What's My Name

1. Believe Me das Bad

2. Don't Disturb This Groove

3. Funky Drummer

4. Use Me

5. Gangster Rockin

6. My Benz

7. Hold It Now

8. Rockin Music

9. Introduction

10. Hill Top

11. Rong Ho'le

What's My Name,Steady B,Jive,Gangsta Rap,Hip-Hop,Pop,Pop-Rap,Rap,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues

What's My Name

Average customer rating:

"Lord, How Come Me Here"
WOW!
uhm......yeah right!!
scadalise my name
Broadway takes on the spiritual ...

Spirituals in Concert

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Amazing Grace: Jessye Norman
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
Kathleen Battle & Christopher Parkening ~ Pleasures of Their Company
The Best of Kathleen Battle

ASIN: B000001GDC
Release Date: 1991-03-08

Tracks:

In That Great Getting Up Morning
Sinner, Please Don't Let This Harvest Pass
Over My Head/ Lil' David
Oh, What A Beautiful City
Lord, How Come Me Here
I Believe I'll Go Back Home-Lordy, Won't You Help Me
Ride On, King Jesus
Swing Low, Sweet Chariot-Ride Up In The Chariot
You Can Tell The World
Scandalize My Name
Great Day
Oh, Glory
Calvary-They Crucified My Lord
Talk About A Child
Gospel Train
My God Is So High
There Is A Balm In Gilead
He's Got The Whole World In His Hand

Customer Reviews:

"Lord, How Come Me Here".......2007-06-18

I must add, to the praises above, that Kathleen Battle's "Lord, How Come Me Here" is the best "quick" explanation of the long-lasting effects of slavery that I can think of. The line, "They sold my children away," says it all.

And the VERY funny "Scandelize My Name" is also worth the price of the total album!

Alinde O'Malley

WOW!.......2007-03-22

You know, after owning both the CD and VHS of this performance, and having been coached by Sylvia Olden Lee herself, it is no wonder why spiritual mean so much to me. And these two ladies bare their souls and bring these masterpieces to life! WOW!!!

uhm......yeah right!!.......2006-06-21

Clearly you are mistaken. I don't know who that guy is-the person below recommended-but there is NO COMPARISON to JESSYE NORMAN AND KATHLEEN BATTLE!!!! Jessye Norman herself has *30* HONARY DOCTRATES from places like Harvard, Juliard, Yale, Cambridge....I mean HELLO!!!! That guy had no where near the ease, the musicality or even the breath support as these two veterans show!! It is a beautiful CD though it came out in 1991 and I HIGHLY recommend it.

scadalise my name.......2004-10-29

this isn't that good specially after hearing William Warfeild sing it. You can find him at www.wlym.com

Broadway takes on the spiritual ..........2004-01-29

... takes it on and puts it on the canvas by the end of the first round.

I'm going to be the dissenting voice here: thank goodness I signed this disk out of the public library 'cause I'm sure not going to listen to it twice.

There is nothing wrong with the performances. Jessye Norman and Kathleen Battle sing beautifully, and there's no problem with the pick-up orchestra under James Levine.

The problem, and it's huge, is the conception of the show and the musical arrangements. To make the video marketable, I suppose, the producers decided that the concert had to be big: big names, big arrangements, big effects. So we have eighteen spirituals given the musical theatre treatment, with a philharmonic chorus providing chain-gang sound effects, big brass, and big percussion -- including a chinese gong. A chinese gong in a spiritual??? Spare me! Almost every track turns out sounding like either a curtain-raiser or a big, end-of-act production number with cute and predictable modulations between some of the stanzas and the sort of curly-cue orchestral ornamentation typical of Broadway shows.

