H.N.I.C. [Clean]

1. Bars and Hooks (Intro)

2. Genesis

3. Drive Thru (Skit)

4. Rock Dat

5. What U Rep

6. Keep It Thoro

7. Can't Complain - Prodigy,

8. Infamous Minded - Big Noyd, Prodigy

9. Wanna Be Thugs - Havoc, Prodigy

10. Three - Cormega, Prodigy

11. Delt w/ The Bull - Havoc, Prodigy

12. Trials of Love

13. H.N.I.C.

14. Be Cool (Skit)

15. Veteran's Memorial

16. Do It

17. Littles (Skit)

18. Y.B.E. - B.G., Prodigy,

19. Diamond

20. Gun Play - Big Noyd, Prodigy

See all 22 tracks on this disc

H.N.I.C.,Prodigy of Mobb Deep,Relativity,East Coast Rap,Gangsta Rap,Hardcore Rap,Hip-Hop,Pop,Rap & Hip-Hop

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H.N.I.C. [Clean]

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Two tracks I really like Quantity Over Quality Mediocre One Hundred Greatest TV Themes Pretty close to original recordings

One Hundred Greatest TV Themes Manufacturer: Silva America ProductGroup: Music Binding: Audio CD All Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music Star Trek | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Marches | Miscellaneous | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: All-Time Top 100 TV Themes TV Land Presents: Favorite TV Theme Songs TV Guide: 50 All-Time Favorite TV Themes NBC: A Soundtrack of Must See TV Six Million Dollar TV Themes ASIN: B00005Y49F Release Date: 2002-08-27

Tracks:

1. The A-Team - Nic Raine
2. The Addams Family - Nic Raine
3. The Adventures Of Robinson Crusoe - Nic Raine
4. Airwolf - Derek Wadsworth
5. The Avengers - Mike Townend
6. Barnaby Jones - Jerry Goldsmith
7. Batman - Nic Raine
8. Battlestar Galactica - Nic Raine
9. Baywatch - Derek Wadsworth
10. Beverly Hills 90210 - Derek Wadsworth
11. Bewitched - Nic Raine
12. Between The Lines - Mark Ayres
13. The Bill - Nic Raine
14. Bonanza - The Philharmonia Orchestra
15. Brideshead Revisited - Derek Wadsworth
16. Buck Rogers In The 25th Century - Nic Raine
17. Burke's Law - Derek Wadsworth
18. Cagney And Lacey - Derek Wadsworth
19. Captain Scarlet And The Mysterons - Mark Ayres
20. Casualty - Mark Ayres
21. Cheers - Mark Ayres
22. Dallas - Nic Raine
23. Dangerman (Secret Agent) - Mike Townend
24. Doctor Who - Mark Ayres
25. Doctor Kildare - Jerry Goldsmith

Tracks:

1. Doogie Howser, M.D. - Derek Wadsworth
2. Dynasty - Nic Raine
3. The Equalizer - Derek Wadsworth
4. Falcon Crest - Derek Wadsworth
5. Fireball XL-5 - Derek Wadsworth
6. The Fugitive - Nic Raine
7. Hawaii 5-0 - Mike Townend
8. Hercules: The Legendary Journeys - Nic Raine
9. The High Chaparral - Nic Raine
10. Highway To Heaven - Derek Wadsworth
11. Hill Street Blues - Derek Wadsworth
12. The Hitchhikers Guide To The Galaxy - Mark Ayres
13. The Incredible Hulk - Derek Wadsworth
14. Jason King - Mike Townend
15. Jesus Of Nazareth - Paul Bateman
16. Joe 90 - Derek Wadsworth
17. Johnny Staccato - Derek Wadsworth
18. Knight Rider - Derek Wadsworth
19. Kojak - Mike Townend
20. L.A. Law - Derek Wadsworth
21. Land Of The Giants - Nic Raine
22. Little House On The Prairie - Derek Wadsworth
23. Lonesome Dove - Nic Raine
24. Lost In Space - Nic Raine
25. Lou Grant - Derek Wadsworth

Tracks:

1. Magnum, P.I. - Derek Wadsworth
2. A Man Called Ironside - Mike Townend
3. The Man From U.N.C.L.E. - Derek Wadsworth
4. M*A*S*H - Nic Raine
5. Miami Vice - Mark Ayres
6. Mike Hammer - Derek Wadsworth
7. Mission Impossible - Mike Townend
8. Monty Python's Flying Circus - Nic Raine
9. The Munsters - Derek Wadsworth
10. Murder She Wrote - Derek Wadsworth
11. Newhart - Derek Wadsworth
12. North And South - Derek Wadsworth
13. Northern Exposure - Derek Wadsworth
14. NYPD Blue - Mark Ayres
15. The Outer Limits - Nic Raine
16. Perry Mason - Mike Townend
17. The Persuaders - Mark Ayres
18. Peter Gunn - Mike Townend
19. Police Squad - Nic Raine
20. The Prisoner - Mike Townend
21. Quantum Leap - Derek Wadsworth
22. Randall And Hopkirk (Deceased) - Mike Townend
23. Red Dwarf - Mark Lambert
24. The Rockford Files - Mike Post
25. Roseanne - Dan Foliart

Tracks:

1. The Saint - Mike Townend
2. Seaquest DSV - Nic Raine
3. Space 1999 - Derek Wadsworth
4. Star Trek - Mike Townend
5. Star Trek: Deep Space Nine - Derek Wadsworth
6. Star Trek: Voyager - Nic Raine
7. St. Elsewhere - Derek Wadsworth
8. The Streets Of San Francisco - Nic Raine
9. Stingray - Barry Gray
10. Taxi - Derek Wadsworth
11. Thunderbirds - Derek Wadsworth
12. Thirty Something - Derek Wadsworth
13. The Time Tunnel - Nic Raine
14. Tinker, Tailor, Soldier, Spy - The Philharmonia Orchestra
15. The Twighlight Zone - Nic Raine
16. Twin Peaks - Derek Wadsworth
17. U.F.O. - Derek Wadsworth
18. The Virginian - Nic Raine
19. Voyage To The Bottom Of The Sea - Nic Raine
20. Wagon Train - Paul Bateman
21. The Waltons - Jerry Goldsmith
22. The Wild Wild West - Derek Wadsworth
23. Young Riders - John Debney
24. Xena: The Warrior Princess - Paul Bateman
25. The X-Files - Mark Ayres

Customer Reviews:

Two tracks I really like.......2007-07-21

The Mission Impossible theme is performed well.
The Fireball theme is actually much improved on this version. I prefer the orchestra and the vocals over the original.

