| 1. Kiss My Petals Open |
| 2. My Sedative |
| 3. Danse Macabre |
| 4. I Keep My Word |
| 5. Expect A Miracle |
| 6. How Strange |
| 7. Freedom Jazz Dance |
| 8. Nile Song |
Editorial Reviews
Ranges from the Exquisite Soul of Gina to the Phat Jazz/Hip Hop Style of Domino Park, Styla and Mixed Up Ending with the Thematic Style of the Free Agents!
Vivo,Various Artists,Vivo
Vivo [Import]
Average customer rating:
|
Romanza
Andrea Bocelli Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041OG Release Date: 1997-09-23 |
Tracks:
- Con Te Partiro
- Vivere
- Per Amore
- Il Mare Calmo Della Sera
- Caruso
- Macchine Da Guerra
- Le Tue Parole
- Vivo Per Lei
- Romanza
- La Luna Che Non C'e
- Rapsodia
- Voglio Restare Cosi
- E Chiove
- Miserere-Live
- Time To Say Goodbye (Con Te Partiro) - A Tribute To Henri Maske
Amazon.com essential recording
From his childhood on the family farm in rural Tuscany to the worldwide stage, Andrea Bocelli has achieved phenomenal success. His singing is only partially the point, and his fame owes much more to the aura of romance and the romantic archetype that's attached to him. Romanza is by far Bocelli's largest success, winning adoration thanks to the swooning vocals and the easy, sometimes lush, always pop-safe instrumental textures and melodies. As far as his opera chops go, Bocelli has won the approval of Pavarotti but likely will not wow enthusiasts. The upside is that Bocelli will likely grow the opera pie, convincing labels to take on more operatic projects. --Andrew BartlettCustomer Reviews:
Bias I Confess.......2007-07-06
This music is good when you want to relax or have a lady over 40 you want to entertain.
An Italianized Englishman..........2007-06-01
The rest of the album is a collection of ballads, most of which suffer from weak or clashing instrumentals. An exception is "Macchine Da Guerra" which has a pleasant and comparatively strong piano accompaniment.
I'd like to thank Kenny McCormick of South Park, CO for turning me on to Don Bocelli.
Romancing the listeners.......2007-05-30
Amazing!!!.......2007-05-18
Andrea in the 90's.......2007-04-20
Average customer rating:
|
Baby Einstein: Playtime Music Box
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006SSRP6 Release Date: 2004-12-21 |
Tracks:
- Carmen Suite Medley
- Snow Maiden, Dance Of The Birds
- William Tell Overture, 'Lone Ranger'
- Flight Of The Bumblebee
- Humpty Dumpty/Child's Verse Medley
- The Bartered Bride, Furiant
- Minute Waltz
- Gaite Parisienne, Vivo
- Hey Diddle Diddle
- Wellington's Victory, Op.91, 'England'
- Wellington's Victory, Op.91, 'Victory Finale'
- Swan Lake, Waltz
- Old MacDonald Had A Farm
- Happy Farmer
- Farmer In The Dell
- Jack & Jill
- Symphony No.4
- Dance Of The Hours
- The Bartered Bride, Skokna
- Voices Of Spring, Waltz
Product Description
The Playtime Music Box music CD is a 20-track, 31-minute concert featuring a collection of up-beat classical melodies and traditional song favorites to inspire your little one to dance, clap and play! Each delightful piece was specially selected and produced to bring musical fun to any activity - playtime, travel time, tummy time and more. Playtime Music Box includes classical pieces such as Rossini's ?Ç£William Tell Overture?Ç¥ and Schumann's ?Ç£Happy Farmer,?Ç¥ as well as ?Ç£Old MacDonald Had a Farm.?