| 1. They Don't Live Long |
| 2. Bout a Lotta Thangs - Buddy Roe, Trick Daddy |
| 3. Oh Me, Oh My |
| 4. Kill-A-Head |
| 5. Now They Wanna Holler |
| 6. Going Down Like That |
| 7. I'll Be Your Player |
| 8. Based on a True Story |
| 9. Pimp - Buddy Roe, J.T. Money, Trick Daddy |
| 10. I Got Plans - Buddy Roe, Trick Daddy |
| 11. Gone With Your Bad Self - Trick Daddy, |
| 12. Gone With Your Bad Self [Bom Bom Mix] - Trick Daddy, |
Based on a True Story,Trick Daddy,Atlantic / Wea,Dirty Rap,Dirty South,Hardcore Rap,Pop,Rap & Hip-Hop
Based on a True Story [Clean]
Average customer rating:
|
Based On A True Story
Kimberley Locke Manufacturer: Curb Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N0TLHU Release Date: 2007-05-01 |
Tracks:
- Change
- Any Which Way
- Trust Myself
- Supawoman
- Doin' It Tonite
- Friend Like You
- Fall
- I Don't Wanna Know
- Talk About Us
- You Don't Have to be Strong
- Everyday Angels
- Band of Gold
Amazon.com
Whether she has to put on a cowboy hat, kick it at the club, or cake on rock-chick quantities of black eyeliner, Kimberley Locke is going to see to it that you like her. Based on a True Story, the 2003 American Idol finalist's second CD, wanders through a dressing room of genres, wiggling into rock ("Trust Myself"), strutting around in R&B and dance ("Supawoman" and "Doin' It Tonite"), and unbuttoning contemporary country ("Fall"). Locke, an artist who otherwise exhibits a Queen Latifah-like gift for keeping it real, probably should have stuck to what fits best: pop (see the excellent first single "Changes"). That she doesn't--that she instead chooses to make an Idol-style show of her versatility--is a little bit of a letdown. But not much. Because she pumps personality and warmheartedness into every song, effectively if not ingeniously carrying off a boatload of styles, she'll still have a lock on a lot of mental lists of all-time-favorite female AI contestants, and deservedly. -Tammy La GorceAlbum Description
Wearing her heart on her sleeve, Kimberley knows her fans will be able to relate to this album because music is the universal language. In her first attempts at songwriting, the product is a collection of songs highlighting the good and bad points of love and friendship. Taking calculated risks and exercising her faith has proven to be the key to unlocking the music that lives within Kimberley Locke.Customer Reviews:
Another great album.......2007-07-08
Based on a True REVIEW.......2007-06-28
Fairly Strong Sophomore Effort.......2007-06-26
SUPERB!!!!.......2007-06-08
This is not your typical American Idol Album!.......2007-06-02
If you like "8th world Wonder," you will love this album. Most songs are similar in sound as "8th," what I would call Adult Rock. Kimberly not only has a great voice, that is very powerful, she co-wrote most of the songs.
I can't pick a favorite, but I will give you a rundown of the tracks on this album:
1. Change - This is an amazing song, amazing voice. Most artists now when you listen to their vocals, there are several layers of their voice to make it stronger. She does not have that....her voice is that powerful.
2. Any Which way - Rock song with a great chorus and a soaring bridge at the end! It will get you going.
3. Trust Myself - again, another rock song. This one will have you believing in yourself. Again, awesome bridge at the end!
4. Supawoman - to be honest, when this song was released last year as a fast song, I didn't like it. However, this is a slowed down version and I have found myself addicted to it. Listen to the lyrics.
5. Doin' It tonight - a simple dance song. At first is seemed too simple, but I love her lower range in this song. You will start dancing when you hear it.
6. Friend Like You - DOn't be fooled by the title....this is not a happy song, however, she uses the Rock sound perfectly here. A great song.