Quantity Over Quality.......2007-01-15

As a musician myself, I know too well that one of the most important ingredients in ANY performance (live or recorded) is passion. The recordings here generally lack the same passion and sheer drama of the originals. Much of the instrumentation has been reduced to a cheezy, thin, plastic synthesized replica. The performances are simply a watered-down lackluster version of the classic originals. If it were not for the sheer volume of tracks compiled here, I would have rated the comp only "one star".

Mediocre.......2006-05-17

The sound quality for this collection isn't much better than the samples offered by Amazon.

One Hundred Greatest TV Themes.......2005-08-06

I have watched almost all the shows that are on these 4 cd's. Many were made before I started watching TV. Most I've seen once or twice before.

Pretty close to original recordings.......2005-07-24

Definitely not as good as the originals. You'll probably notice the slight differences since it's stuff you saw and listened to every week or everyday in reruns growing up, but it's still an amazing collection.

Average customer rating: Pee slams GAY Z A sign of the times (2 and 1/2 stars) QB state of mind Prodigy's debut proved he was the "Head N***a In Charge" [4 stars] the vicious heart

H.N.I.C. Prodigy of Mobb Deep Manufacturer: Relativity ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Big Beat | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music East Coast | Rap & Hip-Hop | Styles | Music Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Indie Music | Stores | Music $8.99 and Under | Blowout Music | Stores | Music Dance & DJ | Styles | Blowout Music | Stores | Music Rap & Hip-Hop | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $8.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Murda Muzik The Infamous Infamy QB Finest Amerikaz Nightmare ASIN: B0000508VB Release Date: 2000-11-14

Tracks:

1. Bars & Hooks (Intro)
2. Genesis
3. Drive Thru (Skit)
4. Rock Dat Sh*t
5. What U Rep
6. Keep It Thoro
7. Can't Complain
8. Infamous Minded
9. Wanna Be Thugs
10. Three
11. Delt W/ The Bullshit
12. Trials Of Love
13. H.N.I.C.
14. Be Cool (Skit)
15. Veteran's Memorial
16. Do It
17. Littles (Skit)
18. Y.B.E.
19. Diamond
20. Gun Play
21. You Can Never Feel My Pain
22. H.N.I.C. (Outro)

Amazon.com

Although H.N.I.C. is billed as Prodigy's solo debut, it's liberally peppered with guest appearances. Mobb Deep's infamous one chose, with the exception of Cash Money Millionaire B.G., to rely on folks of Queens pedigree. His borough loyalty gives H.N.I.C. a polished yet organic-sounding edge on today's crop of industry-endorsed thugs. The bulk of H.N.I.C's subject matter scores few points for originality, but no one speaks to corner-hustling shorty rocks as clearly as P. Standout tracks in the Mobbphonic vein include "Infamous Minded." Featuring Big Noyd, the song references BDP's "Criminal Minded" and is pushed over the top by a badass reggae-tinged beat. Havoc contributes both lyrical and rhythmic support; his beat on "Wanna Be Thugs" proves why he's the production don of Queensbridge. Getting past the gun talk and guest appearances, "You Never Feel My Pain," which unflinchingly details P's battle with sickle cell anemia, is a hardcore analysis of the artist's frame of reference for daily living. That alone is worth the price of admission. --Rebecca Levine END

Customer Reviews:

Pee slams GAY Z .......2007-02-04

H.N.I.C. is Prodigy of Mobb Deeps solo LP, he delivers hard hitting tracks....nothing less. His reply back to Jay Z's diss "Keep it thoro" is a track to bang all day, HOV has nothing on the MOBB. Another powerful track is "never feel my pain" where Pee talks about his Sickle Cell Anemia disease, and gives you a deep visual of what he went through growing up. For all the MOBB fans out there, you MUST have this in your collection.....or you're not a MOBB fan.

"Heavy air play all day with no chorus, I keep it thoro nigga" - Prodigy of Mobb Deep

A sign of the times (2 and 1/2 stars).......2007-01-29

Prodigy was always nice but on this solo album you would hear a side of P that shows that he can make a suspect album just like the rest of them. His flow got sloppy and he got outrapped by Noriega on his own s***(What U Rep). To add insult to injury he gets outstaged by B.G.(no offence to B.G. but come on now!) on Y.B.E. Even Cormega(this one is understandable) floors him on Three. The guest spots with Havoc are nothing to brag about either and the way that Prodigy fumbled in that freestyle with his friend turned archenemy Littles(Littles verse was nice though) is a damn shame! Keep It Thoro, Rock Dat S***, You Can Never Feel My Pain and Genesis show us the Prodigy that we are all fond of. Gunplay and Infamous Minded are good tracks even though P's verses were alright on them. Filler: Diamond(I love the beat but the song is wack), Delt With The Bulls***(beatwasters anonymous material here), Do It(wasted a good beat provided by Rockwilder with subpar rapping. Prodigy, have you no shame?), Trails Of Love(SNORE! Ms Barz should quit), Cant Complain(Infamous Mobb verses were okay but P, forgetaboutit!) etc. Bottom Line: This is the worst solo Prodigy put out. Infamy smokes this album by a longshot. The production was not the problem, its Prodigy's rhymes. He changed his whole style around and now its sad to hear him getting floored by Noriega, B.G., Infamous Mobb and Cormega. If Prodigy wants to remain relevant in the rap game then he needs to change his style back to The Infamous and Hell On Earth days because the way he is flowing now is pathetic.