Ç¥Musical Selections:1. Carmen Suite, Medley, G. Bizet2. Snow Maiden, Danse des Oiseaux, N. Rimsky-Korsakov3. William Tell Overture, G. Rossini4. Flight of the Bumblebee, N. Rimsky-Korsakov5. Humpty Dumpty, W. Weisbach (traditional verse)6. The Bartered Bride Suite, Furiant, B. Smetana7. Minute Waltz, F. Chopin8. Gaite Parisienne, Vivo, J. Offenbach9. Hey Diddle Diddle, W. Weisbach (traditional verse)10. Wellington's Victory, Op 91, England, L. Beethoven11. Wellington's Victory, Op 91, Victory Finale, L. Beethoven12. Swan Lake, Waltz, P. Tchaikovsky13. Old MacDonald Had a Farm, traditional14. Happy Farmer, R. Schumann15. Farmer in the Dell, traditional16. Jack & Jill, W. Weisbach (traditional verse)17. Symphony No. 4, Italian, F. Mendelssohn18. Dance of the Hours, A. Ponchielli19. The Bartered Bride Suite, Skocna, B. Smetana20. Voices of Spring, Waltz, J. Strauss IIAge: birth +Customer Reviews:
Woo Hoo!.......2007-05-07
Einstein.......2007-04-09
The baby danced........2007-03-09
A Lot of Fun for Playtime.......2006-01-04
Synthesized dreck.......2005-08-13
Average customer rating:
|
Morelenbaum (2)/Sakamoto: Casa (Tribute to Jobim)
Antonio Carlos Jobim , Ryuichi Sakamoto , and Jaques Morelenbaum Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006FIBO Release Date: 2002-08-20 |
Tracks:
- As Praias Desertas
- O Amor em Paz
- Vivo Sonhando-Dreamer
- Inutil Paisagem
- Sabia
- Chanson pour Michele
- Bonita
- Fotografia-Photograph
- Imagina
- Estrada Branca
- O Grande Amor
- Cancao em modo menor
- Tema para Ana
- Derradeira Primavera
- Esperanca perdida-I Was Just One More For You
- Sem Voce Album Version
- Samba Da Aviao
- Improvisation (Live)
Amazon.com
"Casa" is the Portuguese word for "house." It's also the title of this melodic and moving tribute to Antonio Carlos Jobim by the Oscar® and Grammy award-winning pianist-composer Ryuichi Sakamoto, Brazilian cellist Jaques Morelenbaum, and his vocalist wife, Paula. The Morelenbaums, who cofounded Quarteto Jobim-Morelenbaum, both worked with the maestro, and almost all of the tracks here were recorded in Jobim's Rio home. The CD contains fluid and florid renditions of bossa nova-era classics from the Jobim canon, from "Amor em Paz"--with Jobim's son Paulo on guitar--and "Bonita" to "Vivo Sonhando." It also unveils rare songs like "Chanson pour Michelle," a short and sweet composition written for a soap opera, and a never-before-heard work, "Tema para Ana," an intimate piano/cello duet. Sakamoto's spare and splendid pianisms ring from Jobim's piano. Morelenbaum's singing cello tones complement his wife's angelic Portuguese and English vocals. Together this talented trio--with occasional accompaniment by percussionist Marcos Suzano, guitarist Luiz Brasil, vocalist Ed Motta, and bassist Zeca Assumpçao--beautifully exposes the French influences of Satie, Ravel, and Chopin in Jobim's music. --Eugene Holley, Jr.Customer Reviews:
Celestial music - .......2007-05-07
I got this fine cd last year in my first time in Buenos Aires.. though my trip was for widenning my musical horizons.. what can I said that has not been adequately commented by more knowledable reviewers than I?.. the music is serene, celestial, non-strident...he piano, the cello and that voice!! you know you are prividledged in life to have a chance to comtemplate on this type of beauty... whatever scars we have in the soul and body, take a moment to soothe yourself..
Gentle Magic to Free Your Soul.......2007-03-28
Some of the Best Music ever!.......2007-02-03
sound. I checked out to see if anything else was available. I found 'Casa'
and immediately ordered it. It has been in my CD player since I got it.