7. Fall - This will bring tears to your eyes. Beautiful slow song with amazing, powerful vocals.
8. I don't wanna know - Again, the rock sound works so well for her. Good song.
9. Talk about us - this is more R&B than the rest of the album, but it is a nice change up.
10. You don't have to be strong - Blues song, very nicely done.
11. Everyday Angels - A feel good anthem! Nicely done
12. Band of Gold - WOW! She truly has a gift to make any song great!
This album is worth it. It's not like any other AI album. You will be listening to this album over and over. Let me know if you can pick just one favorite!
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Based on a True Story
Fat Freddy's Drop Manufacturer: Kartel ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ICLT9G Release Date: 2006-11-14 |
Tracks:
- Ernie
- Cay's Crays
- This Room
- Ray Ray
- Dark Days
- Flashback
- Roady
- Wandering Eye
- Del Fuego
- Hope
Customer Reviews:
Dubbin' in NZ.......2007-06-27
Real Reggae Funk n Dub.......2007-04-13
You won't need to listen to anything else.........2007-02-12
Other great New Zealand artists to check out if you enjoy this are Trinity Roots, The Black Seeds, Salmonella Dub, Kora, and Hollie Smith(she can be heard on some of FFD's tracks and has an EP out). Conscious Roots 2 is a great compilation to listen to for an ontroduction to different NZ artists. I am a roots lover, so my recommendations reflect that...Enjoy!
"Do it for the love of music.".......2007-02-08
It's a different sounding album then most US music listeners would be accustomed to, as it's a far cry from the pop that's scattered across our top 40. However, in New Zealand, this album has been on their top 40 chart for an astonishing 90 weeks and counting, and was the biggest selling album in NZ in 2006. It's no wonder, as this is a quality album, by a unique musical collaboration. Mixing jazz, electronica, reggae, and soulful vocals, Fat Freddy's Drop have created a mind opening venture into current music trends.
The album features the singles Flashback, a vocal track which sounds reminiscent of 60's Motown; Wandering Eye, probably the most mainstream sounding vocal track on the album; Roady, a playful dub track with some slick lyrics from guest Ladi 6; Ernie, a jazzy downtempo track with a full 4 minutes of soothing piano melody until the vocals finally kick in; and one of my favorites, Cay's Crays, which features the ultra catchy chorus line, "the skank be the rock in my life".
Since this album has been out in other places before it hit the US, we can already seek out several versions and remixes of lots of these tracks. Especially notable is the Jazzanova's Mashed Bag mix of Flashback, where they remove the broken beat sound of the original, and turn it into a an even more vintage sounding vocal track, by infusing it with an all jazz sound. Cay's Crays also has a cool remix out there by One Self, which features two guest reggae vocalists and additional lyrics. A rare, live version of This Room can be found on Gilles Peterson's BBC Sessions compilation. It's exceptional, as they tend to make each track sound unique every time they play it elsewhere. You won't find them sounding the same twice, but you can count on every time sounding especially good, which further proves how diverse and musically talented these guys really are.
A do not miss artist album that needs more exposure her in the US. It's better than the majority of the major artists and tracks now being played on US radio and popping up on our charts. If you are looking for a mix of exceptional vocals and nu jazz sounds, look no further. I can't wait for more from these New Zealand guys, and hopefully their stuff will reach these shores much quicker next time! One last note is that the store I shop at had this erroneously thrown into the pop/rock section, when it should be in either electronic, lounge, jazz, or even reggae. So, check around, order it here, or do whatever you have to to own this great album.