QB state of mind.......2006-10-02

Before there was Hollywood P, there was Prodigy aka the H.N.I.C, aka the most rugged, vicious and nihilistic voice coming out of Queensbridge.
As the most lyrical half of the infamous mobb deep, P always revolved around that sacred gangsta trinity of gunz, drugs and sex, and if anything, with this solo album, P endulges in that gangsta sound, evolving from thug to superthug, with more hood tales of everyday hustle, getting bent and pushing weight.
The surprise is the actually decent production, and though Havoc is missing, that minimal, sample-driven QB sound is present on most tracks.
U gotta love P's young black and don't give a f*** mantra, but even the most hardcore Mobb fan will feel the lack of variation. Fortunatly P was smart enough to bring heavy collabos, most of them from QB, and they do supply with a much needed diversity.
22 tracks of gangsta gangsta with above average production, some highlights ( "Genesis", "Trials of Love", "H.N.I.C", "Gun Play" ), and overall a good effort.

Prodigy's debut proved he was the "Head N***a In Charge" [4 stars].......2006-05-23

Prodigy, one half of the group of Mobb Deep, came out with his debut in mid-late 2000 called H.N.I.C. When I first heard this album was the first time I heard Mobb Deep, and fell in love with it right away.

Just about all the cuts are mostly uptown grimy normal Queensbrigde cuts. Some are dark as heard on the second track called "Genesis" and on the track "Three" which features Cormega, where Prodigy enforces the quote "Queensbridge heads don't play..."

P's lyrical content is also swell behind the mic. On the lead single "Keep It Thoro" where he says "I throw a TV at you crazy/ b*****s say 'P you crazy'/ a pain in the a**, nah but f*** you, pay me..." Or on the story about cops accusing them of a murder on the next track "Can't Complain" which features Twin Gambino of The Infamous Mobb. "Infamous Minded" if you haven't noticed, is that it borrows BDP's song "Criminal Minded", a track that features Big Noyd and Havoc doing the ad-libs. Speaking of Hav, the other half of Mobb Deep, he makes two more appearances on the songs "Wanna Be Thugs" and "Delt With The Bulls**t". One of the best tracks is "Y.B.E." (was that another single?) which features former Cash Money/Hot Boy's member B.G. The second to last track on the album "You Could Never Feel My Pain" Prodigy talks about his genetic disease Sicle Cell and what he has been going through with the problems.

There are some tracks I didn't like that much. "Rock Dat Sh**" which uses elements from the Mobb Deep hit back in 1999 "Quiet Storm (remix)" to make the hook. The track "Diamond" sounds okay which features local QB group Bars & Hooks.

Overall Prodigy proves to Mobb Deep fans that he can carry a solo album while his friends from QB come and make a few appearances (Havoc, Noreaga, Noyd, Cormega, and others). Like I said, this was the frist Mobb Deep album that I purchaced and enjoyed mosy of it from beginning to end. Recommended to Mobb Deep fans or people who like what classics have came from QB in the past.

Lyrics: A-
Production: A-
Guest Appearances: B+

Standout Tracks: Genesis, Keep It Thoro, Wanna Be Thugs, Three, YBE,

the vicious heart.......2006-03-18

the is the album that evil lurks a man heart the vicious beat got ya goin crazy this album make ya wanna fight a nigga shot a nigga spit on a nigga these album is the infamous gangster gotta love this album it holds the vicous heart of prodigy
the evil from queensbridge

Average customer rating: Poor mix a fine example of two shining opera stars...... A musical marriage made in heaven! A Nice Collection, But Something's Missing Perfection

Roberto Alagna & Angela Gheorghiu - Duets & Arias Pietro Mascagni , Jules Massenet , Gaetano Donizetti , Jacques Offenbach , Leonard Bernstein , Charles Gounod , Gustave Charpentier , Hector Berlioz , Giacomo Puccini , Richard Armstrong , Roberto Alagna , Angela Gheorghiu , and Covent Garden Orchestra of the Royal Opera House Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Gheorghiu, Angela | Divas | Opera & Vocal | Styles | Music Similar Items: The Essential Angela Gheorghiu Puccini Angela Gheorghiu - Arias Diva Roberto Alagna - Opera Arias ASIN: B000002RWA Release Date: 1996-04-23

Tracks:

1. Suzel, boun di...
2. L'amico Fritz, Atto 2: Tutto tace
3. Manon, Acte 3: Je suis seul! . . . Ah, fuyez
4. Toi! Vous! . . . Oui, c'est moi! . . .
5. Manon, Acte 3: N'est-ce plus ma main
6. Anna Bolena, Atto 2: Al dolce guidami castel natio
7. Don Pasquale, Atto 2: Tornami a dir
8. La Belle Helene, Acte 1: Au Mont Ida, trois deesses
9. West Side Story, Act 1: Only you . . .Tonight
10. Il se fait tard . . .
11. Faust, Acte 3: O nuit d'amour
12. Louise, Acte 3: Depuis le jour
13. Les Troyens, Acte 4: Nuit d'ivresse
14. La Boheme, Atto 1: O soave fanciulla

Customer Reviews:

Poor mix .......2006-02-20

There is no climatic piece in the whole album. It appears it was gathered selections...by that I mean, somebody said "oh let's use this one and this one..." The selections just drift from one to the next and carry little emotional impact on this listener. Yet I love Angela, but Roberto is second rate. Overall, not much on here to remember.

a fine example of two shining opera stars.............2005-10-28

How perfect is it that tenor Roberto Alagna and Angela Gheorghiu are a madly in love, married opera couple with voices like angels? I remember when this album first came out in the mid-1990s. At the time, I didn't have a CD player, and their album was a motivation for me to get one, if that says anything about how much I LOVE both of them, as well as the music samples I first heard on NPR.

Alagna's resonance is clear, but, never piercing. Gheorghiu's clean-sounding soprano is expressive, but never shrill, and exhudes a warmth, as well as a softness, when she attacks the really high notes. What sets Roberto Alagna and Angela Gheorghiu apart from the pack of young opera stars is their own original, highly energetic and sincere interpretations of popular opera duets, featured here. They include "Tonight" from West Side Story (which I really wouldn't consider opera, but, more an example of musical theatre), and "O soave fanciulla" from La Boheme. I guarantee that listening to this album will make you fall in love with these two wonderful singers.

