Conversation [Explicit Lyrics]

Amazon.com
Compton/Long Beach rap unfolds like a family tree: N.W.A. branches into Ice Cube, Eazy E, and Dr. Dre; Dre begets Snoop and Warren G; and, with Twinz, Warren brings on his own brood of disciples. But don't necessarily expect these follow-up acts to succeed by association. After all, Warren scored by asserting an identity completely apart from his big brother Dre. In fact, the Twinz' Conversation barely steps out of the shadow cast by Warren's smooth G-Funk/Long Beach flow. The Twinz--identical sibs Deon (Trip Locc) and Dewayne (Wayniac) Williams--rip through Conversation with muscular rhyme skills, though their best material rides on the more subtle waves created by Warren G's exquisite music production. "Hollywood," for instance, relies on a silky Chaka Khan interpolation and guest rap from female duo Five Footers (the real stars of Warren G's stable) to make it Conversation's standout track. --Roni Sarig

Conversation,Twinz,Def Jam,Club/Dance,G-Funk,Rap,Rap & Hip-Hop,West Coast Rap

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Conversation [Explicit Lyrics]

Average customer rating: Excellent Sound Track Great gift! Good, but not for the Family fantastic...... "A" for Andrews

My Fair Lady (1956 Original Broadway Cast) Alan Jay Lerner , Rex Harrison , Julie Andrews , and Frederick Loewe Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Camelot (1960 Original Broadway Cast) South Pacific (Original 1949 Broadway Cast) West Side Story (1957 Original Broadway Cast) The Music Man (1957 Original Broadway Cast) Fiddler on the Roof (1964 Original Broadway Cast) ASIN: B000067AS1 Release Date: 2002-05-28

Tracks:

1. Overture
2. Why Can't The English?
3. Wouldn't It Be Loverly
4. With An Ordinary Man
5. I'm An Ordinary Man
6. Just you Wait
7. The Rain In Spain
8. I Could Have Danced All Night
9. Ascot Gavotte
10. On The Street Where You Live
11. You Did It
12. Show Me
13. Get Me To The Church On Time
14. A Hymn To Him
15. Without You
16. I've Grown Accustomed To Her Face
17. A Post-Recording Conversation (bonus track)
18. Playback: Alan Jay Lerner & Frederick Loewe (bonus track)

Amazon.com

The 2,700 performances of Lerner and Loewe's musical adaptation of George Bernard Shaw's Pygmalion gracefully spanned the Eisenhower and Camelot eras, then begat a wildly popular film version, whose 1965 Best Picture Oscar capped the show's decade of prominence. The crowning achievement of Lerner and Loewe's rich body of work began its recording life on this 1956 cast recording, a collection of performances that long ago became a ubiquitous and indispensable fixture of American musical theater. Indeed, it's hard to imagine anyone else but Julie Andrews and Rex Harrison in the roles of the cockney Eliza Doolittle and her long-suffering mentor, Henry Higgins, delivering definitive versions of the show's embarrassment of riches: "Why Can't the English?," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," and "I've Grown Accustomed to Her Face." This new edition offers a digitally burnished take of the already glorious recording, now supplemented with a post-recording conversation track featuring Harrison, Andrews, Lerner, conductor Franz Allers, and original producer Goddard Lieberson, as well as a 1961 audio interview with Lerner and Loewe. --Jerry McCulley

Customer Reviews:

Excellent Sound Track.......2007-06-27

I found My Fair Lady full of beautiful arrangements and excellent vocals. Can't get better then the sound of Julie Andrews!!!! Although Julie did not get the movie roll this makes me appreciate the movie even more.

Great gift!.......2007-06-01

Bought this as a gift for a friend.Received it quickly and she was delighted.

Good, but not for the Family.......2007-05-29

I initially really enjoyed the movie my fair lady and wanted a sound track so I could continue to enjoy the music. However, upon recieving the cd, I was especially disappointed with one aspect - the language. I knew Professor Higgins and others had used profanity on the film, and was ok with it. You hear it once and move on. However, I don't want a cd playing around my family that my kids are learning to dance, sing, and act out a song that has rather obvious swear words. After 1 listen I picked out at least three instances of swearing, the worst being I've Grown Accustomed to Her Face (my otherwise favorite song!) The song starts out d--n, d--n, d--n! It's shouted.

fantastic.............2007-05-16

MY FAIR LADY, one of the most well-loved and beautifully made musicals, was a definitive vehicle for the career of (then) twenty year old Julie Andrews, as the "loverly" Cockney flower girl, Eliza Doolittle. Between Andrews' soaring soprano (which is especially poignant to hear, today, considering that she can no longer sing as she once did) and the great supporting cast, lead by Rex Harrison, as Dr. Henry Higgins, the bored professor who takes her under his wing as a special project to mold into a dignified lady, this is a five star show!

The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!

"A" for Andrews.......2007-04-15

For years I had only the movie soundtrack and I was perfectly content with it, it was after all one of the best shows ever to hit the boards and I think Marie Nixon did a wonderful in the role of Liza Doolittle - she matched Hepburns voice closely plus she's a professional singer who soars with good material.

It's amazing listening to Ms. Nixon in The King & I; she is much closer to Deborah Kerr's voice and they sounded more natural between speaking and singing but that was the clinker for me. I realized the distance between Ms. Hepburn and Ms. Nixon in the movie version - so I went back to square one and GOT THE ORIGINAL.

You have to hand it to Goddard Leiberman (head of Columbia years ago and protege of Fanny Brice) for starting the tradition of recording Original Broadway Cast 'albums' at the time they opened.

Finally listening to Julie Andrews sing the most popular songs from one of the best shows ever penned almost made me cry. You can tell she's riding the crest of the wave - she literally soars, defying gravity. Her diction, as always, is perfect but she's perfect as the brash cockney flower girl, a young girl on an adventure and a refinded lady. I will always be grateful to Marnie Nixon for the work she did for the film but once you listen to original Eliza Doolittle you will realize there is only ONE and that ONE is JULIE ANDREWS.

