Great Opera Tenors: Franco Corelli [Import]

Track Listings

1. Ah Si Ben M Io Di Quella Pira

2. Aida (Ghislazoni)

3. Intanto Amici Via Il Vino Spumeggiante

4. Mamma Quel Vino E Generoso

5. Nessun Dorma (Act Iii)

6. L'amour L'amour Ah Leve Toi Soleil

7. Rectar Vesti La Giubba

8. Colpito Qui M'avete

9. Credo A Una Possanza Arcana

10. Andrea Chenier Si Fui Soldato (Act Ii)

11. Come Un Bel Di Di Maggio (Act Iv)

12. Meco All' Altar Di Venere Ma Protege Me Difencde (Act I)

Great Opera Tenors: Franco Corelli, Music, Mario Sereni, Giuseppe Modesti, Paolo Pedani, Vincenzo Bellini, Salvatore Cardillo, Francesco Cilea, Ernesto de Curtis, Gaetano Donizetti, Cesar Franck, Umberto Giordano, Charles Gounod, George Frideric Handel, Isadore de Lara, Ruggero Leoncavallo, Pietro Mascagni, Giacomo Meyerbeer, Amilcare Ponchielli, Giacomo Puccini, Gioachino Rossini, Franz Schubert, Giuseppe Verdi, Alain Lombard, Franco Corelli, Franco Ferraris, Gabriele Santini, Lovro von Matacic, Raffaele Mingardo, Thomas Schippers, Tullio Serafin, Zubin Mehta, Corinna Vozza, L'Orchestra del Teatro alla Scala, Orchestre du Théâtre National de l'Opéra de Paris, Rome Opera Theater Orchestra, Antonietta Stella, Gabriella Tucci, Angelo Mercuriali, Choral, Classical, French Romantic Opera, Italian Baroque Opera, Italian Romantic Opera, Mass, Opera, Romantic Music for Voice and Keyboard, Solo Voice(s) and Orchestra, Solo Voice(s) and Small Ensemble

Great Tenors & Divas
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Great Tenors & Divas

Manufacturer: DISKY
ProductGroup: Classical
Binding: Audio CD
ASIN: B000KE2ZVS

Product Description

Selections from Aida, Tosca, Turandot, Barber of Seville, La Traviata, La Boheme, Madame Butterfly, I Pagliacci, L'Amico Fritz, Il Pirata, Cavalleria Rusticana, Gianni Schicchi, Rigoletto, La Sonnambula, L'Elisir D'Amore, and Requiem.

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Overlaps with EMI's Very Best of Franco Corelli
Corelli sang his best live in 1962 Gli Ugonotti
The King of Tenor's greatest moment
Clearly the greatest tenor of our era
The very definition of a great dramatic tenor...

Great Opera Tenors: Franco Corelli

Manufacturer: Great Opera Tenors
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

The Very Best of Franco Corelli

ASIN: B00000IGKJ
Release Date: 1999-05-11

Customer Reviews:

Overlaps with EMI's Very Best of Franco Corelli.......2004-05-17

I would generally echo the superlatives bestowed upon Franco Corelli by the previous reviewers. However, be aware that this collection overlaps substantially (only 2 or 3 songs differ) with EMI's "Very Best of Franco Corelli", which Amazon recommends to purchase along with this collection. I would buy one or the other, but not both.