This from a Classical music buff and a college music degree. This music
defies description (I do like bossa nova and Jobim especially). This group is so together, it sounds like the members know exactly what each
other is thinking. It is all so right that it appears precision and class
like this is not possible. Paula's voice has a simple (without vibrato) beauty that is mesmerizing. The arrangements are exquisite. The Cello and piano never over-do and the whole is something you must hear to believe. I can only add to this - GET IT!!
jazzman.......2007-01-17
gentle, along with Jacques' cello gliding through the sketches. And the
pianist Sakamoto is perfect as well. I just love this cd. I quickly
obtained their other Jobim tribute cd "A Day in New York" (the Japanese
enhanced version with 5 bonus tracks), which is even further proof that
there is a musical heaven on earth. So sophistocated, cool, and gentle.
I eagerly await their next release. 5 million stars.
absolutely amazing...........2006-01-16
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Christopher Parkening plays Bach
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RNJ Release Date: 1990-10-25 |
Tracks:
- Canata 147: Jesu, Joy Of Man's Desiring
- Sonata VI For Violin, E Major Partita: Gavotte
- The Well-Tempered Clavier: Prelude I
- The Well-Tempered Clavier: Prelude VI
- The Well-Tempered Clavier: Prelude IX
- Cantata 208: Sheep May Safely Graze
- Prelude, Fugue And Allegro In E Flat Major For Clavier, Original For Lute): Prelude and Allegro
- Cello Suite V: Gavotte I And II
- Cello Suite VI: Gavotte I And II
- Cantata 140: Sleepers, Awake
- Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Sarabande And Variations
- Samson: Minuet in D
- Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Giga
- Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Passacaglia
- Ordres, Book II: Les Barricades mysterieuses
- Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Preambulo And Allegro vivo
Customer Reviews:
more wonderous with each passing year.......2006-11-13
Pinnacle.......2005-10-24
I love all kinds of music, but nothing has touched me like this album in the 19 years since then. Parkening's reading of Bach arranged for the classical guitar is flawless on this recording; no one, not even his mentor has matched it.
"Jesu, Joy of Man's Desiring", "Sheep May Safely Graze" and especially "Sleepers Awake" are the best renditions of these songs that I've heard, regardless of the arrangement. His control and dynamics are just staggering.
I can't explain where this album or music came from. It's my absolute favourite album. It's part of human evolution and the continually unfolding Great Work.
The Perfect Storm.......2005-04-07
Nevermind that Bach never wrote a single note for the guitar, many of his pieces actually work better on the guitar than they would the clavier. The guitar provides much more opportunity for the musician to impart emotion by varying volume and tone. And Parkening capitalizes on that opportunity beautifully.
His playing is clean, thoughtful, and competent. This is, in my opinion, clearly Parkening's best recording. I highly recommend it. (I also recommend his In the Spanish Style, another of my favorites).
Parkening Play Bach and Plays Him Stunningly!.......2005-02-18
This is now a rare recording, so get it while you can. It's peaceful, highly skilled and simply Christopher Parkening, playing bare and alone, and shining like the sterling musician he is!
Masterpiece.......2003-09-24
The selections here represent a wide variety of Bach pieces: portions of cantatas, solo cello works, and pieces from the Well-Tempered Clavier. All of the pieces are transcribed skillfully for solo guitar, and every track flows naturally into the next. Standouts among the Bach pieces include "Sheep May Safely Graze" and "Sleepers Awake"--two meditative cantata selections which were so brilliantly arranged and performed that you'd almost think they were originally written for guitar.
And the additional baroque works presented here are not just "filler." Mr. Parkening gives stunning performances of great pieces composed by baroque giants like Handel, and he closes the recording in great style, with a passionate performance of Scarlatti.
Music doesn't get more enjoyable than this.