A musical marriage made in heaven!.......2003-12-01

In the early 1990s I began following the careers of two immensely talented young singers then on the verge of international stardom. The French tenor Roberto Alagna wowed Covent Garden audiences as Romeo and Rodolfo, and had received rave reviews throughout Europe. The splendid Mimi of Romanian soprano Angela Gheorghiu enlivened an otherwise lackluster 1994 Metropolitan Opera broadcast, and an astounding triumph at Covent Garden as Violetta followed. I had often longed for these two splendid young artists to sing together, and I got my wish in spades when it was publicly announced that they were madly in love - this disc was recorded 6 months before and released in the U.S. 4 days before their real-life marriage. While I and many opera fans are hopeless romantics who are delighted by such things, what really matters is that their VOICES are married. Let's just say that I have heard other singers who are either married or otherwise romantically involved who do not have nearly the rapport that these two people do. They are supremely sensitive to and supportive of each other's artistry and even more importantly, are ultimately the servants of the composer.

Alagna's sweet, warm, earthy tenor and Gheorghiu's velvety, starlit soprano blend so perfectly that it often seems one voice is coming out of two mouths. Nowhere is this more true than on the triumph of the disc, 'Nuit d'ivresse' from Hector Berlioz's 'Les Troyens'. This is a good candidate for the best joint recording they have ever made and is certainly their best individual duet recording. While it is usually sung by a tenor with a heavier voice and a mezzo-soprano, the sheer lyricism of their voices renders this music utterly ravishing - I have never heard this piece sung more beautifully. And how many typical operatic 'love duet' albums would include something this rare? Their 'one voice' quality is also evident in 'Tornami a dir' from 'Don Pasquale', a triumph of heady sweetness, and again, not exactly standard fare. Throughout these selections, and indeed the entire album, we hear superb dynamic sensitivity and gorgeous pianissimo singing, and everything is sung with such dramatic intensity and immersion in character that you think you're hearing a live performance and not a recording. About the only quibble I have is that Alagna's diction in both French and Italian is so perfect that Gheorghiu's comes up a bit short by comparison.

The Cherry Duet from 'L'Amico Fritz' which begins the album is full of sweet affection and wistfulness. In the Saint Sulpice scene from 'Manon', Gheorghiu is irresistibly seductive and tender and Alagna believably torn between Des Grieux's pain at Manon's betrayal and his love for her. Some may actually prefer this version of the duet to the slightly more 'verismo' and less subtle rendition of their complete recording under Antonio Pappano. The Garden Scene from 'Faust', albeit not quite as intense as in their recent Metropolitan Opera performances, is still a triumph of French style, sensitivity, and drama, again with absolutely gorgeous pianissimo singing, this time at 'Eternelle!'. This should be no surprise to anyone who has heard them sing 'Romeo et Juliette'. And, of course, these masters of Gounod's version of 'Romeo and Juliet' also make something special of Bernstein's. I don't believe I've ever heard 'Tonight' more beautifully and musically sung - and as Gheorghiu pointed out in an interview, this is not 'easy' music to sing. The only problem here is that 'West Side Story' is more about Anglo/Puerto Rican culture clash than about family feuds, and so it hurts somewhat that the singers have the wrong (and more importantly, too similar) accents. Nevertheless, their English is clear and understandable, and as usual they mean every word they sing. The disc concludes with a radiant 'O soave fanciulla', where Rodolfo's and Mimi's romance is off to a tender and teasing start.

In addition to the six duets, each singer has two solo arias. Alagna's first is a splendid 'Ah, fuyez douce image', where he not only begins the aria pianissimo, but he makes more of the words than just about any tenor since Georges Thill. He follows this with a rollicking version of Paris' Entrance from 'La Belle Helene'. While not even Alagna can negotiate the B flat octave leaps with the ease of Jussi Bjorling (in his unsurpassable 1938 Swedish-language recording), he has the considerable advantage of native French speech, and a far better appreciation of the piece's humor. Gheorghiu has surpassed her two solo selections since making this recording - the 'Al dolce guidami' on her 'Casta Diva' bel canto disc and the 'Depuis le jour' on her live Covent Garden recital - but these versions demonstrate her ravishing top, command of legato, and extraordinary emotional expressivity.

Richard Armstrong (the music director of the Scottish Opera, who also conducted Alagna's solo debut album) is with his singers all the way and he has the Covent Garden Orchestra play gorgeously . In particular, his molding of the orchestral line and color in the Berlioz is very impressive. Excellent documentation, with full texts and translations, by British vocal collector John Steane. Although this is focused (as it should be) on the music rather than the singers, there is also brief biographical information on both Alagna and Gheorghiu, which none of their subsequent EMI CDs have had.

In short this album is a triumph from beginning to end and an absolute must for any lover of the human voice, absolutely giving lie to the common whine of 'all the great singers are gone forever'. Of course, you'll also have to buy Alagna's and Gheorghiu's complete opera recordings, their equally stunning Verdi duets CD, and too many individual solo albums to count. Almost anything either of these splendid artists do, separately or together, is worth buying and devouring. They're a Golden Age all by themselves!

A Nice Collection, But Something's Missing.......2003-11-09

Since Roberto Alagna and Angela Gheorghiu are opera's favorite lovebirds, and real life husband and wife, it is not inconceivable that EMI would release a disk of arias and duets featuring the couple. The disk is reasonably good. It has the standard duets such as "O Soave Fanciulla" from LA BOHEME and "The Cherry Duet" from L'AMICO FRITZ as well as a few lesser known pieces that make the disk interesting. The Broadway stage is also included in a duet from Leonard Bernstein's WEST SIDE STORY. As beautiful as Bernstein's music is, it somehow does not fit in this recording. The two do a reasonably good job, both as soloists and together, but the disk lacks power. The two fail to generate the energy on this disk that the two seem to have on television and in video performances. Their acting abilities surpass many "Golden Age" stars, but their music, while technically good, fails to generate the same excitement as a Corelli--Price, Pavarotti--Freni, or a Callas--Di Stefano pairing would generate. None-the-less, the recording is not bad, and it will certainly be pleasing to fans of the two.

Perfection.......2001-12-06

This is lovely from beginning to end. These two singers really know how to put together a recital CD. It's always satisfying no matter how often I listen to it. The selections they sing are well suited to their voices. It's a pleasure. I can't recommend this CD enough. It's truly a shared program with neither one overwhelming the other. They each get their solo turns and the duets are wonderful.

