Waltzes & Overtures

On this CD:

1. Frühlingsstimmen (Voices of Spring), waltz for orchestra (with voice ad lib), Op. 410 (RV 410)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

2. Rosen aus dem Süden (Roses from the South), waltz for orchestra, Op. 388 (RV 388)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

3. An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

4. Sphärenklänge Waltzes for orchestra, Op 235
Composed by Josef Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

5. Feuerfest Polka for orchestra, Op 269
Composed by Josef Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

6. Morgenblätter (Morning Papers), waltz for orchestra, Op. 279 (RV 279)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

7. Annen-Polka, for orchestra, Op. 117 (RV 117)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

8. Perpetuum Mobile (Perpetual Motion), Ein musikalischer Scherz, for orchestra, Op. 257 (RV 257)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

9. Ägyptischer (Egyptian March), march for orchestra, Op. 335 (RV 335)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

10. Tausend und eine Nacht (A Thousand and One Nights), waltz for orchestra, Op. 346 (RV 346)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

11. Liebes-Lieder (Love Songs), waltz for orchestra, Op. 114 (RV 114)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Clemens Krauss

Tracks:

Trois Gymnopedies (Pno Version): No.1. Lent Et Douloureux
Trois Gymnopedies (Pno Version): No.2. Lent Et Triste
Trois Gymnopedies (Pno Version): No.3. Lent Et Grave
Six Gnossiennes: No.1. Lent
Six Gnossiennes: No.2. Avec Etonnement
Six Gnossiennes: No.3. Lent
Six Gnossiennes: No.4. Lent
Six Gnossiennes: No.5. Modere
Six Gnossiennes: No.6. Avec Conviction Et Une Tristesse Rigoureuse
Je Te Veux (Valse)
Avant-dernieres Pensees: 1. Idylle/2. Aubade/3. Meditation
La Diva De L'Empire (Intermezzo Americain D'apres La Celebre Chanson)
Les Trois Valses Distinguees Du Precieux Degoute: 1. Sa Taille/2. Son Binoche/3. Ses Jambes
Sarabandes: Premiere Sarabande
Sarabandes: Deuxieme Sarabande
Sarabandes: Troisieme Sarabande
Trois Nocturnes: Premier Nocturne
Trois Nocturnes: Deuxieme Nocturne
Trois Nocturnes: Troisieme Nocturne
Reverie Du Pauvre
Trois Gymnopedies (Orchestral Version): No.1. Lent Et Couloureux - Orchestre Symphonique Et Lyrique De Nancy
Trois Gymnopedies (Orchestral Version): No.2. Lent Et Triste - Orchestre Symphonique Et Lyrique De Nancy
Trois Gymnopedies (Orchestral Version): No.3. Lent Et Grave - Orchestre Symphonique Et Lyrique De Nancy

Customer Reviews:

The Best of Erick Satie.......2007-06-11

The reason I bought this product, is because I was familiar with the 3 Gymnopedies of Erick Satie and also another of his work: The Gnosiemme (I'm not sure about the spelling) No. 4. After listening to the CD I felt very happy with it because include both versions of the Gymnopedies, the Orchestral and the one for piano and of course the Gnosiemme No. 4 which I now like it very much. The pianist makes justice to Satie's work and if you like his work is a good buy.

A forerunner to minimalism.......2007-04-13

Satie is a forerunner to minimalism. Each piece of his music is a beauty. He also had great influence on many famous composers and musicians in his age. This album is one of the best piano classical.

Wonderful.......2006-07-07

Just a great collection from Erik Satie. I would highly recommend this one!

Richard review of Best of Satie.......2005-09-02

The recording is well done. Eric Satie is not the type of music that many people will appreciate. I like his music and this particular recording.

Got Satie?.......2005-07-27

... Well folks. This may be the perfect album to get started. This features some of the best-known works by the wierd and witty Erik Satie, including the Gymnopedies (both the original piano and the orchestrated versions), the Gnossiennes, just to name a few.

The performance done by pianist Klara Kormendi is relatively plain and simple, just as Satie might have wanted. Some of his music is actually not too difficult to play... A great CD at a budget price. Kudos to Naxos for a good performance at a good price.

Also, what I'm equally impressed is the fact that in this "appreciation" album, the listener will actually be listening to many "sets" of pieces. Some of those albums (Beethoven and Mozart for example) are mere collections of selected tracks, many just one movement of a large work, such as a symphony. In some you will only be listening to selected numbers of different large "sets" of pieces. In Chopin's for example one may listen only few of the 20+ nocturnes (No. 2 for example), 15+ waltzes, and 20+ mazurkas he wrote, so one would not feel complete listening to the whole "cycles" of short pieces. Satie, fortunatley, prefered using tiny sets of pieces, most of them only comprising of three movments each. Plus each piece is short. ALL of the three Gymnopedies. ALL of the six Gnossiennes. ALL of the three Sarabandes. ALL of the three nocturnes. One can already feel happy listening to couple "sets" within a single CD.

Once again, this may be the perfect album to get started with Erik Satie. And get ALL out of those pieces!!!

Average customer rating:

The Complete Piano Music of Scott Joplin
Another Performer Rewrites Joplin's Masterpieces
complete piano music of Scott Joplin on 4 CD's
Ragtime Marvel
Complete, but poor quality

Complete Piano Music of Scott Joplin

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Similar Items:

Scott Joplin: Piano Rags
The Greatest Ragtime of the Century
The Sting: Original Motion Picture Soundtrack
Rags to Riches: The Essential Hits of Scott Joplin
Joplin - Complete Rags for Piano (Schirmer's Library of Musical Classics) Vol. 2020

ASIN: B000003QWN
Release Date: 1997-01-28

Tracks:

The Crush Collision March
Combination March
Harmony Club Waltz
Original Rags
Maple Leaf Rag
Swipesy Cakewalk
Reacherine Rag
Sunflower Slow Drag
The Augustan Club Waltz
The Easy Winners
Cleopha
A Breeze From Alabama
Elite Syncopations

Tracks:

The Entertainer
The Strenouous Life
March Majestic
Something Doing
Weaping Willow
Patr Leaf Rag
The Favorite
The Sycamore
The Cascades
The Chysanthemum
Bethena
Bink's Waltz
The Rosebud March

Tracks:

Leola
Eugenia
Antoinette
The Ragtime Dance
Searchlight Rag
Gladiolus Rag
Lily Queen
Rose Leaf Rag
Heliotrope Bouquet
The Nonpareil
Fig Leaf Rag
Sugarcane
Pineapple Rag

Tracks:

Wall Street Rag (1909)
Solace (1909)
Pleasant Moments (1909)
Country Club (1909)
Euphonic Moments (1909)
Paragon Rag (1909)
Stop-Time Rag (1910)
Felicity Rag (1911)
Scott Joplin's New Rag (1912)
Kismet Rag (1913)
Magnetic Rag (1914)
Reflection Rag (1917)
Silver Swan Rag (1917)

Customer Reviews:

The Complete Piano Music of Scott Joplin.......2007-06-08

John Arpin does a great job with these pieces. The songs carry a consistent sound and are played very close to as-written, which comes and goes with old ragtime pieces. The stamping on Stop-Time Rag doesn't have a consistent sound to it, can be a little distracting. Everything else is great, overall I think that it's a great buy, I'm very happy with it.

