The F.A.M.(Far Away Mission)Compilation Vol.1 [Explicit Lyrics]

1. Intro(chu)

2. We Can't Be Stopped(chu,aspect,killa d)

3. Hold All Your Thoughts(lil jas,aspect,o.d.,lil rize)

4. Say Diamond(lil jas,o.d.)

5. You Can't Handle Us(aspect)

6. Me N Big Bro(lil lynn,aspect,big bro,chu)

7. Interlude(aspect,o.d.,c-note)

8. Smoke Wit Us(o.d.,aspect,killa d)

9. Back By THE F.A.M.(o.d.,lil jas,lil rize)

10. Holla At Your Boy(o.d.)

11. Columbian Coke(lil rize,o.d.,lil jas)

12. Either We Fall or Ball(chu,aspect,o.d.)

13. All My Real N***** N B******(aspect)

14. Ready To Rock(o.d.,lil rize)

15. Yo Why Greelen A Thug(lil rize,o.d.)

16. The Life We Live(killa d,chu)

17. Nationally Known(killa d,o.d.,aspect,lil rize)

18. NC Stylen(aspect,lil rize)

19. When I Close My Eyes(aspect,chu,killa d)

20. THE F.A.M.(the fam)

The F.A.M.(Far Away Mission)Compilation Vol.1,The F.A.M.

---

The F.A.M.(Far Away Mission)Compilation Vol.1 [Explicit Lyrics]

Average customer rating: spiritual americana Rich Heritage Superb Can't walk away from it! Mana from Heaven

American Angels Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Anonymous 4 | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Anonymous | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Gloryland Wolcum Yule: Celtic and British Songs and Carols - Anonymous 4 with Andrew Lawrence-King 1000: A Mass for the End of Time / Anonymous 4 A Portrait Of Anonymous 4 The Origin of Fire: Music and Visions of Hildegard von Bingen ASIN: B0001ADB4Q Release Date: 2004-02-10

Tracks:

1. Holy Manna
2. Abbeville
3. Wondrous Love
4. Sweet Hour Of Prayer
5. Jewett
6. Dunlap's Creek
7. New Britain
8. The Morning Trumpet
9. Resignation
10. Poland
11. Wayfaring Stranger
12. Sweet By And By
13. Blooming Vale
14. Idumea (I)/Idumea (II)
15. Sweet Prospect
16. Shall We Gather At The River
17. Amanda
18. Invitation
19. Parting Hand
20. Angel Band

Amazon.com

This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert Levine

Customer Reviews:

spiritual americana.......2007-01-06

I have some of the older Anonymous 4 recordings which are more medieval
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!

Rich Heritage.......2006-10-11

Anonymous 4 consistently produces exquisite and authentically beautiful recordings and this one presents early American hymns in ways few groups can manage. Some tunes are highly recognizable while others are 'new' to me but a refreshing reminder of the singing heritage of religious societies in times past. For those who enjoy old hymns and authentic renderings, this is a must buy.

Superb .......2006-08-07

This collection of American Christian music is not only an enthralling musical experience but a spiritually uplifting one as well. Anonymous Four have transferred their luminous vocal quality to a new space with perfect success.

Can't walk away from it!.......2006-08-07

My only "complaint" about the CD is that I absolutely HAVE to sit and listen to the entire thing whenever I start it up! I usually have music playing in the background while doing other things, but not this one! There are no tracks that I find myself wanting to skip over as in most collections. In fact, I usually find myself going back and listening to selected tracks again (and again and...) after taking the hour+ to listen to the whole thing through once.

These four ladies produce a unique and remarkable sound. I can't recommend it enough.

Mana from Heaven.......2006-05-08

I think the title of this CD is perfect. I first heard an interview for this CD on Public Radio and fell in love. I had never heard Anonymous 4 before then but look for all I can find of their music now. The title is perfect as the women sound like Angels and the music lifts the spirit. I find myself singing the old version of Amazing Grace all the time now. Incredible and a huge blessing to all who hear it.

Average customer rating: The classic Maynard album Maynard Ferguson - Live at Jimmy's Pilates4me Finally! At last, this epic perfomance is on CD.

M.F Horn 4 & 5 - Live at Jimmy's Maynard Ferguson Manufacturer: Wounded Bird Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music General | Live Albums | Jazz | Styles | Music Similar Items: M.F. Horn 3 M.F.Horn 2 & The Ballad Style of Maynard Ferguson M.F. Horn 2 Wow! The Formative Years M.F. Horn, Vol. 1 ASIN: B000LRZ052 Release Date: 2007-02-27

Tracks:

1. Teonova
2. MacArthur Park
3. Left Bank Express
4. I'm Gettin' Sentimental Over You
5. Two for Otis
6. Stay Loose with Bruce
7. Nice 'N Juicy
8. Fox Hunt
9. Got the Spirit
10. Blue Birdland

Album Description

This 1974 release from this legendary Jazz trumpeter, reached #40 on The Billboard Jazz Albums chart. This was originally a two record set, now contained on a single disc. The best of his Jazz-oriented recordings for the Columbia label, Live At Jimmy's features Ferguson ably assisted bay Lin Biviano, Andy MacIntish, Ferdinand Povel, Pete Jackson and Bruce Johnstone. Wounded Bird. 2007.

Customer Reviews:

The classic Maynard album.......2007-05-16

As this album influenced my jazz tastes through junior high and high school, and into college, I spent countless hours listening to these tunes. Through 30-plus years, I've worn out three of the original albums and at least six tapes before this CD was released. To sit with headphones on and listen to the live atmosphere from Jimmy's takes me to the days of live concerts where high school and collegiate jazzers would sit in awe of the Master's stratospheric work, and the interaction of the musicians. All of the charts are outstanding, including the classic McArthur Park. Nice and Juicy is a fun chart, the Fox Hunt just kicks and Got the Spirit is the perfect closing for a great set.
Perhaps the best words for this album were uttered by Maynard himself as the band played "Blue Birdland" at the conclusion of the album: "I hope we get one hell of an album out of this."
You surely did, Mr. Ferguson, you surely did.

Maynard Ferguson - Live at Jimmy's.......2007-05-12

This is Maynard's greatest live album and possibly his best album period.

Pilates4me.......2007-04-13

This is such an incredible cd. I feel it's one of his best. I've been waiting for a long time for it to be put on cd and so happy that it finally has been. Worth every penny! I listened to the record(aging myself!) growing up and could listen to this everyday for the rest of my life! Got the Spirit is a song that inspired me to play the sax! There's none better than it!

Finally!.......2007-04-11

My records (yeah, remember those?) were stored for a couple of decades, so I was thrilled to unpack them 2 years ago. The first ones out of the box were MF Horn 4&5. It was a fantastic experience and brought tears to my eyes, even through the crackles, pops and distortion caused by what was probably thousands of playings.