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Based on a True Story
Lil' Mo Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SX2H Release Date: 2001-06-26 |
Tracks:
- Intro
- My Story
- Supa Star
- Superwoman Pt. II
- Player Not The Game
- How Many Times
- 2moro
- Friends (Those Girls)
- Gangsta
- Saturday
- She Cood Neva B Me
- Time After Time
- Outro
- I Ain't Gotta
- Ta Da
Amazon.com
On her debut album, Based on a True Story, Lil' Mo moves from behind the scenes into the spotlight. You'll probably recognize the soaring vocals on "Superwoman Pt. II" from her hook work for artists like Ja Rule and Missy Elliott. Taking almost all of the writing credits on her debut, Lil' Mo uses her imagination and her brilliant alto to let listeners know that she's more than just a pretty voice. Mo uses her evocative vocal abilities to transform the clichéd story of a little girl with big dreams on "My Story" into a moving piece of music that sends chills up the spine with every climb of her clear voice. Equally powerful is Mo's remake of Cyndi Lauper's "Time After Time," where she displays the full extent of her range. Likewise, songs like "Supa Star" and "Player Not the Game," featuring Carl Thomas, will send you on an ethereal ride through Lil' Mo's intricately woven world. Lil' Mo's in full command of her voice and material on Based on a True Story, and after one listen, you'll marvel at this new super-singer. --Felicia A. WilksCustomer Reviews:
Based On A True Story.......2005-05-18
Hot!!! a must-buy!!!.......2004-08-28
...Horrible........2002-11-06
Wish there was a 'lil mo' to this average CD.......2002-02-24
The down side: A little misleading advertising - listeners lured into this CD by the funky electronic bleeps of "Superwoman Pt. II" should NOT expect more of the same. The rest of the CD is largely comprised of midtempo housewife R & B material (although there is "Gangsta", an unnecessary uptempo number built off Snoop's "Gin & Juice").
And the songs are mostly just average, even the better ballads mentioned above. It's the kind of sweet material that plays just fine in the background. There's nothing dreadful about any of it, but there's nothing transcendent either. Not much that steps above the level of routine filler on a Kelly Price or Faith Evans CD. In other words, its a nice first effort, a fine three star CD of the moment. But I find it unlikely that folks will be playing this one much beyond this year, after which plenty of new average "one hit" CDs will come along to replace it.
I remain impressed by Lil Mo's singing and writing efforts. I hope that the songs improve even more with experience. And I recommend that buyers either hold out for a cheap used copy of this - or hold out a few years to see if Lil Mo makes it big enough to merit a 'greatest hits' collection. If she does, I'm sure it'll have the best tracks from this, and if she doesn't last - you probably won't have missed much.
IT'S COO.......2001-11-23
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Based on a True Story
Mack 10 Manufacturer: Priority Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003AGE Release Date: 1997-09-16 |
Tracks:
- Mack Manson (Intro)
- Chicken Hawk ll
- Mack 10, Mack 10
- Bangin' Gears (Insert)
- Backyard Boogie
- Can't Stop
- Tonight's The Night
- Aqua Boogie (Insert)
- The Guppies
- Inglewood Swangin'
- Dopeman
- What You Need? (Dopeman '97)
- Only In California
- Gangster Poem (Insert)
- W/S Foe Life
- Based On A True Story
Customer Reviews:
Mack 10's best album to date.......2005-11-30
Mack-10-A Westcoast Classic.......2004-02-15
Like it.......2003-12-17
WESTSIDE ONLY IN KALI !.......2000-11-06
A little more laid back on this album........2000-06-01
The production on this album is very good...tight beats and slick interpolation. Mack's lyrics have matured and have acquired a unique flow. Overall, this is a very well rounded album. A definite gem in the rap game.
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Based on a True Story
The Starting Line Manufacturer: Drive-Thru ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009AJK5M Release Date: 2010-12-30 |
Tracks:
- Action
- Making Love To The Camera
- Inspired By The $
- Bedroom Talk
- Surprise, Surprise
- Photography
- Autography
- Artistic License
- Stay Where I Can See You
- The B-List
- The World
- Ready
- Cut! Print It
Customer Reviews:
A GREAT ALBUM...WELL, 'GREAT' IS A RELATIVE TERM..........2006-10-04
like everyone says, Say It Like You Mean It was better..........2006-08-12
-Paul
It grows on you.......2006-08-02
Why is everyone being so harsh?.......2006-07-28
I loved Based on a True Story. Maybe even a little better than Say It Like You Mean It, because of the variety in each song.
