Donzetti: Lucia Di Lammermoor (Highlights)

On this CD:

1. Lucia di Lammermoor, opera Cruda, funesta smania
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni, Enrico Molinari, Emilio Venturini

2. Lucia di Lammermoor, opera La pietade in suo favore
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni, Enrico Molinari
Conducted by Vittore Veneziani

3. Lucia di Lammermoor, opera Regnava nel silenzio...Quando, rapito in estasi
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Ida Mannarini

4. Lucia di Lammermoor, opera Sulla tomba che rinserra...Deh! Ti placa
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Enzo De Muro Lomanto

5. Lucia di Lammermoor, opera Qui di sposa eterna fede ...Verranno a te sull'aure
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Enzo De Muro Lomanto

6. Lucia di Lammermoor, opera Appressati, Lucia ...Il pallore, funesto, orrendo...Soffriva nel pianto
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Enrico Molinari

7. Lucia di Lammermoor, opera Se tradirmi tu potrai
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Enrico Molinari

8. Lucia di Lammermoor, opera Per te d'immenso giubilo ...Per poco fra le tenebre
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Emilio Venturini
Conducted by Vittore Veneziani

9. Lucia di Lammermoor, opera Chi mi frena in tal momento? ... T'allontana, sciagurato...Hai tradito il cielo e amor
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni, Ida Mannarini, Enrico Molinari, Emilio Venturini, Enzo De Muro Lomanto
Conducted by Vittore Veneziani

10. Lucia di Lammermoor, opera Dalle stanze ove Lucia...Oh! Quai funesto avvenimento
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni
Conducted by Vittore Veneziani

11. Lucia di Lammermoor, opera Eccola...O giusto cielo!...Il dolce suono mi compi di sua voce!...Ardon gl'incensi
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni, Mercedes Capsir
Conducted by Vittore Veneziani

12. Lucia di Lammermoor, opera Spargi d'amaro pianto
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni, Mercedes Capsir, Enrico Molinari, Emilio Venturini
Conducted by Vittore Veneziani

13. Lucia di Lammermoor, opera Tombe degli avi miei...Fra poco a me ricovero
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Enzo De Muro Lomanto

14. Lucia di Lammermoor, opera Oh meschina! Oh fato orrendo
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni, Enzo De Muro Lomanto
Conducted by Vittore Veneziani

15. Lucia di Lammermoor, opera Tu che a Dio spiegasti l'ali
Composed by Gaetano Donizetti
Performed by La Scala Theater Orchestra with Salvatore Baccaloni, Enzo De Muro Lomanto
Conducted by Vittore Veneziani

Tracks:

La Traviata: 'Libiamo, Libiamo'
Rigoletto: 'La donna e' Mobile'
The Barber Of Seville: 'Una voce poco fa'
La Boheme: 'Che gelida manina'
Rigoletto: 'Gualtier Malde!' Caro nome'
Il Trovatore: 'Vedi! le fosche'
Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
TOSCA: 'Vissi d'arte'
La Traviata: 'Di Provenza il mar, il suol'
The Marriage Of Figaro: 'Voi che sapete'
Aida: 'Se quel guerrier io fossi...Celeste Aida'
Madama Butterfly: 'Un bel di vedremo'
La Gioconda: 'Cielo e mar'
Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.

Average customer rating:

Can't go wrong
Most Famous???
Only one song knew well
The Most Famous Opera Duets
Good selection of opera highlights

The Most Famous Opera Duets

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Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
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Amazon.com

This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine

Customer Reviews:

Can't go wrong.......2007-07-14

This is a really great CD for the price. It has many of the famous Arias on it and although the singers may not be the best out there they are certainly very good. This is cheaper than the price of a take away lunch; you can't go wrong with this CD.

Most Famous???.......2007-05-14

The title of this cd is misleading and I found myself wondering whose list did they use. That is not to say that there aren't some real treasures included here. The duet from Lakme is lovely in every way, Mady Mesple in particular, very beautful and very french, and far superior to Sutherlands hooty approach. Scotto and Bergonzi are superb, the Tristan and Isolde of Vickers and Dernesch truly other worldly, and the presentation of the rose duet with the young Ludwig and the astonishing Teresa Stich- Randell had me playing it over and over and I still can't believe it, but the most famous??? This cd is definitly worth buying, and I hated giving it only 3 stars but if you're talking most famous you could fill a couple of cd's with Puccini, not to mention Verdi, Mozart, etc. before Bizet's Les Pecheurs des perles, beautiful as it is, made the most famous list.