Going through my collection, I found this set was THE most worn out of ALL the MF recordings I had (Chameleon, MF2, etc) which says alot about the quality of the recording, the music selection and my preference for live vs studio.

I was really excited to learn this was coming out on CD so I could finally hear a clean version. After waiting an extra couple of weeks beyond the initial promised shipping date, then another 2 weeks of being away from home, I finally got my hands on it yesterday. Whoohooo! It played all day yesterday in my office and on the way home from work.

I agree wholeheartedly with the other reviews, that this is a recording for the ages and would even suggest that, from a layman's point of view, if you have room for 1 MF album, this is the one. He gives Teo Macera credit for recording it ON THE STREET IN A MOBILE VAN, for cryin' out loud, so the quality of the sound is even more amazing. This was no over-miked, multi-take recording with the applause superimposed, but a "you are there" snapshot of a master at work with one of the tightest and most talented bands he ever had backing him up.

I was fortunate to go to the tribute concert held after his death last year in St Louis where alumni from his band rotated through (soon to be on DVD- don't miss that one!). Many of the musicians on this album were there and THAT will be one I watch for.

In life, all we ultimately leave behind is our legacy and he left one of love, teaching and incredible but humble talent.

RIP Maynard, they broke the mold after they made you.

At last, this epic perfomance is on CD........2007-04-09

I wholeheartily concur with the other reviewers. This is Maynard Ferguson and his band at their best. After listening to the CD, I'm even more impressed with the recording quality of this live album. It is a better than most of the live jazz recordings made today -- more than thirty years
later.

I've had the original record since it came out when I was in high school.
Maynard and his band were a huge influence on my friends and me. Several
of my classmates went on to be professional horn players. For me, Maynard
helped spark a lifelong appreciation of jazz and particulary big bands.

Sidenote: What became of Bruce Johnston? I think his bari solos on this
recording are some of my favorites of all time.

Average customer rating: lovely music, but . . . . . Anna Magdalena Notebook-- a treasure trove of Baroque music Music for Bach's Katy Charming and beautiful Bach's wifes' collection of her favorite pieces

Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan Lorraine Hunt , and Nicholas McGegan Manufacturer: Harmonia Mundi Classical Express ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Musettes | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Hasse | Hasse, Johann Adolf | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Classical | Imports | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Carl Philipp Emman. | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Hasse, Johann Adolf | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Bach: Cantatas BWV 82 and 199 Lorraine Hunt Lieberson: Handel Arias Lorraine Hunt - Handel Arias Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto Peter Lieberson: Neruda Songs ASIN: B000056F7M Release Date: 2001-03-13

Tracks:

1. Allemande
2. Courante
3. Sarabande
4. Minuet I & II
5. Gigue
6. Aria: 'Bist Du Bei Mir', BWV 508 Stl - Lorraine Hung Lieberson
7. Aria: 'Willst Du Mein Herz Mir Schenken', BWV 518 - Lorraine Hung Lieberson
8. Solo Per Il Cembalo
9. Polonaise In G Minor
10. March In D Major
11. March In E Flat Major
12. Rondeau In B Flat Major
13. Chorale: 'Wer Nur Den Lieben Gott Lasst Walten', BWV 691
14. 'Goldberg' Variations: Aria, BWV 988
15. Recitative: 'Ich Habe Genug', BWV 82 - Lorraine Hung Lieberson
16. Aria: 'Schlummert Ein', BWV 82 - Lorraine Hung Lieberson
17. Aria: 'Gedenke Doch, Mein Geist', BWV 509 - Lorraine Hung Lieberson
18. Allemande
19. Courante
20. Sarabande
21. Prelude No. 1 In C Major, BWV 846
22. Polonaise In G Major
23. Polonaise In D Minor
24. Polonaise In G Minor
25. Polonaise In F Major
26. Two Minuets
27. Musette In A Major
28. 'Menuet Fait Par M. Bohm'
29. Minuet In G Major

Customer Reviews:

lovely music, but . . . . ........2007-07-03

No one doubts that Bach's music is beautiful, and so many of the pieces in this album, favorites of his second wife, are lovely. Here are my objection. First of all, nowhere on the outside of this CD does this indicate that these are only *highlights* of the Anna Magdelena notebook. Furthermore, many of the tracks (from French Suites #1 & #2, from the Well-Tempered Clavier, from the Goldberg Variations) are pieces I already own in high quality recording by virtuosi. This CD does not limit itself, say, to pieces that Bach composed originally for this collection; in other words, there is nothing scholarly about the pieces that were chosen for these highlights. Rather, it is essentially selling a "Bach's Greatest Hits" kind of CD under a more respectable name. For those whose classical collections consist primarily of "Greatest Hits" collections of various composers, you might as well toss in this CD. For the discriminating collector, though, interested in collecting serious works by Bach, this CD is entirely unworthy.

Anna Magdalena Notebook-- a treasure trove of Baroque music.......2006-03-20

This is music for contemplating number and time and not realize you are doing that. These pieces from Anna Magdalena Bach's notebook are a significant part of the history of western culture, and the music is brilliant, lucid, and passionate. Just as, I suppose, Bach's wife was. Played on harpsichord and clavichord, the work-- not all by Bach-- seems rigourously, mysteriously modern, and the anonymous "Musette in A Major" one could even say had in it the roots of ragtime piano. Last but not least, it's quite possible that Lorraine Hunt Lieberson can never be less than sublime.

Music for Bach's Katy.......2005-03-31

Luther had his Katy who supported him and the Reformation magnificently and faithfully. Bach who was real student and follower of Luther's, had his second wife, Anna Magdalena who was so much for him and his family and music.

Here great notebook of the music she enjoyed immensely so we can as well.

Especially fond of harpsichord music, this has marvelous selection of that, but fond of Rondeau in B-flat major. Minuet in G major is one of my favorites. New to me are the Arias, especially "Bist du bei mir" and ""Ich habe genug". If you're not conversant in German, do go on the website the liner notes provides and get the translation in English for these are marvelous testimonies of their faith in words and song.

Charming and beautiful.......2004-12-13

This CD is a collection of music from the notebook of Bach's wife, who was a singer. It includes dances, arias and other favorite songs. Most of the pieces range from peppy little dance tunes(like Musette in A Major) to delicate baroque airs (like Prelude no.1), all played on the harpsichord, clavichord or cello. The pieces that really stand out are the arias, sung beautifully by Lorraine Hunt Lieberson in German. Most are religious, but there is one that is a nice love song "Willst du mein Herz mir schenken." The website on the back of the liner notes has the lyrics for the arias and they are worth reading. Besides the fact that this is good music, it also provides interesting insight into Bach's life and family and the liner notes have some interesting information about Anna and her notebook. This is a charming collection of music that is a great and cheap addition to any classical music collection.

