of 60's Motown; Wandering Eye, probably the most mainstream sounding vocal track on the album; Roady, a playful dub track with some slick lyrics from guest Ladi 6; Ernie, a jazzy downtempo track with a full 4 minutes of soothing piano melody until the vocals finally kick in; and one of my favorites, Cay's Crays, which features the ultra catchy chorus line, "the skank be the rock in my life".

Since this album has been out in other places before it hit the US, we can already seek out several versions and remixes of lots of these tracks. Especially notable is the Jazzanova's Mashed Bag mix of Flashback, where they remove the broken beat sound of the original, and turn it into a an even more vintage sounding vocal track, by infusing it with an all jazz sound. Cay's Crays also has a cool remix out there by One Self, which features two guest reggae vocalists and additional lyrics. A rare, live version of This Room can be found on Gilles Peterson's BBC Sessions compilation. It's exceptional, as they tend to make each track sound unique every time they play it elsewhere. You won't find them sounding the same twice, but you can count on every time sounding especially good, which further proves how diverse and musically talented these guys really are.

A do not miss artist album that needs more exposure her in the US. It's better than the majority of the major artists and tracks now being played on US radio and popping up on our charts. If you are looking for a mix of exceptional vocals and nu jazz sounds, look no further. I can't wait for more from these New Zealand guys, and hopefully their stuff will reach these shores much quicker next time! One last note is that the store I shop at had this erroneously thrown into the pop/rock section, when it should be in either electronic, lounge, jazz, or even reggae. So, check around, order it here, or do whatever you have to to own this great album.
Based on a True Story
Average customer rating: 3.5 out of 5 stars
  • Based On A True Story
  • Hot!!! a must-buy!!!
  • ...Horrible.
  • Wish there was a 'lil mo' to this average CD
  • IT'S COO
Based on a True Story
Lil' Mo
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

Contemporary BluesContemporary Blues | Blues | Styles | Music
Contemporary R&BContemporary R&B | R&B | Styles | Music
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ASIN: B00004SX2H
Release Date: 2001-06-26

Tracks:

  1. Intro
  2. My Story
  3. Supa Star
  4. Superwoman Pt. II
  5. Player Not The Game
  6. How Many Times
  7. 2moro
  8. Friends (Those Girls)
  9. Gangsta
  10. Saturday
  11. She Cood Neva B Me
  12. Time After Time
  13. Outro
  14. I Ain't Gotta
  15. Ta Da

Amazon.com

On her debut album, Based on a True Story, Lil' Mo moves from behind the scenes into the spotlight. You'll probably recognize the soaring vocals on "Superwoman Pt. II" from her hook work for artists like Ja Rule and Missy Elliott. Taking almost all of the writing credits on her debut, Lil' Mo uses her imagination and her brilliant alto to let listeners know that she's more than just a pretty voice. Mo uses her evocative vocal abilities to transform the clichéd story of a little girl with big dreams on "My Story" into a moving piece of music that sends chills up the spine with every climb of her clear voice. Equally powerful is Mo's remake of Cyndi Lauper's "Time After Time," where she displays the full extent of her range. Likewise, songs like "Supa Star" and "Player Not the Game," featuring Carl Thomas, will send you on an ethereal ride through Lil' Mo's intricately woven world. Lil' Mo's in full command of her voice and material on Based on a True Story, and after one listen, you'll marvel at this new super-singer. --Felicia A. Wilks

Customer Reviews:

5 out of 5 stars Based On A True Story.......2005-05-18

i remember this album when I was 14. I loved this album and it is tight and she can blow like any other diva. The album is like a chapter in her life,as every song is a reflection of her. With soul and clarity,each song is deliciously brewed and produced under a kaleidoscope of lush instrumentation. She co-wrote some of the songs. This album should have been promoted more. Remember,this was 2001.

5 out of 5 stars Hot!!! a must-buy!!!.......2004-08-28

some people don't get this album cuz they're not from the ghetto like i am. it really shows Lil' Mo's character and the lyrics r really really really really gewd & clever!

2 out of 5 stars ...Horrible........2002-11-06

The hype is what made this album so bad. The album had so much hype, it was so long awaited...and then it turned out horribly. The songs are beat. For a great vocalist sure did make a bad album...