Yes, her leading man is also good. One surprise however was Stanley Holloway - it was a shock to realizae that it was about ten years between the show and the film and he does sound ten years younger. The man is a delight at any age, it's not important, it just adds to the fun.

If you really like the show, and the songs, treat yourself and get the Original Broadway Cast - the cast hit the studio at the peak of their form with a solid hit under their belt and that confidence sets this recording light years ahead of any other recording.

Now if it were in stero that would make it a 5 star review.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Wonderful Town is a wonderful show Light and lively musical comedy a must-have recording for REAL Broadway fans Leonard Bart-stein? Listen for yourself.... Quality over quantity

Wonderful Town (Original 1953 Broadway Cast) Leonard Bernstein , Betty Comden , and Adolph Green Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: On the Town Wonderful Town (2003 Broadway Revival Cast) Bernstein - Wonderful Town / Audra McDonald, Kim Criswell, Thomas Hampson, Wayne Marshall, Simon Rattle, Berlin Philharmonic Fiorello! (1959 Original Broadway Cast) Redhead (1959 Original Broadway Cast) ASIN: B00005O6KS Release Date: 2001-09-25

Tracks:

1. Christopher Street
2. Ohio
3. One Hundred Easy Ways
4. What a Waste
5. A Little Bit in Love
6. Pass the Football
7. Conversation Piece
8. A Quiet Girl
9. Conga!
10. My Darlin' Eileen
11. Swing!
12. It's Love
13. Ballet at the Village Vortex
14. Wrong Note Rag
15. Opening (from the original Decca recording of "On the Town")
16. Carried Away (from "On the Town")
17. Lonely Town (from "On the Town")
18. I Can Cook Too (from "On the Town")
19. Lucky to Be Me (from "On the Town")
20. Ya Got Me (from "On the Town")

Customer Reviews:

Wonderful Town is a wonderful show.......2004-10-25

This is a terrific show. It has a famous composer, great tunes and a good, upbeat story. Why it has so thoroughly faded from memory is a question that puzzles me greatly.

The orchestrations are attributed to another individual, but Bernstein must have taken some substantial role in their creation, for large parts of "Wonderful Town" resemble only one other musical, "West Side Story."

Rosalind Russell is the star here, and rightly so. She sings--or rather croaks--her material very well, indeed. Only in "Swing" is she overmatched by the musical requirements and even then she fights them to a draw.

Edith Adams is very good, too, as Eileen. I think of her as Edie Adams, a sixties icon, wife of comedian Ernie Kovacs, mayhem-minded member of the Nairobi Trio and super-sexy pitchwoman for White Owl Cigars. I had no idea that she had also starred on Broadway. It was a pleasant surprise to find her here.

The men in the lead parts sing in that typical Broadway growl: perfect diction and lousy tone. They are endearingly awful. And I mean that in the best possible sense.

Five stars, no doubt about it!

Light and lively musical comedy .......2004-08-07

The first cast album of WONDERFUL TOWN sounds even better than ever in Decca's latest remastering. The sound is still somewhat flat (as are all Decca albums from the 40s/50s) but the Decca engineers have worked wonders on the 50 year old tapes making them sound as good as possible. Rosalind Russell was a perfect choice to play the acerbic Ruth. She doesn't have much of a singing voice but the songs were tailored to her limited range and she makes the character come alive. Edith Adams sounds properly winsome as her sister Eileen. In the supporing roles, Jordan Bentley comes off best as Wreck, but George Gaynes makes for a ponderous, somehwat stuffy Bob Baker.

In terms of album production, Decca eliminated the Overture and some of the dance music, and re-arranged "Christopher Street" to eliminate the spoken vignettes. Otherwise the score is presented in a faithful aural re-creation. The booklet offers a detailed synopsis to guide you through the score.

The bonus tracks are six songs from ON THE TOWN originally recorded when that show was playing on Broadway. This is NOT the definitive recording of ON THE TOWN. For that you need the 1960 album avaialble on Sony. But, the excerpts heard here provide an enjoyable bonus.

a must-have recording for REAL Broadway fans.......2002-12-26

This marvellous new re-issue of WONDERFUL TOWN is a must-have for Broadway buffs. In fact, this is really two albums in one, as it also contains the rare 1945 studio recording of ON THE TOWN as a bonus!

The story is based on the play "My Sister Eileen", written by Joseph Fields and Jerome Chodorov; as well as the stories written by Ruth McKenney. The play was later turned into a successful Columbia film starring Rosalind Russell (as Ruth Sherwood) and Janet Blair as Eileen. Several years later Columbia released a musical version (following the success of WONDERFUL TOWN) which starred Janet Leigh and Betty Garrett.

WONDERFUL TOWN originally starred Rosalind Russell (repeating her film role) as Ruth and Edith 'Edie' Adams as Eileen. The cast also included George Gaynes (GIGI, 'Punky Brewster') as the romantic male lead.

The score by Betty Comden and the late Adolph Green is gorgeous, and features the comical "100 Easy Ways", the lilting "A Little Bit in Love" and the showstopping "Conga!" and "Wrong-Note Rag".

No Broadway-recording collection is complete without the original cast of this landmark musical.

This re-issue from the superb Decca Broadway range also includes the rare 1945 set of ON THE TOWN, which featured original cast-members Betty Comden, Adolph Green and Nancy Walker singing their songs from the show, with Mary Martin singing "Lonely Town" and "Lucky to Be Me".

Highly-recommended.

Leonard Bart-stein? Listen for yourself...........2002-09-23

Leonard Bernstein never erred on the side of subtlety, and this original-cast album contains two of his most enjoyable essays in musical near-mayhem: "Christopher Street" and "The Wrong Note Rag." The former is vastly like the theme music to "The Simpsons," and the listener can decide for himself how much of a coincidence this is or isn't. "The Wrong Note Rag" uses the tritone of the scale and a varied meter to make life difficult for the singers and anyone trying to count along. Unlike so many send-ups of the 1920s, this song ingenioulsy captures the musical and lyrical feel of novelty numbers like 1924's "Fascinating Rhythm"--or, better yet, the slightly later "Crazy Rhythm." A parody of the 1920s that shows any sense of the 1920s is a rare item, indeed. "Wonderful Town" is an interesting, enjoyable, and valuable historical piece, and I can only imagine what later performers did with it. I don't want to know.