Bach's wifes' collection of her favorite pieces.......2001-06-10

Yes Music of JS Bach chosen by his wife who was a singer. This collection is a lovely and beautifully performed collection of harpicord and intimate pieces that were Anna's most cherished favorites composed by her husband. What a lovely addition to any chamber music lovers collection. It affords not only wonderful selections but a rare window into the behind the scenes aspect of Bachs life and the commanding role music played in his and his family's life. The performances range from delicate to sublime and are beautifully recorded. It is an amazing bargin to have such an esoteric collection of Bachs' work so well done and so cheap. My god run and get the whole series; I have and when I want a perfect day I just pile them in my CD and press the forward button. The result is a day of glorious music on a scale to be both background as well as a breathtakingly elegant listening experience.

Average customer rating: Strange pairing, but well worth having MF Horn 2 & The Ballad Style of Maynard Ferguson Nobody does it better MF2 / Ballad Style Go to the source

M.F.Horn 2 & The Ballad Style of Maynard Ferguson Maynard Ferguson Manufacturer: Dutton Vocalion UK ProductGroup: Music Binding: Audio CD Canada | North America | International | Styles | Music General | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music Jazz | Imports | Stores | Music Similar Items: M.F. Horn, Vol. 1 M.F Horn 4 & 5 - Live at Jimmy's M.F. Horn 3 Maynard Ferguson Wow! The Formative Years ASIN: B000FOQHFI Release Date: 2006-09-12

Tracks:

1. Give It One
2. Country Road
3. Theme From 'Shaft'
4. The Summer Knows
5. Mother
6. Spinning Wheel
7. Free Wheeler
8. Hey Jude
9. Born Free
10. Girl Talk
11. If He Walked Into My Life
12. The Fool On The Hill
13. The Impossible Dream
14. Somewhere
15. Maria
16. As Long As He Needs Me
17. Hushabye Mountain
18. The Sound Of Silence
19. You Only Live Twice

Customer Reviews:

Strange pairing, but well worth having.......2007-07-09

Other than the fact that the two albums on this CD were recorded in the same era of Maynard's career (just three years apart), they have nothing in common, so they make a strange pair for this re-issue. Still, they represent two sides of Maynard's playing that all of his fans should be exposed to.
M.F. Horn 2 really turned the corner for Maynard's wider appeal to a younger 1970s-era audience. He used much of this material in concert appearances for years to come. As someone who attended many of those concerts, I can confirm that "Give It One" is an exciting way to open a concert, and the track belongs on every MF playlist. "Country Road," "Theme from Shaft," and "Spinning Wheel" became popular arrangements for high school and college jazz ensembles with high aspirations and a desire to pay homage to MF. Some reviewers have given high praise to the album's version of "Hey Jude," but personally, I never cared much for this tune, even for the Beatles' original version. The real magic of Maynard's rendition can only be duplicated in concert, where the whole trumpet section would move out into the audience and scream the repeated chorus like Maynard clones in the midst of the frenzied crowd.
And now for something completely different: The Ballad Style. Many jazz artists of that era did "easy listening" albums in a attempt to broaden their audience and sell more records. Fortunately, Maynard was among those who could flourish in this setting as well. Some things are a bit over the top (such as the intro to the opening track "Born Free"), but Maynard fans may find this endearing even if the uninitiated find it tasteless. But the man was capable of great beauty as well. Check out "If He Walked Into My Life," "The Impossible Dream," "As Long As He Needs Me," "Somewhere," and "Maria." (Essentially the same arrangement of "Maria," written for big band instead of orchestra, appears on the Two Big Bands CD. I prefer that recording of this tune.) There's even a pretty respectable arrangement of the James Bond theme "You Only Live Twice." I must admit, however, that it seems odd, even humorous, to contemplate Maynard playing tunes with names like "Hushabye Mountain" and "The Sound of Silence." Think about it.
For those who like variety in their Maynard assortment, this CD is a good deal.

MF Horn 2 & The Ballad Style of Maynard Ferguson.......2007-05-07

M.F.Horn 2 has better sound quality than the orginal album and is still a fantastic big band jazz "gots to have" selection. The Ballad collection is a treat and is great to share with young up and coming band members. An excellent purchase.

Nobody does it better.......2007-03-28

Maynard, you are the best of the best. A true gigster. A man born to play that horn. What a gift! Wow!

MF2 / Ballad Style.......2007-03-16

I have to reluctantly agree with other reviewers that this collection is not the best representation of Ferguson's work. While those of us that grew up listening to MF2 have a sentimental attachment to it, it is firmly a product of its time. Only two of the eight cuts are original compositions and, in my opinion, they have aged better than the other six covers of pop tunes of the day. For those unfamiliar with Ferguson's early 70's work, the first MF Horn album, or the MF 3/4/5 collection would be a better starting point. For those looking for first introduction to Maynard, his 1950's recordings are recommended, such as: "Wow - The Formative Years", "Verve Jazz Masters 52", the Birdland Dreamband CDs or any of the things he did with Kenton.

But unlike some other reviewers, I would suggest that the "Ballad Style" half of the CD is, in some ways, more interesting than MF2. Ferguson rarely recorded with strings and it's nice to hear him in a large ensemble context. While the MF Horn albums stayed in print well into the 80s, the Ballad Style album apparently came and went fairly quickly and may represent previously unheard material even to those who followed Maynard closely. That being said, with the exception of the two fairly good West Side Story cuts (which he also recorded on other albums with different arrangements), the song selection is tepid late-60's pop or show tunes and Maynard does not seem terribly comfortable with the material or the orchestrations. But it can be very interesting and instructive to hear how a performer deals with adversity and those with a deep interest in Maynard should definitely hear these tracks, at least once.

The sound quality of MF2 is pretty good, and although I don't know how it compares with the Wounded Bird CD of the same material, it's on par with the vinyl versions in my closet. On the other hand, the sound quality of the "Ballad Style" cuts is cloudy, although it's hard to know whether that is because of the quality of the original recordings (probable), the condition of the master tapes (that probably sat untouched for 35 years), or the decisions of the mastering engineer (unlikely).

A comment was made about a mastering problem with a few seconds cut off the beginning of "Country Road". It's an amorphous improvised electric piano introduction and unless you are intimately familiar with the cut as it was originally released, you probably won't notice the missing seconds.

Go to the source.......2007-02-11

Sorry Amazon, but get MF Horn2 ONLY directly from wounded Bird for ten bucks...

