Right Way

About the Artist
In December of 2000, Ndidi Productions was formed by Charles Hightower Jr., Nikki Hightower, and Daivon Hightower of Durham, North Carolina. Ndidi Productions began initially as a family fun activity in music writing and production; with the goal of enhancing our spiritual lives and cultivating a close family relationship. Ndidi Productions later blossomed into a full fledged music production company with the sole purpose of bringing glory to our Lord and Savior Jesus Christ. We are accomplishing this honorable task by fusing urban hip-hop/rap music with the word of God. Ndidi Productions wrote and produced its debut release album titled "Right Way." The theme for this album was choosing God's Way in spite of our physical circumstances because God is The Way and His Way Is Always The Right Way. The word Ndidi comes from the Nigerian name Ndidiamaka (which is Nikki's middle name by the way)- meaning patience is a virtue. As Christians we should all possess and/or be striving towards obtaining this virtue as it relates to love because "love is patient... (I Corinthians 13:4)"

Product Description
Right Way is the debut release of Ndidi Productions (based in Durham, North Carolina). Right Way is a Christian album that brings glory to our Lord and Savior Jesus Christ by fusing urban hip-hop/rap music with the word of God. Every song on this album was biblically inspired. All of the lyrics and music of this album are orignal. The beats are hard hitting as well as the Christian message which is heart felt. A few of the themes and messages of this album are: God's infinite unconditional love, Christian marriages, Jesus's resurrection, spiritual beauty, forgiveness, God's fatherly role, and money vs. eternal life.

Right Way,Ndidi Productions,Ndidi Productions,Urban Christian Hip-Hop/Rap Music that fuses live instrumentation, orginal production, original lyrics, and the word of God to create a musical panorama of worship and praise that rivals mainstream commercial urban music.

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Right Way

Average customer rating: Just what I wanted I Want to be a producer Spring Time for "The Producers" Mel Brooks = Brilliant it won 11 (if im correct) TONY awards for a reason!

The Producers (2001 Original Broadway Cast) Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck Manufacturer: Sony ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Movie Scores | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Monty Python's Spamalot (2005 Original Broadway Cast) Hairspray (2002 Original Broadway Cast) Wicked (2003 Original Broadway Cast) The Producers (2005 Movie Soundtrack) Dirty Rotten Scoundrels (2005 Original Broadway Cast) ASIN: B00005AY6I Release Date: 2001-04-17

Tracks:

1. Overture
2. Opening Night
3. The King of Broadway
4. We Can Do It
5. Unhappy
6. I Wanna Be a Producer
7. In Old Bavaria
8. Der Guten Tag Hop-Clop
9. Keep It Gay
10. When You Got It, Flaunt It
11. Along Came Bialy
12. That Face
13. Have You Ever Heard the German Band?
14. It's Bad Luck to Say Good Luck on Op'ning Night
15. Springtime for hitler
16. Where Did We Go Right?
17. Betrayed
18. 'Til Him
19. Prisoners Of Love (Leo & Max)
20. Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!

Average customer rating: Unworthy of This Show Great. Deserves a place in your Sondheim Discography Dashed high hopes Letdown from the original

Assassins (2004 Broadway Revival Cast) Stephen Sondheim , Neil Patrick Harris , Marc Kudisch , Michael Cerveris , Denis O'Hare , and James Barbour Manufacturer: P.S. Classics ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Sweeney Todd (2005 Broadway Revival Cast) Assassins Assassins (1991 Original Off-Broadway Cast) The Frogs (2004 Broadway Cast) The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast) ASIN: B0002B161Y Release Date: 2004-08-03

Tracks:

1. Everybody's Got The Right
2. Ballad Of Booth
3. Ladies And Gentlemen, A Toast!
4. How I Saved Roosevelt
5. What Does A Man Do...?
6. Gun Song
7. Ballad Of Czolgosz
8. Unworthy Of Your Love
9. I Am A Terrifying And Imposing Figure...!
10. Ballad Of Guiteau
11. Have It Your Way
12. Another National Anthem
13. Take A Look Lee
14. Something Just Broke
15. Everybody's Got The Right