Corelli sang his best live in 1962 Gli Ugonotti.......2003-07-25

The live recording of Meyerbeer's Gli Ugonotti(Les Hugenotts) may hold Corelli's finest singing, ever. Read this,
The 1962 live recording of Gli Ugonotti at La Scala Milan may very well be the most impressive display of verisimo singing ever recorded. That sounds like I'm exaggerating, but I am NOT. Corelli saved every ounce of his formidable energy for days just to sing this Hugenotts. He is aware that the role of Raoul is the most taxing role in the tenor reportoire, rivaled only by Rossini's "William Tell". He also is aware that he will have to battle his duets with a mezzo named Simionato who has the range of a high soprano the size of a Brunhilde. Added to that, Corelli wants to make sure the reviews will promote him as the star of the show. He knows that a new superstar in the name of La Stupenda is the toast of the opera world and all eyes are on her. He wants to make sure that He is the talk of La Scala and the World in this impossible to sing opera.
Well, he got his wish. He sang the best he's ever sang, holding on to high notes for as long as seven to ten seconds(I'm talking Bs, Cs, and Ds). Corelli's high D puts all tenors to shame, and when unveils it, he holds it, bursting with power and squillo to force all other tenors to take up nitting. And in Hugenotts he has lots of opportunities to hit notes B and above. High Cs are common here. And he excells in them. The surprise of the evening is the awesome high notes of Simionato. I think she hit a D flat. I can't tell because my piano says D flat, but not quite. Perhaps higher than a C but the slightest bit flatter than a D flat. But she really nails the note. She also matches the high Bs that are held for about five minutes per notes in the phenomenal "Grand Duet". This is, as one famous critic said it, " perhaps the greatest verisimo singing on record".
But Corelli did not prevent the Italian papers from raving about La Stupenda's Queen. Yes, Corelli got his share of rave reviews about him being the Caruso of the day. And his ovations are overwhelming, to say the least. But it was Sutherland who got 28 curtain calls for her Queen. La Stupenda sang dramatic coloratura such as La Scala had never heard since the days of Malibran and Grisi. She throws around so many high Cs and Ds and Es that one critic lost track. The coloratura tricks are instrumental in its dead on precision. And the trills are toss off as if they were nothing. This is the greatest coloratura soprano in the world, perhaps of all time.
All in all, this Hugenotts is Golden Age singing of the highest caliber. Truly one of the greatest evening in operatic history.
And at this price, it is not only essential, but necessary.
Oh, yes, and the sound is pretty good. Expect 1962 vintage live recording sound, which is acceptable.

The King of Tenor's greatest moment.......2003-07-17

This is a superlative recital. But let me tell you of a even more spectacular effort of Franco Corelli, the King of Tenors...
I am the biggest fan of the tenor of not only this Century but of all time...going back to the era of Rubini. Franco Corelli is the emperor of tenors and he kills Bjoeling, Caruso, and Gigli.
First, I must say that this recording is live. But the sound is excellent. If you have the 1955 Callas Lucia, and can deal with that sonics, you'll be happy with the recorded sounds here.
There are two outrageously fantastic scenes. The scene with the Queen, supremely sung by the very young Dame Joan and the Grand duet with Corelli/Simionato.
I'm not out to exaggerate. But these two highlights are miraculous. Sutherland, in 1962 voice with super squillo and gigantic high notes(high C's,D's,E'sand even Fs are easy for her)These notes are the size of Nilsson's, and they left me with my jaws hanging and breathless. La stupenda simply attacks every terrifying notes of Marguerite's taxing coloratura and adds her own even more difficult embellishments. Tossing trills and fiorituri, here, there, and everywhere, making even the most arduous coloratura unsingable to all other divas seem like child's play. She trills and trills all through her great scene, high above the staff and taking 64th notes as if it's nothing. Her rendition of O beau pays and its even more taxing cabaletta is just a stroll in the part for her. Sutherland's exquisite super squillo, especially the notes above the staff makes all other sopranos take up pottery or needle-point(take your pick), her trills-both high and low are what legends are made of, to shame the flute, and the fioritura so fast that the orchestra has to catch up with her, we're talking 64th notes that cover 20 seconds at a time through two octaves. Sorry, this one must be heard to believe the scope of Dame Joan's power when she was in her prime. This is bravura singing in the style never heard since the days of Malibran! If corelli is the Emperor, she is his emperess, and we know that it's the empress who rules. No wonder she is called the "Voice of the Century!
The second spectacular highlight is the glorious duet between Corelli and Simionato. Now this is verisimo singing in all its glories. Super high emotions with super high notes. Both Corelli and Simionato attacks them without fear in complete accuracy and power. Their ringing high notes are the best that these two great artists have ever put on record, live or studio. That Corelli takes his high B's and C's to the ultimate length- extending them to heights no tenors have ever attempted, or even dreamed of. And that's saying a lot about the king of tenors. High B's and C's and D flats are all blasting with squillo , piercing through the orchestra and ensembles like a dagger through a dragon's heart. Simionato matching these high notes(very surprising for a mezzo). She even holds and match a D flat with Corelli. This is Verisimo singing for the books. And this could be the most awesome live recording of an opera in the last century...Infinitely, and I repeat, infinitely superior to even the Corelli/Price Travatore... and with far superior sound.
Truly a voice lover's wildest wet dream! This is a combination of bel canto and verisimo singing taken to the limits of the human vocal cords. It is definitely the last word for the possibilities and wonders of the human voice.
Bravissimi, divo, diva...To Sutherland, Prima donna Assoluta, per sempre...pushing even Callas to the second spot. To Corelli, you put Pavarotti, Bjoeling and Gigli to shame. A dream performance of the highest magnitude. And quite possibly the greatest live performance of a bravura opera ever recorded.
Search for Gli ugonotti with Sutherland/Corelli!