Average customer rating: Beware - this is NOT the right version! Disc one is great....disc two doesn't exist...beware Hauntingly Beautiful Vive Savall and M. Sainte Colombe French Baroque Performed by The Absolute Master of the Viola Da Gamba

Tous Les Matins du Monde/Dix Ans Apres Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande General | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Marais | Marais, Marin | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Classical | Imports | Stores | Music Soundtracks | Imports | Stores | Music Similar Items: All the Mornings of the World (Tous les matins du monde) Two-Disc Edition Marin Marais · Sainte-Colombe ~ The Greatest Masterworks / Spectre de la Rose La Folia, 1490-1701 Marin Marais: Pièces de Viole du Second Livre, 1701 Villancicos y Danzas Criollas ASIN: B00005S0MD Release Date: 2002-03-12

Tracks:

1. Marche pour la ceremonie des Tures (Jean-Baptiste Lully)
2. Improvisations sur les folies d'Espagne (Marin Marais) - extraits
3. Prelude pour Mr. Vauquelin (Improvisation d'apres le Prelude en Sol mineur de Mr. de Sainte Colombe le fils)
4. Gavotte du Tendre (Mr. de Sainte Colombe)
5. Une jeune fillette (melodie populaire- arranged by Jordi Savall)
6. Les Pleurs (Mr. de Sainte Colombe) - solo version by Jordi Savall
7. Concert a deux violes " Le Retour" (Mr. de Sainte Colombe)
8. La Reveuse (Marin Marais) 4th book of Pieces de viole
9. Troisieme Lecon de Tenebres a 2 voix (Francois Couperin)
10. L'Arabesque (Marin Marais) 4th book of Pieces de viole
11. Fantaisie en Mi mineur (arranged by J. Savall d'apres Mr. de Sainte Colombe le fils)
12. Le Pleurs (Mr. de Sainte Colombe) version for 2 viols
13. Le Badinage (Marin Marais) 4th book of Pieces de viole
14. Tombeau pour Mr. de Sainte Colombe (Marin Marais)
15. Muzettes I-II (Marin Marais) 3rd book of Pieces de viole
16. Sonnerie de Ste. Genevieve du Mont-de- Paris (Marin Marais)

Album Details

The Original Motion Picture Soundtrack to the Film by Jordi Savall.

Customer Reviews:

Beware - this is NOT the right version!.......2007-07-07

This is a fantastic CD and all, but as of July '07, what they're shipping is not the "10 Years After" (Dix Ans Apres) version, which includes a bonus disc and has all 33 pieces listed on this page. I got a single 16-song disc, the same one I bought 3 or 4 years ago. Buyer beware.

Disc one is great....disc two doesn't exist...beware.......2007-07-05

I have the original 16-track version of this recording and couldn't agree more with the glowing comments left by others. However, this listing is somewhat misleading as the reviews mention that it is a newer release with a bonus disc containing 17 extra tracks. Since other reviews and the Alia Vox website itself mention that such a thing exists, I went ahead and ordered it, only to receive the same single disc version I already had. Amazon tells me the double one isn't available, so beware.

It's still great music though.

Hauntingly Beautiful.......2006-06-11

I was introduced to this utterly, utterly gorgeous soundtrack via a "friend of a friend", to whom I am eternally grateful. I listened to this on cassette tape too many times to count. The music is hauntingly beautiful and atmospheric, dark and moody, tragic and deep. This is music from the Baroque period but nothing like Bach, or Purcell, or Handel.

Vive Savall and M. Sainte Colombe .......2006-04-27

I saw the film and was enthralled by the portrayals of Sainte Colombe and Marin Marais. (Depardu was superb as always.) Some reviewers thought the film dull or tedious. I suppose in today's film culture where there is so much action without much substance there are those who would concur. I thought is was an excellent study of the characters and the music, which is rarity even in films about musicians.

French Baroque Performed by The Absolute Master of the Viola Da Gamba.......2005-10-09

In addition to French Baroque being generally and wrongly relegated to secondary status compared to Italian or German Baroque, there are probably less than 200 professional players who specialize in the viola da gamba as an instrument which was used mostly by French Baroque composers. Out of those few 200 performers, Jordi Savall is the undisputed master of his craft not only in performing French Baroque but really any Baroque piece for the viola da gamba. This soundtrack is a fine example on the diversity and depth of not only the viola's range but on works of various composers during the French Baroque period: especially the works of Marais and Sainte-Colombe. This album is also a great sample of the simply exemplary talent of Jordi Savall as a violist.

The double album primarily contains solos or duets for viola da gamba by Marais and Sainte-Colombe but has pieces by other contemporaries such as Lully. This album is a great sample of the variety of works and composers of the unique French Baroque tradition that continued to use the viola while other musical styles in Europe had virtually abandoned it for the cello. The viola da gamba has a lot more range, depth, and resonance than the cello and so the music is moodier and more contemplative than cello works such as Bach's magnificent cello suites. Solo music for viola from the French Baroque also allows freer interpretation than conventional compositions for orchestra or other chamber pieces. The jewel in this album is Marais' haunting but divine Sonnerie de Ste-Genevieve in which the dynamics of the violas and violins are truly a spiritual voyage into one's soul; at points serenely docile to demonically ferocious as if phantasms both luring and forbidding the listener to follow. The intricate complexity and resonance of this exquisite piece makes it one of the most spiritually moving Baroque sonet variations I have ever heard and it's one of my personal favorites. Both Marais and Sainte-Colombe were probably the pinnacle of achievement in terms of expressive techniques for the viola da gamba during the French Baroque period while later contemporaries such as Forqueray and Couperin became more formulaic although no less accomplished.

Jordi Savall has many priceless performances apart from this soundtrack and he is really the only competent artist for both viola da gamba specifically and primarily all French Baroque interpretations. There are no other viola players who can even compare to Savall as they really sound as little else than amateurs in comparison to his applied skills and passion of playing. I strongly recommend for anyone looking for music for viola da gamba or really any French Baroque to buy Savall/Le Concert Des Nations' performances exclusively as there's simply nothing else to look for or find that's in his caliber. Apart from a few other performnances by groups such as Les Arts Florissants, I guarantee you that the performances of all others in this style will rise to no further than being mediocre at best such as Harncourt or even Koopman who often plays with Savall. Most other viola performers quickly descend to atrocious standards in comparison to those of Savall. Even though Savall's recordings tend to be on the more expensive side, he's worth every penny take my word for it: you won't regret it! What you will regret is having bought a mediocre viola peformance after you hear Savall's as the differences will be very significant.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: M. F. Horn A Maynard Milestone A Great Album, A Great Musician, A Great Person Alas, A Sensative Horn... ABOUT TIME is right!!!

M.F. Horn, Vol. 1 Maynard Ferguson Manufacturer: Wounded Bird Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music Similar Items: Maynard Ferguson M.F.Horn 2 & The Ballad Style of Maynard Ferguson Chameleon M.F Horn 4 & 5 - Live at Jimmy's Conquistador ASIN: B0009NSDL6 Release Date: 2005-06-21

Tracks:

1. Eli's Comin'
2. Ballad To Max
3. MacArthur Park
4. Chala Nata
5. If I Thought You'd Ever Change Your Mind
6. L-Dopa

Customer Reviews:

M. F. Horn.......2006-11-11

I've been listening to Maynard Ferguson since high school. It was a big part of my H.S. Band experience. I want to purchase M.F. Horn 2 when it is released on CD. In the past they put out a double cassette called MF Horn I&II. I want this on CD. The sound quality is good. It's on my IPOD already.

