Classical Shores
Track Listings
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1. Arabesque for Piano in E Major, L 66/1
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2. Suite No.3: Air
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3. Minuet for Piano in G Major, Woo 10/2
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4. Prelude in E Minor
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5. Intermezzo in a
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6. Rondo for Piano No. 1 in D Major, K. 485
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7. To a Wild Rose
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8. Bagatelle for Piano in a Minor ("Für Elise") Woo 5
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9. Piano Sonata in C Major, ("Eleonorem Sonate"), (Fr: Andante
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10. Work(s): Works~Unspecified Nocturne for Piano in E Flat
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11. Reverie
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Classical Shores, Music, Johann Sebastian Bach, Ludwig van Beethoven, Johannes Brahms, Fryderyk Chopin, Claude Debussy, Edward MacDowell, Wolfgang Amadeus Mozart, Bagatelle for Keyboard, Baroque Suite/Partita for Orchestra, Intermezzo for Keyboard, Jazz Music, Keyboard, Keyboard Work with Descriptive or Unclassified Title, Minuet for Keyboard, Miscellaneous, Miscellaneous Music, Music for Keyboard, New Age / Meditation, Orchestral, Pop, Prelude for Keyboard, Romantic Sonata/Sonatina for Keyboard, Rondo for Keyboard
Average customer rating:
- It doesn't get better than this.
- starting over
- starting over
- excellence
- Cornet Favorites
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Cornet Favorites
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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ASIN: B000005IYD
Release Date: 1992-05-27 |
Tracks:
- From The Shores Of The Mighty Pacific: Rondo Caprice
- Sounds From The Hudson: Valse Brillante
- Willow Echoes
- The Carnival Of Venice: Fantaisie And Variations
- At The Beach: Concert Waltz
- The Debutante: Caprice Brillante
- Slavische Fantasie
- The Bride Of The Waves: Polka Brillante
- Cousins
- Exposition Echoes: Polka
- The Maid Of The Mist: Polka
- Trombone Family: A) Shoutin' Liza Trombone - One Step (Mose Tombone's Ah-finity) B) Teddy Trombone - A Brother To Miss Trombone (Trombone Solo)
- The Cascades: Polka Brilliant
Customer Reviews:
It doesn't get better than this........2001-08-01
I first bought this recording on vinyl back in 1975. Gerard Schwartz has since moved on to a career in conducting, but as this recording shows, he's a true Master of his craft. I'm a trumpet player and I know what a good sound is. This guy's got it!
More than technical perfection, the tunes are delivered with delicacy, grace and power.
starting over.......2001-07-03
This is a very good cd for a trumpet player. Many songs of Herbert L. Clarke and Jean Babtiste Arban are there in their familiar versions. If you get this cd, you ought to get Cornet Favorites also. The solos on both cd's stick to the versions found in Arban's Complete Conservatory Method and Clarke's 24 Charateristic Studies, so you can follow them note for note. Carnaval has wind symphony accompaniment and Cornet Favorites has piano accompaniment.
starting over.......2001-07-03
If you have the Arban Complete Conservatory Method and Herbert Clarke's 24 Characteristic Studies, then you have the versions of the solos that are played on this cd, and can benefit from hearing them played. All songs use piano accompaniment so you will have no trouble hearing the cornet. Carnaval (Winton Marsalis) has some of the same songs, but the cornet is harder to hear because of the wind symphony accompniment.
excellence.......2000-05-30
This is the best verison of Carnival I have heard. Classic Wynton also provides a fantastic interpretation on the most difficult trumpet solo of all time. But Schwarz shows amazing control, fantastic percision, and baffling dexterity. The Debutante and the Bride, etc. are also impressive. Its a shame Schwarz gave up trumpet to conduct. Having played these songs myself, I definitely recommend it to any classical trumpet enthusiast/student
Cornet Favorites.......1999-12-28
I enjoyed the cd because of the literature being performed. However, Schwarz's performance is mediocre and lacks luster. The sound is dull and uninviteing.The tempos were unusal and it felt there was no ensemble with the trumpet and piano performance.
I felt there was not a musical product produced in this recording.
