Mozart - Don Giovanni / Furlanetto · Tomlinson · Salminen · Heilmann · Pertusi · Cuberli · Meier · Rodgers · Barenboim
On this CD:
1. Don Giovanni, opera, K. 527
Composed by Wolfgang Amadeus Mozart
Performed by Berlin Philharmonic Orchestra
with Lella Cuberli, Ferruccio Furlanetto, Uwe Heilmann
Conducted by Daniel Barenboim, Marcus Creed
Mozart - Don Giovanni / Furlanetto · Tomlinson · Salminen · Heilmann · Pertusi · Cuberli · Meier · Rodgers · Barenboim, Music, Wolfgang Amadeus Mozart, Daniel Barenboim, Ferruccio Furlanetto, Waltraud Meier, Berliner Philharmoniker, RIAS-Kammerchor, Matti Salminen, Lella Cuberli, Uwe Heilmann John Tomlinson, Joan Rodgers, Marcus Creed Michele Pertusi, Classical, Classical Music, German/Austrian Classical Period Opera, Opera, Opera / Operetta / Oratorio, Opera/Operetta
Average customer rating:
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Mozart - Don Giovanni / Furlanetto · Tomlinson · Salminen · Heilmann · Pertusi · Cuberli · Meier · Rodgers · Barenboim
Wolfgang Amadeus Mozart , Daniel Barenboim , Ferruccio Furlanetto , Waltraud Meier , Berliner Philharmoniker , RIAS-Kammerchor , Matti Salminen, Lella Cuberli, Uwe Heilmann John Tomlinson , and Joan Rodgers, Marcus Creed Michele Pertusi
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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Berlin Philharmonic Orchestra
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ASIN: B000005E7I
Release Date: 1992-01-28 |
Tracks:
- Don Giovanni KV 527: Overture
- Don Giovanni KV 527: Act One: Scene 1: No. 1 - Introduzione: 'Notte e giorne faticar' (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
- Don Giovanni KV 527: Act One: Scene 2: Recitativo: 'Leporello, ove sei?' (Don Giovanni, Leporello)
- Don Giovanni KV 527: Act One: Scene 3: Recitativo: 'Ah! del padre in periglio' (Donna Anna, Don Ottavio)
- Don Giovanni KV 527: Act One: Scene 3: N. 2 - Recitativo accompagnato e duetto - Recitativo accompagnato (Donna Anna, Don Ottavio)
- Don Giovanni KV 527: Act One: Scene 3: Duetto: 'Fuggi, crudele, fuggi!' (Donna Anna, Don Ottavio)
- Don Giovanni KV 527: Act One: Scene 4: Recitativo: 'Orsu, spicciati presto' (Don Giovanni, Leporello)
- Don Giovanni KV 527: Act One: Scene 5: N. 3 Aria: 'Ah! chi mi dice mai' (Donna Elvira, Don Giovanni, Leporello)
- Don Giovanni KV 527: Act One: Scene 5: Recitativo: 'Chi e la?' (Donna Elvira, Don Giovanni, Leporello)
- Don Giovanni KV 527: Act One: Scene 5: N. 4 Aria: 'Madamina, il catalogo e questo' (Leporello)
- Don Giovanni KV 527: Act One: Scene 6: Recitativo: 'In questa forma' (Donna Elvira)
- Don Giovanni KV 527: Act One: Scene 7: N. 5 Coro: 'Giovinette che fate all'amore' (Zerlina, Masetto)
- Don Giovanni KV 527: Act One: Scene 8: Recitativo: 'Manco male, e partita' (Don Giovanni, Leporello, Zerlina, Masetto)
- Don Giovanni KV 527: Act One: Scene 8: N. 6 Aria: 'Ho capito, signor, si!' (Masetto)
- Don Giovanni KV 527: Act One: Scene 9: Recitativo: 'Alfin siamo liberati' (Don Giovanni, Zerlina)
- Don Giovanni KV 527: Act One: Scene 9: N. 7 Duettino: 'La ci darem la manto' (Don Giovanni, Zerlina)
- Don Giovanni KV 527: Act One: Scene 10: Recitativo: 'Fermati, scellerato!' (Donna Elvira, Zerlina, Don Giovanni)
- Don Giovanni KV 527: Act One: Scene 10: N. 8 Aria: 'Ah, fuggi il traditor' (Donna Elvira)
- Don Giovanni KV 527: Act One: Scene 11: Recitativo: 'Mi par ch'oggi il demonio si diverta' (Don Giovanni, Don Ottavio, Donna Anna)
- Don Giovanni KV 527: Act One: Scene 12: N. 9 Quartetto 'Non ti fidar, o misera' (Donna Elvira, Don Ottavio, Donna Anna, Don Giovanni)
- Don Giovanni KV 527: Act One: Scene 12: Recitativo: 'Povera sventurata!'