A Maynard Milestone.......2006-09-18

At this late date it is hard to convey the impact this album had on a generation of mostly high school age musicians and fans who were hereto introduced to big band jazz.

Not only were we seduced by the jazz virtuosity demonstrated on the recognizable pop covers here (Mac. Park and Eli's Comin)but the screaming brass intensity and jazz excitement demonstrated on the other original pieces (L-Dopa)rivaled the hormonal satisfaction many had only experienced from progressive rock heroes of the day. The fact that this sound was produced with instrumentation many of us could only struggle with in school music programs sealed the deal.

The unexpected commercial success of this groove allowed the veteran Ferguson to continue with number of successive recordings on Columbia, culminating with a top 40 hit with the cover of the "Rocky" theme, Gonna Fly Now. At that point, the marketing people at Columbia Records got all the wrong signals and helped to run the trumpet virtuoso's reputation into the ground with a series of forgettable efforts based on jazz/disco/pop covers of well known themes. His image in the jazz world never fully recovered; his early work with Stan Kenton and his own substantive recordings of the 50s and early 60s were almost totally forgotten by critics and purists.

Fortunately, Maynard's creativity, personality and loyal fan base rebounded with him on other labels, most notably Concord Records through the 90's with a number of hard bop 'small' big band recordings that yielded steady concert bookings through the end of his life.

Ferguson's early associations with other jazz greats encouraged many fans with curiosity to experience most of the post-swing era mainstream jazz world and, to a considerable extent for this 'student musician' demographic, unravelled what rock and roll had done to popular musical taste.

Quite a contribution to the American art form, I'd say; and from a Canadian, no less.

A Great Album, A Great Musician, A Great Person.......2006-08-25

Maynard Ferguson passed away just a few days ago. A sad day for jazz, he was probably one of the last of the old jazz greats. I'm so glad that I was able to take the family to see him live - front row center, it was a great experience. When I was in high school in the 70s he and his band played at our auditorium, our high school jazz band opened for him. Prior to the show he and his band sat in with us for our rehearsal and it was one of those experiences I'll never forgot. He was not only a great musician, he was a very fine person.

I've been looking for this album on CD for years. On hearing the news I pulled out some of my old albums for a listen. MF Horn has always been a real favorite. I've about worn it out. Today I thought I'd check again and it's available! I will be buying it. So should you.

It has a mood to it that always leaves me feeling real good. The musicianship is great across the board. The various pieces all work together. There's no need to explain the particulars of each song. This is simply a great, great recording. Get this, get it now.

I just hope CDs don't wear out because I'll be playing this one a lot.

Alas, A Sensative Horn..........2006-05-31

Ballad to Max has to be one of, if not the most, beautiful thing Maynard Ferguson has ever recorded. His Flugelhorn is flawless and absolutely "liquid". The rest of the album is straight ahead for the times when this was made over in Europe, but the Ballad (mentioned) is easily worth the price of the album if ever you put a horn to your mouth. This is the ultimate phrasing and one of a kind sound. Others play just as high, but not just as well nor as musical as Maynard does up there. At an age approaching 80, his double high C is still as big as a Buick. He remains, after these six plus decades, entirely in a class by himself.

ABOUT TIME is right!!!.......2006-05-01

Anyone who grew up with the sounds of Maynard doesn't need to read these reviews. MF Horn is awsome. Several years ago I bought a high end album-to-digital-CD converter just to hear these tunes again, but since I listened to them so often back in the days, the conversions carry the scratches of the vinyl medium. Cant wait for MF II, and (can we hope) live a Jimmy's???

Average customer rating: very romantic to make love by Great Mood Music

Most Romantic Classical Music in the Universe Gabriel Faure , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Fryderyk Chopin , Franz Liszt , Erik Satie , Robert Schumann , Antonin Dvorak , Gustav Mahler , Sergey Rachmaninov , Leos Janacek , Cesar Franck , George Frideric Handel , Jules Massenet , Sergey Prokofiev , Catalan Traditional , and Various Artists Manufacturer: Denon Records ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Janácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Bagatelles | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: More of the Most Romantic Classical Music in the Universe The Most Relaxing Classical Music in the Universe More Of The Most Relaxing Classical Music In The Universe The Most Relaxing Classical Album in the World...Ever! The Most Relaxing Classical Album In the World Ever, Volume II ASIN: B00011V890 Release Date: 2004-01-13

Tracks:

1. BIZET Aragonaise from Carmen
2. DEBUSSY Clair de Lune
3. SAINT-SAS The Swan
4. BEETHOVEN Moonlight Sonata, Adagio
5. TARREGA Recuerdos
6. FAURE Aprun rrie
7. ,MENDELSSOHN Song without Words Op. 19 #6
8. TCHAIKOVSKY Serenade for Strings, Elegia, Larghetto elegaico
9. CHOPIN Ballade No. 1
10. LISZT Liebestraume
11. SATIE Gymnopedies No. 1
12. SCHUMANN Abendlied
13. MENDELSSOHN Song without Words Op. 62 #5
14. DVORAK Serenade for Strings, Larghetto
15. BEETHOVEN Fse

Tracks:

1. MAHLER Symphony No. 5, Adagietto
2. RACHMANINOFF Piano Concerto No. 2, Adagio
3. JANACEK Idyll for Strings, Adagio
4. FRANCK Violin Sonata, Recitativo-Fantasia
5. HANDEL Largo from Xerxes
6. CHOPIN Etude in E Major
7. TCHAIKOVSKY Swan Lake (excerpt)
8. MASSENET Meditation from "Tha
9. PROKOFIEV Romeo & Juliet
10. TRADITIONAL Nocturne in F
11. TCHAIKOVSKY Nocturne in F
12. RACHMANINOFF Prelude

Customer Reviews:

very romantic to make love by.......2007-06-11

The music is seductive and promotes an atmosphere of feeling uninhibited when you are making love.

Great Mood Music.......2006-08-11

This is a great CD to compliment any romantic situation. A meal by candle light, champagne on the veranda, or a Jacuzzi for two! Very soothing.

