Mo Drama

1. Yes Indeed

2. F**K Friends

3. Watch 'Em

4. Don't Talk About It

5. Madness

6. We Are One/Definition of Love

7. Block Bleeder

8. Do Watcha Gotta Do

9. Drama as Uzual

10. Rush the Floor

11. Po-Mama

12. Hustlin 4 Nothin

13. All Around the World

14. 4 of the Realest

15. Why?

16. N**GG@ What's Happenin?

17. Take It to the Streets (Insane)

Mo Drama,Black Menace,Menace Entertainment,Hardcore Rap,Hip-Hop,Pop,Rap & Hip-Hop

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Mo Drama

Average customer rating:

The Best of José Carreras Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music ASIN: B00000411R Release Date: 1990-10-25

Tracks:

1. Torna A Surriento
2. Fenesta Che Lucive
3. E Lucevan Le Stelle (Tosca)
4. My Own True Love (Gone With The Wind)
5. Nessun Dorma (Turandot)
6. Non Ti Scordar Di Me
7. Una Furtiva Lagrima (L'elisir D'amore)
8. Granada
9. Core 'Ngrato
10. Che Gelida Manina (la Boheme)
11. Love Is A Many Splendoured Thing
12. Pourquoi Me Reveiller? (Werther)
13. Memory (Cats)
14. Mattinata
15. Ave Maria
16. Tonight
17. Tu Che A Dio Spiegasti L'ali

Tracks:

1. Because You're Mine
2. 'A Vucchella
3. Di Rigori Armato Il Seno (Der Rosenkavalier)
4. Forse La Soglia Attinse - ma Se M'e Forza Perderti
5. Parlami D'amore, Mariu
6. Vesti La Giubba (I Pagliacci)
7. As Time Goes By
8. Oh, Fede Negar Potessi - Quando Le Sere Al Placido (Luisa Miller)
9. Panis Angelicus
10. 'O Sole Mio
11. E La Silita Storia (L' Arlesiana)
12. Be My Love
13. Dein Ist Mein Ganzes Herz (Das Land Des Lachelns)
14. Because
15. Donna Non Vidi Mai (Manon Lescaut)
16. You Belong To My Heart
17. Di Quella Pira

Average customer rating:

Joel Cohen: Music and Memory Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Gilles, Jean | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music Similar Items: Cantigas De Santa Maria (Alfonso X El Sabio) ASIN: B000005EAS Release Date: 1994-10-25

Average customer rating: Le creuset du déchant produit l'ébauche de l'opéra profane That's where and when the profane opera started At the root of the profane secular opera

The World of Robin and Marion: Songs and Motets from the Time of Adam de la Halle Manufacturer: Analekta ProductGroup: Music Binding: Audio CD General | Early Music | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Richard Coeur de Lion (Richard the Lionheart): Troubadours & Trouvères in the Courts of Eleanor of Aquitaine, Richard the Lionheart, Marie de Champagne & Geoffroy, Duke of Brittany - Alla Francesca Halle: Le Jeu de Robin et Marion Polyphonic Aquitaine of th 12th Century Music of the Gothic Era Adam de la Halle: Le jeu de Robin et Marion ASIN: B0002VYES6 Release Date: 2007-04-05

Tracks:

1. Mout Me Fut Grief/Robin M'aime/Portare
2. Robins M'aime/Je Me Repairoie/He Robins Se Tu M'aimes
3. Lie Maus Amourous Me Tient/Dieus Par Quoi/Portare
4. Vous Perdez Vos Paine Sire Aubert/Ne Sai Que Je Die/Johanne
5. Bergeronnete Sui/Trairi Deluriau
6. He Robechon
7. Au Douz Tans/Biau Dous Amis/Manere
8. Vous L'ores Bien Dire/Saltarello
9. Bergeronnete/Robin Par L'ame Ten Pere
10. He Marotele Alons Au Bois/En La Praerie/Aptatur/Li Maus D'amer
11. L'Autre Jour/Au Tens Pascour/In Seculum
12. Par Un Matinet/Les Un Bosket/Portare
13. En Mai Quant Rosier/L'autre Jour/He Resveille Toi Robin
14. Encontre Le Tans De Pascour/Quant Fuellent/In Odorem
15. Quant Florist La Violete/El Mois De Mai/Et Gaudebit
16. En Non Diu/Quant Voi La Rose Espanie/Eius Oriente
17. Avoec Telle Compaignie/Quiconque Rira/Parodie (After Quant Voi Le Fleur/Et Tenuerunt)
18. Je Voi Douleur Avenir/Fauvel Nous A Fait Present/Autant M'est Sie Poise/Emi Emi Marotele N'ocies/Emi Emim Marotele Sage/Portare
19. Quant Froidure Trait A Fin/Domino Quoniam/Ronde: Le Sentelle
20. J'ai Encore Un Tel Paste
21. Audigier Dist Raimberge/Quant Voi Le Douz Tans Venir/En Mai Quant Rose/Immolatus
22. Venes Apres Moi/Nota Domino Quoniam
23. Mout Me Fut Grief/Robin M'aime/Portare/L'autre jour Par Un Matinet/Hier Matinet/Ite Missa Est

Album Description

Anonymus invites you to witness Robin and Marion's love, in the best musical tradition of the Middle Ages. A program with a rural accent that brings alive through poetry and music this lively and marvellously naïve romance by Adam de la Halle, the great troubadour from Arras.

Customer Reviews:

Le creuset du déchant produit l'ébauche de l'opéra profane.......2005-01-09

Loin de tout ce que tous les livres classiques peuvent dire, la polyphonie pas plus que l'opéra n'ont commencé au 16ème siècle italien. Le plus ancien opéra biblique est du 13ème siècle français (Ludus Danielis). Et voilà que l'Ensemble Anonymus vient de sortir pour notre plus grand plaisir le Robin et Marion d'Adam de La Halle, lui aussi du 13ème siècle. C'est l'un des ancêtres de ce que l'on appellera plus tard l'opéra. Et en plus cette Âœuvre est géniale. Le choix des instruments est excellent et certains sont plus lointains qu'européen, remontant jusqu'à la Perse iranienne. Le jeu en est clair, délicat, dansant et vif, expressif et même imagé. Le style de musique qu'ils nous offrent est très populaire pour l'époque, avec cependant des intermèdes musicaux d'une autre source qui ont plus de poids, de grandeur, d'ampleur. Les voix opposent le couple ténor-soprano au couple mezzosoprano-baryton, et cela sur une base dramatique : les premiers sont les héros, les seconds sont les trouble-fête. Le chant est la vraie grande révolution d'Adam de La Halle. Les artistes chantent, pour l'essentiel, en vieux français, avec une prononciation parfaite. On voit bien leur origines québecoises qui aident : de telles prononciations seraient beaucoup plus difficiles en France vu que nous avons perdu les dialectes anciens. La partition mêle des solos, de vrais duos en alternance, des duos où les voix s'allient et se superposent. Adam de La Halle importe ainsi dans une pièce profane dont la musique est populaire et non grégorienne ce qui est en train de naître en France particulièrement, et ailleurs aussi partiellement, à savoir la polyphonie et c'est un plaisir de découvrir que certaines formes qui deviendront des classiques des siècles futurs sont déjà là en germe dans cette partition. Adam de La Halle avait étudié le déchant, première aventure polyphonique dans le cadre grégorien. Il le transfère ici dans le cadre profane avec le meilleur effet. L'histoire est simple mais bien ancrée dans son temps. Elle est aussi complète et donc bien une sorte de livret d'opéra. Robin et Marion s'aiment d'un amour tendre, mais le chevalier Aubert intervient et vole la belle, par des moyens pas très honnêtes : la force, les cadeaux qui semblent de luxe à cette bergère, et des mots doux qui ne sont qu'autant de pièges. Le tout se finira, après un petit épisode beaucoup plus courtois emprunté à Gervais de Bus et son Roman de Fauvel, sur une solution ambiguë, cette brave Marion n'arrivant pas à prendre une décision entre son bel amour Robin qui joue si bien de la cornemuse ou du flageolet, et son tout nouveau amoureux chevalier qui brille de tous les feux de sa cuirasse et de ses victoires au tournoi. Entre les deux bien sûr son cÂœur balance. On se demande pourquoi ces Âœuvres du patrimoine français qui révèlent que nous avons eu une période florissante dans les arts bien avant la Renaissance, doivent être découvertes et mises en avant par des Anglais comme pour le Ludus Danielis ou des Québecois comme ici. Que font donc les Français qui se gargarisent de la défense de leur langue et qui ne s'intéressent même pas à leur patrimoine culturel un peu ancien, raison de plus très ancien ? Heureusement que nous avons des étrangers, francophones ou non, cousins distants ou pas cousins du tout, pour faire notre travail.