Quality over quantity.......2002-05-19

Yes, the original 1953 cast recording of "Wonderful Town" may not be the most complete cast recording of the hit musical BUT I would wholeheartedly reccommend this CD over any other version. Why? Because of its original cast members and its original orchestrations! Rosalind Russell is peerless as Ruth Sherwood (I consider her version of "One Hundred Easy Ways" one of the funniest songs in musical theatre history) and Edie Adams shines through radiantly. Listen to her sing "A Little Bit In Love" to understand what I'm talking about. Also, the original orchestrations gtive this CD more vibrance than any of the later incarnations INCLUDING the 1999 studio recording, which to me sounds too mechanical and the British orchestrator doesn't seem to get the rhythms right. The original cast recording is A MUST for the true theatre fan, abridged score or not

Average customer rating: Sweetened Classic Poetry Kris Delmhorst Strange Conversation inventive & unpredictable Worth every song! An old concept well executed.

Strange Conversation Kris Delmhorst Manufacturer: Signature Sounds Recordings ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Country Rock | Rock | Styles | Music Similar Items: Songs for a Hurricane Five Stories Ghost Repeater Redbird Long Night Moon ASIN: B000FGFUJU Release Date: 2006-06-27

Tracks:

1. Galuppi Baldessare
2. We'll Go Nore More A-roving
3. Light Of The Light
4. Since You Went Away
5. Strange Conversation
6. The Drop & The Dream
7. Invisible Choir
8. Pretty How Town
9. Tavern
10. Water Water
11. Sea Fever
12. Everything Is Music

Amazon.com

Rarely has a songwriter joined forces with such a distinguished array of collaborators, as New England's Kris Delmhorst shares credit for this material with the likes of Lord Byron, Walt Whitman, George Eliot, E.E. Cummings, and Rumi. Yet never do these adaptations from poetry (and some prose) have a whiff of academic stuffiness about them. To the contrary--the album could be appreciated as much for its musical range as its literary inspiration, as Delmhorst transforms the Whitman passage she titles "Light of the Light" into exuberantly Beatlesque pop, matches Eliot with a Dixieland brass section on "Invisible Choir," gives Cummings's "Anyone Lived in a Pretty How Town" a ragtime playfulness that evokes memories of the jug band era, and turns the rousing closer of Rumi's "Everything Is Music" into a spirited campfire singalong. She adapts her voice to fit the material and the arrangements, from the breathy intimacy of "Since You Went Away" and the languid torch song "Tavern" (which draws as much from the style of Peggy Lee as the words of Edna St. Vincent Millay) to the edgy, wiry rock of "Water Water." --Don McLeese

Customer Reviews:

Sweetened Classic Poetry.......2007-01-13

Excellent phrasing, as good or better than Norah Jones; fantastic sweet, sincere bluesy voice but not overwhelming; beautiful, heartfelt delivery; great album, looking forward to a follow up (more of the same); recommend listening to recent NPR interview.

Kris Delmhorst Strange Conversation.......2007-01-10

I heard this CD reviewed on KCRW and was very moved by the artist's voice and her idea to convert favorite poems into songs. My favorite track by far is the first on the playlist: Galuppi Baldessare. Delmhorst has sort of a Nora Jones/Shawn Colvin thing going on. Whimsical and deep at the same time. Very enjoyable to listen to at dinner time, with kids, in the car, while working...pretty much any time or place. Go for it!

inventive & unpredictable.......2007-01-10

Heard Kris Delmhorst being interviewed and singing on NPR, and what an interesting project this is! It appealed to me on both literary merits and for the snappy songwriting. The e e cummings poem "Pretty How Town" is not done the way one would expect -- sad or romantic -- but is a perky cowgirl-type song.

Worth every song!.......2007-01-09

I heard an interview of Kris Delmhorst on NPR and clips of her music, and went straigt out and bought this CD. It is one of those CDs that you actually buy because you like all the songs, not just one or two. Nice mellow, high quality Folk music.

An old concept well executed........2007-01-09

I first heard sonme of the tracks from this album on NPR here in the states. The basic concept is simple, take selections of poetry and set them to music.
Notable tracks are Galuppi Baldessare, and Invisible Choir. Galuppi Baldesare comes in with a bounce, a poem about music set to music would be a chalenge for some but Kris's voice swings in with a driving beat and a wonderful diction which makes the words leap out at you. Poetry is wordcraft and this presentation lifts the words off the page and throws them at you. The setings are diverse and ideosyncratic and well worth listening to. Give it a listen, I'm sure you'l like it.

Average customer rating: LOVE IT Hell wit Open Letter This is the Best one Open the Case Again!!! Its preety good; This album is....

Personal Conversation Case Manufacturer: Fontana Def Jam ProductGroup: Music Binding: Audio CD General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Open Letter Where I Wanna Be Tyrese Emotional Case ASIN: B00000IFTJ Release Date: 1999-04-20

Tracks:

1. Personal Conversation (Intro)
2. Happily Ever After
3. Think Of You
4. Faded Pictures
5. Tell Me
6. If
7. Can't Force Love (Interlude)
8. Caught You
9. He Don't Love You
10. Another Minute
11. Where Did Our Love Go
12. Faded Pictures (Soul Central Version)
13. Scandalous
14. Having My Baby

Customer Reviews:

LOVE IT.......2007-04-26

This is R&B at its smoothest. I love to just listen and chill with this CD.