Best tracks: Surprise, Surprise
Not their best CD.......2006-06-21
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Based on a True Story
Trick Daddy Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B51A Release Date: 2001-06-05 |
Tracks:
- Based On A True Story (Part I)
- Based On A True Story (Part II)
- Oh Me, Oh My
- Bout A Lotta Thangs
- They Don't Live Long
- Kill-A-Head
- Now They Wanna Holler
- Going Down Like That
- Snowin' In Miami
- Smoke Out
- I'll Be Your Player
- I Got Plans
- Pimp
- Telephone Skit
- Ho But You Can't Help It
- Gone With Your Bad Self
- Gone With Your Bad Self (Bom Bom Mix)
Album Description
Direct from the booming streets of Miami's Liberty City comes hip-hop maestro Trick Daddy and the re-issue of his acclaimed debut, "Based On A True Story". Filled with powerful rhymes taken from the blocks of Anyhood, USA, this album stood out on the strength of its realism and grittiness. His current album, "Thug Matrimony" was certified Gold and is still rising.Customer Reviews:
Trick's best album: True Story.......2007-06-19
STILL TRICK'S BEST ALBUM!.......2004-05-26
AHEAD'' [WHICH IS THE BEST TRACK ON THE WHOLE CD], ''PIMP'', BOTH OF THE TITLE TRACKS, ''GOIN DOWN LIKE THAT'', AND DEFINITELY ''HO BUT YOU CAN'T HELP IT''. WITH HIS 2PAC-LIKE FLOW AND SOME BUMPIN BEATS, TRICK DADDY IS AT HIS BEST ON THIS ALBUM. A DEFINITE MUST-HAVE FOR ALL TRICK DADDY FANS.
oh me oh my oh lord! - its a good thing.......2003-04-11
Good cd.......2001-06-08
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Based on a True Story
Sandtown Manufacturer: Gotee Records ProductGroup: Music Binding: Audio CD ASIN: B000093FIS Release Date: 2003-05-06 |
Tracks:
- Hello
- Part Of Me (featuring TobyMac)
- Way You Love Me
- Thank You
- Rescue Me (featuring Lisa Kimmey)
- Destiny
- Walk With Me (featuring The Katinas)
- America
- Pride (In The Name Of Love) (featuring Michael W. Smith)
- I Love You Lord (featuring Israel)
- Love Overflowing
- Hear Me When I Pray
Customer Reviews:
LOVE THESE KIDS!!.......2006-02-06
Voices of Hope.......2003-05-28
I simply can't say too many good things about these folks.
Sandtown's Love Offering to the World.......2003-05-15
I saw this CD in the box of promos and wondered about it. It was sent to me to promote and to be honest I judged this one by its cover. Pictured on the front cover is a bunch of kids standing and some sitting on the steps on the front of what seems to be an inner city building. "Based on a True Story" is the title that was humbly printed above the word SANDTOWN on the left middle portion of the CD cover. Nothing fancy and I wondered what the "true story" was. I popped in the CD and immediately was welcomed with a very rhythmic shout out "h-e-ll-o, that's the way we say `hello', now that you got the beat, let me see it with your feet..." The shouts were held together with feet stomping and hands clapping a catchy melodic rhythm...well, that definitely got my attention!
I hadn't looked over the CD credits at this point but immediately I recognized a Tobymac influence on the first song "Part of Me". This CD not only captured my attention, but was holding my attention! Sandtown, I have learned, was once a flourishing neighborhood in Baltimore during the 1950s and early 60s and notable for The Royal Theater it was home to. Many famous artists performed at that theater that had become a major attraction and stop on their way to the Apollo in Harlem; Diana Ross, Dionne Warwick and Stevie Wonder are among those who played the Royal which sits on Pennsylvania Avenue. Pennsylvania Ave., during its "heyday" in Baltimore, was the hub of the many jazz clubs that gave stages to Louis Armstrong, Count Basie, Sarah Vaughn and many other notable jazz superstars. Sandtown has a musical legacy that is staggering.