Average customer rating:

Very Best of Jessye Norman Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Similar Items: Jessye Norman Classics Brava, Jessye!: The Very Best Of Jessye Norman Very Best of The Essential Jessye Norman [Includes DVD: Jessye Norman Sings Carmen] Very Best of ASIN: B000083GOL Release Date: 2003-04-22

Tracks:

1. Dich, Teure Halle (Tannhauser, Act III)
2. Allamacht'ge Jungfrau, Hor Mein Flehen (Tannhauser, Act III)
3. Johohoe! Traft Ihr Das Schiff
4. Mild Und Leise
5. I. Dr Engel
6. II. Stehe Still!
7. III. Im Treibhaus
8. IV. Schmerzen
9. V. Traume
10. Dem Unendlichen D291
11. Der Winterabend D938
12. Auflosung D807
13. Ihr Habt Nun Traurigkeit

Tracks:

1. Barcarolle: Belle Nuit, O Nuit D'amour
2. Venus Dit A Fortune
3. Qui Connait Donc La Souffrance...O Dieu, De Quelle Ivresse
4. Jusque-La Cependant Affermis Mon Courage...Aujourd'hui, Aujourd'hui Les Larmes
5. Premiers Transports Que Mul N'oublie!(Romeo Et Juliette, Part I)
6. No.1 Nahandove, O Belle Nahandove
7. No. 2 Aoua! Aoua! Mefiez-Vous Des Blancs!
8. No. 3 Il Est Doux De Se Coucher
9. Chanson Du Rouet
10. Si Morne
11. 1. Rayon Des Yeux
12. 2. Le Matin Les Branches Attisent
13. 3. Tout Disparut
14. 4. Dans Les Tenebres Attisent
15. 4. Dans Les Tenebres Du Jardin
16. 5. Unis La Fraicheur Et Le Feu
17. 6. Homme Au Sourir Tendre
18. 7. La Grande Riviere Qui Va
19. Amours Divins! (Act II)
20. On Me Nomme Helenw La Blonde (Act II)
21. La Vrai, Je Ne Suis Pas Coupable (Act III)
22. Elle Vient! C'este Elle! (ActIII)

Average customer rating: Enchanté, Mlle Graham! excellent singing, not so great programming A CD full of scrumptious French chocolates! REYNALDO AND SOME LIGHT STUFF C'est magnifique!!

"C'est ca la vie, c'est ca l'amour": French Operetta Arias Reynaldo Hahn , Andre Messager , Susan Graham , Yves Abel , and City of Birmingham Symphony Manufacturer: Erato ProductGroup: Music Binding: Audio CD All Works by Honegger | Honegger, Arthur | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn) Susan Graham ~ Berlioz - Les nuits d'été Poèmes de l'Amour Susan Graham - Mozart & Gluck Arias ~ Il tenero momento Artist Portrait: Susan Graham ASIN: B00005UW0Z Release Date: 2002-04-02

Tracks:

1. "C'est ca la vie, c'est ca l'amour" (Moises Simons, from Toi c'est moi, 1934)
2. "J'ai deux amants" (Andre Messager, from L'Amour masque, 1923)
3. "Yes" (Maurice Yvain, from Yes, 1928)
4. "Si vous saviez" (Arthur Honegger, from Les Aventures du roi Pausole, 1930)
5. "O mon bel inconnu" (Reynaldo Hahn, from O mon bel inconnu, 1933)
6. "Je ne vois rien..Lorsque je n'etais qu'une enfant" (Andre Messager, from Fortunio, 1907)
7. "Les hommes sont biens tous les memes" (Andre Messager, from Coups de roulis, 1928)
8. "Air de la Lettre" (Reynaldo Hahn, from Brummell, 1931)
9. "L'amour est un oiseau rebelle" (Andre Messager, from Passionnement, 1926)
10. "Vois-tu, je m'en veux" (Andre Messager, from Les P'tites Michu, 1897)
11. "Etre adore" (Reynaldo Hahn, from Mozart, 1925)
12. "Je regrette mon Pressigny" (Andre Messager, from la Petite Fonctionnaire, 1921)
13. "Amour, amour, quel est donc ton pouvoir" (Andre Messager, from Les Dragons de l"Imperatrice, 1905)
14. "Mon reve" (Andre Messager, from L'Amour masque, 1923)
15. "C'est tres vilain d'etre infidele" (Reynaldo Hahn, from O mon bel inconnu, 1933)
16. "C'est pas Paris, c'est sa banlieue" (Reynaldo Hahn, from Ciboulette, 1923)
17. "Vagabonde" (Moises Simons, from Toi c'est moi, 1934)

Amazon.com

This record presents the esteemed opera singer and French music specialist Susan Graham in a new light. French operetta began with Jacques Offenbach (creator of The Tales of Hoffmann) in the 1850s; his ability to blend sweet lovely melodies with bitter political satire made him and the form famous, and composers all over the world have emulated him ever since, including those represented on this disc. Most of them, though popular during their lifetime, are hardly known today. The most familiar are Arthur Honegger and Reynaldo Hahn, though not primarily as operetta composers; the latter contributes some of the loveliest music.

The arias on this program are thoroughly appealing and very different, ranging from frothy creampuffs to almost operatic dramas, from ingenuous simplicity to ironic sophistication. As one might expect, the texts, all written from a woman's point of view, focus on the relationships between men and women in all their infinite, subtle variety. Susan Graham uses her very beautiful voice and captivating charm to bring out the teasing humor, the intimacy, passion, joy, and regret in words and music. One song is a trio, but since no other singers are mentioned, one assumes that she covers all three parts! The first song is the only one in which the singing is artificial and exaggerated, as if Graham were feeling her way into the style. The orchestra is very good, but some of the arrangements are overloaded. --Edith Eisler

Customer Reviews:

Enchanté, Mlle Graham!.......2004-11-13

Though it's fair to say that the stunning title track reaches a creative standard unmatched by any of the later items (no wonder it comes first), this is still refreshing stuff, which will bring out the slumbering Maurice Chevalier in us all. Anyone who can hear it without wanting to grab the nearest straw hat and proclaim "Zank 'eaven for leedle girrrrrlz" is a tougher man than I am, Gunga Din.

Refreshing stuff, but seldom flippant. Other than the X-rated Honegger song (who'd have thought sober-sided Artur H had a bawdy streak in him?) and the subtler but still eyebrow-raising Maurice Yvain number "Yes", the prevailing atmosphere is often surprisingly operatic. Surprising at any rate to me, since I can't recall hearing most of this material before. Reynaldo Hahn sometimes does a rather good Richard Strauss impersonation, as in "O mon bel inconnu", which suggests a Gallic version of ROSENKAVALIER's final trio.