Dr Jacques COULARDEAU
Université Paris Dauphine

That's where and when the profane opera started.......2005-01-09

This recording is amazing. It is probably one of the ancestors of the secular opera, just like Ludus Danielis was the ancestor of the biblical opera, but both three centuries before the « official » birthdate of the genre, here the 13th century. What's more both works are French and not Italian as the legend wants it to be : opera was born in Italy during the Renaissance, they say. Another mystery is why these very fine and rich works are discovered and recorded not by French musicians and artists but by English and here French Canadian musicians and artists. What are the French doing ? Don't they go to their libraries and archives and check on those scores, and I could probably say scores of scores, that are sleeping in the boxes ? Apparently not. They blabber a lot about English menacing their French language with barbaric technical words, but they do not defend their own cultural heritage. Bizarre, isn't it ? But this recording reveals many things about this old century and this ancient composer. The instruments are authentic, even if at times a little bit exotic, Turkish or Irani. But they are light, brilliant, délicate, expressive and definitely lively. The score opposes the couple tenor-soprano of the two main characters to the couple mezzosoprano-barytone of the disturbing intruders. This is dramatically good. The singing is innovative. It uses solos, real duets with alternating voices or with superimposed voices, and many other forms, including of course the motet. Some singing forms that will become classical in a few centuries are already present here and quite lively and alive. Adam de La halle had learn the beginning of polyphony with the gregorian dechant and here he transposes it from the sacred field to the profane secular domain with the best results because it serves very well that music which is perfectly popular. The end of the tale, after an episode that is very courtly and borrowed from Gervais du Bus and his Roman de Fauvel, is ambiguous with Marion fluttering between her love for Robin who plays the bagpipe and the plain pipe so well, and her sudden love for the knight Aubert who conquered her with a little bit of force, a little bit of fine language, the promise of beautiful presents and the metallic shine of his armour and helmet and tournament weapons. Her heart is swinging and swaying between the two and the music is doing just the same, and yet announcing a future that must be in existence somewhere in some archives and has not yet been discovered, except the music, thanks to Paul McCreesh who never recorded it, of Pope Clement VI in Avignon whose favorite composer was the mathematician Vitry. But what is the French Ministry of Culture doing or thinking since they cannot bring all these gems out of oblivion ? The Minister should have a few pennies left at the bottom of a drawer somewhere to help this adventure ?