- Don Giovanni KV 527: Act One: Scene 13: N. 10 Recitativo accompagnato ed aria - Recitativo accompagnato 'Don Ottavio...son morta!' (Donna Anna)
- Don Giovanni KV 527: Act One: Scene 13: Aria: 'Or sai chi l'onore' (Donna Anna)
- Don Giovanni KV 527: Act One: Scene 14: Recitativo: 'Come mai creder deggio' (Don Ottavio)
- Don Giovanni KV 527: Act One: Scene 14: N. 10a Aria: 'Dalla sua pace' (Don Ottavio)
Tracks:
- Don Giovanni KV 527: Act One: Scene 15: Recitativo: 'Io deggio ad ogni patto' (Leporello, Don Giovanni)
- Don Giovanni KV 527: Act One: Scene 15: N. 11 Aria: 'Fin ch'han dal vino' (Don Giovanni)
- Don Giovanni KV 527: Act One: Scene 16: Recitativo: 'Masetto...' (Zerlina, Masetto)
- Don Giovanni KV 527: Act One: Scene 16: N. 12 Aria: 'Batti, batti, o bel Masetto' (Zerlina)
- Don Giovanni KV 527: Act One: Scene 16: Recitativo: 'Guarda un po' come sepe' (Masetto, Don Giovanni, Zerlina)
- Don Giovanni KV 527: Act One: Scene 17-21: N. 13 Finale: 'Presto, presto, pria ch'ei venga' (All)
- Don Giovanni KV 527: Act Two: Scene 1: N. 14 Duetto: 'Eh, via, buffone' (Don Giovanni, Leporello)
- Don Giovanni KV 527: Act Two: Scene 1: Recitativo: 'Leporello' (Don Giovanni, Leporello)
- Don Giovanni KV 527: Act Two: Scene 2: N. 15 Terzetto: 'Ah, taci, ingiusto core' (Donna Elvira, Leporello, Don Giovanni)
- Don Giovanni KV 527: Act Two: Scene 2: Recitativo: 'Amico, che ti par?' (Don Giovanni, Leporello)
- Don Giovanni KV 527: Act Two: Scene 3: Recitativo: 'Eccomi a voi' (Donna Elvira, Don Giovanni, Leporello)
- Don Giovanni KV 527: Act Two: Scene 3: N. 16 - Canzonetta: 'Deh, vieni alla finestra' (Don Giovanni)
- Don Giovanni KV 527: Act Two: Scene 4: 'V'e gente alla finestra' (Don Giovanni, Masetto)
- Don Giovanni KV 527: Act Two: Scene 4: N. 17 Aria: 'Meta di voi qua vadano' (Don Giovanni)
- Don Giovanni KV 527: Act Two: Scene 5: Recitativo: 'Zitto...' (Don Giovanni, Masetto)
- Don Giovanni KV 527: Act Two: Scene 6: Recitativo: 'Ahi ! Ahi !' (Masetto, Zerlina)
- Don Giovanni KV 527: Act Two: Scene 6: N. 18 Aria: 'Vedrai, carino' (Zerlina)
- Don Giovanni KV 527: Act Two: Scene 7-8: Recitativo: 'Di molte faci il lune' (Leporello, Donna Elvira)
- Don Giovanni KV 527: Act Two: Scene 7-8: N. 19 Sestetto: 'Sola sola, in buio loco' (Zerlina, Donna Elvira, Don Ottavio, Masetto)
- Don Giovanni KV 527: Act Two: Scene 9: Recitativo: 'Dunque, quello sei tu' (Zerlina, Donna Elvira, Don Ottavio, Masetto)
- Don Giovanni KV 527: Act Two: Scene 9: N. 20 Aria: 'Ah, pieta, signori miei!' (Leporello)
- Don Giovanni KV 527: Act Two: Scene 10: Recitativo: 'Ferma, perfido!' (Donna Elvira, Masetto, Zerlina, Don Ottavio)