3 out of 5 stars Wish there was a 'lil mo' to this average CD.......2002-02-24

The up side: Lil Mo clearly shows some potential in her debut CD. She writes, or co-writes most of the songs on the CD. And she sings the songs with a passion. "My Story" and her gospelized Cyndi Lauper "Time After Time" remake are particularly heartfelt. Her voice is strong and sharp, reminiscent of Michelle from Destiny's Child. Halfway decent ballads/midtempo numbers include "Player Not The Game", "She Cood Neva B Me", "Saturday" and "How Many Times". And of course, there's the hit "Superwoman Pt. II" with Fabolous.

The down side: A little misleading advertising - listeners lured into this CD by the funky electronic bleeps of "Superwoman Pt. II" should NOT expect more of the same. The rest of the CD is largely comprised of midtempo housewife R & B material (although there is "Gangsta", an unnecessary uptempo number built off Snoop's "Gin & Juice").

And the songs are mostly just average, even the better ballads mentioned above. It's the kind of sweet material that plays just fine in the background. There's nothing dreadful about any of it, but there's nothing transcendent either. Not much that steps above the level of routine filler on a Kelly Price or Faith Evans CD. In other words, its a nice first effort, a fine three star CD of the moment. But I find it unlikely that folks will be playing this one much beyond this year, after which plenty of new average "one hit" CDs will come along to replace it.

I remain impressed by Lil Mo's singing and writing efforts. I hope that the songs improve even more with experience. And I recommend that buyers either hold out for a cheap used copy of this - or hold out a few years to see if Lil Mo makes it big enough to merit a 'greatest hits' collection. If she does, I'm sure it'll have the best tracks from this, and if she doesn't last - you probably won't have missed much.

3 out of 5 stars IT'S COO.......2001-11-23

Lil' mo's CD is something that u can sit back and relax to. her best songs are ta da, supa star and sturday. but there is others that are just as good. ofcorse there are other songs that can bore you. but she is a talented young lady that has to sart somewhere and then go from there.
Based on a True Story
Average customer rating: 4 out of 5 stars
  • Mack 10's best album to date
  • Mack-10-A Westcoast Classic
  • Like it
  • WESTSIDE ONLY IN KALI !
  • A little more laid back on this album.
Based on a True Story
Mack 10
Manufacturer: Priority Records
ProductGroup: Music
Binding: Audio CD

Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
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ASIN: B000003AGE
Release Date: 1997-09-16

Tracks:

  1. Mack Manson (Intro)
  2. Chicken Hawk ll
  3. Mack 10, Mack 10
  4. Bangin' Gears (Insert)
  5. Backyard Boogie
  6. Can't Stop
  7. Tonight's The Night
  8. Aqua Boogie (Insert)
  9. The Guppies
  10. Inglewood Swangin'
  11. Dopeman
  12. What You Need? (Dopeman '97)
  13. Only In California
  14. Gangster Poem (Insert)
  15. W/S Foe Life
  16. Based On A True Story

Customer Reviews:

5 out of 5 stars Mack 10's best album to date.......2005-11-30

After hos solid self-titled debut album and the huge success of Westside Connection's "Bow Down" , it was the perfect timing for Mack 10 to release his second album. "Based on a True Story" continues what Bow Down had started - GREAT beats with nothing but West Coast gangsta rap on it. Although Mack 10 lacks Ice Cube and WC's carisma or lyrical abilities, he's still a talented rapper, with a unique voice and high street cred. "Based on a true story" is much beter than his debut, with much much better production and rapping. On this album, Mack 10 sounds the best he's ever sounded - nowdays his rapping is a bit to laid back, lacking emotion - but on this one, Mack One O raps with energy, sounding real hard on quite a few. Lyrically it's all about the streets on this one, drug dealing, killing, hustlin'. No sex songs, no cars songs, just gangsta sh** to the fullest. The production is very impressive. Ant Banks did 4 songs (some of the best are his), Young Tre, Soopafly, Bob Cat, Mack 10 and Ice Cube did the rest. It's West Coast rap at it's highest form and I feel it's a great follow-up to "Bow Down". Guest rappers are AllFrumThaI, Comrads, Ice Cube (on 2 songs and all over the album as well), Snoop Dogg (you can hardly hear his voice on that song, he almost whispers his verse)...I only wish WC was on it too, but it's all good... There's no attempt to go mainstream on this album: It was recorded when West Coast rap was at it's peak, in terms of quality and popularity, so rappers could go on and do their thing without fearing the album won't sell. You won't skip a track on this one, I give you my word, Mack 10's second album is his best solo release ever. Nothing he did after that can match "Based on a true story".