Another Performer Rewrites Joplin's Masterpieces.......2007-05-31

Once again, another performer feels the need to rewrite the music of the King of Ragtime. Scott Joplin spins in his grave each and every time this recording is played.

Again, to those who believe that concert music is meant to be rewritten by each and every performer I ask, is the same treatment also acceptable for Chopin's and Rachmaninoff's music? Would "Moonlight Sonata" sound better if played at twice the tempo and with a reprise of the first Adagio movement thrown in at the end? Obviously, the answer to these questions is a resounding NO!, so why does one of America's greatest composers get such disrespect?

Interpretation is an integral part of every performance. Adding one's own notes, phrases and chords where none should be is not. Randomly changing the structure of the piece is not. Playing a piece at twice the indicated tempo is not.

One the plus side, the depth of this collection is outstanding. Joplin's lesser known pieces like "Harmony Club Waltz" really shine. The recording is decent in quality, although a bit bassy in places.

While its been stated before, I feel its worth repeating: Buy Joshua Rifkin's performances of Joplin in order to hear how the Master intended his pieces to sound.

complete piano music of Scott Joplin on 4 CD's.......2007-02-14

Although all of the music is terrific it is rather a lot of a similar sound. I think I would have preferred 2 CD's of selected piano works of Scott Joplin. But I did get the music at a good price.

Ragtime Marvel.......2005-10-09

This collection of Scott Joplin's piano music is outstanding. As a lover of ragtime which was a prelude to jazz, I am thoroughly enjoying this collection. If you are not a lover of jazz, you may be a lover of ragtime. Jazz can sometimes be grating on the nerves, whereas ragtime lifts the spirit.

Complete, but poor quality.......2005-09-25

I have been learning some ragtime and wanted to hear more to find other selections to learn. Listened to Maple Leaf Rag, my favorite, first and was disappointed. Listened to others and was more disappointed. Maple flies - much faster than anyone would play it, you can't make out some of the phrases. And talk about ad libs - Tempo, dynamics, embelishments, nuances - I really think he plays some wrong notes too because he's going so fast. It's really a poor recording - and that's just on Maple Leaf. Others with "intros" start quick and then there's a grand pause, not a rest, but nearly a five second break. It's hard to argue how Joplin would have played it, but this is hardly anything I want to try to imitate. The only qualitating factor is the number of songs for the price. A lot of variety of a poor interpretation is only worth 3 stars. if that. Look for Rifkin or a copy that is as written to listen to first, then go for the ad libs and "artistic interpretations"

Average customer rating:

Picasso in sound
Great but NOT complete
There's only one.
Don't forget Satie was an Anti-Romantic
"Electric Spirit of Eric Satie" fans this is the one !

Satie: Piano Works

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

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Similar Items:

Debussy: Piano Works
The Best of Erik Satie
After the Rain...The Soft Sounds of Erik Satie
Satie: Gymnopédies No1-3; Gnossiennes No1-6
The Magic of Satie

ASIN: B000002SBP
Release Date: 1992-01-23

Tracks:

Oeuvres Pour Piano: Gymnopedie I
Oeuvres Pour Piano: Gymnopedie II
Oeuvres Pour Piano: Gymnopedie III
Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
Oeuvres Pour Piano: II: Son binocle
Oeuvres Pour Piano: III: Ses jambes
Oeuvres Pour Piano: Trois Gnossiennes: I Lent
Oeuvres Pour Piano: II Avec nnement
Oeuvres Pour Piano: III Lent
Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
Oeuvres Pour Piano: V Mod
Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
Oeuvres Pour Piano: Prolongation du m
Oeuvres Pour Piano: I
Oeuvres Pour Piano: II
Oeuvres Pour Piano: III
Oeuvres Pour Piano: En plus
Oeuvres Pour Piano: Redite
Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
Oeuvres Pour Piano: III Espa (Sorte de valse)
Oeuvres Pour Piano: Sonatine bureaucratique
Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
Oeuvres Pour Piano: II Simplement
Oeuvres Pour Piano: III Un peu mouvement
Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
Oeuvres Pour Piano: Air du Grand Maitre
Oeuvres Pour Piano: Air du Grand Prieur
Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation

Tracks:

Jack In The Box: Prelude
Jack In The Box: Entracte
Jack In The Box: Final
Sports et Divertissements: Choral inappetissant
Sports et Divertissements: La Balanre
Sports et Divertissements: La Chasse
Sports et Divertissements: La Come italienne
Sports et Divertissements: Le Ril de la Mari
Sports et Divertissements: Colin-Maillard
Sports et Divertissements: La Pe
Sports et Divertissements: Le Yachting
Sports et Divertissements: Le Bain de mer
Sports et Divertissements: Le Carnaval
Sports et Divertissements: Le Golf
Sports et Divertissements: La Pieuvre
Sports et Divertissements: Les Courses
Sports et Divertissements: Les Quatre-Coins
Sports et Divertissements: Le pique-nique
Sports et Divertissements: Le Water-chute
Sports et Divertissements: Le Tango
Sports et Divertissements: Le Traau
Sports et Divertissements: Le Flirt
Sports et Divertissements: Le Feu d'artifice
Sports et Divertissements: Le Tennis
Oeuvres Pour Piano: I D'Holothurie
Embryons desseches: II D'Edriophtalma
Embryons desseches: III De Podophtalma
Preludes flasques (pour un chien): I Voix d'interieur
Preludes flasques (pour un chien): II. Idylle cynique
Preludes flasques (pour un chien): III. Chanson canine
Preludes flasques (pour un chien): IV. Avec camaraderie
En habit de cheval (a 4 mains): I Choral
En habit de cheval (a 4 mains): II Fugue litanique
En habit de cheval (a 4 mains): III Autre chose
En habit de cheval (a 4 mains): IV Fugue de papier
Apercus desagreables: I Pastorale
Apercus desagreables: II Choral
Apercus desagreables: III Fugue
Descriptions automatiques: I Sur un vaisseau
Descriptions automatiques: II Sur une lanterne
Descriptions automatiques: III Sur un casque
3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
Peccadilles importunes: Lui manger sa tartine
Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
Pieces froides - No. 1 Airs a faire fuir: II Modestement
Pieces froides - No. 1 Airs a faire fuir: III S'inviter
Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
Pieces froides - No. 2 Danses de travers: II Passer
Pieces froides - No. 2 Danses de travers: III Encore
La Belle Excentrique: I Grande ritournelle
La Belle Excentrique: II Marche franco-lunaire
La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
La Belle Excentrique: IV Can-can grand-mondain
3 Sarabandes: No. 1
3 Sarabandes: No. 2
3 Sarabandes: No. 3