- Don Giovanni KV 527: Act Two: Scene 10: N. 21 Aria: 'Il mio tesoro intanto' (Ottavio, Zerlina, Donna Elvira, Masetto)
Tracks:
- Don Giovanni KV 527: Act Two: Scene 10: N. 21b Recitativo accompagnato ed aria: Recitativo: 'In quali eccessi, o Numi' (Donna Elvira)
- Don Giovanni KV 527: Act Two: Scene 10: N. 21b Recitativo accompagnato ed aria: Aria: 'Mi tradi, quell'alma ingrata' (Donna Elvira)
- Don Giovanni KV 527: Act Two: Scene 11: N. 21b Recitativo accompagnato ed aria: Recitativo: 'Ah! Ah! questa e buona!' (Don Giovanni, Leporello, Il Commendatore)
- Don Giovanni KV 527: Act Two: Scene 11: N. 22 Duetto: 'O statua gentilissima' (Leporello, Don Giovanni, Il Commendatore)
- Don Giovanni KV 527: Act Two: Scene 12: Recitativo: 'Calmatevi, idol mio' (Don Ottavio, Donna Anna)
- Don Giovanni KV 527: Act Two: Scene 12: N. 23 Recitativo Accompagnato e rondo: Recitativo: 'Crudele!' (Donna Anna)
- Don Giovanni KV 527: Act Two: Scene 12: N. 23 Recitativo Accompagnato e rondo: Rondo: 'Non mi dir, bell'idol mio' (Donna Anna)
- Don Giovanni KV 527: Act Two: Scene 12: N. 23 Recitativo Accompagnato e rondo: Recitativo: 'Ah, si segua il suo passo' (Don Ottavio)
- Don Giovanni KV 527: Act Two: Scene 13-16: N. 24 Finale: 'Gia la mensa e preparato' (All)
Customer Reviews:
Sleeper Don.......2005-09-10
For some reason, Daniel Barenboim's recordings of the Mozart-Da Ponte masterpieces have been overlooked. All three have splendid casts - and among them, this may be the least spectacular, but it is nonetheless a wonderful performance.
Joan Rodgers has a gorgeous voice, and sings Zerlina with radiant and womanly warmth - no voce infantile here, thank the gods. It's a pity she hasn't recorded more. She is, fortunately, in Barenboim's two other Mozart-Da Ponte operas, singing her heart out as Susanna and Despina.
Furlanetto has an interesting take on the role of the Don. He usually sings Leprello, but here he sings the part of Don Giovanni with a rather unique interpretation. He plays the Don as somewhat of a fool, with more of a comic slant than I have ever heard. But humor was part of Mozart's original intention, and the Don does have his roots in street theater, so in this case a buffo Don works.
Tomlinson as Leporello is more of the Don's straight man, and there seems to be a bit of role reversal going on here between the clownish Don and his more dignified servant. Tomlinson's voice can be, I think, rather boring - a kind of voice-in-a-box, like Samuel Ramey. Good, strong, accurate, but not much drama or artfulness.