Average customer rating: Glad They Were Found ! It's Not Enough ! L.A.M.F.--It's Not Enough! i shoulda been rich... Johnny Thunders&The Heartbreakers - 'L.A.M.F.:The Lost '77 Mixes' (Freud-Jungle) Second Review

L.A.M.F.: The Lost '77 Mixes Johnny Thunders & the Heartbreakers Manufacturer: Freud-Jungle Full ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Punk | Hardcore & Punk | Alternative Rock | Styles | Music American Punk | Hardcore & Punk | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Rock | Imports | Stores | Music Similar Items: New York Dolls Hard Night's Day Johnny Thunders: In Cold Blood Too Much Too Soon All Dolled Up ASIN: B00007MFGI Release Date: 2003-03-03

Tracks:

1. Born to Lose
2. Baby Talk
3. All by Myself
4. I Wanna Be Loved
5. It's Not Enough
6. Chinese Rocks
7. Get off the Phone
8. Pirate Love
9. One Track Mind
10. I Love You
11. Going Steady
12. Let Go
13. Can't Keep My Eyes on You
14. Do You Love Me

Album Description

2002 reissue of classic 1977 album includes a bonus video, 'Chinese Rocks', & a bonus disc, 'Alternative L.A.M.F.', featuring 16 previously unreleased alternate mixes, demos & rehearsals including, 'Born Too Loose', 'Chinese Rocks', 'Let Go', 'Goin' Steady' (Instr.), 'Baby Talk' (Instr.), 'Pirate Love' (Instr.), 'Born To Lose' (Instr.), 'Chinese Rocks' (Instr.), 'Do You Love Me', 'Can't Keep My Eyes On You', 'Get Off The Phone', 'All By Myself', 'It's Not Enough', 'One Track Mind', 'Too Much Junkie Business', & 'London Boys'. Packaging includes a 24-page booklet with complete lyrics, song comments by Walter Lure, & slipcase. Jungle Records.

Album Details

Includes a 24 Page Booklet and a Bonus CD.

Customer Reviews:

Glad They Were Found ! It's Not Enough !.......2007-03-15

I LOVE THIS CD !!!! Such a GREAT addition to my collection, especially with such lack of this sound these days!
Unfortunately...I did not appreciate their music "back in the day."
I had many opportunites to see them,living in NYC in the late 70's - late 80's. Soooo glad they found these lost mixes! I repent!
A MUST OWN for anyone that appreciates raw, classic, gritty rock + roll.
This collection should be held in the highest regard,along with the other classics like The Stones, Yardbirds, The Seeds, The Kinks, + The Ramones.
Johnny Thunder's guitar solo + vocals on It's Not Enough...WOW!!! Reminds me of The Stones, Child of the Moon, but BETTER! He really "goes out" + gives his all. GREAT piece of Rock + Roll with JT's emotions on his sleeve! It's bone chilling!
Chinese Rocks, Born to Lose, + Do You Love Me are rare treats for those who love the "old sound rock + roll."
These classics can NEVER be duplicated, + are so impotant for anyone who appreciates only the finest !
J.T. + Heartbreakers will never again be lost to me!
I hope many people discover this CD.
Written In Loving Memory of Johnny Thunders + band.

L.A.M.F.--It's Not Enough!.......2007-03-01

Up from the red-leather remains of the New York Dolls rose the Heartbreakers, founded by ex-Dolls guitarist Johnny Thunders (né Genzale) and handsome-devil drummer Jerry Nolan in 1975. Leaving their former band members in Florida with some guy named McLaren so they could score smack back in the Big Apple, Johnny and Jerry tapped proto-punk poster-boy Richard Hell for their new ensemble. CBGBs and Max's Kansas City were their battlefields and they were an integral part of this febrile, fertile spawning ground. You know the litany of names: the Ramones, Television, Blondie, Talking Heads, etc. etc. Though Hell froze up and departed, the Heartbreakers, eventually released only one album, the sonically-challenged "L.A.M.F." in 1977. This recent mix, from re-discovered tapes, sounds wonderful, less muddy, and all sleaze.

What makes the Heartbreakers great is simplicity. They reduced twenty years of rock and pop and rhythm and blues into 3 minute rave-ups that always leave the listener wanting more. Johnny's guitar-slinging rings true, always teetering on the edge of collapse: it's chaotic and exhilarating. Blistering leads, solos that sound like a strangling cat, chugging rhythms like the subway trains roaring beneath the city streets.

Songs like "Get Off the Phone," "Going Steady," "Baby Talk," and "Let Go" are trashy rock'n'roll rave-ups, with all the requisite elements: catchy choruses, sleazy good-time lyrics (the ones that make sense, anyway; Johnny weren't no English perfessor), driving drums, and immediate gratification. A song like "One Track Mind" is a beautiful thing, all irresistible chorus and air-guitar glory. "It's Not Enough": is a reflective ballad-sorta thing, with Johnny lamenting how "You can give me this/You can give me that" but it's not enough. Man it's good! "Pirate Love" exists only for the dual-guitar solo that rivals anything the Dolls ever laid down.

Then there are the classics, the signature tunes that no Johnny Thunders performance was complete without: "Born to Lose," (or, alternately "Born Too Loose") which opens the album: with some out-of-tune guitar whines, and the lyrics reveals again just what a poet of the streets Johnny was: "Nothin' to do/Oh nothin' to say/Only one thing that I want/It's the only way/I said hit it!/Baby I was born to lose."

"Chinese Rocks" is perhaps Thunders' most famous song even though it was written by fellow junkster Dee Dee Ramone. Anyone unsure as to what the song refers can be sure, it ain't nothing like Pop Rocks.

"The plaster's fallin off the walls
My girlfriend's cryin in the shower stall
It's hot as a bitch
I shoulda been rich
But I'm just diggin a Chinese ditch
I'm livin on Chinese rocks
All my best things are in hock
I'm livin on Chinese rocks
Everything is in the pawn shop"

These songs depict the downside of downtown and how the jungle could eat you alive. Johnny's status as a stylish, decadent loser who strutted those mean streets is legendary. As Wayne Kramer (MC5) said of Johnny: "He could snatch defeat from the jaws of victory."

The Heartbreakers weren't really a punk band, even though they rounded out the legendary Anarchy tour of the UK in late '76 with a couple bands you mighta heard of, the Sex Pistols and the Clash. Rumor has it--actually, it's more than rumor, it's fact--that the Heartbreakers introduced heroin to the much younger and more naive UK punks, and Nancy Spungen went looking for Jerry Nolan and followed them there. You know what happened after that.

The band was never able to secure a record deal with an American label due to their, uh, extracurricular activities, so eventually they broke up. Johnny would put out a decidedly mixed solo album a year later ("So Alone") and continue to travel the world as a performer. Shows were plagued by his drug use, his attitude, his poor guitar-playing. I never got to see him perform, and odds are that if I had, I'd've seen a shambles of a set. Although a friend saw him in the mid-80s and remembers the acoustic set Johnny did as particularly entertaining. In April of 1991 Johnny Thunders was hauled out of a grimy New Orleans hotel, his lifeless body doubled over from the effects of countless drugs. It's not enough, is it, Johnny? No, I guess it never is.