5 out of 5 stars Mack-10-A Westcoast Classic.......2004-02-15

this album is mack 10 at his best.thys album is a banger from start 2 finish and tha outro song based on a true story seals tha greatness of thys album and takes it 2 classic westcoast status.PERFECTION AT ITS PEAK

4 out of 5 stars Like it.......2003-12-17

I like this CD by Mack 10. I cant say its his best, thats why I gave it a 4, but I still find myself bumbing this cd in my truck quite often. Backyard boogie has a tight beat, and the chicken hawk 2 is also a great hit. If you like Mack then grab this cd. Mack still keepin it GaNgStA!

4 out of 5 stars WESTSIDE ONLY IN KALI !.......2000-11-06

MACK 10 DID GOOD IN THIS ALBUM.ONLY IN KALI.

4 out of 5 stars A little more laid back on this album........2000-06-01

With this album, Mack 10 starts to mature as a rapper. His lyrics are less "in your face" most of the time and a little more introspective. The last track on the album, BASED ON A TRUE STORY, is most reflective of this. BACKYARD BOOGIE is a bumpin' party track, INGLEWOOD SWANGIN' is a salute to his hometown, and THE GUPPIES is a mafia type gangsta tale.

The production on this album is very good...tight beats and slick interpolation. Mack's lyrics have matured and have acquired a unique flow. Overall, this is a very well rounded album. A definite gem in the rap game.
Based on a True Story
Average customer rating: 4 out of 5 stars
  • A GREAT ALBUM...WELL, 'GREAT' IS A RELATIVE TERM...
  • like everyone says, Say It Like You Mean It was better...
  • It grows on you
  • Why is everyone being so harsh?
  • Not their best CD
Based on a True Story
The Starting Line
Manufacturer: Drive-Thru
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
EmoEmo | Hardcore & Punk | Alternative Rock | Styles | Music
Punk-PopPunk-Pop | Hardcore & Punk | Alternative Rock | Styles | Music
Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
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ASIN: B0009AJK5M
Release Date: 2010-12-30

Tracks:

  1. Action
  2. Making Love To The Camera
  3. Inspired By The $
  4. Bedroom Talk
  5. Surprise, Surprise
  6. Photography
  7. Autography
  8. Artistic License
  9. Stay Where I Can See You
  10. The B-List
  11. The World
  12. Ready
  13. Cut! Print It

Customer Reviews:

4 out of 5 stars A GREAT ALBUM...WELL, 'GREAT' IS A RELATIVE TERM..........2006-10-04

First off, SAY IT LIKE YOU MEAN IT should have been better. The songs individually were all great and energetic and everything, but some of them sucked and after listening to the first 8 or so tracks all in a row, it all starts to sound the same...blah! This album is a much more focused and solid effort. ANd the songs are GREAT too! However, when I say 'great' I simply mean better than most of what I end up listening to. It's/they're better than a lot of what's on radio (alt and pop) and I don't get tired of it easily (well, not AS easily...). In other words, this album isn't a profound masterwork of art, but it's a nice bouncy rock and roll album.

2 out of 5 stars like everyone says, Say It Like You Mean It was better..........2006-08-12

the starting line started out as a young pop/rock kind of singers...and i loved it...and now in their Based on a True Story is more mellow, an alternative kind of a music which is in turn not as catchy as the songs in their first CD...their first EP was just like their Say It Like You Mean It and then their second EP, right before Based On A True Story was released it changed a bit..it has already been said but if you thoroughly enjoyed their first CD then think about this before you buy this CD...hope this helps...

-Paul

5 out of 5 stars It grows on you.......2006-08-02

i'll be the first one to admit that when i first bought this CD, it wasn't one of my favorites. however, now, more than a year later, i still enjoy it. it's a more artistically advanced album than say it like you mean it (which i love btw). in my honest opinion as a songwriter, this CD took way more actual songwriting skills. that being said, it is a lot different than TSL's last attempt. but, when all is said and done, this CD just makes me appreciate TSL that much more. their versatility never ceases to amaze me. great job fellas.