Amazon.com

It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey

Customer Reviews:

Picasso in sound.......2006-02-19

Pablo Picasso, Jean Cocteau and Eric Satie were drinking buddies; it shouldn't be surprising that their work, though in different media, should bear striking similarities. This CD set replaces a very badly abused vinyl recording from the 1960s. No one plays Satie like Aldo Ciccolini. I do wish the Parade had been included, Satie wrote the music, Cocteau the libretto and Picasso did the sets and costumes-Satie's only ballet. Of course, the circa 1910 audience walked out. It's the story of an out-of-work ballet company that goes out onto the streets of Paris to try to get customers to come inside. The customers are stereotypes like the American in a cowboy outfit who adds the sound of this six gun to the music and the secretary who types through the encounter. The back wall of the theater was covered with Picasso designed neon signs flashing in bright colors throughout the performance. Across the front of the stage he'd strung acetate on which were playing street scenes of Paris from three cameras-red, blue and green. The men were way, way ahead of their times.

Great but NOT complete.......2004-12-23

Please note that this collection does NOT contain Erik Satie's complete works for piano. The collection makes no such claim, but at 5 CDs, some may assume it to be complete and none of the other reviews to date mention this. I am too lazy to do the research to come up with a complete list, but offhand I know that these songs are missing - "Je Te Veux", "Fantaisie-Valse" and "Valse-Ballet". These 3 are among my favorite Satie pieces, so yes, I think the collection is diminished somewhat by their absence.

Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.

There's only one........2004-06-26

If you're reading this, you've already heard Satie's music, so I needn't to go into that. I do want to say that this is the only recording of Satie that is worth hearing. Ciccolini is the only foot that will fit the Satie glass slipper. Don't waste your money on the ugly step-sisters.

Don't forget Satie was an Anti-Romantic.......2002-02-25

No one could deny that setting every disperse music in a unique album is a remarkable job. But I didn't like much the approach of Ciccolini, which I knew around 1975 while getting borrowed the vinyl LPs in the Embassy of France in Buenos Aires. Now I'd like to explain to whom it may concern why do I feel that way.
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.

"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17

Fans of "The Electronic Spirit of Eric Satie" will immediately recognize Aldo Ciccolini as one of the few musicians in touch with the true "Satie" style. The selections correspond to "Electric Spirit" ; except, performed as a good piano solo. The piano recording is done so well it's better than most orchestral versions. It sounds very much like "Electric Spirit" without orchestration nor electronic "boops" and "beeps"-- just a good piano. It's really just as funny and powerful; and here it has a class act. This performance is a rare find !

Let's Dance! : The Best Of Ballroom Foxtrots & Waltzes

Average customer rating:

Dancing and Listening
Great dance music, with some quirks
Let's Dance
Foxtrot Fun
This is a great collection of music!

Let's Dance! : The Best Of Ballroom Foxtrots & Waltzes
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

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Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

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General | Instructional | Miscellaneous | Styles | Music

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The Fabulous Ballroom Collection
Rhumba
Let's Dance, Vol. 5: Modern Collection (Michelle)
Cha Cha
The Fabulous Swing Collection

ASIN: B000003449
Release Date: 1997-11-11

Tracks:

There Will Never Be Another You - Andy Williams
I've Heard That Song Before - Harry James & His Orchestra
In A Mellow Tone - Manhattan Transfer
I Let A Song Go Out Of My Heart - Mel Torme
Teach me Tonight - Larry Chance
On A Little Street In Singapore - Manhattan Transfer
Mister Sandman - The Four Aces
Sunny Side Of The Street - Tab Smith
Main Title 'Crazy World' (from Victor/Victoria) - Henry Mancini
The Song From Moulin Rouge - The Percy Faith Strings
Put Your Dreams Away - 101 Strings
Charade - Andy Williams
Tenderly - The Romantic Strings
In A Perfect World - Melissa Manchester
Les Bicyclettes De Belsize - Engelbert Humperdinck

Customer Reviews:

Dancing and Listening.......2007-04-05

This is great for dancing and listening. It will put you in a good mood.

Great dance music, with some quirks.......2007-04-03

I enjoy this disc, and it is great fun to dance to. Most of the tempos are appropriate, but there are some interesting quirks here that other reviewers have not mentioned. I list these after the title, duration, and suggested dance:

There will never be another you, 2:55, Foxtrot
I've heard that song before, 3:02, Foxtrot
In a mellow tone, 3:16, Foxtrot
I let a song go out of my heart, 2:02, Foxtrot
Teach me tonight, 3:01, Foxtrot (Oh! It begs to be danced as a West Coast Swing)
On a little street in Singapore, 3:20, Foxtrot
Mister Sandman, 2:40, Foxtrot (Hey, this is perhaps 58 bpm, so dance it as a Quickstep)
Sunny side of the street, 2:43, Foxtrot (Again, it works great as a West Coast Swing)
Crazy World Theme, 2:10, Waltz
Song from Moulin Rouge, 3:22, Waltz
Put your dreams away, 2:39, Waltz
Charade, 2:34, Waltz
Tenderly, 2:56, Waltz (A beautiful recording, but it is somewhat difficult to hear the beat)
In a perfect world, 4:18, Waltz (Very slow at the start, perhaps 28 bpm?)
Bicyclettes de Belsize, Les, 3:10, Waltz

Let's Dance.......2007-02-22

Didn't open the CD, therefore no review: reason for return didn't receive on date promised.

Foxtrot Fun.......2006-07-07

My husband and I really enjoyed this CD. We're ballroom beginners and have trouble finding music to practice to. This CD has great songs (with singing - neither one of us cares for the "instrumental" versions of popular songs) and it allows us to practice dancing to a variety of tempi.