Clearly the greatest tenor of our era.......2003-06-02

He is the King. No tenor has the quality, size, and technique and beauty of the great Corelli.
I have a recommendation. Buy the Meyerbeer Gli Ugonotti he recorded live for La Scala and hear the most phenomenal display of verisimo singing of the XX Century. As a bonus, you also get the young Sutherland who display the female version of a vocal miracle. Sutherland and Corelli on the same stage in 1962. In my opinion, one of the greatest cd sets available. Try it.

The very definition of a great dramatic tenor..........2002-08-17

Franco Corelli was an exciting singer, with a virile, manly voice and a very original, personal approach to singing. That he was basically self-taught is well known, and that fact dogged him throughout his career. Critics loved to heap insults on Franco Corelli, forgetting all the while that he was one of the most incredible voices ever to stride across an opera stage. I've heard a fair number of his roles, and Franco Corelli never once bored me. He seemed to me to live his characters. When Corelli sang Faust, my ears heard Faust, not just some big, handsome Italian stud mouthing the words. This singer gave meaning to all the words, not just the high notes. (Singers like that bore me.)

This collection is well rounded and shows him in excellent voice throughout. There are some unusual choices here, at first sight, for Corelli. Ombra Mai Fu is just not a song I think of easily when thinking about this man's singing, but he does a fine job with it. The religious numbers show a soul deeply concerned with spiritual matters and an abiding respect and affection for God. That is the impression I get, anyway, and they help point out his versatility.

If you ever get a chance to hear him sing Calaf from Turandot (Assuming you've been living on Mars and have not heard him!), then take any opportunity to do so. Nessun Dorma is here to tantalize you while thrilling you. Also, and this is no small matter, Corelli had one of the few voices that could go toe-to-toe with Birgit Nilsson and come out unscathed- in live performance, on stage, in front of thousands of people. Technically, Franco Corelli was not at the top of the heap, but he was no slouch, either. His diminuendos were spectacular and justly famous, though there is a little technical hanky-panky with his final B-flat in the Romeo and Juliette aria. He takes the note and does fine it down to a hair himself, but some dingaling added a fade where none was needed. I have it on good authority that Franco Corelli was NOT a fake and certainly did NOT need idiotic studio hocus-pocus!

Tracks:

Ah Si Ben M Io Di Quella Pira
Aida (Ghislazoni)
Intanto Amici Via Il Vino Spumeggiante
Mamma Quel Vino E Generoso
Nessun Dorma (Act Iii)
L'amour L'amour Ah Leve Toi Soleil
Rectar Vesti La Giubba
Colpito Qui M'avete
Credo A Una Possanza Arcana
Andrea Chenier Si Fui Soldato (Act Ii)
Come Un Bel Di Di Maggio (Act Iv)
Meco All' Altar Di Venere Ma Protege Me Difencde (Act I)

Customer Reviews:

Another FABULOUS Corelli recording.......2006-03-02

I have almost all Corelli's CD's and, for my money, there's never been another tenor even CLOSE to being that good. The only tenor with arguably more sheer power would have to be Del Monaco, but Corelli combines enormous power with both flawless intonation and incredibly beautiful singing. This 1 1/2 hour long 2-CD set consists of studio recordings and is one of a number of his that just seems downright other-worldly; its flawless. And because they are studio recordings, the recording quality is fantastic as well. You simply can't go wrong with this recording. I'd call it a MUST for any serious Corelli collector.

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1. Ah Si Ben M Io Di Quella Pira
2. Aida (Ghislazoni)
3. Intanto Amici Via Il Vino Spumeggiante
4. Mamma Quel Vino E Generoso
5. Nessun Dorma (Act Iii)
6. L'amour L'amour Ah Leve Toi Soleil
7. Rectar Vesti La Giubba
8. Colpito Qui M'avete
9. Credo A Una Possanza Arcana
10. Andrea Chenier Si Fui Soldato (Act Ii)
11. Come Un Bel Di Di Maggio (Act Iv)
12. Meco All' Altar Di Venere Ma Protege Me Difencde (Act I)