Amazon.com

"Everybody's got a right/To their dream." So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey Oswald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and "Squeaky" Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but also oddly uninvolving. (Many fans prefer the recording of the 1991 Off-Broadway version, though "Something Just Broke," which was added to the 1992 London production, makes its recorded debut here.) Still, there are several high points. In "Unworthy of Your Love," for instance, Hinckley and Fromme wax poetic about their unrequited love for Jodie Foster and Charles Manson, respectively, in a Burt Bacharach-style ballad that's deliberately (I hope!) sappy. And of course as with most Sondheim shows, the cast of this revival--Michael Cerveris, Mario Cantone, Becky Ann Baker, Marc Kudisch, Denis O'Hare--is very good. --Elisabeth Vincentelli

Customer Reviews:

Unworthy of This Show.......2007-03-01

Assassins is a masterpiece of American theatre. Through a revue of skits and songs, it examines ideas we don't want to face, and shows us the flip side of the American Dream. The score rates as one of Sondheim's best, and the overall effect, when the show is performed well, is incredibly powerful. For years, people have wanted to mount a production on Broadway.

Given this result, they needn't have bothered.

I am still amazed at how much this production got wrong. The principal cast is nothing short of dreadful: the acting is almost laughably overwrought; the pacing keeps getting disrupted by pauses held too long and lines spoken too slowly; some singers are frequently behind the tempo (notably Michael Ceveris as Booth), while others are painful to listen to (like Jeffrey Kuhn as Zangara and Mario Cantone as Sam Byck); the new orchestrations allow for more musicians in the pit, but are much less effective than the earlier arrangements.

To top it all off, this production includes "Something Just Broke", a song sung by the Ensemble as various "average" Americans of different time periods recalling where they were when the president was shot. The song was introduced in the London production, presumably for people who didn't understand the show to have something to latch on to, but it was mercifully kept out of the published vocal score and libretto. It's not a bad song in and of itself, but musically it does not fit in with the rest of the score, and dramatically it doesn't fit in with the rest of the script. Worse, it is placed right between the Kennedy assassination -- the climax of the show -- and the finale, thus skewing all the dramatic momentum and depriving the show of an effective resolution.

The result of all this is that the comic moments aren't funny, the powerful moments fail to move, and the wonderful music is left ho-hum.

I realize that the extraordinary cast of the original production of Assassins presents a dauntingly high standard for everyone else to compare to, but the college productions I've seen were better than this.

Great. .......2006-11-08

What an amazingly talented cast! Neil Patrick Harris, Marc Kudisch, Alex Gemignani (The new Valjean in the revival of Les Miserables) and of course, the former demon barber of Fleet Street, Michael Cerveris (in the role that won him a Tony)...Just to hear these giants of musical theatre perform together as an ensemble alone is worth the price of this recording. This recording is so wonderfully done, and I can't recommend this enough.

'Unworthy of your Love' and 'The Ballad of Booth' are heartbreakingly beautiful, strange that I say that considering the subject matter, but it's true, those two songs alone will stay with you for days on end. The Ballad of Booth has poetic and tragic lyrics like 'Damn my soul, if you must, let my body turn to dust, let it mingle with the ashes of my country...What I did, I did well, and I did it for my country. Let them cry 'Dirty Traitor!', they will understand later...'. and the hauntingly gorgeous melody that goes with those lyrics is just so well, romantic! But then you have the tongue-in-cheek, slightly macabre numbers like 'The Gun Song' and 'Everybody's Got The Right' with lyrics like, 'Everybody's got the right to be happy. Life's not as bad as it seems! Everybody deserves a little sunshine...' and 'All you have to do is, move your little finger...and you can change the world!'

What a rollarcoaster of emotion! I mean, seriously, who else but Sondheim could pull that off and make it the brilliant masterpiece that it clearly is?

One of my biggest regrets is not seeing this during it's brief run in 2004. :(

Deserves a place in your Sondheim Discography.......2006-07-28

Like other reviewers I was fortunate enough to see Roundabout's revival production but perhaps unfortunate that my total enjoyment of that production may bias my critical listening. I can't help but recall the proprietor (Marc Kudish) caressing a pistol into the hand of each assassin when listening to the opening Everybody's Got The Right.

