Andante Spianato Et Grande Polonaise E Flat Op 22

On this CD:

1. Fantasy for piano in F minor/A flat major, Op. 49, CT 42
Composed by Fryderyk Chopin
Performed by Arturo Benedetti Michelangeli

2. Scherzo for piano No. 2 in B flat minor, Op. 31, CT 198
Composed by Fryderyk Chopin
Performed by Arturo Benedetti Michelangeli

3. Ballade for piano No. 1 in G minor, Op. 23, CT 2 (Four Ballades)
Composed by Fryderyk Chopin
Performed by Arturo Benedetti Michelangeli

4. Andante spianato and Grande Polonaise for piano, Op. 22.
Composed by Fryderyk Chopin
Performed by Arturo Benedetti Michelangeli

5. Mazurka for piano in G minor, Op. 67/2, CT 93
Composed by Fryderyk Chopin
Performed by Arturo Benedetti Michelangeli

6. Mazurka for piano in B minor, Op. 33/4, CT 75
Composed by Fryderyk Chopin
Performed by Arturo Benedetti Michelangeli

Tracks:

Vars On 'La, Ci Darem La Mano,' Op.2: Intro. Largo
Vars On 'La, Ci Darem La Mano,' Op.2: Tema. Allegretto
Vars On 'La, Ci Darem La Mano,' Op.2: Var I. Brillante
Vars On 'La, Ci Darem La Mano,' Op.2: Var II. Veloce, Ma Accuratamente
Vars On 'La, Ci Darem La Mano,' Op.2: Var III Sempre Sostenuto
Vars On 'La, Ci Darem La Mano,' Op.2: Var IV. Con Bravura
Vars On 'La, Ci Darem La Mano,' Op.2: Var V. Adagio
Vars On 'La, Ci Darem La Mano,' Op.2: Alla Polacca
Etudes Symphoniques, Op.13
Vars On A Theme Of Paganini, Op.35: Book 1
Vars On A Theme Of Paganini, Op.35: Book 2
Kaleidoscope, Op.40
Three Chinese Pieces: Rush Hour In Hong Kong

Tracks:

Partita in d: Chaconne
Son, Op.1
Funerailles Harmonies Poetiques Et Religeuses No.7
Son in E flat, Op.27, No.1 'Quasi Una Fant': Andante-Allegro
Son in E flat, Op.27, No.1 'Quasi Una Fant': Allegro Molto E Vivace
Son in E flat, Op.27, No.1 'Quasi Una Fant': Adagio Con Espressione
Son in E flat, Op.27, No.1 'Quasi Una Fant': Allegro Vivace

Tracks:

Impromptu No.2 in E flat, Op.90
Impromptu No.3 in G flat, Op.90
Kreisleriana, Op.16: 1. Ausserst Bewegt
Kreisleriana, Op.16: 2. Sehr Innig Und Nicht Zu Rasch
Intermezzo I: Sehr Lebhaft
Intermezzo II: Etwas Bewegter
Intermezzo II: 3. Sehr Aufgeregt
Intermezzo II: 4. Sehr Langsam
Intermezzo II: 5. Sehr Lebhaft
Intermezzo II: 6. Sehr Langsam
Intermezzo II: 7. Sehr Rasch
Intermezzo II: 8. Schnell Und Spielend
Scherzo in b, Op.20
Wine, Women And Song

Tracks:

Son in b, Op.58: I. Allegro Maestoso
Son in b, Op.58: II. Scherzo-Molto Vivace
Son in b, Op.58: III. Largo
Son in b, Op.58: IV. Finale-Presto Non Tanto
Mazurka in b, Op.33, No.4
Nocturne in D flat, Op.27, No.2
Mazurka in c#, Op.63, No.3
Nocturne in E, Op.62, No.2
Nocturne in e, Op.72
Andante Spianato & Grand Polonaise in E flat, Op.22

Tracks:

Son in b
Trois Movts De Petrouchka: I. Danse Russe
Trois Movts De Petrouchka: II. Chez Petrouchka
Trois Movts De Petrouchka: III. La Semaine Grasse
Hungarian Rhap No.2

Tracks:

Prld, Chor Et Fugue: Prld. Moderato
Prld, Chor Et Fugue: Chor. Poco Piu Lento
Prld, Chor Et Fugue: Fugue. Tempo I
Son in e, Op.7: I. Allegro Moderato
Son in e, Op.7: II. Andante Molto
Son in e, Op.7: III. Alla Menuetto, Ma Poco Piu Lento
Son in e, Op.7: IV. Finale: Molto Allegro
Quatre Etudes De Rythme-Ile De Feu I And II: Ile De Feu-I. Presque Vif
Quatre Etudes De Rythme-Ile De Feu I And II: Ile De Feu-II. Vif Et Freoce
Vars On A Theme Of Corelli, Op.42: Theme. Andante
Vars On A Theme Of Corelli, Op.42: Var I. Poco Piu Mosso
Vars On A Theme Of Corelli, Op.42: Var II. L'istesso Tempo
Vars On A Theme Of Corelli, Op.42: Var III. Tempo Di Menuetto
Vars On A Theme Of Corelli, Op.42: Var IV. Andante
Vars On A Theme Of Corelli, Op.42: Var V. Allegro (Ma Non Tanto)
Vars On A Theme Of Corelli, Op.42: Var VI. L'istesso Tempo
Vars On A Theme Of Corelli, Op.42: Var VII. Vivace
Vars On A Theme Of Corelli, Op.42: Var VIII. Adagio Misterioso
Vars On A Theme Of Corelli, Op.42: Var IX. Un Poco Piu Mosso
Vars On A Theme Of Corelli, Op.42: Var X. Allegro Scherzando
Vars On A Theme Of Corelli, Op.42: Var XI. Allegro Vivace
Vars On A Theme Of Corelli, Op.42: Var XII. L'istesso Tempo
Vars On A Theme Of Corelli, Op.42: Var XIII. Agitato
Vars On A Theme Of Corelli, Op.42: Intermezzo
Vars On A Theme Of Corelli, Op.42: Var XIV. Andante (Come Prima)
Vars On A Theme Of Corelli, Op.42: Var XV. L'istesso Tempo
Vars On A Theme Of Corelli, Op.42: Var XVI. Allegro Vivace
Vars On A Theme Of Corelli, Op.42: Var XVII. Meno Mosso
Vars On A Theme Of Corelli, Op.42: Var XVIII. Allegro Con Brio
Vars On A Theme Of Corelli, Op.42: Var XIX. Piu Mosso. Agitato
Vars On A Theme Of Corelli, Op.42: Var XX. Piu Mosso
Vars On A Theme Of Corelli, Op.42: Coda. Andante

Tracks:

Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Gnomus
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Il Vecchio Castello
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Tuileries
Pictures At An Exhibition: Bydlo
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Ballet Of Chicks In Their Shells
Pictures At An Exhibition: Two Polish Jews, Rich And Poor
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Limoges, The Market-Place
Pictures At An Exhibition: Catacombae: Sepulcrum Romanum
Pictures At An Exhibition: The Hut On Fowl's Legs
Pictures At An Exhibition: The Great Gate Of Kiev
Son in A, Op.120: Allegro Moderato
Son in A, Op.120: Andante
Son in A, Op.120: Allegro
Touches: I. Chor. Andante A Piacere, Molto Rubato (With A Blues Feel)
Touches:II. Var 1. Vivace
Touches: III. Var 2. L'istesso Tempo
Touches: IV. Var 3. Piu Mosso
Touches: V. Var 4. Molto Moderato
Touches: VI. Var 5. Larghetto
Touches: VII. Var 6. Andante Moderato
Touches: VIII. Var 7. Allegro Molto
Touches: IX. Var 8. Vivace Come II
Touches: X. Coda. Largo
Con Paraphrase On Tchaikovsky's Eugene Onegin, Op.81

Customer Reviews:

Shura Cherkassky in his old age.......2000-07-12

Nimbus has done all fans of this legendary pianist quite a service by releasing these recordings on a bargain package. Needless to say, as in all Nimbus recordings, the sound is very well proportioned and it is pure delight to sense such intimacy as recorded here by Shura. To all those who know his playing, there are some surprises and also some dissapointments in this set. Most memorable are surprisingly those works which require a higher degree of instrospection such as the Shumann Kreisleriana and the Rachmaninov Corelli Variations, unfortunately we must keep in mind that these recordings were made towards the end of his life and highly-virtuosic works such as the Bach-Busoni Chaconne and the Pabst Eugene Onegin Paraphrase come through only after some obvious struggle - yet, there are some extraordinary moments which should cause envy on most younger performers. But all throughout, these recordings show Cherkassky as the master he was in his old age: reminiscent of piano-playing where the performer played as an extension of the keyboard and the composer - and that ever present sense of discovery found in his performances. This is always an ideal combination for great music making.