Dr Jacques COULARDEAU

At the root of the profane secular opera.......2005-01-09

This recording is amazing. It is probably one of the ancestors of the secular opera, just like Ludus Danielis was the ancestor of the biblical opera, but both three centuries before the « official » birthdate of the genre, here the 13th century. What's more both works are French and not Italian as the legend wants it to be : opera was born in Italy during the Renaissance, they say. Another mystery is why these very fine and rich works are discovered and recorded not by French musicians and artists but by English and here French Canadian musicians and artists. What are the French doing ? Don't they go to their libraries and archives and check on those scores, and I could probably say scores of scores, that are sleeping in the boxes ? Apparently not. They blabber a lot about English menacing their French language with barbaric technical words, but they do not defend their own cultural heritage. Bizarre, isn't it ? But this recording reveals many things about this old century and this ancient composer. The instruments are authentic, even if at times a little bit exotic, Turkish or Irani. But they are light, brilliant, délicate, expressive and definitely lively. The score opposes the couple tenor-soprano of the two main characters to the couple mezzosoprano-barytone of the disturbing intruders. This is dramatically good. The singing is innovative. It uses solos, real duets with alternating voices or with superimposed voices, and many other forms, including of course the motet. Some singing forms that will become classical in a few centuries are already present here and quite lively and alive. Adam de La halle had learn the beginning of polyphony with the gregorian dechant and here he transposes it from the sacred field to the profane secular domain with the best results because it serves very well that music which is perfectly popular. The end of the tale, after an episode that is very courtly and borrowed from Gervais du Bus and his Roman de Fauvel, is ambiguous with Marion fluttering between her love for Robin who plays the bagpipe and the plain pipe so well, and her sudden love for the knight Aubert who conquered her with a little bit of force, a little bit of fine language, the promise of beautiful presents and the metallic shine of his armour and helmet and tournament weapons. Her heart is swinging and swaying between the two and the music is doing just the same, and yet announcing a future that must be in existence somewhere in some archives and has not yet been discovered, except the music, thanks to Paul McCreesh who never recorded it, of Pope Clement VI in Avignon whose favorite composer was the mathematician Vitry. But what is the French Ministry of Culture doing or thinking since they cannot bring all these gems out of oblivion ? The Minister should have a few pennies left at the bottom of a drawer somewhere to help this adventure ?

Dr Jacques COULARDEAU

Average customer rating:

Mo' Drama: Collector's Edition Playya 1000 , and D'kster Manufacturer: Small Town Records ProductGroup: Music Binding: Audio CD ASIN: B000N678XI

Product Description

Rare Collector's Edition version of Playya-1000's "Mo'Drama" w/ 5 bonus tracks for a total of 19 songs. Released in 1994 by Small Town Recordings. Track Listings: 1. Drama (Intro) 2. Pound 3. Creep Wit' Me 4. Sunday Afternoon - D'Kster, Playya 1000 5. Feel Me 6. Special 7. T-U-L-S-A 8. Mo' Drama 9. Lay Back 10. Watchin' U 11. 2 Snaps 12. 4-The-Nigga-N-U 13. Sunday Afternoon [Radio Edit] - D'Kster, Playya 1000 14. Creep (Outro) - D'Kster, Playya 1000 BONUS TRACKS: 15. Hold Your Own Part 1 16. Day in the Life 17. Hold Your Own Part 2 18. The Layback (Instrumental) 19. Creep Wit Me (Instrumental)

Average customer rating:

Ghetto Dreams ProductGroup: Music Binding: Audio CD General | Rap & Hip-Hop | Styles | Music ASIN: B000GBECD4 Release Date: 2005-06-07

Average customer rating:

Drama CD ProductGroup: Music Binding: Audio CD Japan | Far East & Asia | International | Styles | Music International | Imports | Stores | Music ASIN: B000MTFDRE Release Date: 2007-03-27

Average customer rating: i need info black menace huh! ONE OF THE BEST "BLACK MENACE" CD's

Mo Drama Black Menace Manufacturer: Menace Entertainment ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Indie Music | Stores | Music ASIN: B00004S9UV Release Date: 1999-10-12

Tracks:

1. Yes Indeed
2. F**K Friends
3. Watch 'Em
4. Don't Talk About It
5. Madness
6. We Are One/Definition of Love
7. Block Bleeder
8. Do Watcha Gotta Do
9. Drama as Uzual
10. Rush the Floor
11. Po-Mama
12. Hustlin 4 Nothin
13. All Around the World
14. 4 of the Realest
15. Why?
16. N**GG@ What's Happenin?
17. Take It to the Streets (Insane)

Customer Reviews:

i need info.......2005-10-13

can anybody tell me if this is the cd with rated x on it if not can u tell me if u know which one it is

black menace huh!.......2001-10-04

This is not a typical black menace album. J Dawg his lost the energy he use to project and Threat just doesn't shine. The music is lacking and needs a lot of work. These boys need to go back to Precise or call Mannie to bail them out.