However, while fans of Sondheim and musical theater will argue over every nuance, I find that both this and the original are excellent in their own way. Yes, the voices in the first recording are more refined, yet this recording seems to better capture the character's mannerisms in the vocal stylization, whether the twitchy madness of Guiteau (Dennis O'Hare) or the depressed howl of Sam Byck (Mario Cantone).

This is a worthwhile recording and one that provides me with a reprise of the excellent staging and acting of this quirky play.

Dashed high hopes.......2006-07-14

Assassins is a fascinating and surprising show. You can't imagine a more unlikely topic for a musical and yet, when you hear and/or see the show, you can't help to be impressed by the entire production. Maybe if I'd never heard the original cast recording, I would have given this a higher rating, but, to be frank, this recording suffers in comparison to the original recording in nearly every way.

While the diction on this recording is often impressive...especially Neil Patrick Harris's...too often it is accomplished at the price of tempo. Too many times the musical director has made the choice to slow down portions of the songs to the point of sluggishness. Absolutely NONE of the performances is superior to the original. That doesn't mean that any of the newer performances are horrible, it's just that they don't measure up. The one who comes the closest is Neil Patrick Harris whom I find naturally charming and vulnerable in anything he does.

The best addition to this recording is Mario Cantone's rant as Sam Byck. Unfortunately, I can't recommend getting this recording based solely on that. The biggest mis-step is the omission of the full, final, Kennedy scene. Hearing it on the original recording for the first time is an absolutely thrilling and chilling experience. Not having it all here is a MAJOR disappointment.

Buy the original recording first and check this one out from the library.

Letdown from the original.......2006-04-10

I have been a huge fan of Assassins since it first came out back in '91. While I've never had the pleasure of seeing the play in person, I've read it several times and listened to the original cast recording so often one can hardly believe it. So when I saw "Broadway Cast Recording" I was thrilled. Then I listened to it. I went from thrilled to appalled.

John Weideman, who wrote the music, seems to prefer the Broadway cast recording--at least he says so in its liner notes. I'm not sure why. While some of the songs are still excellent (like the Hinckley-Fromme duet "Unworthy of Your Love"), many of them are just plain painful to listen to. Most of the time the singing vaccilates between being totally flat of affect (most notably Moore in "The Gun Song") to hyperbolic melodrama. Booth mumbles to the point of near-unintelligibility in several songs; Zangara sounds eerily like the mob boss from 'Johnny Dangerously' that keeps calling everyone "farging bastages"; Moore sings nearly the whole time as if she'd OD'd on sedatives; and Guiteau sounds so stereotypically gay that GLAAD should be suing the producer.

It almost seems as if the cast are not sure what do do with their characters. The cast of the Original Cast Recording hit the characters perfectly--an outstanding mix of suffering, despair, anger and hostility. The Broadway cast can't seem to, in the language of the musical, "connect" to the characters. For me this is a huge failing, as the "charcaters" here are real individuals; if the performers can't connect to them, how can we be expected to?

There are also some content differences between this recording and the original. Several brief additions are made from elsewhere in the musical, and the new song "Something Just Broke" written for the Broadway revival is included on the recording. However, about half of the last act (which is included on the original) is cut out. Sadly, the material cut out is far more moving, unsettling and significant than the material added. Also, "Something Just Broke", while a fine song (and performed better than most of the rest of the material), unfortunately breaks up the natural link between the Kennedy assassination's triumphalist ending and the closing version of "Everybody's Got the Right".

I gave this three stars because I love Assassins. It is a brilliant and unnerving drama. But the Original Cast Recording is immensely superior to the Broadway Cast Recording in its ability to reveal this to the audience. I'm glad it was revived, and I'm glad it won three Tony awards--now it can get the recognition it deserves; but for me, I'll stick to the original version I fell in love with years ago. If only the Broadway recording has found a way to be "worthy of your love"...