Average customer rating:
- Brilliant playing transcending primitive recording technique
- The Master of the Cornet
- Clarke is the cornet master!
- heartbreaking music from a bygone era
- Be careful
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Herbert L. Clarke: Original Recordings 1907-21
Manufacturer: Crystal Records
ProductGroup: Music
Binding: Audio CD
Godard, Benjamin
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ASIN: B000003J4O
Release Date: 1996-10-01 |
Tracks:
- Bride Of The Waves
- The Holy City
- Sounds From The Hudson (Valse Brilliante)
- Killarney
- Caprice Brilliante (The Debutante)
- Perhaps Love's Dream Will Last Forever
- Carnival Of Venice
- Ah Cupid
- Bride Of The Waves
- Once Upon A Time
- Rondo Caprice (From The Shores Of The Mighty Pacific)
- Aloha Oe (Farewell) (Hawaiian Love Song)
- Russian Fantasie
- The Palms
- La Veta Caprice (Lillian)
- Berceuse From Jocelyn
- Sounds From The Hudson (Valse Brilliante)
- Twilight Dreams Waltz-Intermezzo
- Southern Cross
- Love's Old Sweet Song
- Showers Of Gold Scherzo
- Macushla
- Caprice Brilliante (The Debutante)
- Killarney
- Carnival Of Venice
- Stars In A Velvety Sky
Amazon.com
These 26 selections, recorded from 1904 to 1922, document the work of an important American player and band composer. Despite the trivial nature of most of the music, one can't help listening to Herbert Clarke's playing with respect and growing affection. He was a most elegant player, with a beautiful tone that comes across even in the earliest of these recordings. The showiest pieces, which can be quite dazzling, are still performed with taste and musicianship. This disc is an important sound document, and the transfers from even the earliest of the recordings are surprisingly listenable. Highly recommended to all brass and nostalgia lovers. --Leslie Gerber
Customer Reviews:
Brilliant playing transcending primitive recording technique.......2001-01-11
Hearing this CD -- despite the distracting surface noise from the primative acoustic recordings from which this CD was remastered -- I appreciate for the first time the greatness of Clarke as a cornet soloist. If he is not the greatest to date, he is surely one of the giants upon whose shoulders modern virtuosi of the trumpet (which has pretty much replaced the cornet) stand.
Clarke's sheer artistry in both composition and performance still dazzle and his interpretive ability brings to life some of the 'tear jerkers' of the golden age of popular brass music in a way no modern performance comes close to.
Although on first hearing one could be very much distracted by the primitive recordings, the brass player soon focuses on Clarke's playing so completely that the the surface noise disappears.
Every trumpet player and cornetist, more, every brass player and lover of band music, should own a copy.
The Master of the Cornet.......2001-01-04
God bless Crystal Records for taking the time to re-issue these extremely rare and valuable recordings from an unfortunately neglected giant in American musical history. Most people today don't realise how famous and influential Mr. Clarke and his peers (Sousa, Pryor et. al.)were on the American musical scene at the beginning of the Twentieth century. It is very important that these recordings (and others from this period, the birth of sound recording) be preserved for future generations.
As for those who could not stand the "hiss" on these recordings, how spoiled can you be? You simply miss the point of all this. We all know that these records were made during the infancy of the recording industry, and that they didn't have the technology we now have. I find it thrilling to listen to them just as they are. Recorded sound is the closest we have to time travel, and I find it fascinating to listen to these recordings as though I was there when they were first made. And most of all, through the marvel of recorded sound (Mr. Sousa notwithstanding) I can listen today to the greatest cornetist who ever lived, even though he passed away over 50 years ago.
Hopefully Crystal Records will someday put out an anthology of original Sousa and Pryor Band recordings.
Clarke is the cornet master!.......2000-08-03
Herbert Clarke is the finest cornetist the planet has ever seen. The technical brilliance on Carnival is just breathtaking. The sound quality of the recording is little hinderance on the true genius behind this man's playing. Don't let the hiss bother you!!!
heartbreaking music from a bygone era.......2000-03-22
These vintage recordings would have been otherwise lost to us--and a great loss at that. Clarke plays so beautifully, esp. those pieces that he wrote. It's notall oom-paa-paa, but music that is deeply affecting and stirring.This is the effect that Wynton Marsalis was going for in his "Carneval." While Marsalis's album is a wonderful tribute, this is the original. A must-have for any serious trumpet player.