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Lay Aside All Earthly Cares: Orthodox Choral Works in English

Average customer rating:

Just heavenly

Lay Aside All Earthly Cares: Orthodox Choral Works in English

Manufacturer: Cappella Romana
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
Similar Items:

The Fall of Constantinople
When Augustus Reigned: Christmas Music from the Byzantine Tradition
Metropolitan Museum of Art: Music of Byzantium
Thirsting For God in a Land of Shallow Wells
The Glory Of Byzantium

ASIN: B000AXWHE4
Release Date: 2005-09-13

Tracks:

Bless the Lord, O my soul
O gladsome Light
Lord, now let Thy servant
Rejoice, Virgin Theotokos
Praise the Name of the Lord
The Great Doxology, No.1
Bless the Lord, O my soul
The Second Antiphon
Only begotten Son
Holy God, No.2
Alleluia, No.1
Cherubic Hymn (Special melody: The thief beheld)
A mercy of peace
It is truly meet
Our Father / One is holy / Praise the Lord, No.1
Praise the Lord from the heavens, No.2
I will receive the cup, No.2
Their proclamation has gone out, No.2
Rejoice in the Lord
Receive the Body of Christ, No.1,2,1
Blessed be the name of the Lord
Psalm
All of creation
Troparion for the Sunday of Orthodoxy
Let my prayer arise
Now the Powers of heaven
Taste and see
Thy bridal chamber
The wise thief, No.2
The wise thief, No.3
Let all mortal flesh
What shall we call you, Mary

Customer Reviews:

Just heavenly.......2007-01-30

An extraordinary, original collection of vocal music that defies categorization. An inspiring pleasure to own.

Average customer rating:

An opera that deserves consideration by a major company
Soaring majesty!
a favorite opera with an old and inconsistent performance

Robert Ward: The Crucible

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
Similar Items:

Floyd: Of Mice and Men
Zwilich: Symphony No. 1 / Celebration / Prologue & Variations
Dominick Argento: From the Diary of Virginia Woolf
Melinda Wagner: Concerto for Flute, Strings, and Percussion; Poul Ruders: Concerto in Pieces (Purcell Variations)
X: The Life and Times of Malcolm X

ASIN: B0000049L5
Release Date: 2006-10-24

Tracks:

Act l: Beginning - Gloria Wynder/Joyce Ebert/Patricia Brooks/Naomi Farr/Paul Ukena/Maurice Stern
Act l: 'Gently, Sirs, Gently' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Spiro Malas/Joyce Ebert
Act l: 'Jesus, My Consolation' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Joyce Ebert/Patricia Brooks
Act l: 'For Much In the World' - Joyce Ebert.John Macurdy/Naomi Farr/Eunice Alberts/Patricia Brooks/Gloria Wynder/Spiro Malas...
Act l: 'Oh, How Many Times Mr. Parris' - Gloria Wynder/Naomi Farr/John Macurdy
Act l: 'Jesus, My Consolation' - Gloria Wynder/Naomi Farr/John Macurdy/Patricia Brooks
Act II: Beginning - Frances Bible/Chester Ludgin
Act II: 'I've Forgotten Abigail' - Chester Ludgin/Frances Bible
Act II: 'But, Oh, The Dreams' - Frances Bible/Chester Ludgin/Nancy Foster
Act II: 'For Sarah Good Confessed' - Nancy Foster/Chester Ludgin/Frances Bible/John Macurdy/Richard Krause
Act II: 'You Will Go To That Court' - Chester Ludgin/Nancy Foster

Tracks:

Act III: Beginning - Patricia Brooks/Chester Ludgin
Act III: In The Courtroom - Richard Krause
Act III: 'Open Thou, My Lips, O Lord' - Jack DeLon/Richard Krause/Paul Ukena/Maurice Stern/Joyce Ebert
Act III: 'These Girls Never Saw A Spirit' - Chester Ludgin/Joyce Ebert/Paul Ukena/Nancy Foster/Patricia Brooks/Jack DeLon/New York City Opr...
Act III: 'No, No, It Is A Natural Lie To Tell' - John Macurdy/Jack DeLon/Patricia Brooks/Nancy Foster
Act IV: Beginning - Gloria Wynder//Richard Krause/Patricia Brooks
Act IV: 'But Sir, You Stir Rebellion' - John Macurdy/Jack DeLon/Joyce Ebert/Frances Bible
Act IV: 'What Word Of The Children - Chester Ludgin/Frances Bible/John Macurdy/Joyce Ebert/Paul Ukena/Jack DeLon/Eunice Alberts
Act IV: 'God Does Not Need My Name' - Chester Ludgin/Jack DeLon/Joyce Ebert/John MacurdyEurnice Alberts/Frances Bible.