Presumably Miss Graham sings all the vocal parts of this piece in a multi-tracking arrangement, but it would be nice to have been told in the booklet note whether this was the case. The short playing time deplored by Joy Fleisig is also a nuisance, since one wants even more of the same. Miss Fleisig rightly censured, in addition, the white-print-on-purple-background design which some graphic-design-school genius decided to employ for the lyrics' translations. So no fifth star for this review. The release remains a pretty enchanting (not to say enchanté) production, even if a native French singer would have cultivated - as native French singers will - an edgier, more acidic timbre than Miss Graham's warm, sonorous, very slightly cloudy tone. Altogether a splendid supplement to heftier and more austere listening.

excellent singing, not so great programming.......2002-10-02

A delightful album by Graham, who has apparently been cast as a French expert...but I wish there had been a few more uptempo numbers on here, so many of them are slow that it almost detracts from the sparkle of her singing. Great performances and sound, though.

A CD full of scrumptious French chocolates!.......2002-09-03

When one thinks of 'French operetta', the composer that most often springs to mind is Jacques Offenbach. However, the generations of operetta composers that came after him also produced some wonderful music. Unfortunately, although these works were very popular in their time, they are virtually forgotten today. Apart from Andre Messager, the best known names on this anthology, Reynaldo Hahn and Arthur Honneger, are better known for other types of work, and most of the other composers are unknowns. Susan Graham, perhaps the finest American mezzo-soprano of our time, is to be commended for bringing these sweets out into the open once again.

Graham is a singer very much in the mold of Frederica von Stade - like von Stade, she is best known for trouser roles such as Octavian and Cherubino, but she has done some wonderful work in French music, especially as a recitalist. Her voice is firm and lustrous with an easy, sopranoish top, her phrasing is exquisite, and her French is excellent. By turns Graham is funny, ironic, sensual, wistful, charming, and heroic.

Most of the music on this CD was written between 1920 and 1935, although one selection here is from as early as 1897. The music actually has greater similarity to 'modern' musical comedy than to traditional operetta. Of course, the primary theme of these works is the travails of women in love - either they struggle with their (often illicit) passions - in one case attempting to invoke Joan of Arc! - or muse on the perfidy of men. My favorite song on the disc is the title track, a delightful samba take on 'Carmen' (from Cuban-born Moises Simons' 'Toi c'est moi') with a verse that sounds quite a bit like the 'Habanera' - only in this version, Carmen murders Escamillo! It actually occurred to me while listening to this disc that Graham might make an excellent Bizet Carmen on records or in a small theater. By the way, the 'Carmen' connection shows up again in a song entitled - you guessed it - 'L'amour est un oiseau rebelle'!

Other tracks which I love are `Yes', wherein a French woman goes to England knowing only that word and gets her self married - and more, and `O mon bel inconnu', where three women get letters from the same man (their husband, father, and employer respectively) through the lonelyhearts column. Thanks to the miracle (?) of multi-tracking, Graham gets to sing all three roles, and her `voices' blend together gorgeously. And in the final track, 'Vagabonde' (also from 'Toi c'est moi') is a delightfully whirling 'impatient, quivering, impulsive' plea from a woman who wants to find a man willing to marry before her 'orange-flower' wilts (wink, wink).

Despite the light tone of most of this music, there are several moments of high drama. `Lorsque je n'etais que enfant' is an aria from Messager's `Fortunio' where the heroine, berating herself for toying with her boyfriend, reminisces of her purer and more innocent childhood. Graham is back in her usual trouser-role territory for the heroic `Etre adore' from Hahn's `Mozart', where the composer effuses over Paris and willingly sacrifices his soul to be adored by its people. There is also sweet nostalgia and regret, such as in 'Je regrette mon Pressigny', 'Vois-tu, je m'en veux' and 'C'est pas Paris, c'est sa banlieu'.

Actually, the only track that I don't like is 'Si vous saviez' from Honneger's 'Les Aventures du Roi Pausole', which ironically enough is Graham's favorite. The aria, where the wife of a polygamous potentate begs her husband to sleep with her more than once a year, is meant to be sensuous but just drags. I suspect this his Honneger's fault, not Graham's.

The French-Canadian Yves Abel is an ideal conductor for this repertory. He has a strong affinity not only for French opera but also for comedy and light music in general; the latter two qualities were very evident at a Metropolitan Opera `Il Barbiere de Siviglia' this year. I also remember a fine performance of `La Grande-Duchesse de Gerolstein' he conducted with his company L'Opera Francais de New York and Stephanie Blythe. Under his baton the City of Birmingham Symphony Orchestra plays just like a French ensemble.

The documentation has full texts and translation of all the material and a fine essay on the works and the composers by Patrick O'Connor. Unfortunately, there is no biographical information for either Graham or Abel. Also, some people might have problems reading the white type on purple background for the translations (the type for the essay is the normal white-on-black), although I did not. As usual, my complaint about many modern CDs, especially those produced by Erato, applies here - there is less than an hour of music on a medium that can hold almost 80 minutes. I think it is unlikely that Graham and Abel couldn't find more good music in this vein, or even that they ran out of recording time. And speaking of Erato, I think it is a crime that that parent company Warner Classics dismissed not only Graham but many other fine operatic artists like Jose Cura, Daniel Barenboim, and Barbara Frittoli. At least the man now in charge of Warner regrets Graham's dismissal and is negotiating a new contract with her.

I am glad that so many star singers today are championing French rarities - not only Graham but also Roberto Alagna and Vesselina Kasarova, among others. I would recommend this not only to lovers of opera and operetta but also to fans of more 'popular' French music like Edith Piaf's and Jacques Brel's, or even to admirers of the American musical. It doesn't matter by which road you come to it - this material is delightful and the presentation is flawless. Most importantly, it is clear that everybody involved with the making of this disc had a great time, and anyone who listens to it will as well.