Be careful.......1999-09-14
Watch out if you want to buy this cd! It's a good cd with Herbert Clarke playing some of his own pieces the way they should be played...but the recording is TERRIBLE! Naturally, it's a 1904 recording! But the hiss for the first half of the cd is almost painful. It's NOT something you can just ignore, so don't be caught unawares.
Average customer rating:
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The Strauss Family: Waltzes, Polkas & Overtures - Willi Boskovsky/Johann Strauss Orchestra of Vienna (6 CD's)
Johann Strauss , Johann Strauss II , Josef Strauss , Eduard Strauss , Willi Boskovsky , Johann Strauss Orchestra of Vienna , and Vienna Symphony
Manufacturer: EMI Classics
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ASIN: B0002RUAFG
Release Date: 2004-11-02 |
Tracks:
- Radetzky-Marsch, Op. 228
- Sigh Galop, Op. 9
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- Artist's Life, Op. 316
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- Wine, Woman And Song, Op. 333
- Vienna Blood, Op. 354
- Roses From The South, Op. 388
- Voices Of Spring, Op. 410
- Emperor Waltz, Op. 437
Tracks:
- Features Section Waltz, Op. 293
- Flight Of Fancy, Op. 215
- Accelerations, Op. 234
- Ever More Cheerful, Op. 235
- Carnival's Ambassador, Op. 270
- Leading Article, Op. 273
- Morning Papers, Op. 279
- Pamphlets, Op. 300
- New Vienna, Op. 342
Tracks:
- Carnival Pictures, Op. 357
- Where The Lemon Trees Blossom, Op. 364
- Du Und Du, Op. 367
- Kiss Waltz, Op. 400
- Lagoon Waltz, Op. 411
- Treasure Waltz, Op. 418
- Viennese Women, Op. 427
- Danube Maidens, Op. 427
- Explosions-Polka, Op. 43
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- Episode, Op. 296
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- Pleased As Punch, Op. 301
- Express, Op. 311
- Light As A Feather, Op. 319
- Thunder And Lightning, Op. 324
- Long Live Hungary, Op. 332
- Im Krapfenwald'l, Op. 336
- At The Double, Op. 348
- From The Banks Of The Danube, Op. 356
- Greetings From Austria, Op. 359
- At The Hunt, Op. 373
- I-Tipferl, Op. 377
- Bandits' Galop, Op. 378
- New Pizzicato Polka, Op. 449
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- The Bat
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- The Gypsy Baron
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- Forward!, Op. 127
- Off On Holiday, Op. 133
- The Gossip, Op. 144
- Woman's Heart, Op. 166
- Sport, Op. 170
- All Sorts, Op. 219
- In Flight, Op. 230
- Chatterboxes, Op. 245
- Typographical Letters, Op. 252
- Fireproof!, Op. 269
- Without A Care!, Op. 271
- Artists Greeting, Op. 274
- Jockey, Op. 278
- Line Clear!, Op. 45
- Where One Laughs And Lives, Op. 108
- Non-Stop, Op. 112
- Below The Enns, Op. 121
- Alpine Rose, Op. 127
- Delight In Travel, Op. 166
- Out Of Hand, Op. 168
- Carnival Letter, Op. 203
- With Pleasure, Op. 228
- With The Breakes Off, Op. 238
Average customer rating:
- A treat: Grimethorpe pleases once again.