This is a great collection of music!.......2006-03-23

If you are looking for a collection of standards that are by the origional artists, this is a great CD! I'm dissapointed how many collections are out there where the music is watered down versions that sound much like elevator music. This collection should definitely be apart of yours. It's great to finally be able to dance to the origionals that made the dancing popular to begin with. I should point out that this isn't a collection of greatest hits, but it shouldn't be overlooked.

Average customer rating:

My experience of this CD
Beautiful!
Well worth the money. Wonderful! Wonderful!
Best investment to make
A great pianist interpreting the most inspired composer ever !

Chopin: The Piano Works

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Bourees | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Ecossaises | Ballets & Dances | Classical | Styles | Music

Galops | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

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Liszt: Piano Works
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ASIN: B0000041KB
Release Date: 1997-06-24

Tracks:

24 Preludes, Op.28: I - C Major
24 Preludes, Op.28: II - A Minor
24 Preludes, Op.28: III - G Major
24 Preludes, Op.28: IV - E Minor
24 Preludes, Op.28: V - D Major
24 Preludes, Op.28: VI - B Minor
24 Preludes, Op.28: VII - A Major
24 Preludes, Op.28: VIII - F Sharp Minor
24 Preludes, Op.28: IX - E Major
24 Preludes, Op.28: X - C Sharp Minor
24 Preludes, Op.28: XI - B Major
24 Preludes, Op.28: XII - G Sharp Minor
24 Preludes, Op.28: XIII - F Sharp Major
24 Preludes, Op.28: XIV - E Flat Minor
24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
24 Preludes, Op.28: XVI - B Flat Minor
24 Preludes, Op.28: XVII - A Flat Major
24 Preludes, Op.28: XVIII - F Minor
24 Preludes, Op.28: XIX - E Flat Major
24 Preludes, Op.28: XX - C Minor
24 Preludes, Op.28: XXI - B Flat Major
24 Preludes, Op.28: XXII - G Minor
24 Preludes, Op.28: XXIII - F Major
24 Preludes, Op.28: XXIV - D Minor
Prelude In C Sharp Minor, Op.45
Prelude In A Flat Major
Impromptu In A Flat Major, Op.29
Impromptu In F Sharp Major, Op.36
Impromptu In G Flat Major, Op.51
Fantaisie-Impromptu In C Sharp Minor, Op.66

Tracks:

Ballade No.1 In G Minor, Op.23
Ballade No.2 In F Major, Op.38
Ballade No.3 In A Flat Major, Op.47
Ballade No.4 In F Minor, Op.52
Scherzo No.1 In B Minor, Op.20
Scherzo No.2 In B Flat Minor, Op.31
Scherzo No.3 In C Sharp Minor, Op.39
Scherzo No.4 In E Minor, Op.54

Tracks:

3 Nocturnes, Op.9: I - B Flat Minor
3 Nocturnes, Op.9: II - E Flat Major
3 Nocturnes, Op.9: III - B Major
3 Nocturnes, Op.15: I - F Major
3 Nocturnes, Op.15: II - F Sharp Major
3 Nocturnes, Op.15: III - G Minor
2 Nocturnes, Op.27: I - C Sharp Minor
2 Nocturnes, Op.27: II - D Flat Major
2 Nocturnes, Op.32: I - B Major
2 Nocturnes, Op.32: II - A Flat Major
2 Nocturnes, Op.37: I - G Minor
2 Nocturnes, Op.37: II - G Major

Tracks:

2 Nocturnes, Op.48: I - C Minor
2 Nocturnes, Op.48: II - F Sharp Minor
2 Nocturnes, Op.55: I - F Minor
2 Nocturnes, Op.55: II - E Flat Major
2 Nocturnes, Op.62: I - B Major
2 Nocturnes, Op.62: II - E Major
Nocturne In E Minor, Op.72 No.1
Nocutrne In C Sharp Minor
Nocturne In C Minor

Tracks:

12 Etudes, Op.10: I - C Major
12 Etudes, Op.10: II - A Minor
12 Etudes, Op.10: III - E Major
12 Etudes, Op.10: IV - C Sharp Minor
12 Etudes, Op.10: V - G Flat Major 'Black Key'
12 Etudes, Op.10: VI - E Flat Minor
12 Etudes, Op.10: VII - C Major
12 Etudes, Op.10: VIII - F Major
12 Etudes, Op.10: IX - F Minor
12 Etudes, Op.10: X - A Flat Major
12 Etudes, Op.10: XI - E Flat Major
12 Etudes, Op.10: XII - C Minor 'Revolutionary'
12 Etudes, Op.25: I - A Flat Major
12 Etudes, Op.25: II - F Minor
12 Etudes, Op.25: III - F Major
12 Etudes, Op.25: IV - A Minor
12 Etudes, Op.25: V - E Minor
12 Etudes, Op.25: VI - G Sharp Minor
12 Etudes, Op.25: VII - C Sharp Minor
12 Etudes, Op.25: VIII - D Flat Major
12 Etudes, Op.25: IX - G Flat Major
12 Etudes, Op.25: X - B Minor
12 Etudes, Op.25: XI - A Minor 'Winter Wind'
12 Etudes, Op.25: XII - C Minor

Tracks:

2 Polonaises, Op.26: I - C Sharp Minor
2 Polonaises, Op.26: II - E Flat Minor
2 Polonaises, Op.40: I - A Major
2 Polonaises, Op.40: II - C Minor
Polonaise In F Sharp Minor, Op.44
Polonaise In A Flat Major, Op.53
Polonaise-fantaisie In A Flat Major, Op.61

Tracks:

3 Polonaises, Op.71: I - D Minor
3 Polonaises, Op.71: II - B Flat Major
3 Polonaises, Op.71: III - F Minor
Polonaise In B Flat Minor
Polonaise In G Flat Major
Polonaise In G Minor
Polonaise In B Flat Major
Polonaise In A Flat Major
Polonaise In G Sharp Minor

Tracks:

Waltz In E Flat Major, Op.18
3 Waltzes, Op.34: I - A Flat Major
3 Waltzes, Op.34: II - A Minor
3 Waltzes, Op.34: III - F Major
Waltz In A Flat Major, Op.42
3 Waltzes, Op.64: I - D Flat Major
3 Waltzes, Op.64: II - C Sharp Minor
3 Waltzes, Op.64: III - A Flat Major
2 Waltzes, Op.69: I - A Flat Major
2 Waltzes, Op.69: II - B Minor
3 Waltzes, Op.70: I - G Flat Major
3 Waltzes, Op.70: II - F Minor
3 Waltzes, Op.70: III - D Flat Major
Waltz In E Minor (1830)
Waltz In E Major (1829)
Waltz In A Minor (?1843)
Waltz In A Flat Major (1827)
Waltz In E Flat Major ('Sostenuto', 1840)
Waltz In E Flat Major (1829 - 1830)