Civil Rights opportunities, job losses and other economic changes left Sandtown practically abandoned by people looking to "better" their lives. In 1986 some residents decided to rebuild and launched an effort to do just that. Out of their efforts came a childrens choir. This unique group of children from Sandtown, ages 8-14 rehearse weekly and learn to focus all their youthful energies to create something positive, something profound, and something that should make Sandtown residents proud.
The music of Sandtown is full of fun, vibrant energy, and the innocent soft sounds of young children singing about life and about things of God. At times the music moves me to tears, especially "Hear Me When I Pray". Oh, to hear these kids sing about life, its tragedies, and yet sing with such hope that God is listening to them and giving them strength to overcome any and all obstacles. It's humbling to hear these kids sing about drug abuse, shed blood of a brother, and the untimely pregnancy of a teenage sister, yet find comfort in simply knowing that God hears them when they pray.
There are a couple of familiar songs included on this debut from Sandtown. "America" is beautifully arranged for this children's choir and there is some jazzy guitar riffs and piano chords to offer motion and rhythmic stability as the choir sings the first verse of "America". The familiar chorus is changed around melodically than what one is used to hearing, but it is done with much reverence and the new sound is appreciated. "Let Freedom Ring" the children say, "from the mountains, to the valleys, to the oceans...". "Pride (In the Name of Love) is a popular hit song from U2. Michael W. Smith sings lead here and is supported by the choir of Sandtown. The arrangement is pretty much straightforward with a slightly funky beat to spice it up. Very well done.
Don't judge this CD by its cover. It is a wonderful work of creativity that will carry a new legacy for Sandtown, the town with so much musical, and cultural heritage. It is filled with slow jam type grooves, funk, jazz stylings, basic rhythmic melodies, and even a rock tune! There is a bit of everything here, Tobymac, Michael W. Smith, the Katinas, Lisa Kimmey of Out of Eden, and Isreal join the children on a few tracks, and the talent of the children in the choir is very apparent in every song. The energy alone and the way their voices capture an audience is enough to overlook the occasional "clunker" in the harmony that only those with a trained ear would notice. It is a delight to the ear and at times the sounds, the lyrics, the innocence, pricks the heart. To quote the CD packaging "To experience Sandtown is to experience hope in action."
Buy this album. I have a promotional copy, but I am going to buy one as well because all artist proceeds will directly benefit Sandtown's community, including support for the children's choir, the local efforts such as Habitat for Humanity, the health center, a job development program, drug rehab center and a new school. Sandtown, "Based on a True Story" is a love offering from Sandtown to the world.
4 of 5 stars
Superb work!!.......2003-05-06
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Based on a True Story
Paddy Milner Manufacturer: Bronze Records ProductGroup: Music Binding: Audio CD ASIN: B000OIOND8 Release Date: 2007-06-04 |
Tracks:
- Blister In The Sun
- Jump Into My Car
- Bob (Based On A True Story)
- Dust
- Standing At The Edge Of The World
- Hey Bulldog
- Smile
- Forever Gone
- Changes
- From Time To Time
- Got Your Booty Shaking
- Big Sounds
- Am I A Smoker?
Album Details
Paddy Milner's Second Album on the Bronze Label Lives Up to all the Promise Shown in his First Album "Walking on Eggshells". 12 Self Penned Tracks, a Beatles Track ("Hey Bulldog") and a Brilliant Version of the Violent Femmes "Blister in the Sun".
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Opera Explained: Introduction to Verdi's La Traviata
David Smillie , and David Timson Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000682W2 Release Date: 2002-09-17 |
Rap Music:
- Bass Check, Vol. 5
- Bass Check, Vol. 6 [Explicit Lyrics]
- Blend Street Remixes [Explicit Lyrics]
- Breakaway
- Broken Social Scene [Limited Edition]
- By Myself: The Songs of Judy Garland
- C Ya
- C Ya
- Chaos and Creation in the Backyard
- Chaos And Creation In The Backyard [Enhanced] [Special Edition]
Recommended Music:
Music: Debussy: Images; Rimsky-Korsakov: Capriccio Espagnole