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Grimethorpe
Manufacturer: Chandos
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Binding: Audio CD
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ASIN: B000000A7V
Release Date: 1997-03-18 |
Tracks:
- March - Grimethorpe Colliery Band
- Adagio - Mark Walters
- Purcell Variations - Major Peter Parkes
- From The Shores Of The Mighty Pacific - Richard Marshall
- Overture To 'Abu Hassan' - Major Peter Parkes
- The Lark In The Clear Air - Melvyn Bathgate
- March - Grimethorpe Colliery Band
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Customer Reviews:
A treat: Grimethorpe pleases once again........1999-12-09
This CD is wonderful. The band once again demonstrates incredible versatility and technical skill along with great arrangements. As a low brass player, I was especially impressed with the euphonium interpretation of Carnival of Venice on the Carnival Cocktail cut. Loved the Riverdance arrangement and always find good circus marches played well to be a real treat (Barnum & Bailey's Favorite, in this case). Other cuts were equally entertaining and satisfying. Great cornet virtuoso work on From the Shores of the Mighty Pacific and a lovely arrangement for tenor horn on The Lark in the Clear Air. A brass band that can be subtle or bold! A brass band that understands dynamics! A brass band that lets you hear more than just the melody line! Note to the band: a CD of KL King and other circus greats would be appreciated. And, being from Maine, USA, more RB Hall marches would go down well. Yes, he was from Maine, but also wrote great marches. Hall's great countermelody style was well interpreted on the Brassed Off CD and the same march, Death or Glory, appears here. How about more?
Average customer rating:
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Distant Shores
Various Artists
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
Environmental
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Release Date: 1993-04-13 |
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Customer Reviews:
soothing, but repetitive.......2006-10-15
This CD came in a set that my family bought many years ago. It has two tracks (each about 30 minutes long) that feature the sounds of crashing waves mixed with synthesized music. In each track, different types of sounds and music are used.
The problem with 30-minute "songs" is that they can be repititive. Still, this CD is a nice addition to my collection. Personally, however, I didn't like it as much as I liked Thunderstorm at Night, though.
Average customer rating:
- Cerquetti's Abigaille
- Good soloists, mediocre chorus, mono recording
- Blistering Vocalism
- Glorious Cerquetti in very good Nabucco
- Verdi at the most exciting way!
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Nabucco [Highlights]
Manufacturer: Gala
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Binding: Audio CD
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Release Date: 2000-06-06 |
Tracks:
- Nabucco: Part One - Introduzione
- Nabucco: Part One - Recitativo e cavatina
- Nabucco: Part One - 'D'Egitto la sui lidi'
- Nabucco: Part One - 'Qual rumore?'
- Nabucco: Part One - 'Come notte a sol fulgente'
- Nabucco: Part One - 'Guerrieri e presto il Tempio'
- Nabucco: Part One - 'Io t'amava!'
- Nabucco: Part One - Corco - 'Lo vedeste?'
- Nabucco: Part One - 'Finale ''Viva Nabucco!'
- Nabucco: Part One - 'Che tenti?'
- Nabucco: Part One - 'Tremin gl'insani del mio furore'
- Nabucco: Part One - O vinti'
- Nabucco: Part One - 'Mio furore'
- Nabucco: Part Two, Scene One - Scena ed aria
- Nabucco: Part Two, Scene One - Anch'io dischiuso un giorno'
- Nabucco: Part Two, Scene One - 'Chi s'avanza'
- Nabucco: Part Two, Scene One - 'Salgo gia deltrono aurato'
- Nabucco: Part Three, Scene One - 'Donna,chi sei?'
- Nabucco: Part Three, Scene One - 'Oh,Di qual'onta aggravasi'
- Nabucco: Part Three, Scene One - 'Ah, qual suon!'
- Nabucco: Part Three, Scene One - 'Deh, Perdona'
- Nabucco: Part Three, Scene Two - Coro e profezia (Introduczione - Introduction)
- Nabucco: Part Four, Scene One - 'Dio Di Giuda'
- Nabucco: Part Four, Scene One - 'Porta fatale, or t'apriral!'