Hell wit Open Letter This is the Best one.......2006-04-12

I don't understand how so many people can say that "Open Letter" was his best album. I just don't see it. It actually took me a minute before I bought Open Letter because I wasn't feelin' Missing You or his other single. That was because they wore the song out, the lyrics were too sappy for me, and he jacked that rhythm from Mary J's "You Are Everything." Anyway, This album was the first Case album I ever bought, and I couldn't stop playing it during the Winter/Spring of 05'. The production was awesome. When him and Spoiled Rotten Ent. made songs, they were on point. Best song on there hands down is "Another Minute." Following really close after that is "Caught You," and then "He Don't Love You." That beat hits so hard on that song it doesn't make sense, and he killed that joint. But yea, after hearing Happily ever after millions of times, it took awhile to bring that song back. But all in all, I can listen to this cd all the way through. The only problem I had with the joint was that it was too short and not enough songs. But this joint is hot. To get intro'd into case BUY THIS JOINT FIRST! Especially if u're into some good music that is for ridin, and chillin. KD Holla.

Open the Case Again!!! .......2005-08-12

WOW! WHAT CAN I SAY!?

I know music, been writing music for years now. Music is my life. When it comes to buying R&B music, I love to go out in a limb and buy someones CD I've never even heard of, in this case it was Case.

Im a give this CD a 4 star rating though, (his other cd "Open Letter" is a 5 star cd!) But an awesome cd and very well put together yet again! He's very consistant with his music.

To make a exceptional cd you must have the following:
First off, the beat must go with the songs flow. The lyrics must match the beat. The vocals (background, etc) must compliment, but not raze the song. I can say one of the very best R&B songs ever but together would contain:

Usher - YEAH
Sam Saler - Your Face
Carl Thomas - Emotional
Donell Jones - Life Goes On
Jagged Edge - Promise Remix
Mario Winans - You Knew
Profyle - Every Little Thing
K-Ci & JoJo - All My life
Case - Missing You
Etc Etc Etc

The list could go on for awhile, but when you think about ALL the music that is made, there are few artist with good cds even more rare, artists with exceptional songs.

JUST BUY THE DAMN CD ITS AWESOME!

--------------------
My Rating System is based on Amazon's:
* = Hate It
** = I Don't Like It
*** = It's Ok
**** = I Like It
***** = I LOVE IT!
--------------------

Its preety good;.......2004-06-08

Fav Tracks:

Happily ever after
Faded Pictures
If
Caught You (shagging my best mate, lol. Best song on the album)
Where did our love go? (v.good vibe)

My only problem with the album is that there weren't enough
tracks on the album.

This album is...........2003-11-26

amazing, I really fell in love with not only the singers voice but the production on the album is wonderful also. I would recommend this album to anyone who can really love and appreciate good music.

Average customer rating: Elvis Still Rules! Don't procrastinate, don't articulate A little less conversation, a lot more The King Great new remix expands ELV1S fan base I love this guy!

A Little Less Conversation Elvis Presley , and Junkie XL Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Rock | Styles | Music General | Oldies & Retro | Rock | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music Vocal Pop | CD Singles | Pop | Styles | Music Similar Items: Rubberneckin' Big Sounds of the Drags Saturday Teenage Kick Radio JXL: A Broadcast From Computer Hell Cabin ELV1S 30 #1 Hits ASIN: B000068QZW Release Date: 2002-06-25

Tracks:

1. A Little Less Conversation (JXL Radio Edit Remix)
2. A Little Less Conversation (JXL 12" Extended Remix)
3. A Little Less Conversation (Original Version)

Customer Reviews:

Elvis Still Rules!.......2005-08-07

I am about to have my ninth baby and I needed some music to slim down to. I am a belly dancer and I like to dance to Western music (in private) more than to the Eastern music. With two months left to go, I may dance this baby out! Very dancable, strong catchy rhythm. This is the kind of music that gets in your head and you can't get it out. . .and it's OK!

Don't procrastinate, don't articulate.......2003-07-05

I love this update mix of a forgotten Elvis classic. It sounds really contemporary and if it will get younger people interested in the King, I'm all for it. Some people may not approve of remixing an Elvis song, but if the results are like this, I'm not gonna complain. Of course, this song was included on 30 # 1 Hits, but you have to get the single to get the six minute 12" Extended Remix. Too much of a good thing? Not as far as I'm concerned. It should be pointed out that the third version included here is not the original version from Live a Little, Love a Little. It's the version recorded for, but not used in, the '68 Comeback Special. This version was the one that was used by JXL in his remixes.

A little less conversation, a lot more The King.......2003-06-06

In a scene from "Pulp Fiction" that never made it into the theaters Mia Wallace (as played by Uma Thurman) referred to the dichotomy of Beatles people vs. Elvis people--you can like them both, but you always like one more than the other. I've always considered myself a committed Beatles person, but if DJ Junkie XL has his way with more forgotten Elvis tunes I may have to reconsider my entire belief system!

I'll be the first to admit that I ain't no dancer, yet it's impossible to keep still to the two remixed versions of "A Little Less Conversation" included on this disc. JXL took a decent if unremarkable song that Elvis performed in the psychedelia-influenced (albeit without the drugs!) 1968 film "Live a Little, Love a Little" and turned it into something that works 35 years later. A remarkable feat in itself, and a fitting tribute to The King (whose talent also had something to do with it...).

Even the very sparse-sounding original version included as Track 3 has a nice groove to it, though it clocks in at just over 1:30 and seems a bit cut off at the end (I don't remember if the song ended so abruptly in the film). It is a pleasure to hear all three versions of the song included on this disc, which allowed me to better appreciate the contributions of both artists to "A Little Less Conversation".

Great new remix expands ELV1S fan base.......2003-03-28

Great remix of a lesser known song has brought new found respect to a whole new generation.The song went number one in dozens of countries. I cant wait for the next remix. ELV1S recorded dozens of great songs that most people dont know about. BMG should keep remixing lesser known songs and releasing them to introduce ELV1S to millions of new fans all over the world.

I love this guy!.......2003-03-15

This cd is proof that talent is ageless and without regard to style or custom or what's "in" or genre. Elvis is still the best singer to walk the planet. He's got the groove, the style, and he does it with heart and grace... all these years later. I think more of his songs should be brought back to life. We need music like this today to feel good about.

I also love his daughter's new cd!