Average customer rating: A good value The Sound Track Since Bernard Hermann Good mix of film music A mixed collection of movie music Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Paramount 90th Anniversary Collection: Scores In Session: Film Music Celebration The Essential Elmer Bernstein Film Music Collection Jerry Goldsmith: 40 Years of Film Music The Incredible Film Music Box ASIN: B00008WI90 Release Date: 2003-04-22

Tracks:

1. The Man from Snowy River (Bruce Rowland)
2. The Winds of War (Bob Cobert)
3. Blue Velvet (Angelo Badalamenti)
4. Witness (Maurice Jarre)
5. Raising Arizona (Carter Burwell)
6. Pee Wees Big Adventure (Danny Elfman)
7. Halloween (John Carpenter)
8. A Nightmare On Elm Street (Charles Bernstein)
9. The Fly (Howard Shore)
10. RoboCop (Basil Poledouris)
11. The Empire Strikes Back (John Williams)
12. The Right Stuff (Bill Conti)
13. The Final Conflict (Jerry Goldsmith)
14. The Abyss (Alan Silvestri)
15. Brainstorm (James Horner)
16. Peggy Sue Got Married (John Barry)
17. My Left Foot (Elmer Bernstein)
18. The Dead (Alex North)
19. Stanley & Iris (John Williams)
20. The Milagro Beanfield War (Dave Grusin)
21. Driving Miss Daisy (Hans Zimmer)

Tracks:

1. Steel Magnolias (Georges Delerue)
2. Unforgiven (Lennie Niehaus and Clint Eastwood)
3. Raggedy Man (Jerry Goldsmith)
4. The Grifters (Elmer Bernstein)
5. Green Card (Hans Zimmer)
6. City Slickers (Marc Shaiman)
7. Father Of The Bride (Alan Silvestri)
8. While You Were Sleeping (Randy Edelman)
9. Babe (Nigel Westlake)
10. The Adventures Of The Great Mouse Detective (Henry Mancini)
11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
13. The Secret Garden (Zbigniew Preisner)
14. A Little Princess (Patrick Doyle)
15. Rudy (Jerry Goldsmith)
16. Iron Will (Joel McNeely)
17. Memphis Belle (George Fenton)
18. Eye Of The Needle (Mikl)
19. Total Recall (Jerry Goldsmith)
20. Back To The Future Part III (Alan Silvestri)

Tracks:

1. To Die For (Danny Elfman)
2. The Player (Thomas Newman)
3. Black Robe (Georges Delerue)
4. Medicine Man (Jerry Goldsmith)
5. 2001 (Alex North)
6. Star Wars: Shadows Of The Empire (Joel McNeely)
7. The Crow (Graeme Revell)
8. Blade (Mark Isham)
9. The Omen (Jerry Goldsmith)
10. Vertigo (Bernard Herrmann)
11. Scream (Marco Beltrami)
12. The Sixth Sense (James Newton Howard)
13. Xena: Warrior Princess (Joseph LoDuca)
14. Air Force One (Jerry Goldsmith)
15. Starship Troopers (Basil Poledouris)
16. The Matrix (Don Davis)
17. The Iron Giant (Michael Kamen)
18. Youve Got Mail (George Fenton)
19. A Little Romance (Georges Delerue)
20. Pleasantville (Randy Newman)

Tracks:

1. Sunset Boulevard (Franz Waxman)
2. L.A. Confidential (Jerry Goldsmith)
3. Rounders (Christopher Young)
4. The Score (Howard Shore)
5. The Replacements (John Debney)
6. Gone In 60 Seconds (Trevor Rabin)
7. The Bourne Identity (John Powell)
8. Rush Hour 2 (Lalo Schifrin)
9. XXX (Randy Edelman)
10. Die Hard (Michael Kamen)
11. The Last of the Mohicans (Trevor Jones)
12. Moby Dick (Christopher Gordon)
13. The Mists Of Avalon (Lee Holdridge)
14. Cleopatra (Alex North)
15. Life As A House (Mark Isham)
16. Emma (Rachel Portman)
17. In The Bedroom (Thomas Newman)
18. Cast Away (Alan Silvestri)
19. One True Thing (Cliff Eidelman)
20. Unfaithful (Jan A.P. Kaczmarek)
21. Far From Heaven (Elmer Bernstein)
22. Ice Age (David Newman)
23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating: Irresistible "Some Enchanted Evening" with Kunzel and the Cincinnati Pops Excellent! Great Arrangments