Tracks:

4 Mazurkas, Op.6: I - F Sharp Minor
4 Mazurkas, Op.6: II - C Sharp Minor
4 Mazurkas, Op.6: III - E Major
4 Mazurkas, Op.6: IV - E Flat Minor
5 Mazurkas, Op.7: I - B Flat Major
5 Mazurkas, Op.7: II - A Minor
5 Mazurkas, Op.7: III - F Minor
5 Mazurkas, Op.7: IV - A Flat Major
5 Mazurkas, Op.7: V - C Major
4 Mazurkas, Op.17: I - B Flat Major
4 Mazurkas, Op.17: II - E Minor
4 Mazurkas, Op.17: III - A Flat Major
4 Mazurkas, Op.17: IV - A Minor
4 Mazurkas, Op.24: I - G Minor
4 Mazurkas, Op.24: II - C Major
4 Mazurkas, Op.24: III - A Flat Major
4 Mazurkas, Op.24: IV - B Flat Minor
4 Mazurkas, Op.30: I - C Minor
4 Mazurkas, Op.30: II - B Minor
4 Mazurkas, Op.30: III - D Flat Major
4 Mazurkas, Op.30: IV - C Sharp Minor
4 Mazurkas, Op.33: I - G Sharp Minor
4 Mazurkas, Op.33: II - D Major
4 Mazurkas, Op.33: III - C Major
4 Mazurkas, Op.33: IV - B Minor
4 Mazurkas, Op.41: I - C Sharp Minor
4 Mazurkas, Op.41: II - E Minor
4 Mazurkas, Op.41: III - B Major
4 Mazurkas, Op.41: IV - A Flat Major

Tracks:

3 Mazurkas, Op.50: I - G Major
3 Mazurkas, Op.50: II - A Flat Major
3 Mazurkas, Op.50: III - C Sharp Minor
3 Mazurkas, Op.56: I - B Major
3 Mazurkas, Op.56: II - C Major
3 Mazurkas, Op.56: III - C Minor
3 Mazurkas, Op.59: I - A Minor
3 Mazurkas, Op.59: II - A Flat Major
3 Mazurkas, Op.59: III - F Sharp Minor
3 Mazurkas, Op.63: I - B Major
3 Mazurkas, Op.63: II - F Minor
3 Mazurkas, Op.63: III - C Sharp Minor
4 Mazurkas, Op.67: I - G Major
4 Mazurkas, Op.67: II - G Minor
4 Mazurkas, Op.67: III - C Major
4 Mazurkas, Op.67: IV - A Minor
4 Mazurkas, Op.68: I - C Major
4 Mazurkas, Op.68: II - A Minor
4 Mazurkas, Op.68: III - F Major
4 Mazurkas, Op.68: IV - F Minor
Mazurka In A Minor ('a Emile Gaillard', 1840)
Mazurka In A Minor ('Notre temps', 1840)
Mazurka In B Flat Major (1826)
Mazurka In G Major (1826)
Mazurka In A Flat Major (1834)
Mazurka In C Major (1833)
Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
Mazurka In D Major (1832)
Mazurka In D Major (?1820)
Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy

Tracks:

Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
Piano Sonata No.3 In B Minor, Op.58: III - Largo
Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
Fantaisie In F Minor, Op. 49

Tracks:

Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
Variations sur un air national allemand - E Major (1826)
Rondo In C Minor, Op.1
3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
Rondo 'a la Mazur' In F Major, Op.5
Marche funebre In C Minor, Op.72 No.2
Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
Rondo In C Major, Op.73 - Vladimir Ashkenazy
Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy

Tracks:

Variations In A Major ('Souvenir de Paganini', 1829)
Variations brillantes In B Flat Major, Op.12
Rondo In E Flat Major, Op.16
Bolero In A Minor, Op.19
Cantabile In B Flat Major
Variation In E Major
Largo In E Flat Major
Allegro de concert In A Major, Op.46
3 Nouvelles Etudes (1837): I - F Minor
3 Nouvelles Etudes (1837): II - A Flat Major
3 Nouvelles Etudes (1837): III - D Flat Major
Tarentelle In A Flat Major, Op.43
Fugue In A Minor (1841 - 42)
Albumblatt in E Major (1843)
Op.74 No.2: Wiosna - Spring
2 Bourrees (1846): I - G Minor; II - A Major
Galop Marquis
Berceuse In D Flat Major, Op.57
Barcarolle In F Sharp Major, Op.60

Customer Reviews:

My experience of this CD.......2007-04-04

My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.

Beautiful!.......2006-08-18

This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.

Well worth the money. Wonderful! Wonderful!.......2006-06-10

I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!

Best investment to make.......2006-05-21

In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.

Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.

Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.

The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.

This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.

A great pianist interpreting the most inspired composer ever !.......2005-09-15

Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.

Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).

Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.

Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)

Average customer rating:

Elegance at the piano
VALUE FOR MONEY
Good bang for the buck.
Really good price.

Piano Favorites

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

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Chopin: Preludes & Nocturnes

ASIN: B000000UVY
Release Date: 1995-10-17

Tracks:

Fantasie Impromptu in C-sharp minor, OP.66
Waltz No.15 in A-flat, Op.39
Rondo all turca from Sonata in A, K.331
Minuet in G
Traumerei Op.15 No.7 (from Kinderzenen)
Un sospiro
Etude in C-sharp minor, Op.10 No.4
Etude in G-flat, Op.10 No.5
Humoresque, Op.101 No.7
'Fur Elise' (Bagatelle Wo0.59)
Claire de lune (Suite Bergamasque, No.3)
Golliwog's Cakewalk (Coin des enfants, No.6)
Prelude in C-sharp minor, Op.3 No.2
Melody in F, Op.3 No.1
The Cuckoo
La fille aux cheveux de lin (from Preludes Book I)
Waltz in C-sharp minor, Op.64 No.2
Waltz in G-flat, Op.70 No.1
Jeux d'eau
Gymnopedie No.1 (Lent et douloureux)

Customer Reviews:

Elegance at the piano.......2007-06-16

I grew up listening to Moura Lympany's playing, especially Litolff's Scherzo. Never could understand how a person could play with absolute control at high speed. In this recording, most (though not all - the Etude in C# minor an obvious exception)of the music is more laid back, and played with great grace and with the controlled touch of a pianist at the peak of her career.
The ambience of the recording is a wide open one, giving us the full clear sound that makes listening to a grand piano to enjoyable.
If you enjoy listening to good piano music, this is a recording that you will enjoy a great deal.