Customer Reviews:

An opera that deserves consideration by a major company.......2003-10-04

I became familiar with this recording of the "The Crucible" back in the 60's when it was available on the old CRI label. It was an exciting piece then and it remains one now. It has been a puzzle to me why such an opera has not been taken up and presented regularly by major companies. The music is appealing--and frequently more than that; the drama is potent and never fails to captivate; it offers wonderful opportunites to a cast of singing actors. So what's the problem?! Granted some of the liberties taken with the Arthur Miller text render certain moments dramatically unclear and the Gershwinesque strains that accompany the slave Tituba's character are certainly a mistake. Still, the work as a whole is an exciting one. Hightlights abound, with the whole of the last act being especially moving.

This is still the only recording available and, overall, it is excellent. The leads perfectly embody the roles of John and Elizabeth Proctor, while the balance of the cast, a few vocal duds notwithstanding, competently fill in the many character roles.

The CD sound is very good and far superior to my old vinyl disks.

If you've never heard "The Crucible," give this recording a chance. It is well worth your time.

Soaring majesty!.......2001-12-19

This performance is a gem. Just the soaring majesty of Frances Bible is well worth the experience. What a sadly underrated artist. The final duet with Bible and Ludgin is a lesson in passionate, searing drama and full-out singing.

a favorite opera with an old and inconsistent performance.......1999-03-23

I had the privilege of being part of a cast of this opera at Indiana University of Pennsylvania in the late 70's, directed by the avuncular Herbert Wildeboor (since deceased). I've always loved the 7/8 hymn at the end of the first act. However, this performance is very uneven, including generally unfortunate singing by female leads, and bad acting (at least) by the person singing Reverend Parris. Reverend Hale and John Proctor are consistently good. And the orchestra parts, very demanding, are well handled. It astounds me that there is no new recording in all these years. I've since seen it done in Pittsburgh and know it's being done somewhere on the West Coast. While Mr. Ward's music is considered cliche by some, I prefer it much to, for example, Moore's Ballad of Baby Doe. Perhaps my affection for it is due to having the opportunity to perform it.

Witness: What a Mighty God - Spirituals and Gospels for Chorus

Average customer rating:

Historically important choral music, wonderfully performed!

Witness: What a Mighty God - Spirituals and Gospels for Chorus
James Bohn , Michael Jorgenson , Steve Burger , Gordon Johnson , Jay Young , Michael Abels , Dale Adelmann , Harry T. (Henry) Burleigh , Brazeal W. Dennard , Adolphus Hailstork , Jester Hairston , Jack Halloran , Robert A. Harris , Moses Hogan , Sanford Moore , Robert Scholz , Richard Smallwood , William Henry Smith , Andre Thomas , Philip Brunelle , Sigrid Johnson , Joe Pulice , Robert Commodore , Charles Kemper , Yolanda Williams , Brian Link , Vocal Essence , and VocalEssence Ensemble Singers
Manufacturer: Clarion
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Gospel | Christian & Gospel | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
Similar Items:

Negro Spirituals - Derek Lee Ragin, Moses Hogan, Moses Hogan
Ev'ry Time I Feel the Spirit: Spirituals
Give Me Jesus | Spirituals by Barbara Hendricks and The Moses Hogan Singers
Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition
Trouble I'Ve Seen: Eighteen Spirituals--Moses Hogan Chorale

ASIN: B0001FVEPE
Release Date: 2004-02-10

Tracks:

Witness: Jack Halloran
Hush! Somebodys CallinMy Name: Arranged by Brazeal W. Dennard
Death Is Gonna Lay His Cold Icy Hands on Me: Arranged by Andrhomas
Walk Together, Children: Arranged by William Henry Smith
Were You There?: Arranged by Robert Scholz
Elijah Rock: Arranged by Moses Hogan
This Train: Arranged by Sanford Moore
Jesus, Lover of My Soul: Music by J.S. Bach; text by Charles Wesley, Arranged by Richard Smallwood
My Lord,What a Mornin : Arranged by Harry T. Burleigh
Go Down, Moses : Arranged by Robert A. Harris
In Dat Great GittinUp Mornin: Arranged by Jester Hairston
Crucifixion: Adolphus Hailstork
Go Where I Send Thee:Arranged by Andrhomas
Swing Low, Sweet Chariot: Arranged by Dale Adelmann
Go,Tell It on the Mountain: Arranged by Sanford Moore
What a Mighty God : Arranged by Michael Abels

Album Description

Stirring spirituals and rousing gospel melodies sung by the superb voices of VocalEssence conducted by the renowned conductor Philip Brunelle, joined by vocal jazz ensemble Moore by Four.

Customer Reviews:

Historically important choral music, wonderfully performed!.......2004-05-25

For over 10 years, The VocalEssence Ensemble Singers and Chorus (conducted by Philip Brunelle) has presented an enduring series of concerts showcasing the talents of trailblazing African American composers. Now this wealth of music is available outside the concert hall through a series of recordings called WITNESS.

WHAT A MIGHTY GOD presents 20th Century choral arrangements of music from the African American spiritual tradition rooted in spirituals and gospels, including Harry T. Burleigh's "My Lord, What a Mornin'" (1929), "Walk Together Children" (William Henry Smith, 1937) and more contemporary composers like Sanford Moore's "Go Tell It On The Mountain" (1993.)

There are excellent notes about the genre, however, in light of the historical significance of this music I'm surprised and disappointed to find no biographical information about the composers, not even birth and/or death dates, with this CD. I feel this is a crucial component in an "outreach" project like this, especially since most of these composers are not well known. Still I highly recommend it for the music alone.

The other three CDs are available as single titles, or in the boxed set THE WITNESS COLLECTION which includes:

Tracks:

Bridget Jones's Diary: Out Of Reach - Gabrielle
Gladiator: Now We Are Free - Gavin Greenaway
Moulin Rouge: One Day I'll Fly Away - Nicole Kidman
Notting Hill: When You Say Nothing At All - Ronan Keating
American Beauty: Dead Already - Thomas Newman
Braveheart: Main Theme - For The Love Of A Princess - London Symphony Orchestra
Four Weddings And A Funeral: You're The First, The Last, My Everything - Barry White
O Brother Where Art Thou: Down To The River To Pray - Alison Krauss
Hannibal: Vide Cor Meum - Gavin Greenaway
The Shawshank Redemption: Courtyard Theme: Che Soave Zeffiretto (Marriage Of Figaro) - Chor und Orchester der Deutschen Oper Berlin
The Thomas Crown Affair: Windmills Of Your Mind - Sting
Platoon: Adagio - Neville Marriner
Ghost: Unchained Melody - Hollywood Bowl Orchestra
Fantasia: The Sorcerer's Apprentice - Montreal Symphony Orchestra
The Big Lebowski: Just Dropped In (To See What My Condition Was In) - Kenny Rogers & The First Edition
Philadelphia: La Mamma Morta - Monserrat Caballe
Snatch: Hernando's Hideaway - The Johnstone Brothers
Lock, Stock & Two Smoking Barrels: Eighteen With A Bullet - Lewis Taylor And Carleen Anderson
A Room With A View: O Mio Babbino Caro - Sylvia McNair

Tracks:

Billy Elliot: Cosmic Dancer - Marc Bolan & T-Rex
Captain Corelli's Mandolin: Pelagia's Song - Orchestra
Four Weddings And A Funeral: Love Is All Around - Wet Wet Wet
Robin Hood Prince Of Thieves: Maid Marian At The Waterfall/Everything I Do - Michael Kamen
Dances With Wolves: John Dunbar Theme - John Mauceri
American Beauty: Any Other Name - Thomas Newman
Gladiator: The Battle (Excerpt) - Gavin Greenaway
The Silence Of The Lambs: Goldberg Variations (Aria) - Andrei Gavrilov
Notting Hill: She - Elvis Costello
Pulp Fiction: Son Of A Preacher Man - Dusty Springfield
Mission Impossible: Main Theme - Orchestra
Waking Ned: Let The Draw Begin - Orchestra
Out Of Africa: Love Theme - John Williams
Shine: Piano Concerto No.3 In D Minor, Op.30 - Concertgebouw Orchestra
The Godfather Part III: Intermezzo From Cavalleria Rusticana - Pavarotti
The Mexican: End Credits Medley - The Hollywood Film Chorale
Body Heat: Main Theme - John Williams
Apocalypse Now: The Ride Of The Valkyries - Chicago Symphony Orchestra
Star Trek: The Final Frontier - Main Theme & March Of The Klingons - John Williams

Album Description

UK compilation featuring a combination of hit songs & theme music from some great soundtracks. Tracks include, Gabrielle 'Out Of Reach' (Bridget Jones Diary), 'Now We Are Free' (Gladiator), 'Dead Already' (American Beauty), Alison Kraus 'Down To The River To Pray' (O Brother Where Art Thou), Ronan Keating 'When You Say Nothing At All' (Notting Hill) & many more. 35 tracks on 2 CDs. 2001.

Customer Reviews:

Highly recommended.......2002-08-20

This pricey UK import CD filled a lot of gaps in my music collection and is an excellent overview of notable music of (mostly) recent films. It's difficult to find consistently listenable soundtrack collections like this, by that I mean free from the obligitory Whitney Houston or Celine Dion embarrassments. Usually rights issues prevent comprehensive compilations like this in the US, too. While I enjoy a lot of soundtrack music, there aren't so many complete soundtracks that I would care to own, some examples of exceptions being Ennio Morricone scores and the About a Boy Soundtrack. While certainly most of these tracks are the actual recordings used in their respective films, I noticed that "La mamma morte" from Philadelphia is not the Maria Callas version. There might be other cases like this, I'm not sure. And "Unchained Melody" from Ghost is an orchestral version, not the pop song (but I consider this a plus). This collection seems to focus on the subtle and quirky, yet melodic music of indie films, with less emphasis on the loud sweeping orchestral scores of major Hollywood hits, but of course there are a few like Gladiator and Braveheart, which are welcome here because like I've said, I probably wouldn't listen to the whole score. I love the two Thomas Newman compositions from American Beauty, and it's good to have some music from films by the Cohen Brothers here. My only complaint would have to be the order of the songs. You would think they would avoid jumping back and forth between pop songs, orchestral scores, and quiet music, but it just seems thrown together by random. I would compare this collection to the excellent "Miramax Films Greatest Hits" but the makers of that album knew to group the two pop/rock songs at the end.

Average customer rating:

Beautiful Show

Wings (1995 Studio Cast)
Arthur Perlman
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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Swingtime Canteen: The Star-Spangled Musical Hit! (1997 Original Cast Members)
Curtains (2007 Original Broadway Cast)
At Home Abroad (1935 Broadway Cast) - Dietz & Schwartz
Legally Blonde (2007 Original Broadway Cast)
My Life with Albertine (2003 Original Off-Broadway Cast)

ASIN: B000003FZ2
Release Date: 1996-08-13

Tracks:

The New Daredevils of the Air/Catastrophe - Leo Daignault/Linda Stephens
The Hospital/Globidge - William Brown/Ora Jones/Linda Stephens
Wait-Stop-Hold-Cut - Linda Stephens
My Name Then... - Ora Jones/Linda Stephens/William Brown
All in All - Linda Stephens
Let Me Call You Sweetheart - Dominic Cortese
Makey Your Naming Powers - William Brown/Ora Jones/Linda Stephens
I'll Come Back to That - Linda Stephens/Hollis Resnik
Let Me Call You Sweetheart #2 - Hollis Resnik/Linda Stephens
I'll Come Back to That #2 - Linda Stephens
Yum, Yummy, Yum - Ora Jones/Linda Stephens
I'll Come Back to That #3 - Linda Stephens/William Brown
Tither - William Brown/Linda Stephens/Ora Jones
All in All #2/I Don't Trust Him - Linda Stephens
Malacats - Linda Stephens
Needle - Linda Stephens
Interlude-Wings Theme - Linda Stephens/Hollis Resnik
Out on the Wing - Linda Stephens/Hollis Resnik
Out on the Wing #2 - Linda Stephens/Hollis Resnik
I Wonder What's Inside - Linda Stephens/Russ Thacker/Hollis Resnik
Let Me Call You Sweetheart/Therapy Scene - Hollis Resnik/William Brown/Linda Stephens/Russ Thacker/Ora Jones
A Recipe for Cheesecake - Russ Thacker/Hollis Resnik and Patients
Like the Clouds - Linda Stephens
Brownie Scene - Russ Thacker/Linda Stephens
Record Player Scene - Hollis Resnik/Linda Stephens
The New Daredevils of the Air/Preparing for Flight - Leo Daignault/Linda Stephens
Winter Scene I - Hollis Resnik/Linda Stephens
Snow - Linda Stephens/Hollis Resnik
Winter Scene II - Linda Stephens/Hollis Resnik
Wings - Linda Stephens

Customer Reviews:

Beautiful Show.......2006-12-17

I have not seen this show, but after listening to it the whole way through, I want to very badly. The story is heartbreaking, and the music lends itself so well. At times it can be very spooky almost scary, and then other times as simplisticly beautiful as one could hope for. The music and lyrics are a bit repetitious, but this soundtrack tells the whole story. You can visualize everything going on. Its wonderful. I would suggest this to broadway collectors and just listners alike. Its also one that might be good for those who listen to books on tape, because you really do get the whole story, and it is stunningly beautiful. Favorite Song: "I Wonder What's Inside"

Average customer rating:

English is an asset and a drawback
You Will Love Opera After Hearing Carmen In English
A wholly credible "Carmen" -- finally!
I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
Similar Items:

Mozart: The Magic Flute
The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English]
Verdi: La Traviata
Mozart: The Marriage of Figaro
Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.

What if Mozart wrote "Born to Be Wild"/ The Hampton String Quartet
Average customer rating:

Great CD if you can find it!

Mozart Meets Steppenwolf

What if Mozart wrote "Born to Be Wild"/ The Hampton String Quartet
Richard Henrickson , Regis Iandiorio , Richard Maximoff , John Reed , Jimmy Page , Brian Holland , and Keith Richards
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003ERH
Release Date: 1990-10-25

Tracks:

White Rabbit
Stairway To Heaven
Stop In The Name Of Love
Honky Tonk Woman
Light My Fire
Sunshine of Your Love
You've Lost That Lovin' Feeling
Born To Be Wild
Good Vibrations

Customer Reviews:

Great CD if you can find it!.......2002-01-30

This is vintage Hampton String Quartet. Recorded while they were still on RCA, this album shows the group's early potential. To see how they have grown, compare the "Stairway to Heaven" on this CD with the "Stairway to Heaven" on HSQ's independent CD "Sympathy For The Devil". The rock string quartets capture the vitality and energy of rock much better than other attempts by classical musicians. A great CD!

Mozart Meets Steppenwolf.......2000-06-22

This is a great CD for studying and working to. It's all of your favorite songs but done classical style which helps improve on mental abilities. I listen to this while I am at work or studying in my dormroom. The Hampton Quartet really pulls through with this one. 4 stars!