ONE OF THE BEST "BLACK MENACE" CD's.......2001-09-25

If you don't know "BLACK MENACE" let me tell you a lil. bit about em' their from New Orleans and been rapping back in 1985 and on. They also rapped on "MYSTIKAL" cd "MIND OF MISTIKAL" on the track "Out The Boot Camp Clicc" and they also came up wit "FIEND,GHETTO TWIINZ,G-SLIMM,INSANE,G-QUIKK,ICE MIKE,TIM SMOOTH,PRECISE,SPORTY-T,PARTNERS-N-CRIME and of course"MYSTIKAL"...Tight Rhyms & Beats not that punk imitation stuff. these guys are REAL ORIGINATORS and TREND SETTERS I could go on but i don't wana sound like a HO who's Jockin'..GET THIS CD...PeAcE

Average customer rating: Great Album......Ahead of It's Time oklahoma rap! Straight out of Oklahoma

Mo Drama Playya 1000 Manufacturer: Small Town ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Similar Items: Blame It on Society Fully Automatic Definition of a Pimp Hated by Many Ghetto's Child ASIN: B00008FRFL Release Date: 1994-11-17

Tracks:

1. Drama (Intro)
2. Pound
3. Creep Wit' Me
4. Sunday Afternoon - D'Kster, Playya 1000
5. Feel Me
6. Special
7. T-U-L-S-A
8. Mo' Drama
9. Lay Back
10. Watchin' U
11. 2 Snaps
12. 4-The-Nigga-N-U
13. Sunday Afternoon [Radio Edit] - D'Kster, Playya 1000
14. Creep (Outro) - D'Kster, Playya 1000

Customer Reviews:

Great Album......Ahead of It's Time.......2006-02-17

This album is a must buy for any real rap lover out there. Every single song is tight.....this is one album that i bump from beginning to end without having to skip a single track. What was most surprising to me was that it came out in '94 but when i listen to it it doesn't sound that old at all. I never even heard of Playya 1000 or The D'kster until i stumbled across a his name on some website and i decided to look him up on amazon.com and i read the reviews and decided to give it a listen and let me tell you this is good stuff. My favorite tracks are Sunday Afternoon and Special. If you like this album then you might also like Khayree's Blackalation or even Wicked Budday Baby by 3-2, who i must say kinda sounds real similar to Playya 1000.

oklahoma rap!.......2005-11-18

this is a tight,very rare cd.i have 2 UNOPENED 4SALE as well as other rare out of print cds and tapes.low prices.huge selection.EMAIL.

Straight out of Oklahoma .......2005-11-02

Oklahoma has a good history in hip-hop. If anybody knows how I can contact Playya 1000, hit me up at (...)

Average customer rating:

Operatic Recordings Manufacturer: Pearl ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music ASIN: B000000WNV Release Date: 1994-05-25

Tracks:

1. Don Giovanni: Dalla Sua Pace
2. Il Barbiere Di Siviglia: Ecco Ridente In Cielo
3. Il Barbiere Di Siviglia: Se Il Mio Nome
4. Il Barbiere Di Siviglia: All'idea Di Quel Metallo - Fernando De Lucia/Antonio Pini-Corsi
5. Il Barbiere Di Siviglia: Numero Quindici - Fernando De Lucia/Antonio Pini-Corsi
6. Il Barbiere Di Siviglia: Finora In Questa Camera - Fernando De Lucia/Maria Resemba/Nina Sabatano/Giorgio Schottler
7. Il Barbiere Di Siviglia: Colla Febbre... Buona Sera - Fernando De Lucia/Maria Resemba/Francesco Novelli/Giorgio Schottler/Stefano Valentino
8. Il Barbiere Di Siviglia: Ah! Qual Colpo - Fernando De Lucia/Antonio Pini-Corsi/Josefinal Huguet
9. La Sonnambula: Perdona, O Mia Diletta...Prendi, L'anel Ti Dono - Fernando De Lucia/Olga Perugino
10. La Sonnambula: Son Geloso - Fernando De Lucia/Maria Galvany
11. La Sonnambula: Ah! Perche Non Posso Odiarti
12. L'Elisir D'amore: Una Parola, O Adina - Fernando De Lucia/Angela De Angelis
13. L'Elisir D'amore: Ecco Il Magico Liquore...Obbligato, Obbligato - Fernando De Lucia/Ernesto Badini
14. L'Elisir D'amore: Una Furtiva Lagrima
15. Les Huguenots: Ah! Quel Spectacle..Plus Blanche
16. La Favorite: Un Ange, Une Femme Inconnue
17. La Favorite: Ange Si Pur
18. Luisa Miller: Quando Le Sere Al Placido

