Copland: Appalachian Spring, Billy the Kid Suite, etc. [Enhanced]

On this CD:

1. Appalachian Spring, concert suite
Composed by Aaron Copland
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy

2. Billy the Kid, orchestral suite from the ballet Suite
Composed by Aaron Copland
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy

3. Rodeo, selections from the complete ballet Four Dance Episodes
Composed by Aaron Copland
Performed by Dallas Symphony Orchestra
Conducted by Eduardo Mata

4. El Salón México, for orchestra
Composed by Aaron Copland
Performed by Dallas Symphony Orchestra
Conducted by Eduardo Mata

Tracks:

Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato
Appalachian Spring: Fast
Appalachian Spring: Subito Allegro
Appalachian Spring: As At First (Slowly)
Appalachian Spring: Doppio movimento
Appalachian Spring: Moderato - Coda
Rodeo: Buckaroo Holiday - Allegro con spirito
Rodeo: Corral Nocturne - Moderato
Rodeo: aturday Night Waltz - Introduction - Slow Waltz
Rodeo: Hoe-Down - Allegro
Billy The Kid: Introduction. The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Mexican Dance And Finale
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celbration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Fanfare for the Common Man: Molto deliberato

Amazon.com essential recording

Happy is the composer who has an advocate as passionate and talented as Leonard Bernstein. These Copland performances have been the preferred versions since they were first issued--better even than the composer's own, later recordings. Originally they were spread over two discs, but thanks to the extended playing time of the compact disc, you can now get all three great Copland ballets together, along with the ever popular Fanfare for the Common Man. Bernstein brings to this music the right sharpness of rhythm but also a typically open-hearted warmth. He coaxes a virtuoso response from the New York Philharmonic, which knows this music as well (or better) than anyone. Self- recommending. --David Hurwitz

Customer Reviews:

What more could one ask for?.......2007-06-27

Aaron Copland's masterful works are here interpreted by Bernstein. Nothing says the American sound like Copland, and there is no better interpreter than Bernstein. This recording is one of the best in my collection. I would recommend this to anyone (even non-classical music fans).

Definitive Is Right.......2007-02-27

I have the SACD version of these recordings (except for the "Fanfare" which, in this case, is the version taken from Bernstein's recording of Copland's Third Symphony) and I must agree with others here that the performances are definitive. The "Rodeo" has more energy than any other recording I know of, in fact it can almost go over the top! "Billy the Kid" is quiet and tender, dramatic and bold and "Appalachian Spring" is dead-on. The last section of this ballet is one of my very favorite pieces of music and Bernstein's tempo and phrasing here could well be called perfect.

Definitive Recordings of Copland's Popular Ballet Scores From Bernstein, NYPO.......2007-02-11

Without question, this splendid CD is my favorite recording of some of Aaron Copland's most popular orchestral ballet scores. In Leonard Bernstein he had both a good friend and a devout ally, who successfully championed Copland's music, helping to ensure his reputation as one of the greatest - if not the greatest - 20th Century American composer. Sony has done a superb job in digitally remastering this recording, offering some of the best sound I've heard from a vintage Leonard Bernstein/New York Philharmonic recording. But more importantly than the recording's superb sonic quality is the quality of these performances of Copland's scores. Bernstein leads in New York Philharmonic in these virtuoso performances, replete with lush, vibrant playing from the winds, horns and strings. His warm, truly heart-felt interpretation of "Applachian Spring" is truly mesmerizing, and the best I have heard from a recording. And yet, I am am just as impressed with his conducting of both "Rodeo" and "Billy the Kid"; the latter replete with superb solos from the orchestra's timpanist. An elegant performance of "Fanfare for the Common Man" closes out this CD recording. Fans of Aaron Copland, Leonard Bernstein, and the New York Philharmonic Orchestra shouldn't hesitate in acquiring this superb CD.

American Music at its Highest .......2007-02-04

If I was forced to recommend one CD of American music, I would feel very safe in backing this one. These interpretations have yet to be surpassed, and not even Copland himself could muster the same type of perfection that Bernstein and the New York Philharmonic did in this recording. Bernstein's way with Rodeo is unbelievable, and this alone is worth the price of the disc. The music on this recording has a lot to do with why, as Americans, we can all be proud of our place in the history of western music.