- Nabucco: Part Four, Scene One - 'Cadran, cadranno i perfidi'
- Nabucco: Part Four, Scene Two - Finale ultimo 'Oh,dischiuso e il firmento'
- Nabucco: Part Four, Scene Two - 'Ah, torna Ieraello'
- Nabucco: Part Four, Scene Two - 'Immenso jeovha
Customer Reviews:
Cerquetti's Abigaille.......2003-09-06
First off, it should be known to the potential buyer that these are HIGHLIGHTS only. The mono sound is acceptable. Orchestra and chorus are average at best. The focus clearly is on Anita Cerquetti and her rendition of Abigaille. Even though in the booklet listing of tracks her name is omitted on the last cue point. I never heard this singer live. My first encounter with her voice was the studio GIOCONDA with del Monaco and Simionato and I liked it very much. As Abigaille I find her less convincing. The voice is beautiful and even. But she cannot convey Abigaille's high flying ambitions. She sounds noble most of the time. Never aggressive or infuriated or spiteful or menacing. Her repentance/dying scene is superficial. Which makes me wonder how often Miss Cerquetti may have had the chance to sing this role during her brief career and develop a feeling for it. At times she unexpectedly breaks a phrase to catch her breath, which I find somewhat irritating. And some climax seem "rushed". It's also a bit disappointing to me that the "Salgo gia" cabaletta gets no repeat. Guess such were the customs in those years, even for concert performances. I am pleased with Messrs. Dondi (in the title role) and Trama. Aside from their vocal qualities I find them very much in character. Also the singers of Fenena and Ismaele made me prick up my ears. Taken all in all, it's worthwhile to have this document. It will nicely supplement your studio NABUCCO. It's been a guilty pleasure of mine to compare Anita Cerquetti to Elena Suliotis and Dino Dondi to Tito Gobbi. And I wish that one day the Metropolitan Opera's NABUCCO with Leonie Rysanek under the baton of Thomas Schippers will appear on CD.
Good soloists, mediocre chorus, mono recording.......2002-10-24
The soloists are very good, but the chorus (key in this opera) is not on the same level. "Va Pensiero", the famous chorus piece, is very weakly done. The mono recording is only just adequate, OK for the soloists but flat and dull for stage presence and orchestration.
Blistering Vocalism.......2001-02-23
I first heard this rare pearl over 20 years ago on some faded third-generation cassette. Despite the dim sonics, I was thrilled to hear a diva who could actually negotiate the scorching roulades of Abigaille's music while still sounding like a singer and not some wounded forest creature howling in pain. Apart from Callas' live performance, we've had precious little to celebrate in recorded Abigailles. Sure, Scotto lit a few fires with her EMI pressing, but who wouldn't with a microphone clenched betweeen her teeth and the volume control nailed in place at the top of the control panel? For Heaven's sake, most of the current generation of half-wit dimpled divettes and "sound-enhanced" melody muffins could come off like an Abigaille with the right studio wizards calling the shots.
Cerquetti was the REAL thing. Like Margharita Roberti (listen to her in Christoff's ATTILA recording), Caterina Mancini and Fedora Barbieri, she came from a school of barnstormers who could shake the foundations of San Carlo or La Scala with truly schooled, crafted voices that emanated from the viscera and not the top of the larynx. Cerquetti was one of the Queens of Can Belto, and this new release in great sound is one of the treasures among re-releases of the past decade. I cast aside all conservatory terminology and call this type of performance a ripsnorter for the ages. With Callas, Cerquetti, and Dimitrova on disc, and the rare likes of Linda Roark-Strummer performing the role onstage, the other studio bunnies can turn their attention to gentler repertoire and give the rest of us a break.
Glorious Cerquetti in very good Nabucco.......2000-07-19
With the exception of the famous Hebrew's choir 'Va pensiero', the number of recordings of 'Nabucco' is notably low. One possible reason is the extraordinary vocal demand of the female leading role, King Nabucco's daughter Abigaille. Very few sopranos have succeeded with this difficult role: Maria Callas, Elena Suliotis, Renata Scotto, Ghena Dimitrova (arguably the best). Now we have a live recording of the great Italian soprano Anita Cerquetti, and she is probably so good as Dimitrova. Cerquetti was one of the greatest sopranos of the century, although she had an astonishingly short carreer (she retired at the age of 30!). Most of her (scarce) recordings are live performances, so having any single piece of recording of her extraordinary voice is a real must. This Nabucco was one of the last documents of her operatic carreer, and here she sounds so splendid that it remains a mystery why she decided to give up singing so soon afterwards. The rest of the cast is very good, especially the bass Ugo Trama as the High Priest Zaccaria. Dino Dondi is a good Nabucco, but his interpretation of the title role is not a reference. The orchestra sounds well, and the choir efficiently provides the necessary support. The quality of sound is good for the time (1960). To Summarize: This incredibly low priced recording has an adequate combination of the elements needed for a good Nabucco: A very good choir, an excellent bass (Trama), a good baritone (Dondi) and a star of stars as princess Abigail: the great soprano Anita Cerquetti. Enjoy it!