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites) Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music General | Classical | Styles | Music General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Lerner & Loewe Songbook for Orchestra Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri Puttin' on the Ritz: The Great Hollywood Musicals The Sound Of Music (1987 Studio Cast) Classics of the Silver Screen ASIN: B000003CXQ Release Date: 1992-01-28

Tracks:

1. Oklahoma!
2. Carousel
3. State Fair
4. South Pacific
5. The King And I
6. Cinderella Waltz
7. Flower Drum Song
8. The Sound Of Music

Customer Reviews:

Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album

Average customer rating: You always will hear a waltz from Richard Rodgers Much better than it's reputation. An unappreciated score by a fine cast "Someone Woke Up....." You MUST hear a 'Waltz'!

Do I Hear A Waltz? (1965 Original Broadway Cast) Richard Rodgers , Jane Manning , Sergio Franchi , and Stephen Sondheim Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: No Strings (1962 Original Broadway Cast) Allegro (1947 Original Broadway Cast) Pipe Dream (1955 Original Broadway Cast) I Do! I Do! (1966 Original Broadway Cast) Anyone Can Whistle (1964 Original Broadway Cast) ASIN: B0000027WA Release Date: 1992-11-24

Tracks:

1. Act I: Someone Woke Up - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
2. Act I: This Week, Americans - Carol Bruce
3. Act I: What Do We Do? We Fly! - Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
4. Act I: Someone Like You - Sergio Franchi
5. Act I: Bargaining - Sergio Franchi/Elizabeth Allen
6. Act I: Here We Are Again - Carol Bruce/Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
7. Act I: Thinking - Sergio Franchi/Elizabeth Allen
8. Act I: No Understand - Stuart Damon/Fleury D' Antonakis/Carol Bruce
9. Act I: Take The Moment - Sergio Franchi
10. Act II: Moon In My Window - Julienne Marie/Carol Bruce/Elizabeth Allen
11. Act II: We're Gonna Be All Right - Stuart Damon/Julienne Marie
12. Act II: Do I Hear A Waltz? - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
13. Act II: Stay - Sergio Franchi
14. Act II: Perfectly Lovely Couple - Stuart Damon/Madeleine Sherwood/Julienne Marie/Carol Bruce/Jack Manning/Elizabeth Allen...
15. Act II: Thank You So Much - Elizabeth Allen/Sergio Franchi

Customer Reviews:

You always will hear a waltz from Richard Rodgers.......2007-01-13

An example of Rodgers trying to fit in a new contributor of lyrics, but the match wasn't there, yet even so, his melodic mastery shone through.

Much better than it's reputation........2006-11-02

Despite being considered a flop by it's creative team, this is the one of Sondheim's "lyrics only" musicals I return to most often. It's melancholy charm is underlined by Rodgers' highly hummable tunes combined with Sondheim's reluctant lyrics. They are partly bitter and partly forced "happy". I love it.

An unappreciated score by a fine cast.......2004-02-04

Even though the show was not a success and the authors have all taken their turns at trashing it, this recording makes a strong case for DO I HEAR A WALTZ.

It's another fine record production by Goddard Lieberson. Rodgers (who was from all reports drinking and quite nasty to his collaborators) came up with many of his trademark melodies and the title song won deserved popularity outside of the show. Sondheim for his part creates some crackling good lyrics ("Someone Woke Up"; "What Do We Do We Fly!") but its an odd score... you hear the romantic older style love songs from Rodgers with fairly basic (dare we say dull) lyrics then some wonderful lyrics set to atypical Rodgers tunes. Then suddenly it all comes together in the final few numbers: The Title Song, "Perfectly Lovely Couple" and "Thank You So Much." Maybe it's a show that Encores will revive someday. In the meantime we can appreciate this original cast album and thank Sony for releasing it on Cd with good notes and a synopsis in the booklet!