Only one song knew well.......2007-05-14

I should have done more research. The last song is the only one I could easily recognize. Live and learn.

The Most Famous Opera Duets.......2007-01-05

This seller truly makes a purchaser confident in the product as well the time in which is promised.

Thanks again!!!!!

Good selection of opera highlights.......2006-11-04

Super performances by famous opera artists of the 20th century, most of them no longer performing and some of them deceased. I enjoy having their voices available at home.

Average customer rating:

ITALIAN LISTENER
Terrific!
So-So CD
This CD will put you to sleep
Mi piace davvero!

Viva Italia! Festive Italian Classics

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Release Date: 1996-07-02

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Mattinata - Romano Ledenzio And His Orchestra
Mala Femmena - Frankie Fanelli
Canto D'Amore - Romano Ledenzio And His Orchestra
Guaglione - Carlo Savina And His Orchestra
Lary Mary(Luna Mezza Mare) - Lou Monte
Anema E Core - Perry Como
Funiculi Funicula - Romano Ledenzio And His Orchestra
Soldi, Soldi, Soldi(From 'Boccaccio '70') - Sophia Loren
Santa Lucia - Gino Del Vescovo And His Mandolins
Hey Gumbaree(Bibadee Bobadee Bu) - Lou Monte
Come Back To Sorrento - Romano Ledenzio And His Orchestra
Volare(nel Blu Dipinto Di Blu) - Domenico Modugno
A Man Without Love(Quando M'Innamore) - Sergio Franchi
O Sole Mio - Romano Ledenzio And His Orchestra
Forget Domani(From 'The Yellow Rolls Royce') - Perry Como
Mama - Lou Monte
O Mio Bambino Caro - Romano Ledenzio And His Orchestra
Non Dimenticar(Don't Forget) - Lou Monte
Al Di La(From 'Rome Adventure') - Frankie Fanelli
Arrivederci Roma(Goodbye To Rome) - Romano Ledenzio And His Orchestra

Customer Reviews:

ITALIAN LISTENER.......2007-07-16

This was a great cd. it came on time and was as promised in good condition. I would recomend the seller again.

Terrific!.......2007-05-30

I bought this CD because I missed listening to the music my grandfather played. This CD brought back a flood of memories for me. Wonderful compilation of my favorite italian classics.

So-So CD.......2007-04-06

This is more cafe style but still worth listening to.
Great dinner background music.

This CD will put you to sleep.......2007-02-26

We bought this CD for our daughter's wedding. After reviewing it, we could have saved our money. The version of Funiculi sounded like the Salvation Army band and it was totally lifeless. Lou Monte's Hey Gumbaree (it is actually Eh Cumpare in Italian--that should have given it away) was awful, and he consistently butchers the Italian language in all his other songs (annoying, I mean, couldn't he have learned the right pronunciation?).

While Perry Como and others have melodic voices (and very wisely sing in English because they don't know Italian), these are '50s versions of the songs, for the most part. While you have to appreciate them, they are really old and reflect the '50s type of instrumention and style. Would have loved to have heard all these songs done in a fresh and original way. Soldi Soldi was our favorite by far, and that is why we gave the CD two stars.

Could have gone to the library for this one.

Thanks for letting me voice our opinion. We are a big Italian family and just spent hundreds of dollars buying every CD out there for our daughter's wedding and figured we would share our opinion with others.

Mi piace davvero!.......2007-02-20

This is a beautiful CD filled with the authentic sounds of Italy! Each track brings be back a little farther to the streets of Italy...Rome...Trevi Fountain...bellissimo!!!!

Average customer rating:

WHAT CAN I SAY?
Rest in Peace Dear Bubbles (1929-July 2, 2007)
two beautiful discs!
Good example of the "Art of Beverly Sills"
Claws

Art of Beverly
Beverly Sills
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000075A7K
Release Date: 2002-11-12

Tracks:

Mignon: Oui, Pour Ce Soir Je Suis Reine Des Fees...Je Suis Titania La Blonde
Manon: Allons! Il Le Faut-Adieu, Notre Petite Table
Manon: Je Marche Sur Tous Les Chemins-Obeissons Quand Leur Voix Appelle
Louise: Depuis Le Jour
Linda Di Chamounix: Ah! Tardai Troppo...O Luce Di Quest'Anima
Lucia Di Lammermoor: Regnava Nel Silenzio...Quando Rapito In Estasi
I Puritani: Fini...Me Lassa!
I Puritani: Vieni, Vieni Fra Queste Braccia
Roberto Devereux: L'amor Suo Mi Fe' Beata
Maria Stuarda: O Nube
Anna Bolena: Cielo A' Miei Lunghi Spasimi-Coppia Iniqua