Verdi at the most exciting way!.......2000-01-05
You have to buy this recording! Cerquetti is our and Verdi's dreams Abigaille! If you really are an opera fan or have any concern about Verdi you need this recording. Go for it!
Average customer rating:
- Ghiaurov rules....! And he deserves more than 5 stars!
- The worst cd
- nicely done!
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Russian Songs
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000423B
Release Date: 1995-03-14 |
Tracks:
- None But The Lonely Heart Op.6 No.6 - Nicolai Ghiaurov
- Not A Word, Oh My Love Op.6 NO.2 - Nicolai Ghiaurov
- Don Juan's Serenade, Op.38 No.1 - Nicolai Ghiaurov
- It Was In The Early Springs, Op.38 No.2 - Nicolai Ghiaurov
- Mid The Noisy Stir Of The Ball, OP.38 No. 3 - Nicolai Ghiaurov
- I Bless You, Woods, Op.47 No.5 - Nicolai Ghiaurov
- For The Shores Of Your Far-Off Native Land - Nicolai Ghiaurov
- Midnight Review - Nicolai Ghiaurov
- Melody - Nicolai Ghiaurov
- The Worm - Nicolai Ghiaurov
- Nocturnal Breeze - Nicolai Ghiaurov
- The Old Corporal - Nicolai Ghiaurov
Tracks:
- The Cliff - Zlatina Ghiaurov
- The Volga BVoatmen - Zlatina Ghiaurov
- The Little Oak Cudge - Zlatina Ghiaurov
- A Ukrainian Stringed Instrument - Zlatina Ghiaurov
- Stenka Razin - Zlatina Ghiaurov
- Along Petersburg Street - Zlatina Ghiaurov
- In The Dark Forest - Zlatina Ghiaurov
- Dark Eyes - Zlatina Ghiaurov
- Dear Little Night - Zlatina Ghiaurov
- The 12 Brigands - Zlatina Ghiaurov
- Farewell, Joy - Zlatina Ghiaurov
Customer Reviews:
Ghiaurov rules....! And he deserves more than 5 stars!.......2002-04-29
I used to have a great deal of this material on vinyl LP, so I'm grabbing this up as soon as possible. London's transfers are usually impeccable, so I expect no problems with the sounds- and the sound on the originals was spectacular. Ghiaurov seemed to me to have a fine feel for this music and the voice is something to die for- huge, robust, soaring... yet capable of subtle beauties many other basses ignore.
Frankly, Ghiaurov is the standard by which I judge other basses in this genre. Maxim Mikhailov and Mark Reizen come to mind as incredible voices and interpreters, as well as Boris Gmyria. Reizen especially had the quintessential basso cantante voice, with a beauty and range of dynamics that is hard to resist. Nicolai Ghiaurov was a fine successor to these lofty singers and I doubt anyone who loves this music will be disappointed. The Song of the Volga Boatmen is superbly done, with beauty, compassion, and a soaring vocal line that really has to be heard to be believed. Stenka Razin also is highly recommended.
I remember listening to these songs over and over; not knowing what most of them were about, but getting lost in the emotions and majesty of this music. In other words... you like this genre? And bass voices? Buy this!
The worst cd.......2002-02-20
The cd has nothing going for it if your american because you can't understand anything and there is no beats.
nicely done!.......1999-02-11
Any Russians out there? If not, that's ok too: the beauty of Russian romances presented here can be understood through your heart. While the first CD consists of piano-accompanied songs written by great Russian composers (Tchaikovsky, Borodin, et al), the second CD is rather a cross-over album of Russian (and one Ukrainian) folk songs, including, of course, the famous "Dark Eyes". Both albums are true jewels. With perfect clarity and diction, Ghiaurov's splendid bass glows over exquisite melodies; his passion for them is real and heartfelt. From tragic "For the shores of your far-off native land" to satiric "The worm" Ghiaurov's interpretations are just as gripping as Chaliapin's. The vocal skills are amazing: listen how he tenderly softens his voice on "Amidst the noisy stir of the ball" and expand it thunderously on "Sten'ka Razin"! It is undoubtedly one of the best song collections coming from the best Boris Godunov of our time. Don't miss it.