5 out of 5 stars Why is everyone being so harsh?.......2006-07-28

Based on a True Story is NOT a bad CD. It's different than Say it Like You Mean It. Kenny's voice is rougher, more mature sounding.

I loved Based on a True Story. Maybe even a little better than Say It Like You Mean It, because of the variety in each song.

Best tracks: Surprise, Surprise

2 out of 5 stars Not their best CD.......2006-06-21

I loved their cd, "Say it like you mean it". But, this cd was terrible. I only enjoyed the song called, "Making love to the camera". Save you're money for any of their other cds.
Based on a True Story
Average customer rating: 4.5 out of 5 stars
  • Trick's best album: True Story
  • STILL TRICK'S BEST ALBUM!
  • oh me oh my oh lord! - its a good thing
  • Good cd
Based on a True Story
Trick Daddy
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
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Southern RapSouthern Rap | Rap & Hip-Hop | Styles | Music
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ASIN: B00005B51A
Release Date: 2001-06-05

Tracks:

  1. Based On A True Story (Part I)
  2. Based On A True Story (Part II)
  3. Oh Me, Oh My
  4. Bout A Lotta Thangs
  5. They Don't Live Long
  6. Kill-A-Head
  7. Now They Wanna Holler
  8. Going Down Like That
  9. Snowin' In Miami
  10. Smoke Out
  11. I'll Be Your Player
  12. I Got Plans
  13. Pimp
  14. Telephone Skit
  15. Ho But You Can't Help It
  16. Gone With Your Bad Self
  17. Gone With Your Bad Self (Bom Bom Mix)

Album Description

Direct from the booming streets of Miami's Liberty City comes hip-hop maestro Trick Daddy and the re-issue of his acclaimed debut, "Based On A True Story". Filled with powerful rhymes taken from the blocks of Anyhood, USA, this album stood out on the strength of its realism and grittiness. His current album, "Thug Matrimony" was certified Gold and is still rising.

Customer Reviews:

5 out of 5 stars Trick's best album: True Story.......2007-06-19

Trick Daddy was at his best when he first came out. No disrespect to his later releases but this one was when he was making songs with a purpose and not making songs that make no sense(think Sugar). The album starts off with Based On A True Story(part 1) where Trick recalls what his brother's last moment living must have been like before he was gunned down(Rip Hollywood) and it leads off into part 2 of Based On A True Story where he tells of how he coped with the news of his fallen brother. Buddy Roe, Trick's best friend, makes a lot of apearances on here but he is actually pretty good and it shows on tracks like Bout A Lotta Thangs, Kill-A-Head, Going Down Like That etc. Jamal of Def Squad fame joins Trick and Buddy Roe on Snowin In Miami and Jt Money makes two appearances on here with Smoke Out and Pimp. Trick Daddy lets Buddy Roe get his chance to shine on I Got Plans and he did a good job. The only track I couldnt stand is the grotesque I'll Be Your Player. There is a reason why they call him "the freakiest freak of all freaks" and that song explains it a little too vividly. Trick ends the album with Verb in a song that starts of with the two of them talking about some nasty broads and ends up in a diss fest where the both of them diss the pants off Luke and for those of you who didnt know, that song is called Gone With Your Bad Self. Bottom Line: Trick Daddy's Based On A True Story was a classic. Trick not only poured out his heart and soul into this album, he also had fun(which is something a lot of rappers have a hard time doing today). Standout Tracks: BASED ON A TRUE STORY(parts 1&2), OH ME OH MY, BOUT A LOTTA THANGS, THEY DONT LIVE LONG, KILL-A-HEAD, GOIN DOWN LIKE THAT, SNOWIN IN MIAMI, I GOT PLANS, HO BUT YOU CANT HELP IT and GONE WITH YOUR BAD SELF.

4 out of 5 stars STILL TRICK'S BEST ALBUM!.......2004-05-26

TRICK DADDY'S DEBUT ALBUM IS STILL HIS BEST. I DON'T CARE WHAT ANYBODY SAYS. ALL HIS BEST STUFF IS ON HERE, LIKE ''KILL
AHEAD'' [WHICH IS THE BEST TRACK ON THE WHOLE CD], ''PIMP'', BOTH OF THE TITLE TRACKS, ''GOIN DOWN LIKE THAT'', AND DEFINITELY ''HO BUT YOU CAN'T HELP IT''. WITH HIS 2PAC-LIKE FLOW AND SOME BUMPIN BEATS, TRICK DADDY IS AT HIS BEST ON THIS ALBUM. A DEFINITE MUST-HAVE FOR ALL TRICK DADDY FANS.