VALUE FOR MONEY.......2006-08-24

Dame Moura is my favourite pianist. Her great style and sublety of expression comes out in all her recordings. this CD is the best value for money ever!!

Good bang for the buck........2005-12-07

I was killing some time in the store the other day and was in the mood for a cheap CD for the car for the ride home. I ran across this and saw a few recognizable titles so for about $5 I figured I'd take a chance. I'm fairly impressed, I wasn't crazy about some of her dynamics in Un Sospiro plus her little added frill in there but still enjoyed it...I'd learned that piece myself years back, still can't play it and probably never will! Another piece I've known for years is the infamous Rachmaninov Prelude in C#m. Again, I wasn't crazy about some of the dynamics of her style but she still nails it without a hitch. Then I got to some other interesting pieces, I love the Debussy Golliwog's Cakewalk...really sticks in your head. Sort of a classisized (?) ragtime and it's cool enough that I'm going to dig through my music and see if I don't have it somewhere. I thought the Chopin Etude in C#m was absolutely fabulous, she just cooks through it from beginning to end. I probably have the music for that too...I'm not even going to attempt it! ;-) In fact, I liked all the Chopin she plays here, it seems she had a real flair for his music. Without going on forever here I'll just say that there are several tracks I listen to extensively on here and I'm fairly impressed. For a lousy $5 how can you go wrong? Just buy the thing! I'd never heard of her before so I just did a little 'net searching and I'm saddened to find that she just passed away about 8 months ago at age 88, truly a loss to the classical music world. In any case, even at twice the price I doubt anyone would be disappointed with this CD.

Really good price........2002-06-15

This is a great CD and you can't beat the price. These piano compositions are great for restful backgroud music after a hard day. I want to get a second one for when this one wears out.

In the Spanish Style / Christopher Parkening

Average customer rating:

Never ever to find more graceful play!
Grunting and moaning explained
Great Introduction to Classical Guitar
Excellent collection
Parkening in top form

In the Spanish Style / Christopher Parkening

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso

ASIN: B000002RNK
Release Date: 1990-10-25

Tracks:

Suite espanola: Leyenda
Capricho arabe (Serenata)
Rumores de la Caleta (Malaguena)
Prelude No. 1
Prelude No. 2
Prelude No. 3
Estudio brillante
Recuerdos de la Alhambra
Fantasia: Fantasia No. 10
Estudio No. 17 In E Minor
Estudio No. 19 In B Flat
Twelve Etudes: Etude No. 1 in E Minor
Twelve Etudes: Etude No. 11 In E Minor
Vals venezolano No. 3
Four Preludes
Catalonian Song
Romance

Customer Reviews:

Never ever to find more graceful play!.......2007-03-09

The incredible representation and sound Parkening created by the guitar is
sublimity itself. Though I have listened to many a world-famous guitarist,
I have never been so fascinated as by his play. I couldn't but make intimate friends of mine a present of Parkening's CDs like "In the Spanish Style", through which I felt I could show them what real music is like. I never ever imagine I could find more graceful play than that of Christopher Parkening at least in the world of the guitar.

Grunting and moaning explained.......2006-01-03

I met Parkening in 1972, a few years after this album was first released. I asked him about the "groans" that could be heard. He explained that at the time he let his thoughts wander and thought about the future, when some Swiss moron named Peter Gilman would complain about the recording. Absentmindedly, he groaned at the thought of it all. He told me if ever I should meet Peter that I was to apologize.

Peter, sorry about that.

Great Introduction to Classical Guitar.......2005-04-07

My parents had this on vinyl when I was kid. I listened to it a lot in high school when I was listening to a lot of musical styles. This and Parkening's Bach CD are probably my two favorite classical guitar discs.

As a rock/blues/pop guitarist, I've been learning some classical over the last few years. And this disc has been my reference. Parkening's playing is confident and enjoyable. Capricho Arabe stands out as does the Sor studies that he covers.

My only complaint is Leyenda, his performance is less than passionate and the recording doesn't sound EQ'd correctly in a few spots. Other artists have better recordings of this song (John Williams comes to mind).

If you are looking for a great classical guitar CD, this is a great place to start.

Excellent collection.......2004-05-06

This is the album that made me want to take up classical guitar. Great selection of songs, played with incredible feeling and tone. Brilliant performances of Capricho Arabe, Recuerdos and the Villa-Lobos and Ponce Preludes. His rendition of Romance is what every student should strive for. The student (Parkening) has most definitely learned all of his master's (Segovia) lessons and went even further. Still fresh after 25 years of regular listening.

Parkening in top form.......2004-02-28

Christopher Parkening's technical prowess is in full effect here, showing he's truly the ultimate successor to the great Andres Segovia.

I don't know about grunting, but if you listen closely, there is some noticeable sighing from Parkening on a few of the tracks, especially the third. Presumably, he was getting weary from all the work his fingers were getting in playing those immensely complex arrangements. But to go as for as to say it ruins the recording is ludicrous. In fact, the sighing adds to the intimacy and accessibility of the recording. I had always felt distant while listening to a Parkening album because he sounded TOO polished. He plays great here, but to hear his voice, even in its slightest audible sound, adds to the album's charm.

Tracks:

Roses From The South Op.388
The United Millions Op.443
Where The Lemon Trees Blossom Op.364
Artist's Life Op.316
Treasure Waltz (From The Gypsy Baron) Op.418

Tracks:

Emperor Waltz Op.437
Tritsch, Tratsch Polka Op.214
Wine, Woman And Song Op.333
Eljen A Magyar Op.332
Morning Papers Op.279
Persian March Op.289
On The Beautiful Blue Danube Op.314

Customer Reviews:

Waltz CD review.......2007-05-06

The CD was delivered on time and was exactly as advertised ... good.