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Les Contes D'Hoffman: Les Oiseau Dans La Charmille
Les Contes D'Hoffman: Elle A Fui, La Tourterelle
Zaide: Ruhe Sanft, Mein Holdes Leben
Der Opernball: Im Chambre Separee
Die Lustige Witwe: Es Lebt' Eine Vilja
The Ballad Of Baby Doe: Gold Is A Fine Thing
Die Tote Stadt: Cluck, Das Mir Verblieb
Daphen: Was Blendet So...Ich Komme...Ich Komme
Sechs Lieder Op.19 No.2: Breit' uber Mein haupt Dein Schwarzes Haar

Customer Reviews:

WHAT CAN I SAY?.......2007-07-05

FOR THOSE WHO WANT A SAMPLER, IT IS THE BEST. YET, IT LEAVES YOU PINING FOR THE ITEMS SILLS NEVER RECORDED IN THEIR ENTIRETY. MORE STRAUSS, MORE OF EVERYTHING. A DEFINITIVE VOICE. HER LUCIA IS UNSURPASSED.

Rest in Peace Dear Bubbles (1929-July 2, 2007).......2007-07-03

I have always loved the flowing, plaintive music of bel canto, and no other singer perhaps captured the synthesis of fioritura and expression so perfectly as Beverly Sills. Callas may have been a supreme dramatist, but Beverly Sills had a better command of the fioritura that skyrocketed her career during the 60s and 70s. It is indeed sad that America has lost one of its national treasures yesterday when Beverly Sills passed away in Manhattan. She truly was one of the greatest. Just listen to her singing any one of Donizetti's three queens and you will know what I mean. She is exemplary not only in Donizetti though. Her Manon is still the best, her Violetta in par with Callas, her Louise the most idiomatic ever recorded, her Fille du Regiment a joy, Linda di Chamounix ecstatic, and Gilda a lesson in the art of light Verdi. She was a supreme painter of characters. Has there ever been a more brilliant Zerbinetta? And how many singers have been able to truly convey the youth of Elvira in Puritani? In Rossini, she was also unparalleled in L'Assedio di Corinto, the role that she made her La Scala debut in. Beverly Sills was one of a great many singers who belonged to a great golden age of singing, and I am thankful that I was born into the right time to hear her glorious work. This CD is a wonderful compilation of the brand of singing that she brought into the lives of many an opera fan for years and years to come.

I met this singer last fall in New York. A few months later, I saw her again hosting the opera quiz at the Met. Little did I know that about five months later, she would forever rest in the peace that she deserved for so long. Rest in peace Beverly. And brava...brava for the many years of wonderful singing that you gave us.

two beautiful discs!.......2007-02-18

Beverly Sills not only survived being a child prodigy - a rare enough thing among singing musicians - she triumphed in a big way. Her fertile and beautiful art is wonderfully represented on this double disc set from Deutsche Grammophon. I sense today a resurgence of appreciation for her art, and to call it well deserved is saying the least. The singing's jam packed with pure musicianship, attention to nuance, fidelity to composer and character - in a word, everything requisite to making the operatic art thrive, qualities in short enough supply today among many opera stars, and it makes this package even more attractive. Sills not only understood bel canto art, she accomplished it memorably. Highlights include 'Ah! Tardai troppo...' (Linda di Chamounix), &an unearthly 'Regnava nel silenzio...' (Lucia), which I might prefer to Sutherland's for its committment and munificence. The gone too soon Thomas Schippers conducts a great performance - how that man could possess whatever orchestra and score he worked with. Two arias from I Puritani - especially 'Vieni, vieni fra queste braccia' with the singing of the genius Nicolai Gedda as Arturo, and an opening to Anna Bolena's aria 'Cielo, a' miei lunghi spasimi' that wipes clean every memory of other versions. All that on disc 1! I had forgotten Sills' beautiful pianissimos, singing so musicianly and free of ego - her interpretation is always only her adherence to score and composer, and greater praise cant be given a classical singer. Disc 2 offers a definitive version of Korngold's 'Gluck, das mir verblieb' (Die Tote Stadt) among a number of fine versions out there. The slowest version available and I feel I'm hearing it for the first time, and with a true Viennese (Rudel) conducting! You can put this track alone on repeat and live out the day in freedom! If you dont know Sills' art, or dont remember it well and truly, this set is a fine place to begin what will become transfixion with a musical art that proves itself urgent and inextinguishable! Highest recommendation.