With 39 reviews under me, I will dispense with the adjectives to try and describe each interpretation of each piece on this disc, and simply say that these performances have been recommended by almost everyone (professional critics included of course) since they appeared; get it and find out why.

The best of Copland.......2007-01-09

For the Aaron Copland fan, this CD has the essentials: the most popular and easy listening of the Copland body of creations. Enjoy!

Copland: Appalachian Spring, Billy the Kid Suite, etc.

Average customer rating:

Best Rodeo
Mata adds a little spark to Ormandy's tired Copland
Decent Copland

Copland: Appalachian Spring, Billy the Kid Suite, etc.

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B00001R3MR
Release Date: 1999-10-12

Tracks:

Ballet For Martha: Appalachain Spring - The Philadelphia Orchestra
Billy The Kid: Suite: Introduction: The Open Prairie - The Philadelphia Orchestra
Billy The Kid: Suite: Street In A Frontier Town - The Philadelphia Orchestra
Billy The Kid: Suite: Mexican Dance And Finale - The Philadelphia Orchestra
Billy The Kid: Suite: Prairie Night: Card Game - The Philadelphia Orchestra
Billy The Kid: Suite: Gun Battle - The Philadelphia Orchestra
Billy The Kid: Suite: Celebration: After Billy's Capture - The Philadelphia Orchestra
Billy The Kid: Suite: Billy's Death - The Philadelphia Orchestra
Billy The Kid: Suite: The Open Prairie (Reprise) - The Philadelphia Orchestra
Rodeo: Four Dance Episodes: Buckarro Holiday - Dallas Symphony Orchestra
Rodeo: Four Dance Episodes: Corral Nocturne - Dallas Symphony Orchestra
Rodeo: Four Dance Episodes: Saturday Night Waltz - Dallas Symphony Orchestra
Rodeo: Four Dance Episodes: Hoedown - Dallas Symphony Orchestra
El Salon Mexico - Dallas Symphony Orchestra

Customer Reviews:

Best Rodeo.......2007-02-08

Have only heard Rodeo, but it's worth the price of the CD. Clean, crisp, balanced, rhythmic, brassy. The only recording I've ever heard where the oboe solo in the Hoedown has presence and doesn't sound like the oboist was playing offstage.

Mata adds a little spark to Ormandy's tired Copland.......2006-06-12

Eugene Ormandy obviously knew he was stepping on Bernstein's toes by recording Copland's most famous score. Nobody involved could have thought that Ormandy's polite, rhythmically mild Appalachina Spring came close, and his Billy the Kid never hurt anyone in his life. But back then Ormandy was nearly as big a name with the record-buying public as Bernstein, and his fans wouldn't care. As a result, we get gorgeous playing frorm the orchestra and impactful sound--though not the best that Living Stereo has to offer--all in service of very dull performances.

For me, the main attraction was hearing Edurdo Mata's contribution. This talented Mexican maestro died young, and I missed him the first time around. He conducts a lively four scenes from Copland's Rodeo ballet , by far the best thing here, but his El Salon Mexico (ironically for a native-born musician) sounds anemic next to Bernstein's.

Decent Copland.......2003-07-15

There is not a lot to get excited about in this RCA "High Performance" reissue of the works of Aaron Copland. The Ormandy pieces have been available on CD before (not sure about the Mata though), and the remastered sound does not offer any new revelations when comparing the "Billy the Kid" Suite here to its earlier incarnation on RCA Gold Seal (which includes performances conducted by Copland himself -- a better buy!). In general Ormandy's recordings for CBS from the late 1950s and early 60s (now widely available in the Sony Essential Classics series -- I have written numerous reviews), are much better than his later recordings for RCA from the late 1960s and early 1970s. Even though the Philadelphia Orchestra still shines, there must have been something more fun about doing it the first time around for Ormandy. Mata, on the other hand, is clearly a rung below Ormandy and his performances are quite honestly second rate. With so many other classic Copland titles available, many with the conductor himself or the next best thing, Leonard Bernstein (sometimes the composer even preferred Bernstein to himself!), why would you settle for this CD?

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