"Someone Woke Up.....".......2003-10-04

So begins the delightful DO I HEAR A WALTZ?, one of Richard Rodgers' most accomplished post-Hammerstein scores. Not since his days with Lorenz Hart had Rodgers written such an energetic, youthful and joyful score. Stephen Sondheim's lyrics are witty and wonderful. DO I HEAR A WALTZ? received a lukewarm response from critics and audiences, lasting only 220 performances at the 46th Street Theatre.

Based on Arthur Laurents' play THE TIME OF THE CUCKOO (which turned into the film SUMMERTIME starring Katharine Hepburn), the story concerns a teacher, Leona Samish (played by Elizabeth Allen), who's holiday in Venice is dominated by her romance with the handsome Renato di Rossi (played by Sergio Franchi). There are also a host of colorful supporting characters including the ebullient hotelier Signora Fioria (Carol Bruce - SARATOGA).

The score is delicious with the opening number perfectly setting up the scene ("Someone Woke Up"), to Fioria's big number "This Week Americans", and the 11 o'clock number "Stay". There's also the Title Song, sung for all its worth by the delicious belt of Elizabeth Allen.

For all the problems that plagued the musical during its inception, nothing shows on the sparkling cast album, where it sounds like the biggest hit of the season. For Broadway fans, this CD is a must-own.

You MUST hear a 'Waltz'!.......2003-06-16

Please,give this a chance. Forget what you've read and just sit and listen. Read the libretto, available at lots of libraries, or read "Time of the Cuckoo" which Arthur Laurents based "Waltz" on. The combo of Rodgers and Sondheim is always sneered at--maybe, like me, you will see that Rodgers romanticism and Sondheim's sort of optimistic realism are actually the perfect mismatch for the endearingly troubled characters in the play.

Mr.Producer, forget all the basicstage gossip and let the score sell the show for you. Audiences, demand your favorite companies mount a production!

Average customer rating: One of America's great songwriters

Over the Rainbow Manufacturer: Pearl ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Get Happy: The Harold Arlen Centennial Celebration Harold Arlen Centennial Celebration Harold Arlen Sings Sweet and Hot Ella Fitzgerald Sings the Harold Arlen Songbook Somewhere Over the Rainbow: Harold Arlen ASIN: B000000WMG Release Date: 1997-11-18

Tracks:

1. (You Got Me In Between) The Devil And The Deep Blue Sea
2. I've Got The World On A String
3. I Gotta Right To Sing The Blues
4. Public Melody No. 1
5. When The Sun Comes Out
6. Hittin' The Bottle
7. Let's Fall In Love
8. Let's Put Our Heads Together
9. Now I Know
10. As Long As I Live
11. Rasin' The Rent
12. Blues In The Night
13. Down With Love
14. Over The Rainbow
15. It's Only A Paper Moon
16. Bud's Won't Bud
17. One For My Baby (And One More For The Road)
18. Stormy Weather
19. Kickin' The Gong Around
20. Two Blind Loves
21. That Old Black Magic
22. Ac-Cent-Tchu-Ate The Positive
23. Ill Wind
24. Get Happy

Customer Reviews:

One of America's great songwriters.......2001-03-09

Amid the Cole Porters, Irving Berlins and George Gershwins of the world, Harold Arlen tends to be forgotten. And yet, when the greatest song of the 20th century was recently voted on by a distinguished panel of critics, whose song came out on top? Mr. Arlen's (Over the Rainbow). Here is a superb cross section of Harold Arlen songs by a cast ranging from Judy Garland to Bing Crosby to Ethel Waters, spanning decades and spanning a wide range of styles, from jazz to ballads, poignant to funny. Although the sound is not ideal, as many of the recordings date from the 30's and Pearl's objective in remastering has always been to achieve the fullest musical sound rather than to reduce surface noise, this is a minor complaint given the rich and mind-opening selection of great music found here.

Average customer rating: Good performances but an unnecessary musical Raisin is almost operatic Underrated throbbing score!