Average customer rating:
|
Acoustic En Vivo
Los Lobos Manufacturer: Los Lobos Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BXF28Q Release Date: 2007-06-05 |
Product Description
ACOUSTIC EN VIVO that pretty much translates to Acoustic Live for any gringos out there is exactly what this CD is a 13-track limited edition CD containing live acoustic tracks! This special CD is only available at Los Lobos shows on the 2005 acoustic / folklorico tour and through the band's site! Catch them on the road, including at this years Bridge School Benefit, and their special Kiko performances in 06! Track list:1 Canto A Veracruz (Traditional) 2 Colas (Traditional) 3 El Cuchipe (Orozco/Bueno) 4 Two Janes (Hidalgo/Pérez) 5 Maricela (Cesar Rosas) 6 Saint Behind The Glass (Hidalgo/Pérez) 7 La Guacamaya 8 La Pistola y El Corazón (Hidalgo/Pérez) 9 Los Ojos de Pancha (Juan Romero) 10 Mexico Americano (Rumel Fuentes) 11 Volver, Volver (Fernando Z. Maldonado) 12 Teresa (Hidalgo/Pérez) 13 Guantanamera (Traditional)Customer Reviews:
A Favorite.......2007-05-14
Average customer rating:
|
En Vivo
Maná Manufacturer: Warner Music Latina ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005TSF Release Date: 1994-12-13 |
Tracks:
- De Pies A Cabeza
- Oye Mi Amor
- Refrigerador
- Donde Jugaran Los Ninos
- Soledad
- Huele A Tristeza
- Te Llore Un Rio
- Estoy Agotado
- Perdido En Un Barco
- Buscandola
Tracks:
- La Chula
- El Rey
- Como Diablos
- Me Vale
- Rayando El Sol
- Como Te Deseo
- Puerta Azul
- Vivir Sin Aire
Amazon.com
One of Latino Rock's hottest acts is recorded live, stadium style, with screaming fans and all the ambience of a major rock event--which is what this is. The only difference between Maná and a Police concert is that Maná is in español. Armed with their own original material and shuffling pop reggae beats, Maná prove they are every bit as good as their source of inspiration, not just on record but also on stage. They have enough thematic twists of their own to avoid any criticism as a "knock off" act, and have built a following that marks them as the heirs apparent to Selena's pop crown. World Music fans may be dismayed at this blatant assimilation of western pop culture, but this excellent recording proves that this group has hit rock's Big Time--on their own terms. --Derek RathCustomer Reviews:
Awesome CD.......2006-03-30
Maná gives my life momemtum.......2005-05-22
Mana-En Vivo.......2003-03-07
Mana :).......2002-09-21
Mana En Vivo.......2002-01-06
Average customer rating:
|
Offenbach: Gaite Parisienne; Orpheus in the Underworld; Voyage to the Moon
Jacques Offenbach , Pittsburgh Symphony Orchestra , Philharmonia Orchestra , Andre Previn , and Antonio de Almeida Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000419R Release Date: 1994-10-11 |
Tracks:
- Gaite Parisienne: Overture
- Gaite Parisienne: Allegro brilliante
- Gaite Parisienne: Polka
- Gaite Parisienne: Landler. Allegro
- Gaite Parisienne: Mazurka. Allegro
- Gaite Parisienne: Valse
- Gaite Parisienne: (Allegro)
- Gaite Parisienne: Polka
- Gaite Parisienne: Valse lente
- Gaite Parisienne: Tempo di marcia
- Gaite Parisienne: Valse
- Gaite Parisienne: Allegro vivo - Valse
- Gaite Parisienne: Allegro Vivace. Misterioso
- Gaite Parisienne: Valse
- Gaite Parisienne: Allegro Vivo
- Gaite Parisienne: Cancan
- Gaite Parisienne: Quadrille
- Gaite Parisienne: Cancan