The Rubinstein Collection (Limited Edition) [Box Set]

Average customer rating:

There were greater talents.
This Is No Lesson in Economics...
CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST)
It's actually not so expensive
A Superb Reissue

The Rubinstein Collection (Limited Edition) [Box Set]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B00001O2XZ
Release Date: 1999-10-26

Amazon.com

A retail price of $1,600 for a box set? Granted, it's not something most of us can afford. But, for piano buffs and fans of Artur Rubinstein, this mammoth limited-edition 94-CD set might be an investment to consider. For starters, BMG has collected all of the approved studio recordings of Rubinstein (including 200 or so that have never been on CD) and added a handful of previously unreleased recordings and some interviews. The lot has been remastered for this collection using the latest technology (RCA's disc-and-a-half Highlights sampler actually showcases some of the more dramatic remasterings)--a good thing, when you consider that many of these master tapes have a lifetime's worth of surface noise. You get a lavishly illustrated book with essays and photographs and a nice case to store the works; everything but the credit plan is included, really. Of course, it's up to you to decide whether you want 706 recordings of 347 pieces played by the same great pianist. And, though owning Rubinstein's three complete cycles of Beethoven's concertos might sound tempting, will you really listen to each of them? Probably not, but if you need 'em, here they are. (His Chopin cycles, on the other hand, you will listen to repeatedly!) It's easily one of the most impressive and comprehensive box sets that classical music has seen: a true career overview with excellent remastering and handsome packaging that reflects the collection's price tag (unlike some box sets that are just that: CDs in boxes). Do you need it? Probably not. Will you want it? You bet. --Jason Verlinde

Customer Reviews:

There were greater talents........2005-05-30

I must confess that I hate Rubinstein's sound as a pianist, but his dedication and verve were notable. Think though of Claudio Aurru's gifts, remarkable... I feel that to love Rubinstein one must love a world of safe emotional borders and sameness; sorry A.R fans. jb

This Is No Lesson in Economics..........2004-10-10

It is a natural tendency when reviewing items in this price-point to contemplate cost-effectiveness first and foremost. Considering that CDs have no nutritional value and cannot keep kids off crack, I am uncomfortable recognizing, much less crossing, some line in the sand where space ordinarily reserved for record-reviews must yield to amateur musings on the evils of conspicuous consumption or macroeconomic conceptions of social justice. Let's assume for the moment that this box set is free, removing from our purview the materialistic thrill or global economic blight one might seek and/or wish to stave off in purchasing it.

Rubinstein's "official" recorded output is astounding. It spans 5 decades, and encompasses significant forays into the oeuvre of dozens of composers. Though technique is generally expected to decline with age, few pianists live to be 96 years old. Rubinstein the pianist and Rubinstein the musician reached their highest collective summit when Rubinstein the man was well into his 60s. The "late-bloomer" aspect of his career places a considerable quorum of his most polished recordings squarely within the stereo era. Some of this material had made its way onto CD prior to this release, most notably his Chopin. Unfortunately, Rubinstein's well-deserved public acclaim as Chopin's supreme torchbearer unjustly limits his reputation along "expresio unius est exclusio alterius" lines. For example, though Rubinstein chose to record only a small handful of Beethoven sonatas, it is doubtful that one might hear them better played, even by his Beethoven specialist contemporaries Schnabel and Kempff. Rubinstein also ardently championed French and Spanish music, and is said to have loved performing Brahms most of all. This release places many of his most accomplished recordings before the ears of the listening public for the first time since their original release on vinyl.