REYNALDO AND SOME LIGHT STUFF.......2002-08-02

SUSAN GRAHAM had me an addict of her voice with her marvelous songs of REYNALDO HAHN,a treasure that i cherish.This FRENCH OPERETTA ARIAS is still a good cd,but lighter and fluffier.Not surprizingly, i consider the HAHN arias the highlight of this record.It seems to me that SUSAN has real affinities with the composer of CIBOULETTE and O MON BEL INCONNU.O MON BEL INCONNU and ETRE ADORÉ are wonderfully sung and are worth the price of the cd.I did not completely enjoy the first 4 numbers,although i should say that they are correctly done.Maybe i simply can't accept the fact that SUSAN can sing humourous stuff.Well that's my problem isn't it?I have the original version of J'AI DEUX AMANTS sung by YVONNE PRINTEMPS and the comparaison gives advantage to SUSAN.

C'est magnifique!!.......2002-06-29

Graham has never been better in this disc of delightful French operetta arias. A must for fans of the artist. And I dare you to get that opening track out of your head!!

Average customer rating:

RCA Red Seal Century: Soloists and Conductors Manufacturer: RCA ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music All Works by J.S. 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Tracks:

1. Sicilienne And Rigaudon - Mischa Elman/Percy Kahn
2. Nocturne in G, Op.37 No.2 - Vladimir de Pachmann
3. Ste No.1 in D, Op.43 - IV: March Miniature - Boston SO/Karl Muck
4. Vn Con in D, Op.35 - II: Canzonetta - Fritz Kreisler/Carl Lamson
5. Litanei, D.343 - Alfred Cortot
6. Gotterdammerung - Closing Scene - Leopold Stokowski
7. Ste, Op.15 - Valse - Harold Bauer/Ossip Gabrilowitsch
8. Mazurka in D, Op.33 No.2 - Ignace Jan Paderewski
9. Vn Partita No.3 in E, BWV 1006 - I: Prld - Sergei Rachmaninoff
10. Etude in a, Op.25 No.11 'Winter Wind' - Josef Lhevinne
11. Jalousie - Tango Tzigane - Boston Pops Orch/Arthur Fiedler
12. Vc Con No.2 in e, Op.30 - II: Lento - Andante Tranquillo (Abridged) - Emanuel Feuermann/Albert Hirsh
13. Schon Rosmarin - William Primrose/David Stimer
14. Ser in C, Op.48 - II: Waltz - Boston SO/Serge Koussevitzky
15. Beatrice Et Benedict - Ov - Boston SO/Charles Munch
16. Messiah, Pt.II, No.44 - Hallelujah Chor - Hugh Porter/Robert Shaw Chorale/Robert Shaw
17. Carnival Of The Animals: The Swan - Gregor Piatigorsky/Ralph Berkowitz
18. Don Pasquale - Ov - NBC SO/Arturo Toscanini
19. Mazurka In a, Op.7 No.2 - William Kapell
20. Cancion De Cuna (Cradle Song) - Jose Iturbi

Tracks:

1. Prld in c#, Op.45 - Arthur Rubinstein
2. Fant On Themes From Bizet's Carmen - Vladimir Horowitz
3. Fant in c, BWV 906 - Wanda Landowska
4. Coppelia - Prld: Mazurka - Boston SO/Pierre Monteux
5. Colas Breugnon, Op.24: Ov - Chicago SO/Fritz Reiner
6. Porgy And Bess - Jascha Heifetz
7. A Woman Is A Sometime Thing - Jascha Heifetz
8. Five Bagatelles - No.1: Allegro - Julian Bream
9. I Vespri Siciliani-Ballet: The Four Seasons: Winter - New Philharmonia Orch/James Levine
10. L'Isle Joyeuse - Van Cliburn
11. La Flute De Pan: Pan And The Birds - James Galway
12. Rosamunde, D.797 - Ballet Music No.II - Cologne RSO/Gunter Wand
13. Fantasiestuck, Op.73 No.3 - Rasch Und Mit Feuer - Richard Stoltzman
14. Light In Darkness - Evelyn Glennie
15. Fanfare For The Uncommon Woman, No.1 - Saint Louis SO/Leonard Slatkin
16. Transcendental Etude No.5 'Feux Follets' - Evgeny Kissin
17. A Hymn To New England - Boston Pops Orch/Keith Lockhart
18. Fanfare For The Common Man - San Francisco Sym/Michael Tilson Thomas

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Secret Agent File Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music General | Rock | Styles | Music General | Compilations | Rock | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music ASIN: B0002IQLVW Release Date: 2004-07-13

Tracks:

1. Octopussy - Neil Norman
2. I Spy
3. Reilly: Ace of Spies
4. Casino Royale
5. Ipcress File (A Man Alone)
6. Thunderball
7. Man from Uncle
8. Prisoner - Neil Norman
9. James Bond Theme
10. Our Man Flint
11. Moonraker - Neil Norman
12. Spy Who Came in from the Cold
13. Run Spy Run
14. Get Smart
15. You Only Live Twice
16. 007
17. Goldfinger
18. Rockford Files

Average customer rating: Go pick this up now

H.N.I.C. Prodigy of Mobb Deep Manufacturer: Relativity ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Big Beat | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music East Coast | Rap & Hip-Hop | Styles | Music Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Hell on Earth ASIN: B0000508VM Release Date: 2000-11-14

Tracks:

1. Bars & Hook (Intro)
2. Genesis (Skit)
3. Drive Thru
4. Rock Dat
5. What U Rep
6. Keep It Thoro
7. Can't Complain
8. Infamous Minded
9. Wanna Be Thugs
10. Three
11. Delt W/ The Bull
12. Trials Of Love
13. H.N.I.C
14. Be Cool (Skit)
15. Veteran's Memorial
16. Do It
17. Littles (Skit)
18. Y.B.E.
19. Diamond
20. Gun Play
21. You Can Never Feel My Pain
22. H.N.I.C. (Outro)

Customer Reviews:

Go pick this up now.......2002-09-10

This CD is a classic. If you are a fan of Mobb Deep or any Queensbridge rap then this is for you. This isn't the type of music you are gonna hear on the radio. I love this CD. Prodigy isn't gettin enough love. The best tracks are Rock Dat..., Keep It Thoro, H.N.I.C., The Realness, Diamond, Y.B.E, and You Could Never Feel My Pain which is about his fight with sickle cell. Go get this you won't be disappointed. This is real rap. Not that commercial garbage. One.