Average customer rating:
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Mystic Shores
Nancy Enslin
Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD
General
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ASIN: B00000E5YT
Release Date: 1996-01-09 |
Tracks:
- All Through the Night
- Lord Galloway's Lamentation
- Farewell
- Grenadier and the Lady
- Album Leaf
- It's a Gift to Be Simple
- Largo
- Finlandia
- Erev Ba
- Erev Shel Shoshanim
- Arpeggios
- Bashana Haba'ah
- Pavan
- Hymne
- O Sanctissima
- Arioso
- Canon
- Andante
- Pavan
Average customer rating:
- Modern Americana for the Piano
- Some very enjoyable effects here
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Elie Siegmeister: Piano Music Vol.2
Manufacturer: Naxos
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Binding: Audio CD
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- Elie Siegmeister: Piano Music
ASIN: B00000JYTR
Release Date: 1999-08-31 |
Tracks:
- Sunday In Brooklyn: I. Prospect Park
- Sunday In Brooklyn: II. Sunday Driver
- Sunday In Brooklyn: III. Family At Home
- Sunday In Brooklyn: IV. Children's Story
- Sunday In Brooklyn: V. Coney Island
- Pno Son No.2: Moderato/Allegro/Piu Mosso/Allegro, Molto Ritmico/Allegro/Poco Meno Mosso/Meno...
- Theme And Vars No.1
- Pno Son No.3: I. Allegretto, Molto Energico
- Pno Son No.3: II. Adagio, Liberamente
- Pno Son No.3: III. Adagio-Allegro Con Fuoco
- From These Shores: I. Whitman
- From These Shores: II. Mark Twain
- From These Shores: III. Thoreau
- From These Shores: IV. Langston Hughes
- From These Shores: V. Faulkner
Customer Reviews:
Modern Americana for the Piano.......2003-04-21
ELie Siegmeister (1909-1991) is a too-little known American composer, a student of Nadia Boulanger, who wrote in a variety of musical idioms, ranging from rather traditional, tonal music to modern music full of dissonance and atonality. In all his different styles, Siegmeister maintains, I think, a distinct American voice full of brashness, newness, and hope. His models are in his various styles George Gershwin and Charles Ives, with jazz influences added for good measure. His work deserves to be included in Naxos' "American Classics" series.
This disc is the second volume of Siegmeister's piano music recorded by Kenneth Boulton, a specialist in contemporary American piano music. Mr. Boulton also wrote the program notes for the disc which are full and informative.
Of the five selections on the CD, there are two suites which are programmatic in character. The first "Sunday in Brooklyn" (1946)describes in a conservative jazzy idiom the bustling mid-20th century American metropolis, (including traffic jams) but includes quiet, domestic scenes as well. This piece was popular when written and deserves to be better known. It is the most accessible piece on this CD.
The second suite, "From these Shores" celebrates five American authors: Whitman, Mark Twain, Thoreau, Langston Hughes, and Faulkner. It is modernistic and discordant, but I found it fascinating. To me, the music captures something vivid about the work of each of the five authors it describes, the vision of Whitman, the blusiness of Hughes, the meditative quality of Thoreau. Siegmeister's own to this music, which Boulton summarizes in his notes, are useful here.
The remaining three works on this disc are non-programmatic and modernistic in character. There is a sense of verve, of eclat, which comes through this music for me. The early "Theme and Variations No. 1" (1932) is modeled on Beethoven's "32 variations in C minor" and consists of 26 short variations in a work of 10 minutes.
The "Piano Sonata No.2" (1964) is a tightly-written single-movement work which undergoes 10 changes of tempo in about 11 minutes. The work is cohesive and taut and distinctively modern.