I am frequently intoxicated by the earliest recordings from the 30s and 40s. Some of them, like his first traversal of the Chopin scherzi, are bite-your-nails-til-they-bleed thrilling. On the other hand, the initial limitations of the recording process required this (and every) pianist to make bothersome compromises with respect to tempi and dynamics at times. Ultimately, it comes down to personal taste. I am more consistently drawn to Rubinstein the wise-master than Rubinstein the young Turk.

RCA invested undisclosed sums of time and money into restoring, remixing, and remastering all of the recordings for this release. Some of the earlier recordings have been available on CD for quite some time (e.g. Chopin's Op. 28 Preludes, the Ormandy/Philadelphia Grieg concerto). Despite the intervention of acoustical restorationist-par-excellence Ward Marston, the remastering undertaken in the course of this project has not dramatically improved the sound on these releases. Short of traveling several decades into the past and placing more sensitive microphones in more strategic locations, there was probably little else that could have been done. Marston's brilliance is far more obvious in restoring to near original luster many deteriorating tape recordings from the late 40s and early 50s. The stereo recordings also sound fuller.

I am pleased with my purchase because having access (and, most importantly, having listened to) all of these recordings is a moving experience. It allows me to contemplate this extraordinary artist as a man, whose performance is inevitably colored by the accumulation of experience, the expanding flexibility of the recording process, the onset of maturity, and (perhaps sadly) declining physical powers. There are multiple recordings of most pieces in this collection, but I rarely find it difficult to cull a favorite among them. At this point, I play some of the records frequently, and others rarely. If your aim is to hear Rubinstein at his best, this set provides the resources you need to make what are at turns obvious, and others hopelessly personal choices. This set includes detailed (and mostly newly written) liner notes for each record as a well as an engaging hardcover book providing no fewer than 3 complete indices to the recordings (by date of recording, Composer, and Volume number). The box itself is a work of art, looks stunning on a shelf, and never requires polishing. Most of the 81 volumes are sold separately, and have been made available for download on the Apple Music Store.

While I will not claim that Rubinstein's interpretations are equally effective, I cannot think of any other pianist, now living or forever deceased, who could approach such a broad repertoire with the unwaivering technical finesse and prophetic musicianship evident in the bulk of his recorded output. If you never see the likes of a "Rubinstein Collection" on the shelf again, do not dismiss it as another textbook illustration of price elasticity. To do so is to dwell on on the vagaries of consumerism when the more important issue is that the next Rubinstein may never be.

CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST).......2003-05-30

You have two choices: Starve the kids or skip the mortgage payments for a month or two. How else can you afford this 94 (!) disc set that captures every studio recording the classical icon ever recorded. Trust us: The kids are fat enough.

It's actually not so expensive.......2001-06-06

Provided you have the time, listening to this collection not only helps you better appreciate Rubinstein's supreme talent but also gives you some idea of his unfolding genius--how his technique and interpretation changed through the years. There's enough room in music for every kind of interpretation, as long as you take the music first, and all the interpretations Rubinstein offered are interesting. Of course this set is expensive, but it's nearly 100 CDs plus liner notes, so the price is not that bad. Besides, if you decide to really listen to this set the way it deserves, it's going to be years before you buy another CD.

A Superb Reissue.......2000-04-30

A friend of mine was able to aquire the Rubinstein Collection and I have been borrowing from it liberally.

RCA deserves to be commended on going the extra mile and releasing ALL of the authorized Rubinstein recordings, well organized and superbly remastered in this comprehensive edition. Hopefully, RCA will also release the individual volumes for those who are not completists or who simply cannot afford the entire set. True, this set is at full price. A source who was connected with this reissure has told me that RCA planned to issue the set at mid price, but the cost of this mammoth edition went far overbudget--and the full price was dictated by their production costs. Certainly, the money was well spent. The ramastering, particularly in the earlier recordings, must be heard to be believed. The packaging, documentation, and liner notes are all first class.

It is fascinating to trace Rubinstein's evolution as an interpreter--from the devil-may-care early days through the mature recordings of the 1950s, into the 1970s, when his playing on record tended to be a bit cautions.

Hopefully, the cost of producing this magnum opus and the reported slow sales it has been getting will not deter RCA from producing more boxed sets of Horowitz and many of the other artists in the RCA vaults. Bravo, RCA!

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