Tracks:

1. Lobengrin: Nun Sei Bedankt
2. Lobengrin: Mein Held, Mein Retter..Nie Sollst Du Mich Befragen - Fernando De Lucia/Josefina Huguet
3. Lobengrin: Das Susse Lied Verhallt - Fernando De Lucia/Josefina Huguet
4. Lobengrin: Artmest Du Nicht
5. Lobengrin: In Fernem Land
6. Lobengrin: Kommit Er Dann Heim
7. Rigoletto: Questa O Quella
8. Rigoletto: E Il Sol Dell'anima - Fernando De Lucia/Josefina Huguet
9. Rigoletto: Ella Mi Fu Rapita
10. Rigoletto: La Donna E Mobile
11. La Traviata: Ah, Si, Da Un Anno...Un Di Felice, Eterea
12. La Traviata: De' Miei Bollenti Spiriti
13. La Traviata: Invitato A Qui Seguirmi... Mi Chiamate? - Fernando De Lucia/Angela De Angelis/Chor
14. La Traviata: Parigi, O Cara - Fernando De Lucia/Josefina Huguet
15. Faust: Salut! Demeure
16. Faust: Il Se Fait Tard - Fernando De Lucia/Celestina Boninsegna
17. Les Pecheurs De Perles: De Mon Amie
18. Les Pecheurs De Perles: Ton Coeur N'as Pas Compris - Fernando De Lucia/Josefina Huguet
19. Mignon: Adieu, Mignon!
20. Mignon: Elle Ne Croyait Pas
21. Mignon: Ah! Que Ton Ame Enfin
22. Romeo Et Juliette: Ah! Leve-Toi Soleil

Tracks:

1. Mefistofele: Dai Campi, Dai Prati
2. Mefistofele: Giunto Sul Passo Estremo
3. La Gioconda: Cielo E Mar
4. Cavalleria Rusticana: O Lola, Ch'ai Di Latti
5. Cavalleria Rusticana: Addio Alla Madre
6. L'Amico Fritz: Suzel, Buon Di - Fernando De Lucia/Angela De Angelis
7. L'Amico Fritz: Ed Anche Beppe Amo.. O Amore, O Bella Luce
8. Werther: Ah! Non Mi Ridestar
9. Pagliacci: Recitar! Vesti La Giubba
10. Pagliacci: O Colombina
11. Pagliacci: No! Pagliaccio Non Son
12. Manon Lescaut: Tra Voi Belle
13. La Boheme: Che Gelida Manina
14. La Boheme: O Soave Fanciulla - Fernando De Lucia/Angela De Angelis
15. La Boheme: Quest'e Mimi
16. Fedora: Amor Ti Vieta
17. Fedora: Mia Madre, La Mia Vecchia Madre
18. Fedora: Vedi, Io Piango
19. Iris: Apri La Tua Finestra
20. Tosca: Recondita Armonia
21. Tosca: E Lucevan Le Stelle
22. Tosca: Tu?..Di Tua Man L'uccidesti...O Dolci Mani
23. Adriana Lecouvreur: L'anima Ho Stanca

Rap Music:

1. Modern Day Sins [Explicit Lyrics]
2. Mr Wicked
3. Nas D Style
4. No Man's Land
5. No More Prisons [Explicit Lyrics]
6. No Mothers Crying No Babies Dying [Soundtrack]
7. Only God Can Judge Me [Clean]
8. Out the Can [Explicit Lyrics]
9. Pork Rind Disco
10. Praises

Rap Music

rap music

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Hung Well [Explicit Lyrics]

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The Definitive Pop Collection