Ewe Heilmann's ravishingly beautiful Mozartian tenor voice adds a welcome dimension of eros to the role of the too-often bland and wimpy Don Ottavio. Waltraud Meier's Donna Elvira, though occassionally a bit on the shrill side, and Leila Cuberli's Donna Anna are both rich, full-bodied, exciting and very womanly. Barenboim seems to have a talent for drawing out highly passionate responses from women. It must be his Scorpio........
There are many great recordings of this magnificent opera. Especially if you go off the beaten path and get away from the Giulini crowd, you'll discover a large number of rare but excellent performances, many of them live. Among these musical feasts are the three Furtwanglers, Busch, Haitink on EMI, Bohm's phenomenal 1955 German-language version on RCA Red Seal (I usually avoid translated performances but this is such an exceptional performance the German can be overlooked), Guild's offering conducted by Breisach with Zinka Milanov's superlative Donna Anna (you won't believe that she can sing like this!), Szell's 1944 performance on Archipel, and on the Naxos Historical series, Bruno Walter with Alexander Kipnis' very Russian and very funny Leporello. The last three all feature Ezio Pinza as the Don.
Add Barenboim's performance to this more exotic list of Don Giovannis and you'll have quite a variety of interpretations from highly gifted artists. Some of Barenboim's opera recordings are outstanding for their dramatic content, the tightness of the performance, and his excellent taste in singers.
Average customer rating:
- Cute But Lackluster Don Giovanni
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Don Giovanni Highlights
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
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| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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Barenboim, Daniel
| ( B )
| Featured Performers, A-Z
| Classical
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| Music
General
| Classical
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| Music
General
| Opera & Vocal
| Styles
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Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
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German
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| Opera & Vocal
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Operettas
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ASIN: B000005ECF
Release Date: 1994-06-07 |
Tracks:
- Don Giovanni: Overture
- Don Giovanni: Act One: Scene 1 - No. 1 Introduction 'Notte e giorne faticar'
- Don Giovanni: Act One: Scene 5 - No. 4 Aria 'Madamina, il catalogo e questo'
- Don Giovanni: Act One: Scene 7 - No. 5 Coro 'giovinette che fate all'amore'
- Don Giovanni: Act One: Scene 9 - No. 7 duettino 'La ci darem la mano'
- Don Giovanni: Act One: Scene 12 - No. 9 Quartetto 'Non ti fidar, o misera'
- Don Giovanni: Act One: Scene 13 - No. 10 Aria 'Or sai chi l'onore'
- Don Giovanni: Act One: Scene 14 - No. 10a Aria 'Dalla sua pace'
- Don Giovanni: Act One: Scene 15 - No. 11 Aria 'Fin ch'han dal vino'
- Don Giovanni: Act One: Scene 16 - No. 12 Aria 'Batti, batti, o bel Masetto'
- Don Giovanni: Act Two: Scene 3 - No. 16 Canzonetta 'Deh, vieni alla finestra'
- Don Giovanni: Act Two: Scene 6 - No. 18 Aria 'Vedrai, carino'
- Don Giovanni: Act Two: Scene 10 - No. 21 Aria 'Il mio tesoro intanto'
- Don Giovanni: Act Two: Scene 10 - No. 21b Aria 'Mi tradi, quell'alma ingrata'
- Don Giovanni: Act Two: Scene 11 - No. 22 Duetto 'O statua gentilissima'
- Don Giovanni: Act Two: Scene 12 - No. 23 Rondo 'Non mi dir, bell'idol mio'
- Don Giovanni: Act Two: Scene 12 - No. 24 Finale - Scenu ultima - Allegro assai 'Ah! dove e il perfido'
Customer Reviews:
Cute But Lackluster Don Giovanni.......2004-10-11
Daniel Barenboim is a terrific conductor and champion of Mozart's music, as his box set of complete piano concerti attest but his "Don Giovanni" is lackluster and undramatic, emphasizing only the beautiful melodies and voices without paying attention to the thrilling drama. Also, his choice for the cast is uninspiring. Don Giovanni is performed by Ferrucio Furlanetto, who sings the role of Leporello in the Karajan version. Furlanetto does not deliver with sex appeal, authority or charm, providing much of his strengths in the comic lines only. A great Don Giovanni has to be a character who is willful to the end. He is himself- a libertine who answers to no one, not even God, and who even as he is offered the chance to repent, remains defiant to the end. He puts up a facade of a kind, aristocratic gentleman but he is really the Devil in disguise. Such characterization must be strong in a performance. Samuel Ramey has managed to do this, not only in his voice but in his acting as has Ruggero Raimondi. Ramey and Raimondi make the best Don Giovannis in my opinion.