- Gaite Parisienne: Allegro moderato
- Gaite Parisienne: Allegro - Vivo
- Gaite Parisienne: Vivo
- Gaite Parisienne: Barcarolle
- Voyage To The Moon: Allegro maestoso
- Voyage To The Moon: Allegro vivo
- Voyage To The Moon: Introduction et les hirondelles bleues
- Voyage To The Moon: Le bonhomme de neige - Les flocons animes
- Voyage To The Moon: Polka
- Voyage To The Moon: Mazurka
- Voyage To The Moon: Variations
- Voyage To The Moon: Galop final
- Orpheus In The Underworld: Overture
- Orpheus In The Underworld: Introduction et entree des bergers
- Orpheus In The Underworld: Petite marche
- Orpheus In The Underworld: Valse
- Orpheus In The Underworld: Les faunes
- Orpheus In The Underworld: Final
Customer Reviews:
Delightful!.......2002-03-22
Fantastic work of musical art at its finest!.......1999-01-10
Average customer rating:
|
En Vivo en Argentina
Silvio Rodríguez Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005BJHM Release Date: 2001-02-15 |
Tracks:
- Por Quien Merece Amor - Silvio Rodrez,
- Te Doy Una Canci Silvio Rodrez,
- TodavCantamos - Victor Heredia, Silvio Rodrez,
- Oleo de Mujer Con Sombrero - Pablo Milan Silvio Rodrez,
- Unicornio - Silvio Rodrez,
- Ojal Silvio Rodrez, , Cuarteto Zupay
- Cancirgente Para Nicaragua - Silvio Rodrez,
- Historia de la Silla - Silvio Rodrez,
- Yo Pisaras Called Nuevamente - Pablo Milan
- A- Pablo Milan
- Carito - Pablo Milan
- Vida No Vade Nada - Pablo Milan
- Yo No Te Pido - Pablo Milan
- Vida y la Libertad - Pablo Milan
- Yolanda - Pablo Milan Silvio Rodrez,
- Pobre del Cantor - Cesar Isella, Pablo Milan
- Cancion Todos - Victor Heredia, Cesar Isella, Pablo Milan Piero, Silvio Rodrez, , , Cuarteto Zupay
Album Details
Recorded live at Estadio Obras Abril in Argentina in 1984. Features the Cuban session players Eduardo Ramos (bass, back-up vocals, arrangements), Frank Bejerano (drums and bongos) and Jorge Aragon (keyboards). Also joining Milanes and Rodriguez onstage are the vocalists Leon Gieco, Piero, Victor Heredia, Cesar Isella, Antonio Tarrago Ros and Cuarteto Zupay.Customer Reviews:
Get it!.......2007-01-19
LIBERTAD, LIBERTAD, NADA MAS Y NADA MENOS..............2006-12-05
Very interesting live performance.......2005-12-20
- English: Silvio and Pablo Milanes, are the 2 most importants singers for the Nueva Trova Cubana movement. On this disk, the quality of the sound is very good for a recording like this, and the additional argentinien singers perform very well also. Although those two singers may have about 30 discs each one, the selection here is still interesting, with some of the most popular songs from both. If you like either Silvio, Pablo, or both, and want all the discs in your collection, then buy this one. If you don't have this one, you won't miss too much this record. It has pretty much the same musical structure arrengments than the original songs, with 2 exceptions, Ojala y Oleo de Mujer con sombrero.
Spanish: Este disco tiene una seleccion de canciones acertada, diria yo, tomando el larguisimo numero de canciones que tienen Silvio y Pablo. Musicalmente, creo que no aporta mayor cosa, pero si tienes que tener todas las versiones de todas las canciones, pues compralo, no te arrepentiras, aunque no estara en tu lista de favoritos, creo yo, porque no tiene mayor valor agregado. Los cantantes invitados argentinos cantan una cancion cada uno, con resultados variados.