Well, all that don't matter. What does matter is that if you care about real rock'n'roll you need this album. It rocks like nothing else I know, but fits kinda between the Stones and the Replacements (whose "Johnny's Gonna Die" is an ode to Thunders), G'n'R, Hanoi Rocks, very early Crue and other hard rock of the '80s. Practically every hard-rock/glam/metal guitarist that tosses a mane of out-of-control hair with a sneer and screech copped it from Johnny (who of course copped it from Keith Richards, let's be honest here). Johnny deserves to be remembered for his single-minded rock tunes, his dedication to the rock'n'roll lifestyle, and also for one of the coolest rock "nom de guerres" ever--I mean, "Johnny Thunders" how cool is that?! Thanks Johnny Rock on RIP!

i shoulda been rich..........2007-02-06

This album was the eye opener for me in '77. These guys rocked it, and lived it, like nobody else's business. Walter's guitar style complimented Johnny's like they were twin brothers. And, it's fun to figure out who played what on which track, although Johnny (the musical genius) is almost always evident. What the world really needs is more bass and drums like Jerry and Billy played it. Simple, powerful, succinct. I was lucky enough to see The Heartbreakers live. They changed my life for the better.

Johnny Thunders&The Heartbreakers - 'L.A.M.F.:The Lost '77 Mixes' (Freud-Jungle).......2006-11-05

This is maybe the third Johnny Thunders CD I've ever heard.Certainly can see WHY there have been so numerous titles of his put out.The late New York Dolls guitarist can certainly give the fans what they want.Total of fourteen good old school All American tracks here to wet appetite with.Most impressive cuts are "Baby Talk","It's Not Enough",the very NY Dolls-ish "Pirate Love",the rocking "Let Go" and the Berry Gordy cover "Do You Love Me".Line-up:Johnny Thunders-guitar&vocals,Billy Rath-bass,Walter Lure-guitar&vocals and fellow Dolls alumni Jerry Nolan-drums.Do check it out.

Second Review.......2006-05-16

After giving this album a second run, I change my opinion. This is a pretty good album, and the newer mix brings it all together. And while I still believe that "So Alone" and the Dolls first album are superior, I've come to appreciate this album on its own terms. Better than most other punk. High level of musicianship on Johnny's part (no pun intended.)

Average customer rating: Mill. Classical review classical music for the unitiated Some little gems there that I had forgotten! A very helpful collection Excellent!

Classical Masterpieces of the Millennium [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music French Horn | Brass | Instruments | Classical | Styles | Music Trumpet | Brass | Instruments | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Similar Items: Rhapsody in Blue - Ultimate Piano Collection [20 CD Set] Masters of Classical Music (Box Set) Little Night Music - Ultimate Mozart Collection [20 CD Set] Rendezvous of Angels - Concert Collection [20 CD Set] Passion - Most Famous Orchestral Spectaculars [20 CD Set] ASIN: B00000K1C9 Release Date: 1999-08-24

Tracks:

1. Brandenbutg Concerto No.3 In G First Movement
2. Overture No.3 In D Second Movement
3. Violin Concerto In E First Movement
4. Prelude In C minor
5. Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
6. Overture No.2 In B minor Minuet And Badinerie
7. Oboe Concerto In D minor Second Movement
8. Brandenburg Concerto No.4 In G Third Movement
9. Musical Offering - Fuga canonica
10. Easter Oratorio - Overture
11. Minuet In D minor
12. Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
13. Brandenburg Concerto No.1 In F Second Movement
14. Art Of The Fugue - Contrapunctus 9
15. Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
16. Overture No.4 In D - Réjouissance
17. Concerto No. 1 in E: Spring
18. Concerto No. 1 in E: Spring
19. Concerto No. 1 in E: Spring
20. Concerto No. 2 in G minor: Summer
21. Concerto No. 2 in G minor: Summer
22. Concerto No. 2 in G minor: Summer
23. Concerto No. 3 in F: Autumn
24. Concerto No. 3 in F: Autumn
25. Concerto No. 3 in F: Autumn
26. Concerto No. 4 in F minor: Winter
27. Concerto No. 4 in F minor: Winter
28. Concerto No. 4 in F minor: Winter
29. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
30. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
31. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
32. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
33. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
34. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
35. Concerto Grosso in A minor, Op. 3, no. 8
36. Concerto Grosso in A minor, Op. 3, no. 8
37. Concerto Grosso in A minor, Op. 3, no. 8
38. Water Music - Alla Hornpipe
39. Xerxes - Ombra Mai Fu (Largo)
40. Messiah - And The Glory Of The Lord
41. Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
42. Organ Concerto In F, Op. 4, No. 4 Allegro
43. Water Music - Air
44. Messiah - For Unto Us A Child Is Born
45. Concerto Grosso In B flat, Op. 3, No. 2 - Largo
46. Salomon - Sinfonia, Act 3
47. The Choice Of Hercules - While For Thy Arms
48. Water Music - Allegro (Suite No. 1)
49. Suite No. 5 In E - Air With Variations
50. Jephtha - How Dark, O Lord
51. Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
52. Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
53. Water Music - Andante Allegro Da Capo
54. Concerto for Trumpet & Orchestra in E-flat: First Movement
55. Symphony No. 94 in G: Surprise Symphony-second movement
56. Concerto for Violin No. 2 in D: Third Movement
57. Flute Trio No. 31 in G: Second Movement
58. Symphony No. 31 in D: Hornsignal-First Movement
59. String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
60. Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
61. Concerto for 2 Horns & Orchestra in E-flat: Second Movement
62. Symphony No. 88 in G: Fourth Movement
63. String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
64. Notturno No. 1 in C: Second Movement
65. Symphony No. 98 in B: Londoner No. 4-Fourth Movement
66. Eine Kleine Nachtmusik - first movement
67. Piano Concerto in A - second movement
68. Flute Concerto in D - Rondeau
69. Serenade - Minuet
70. Violin Concerto - first movement
71. Symphony No. 40 in G minor - first movement
72. Clarinet Concerto - second movement
73. Turkish March
74. Divertimento - Minuet
75. Horn Concerto No. 3 in E-flat - first movement
76. Symphony No. 5 in C minor, Op. 67-First Movement
77. Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
78. Overture
79. O welche Lust (Prisoners' Chorus)
80. Ha, welch ein Augenblick (Pizarros's Aria)
81. Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
82. Concerto for Violin and Orchestra in D, Op. 61: Third Movement
83. Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
84. Sympony No. 6 in F, Op. 68: Pastorale-First Movement
85. Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
86. German Dance No. 1 In C
87. Impromptu Op. 90, No. 3 In G-Flat
88. Heidenroslein
89. Ave Maria
90. Der Lindenbaum
91. Quintet In A 'Trout Quintet' - Andante
92. Mass No. 6 In E-Flat - Kyrie
93. Die Schone Mullerin Des Mullers Blumen
94. German Dance No. 2 In G
95. Piano Sonata In B-Flat
96. Nachtgesang Im Walde
97. Winterreise - No. 15: Die Krahe
98. German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
99. Symphony No. 8 In B Minor 'Unfinished' - Second Movement
100. Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
101. Nocturne in E-flat, Op. 9, no. 2
102. Etude in G-flat, Op. 10, no. 5
103. Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
104. Mazurka in D minor, Op. 33, no. 2
105. Prelude in D-flat, Op. 28, no. 15 Raindrop
106. Etude in C, Op. 10, no. 1
107. Nocturne in D-flat, Op. 27, no. 2
108. Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
109. Scherzo in B minor, Op. 20
110. Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
111. Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
112. Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
113. Violin Concerto - second movement
114. The Sleeping Beauty - Waltz
115. Capriccio Italien, Op. 45
116. Swan Lake - Waltz
117. Eugene Onegin - Polonaise
118. The Nutcracker - Waltz of the Flowers
119. Orchestral Suite No. 4 - Mozartiana - Third Movement
120. Swan Lake - Dance of the Swans
121. Symphony No. 6 in B minor - Pathétique - Third Movement
122. Hungarian Dance No.5
123. Lullaby
124. Symphony No.1 in C minor, Op. 68 - Third Movement
125. Intermezzo in E-flat, Op.117, no. 1
126. Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
127. Waltz, Op. 39, no. 15
128. Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
129. String Quintet in G, Op. 111 - Second Movement
130. Symphony No.4 in E minor, Op. 98 - Third Movement
131. Intermezzo in A minor, Op. 76, no. 7
132. Hungarian Dance No.1 in G minor
133. German Requiem Selig sind die Toten (Final Chorus)
134. Die Fledermaus - Overture
135. Kaiser Waltz, Op.437
136. Thunder And Lightning Polka, Op. 324
137. Roses From The South Waltz, Op. 388
138. AnnenPolka, Op. 117
139. Vienna Blood Waltz, Op. 354
140. Eljen A Magyar Polka, Op. 332
141. Wine, Women and Song Waltz, Op. 333
142. On The Beautiful Blue Danube Waltz, Op. 134
143. Die Meistersinger Von Nurnberg - Overture
144. Tannhauser - Die Pilger sind's (Pilgims' Chorus)
145. Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
146. Lohengrin - Act 3 Prelude and Bridal Chorus
147. The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
148. The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
149. Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
150. Die Walkure - Ride of the Valkyries
151. Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
152. Tristan und Isolde - Liebestod
153. Thus sprach Zarathustra, Op. 30 (excerpt)
154. Don Juan, Op. 20
155. Eine Alpensinfonie, Op. 64, I.Nacht
156. Don Quixote, Op.35, first movement: Introduction
157. Salome, Op. 54, Dance Of The Seven Veils
158. Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
159. Piano Concerto 2 In C minor, Op. 18 - First Movement
160. Vocalise, Op.34, No. 14
161. Prelude In G Sharp minor, Op. 32, No. 12
162. Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
163. Symphony No. 2 In E minor, Op. 27 - Third Movement
164. Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
165. Rhapsody, Op. 43 On A Theme By Paganini
166. Hungarian Rhapsody No.2
167. Liebestraum No.3 in A-flat
168. Piano Concerto No.1 in E-flat - third movement
169. Angelus
170. Mephisto Waltz No.1 (Dance in a Village Tavern)
171. Prelude and Fugue on B-A-C-H
172. Dante Symphony - Finale. - Purgatorio - Magnificat
173. Les Préludes
174. Boléro
175. Daphnis et Chloé first movement: Nocturne
176. Rhapsodie Espagnole
177. Shéhérazade - first movement: Asie
178. Ma Mère l'Oye - fourth movement: La Belle et la Bête
179. Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
180. La Valse
181. Slavic Dance No. 1 in C, Op. 46, no.1
182. Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
183. Humoresque, Op. 101
184. Slavic Dance No. 8 in G minor, Op. 46, no. 8
185. Serenade for String Orchestra, Op. 22 - second movement
186. Romance for Violin and Orchestra In F minor, Op. 11
187. Symphony No. 7 in D minor - third movement
188. Melodie (Songs My Mother Taught Me)
189. Carneval Overture, Op. 92
190. Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
191. Symphony No.4 In A, Op. 90. Italian - First Movement
192. Frühlingslied In A, Op. 62, No. 6
193. Wedding March (From A Midsummer Night's Dream, Op.61)
194. Duetto In F, Op.30, No.6 (From Songs Without Words)
195. String Symphony No.9 In C. Schweitzer Symphony - Third Movement
196. Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
197. Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
198. Notturno (From A Midsumment Night's Dream, Op. 61)
199. Rondo Capriccioso, Op.14
200. String Symphony No. 12 In G minor - First Movement
201. Venetian Gondola Song In F Sharp minor, Op.30, No.6
202. Scherzo (From A Midsumment Night's Dream, Op. 61)
203. Violin Concerto In E minor, Op.64 - Third Movement
204. Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
205. Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
206. Holberg Suite, Op. 40 - IV. Air. Andante religioso
207. Arietta, Op. 12, no. 1
208. Homage March from Sigurd Jorsalfar, Op. 56
209. Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
210. Wedding Day at Troldhauen, Op. 65, no. 6
211. The Last Spring, Op. 34, no. 2
212. Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
213. Nordic Melody Op. 63
214. Notturno, Op. 54, no. 4
215. Elegie, Op. 47, no. 5
216. Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
217. Piano Concerto in A minor, Op. 16 - Allegro
218. Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
219. Traumerai (from Kinderszenen, Op. 15)
220. Mondnacht (from Eichendorff-Liederkreis, Op. 39)
221. Aufschwung (from Fantasietucke, Op. 12)
222. Triolett, Op. 114, no. 2
223. Tanzlied (No. 1 from Duets, Op. 78)
224. Symphony No. 4 in D minor, Op. 120 - second movement
225. Frühlingsgruss
226. Abschied (from Waldszenen Op. 82)
227. Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
228. Manfred Overture, Op. 115
229. Romance in F sharp, Op. 28, no. 2
230. Die Rose stand im Tau
231. Liebesgarten (from Four Duets, Op. 34)
232. Warum? (from Fantasiestucke, Op. 12)
233. Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
234. Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Rap Music:

1. The History Of The JAMs
2. The Mix Tape, Vol. 4: 60 Minutes of Funk [Explicit Lyrics]
3. The World Is Near Dead
4. Too Hard to Swallow
5. Twenty Degrees Below Zero [Explicit Lyrics]
6. Ultimate Bass Trax, Vol. 1
7. Unforgiven [CD-single] [Explicit Lyrics]
8. Unforgiven [CD-single] [Explicit Lyrics]
9. Xcuse Me: Chopped and Screwed [Explicit Lyrics]
10. 1 Bullet 4 U [Explicit Lyrics]

Rap Music

rap music

Recommended Music:

Lazy Ways/Beach Party

Ricahrd Tauber: Hearts' Delights (best of)

Roomful of Christmas

Music: Handel: With Valour Abounding

Rise/Edge [Import]

Schoene Lieder [Import]

Pokémon Best Vocal Collection 2 [Import] [Limited Edition]

Piano Music of Richard Stoker

Survivor

Personalidad: 20 Exitos

Slow Days With Nina [Import]

Shiva Shakti

Right Way, Pt. 2 [CD-single] [Enhanced] [Import]

Hot on the Tracks/In the Pocket

The Basie Big Band (20 Bit Mastering)