Obscure (at least to me)singers take on the role of the women- Lella Cuberli as Donna Anna, Waltraud Meier as Elvira and Joan Rodgers as Zerlina. Only Waltraud Meier's Elvira is well-executed. Joan Rodgers sounds too "soubrette" and cutsy-wootsy and Zerlina should come off as naughty but nice and ultimately faithful, we have to see her little change of heart. Lella Cuberli is the worst of all. Her Donna Anna is colorless and undramatic. She is a woman who was nearly raped and who saw her father killed before her very eyes. The role should be dramatic, even melodramatic, with the lyrical lines glowing and soft, for she seems to have loved her father even more so than Don Ottavio probably because she felt her innocence was taken too swiftly. The coloratura has to be there too. Edda Moser does a great Donna Anna as does Birgit Nilsson. Heavy, dramatic but bright voices make for a fine Donna Anna. The Commandatore has no edge or frightening quality to his voice. This is not the best Don Giovanni out there. The Lorin Maazel version with Te Kenawa, Raimondi, Moser, Berganza and Van Dam is the best.
Average customer rating:
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Mozart - Da Ponte Highlights / Barenboim, Berliner Philharmoniker
Wolfgang Amadeus Mozart , Berlin Philharmonic Orchestra , Daniel Barenboim , Lella Cuberli , John Tomlinson , Gunter Von Kannen , Phyllis Pancella , Joan Rodgers , Andreas Schmidt , Hilde Leidland , Ferruccio Furlanetto , Uwe Heilmann , Waltraud Meier , Michele Pertusi , and Kurt Streit
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
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| Classical (c.1770-1830)
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Berlin Philharmonic Orchestra
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ASIN: B00004SCXY
Release Date: 2000-09-12 |
Tracks:
- Le Nozze Di Figaro, K.492: Ov - BPO/Daniel Barenboim
- Le Nozze Di Figaro, K.492: Act 1, Scene 2. No.3 Cavatina: Se Vuol Ballare, Signor Contino - John Tomlinson
- Le Nozze Di Figaro, K.492: Act 1, Scene 5. No.6 Aria: Non So Piu Cosa Son, Cosa Faccio - Cecilia Bartoli
- Le Nozze Di Figaro, K.492: Act 1, Scene 8. No.10 Aria: Non Piu Andrai Farfallone Amorosov - John Tomlinson
- Le Nozze Di Figaro, K.492: Act 2, Scene 2. No.12 Aria: Voi, Che Sapete Che Cosa E Amor - Cecilia Bartoli
- Le Nozze Di Figaro, K.492: Act 2, Scene 11. No.16 Finale: Voi, Signor, Che Giusto Siete - Lella Cuberli/Andreas Schmidt/Joan Rodgers/John Tomlinson/Phyllis Pancella/Gunter Von Kannen...