5 out of 5 stars oh me oh my oh lord! - its a good thing.......2003-04-11

debuting with his 1997 release "based..." trick daddy sure knew how to make hits. this album is way too catchy from the hottest beats to the great lyrics. trick opens the album with a reflection of the [end of life] of his brother, which occurred a few years prior to this release (based on a true story 1&2 and oh me oh my). then, trick flips the script by getting into the flossy side of rap (now they wanna holla, bout alotta thangs). next he delves into crime life (killahead and goin down like that). frankly trick goes back and forth between these three themes but hey that's what a thug's about right?! his thug lyrics are hot and bumpin. he also added some flavor by throwing jamal and jt money ... on here. to end the album it didn't hurt by teaming up with verb for the "go'n with yo bad self". this is a hot album ...

4 out of 5 stars Good cd.......2001-06-08

This was Trick Daddy's first cd that they took of the market and now you can buy it again. Its not as good as his newer albums and you wont hear the same people on it. It doesn't have much from sns but you will her jt money on a couple tracks. This is a good debut album and anyone who liked trick daddys other cds i would say this is a must have.
Based on a True Story
Average customer rating: 5 out of 5 stars
  • LOVE THESE KIDS!!
  • Voices of Hope
  • Sandtown's Love Offering to the World
  • Superb work!!
Based on a True Story
Sandtown
Manufacturer: Gotee Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Christian & Gospel | Styles | Music
GospelGospel | Christian & Gospel | Styles | Music
ASIN: B000093FIS
Release Date: 2003-05-06

Tracks:

  1. Hello
  2. Part Of Me (featuring TobyMac)
  3. Way You Love Me
  4. Thank You
  5. Rescue Me (featuring Lisa Kimmey)
  6. Destiny
  7. Walk With Me (featuring The Katinas)
  8. America
  9. Pride (In The Name Of Love) (featuring Michael W. Smith)
  10. I Love You Lord (featuring Israel)
  11. Love Overflowing
  12. Hear Me When I Pray

Customer Reviews:

5 out of 5 stars LOVE THESE KIDS!!.......2006-02-06

I am a teacher...Sandtown came and performed at our school. WOW! They changed the climate of our entire middle school for weeks. Their music is uplifting, but just "COOL" enough to appeal everyone of all ages. They have spirit, energy and love....I love every song on this CD and, without reservation, encourage you to support this amazing group.

5 out of 5 stars Voices of Hope.......2003-05-28

I live near Baltimore and I've followed this choir now for close to four years. This is a truly inspirational CD and they are a truly marvelous group and organization. Buy it.

I simply can't say too many good things about these folks.

4 out of 5 stars Sandtown's Love Offering to the World.......2003-05-15

SANDTOWN

I saw this CD in the box of promos and wondered about it. It was sent to me to promote and to be honest I judged this one by its cover. Pictured on the front cover is a bunch of kids standing and some sitting on the steps on the front of what seems to be an inner city building. "Based on a True Story" is the title that was humbly printed above the word SANDTOWN on the left middle portion of the CD cover. Nothing fancy and I wondered what the "true story" was. I popped in the CD and immediately was welcomed with a very rhythmic shout out "h-e-ll-o, that's the way we say `hello', now that you got the beat, let me see it with your feet..." The shouts were held together with feet stomping and hands clapping a catchy melodic rhythm...well, that definitely got my attention!

I hadn't looked over the CD credits at this point but immediately I recognized a Tobymac influence on the first song "Part of Me". This CD not only captured my attention, but was holding my attention! Sandtown, I have learned, was once a flourishing neighborhood in Baltimore during the 1950s and early 60s and notable for The Royal Theater it was home to. Many famous artists performed at that theater that had become a major attraction and stop on their way to the Apollo in Harlem; Diana Ross, Dionne Warwick and Stevie Wonder are among those who played the Royal which sits on Pennsylvania Avenue. Pennsylvania Ave., during its "heyday" in Baltimore, was the hub of the many jazz clubs that gave stages to Louis Armstrong, Count Basie, Sarah Vaughn and many other notable jazz superstars. Sandtown has a musical legacy that is staggering.