Average customer rating: This is Truly a Masterpiece and Best album ever! 10 stars 10432747365 times better than Hours Lame is the only word to describe this why the haters? A very overrated album by an amazing band

Casually Dressed & Deep in Conversation Funeral for a Friend Manufacturer: Ferret Records ProductGroup: Music Binding: Audio CD Britain | British Isles | Europe | International | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Welsh Folk | Traditional British & Celtic Folk | Folk | Styles | Music Emo | Hardcore & Punk | Alternative Rock | Styles | Music Post Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music Similar Items: Hours Things Aren't So Beautiful Now Say Hello to Sunshine Discovering the Waterfront Let It Enfold You ASIN: B0002IQ9T6 Release Date: 2004-07-13

Tracks:

1. Rookie Of The Year
2. Bullet Theory
3. Juneau
4. Bend Your Arms To Look Like Wings
5. Escape Artists Never Die
6. Storytelling
7. Moments Forever Faded
8. She Drove Me To Daytime Television
9. Red Is The New Black
10. Your Revolution Is A Joke
11. Waking Up

Customer Reviews:

This is Truly a Masterpiece and Best album ever! 10 stars.......2006-06-23

This CD is so amazing. It shows the soft and alot more of the heavier side of FFAF. Bend your arms to look like wings has such a awesome beat and is so meaningful. Every song on this CD kicks a** and is the best album ever
Great art work visually and Emotionally!
MASTERPIECE!
10 STARS*********

10432747365 times better than Hours.......2006-05-24

I thought this album was awesome. Hours sucked horribly. They sold out just like everyone else. Their "drunk" screamer is what made this band. Not some lame super emo cd. This is a screamo album so if you dont liek screaming dont listen to it. I thought the screams brought good contrast to this cd. In my opinion if you liked teh EP's then buy this. If you are one of these kids who hates any screaming and loves bands who sell out then check out Hours. So basically if u think ur cool because u got on the FFAF Hours bandwagon dont waste your time with this.

Lame is the only word to describe this.......2006-05-22

Now don't go discounting my opinion because I usually listen to harder music. I very much like emo LIKE this. Just not this CD in particular.

This is one of those typical run-of-the-mill emo releases (release, not "effort" it hardly seemed like they tried at all) that's not very catchy, interesting or even good for that matter. The only reason it gets 3 stars from me is for two ABSOLUTELY AMAZING tracks.

Bend Your Arms to Look Like Wings is definitely NOT standard of the rest of the CD. This song is actually good. Even the title suggests something meaningful. Aside from being catchy it has a melody and actually progresses through to the end. And what an end it is!! The outro is so beautiful. The interval at which the notes are played just strikes a chord inside of me, it makes me want to cry and scream at the top of my lungs.... at the same time.

Rookie of the Year. One of the greatest songs ever written. Period. It's a powerful, beautiful track about friendship and how you can care about someone so much. You can't beat that. You couldn't ask for a better song.

I obviously like this kind of music or otherwise I probably wouldn't like those two songs. Like I said, I like emo because I like good, well written, powerful music. Unfortunately that DOESN'T describe the rest of this CD. If you like lame, totally uninspired music like Taking Back Sunday, Brand New or A Thorn for Every Heart go ahead and get this you'll probably like it. But if you actually like good, well written music you'll download those two songs and go someplace else and not waste your time with the rest of this CD.

why the haters?.......2006-05-17

I actually prefer this album to Hours. I guess that puts me in the minority. I thought Casually had more of an edge to it than Hours, grimy if you will. Hours was a good album, but seemed more polished in a slicked up production sense. Some people prefer that as you can see from the reviews, but don't be deterred, Casually is an excellent album.

A very overrated album by an amazing band.......2006-03-17

I should of listened to Forest from ISU. I bought "Hours" and was so floored, I figured I would give "Casually..." a try. What a mistake. This album is so spotty it boggles the mind that this band made the work of art "Hours". This album should be called "Casually Overated & Deep in Mediocrity". This band is absolutely amazing, dont get we wrong, but this album was just a stepping stone to get noticed and produce better work. The effect of this album makes you want to listen to it less and less. "Hours" gets better and better every listen. I find myself waking up with songs from "Hours" stuck in my head. Everything about this album is a few notches below "Hours". From the substandard vocals, to the plain guitars, to the average drums. Now maybe I wouldnt be so critical of this album if I didnt hear Hours but I guess this pales in comparision so much, its laughable. If you want to buy this album, do it in support of a great band getting better and dont expect to get much more out of it than that.

Average customer rating: Arleen Auger and Dalton Baldwin-Love Songs Voice of experience Auger at her best Hidden Treasure Gorgeous, sensitive music

Arleen Auger - Love Songs / Dalton Baldwin Frank Bridge , Benjamin Britten , Pietro Cimara , Aaron Copland , Sir Noel Coward , Stefano Donaudy , Stephen Foster , Charles Gounod , Eduoard Lippe , Frederick Loewe , Gustav Mahler , Joseph Marx , Fernando J. Obradors , Jaime Ovalle , Francis Poulenc , Roger Quilter , Franz Schubert , Robert Schumann , Oscar Straus , Richard Strauss , Joaquin Turina , Dalton Baldwin , and Arleen Auger Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: American Soprano Arleen Auger - Handel · Bach Arias / The Mostly Mozart Orchestra · Gerard Schwarz Strauss: Ein Heldenleben - Four Last Songs / Auger, Previn Stefano Donaudy: Amor mi fa cantare Haydn - Arias & Cantatas / Auger · H&H · Hogwood ASIN: B0000006VP Release Date: 1992-05-22

Tracks:

1. Love Songs: Pastorale
2. Love Songs: Del Cabello mas sutil
3. Love Songs: Azulao
4. Love Songs: Standchen
5. Love Songs: Selige Nacht
6. Love Songs: Fleurs
7. Love Songs: Stornello
8. Love Songs: Music, When Soft Voice Die
9. Love Songs: Je t'aime
10. Love Songs: Love's Philosophy
11. Love Songs: Widmung
12. Love Songs: Du bist wie eine Blume
13. Love Songs: Das Rosenband
14. Love Songs: Liebst du um Schonheit
15. Love Songs: Cantares
16. Love Songs: How Do I Love Thee?
17. Love Songs: I'll Follow My Secret Heart
18. Love Songs: Serenade
19. Love Songs: Liebe Schwarmt auf allen Wegen
20. Love Songs: Love Went A-Riding
21. Love Songs: Why, No One to Love
22. Love Songs: O del mio amato ben
23. Love Songs: The Salley Gardens
24. Love Songs: Heart, We Will Forget Him
25. Love Songs: Before I Gaze at You Again

Customer Reviews:

Arleen Auger and Dalton Baldwin-Love Songs.......2007-01-29

A lovely collection -very varied. Arleen Auger has a beautiful voice and Baldwin's accompaniment is wonderful. The 3rd track, by Jayme Ovalle, is, as it says in the accompanying notes, bewitching, and is actually the reason I bought the CD.

Voice of experience.......2006-01-28

There isn't much I can add to the praise bestowed on this album by earlier reviewers. I do think though that a special poignancy is undeniable since Auger's voice, while still beautiful, clearly is not that of a young singer. Her maturity makes her interpretations of these love songs all the more touching. I've probably played this CD a dozen times through the years, far more than any other in my collection. It remains consistently and deeply satisfying.

Auger at her best.......2005-04-26

This is a disc that I recommend to my graduating seniors/graduate students who are pursuing a graduate degree or career options in Vocal Performance.
From the standpoint of technique, Auger is practically flawless---"harsh" is not a word I equate with Ms. Auger's singing. She and Dalton Baldwin are impeccable performers on this disc. All the material was wisely chosen and presented, including one of the slowest "O del mio amato ben's" and one of the slowest "Salley Gardens", indicative of the beautiful breath control this artist had. I have to take exception to one of the comments made by one reviewer, of the "lack of sesitivity to the music that most classical singers possess". This is plain ignorant. This reviewer clearly does not understand the great artistic endeavor that classical singers have to have with Song literature---only a non-singer could have said this. Our finest classical singers of memory have all been outstanding musicians. They also have texts to interpret in many languages. I, as a singer-performer-teacher take great umbrage at comments like this which serve only to degrade the richness of so much repertoire.
I too hated the untimely passing of this fabulous singer. She is one of four famous women singers who all died at the age of 53. I think this disc was recorded not to long before she passed away and does reflect her "goodbye" to her audience. However the disc will remain as timely as the repertoire in it.
Marcia M.Baldwin, Gig Harbor, WA.
Professor Emeritus, Eastman School of Music, Rochester,NY

Hidden Treasure.......2003-11-04

This recording is possibly one of the best examples of beautiful singing one will ever find. The repertoire, the artfulness, the line and the sheer beauty of Miss Auger's voice is a rare find. I've just recently purchased another copy as I loaned mine to a friend who begged to keep it! One note on the cover - this new cover art seems to imply this CD is some light version of 1970's Montovani romance music. Nothing could be further from the truth. Though the previous jacket (a photo of Miss Auger on pale pink) did look dated, I hope the next pressing of this (& I'm sure they'll be many more to come!) will give this collection the class packaging it deserves. This is a collector's item. Enjoy!!

Gorgeous, sensitive music.......2001-06-15

So first of all, ignore the cheesy cover art and album title. This is a beautiful collection of songs, beautifully performed. Since I concur with the other reviews that laud Auger's performance (though don't forget the accompanist Dalton Baldwin, who is also outstanding), I'll add only the comment that there is a certain melancholy surrounding a lot of the songs and performances that (a) I find haunting and appealing, and (b) you would never know simply from looking at the album.

The performance of "Why, No One to Love" is worth the price of admission alone.

Average customer rating: I Will Not Forget This CD! Awesome God Praise true worship that's simple and beautiful Best Worship CD thus far... Get ready to be inspired

First Circle 100 Portraits and Waterdeep Manufacturer: Blue Renaissance ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Folk | Styles | Music Christian Rock | Christian & Gospel | Styles | Music General | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music Christian Alternative | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music Pop Rock | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Rock | Christian & Gospel | Indie Music | Stores | Music General | Folk | Indie Music | Stores | Music Similar Items: Second Circle Third Circle You Are so Good to Me She Must and Shall Go Free Faith ASIN: B00003G1N7 Release Date: 1999-12-14

Tracks:

1. Today
2. I Will Not Forget You
3. You Are So Good to Me
4. You Have Redeemed My Soul
5. Tender Mercy
6. Whatever Thing
7. Those Who Trust
8. I Could Run Away
9. Though I Feel Alone
10. Land of the Living
11. Put in Me
12. Since I Am So Sick
13. Improv
14. Save Me
15. Come Fall on Us

Album Description

Enter the Worship Circle: First Circle is a unique praise and worship album. While most such recordings contain covers of the worship standards, this album features all original songs written by 100 Portraits and Waterdeep . What's more, the songs were recorded live and unplugged, and the instrumentation is composed solely of the jangle of acoustic guitars and the rhythms of hand drums. The result is a worship album for those dismayed or uninterested in the grandiose production and operatic vocals of typical praise and worship albums. Enter the Worship Circle :First Circle has a sound that is open and free-form, beautiful as a well-laid plan, but spontaneous as a sincere declaration of love.

Customer Reviews:

I Will Not Forget This CD!.......2006-06-06

This CD always makes it back into my CD player rotation. It is one of my favorite worship CDs for these reasons: it is raw but passionate and it is extremely catchy. Being a praise band, I have loved doing covers of I Will Not Forget You, You Are So Good to Me, You Have Redeemed My Soul, Tender Mercy, and I Could Run Away. These are some of the best praise songs of all time! This CD was recorded in a circle (thus the band name) and it is the best circle of the circles by far. I love the unique folksy songs and you can just picture the musicians playing in a circle with their eyes closed praising to the one true God above. Ben Pasley and Don Chaffer have written brilliant songs that will always find a place in my CD player. Only criticism is that the female vocals sometimes sound a bit whiny. But for the most part, everything sounds great and I wish there were more out their singing with such passion!