- Le Nozze Di Figaro, K.492: Act 3, Scene 4. No.18: Aria: Vendro Mentre Io Sospiro - Andreas Schmidt
- Le Nozze Di Figaro, K.492: Act 3, Scene 8. No.20 Aria: Dove Sono I Bei Momenti - Lella Cuberli
- Le Nozze Di Figaro, K.492: Act 3, Scene 10. No.21 Duettino: Che Soave Zeffiretto - Joan Rodgers/Lella Cuberli
- Le Nozze Di Figaro, K.492: Act 4, Scene 1. No.24 Cavatina: L'ho Perduta, Me Meschina - Hilde Leidland
- Le Nozze Di Figaro, K.492: Act 4, Scene 11-14. No.29 Finale: Pian Pianin Le Andro Piu Presso - Lella Cuberli/Andreas Schmidt/Joan Rodgers/John Tomlinson/Phyllis Pancella/Peter Rose...
- Don Giovanni, K.527: Ov - BPO/Daniel Barenboim
- Don Giovanni, K.527: Act 1, Scene 5. No.4 Aria: Madamina, Il Catalogo E Questo - John Tomlinson
- Don Giovanni, K.527: Act 1, Scene 9. No.7 Duettino: La Ci Darem La Mano - Ferruccio Furlanetto/Joan Rodgers
- Don Giovanni, K.527: Act 1, Scene 13. No.10 Aria: Or Sai Chi L'onore - Lella Cuberli
- Don Giovanni, K.527: Act 1, Scene 15. No.11 Aria: Fin Ch'han Dal Vino - Ferruccio Furlanetto
- Don Giovanni, K.527: Act 1, Scene 16. No.12 Aria: Batti, Batti, O Bel Masetto - Joan Rodgers
Tracks:
- Don Giovanni, K.527: Act 2, Scene 3. No.16 Canzonetta: Deh, Vieni Alla Finestra - Ferruccio Furlanetto
- Don Giovanni, K.527: Act 2, Scene 12. No.23 Rondo: Non Mi Dir, Bell'idol Mio - Lella Cuberli
- Don Giovanni, K.527: Act 2, Scene 13. No.24 Finale: Ah! Dove E Il Perfido - John Tomlinson/Lella Cuberli/Waltraud Meier/Uwe Heilmann/Joan Rodgers/Michele Pertusi
- Cosi Fan Tutti, K.588: Ov - BPO/Daniel Barenboim
- Cosi Fan Tutti, K.588: Act 1, Scene 6. No.10 Terzettino: Soave Sia Il Vento - Lella Cuberli/Cecilia Bartoli/John Tomlinson
- Cosi Fan Tutti, K.588: Act 1, Scene 11. No.14 Aria: Come Scoglio Immoto Resta - Lella Cuberli
- Cosi Fan Tutti, K.588: Act 1, Scene 12. No.17 Aria: Un'aura Amorosa - Kurt Streit
- Cosi Fan Tutti, K.588: Act 2, Scene 1. No.19 Aria: Una Donna A Quindici Anni - Joan Rodgers
- Cosi Fan Tutti, K.588: Act 2, Scene 7. No.25 Recitativo E Rondo: Ei Parte... Per Pieta, Ben Moi - Lella Cuberli
- Cosi Fan Tutti, K.588: Act 2, Scene 8. No.26 Aria: Donne Mie, La Fate A Tanti - Ferruccio Furlanetto
- Cosi Fan Tutti, K.588: Act 2, Scene 10. No.28 Aria: E' Amore Un Ladroncello - Cecilia Bartoli
- Cosi Fan Tutti, K.588: Act 2, Scene 13. No.30 Andante: Tutti Accusan Le Donne - John Tomlinson/Ferruccio Furlanetto
- Cosi Fan Tutti, K.588: Act 2, Scene 15-18. No.31 Finale: Fate Presto, O Cari Amici - Lella Cuberli/Cecilia Bartoli/Joan Rodgers/Ferruccio Furlanetto/Kurt Streit/John Tomlinson
Music Review:
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- Mozart: Symphonies Nos. 25, 29, 33
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