Average customer rating: A brilliant collection from a great soprano If I could have only one collection...... Yes this is great! The Grandest Collection of Leontyne Price Arias The Greatest Soprano Ever Recorded

Leontyne Price (The Prima Donna Collection) Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel 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| Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Price, Leontyne | ( P ) | Featured Performers, A-Z | Classical | Styles | Music Bainbridge, Elisabeth | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Barber, Samuel | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Bellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Berlioz, Hector | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Boito, Arrigo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Britten, Sir Benjamin | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Charpentier, Gustave | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Debussy, Claude | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Giordano, Umberto | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gluck, Christoph W. | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Dvorak, Antonin | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Flotow, Friedrich von | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Cilea, Francesco | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Handel, George Frideric | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Korngold, Erich Wolfgang | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mascagni, Pietro | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Price, Leontyne | Divas | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Opera Arias Ed Sullivan Show 2: Great Moments in Opera Sumi Jo - Virtuoso Arias ~ Verdi, Rossini, Donizetti, Meyerbeer Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss Voices of Firestone: The Great Sopranos / Steber, Price, Tebaldi, Sayao, Nilsson, Moffo, Albanese, Peters, Munsel, Traubel, Sutherland ASIN: B000003FAF Release Date: 1992-08-11

Tracks:

1. Dido and Aeneas: Act 3: Thy Hand, Belinda!
2. Dido and Aeneas: Act 3: When I Am Laid In Earth
3. Le nozze di Figaro: Act 3: E Susanna non vien!
4. Le nozze di Figaro: Act 3: Dove sono
5. La traviata: Act 3: Teneste la promessa
6. La traviata: Act 3: Addio del passato
7. L'africaine: Act 2: Sur mes genoux, fils du soleil
8. Manon: Act 2: Allons! il le faut!
9. Manon: Act 2: Adieu, notre petite table
10. Otello: Act 4: Era piu calma?
11. Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
12. Otello: Act 4: Ave Maria
13. Adriana Lecouvreur: Act 1: Ecco: respiro appena
14. Adriana Lecouvreur: Act 1: Io son l'umile ancella
15. Louise: Act 3: Depuis le jour
16. Turandot: Act 2: In questa reggia
17. Die tote Stadt: Act 1: Marietta's Lied
18. Vanessa: Act 1: He Has Come, He Has Come!
19. Vanessa: Act 1: Do Not Utter A Word

Tracks:

1. Atalanta: Act 1: Care Selve
2. Don Giovanni: Act 1: Don, Ottavio, son morta!
3. Don Giovanni: Act 1: Or sai chi l'onore
4. Der Freischuetz: Act 2: Wie nahte mir der Schlummer
5. Der Freischuetz: Act 2: Liese, leise
6. Tannhaeuser: Act 2: Dich, teure Halle
7. Macbeth: Act 2: La luce langue
8. Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
9. Macbeth: Act 4: Una macchia e qui tuttora
10. Mefistofele: Act 3: L'altra notte in fondo al mare
11. Rusalka: Act 1: Song To The Moon
12. L'Enfant Prodigue: Air de Lia: L'annee en vain
13. Andrea Chenier: Act 3: La mamma morta
14. Francesca da Ramini: Act 3: Paolo, datemi pace
15. Suor Angelica: Senza mammo, o bimbo, tu sei morto!
16. Amelia Goes To The Ball: While I Waste These Precious Hours

Tracks:

1. Alceste: Act 1: Divinites du Styx
2. Don Giovanni: Act 2: Crudele? Ah, no, mio bene
3. Don Giovanni: Act 2: Non mi dir
4. I lombardi: Act 2: O madre, dal cielo
5. I lombardi: Act 2: Se vano e il pregare
6. Martha: Act 2: The Last Rose Of Summer
7. Simon Boccanegra: Act 1: Come in quest'ora bruna
8. La Perichole: Act 3: Tu n'es pas beau
9. Die Walkuere: Act 1: Du bist der Lenz
10. Die Fledermaus: Act 2: Czardas: Klange der Heimat
11. Carmen: Act 3: Ces des contrebandiers
12. Carmen: Act 3: Je dis que rien ne m'epouvante
13. Cavalleria Rusticana: Voi lo sapete
14. Thais: Act 2: Ah! je suis seule
15. Thais: Act 2: Dis-moi que je suis belle
16. Gianni Schicchi: O mio babbino caro
17. Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve

Tracks:

1. Semele: Act 2: Where 'er You Walk
2. Idomeneo: Act 3: O smania! O Furie!
3. Idomeneo: Act 3: D 'Oreste, d' Ajace!
4. La damnation de Faust: Part 4: D'amour l'ardente flamme
5. Oberon: Act 2: Ozean, du Ungeheuer!
6. Norma: Act 1: Sediziose voci, voci di guerra
7. Norma: Act 1: Casta diva
8. Norma: Act 1: Ah! bello a me ritorna
9. Rigoletto: Act 1: Gualtier Malde
10. Rigoletto: Act 1: Caro Nome
11. Tristan und Isolde: Act 3: Liebestod: Mild und leise
12. Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
13. Adriana Lecouvreur: Act 4: Poveri fiori
14. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
15. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World

Customer Reviews:

A brilliant collection from a great soprano.......2007-04-30

Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!

If I could have only one collection.............2006-11-12

....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!

Yes this is great!.......2006-10-14

But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!

The Grandest Collection of Leontyne Price Arias.......2005-08-08

If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.

This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.

The Greatest Soprano Ever Recorded.......2005-03-20

O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.

This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.

Rap Music:

1. Hands On [Explicit Lyrics]
2. Husslin' [CD-single]
3. Junkanoo
4. Just Dance, Vol. 2
5. Kings of Gangster Bop
6. Leave Me Alone
7. Leo vs. Pisces
8. Life of Joseph W. McVey [Explicit Lyrics]
9. Masters of Illusion
10. Mercy

Rap Music

rap music

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A Seer in the Midst

46664 V.3: Amandla [Import]

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Burkhard: Concerto Op50; Concertino

A Lifetime of Song (1951-1982)

20 Exitos del Mariachi Silvestre Vargas, Vol. 1

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Astro Logical

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Neal Black and the Healers

Bathhouse Betty