Awesome God Praise.......2004-11-02

100 Portraits and Waterdeep have an uncanny way of presenting music that sounds like something God would want to hear! They sing Psalms and praise in such a fresh and simple way. I just love this CD. The simplicity of the songs seems to enable a deeper connection to the Lord while I listen.

true worship that's simple and beautiful.......2003-02-07

'enter the worship circle' is a worship experience you don't want to miss! the lyrics are simple so you can catch on quickly. the music is simple [guitar, i think] and let's you focus on God rather than the music. the worship is so fresh and real that it just draws you in and encourages you to worship God. no fancy sound effects or instruments. there's also a booklet that gives you some advice on how to write your own worship music. it's an amazing cd :) a definite must-have!

Best Worship CD thus far..........2002-11-16

If you call yourself a Christian and have not at least heard this CD, you are truly missing out on real worship and intimacy with Jesus. 100 Portraits and Waterdeep have been absolutely filled with the Holy Spirit in the creation of this album. The songs are truly God breathed, coming from Divine inspiration. This CD will change your life! I cannot even begin to choose a favorite song...every single one is awesome! If you are really wanting to experience God in a way you never have before...get this CD! I recommend listening to it in your room alone; just let the words sing to your heart and you will have one of the greatest times in worship with our awesome Father. Just let God come and meet you half way....He wants to speak to you through this album!

Get ready to be inspired.......2002-02-27

I was so inspired by this album; the music, the emotion, the honesty and the simpleness of the rhythms and sounds. The instructions inside the jacket helped me to write many of my own songs. If you enjoy worshiping God, you'll enjoy this CD.

Average customer rating: damn Horribly overlooked classic Another G Funk Gem...By Who? G-Funk Classic "...this is what the locals sit back and rap to..."

Conversation Twinz Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Soul | R&B | Styles | Music General | Funk | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music West Coast | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Off Parole True Game Take a Ride All Day Everyday Dogg Food ASIN: B0000024KD Release Date: 1995-08-22

Tracks:

1. Conversation Number One
2. Round And Round
3. Good Times
4. 4 Eyes 2 Heads
5. Jump Ta This
6. Eastside LB
7. Sorry I Kept You
8. Conversation Number Two
9. Journey Wit Me
10. Hollywood
11. First Round Draft Pick
12. Conversation Number Three
13. Don't Get It Twisted ( Featuring New Birth )
14. Pass It On

Amazon.com

Compton/Long Beach rap unfolds like a family tree: N.W.A. branches into Ice Cube, Eazy E, and Dr. Dre; Dre begets Snoop and Warren G; and, with Twinz, Warren brings on his own brood of disciples. But don't necessarily expect these follow-up acts to succeed by association. After all, Warren scored by asserting an identity completely apart from his big brother Dre. In fact, the Twinz' Conversation barely steps out of the shadow cast by Warren's smooth G-Funk/Long Beach flow. The Twinz--identical sibs Deon (Trip Locc) and Dewayne (Wayniac) Williams--rip through Conversation with muscular rhyme skills, though their best material rides on the more subtle waves created by Warren G's exquisite music production. "Hollywood," for instance, relies on a silky Chaka Khan interpolation and guest rap from female duo Five Footers (the real stars of Warren G's stable) to make it Conversation's standout track. --Roni Sarig

Customer Reviews:

damn.......2007-05-30

I didn't even know of this album until the 2000's.....too bad i missed it, but glad i caught it eventually. Got that classic laid back westcoast sound. Love this 1, burned myself 3-4 extra copies incase i bust the original....won't be able to find this again at Best Buy or anything. Good cut.

Horribly overlooked classic.......2006-04-07

The Twinz' "Conversation" is among the most overlooked G-Funk albums ever. Despite the fact that it helped to pioneer the genre, it also was one of the best of the genre ever recorded. It came soon after Warren G's "Regulate...G-Funk Era", and it's not a far throw from that album, as many of the elements that make that album so classic are present here. If you liked "Regulate...", which if you've heard it I can't imagine you don't, you'll definitely like "Conversation". Like on that album, Warren G produces and co-writes every song, and the same guest features of Lil' Malik, the Dove Shack, and Warren himself are present. Although "Conversation" doesn't have a single as great as "Regulate" or "This DJ", I prefer "Conversation" as a whole. The album flows better, is more consistent, and every track is as great as the next. Warren's production is among his best, with the pounding bass, woozy synths, funky guitars, and hard beats that we all know and love. Wayniac and Trip Locc are good on the mic, usually reminiscing over times and friends in their beloved Long Beach or telling of drug tales. "Conversation" is one of the best albums to come out of the mid-90s G-funk craze.

After the short intro, the album leads off with "Round and Round", featuring Nancy Fletcher, which sets the standard with the funky production, lyrics, and hook. "Good Times" is one of my favorites here, with the brothers reminiscing over their younger days and looking ahead, and the woozy beat is perfect. "4 Eyes 2 Heads" tells a gangster tale, and has a reggae influenced hook by Judah Ranks. "Jump to This", a party track, is another of my favorites, with its funk guitar and synth. "Eastside LB", featuring Warren G, is a classic, laidback joint representing their hometown. "Sorry I Kept You" is probably my favorite song on the album, where the Twinz lay back and rap of drugs, old times, and it has a great hook line and production. On "Journey With Me" is another very laidback and fun song. After the pretty good "Hollywood" comes the excellent "1st Round Draft Pick". The lyrics on this song are among the best, and the beat reminds me of A Tribe Called Quest's "Check the Rhime", believe it or not. "Don't Get it Twisted" has the best chorus, sung by New Birth, and the lyrics and beats don't disappoint. The album is ended by another great weed song, "Pass it On".

"Conversation" is one of the most consistent west coast G-funk albums ever recorded. It is completely laid back and fun, which is what the music always strived to achieve. Warren G's immaculate production and Wayniac and Trip Locc's lyricism combine for an excellent, amazingly consistent album that I highly recommend.