Good example of the "Art of Beverly Sills".......2007-01-27

Beverly Sills is one of the most well reputed coloratura sopranos of the past fifty years. This CD illustrates why she has attained such renown. First, it shows the range of her singing. While much of her work focused on Donizetti, Bellini, and Rossini, she sang about fifty roles in her career, before retiring in her late 40s. This 2 CD set provides a sense of the range of her work.

The first CD focuses on her operatic singing. The CD begins with a selection from Thomas' "Mignon," culminating in "Je suis Titania la blonde." Her voice is light and clear. She displays great agility. In the middle of this piece, she shows a decent but not great trill; she closes the "cut" with a series of terrific trills. Her ornamentation is nicely done.

Donizetti's "Linda di Chamounix" was another of Sills' characters. "Ah! Tardai troppo. . .O luce di quest'anima" features more clean vocalization. The florid singing is nicely done, with well sung high notes and additional sound trills. A very agile voice on display! From Donizetti's "Lucia di Lammermoor," Sills sings "Regnava nel silenzio. . .Quando rapito in estasi." Her voice is smooth. In the aria, she produces a set of trill after trill, each one well done, but in their totality almost overdone (I love trills, but there were almost too many!). "Quando rapito in estasi" is well sung, with much well done florid singing, with appoggiaturas, trills, and other ornamentation.

The remainder of the CD features selections from Bellini's "I Puritani," and Donizetti's "Roberto Devereux," "Maria Stuarda," and "Anna Bolena." I can say pretty much the same about these pieces as already stated before. Excellent technique, wonderful ornamentation.

The second CD begins with the redoubtable piece, sung by "Olympia," from Offenbach's "Les Contes d'Hoffmann." Well done, with good vocal effects, catching the mechanical aspects of the music. Other pieces on this side come from Mozart, Heuberger, Moore, Korngold, and so on.

One piece worth mentioning, because it captures her approach to a lighter work, from Lehar's "The Merry Widow." She sings the song for what it is, and does not overwhelm it with her voice. Compare with what Richard Tucker did to the enjoyable but rather light song, "What Now My Love?", when he essayed singing pop tunes. Enjoyable for the thrill of his voice; pretty grisly in terms of his overwhelming the music itself. That does not happen here; there is a certain pathos in Sills' singing, as warranted by the song. It suggests the range of her singing.

All in all, a good sampling of "The Art of Beverly Sills." Hearing her voice again after many years reinforces my preexisting view that she ranks as one of the best coloratura sopranos of the past fifty years. There are terrific contemporary singers who sing the same repertoire and do it well. But Beverly Sills certainly compares very well with them. If interested in an introduction to Sillsiana, this is a good place to start.

Claws.......2003-11-16

I already wrote a great review of this collection. It is supreme artistry, and I find her high notes rather large and not shrill. My only question is about the cover photo. Those fingers look like something out of Edward Scissorhands or Nightmare on Elm Street! Does anyone else agree with me? Almost seems like someone must have done some false touch-ups to make them look like claws!

Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)

Average customer rating:

A Magnificent Collaboration
Sweet
A Desert Island Disc
Ne plus ultra
One of the great Lucias

Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Gaetano Donizetti , Beverly Sills , Carlo Bergonzi , Thomas Schippers , and London Symphony Orchestra
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Tracks:

Part One: N.1 Preludio E Coro D'Introduzione: Percorrente Le Spiagge Vicine - Ambrosian Opera Chorus
Part One: N.2 Scena E Cavatina: Tu Sei Turbato! - E N'Ho Ben D'Onde - Piero Cappuccilli
Part One: No.2 Scena E Cavatina: Cruda, Funestsa Smania - Piero Cappuccilli
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Part One: N.3 Scena E Cavatina: Ancor Non Giunse! - Beverly Sills
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Part One: N.4 Scena E Duetto - Finale I: Egli S'Avanza - Carlo Bergonzi
Part One: N.4 Scena E Duetto - Finale I: Sulla Tomba Che Rinserra - Carlo Bergonzi
Part Two: Act One, N.5. Scena: Lucia Fra Poco A Te Verra - Piero Cappuccilli
Part Two: Act One, N.6. Duetto: Appressati, Lucia - Piero Cappuccilli
Part Two: Act One, N.6. Duetto: Il Pallor, Funesto, Orrendo - Piero Cappuccilli
Part Two: Act One, N.7. Scena Ed Aria: Ebben? - Di Tua Speranza - Beverly Sills
Part Two: Act One, N.7. Scena Ed Aria: Ah! Cedi, Cedi O Piu Sciagure - Beverly Sills