Raisin (1973 Original Broadway Cast) Judd Woldin , and Robert Brittan Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Hallelujah, Baby! (1967 Original Broadway Cast) Purlie: The Original Broadway Cast Recording The Rothschilds: A Musical (1970 Original Broadway Cast) Redhead (1959 Original Broadway Cast) Curtains (2007 Original Broadway Cast) ASIN: B00000252B Release Date: 1992-11-24

Tracks:

1. Prologue
2. Man Say
3. Whose Little Angry Man
4. Runnin' To Meet The Man
5. A Whole Lotta Sunlight
6. Booze
7. Alaiyo
8. Sweet Time
9. You Done Right
10. He Come Down This Morning
11. It's A Deal
12. Sidewalk Tree
13. It's A Deal-Coda
14. Not Anymore
15. It's A Deal (Reprise)
16. Measure The Valleys
17. Finale

Customer Reviews:

Good performances but an unnecessary musical.......2004-04-26

Winner of the 1974 Tony Award for Best Musical (an admittedly slow season for new musicals) this show is fine example of the trend of taking successful plays and turning them into musicals. The result in this case is acceptable but nothing special has been added by musicalizing the play. That said, at least this show doesn't cheapen the source material. The performances are all fine especially Virginia Capers as Mama and Joe Morton as Walter Lee. As always, Sony has done a splendid remastering job, restoring a song that had been left off the original Lp due to timing restraints ("Booze"... although the synopsis, reprinted from the LP jacket, makes no mention of the tune.) The booklet has some interesting notes about the creation of the show. It also reprints the show's logo which makes it look like one of those inane 1960s musical comedies instead of a serious musical play. I prefer the original play (and the movie) which remain powerful enough wthout songs.

Raisin is almost operatic.......2003-05-24

Listening to this CD we once again get to know Lorraine Hansberry... but from a different perspective. To render "Raisin in the Sun" to a musical play did her justice. This recording is superb. The liner notes do not help understand the musical plotting and I wish they did.

Underrated throbbing score!.......2000-11-21

I own the original LP of this show and played it until it is now close to wearing out. An absolutely incredible cast brings the Raisin in the Sun story to vivid musical life. Harold Wheeler did the orchestrations and the score moves and pulses with feeling and life.

Average customer rating: Sounds of the 80's Excellent Music

Right of Way Ferry Corsten Manufacturer: Avex Trax Japan ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Trance | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Rock | Styles | Music Dance & DJ | Imports | Stores | Music Similar Items: L.E.F. Creamfields: Mixed by Ferry Corsten The Very Best of Ferry Corsten Fire Nightmusic, Vol. 1 ASIN: B000244EAQ Release Date: 2004-05-10

Tracks:

1. Sublime
2. Whatever!
3. Rock Your Body, Rock
4. Right of Way
5. Kyoto
6. Holding On - Ferry Corsten,
7. Sweet Sorrow
8. Hearts Connected
9. Punk
10. It's Time
11. Show Your Style
12. Star Traveller
13. Skin Deep - Ferry Corsten,
14. In My Dreams
15. Rock Your Body, Rock [DJ Dan Remix]
16. Rock Your Body, Rock [Rennie Pilgrem Remix]
17. Rock Your Body, Rock [Poxymusic & Kid Kenobi Remix]
18. Rock Your Body, Rock [Azure Remix]
19. Rock Your Body, Rock [F. Massif Remix]
20. Rock Your Body, Rock [Moby Remix]
21. Punk [Rick Kidz Remix]
22. Punk [DJ Icey Remix]
23. Right of Way [Extended]

Customer Reviews:

Sounds of the 80's.......2006-07-24

I love this album...I really do especially # 10 track It's time. Hard beats and catchy lyrics makes this a fun album to crank up the volume to. Plus, lots of 80's sounding effects that'll take you back in time. Buy this album, you won't be sorry.

Excellent Music.......2006-03-20

Ferry Corsten definitely takes the music to another level of feeling serene and makes you feel like you left this planet and went into another reality especially with the song Star Traveller. I recommend this CD to anyone who loves very hi tech sounding music.

Average customer rating: Str8 SFC Classic GREAT F U K C ING OLD SCHOOL SH1T!!