Civil Rights opportunities, job losses and other economic changes left Sandtown practically abandoned by people looking to "better" their lives. In 1986 some residents decided to rebuild and launched an effort to do just that. Out of their efforts came a childrens choir. This unique group of children from Sandtown, ages 8-14 rehearse weekly and learn to focus all their youthful energies to create something positive, something profound, and something that should make Sandtown residents proud.

The music of Sandtown is full of fun, vibrant energy, and the innocent soft sounds of young children singing about life and about things of God. At times the music moves me to tears, especially "Hear Me When I Pray". Oh, to hear these kids sing about life, its tragedies, and yet sing with such hope that God is listening to them and giving them strength to overcome any and all obstacles. It's humbling to hear these kids sing about drug abuse, shed blood of a brother, and the untimely pregnancy of a teenage sister, yet find comfort in simply knowing that God hears them when they pray.

There are a couple of familiar songs included on this debut from Sandtown. "America" is beautifully arranged for this children's choir and there is some jazzy guitar riffs and piano chords to offer motion and rhythmic stability as the choir sings the first verse of "America". The familiar chorus is changed around melodically than what one is used to hearing, but it is done with much reverence and the new sound is appreciated. "Let Freedom Ring" the children say, "from the mountains, to the valleys, to the oceans...". "Pride (In the Name of Love) is a popular hit song from U2. Michael W. Smith sings lead here and is supported by the choir of Sandtown. The arrangement is pretty much straightforward with a slightly funky beat to spice it up. Very well done.

Don't judge this CD by its cover. It is a wonderful work of creativity that will carry a new legacy for Sandtown, the town with so much musical, and cultural heritage. It is filled with slow jam type grooves, funk, jazz stylings, basic rhythmic melodies, and even a rock tune! There is a bit of everything here, Tobymac, Michael W. Smith, the Katinas, Lisa Kimmey of Out of Eden, and Isreal join the children on a few tracks, and the talent of the children in the choir is very apparent in every song. The energy alone and the way their voices capture an audience is enough to overlook the occasional "clunker" in the harmony that only those with a trained ear would notice. It is a delight to the ear and at times the sounds, the lyrics, the innocence, pricks the heart. To quote the CD packaging "To experience Sandtown is to experience hope in action."

Buy this album. I have a promotional copy, but I am going to buy one as well because all artist proceeds will directly benefit Sandtown's community, including support for the children's choir, the local efforts such as Habitat for Humanity, the health center, a job development program, drug rehab center and a new school. Sandtown, "Based on a True Story" is a love offering from Sandtown to the world.

4 of 5 stars

5 out of 5 stars Superb work!!.......2003-05-06

What a great combination of kids singing and music! The songs are easy to listen to and sing along with, and the melodies are great! I particularly loved the arrangement of "America." What a new rendering of an old, familiar song. This is a great find if you have a youth choir or work in children's ministry. Pick up 2 copies, one for you to keep and one for you to give away.
Based on a True Story
Average customer rating: Not rated
    Based on a True Story
    Paddy Milner
    Manufacturer: Bronze Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    ASIN: B000OIOND8
    Release Date: 2007-06-04

    Tracks:

    1. Blister In The Sun
    2. Jump Into My Car
    3. Bob (Based On A True Story)
    4. Dust
    5. Standing At The Edge Of The World
    6. Hey Bulldog
    7. Smile
    8. Forever Gone
    9. Changes
    10. From Time To Time
    11. Got Your Booty Shaking
    12. Big Sounds
    13. Am I A Smoker?

    Album Details

    Paddy Milner's Second Album on the Bronze Label Lives Up to all the Promise Shown in his First Album "Walking on Eggshells". 12 Self Penned Tracks, a Beatles Track ("Hey Bulldog") and a Brilliant Version of the Violent Femmes "Blister in the Sun".
    Opera Explained: Introduction to Verdi's La Traviata
    Average customer rating: Not rated
      Opera Explained: Introduction to Verdi's La Traviata
      David Smillie , and David Timson
      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Opera & Vocal | Styles | Music
      OperettasOperettas | Opera & Vocal | Styles | Music
      GeneralGeneral | Instructional | Miscellaneous | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      4-for-3 Classical4-for-3 Classical | 4-for-3 Music | Stores | Music
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      ASIN: B0000682W2
      Release Date: 2002-09-17

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