Average customer rating:

Breathtaking
Beautifully organized structure
Tragedy, Rediscovery, and Harmonized Proportion
...and I don't even really LIKE Chopin that much!
Luminous

Chopin: Waltzes Nos. 1-14

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Mozart: Horn Concertos Nos. 1-4

ASIN: B00000GCA8
Release Date: 1999-01-12

Tracks:

Waltzes: No. 4 In F, Op. 34 No. 3
Waltzes: No. 5 In A Flat, Op. 42
Waltzes: No. 6 In D Flat, Op. 64 No. 1
Waltzes: No. 9 In A Flat, Op. 69 No. 1
Waltzes: No. 7 In C Sharp Minor, Op. 64 No. 2
Waltzes: No. 11 In G Flat, Op. 70 No. 1
Waltzes: No. 10 In B Minor, Op. 69 Np. 2
Waltzes: No. 14 In E Minor, Op. posth.
Waltzes: No. 3 In A Minor, Op. 34 No. 2
Waltzes: No. 8 In A Flat, Op. 64 No. 3
Waltzes: No. 12 In F Minor, Op. 70 No. 2
Waltzes: No. 13 In D Flat, Op. 70 No. 3
Waltzes: No. 1 In E Flat, Op. 18
No. 2 In A Flat, Op. 34 No. 1
Barcarolle In F Sharp, Op. 60*
Nocturne In D Flat, Op. 27 No. 2
Mazurka In C Sharp Minor, Op. 50 No. 3

Amazon.com

Still regarded by many as the greatest set of Chopin waltzes ever recorded, Dinu Lipatti's performances continue to astonish. He strokes the keyboard with such delicacy, finesse, and, where required, unobtrusive strength that the music simply seems to play itself. All of Chopin's music is, of course, exceptionally well written for the keyboard, but the sense of rhythmic lift, the inevitability--these are the hallmarks of a great artist. It's terrible to think that when he made this stunning recording, Lipatti was already in pain and dying of leukemia; there's certainly no hint of it in his playing. EMI's transfer has been accomplished with considerable skill, and we can only be grateful that Lipatti was with us long enough to finish this affecting tribute to all that's most beautiful in life. --David Hurwitz

Customer Reviews:

Breathtaking.......2006-12-28

These extraordinary recordings by Dinu Lipatti are widely regarded as the benchmark against which all other performances of Chopin's waltzes should be measured. Frankly, Lipatti is in a category all his own and these performances render any comparisons pointless.

Lipatti had such a supreme gift as a musician that listening to him play is a unique revelation every time. Even if Chopin is not your cup of tea, hearing this is like stumbling upon a box of priceless, shimmering jewels that never seem to fade. It is not far off the mark to assert, as Karajan did, that when hearing Lipatti play the piano, you do not hear the piano but you hear something close to music in its purest form.

The Barcorolle, Nocturne and Mazurka are played just as exquisitely.

If you are only going to buy one recording of Chopin's Waltzes, this is the one to go for by a million miles.

Beautifully organized structure.......2006-09-13

I am a latecomer to the works of Chopin, unqualified to comment on Dinu Lipatti's technique and interpretation, but this recording gives an interesting framework to explore the waltzes. They are numbered 1 through 14 in order of opus publication, but on this disc Lipatti shuffles them to form a cycle of his own devising. There are four waltzes in the key of A flat and it seems one challenge was to space them across the recital. Contrast this to Alexandre Thaurad's CD where he clumps like-key waltzes into groups. (He also adds five more posthumous works.)

Most of Chopin's waltzes start on the dominant, meaning either the fifth note of the home key (the tonic, the I), or a dominant seventh chord (V7) which leads to the tonic. Lipatti uses this feature to string together his cycle. If, for instance, there were a waltz that ended on a C natural it could easily bring us to Waltz No 4, which starts on an insistent C7 chord before rising to the home key of F major. I will use this as the starting point for tracing the harmonic relationships of the tracks on this CD.

Track 1: Waltz No 4 in F, "Grande Valse brillante" - as noted starts on the V7 and finishes on F in octaves.

Track 2: No 5 in A flat - begins on a trilling dominant Eb, but the note it trills up to is an F (which ended the previous track). Finishes with a parting shot, a turn in the bass ending on Ab.

Track 3: No 6 in D flat, "Minute Waltz" - starts on Ab; the contour of the opening phrase echoes the gesture of the previous parting shot as well. Ends in Db.

Track 4: No 9 in A flat - has two pick up notes then hits a Db on the downbeat of the first measure. The right hand ends on the Ab above middle C.

Track 5: No 7 in C sharp minor - starts on a G sharp above middle C, which is the same black key (enharmonic equivalent) of the previous Ab. Ends in C# minor.

Track 6: No 11 in G flat - starts with a pick-up turn then hits the downbeat with a Db (enharmonic C#). Ends on a Gb in the treble clef.

Track 7: No 10 in B minor - starts quietly on the same note, an F# (enharmonic Gb). Ends with a soft B in the bass clef.

Track 8: No 14 in E minor - first note is the exact same B in the bass. Ends in E minor.

Track 9: No 3 in A minor - starts on an E in the bass melody. Ends in A minor; keep in mind that the minor third of this key is a C natural -- you can hear it in the melody of the third to last measure.

Track 10: No 8 in A flat - this is a side-stepping change of keys, but there is an harmonic link to the previous waltz. Instead of starting on the dominant, this one begins on the major third -- C natural.

Track 11: No 12 in F minor - starts on the dominant -- C again. Toggle back and forth between tracks 10 and 11 and you will hear that these two waltzes start on the exact same pitch. Instead of ending in F minor this waltz closes in the relative major of Ab. The last three notes are a rise and fall, Bb-C-Ab.

Track 12: No 13 in D flat - there is a leading note before the dominant. The first three notes (Bb-Ab-F) fall and rise in a mirroring gesture to the final phrase of the previous. Ends quietly in Db.

Track 13: No 1 in E flat, "Valse brillante" - another side-stepping key change but there is a connection. If you toggle between tracks 12 and 13 you will hear the same initial note, a Bb -- quietly in the former, boldly here. Finishes resoundingly in the tonic Eb.

Track 14: No 2 in A flat, "Grande Valse brillante" - introduction in the dominant chord, Eb7. Closes in Ab. From here you could loop around to the beginning of the cycle again, linking the major third (C natural) to the V7 that starts the F major waltz.

Tragedy, Rediscovery, and Harmonized Proportion.......2006-04-20

Having heard fawning comments about the Rumanian's perfection, as well as nasty ones about his reputation being "overblown" by an early death (as if it weren't the other way around), I decided to listen to the man himself.

After considering so many interpretations of Chopin's Waltzes, including that of Rubinstein and Ashkenazy, Lipatti's still remains in a class of its own. His interpretations are the most integrated, logical, and impressionistic, framed by swirls of pianistic colour (no wonder he was hailed by Poulenc in his French debut for "divine spirituality"!) that convey a breathtaking virtuosity. But his pieces are never "pious" or weighty -- nothing is overstated, and there is an element of charm and flamboyance (witness Waltz No. 13) in which he communicates refined emotion from a rich, tonal palette. A beautifully balanced and proportioned sense of structure permeates every piece.