Another G Funk Gem...By Who?.......2006-01-08

Continuing on my mission to discover all that g funk has to offer, I came across "Conversation." With scores of more publicized 1995 g funk albums, it's a shame that the releases of more mainstream artists overshadowed this classic. It's just as worthy. With Warren G at the helm, Twinz--Deon (Trip Locc) and Dewayne (Wayniac) Williams--turned out 11 pure g funk tracks. With the G Child in charge, the lyrics aren't as hard as other artists, with little to no profanity. In addition, Warren G also wisely chooses his crooners, the glue that holds together the standout tracks on this album. They aren't as well-known as Nate Dogg, but they hold their own. Once again, with each song, the sounds make us think of palm trees, summertime, beaches and just crusin. The tracks are just so laid-back, and the Twinz make sure to rap just a bit louder than the melodies. The beats, as always, are the main attraction, but the lyrics are pretty good.

Conversation has one classic, "Journey With Me," which in my opinion is one of the best g funk songs of all time. The bass line is brilliant. Watch for the guitar at the beginning of the second verse. It sends chills down my spine every time I hear it. Throughout the album there are actually real instruments supplementing the rhythms: percussion, horns, guitars. This only adds to the quality of the album. With good speakers...wow! So multi-layered, commanding and overwhelming. Other memorable songs are "Eastside LB," which is nearly a classic. It's so melodic. To someone who says rap can't be beautiful, let them hear this. "Don't Get it Twisted" is another good one and "Hollywood," which has grown on me, is cool as well. The rest of the songs are okay, though I don't listen to them too often. They seem out of place in an album that has songs that are as good as the classics on Regulate, Doggystyle and The Chronic. The quality just drops down a few notches, for some reason. Warren G seems to go for something different in songs like "Jump to this" and "Pass it On," which are sort of party songs, though I couldn't see myself dancing to them. So what are they? It just doesn't work and the sound for these lesser songs sounds nearly the same. In fact, I usually think of the rest of these songs as one song. In addition, the male and female crooners (New Birth, Bo Rocc, etc... ) used in the good songs aren't utilized well, if it all.

All in all the album is memorable. There are 4 excellent songs on here. Nothing can take away from that. Even the ones I knocked aren't that bad. The Twinz should've come out with more albums. With more refinement and experience, I'm sure their next one would've been even better. Add this one to your g funk collection. Let their lone album live on.

G-Funk Classic.......2005-10-06

This album is crazy full of sweet G-Funk songs. Warren G helped Twinz do it perfectly with his G-Funk beats. And Twinz' rapping is addictive, too. This album should've been multi-platinum just like Warren G's "Regulate... G Funk Era" did. Because every song is classic!!!

1. Conversation #1

2. Round & Round (5/5) - 1st single. The bass line is so damn addictive and Nanci Fletcher's vocals are as great as Twinz' hot rapping.

3. Good Times (5/5) - Very melodical and good enough to close your eyes and reminisce about the good times.

4. 4 Eyes 2 Heads (5/5) - One and only gangsta track on this album. Hook is kinda catchy and the beat is crazy. Produced by Priest Brooks.

5. Jump Ta This (5/5) - Classic. The beat is so damn funky that even makes listeners nod your head to this.

6. Eastside LB (5/5) - One of the best tracks on this album. Even if you listen to this song all day, you'll never be bored.

7. Sorry I Kept You (5/5) - Crazy bass line. Quotes a line from Eric B. & Rakim's "My Melody" - "Times up, sorry I kept you."

8. Conversation #2

9. Journey Wit Me (5/5) - Very comfortable song. Especially Bo-Rocc's vocal is the highlight of this song.

10. Hollywood (5/5) - Da 5Footaz featured on it. The collaboration is so great and without saying, the beat it crazy.

11. 1st Round Draft Pick (4/5) - Great sample from Minnie Riperton's "Baby, This Love I Have". But if you're not deep into the G-Funk music, you won't be fond of this track.

12. Conversation #3

13. Don't Get It Twisted (Featuring New Birth) (5/5) - So crazy!!! New Birth's vocals go well with Twinz' rapping.

14. Pass It On (4/5) - Foesum featured on it! Every rapper on this song spit some must-listen-rhymes.

I'm Korean who's only 15 and recommending this G-Funk class to everyone. This album will make your ears hot.

"...this is what the locals sit back and rap to...".......2005-07-18

This album is a slept-on classic...not a masterpiece but a damn classic. Warren G's protege's Tripp Locc & Wayniac are blessed with (in my opinion) Warren's best production.

This is the definition of funky, laid back Cali-style Hip-Hop. I live in Toronto, therefore the east-coast & this is one of my favorite summer albums ever. Front to back, Warren & the Twinz teleport me to a loungin' Cali mindstate w/ every track. Everytime I'm coolin' out in the summer w/ some booze & weed I find myself puttin' this classic on. It also works as a great album for a backyard party/BBQ whatever, it's versatile and always a crowd pleaser.

The thing that makes this album so unique is the fact that all the amazing beats sound like something Snoop and/or the Dogg Pound would have the pleasure of rhyming over - however, the Twinz do every track justice and they keep it pretty clean w/ meaningful, insightful lyrics & themes. So it's like classic DPG sh*t, only not as dirty. Dope beats, dope MC's - an overall amazing album.

Bottom Line: Any fan of Snoop & the DPG will love this. Any fan of gettin' blunted and loungin' to a phat album will love this. This album is sadly slept-on and EVERYONE I play it for absolutely loves it. 5 stars (it's not a masterpiece, but I just love this album too much), Peace.

Rap Music:

1. Crown Royal [Clean]
2. Dead Flowerz [Explicit Lyrics]
3. Double Up
4. Dr. Octagonecologyst
5. Dust
6. Each & Every Day
7. Fear Itself
8. Fear Itself
9. Fresh, Wild, Fly & Bold
10. From the Hood to the Nation [Explicit Lyrics]

Rap Music

rap music

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