Tracks:

Part Two: Act Two - Finale II, N.8. Coro E Cavatina: Per Te D'Immenso Giubilo/Per Poco Fra Le Tenebre - Ambrosian Opera Chorus
Part Two: Act Two - Finale II, No.9. Scena E Quartetto: Dov'E Lucia? - Qui Giungere Or La Vedrem.../Ecco Il Tuo Sposo - Piero Cappuccilli
Part Two: Act Two - Finale II. Sestetto Con Coro: Chi Mi Frena In Tal Momento?/Chi Raffrena Il Mio Furore? - Piero Cappuccilli
Part Two: Act Two - Finale II, No.10. Seguito E Stretta Del Finale II: T'Allontana, Sciagurato - Maledetto Sia I'Istante - Piero Cappuccilli
Part Two: Act Two, No.11. Uragano, Scena E Duetto: Orrida E Questa Notte - Piero Cappuccilli
Part Two: Act Two, No.11 Urgano, Scena E Duetto: Ashton! - Si/Qui Del Padre Ancor Respira - Piero Cappuccilli
Part Two: Act Two, No.12. Coro: D'Immenso Giubilo - Ambrosian Opera Chorus
Part Two: Act Two, No.13. Gran Scena Con Cori: Deh, Cessate Quel Contento - Justino Diaz
Part Two: Act Two, No.14. Scena Ed Aria: O Giusto Cielo! - Il Dolce Suono - Ambrosian Opera Chorus
Part Two: Act Two, No.14. Scena Ed Aria: Ardon Gli Incensi - Ambrosian Opera Chorus
Part Two: Act Two, No.14. Scena Ed Aria: S'Avanza Enrico! - Piero Cappuccilli
Part Two: Act Two, No.14. Scena Ed Aria: Spargi D'Amaro Pianto - Piero Cappuccilli
Part Two: Act Two, Scena - Recitativo: Si Tragga Altrove - Piero Cappuccilli
Part Two: Act Two, No.15. Aria E Finale: Tombe Degli Avi Miei - Carlo Bergonzi
Part Two: Act Two, No.15. Aria E Finale: Fra Poco A Me Ricovero - Carlo Bergonzi
Part Two: Act Two, No.15. Aria E Finale: Oh Meschina!/Tu Che A Dio Spiegasti L'Ali - Ambrosian Opera Chorus

Amazon.com

This Lucia was recorded in 1970, when Beverly Sills was at the peak of her vocal and dramatic powers. She had been singing the role of Lucia on stage for six years, and she knew the character. Here is a manic-depressive who is slightly crazy from the start, and Sills's embellishments to the vocal line (and there are tons of them; hardly a line is left as written), mostly composed especially for her, are always at the service of the drama. She is a far cry from the chirpy Pons and Peters (and even Sutherland, whose just-plain-singing of the role is unmatchable, but who was never all that interested in building character) and comes closer to Callas, but without the great Greek soprano's huge palette of colors or, for that matter, vocal limitations. Sills is gloriously fluent in the coloratura, the high notes are impeccable, and her reading of the words is truly involved and involving. Carlo Bergonzi has everything as Edgardo, while Piero Cappuccilli's Enrico is snarling and cruel. Schippers leads a very tight, exciting, complete performance, and for the first (and only) time on CD, the glass harmonica Donizetti asked for is used in the Mad Scene. This is a must for lovers of great singing. --Robert Levine

Customer Reviews:

A Magnificent Collaboration.......2007-07-24

This is one of those rare opera recordings where the conductor, orchestra, and soloists really perform magic by working together and building upon one another, rather than just doing their skilled work more or less apart. Schippers, Sills, Bergonzi, and the LSO really exhibit the same soul throughout this recording, which I suppose is a success I have to credit the late Mr. Schippers with. He does a magnificent job making sure all the parts come out with the full force and color of the bel canto style. Sills is glorious. Though perhaps not in possession of the thickest high notes, she has more passion than most other notable Lucias combined (except for Callas). She really does convince me that she is a zealous lover and thus leads up to the mad scene wonderfully.