Lesson to Be Learned Rbl Posse Manufacturer: Right Way Production ProductGroup: Music Binding: Audio CD General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Indie Music | Stores | Music Similar Items: Ruthless By Law Ill Mannered Playas ASIN: B000066NXA Release Date: 2002-05-14

Customer Reviews:

Str8 SFC Classic.......2005-03-31

RBL Posse represent SFC and put it on big with this album which is one of my favourites of all time. The production(mixing quality) is not the best but still very good. Every single track on the album is excellent. The tracks are tight and make good use of the samples which are used and improved. I still have this kept safe out of all my sh#t. And this used to and still is an essential CD to take cruising around in summertime getting blazed. It has the classic ''Bammer weed'' anthem on it which is enough reason to buy the album on its own. But it's just all tight. If you have amazingly not heard of RBL Posse or wandering about getting this, you should definately choose getting it because you will miss out on some mad classic sh#t. Sadly Mr cee and later found member Hitman both got murdered in different occasions, which means that there will not be any more great RBL Posse or hitmans solo albums, but hopefully some old unreleased material. But for now, get this at all costs. Peace!

GREAT F U K C ING OLD SCHOOL SH1T!!.......2003-01-06

This is it!! Some of the best old school jams, are packed into this cd by the one and only RBL POSSE!! If you don't think you know who they are, think twice. Chances are you've heard at least a song or two of theirs but didn't know what the fukc you were listening to...song's like "lesson to be learned" and "ain't no joke" still get play to this mutha fukcking day! Buy this sh1t quick, cause you won't regrit, peace mutha fukcas.

Average customer rating: Yes! A brilliant collection of Coleman-songs! Great Singer! Great Songs! Great Buy!!

Doing Something Right: Randy Graff Sings Cy Coleman Randy Graff Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Curtains (2007 Original Broadway Cast) ASIN: B0000014XH Release Date: 1996-06-18

Tracks:

1. Hey There, Good Times from I LOVE MY WIFE
2. I Walk A Little Faster
3. I Must Be Doing Something Right from the motion picture BLAME IT ON RIO
4. Little What If (Little Could Be)
5. On The Other Side Of The Tracks from LITTLE ME
6. Big Spender from SWEET CHARITY
7. You Fascinate Me So
8. There's A Change In Me
9. Witchcraft
10. Then Was Then And Now Is Now
11. Pass Me By from the motion picture FATHER GOOSE
12. Come Summer
13. The Codependency Duet: Nobody Does It Like Me - from SEESAW/You Can Always Count On Me...
14. Seesaw from SEESAW

Customer Reviews:

Yes! A brilliant collection of Coleman-songs!.......2001-06-16

Don`t worry, I won`t fuss around. I`ll just tell you why you should buy this album: first of all, Cy Coleman is a fantastic composer and you`re gonna like his songs as long as you like Broadway musicals; and: if you like and know Coleman-show`s you`ll even find some songs you don`t know yet and they sound just brilliant. Well and of course credits to Randy Graff who does a great job and makes this record to a must for every Broadway musical fan...(sorry, I guess, I did fuss around, didn`t I? Anyway, go ahead, buy it!)

Great Singer! Great Songs! Great Buy!!.......1999-01-15

Tony Award Winner Randy Graff ("City of Angels") sings some of Cy Coleman's most popoular songs as well as a few "chestnuts" in this highly entertaining CD. Ms Graff's Broadway credits include originating the role of Fantine in "Les Miserables", "Laughter on the 23rd Floor", "Moon Over Buffalo" with Carol Burnett, and "High Society". For some of Cy Coleman's best from a lady who can really sing em, this CD is a must for your Broadway collection.

Rap Music:

1. Sex [CD-single]
2. Sex Is Law
3. Six Figures [Explicit Lyrics]
4. Sky's the Limit/Kick in the Door [CD-single]
5. Slow Jams
6. So... How's Your Girl?
7. So...How's Your Girl?
8. Stepchild [Explicit Lyrics]
9. Street Money [Clean]
10. Stress: The Extinction Agenda

Rap Music

rap music

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