Siegmeister's Piano Sonata No. 3" (1979), written 15 years after the second piano sonata, is in three movements with a mixture of modernist and jazzy passages. It has some traditional aspects, particularly in its form, while remaining unmistakably a work of 20th century modernism.
This is a rewarding disc of modern American piano music by an American composer of stature.
Some very enjoyable effects here.......1999-09-13
The release by Naxos of Elie Siegmeister's
(8.559021) gives us a chance to hear some really enjoyable as opposed to technically interesting keyboard pieces, played here by Kenneth Boulton. As I said in reviewing the first volume, I find such works as his "Piano Sonatas Nos. 2 and 3" more cerebral than inspired, which is what would one expect from works composed respectively in 1964 and 1979. But back in 1946, Siegmeister composed his "Sunday in Brooklyn," which gives us five short tone poems such as " Prospect Park" and "Coney Island." The first is more than passingly reminiscent of "An American in Paris" and great fun. "From These Shores" also offers five portraits, this time of notable Americans: Whitman, Twain, Thoreau, Langston Hughes, and Faulkner. However the dissonance betrays its 1985 origins and is less immediately appealing to those with little sympathy for such a style. The same might be said for his "Theme and Variations, No. 1," although it bears a date back in 1932. Nevertheless many will appreciate what he is doing, although few will play this CD for mood music!
Average customer rating:
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The Very Best of Boris Christoff
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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| Borodin, Alexander
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| Gounod, Charles
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| Mussorgsky, Modest
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| Tchaikovsky, Peter Ilyich
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| Verdi, Giuseppe
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Similar Items:
- Samuel Ramey - Operatic Arias
- The Very Best of José Van Dam
- The Very Best of Tito Gobbi
- The Very Best of Jon Vickers
- The Very Best of Beniamino Gigli
ASIN: B0006VYEIC
Release Date: 2005-04-26 |
Tracks:
- Skorbit Dusha!
- Yeshcho Odno Poslyedneye Skazanye
- Nye Syetuy, Brat
- Kak Vo Gorode Bylo Vo Kazane
- Dostig Ya vyshey Vlasti
- Uf! Tyazhelo!
- Prosnulsa Ya... Oh/Dushno!
- Zvon! Pogrebal Ny Zvon!
- Nateshilsya Li Knyaz?
- O Net, Net, Drug
- U Lyudey-To V Domu'
- dlya Beregov Otchizni Dal'Noy
- Song Of The Viking Guest
- Prince Yuri's Aria
- Prince Gremin's Aria
- Song Of The Volga boatmen
- Mephistopheles' Song Of The Flea
Tracks:
- Le Veau D'or Est Toujours Debout
- Siegneur, Daignex Permettre
- Qu'Attendez-Vous Encore?... Vous Qui Faites L'Endormie
- Decidesti Il Suo Destin... Con Le Mie Guardie... O Tu La Cosa Mia Piu Cara
- Uldino! Non Hai Veduto?... Mentre Gonfiarsi L'anima
- Ella Giammai M'Amo!
- Son Lo Spirito Che Nega
- Berceuse, Op.16 No.1
- None But The Lonely Heart, Op.6 No.6
- Along The Petersky
- I. With Nanny
- II. In The Corner
- III. The Beetle
- IV. With The Doll
- V. At Bedtime
- I. Trepak
- IV. The Field-Marshal
Music Review:
- Clementi: Sonate, Duetti & Capricci, Vol. 5
- Clementi: Sonate, Duetti & Capricci, Vol. 8
- Clementi: Sonate, Duetti & Capricci, Vol. 9
- Complete Chamber Music 3
- Complete Sonatas Duets & Caprices 3
- Complete Sonatas Duets & Caprices 4
- Cto #9 in a for Violin / Cto #7 in G for Piano
- DePaul Wind Ensemble
- Donizetti: Chamber Music, Vol. 1
- Eklund: Requiem
Music Review
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Make Shift Carousel [EP]
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Slaves Mass [Import]
Prime [Soundtrack]
Rant in E-Minor [Live]
Pandora's Box
Songs for Summer
Poison
Polonaises
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Mother Goose on the Loose
Dallapiccola: Quaderno Musicale di Annalibera; Castelnuovo-Tedesco: Alghe No2
True Democracy