It is difficult to categorize Lipatti. Overall, his style represents a perfect balance between the Classical restraint (Fischer, Schnabel) and Romantic sentiment (Moiseiwitsch, Horowitz) of his time.

...and I don't even really LIKE Chopin that much!.......2005-12-08

This is, note-for-note, about the greatest piano CD I've ever heard. He plays with so much freedom and groove, it's unbelievable.
Sometimes the only CD that can follow it is some Best of Art Tatum compilation. My favorite pianist is Thelonious Monk. My favorite piano composition is Beethoven Op.111. But this CD is outrageous.
Thanks to all you other reviewers for your much more Chopin-literate comments. I'll just say that anyone who loves the piano should own this.

Luminous.......2003-12-29

Yes, luminous is the word that describes Lipatti's recording of the Fourteen Waltzes best: "bright or shining, especially in the dark."

I bought this CD fourteen years ago, and since then I have not found an interpretation that even comes close to Lipatti's. His recording of Chopin's waltzes is worlds apart from those of all other pianists. No one else captured the terrifying and exhilarating coexistence of darkness and light in these ostensibly innocent pieces as convincingly as Lipatti.

Waltzes are dances of joy, very easy to learn and perform. Once very popular among all classes, their emotional range covered everything from the exuberant to the sentimental. Today, they have a reputation for either rustic fun or plain kitsch.

What Lipatti found in Chopin's waltzes goes far beyond the conventional. Played by him, these dances are testament to the pleasure to live in the face of suffering. Lipatti is the one pianist who can genuinely express both the joy of living and the awareness of mortality in as simple a piece of music as a waltz.

Tracks:

Liebestraum No. 3 In A Flat Major
Mephisto Waltz No. 1
Funilles
Rniscences de Don Juan
La campanella
Die Forelle
Erlkonig
Hungarian Rhapsody No. 12 In C Sharp Minor

Tracks:

Consolation No. 3
Sonetto 104 del Pentrarca
Les Jeux d'eau a Villa d' Este
Au bord d' une source
Gnomenreigen
Un sospiro
Rigoletto
Sonata In B Minor - Lento assai
Andante sostenuto
Fugato

Customer Reviews:

Don't downrate a CD because of a missing piece - please!.......2005-07-15

This is an excellent representative 2-CD bargin set of Liszt's piano works played by a recognized expert pianist in this repertoire. The other reviewers (i.e. those w/ 5* ratings) have made their points well. What continues to bother me in many of these classical CD reviews is 'downgrading' a CD by several stars, if not more in some cases, because the listener is irked at the lack of a feature that has nothing to do w/ the performance on the recording. Such is the case here - a 3* rating because one piece was mislabelled is ridiculous - rate the music & performance first, please. If there is a problem unrelated to the performance (sound quality, liner notes, etc.), then simply state that in your review. I often look at the overall rating to determine if I even want to consider a classical CD & read the reviews - knocking off a star or two because of petty complaints is not justified.

Bolet is outstanding.......2005-01-23

There are many Liszt performers, and while Bolet was known to never substitute technical perfection for feeling, there is a great balance to his playing. 'Un Sospiro' is played on the slow side, every melody note can be heard perfectly, while his interpretation and rubato are heart stopping. While I don't agree with his Liebstraum (the honor of greatest playing is held for Cliburn on this piece, if you haven't heard him play it, go buy the CD, now), the lesser played works such as the Elf King transcription more than makes up for it. If you want a technically perfect, clear, sometimes very moving performance of Liszt, Bolet is for you (I prefer him infinitely over Cziffra, although I may be alone on that one). Postscript: Hungarian Rhapsody No. 12 is NOT No. 2, this is an error on Amazon's part, and also on the other Bolet albums, it is indeed no. 12 and not 2.

Great selections; technically great but dull performance.......2004-04-09

I know this pianist Jorge Bolet is supposed to be one of the world's greatest. But I bought this as a replacement set when I temporarily lost my Phillips "Best Of Liszt" set and couldn't live without Liszt. I was sadly disappointed on the selections that overlap. While some of my favorite selections (Liebestraum, Mephisto Waltz) are actually longer here, they simply do not stir my soul as much. The pressure of the notes, the timing, something indefinable just isn't the same in this recording as in the Phillips one. The quality of sound reproduction is fine, the piano-playing is certainly correct and crisp (maybe TOO crisp?), and again, the variety of the pieces chosen is commendable, but I recommend the Phillips 2-disc set over this one. There ARE some very interesting selections of not just Liszt's original works but also some of his arrangements or adaptations of other's works, i.e., the Shubert pieces and La campanella (from Paganini).

Great Liszt compilation.......2003-12-23

Bolet's finest moments on this two-fer are the Schubert-Liszt transcriptions - you'd almost think 'Who needs a voice?' But he's equally good in the aforementioned Mephisto Waltz, and the operatic journey through Mozart's Don Giovanni.

The cons are here too: Bolet's RCA Liszt recital has better, less cautious versions of Liebestraum, Un sospiro and Funerailles. The Sonata is tremendous overall but in the end I'd rank it just a little below the best - particularly Brendel, Richter and Arrau. Yet all these renditions have great merits - even the ones Bolet surpassed himself. This Liszt compilation is overall very good.

Missing The Famous Hungarian Rhapsody #2.......2003-05-27

Although the listing at Amazon.com says this CD contains Hungarian Rhapsody #12, A.K.A #2, it does NOT have the famous #2 in C Sharp Minor. It is indeed #12. Since I bought this CD specifically for Hungarian Rhapsody #2 in C Sharp Minor, I was disspointed that it was not included. It is Liszt's most famous song, at least in my opinion. If you are looking for this song, I would suggest Hungarian Rhapsodies Vol. 1, by Jeno Jando.

Music Review:

Music Review

music review

Music Review

Enough Is Enough [CD-single] [Import]

Mendelssohn: Capriccio Brillant in Bm; Kunneke: Concerto in Af No1,Op36

Josquin Desprez: Praeter rerum seriem; Rore: Missa Praeter Rerum Seriem

Music: Live on Broadway

Just a Kiss [Soundtrack]

Sing-a-Long [Karaoke]

Maximum Led Zeppelin [Import]

October [Import]

João Gilberto [SACD] [Import]

Milanov on Radio 1938-1944

Jazz Selections

Latin Music: 100% Nortenos

Hip Hop Superstars of the 90's

Broadway Overtures: Another Openin', Another Show

The Harvest