Breathtaking.......2005-07-27
amor" junto a su inmortal guitarra es mi pieza favorita de
este hermoso y conmovedor cd. Como el nadie pero Pablo
Milanes te despierta del sueno con su propia propuesta igual
de digna. Los argentinos Leon Gieco, Victor Heredia y demas
completan la mision de volver a los oyentes pedazos. Altamente
recomendado.
oxxy.......2005-06-03
Average customer rating:
|
Rachmaninoff, Prokofiev: Cello Sonatas
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CD5GL Release Date: 2003-09-30 |
Tracks:
- I. Andante Grave - Moderato Animato - Allegro Moderato
- II. Moderato - Andante Dolce
- III. Allegro Ma Non Troppo - Andantino
- I. Lento - Allegro Moderato - Moderato
- II. Allegro Scherzando
- III. Andante
- IV. Allegro Mosso - Moderato - Vivace
- II. Allegro
- IV. Marcia. Energico
- III. Finale. Allegro Vivo
Customer Reviews:
A "rare" collection.......2007-02-08
Music that will make you tingle inside..........2005-06-10
That being said though, I had to write a little something about this cd. I'll admit a prejudice for those Ma-Ax recordings, so bear with me. I think they are one of the strongest ensemble musicians I've encountered. Not only in their duo recordings are they always musicians first and foremost and not merely soloists recording together but also in those venues which include other greats, like Isaac Stern or Richard Stoltzman.
The main pieces on this recording are nearly awe-inspiring. While Ax describes in the liner notes the Profiev as having some 'crude and ackward' treatment of the melodies, I found it to be very intense and dark. Loving every bit of the piece. I don't think its as intense as the Shostakovich, but there are some similarities.
The real gem on this cd though has to be the Rachmaninoff. There's a place towards the very beginning of the first movement that will make you tingle in a spot, that dare not speak its name, or my name isn't Artemis Jack, which it isn't, but I'm sure you'll still enjoy it anyway.
To be honest with you, there's not a moment in the Rachmaninoff that isn't filled with unbelievable lushness and magic, every moment in the sonata is amazing. You'd think that with a piece so heavily dominated by the piano that the cellist would get lost or pushed into a corner someplace. Not only does the cellist play a very important role, but in ways has the choicest melodies. I wouldn't guess that many cellists would find this piece terribly challenging, but I would hope they'd revell in the experience.
I should commend Emanuel Ax and Yo-Yo Ma for being the wonderful chamber musicians they are. One of the things that people don't always understand, musicians and audiences alike, is that chamber music is very 'conversational'. My own experience as a professional pianist has at times led me to despise working with others because they simply refuse to acknowledge or share with another musician. Lets face it, the score may list this instrument or that one first, but without the piano where in the world would you be??? The main thing in all of the chamber music environments is to converse, exchange, and relish in the experience thats available in playing such great music.
If there's anything to squak about it, its the following snippets from other works. I'm not sure who's brilliant idea it was to include them, but it really is annoying and almost taints the whole experience of the first two works. That isn't to say that the music isn't beautiful and wonderfully played, but for me, there was just nothing else that needed to be said after the Rachmaninoff. Besides, if you're able to hear the Shostakovich, played by Ma/Ax, you'll agree that having just the second movement is a letdown.
No matter, I hope you'll be able to experience this cd and all the lush wonderfulness it has to offer. I finally also apologize for succumbing to the very thing that I said I detested...verbose self-gratification! Oh well, whats a guy to do?
Possible the most sublime cello sonata.......2004-06-14
Rap Music:
- We For Real [Explicit Lyrics]
- West Coast Will Never Die [Explicit Lyrics]
- When We Wuz Bangin' 1989-1999: The Hitz [Clean]
- Wrap It Up [Explicit Lyrics] [Import]
- Ain't Goin' Do [CD-single] [Explicit Lyrics]
- Ball Till Ya Fall [Explicit Lyrics]
- Bass Machine
- Bass Sound Off USA, Vol. 1
- Bass Station Zero
- Booty All-Stars
Recommended Music:
Music: Mozart: Symphony Nos. 4, 5 & 29
Songs and Rhythms from Near and Far
The Birds Sing... The Classics
The Best Of Curtis Potter Volume 1
Sentenciados [Special Edition]
Stamp Collecting (For Beginners)