Being a flutist, I would like to direct the listener's attention to the excellent Mr. William Bennett, principal flute on this recording, who truly works wonders with the part, which often parallels the soprano. Listen to "Regnava nel Silenzio" to hear what I mean. It is such a shame that Schippers used the glass harmonica in the mad scene instead of letting Bennett pull out all the stops, since Bennett is truly Sills's musical equal and could have maintained a chilling dialog in that scene. It a dubious return to intended instrumentation that really does not outdo the customary flute in this case. I find the use of the glass harmonica here especially ironic because in most recordings I would prefer it to whomever is playing flute, but they just HAD to use it here, where the flute is actually as wonderful a voice as Sills's own.

The sound quality is excellent, though perhaps a little dated (1970's recording). The price is also reasonable. Overall I would go so far as to say that this is a desert island disk, especially if you prefer fiery bel canto to the cold recitations that some other conductors and singers bring to this score (see Bonynge and Sutherland - a beautiful performance, but more or less bloodless as far as I can tell).

I don't see a reason not to get this set.

Sweet.......2007-06-30

The opening chords and strains, the sextet and the mad scene. These of course are what I love about Lucia, though all of it is beautiful. I've had this recording for months and just listened to it today. I doubt I'll listen to it again. I have lots of Lucias, and no favorites. Though I especially like Sutherland's 1959 recording of the mad scene, it's beautiful, and her trills hadn't got muddy yet. I'm only going to comment on the mad scene in this recording. It sounds more like a lullaby than the ravings of someone who'd just murdered her husband. I was surprised, because I'd read (apocryphal) that Sills had said she'd pound tables and sing off key to get the drama out. I prefer bel canto coloratura to table pounding, I don't care about the drama. At all. Still, that said, I was both stunned and disappointed in Sills' mad scene. It was, well, flaccid. (I love Sills, am listening to the 1st disc of Sillsiana right now, and I have the Pons recording and do not think she chirped!)

A Desert Island Disc.......2007-06-11

Like many other reviewers here, I am a serious bel canto fan. And like many of them, I have heard many Lucias live and have several recordings of the great Lucias: Callas, Sutherland, and Sills. This opera is, in my view, along with Norma, fundamental to understanding bel canto properly as a style in which virtuosity is the servant of drama. Not just empty display by prima donnas.

I have known and loved this opera since I was a teenager and to me, Sills is simply the best Lucia I have heard. I recall as a college student going to the listening library on many Friday afternoons and listening to this recording on LP over headphones until well into the evening, as it was not released on CD until a decade later. I was simply entranced.

Sills really is Lucia, the perfect realization of the "Ophelia" type so beloved by the Romantic imagination: a delicate, sensitive, emotional girl driven mad by cruelty and betrayal and crushed by events outside her control. Her tone is delicate, yet clear, and she sounds girlish (which Callas, for all her considerable art, could not quite convey). The high notes are firm and a bit bright, but never shrill or wobbly. The words absolutely clear, even in the hushed tones Sills uses so devastatingly. Her ornamentations express joy, terror, or agitation, perfectly evoking those heightened emotions. Her mad scene is really spooky. Again, only she and Callas sound like they are wandering about in a trance, living a demented fantasy. Along with Callas' Norma, in my view, it is the greatest bel canto performance on record. Sills, like Callas as Norma, really makes you think she IS Lucia.

What more can you ask for? Well, you get a perfectly stylish Edgardo in Bergonzi (although I feel that Pavarotti is unbeatably ardent, passionate, and even sexy in the role) and as so many have noted, a conductor who loves the opera and conducts like he does, excellent stereo sound, and a complete edition of the score. And how about that wonderfully spooky glass harmonica in the mad scene!

This recording needs to be in the collection of every opera lover and above all is required listening for any fan of bel canto. Sills, through words and music, makes us "see" DONIZETTI'S Lucia (not Beverly Sills, Diva) and feel her plight. That is what great operatic artists do. Run to get this one!

Ne plus ultra.......2007-01-03

I have four "Lucia"s on my shelf, and this is the one I always listen to when I want to experience the full drama of this bel canto classic. (We can safely ignore the opinions of those tin-eared listeners who don't grasp the shattering drama delivered by bel canto at its best.) Granted I may be somewhat influenced by having seen and heard Sills in the opera house, but her superiority in all "departments" in conveying Donizetti's dramatic achievement is not bettered anywhere, not by Callas and certainly not by Sutherland, whatever the glories of her singing. Sills conveys Lucia's incipient madness with the first notes she utters and her performance traces an uninterrupted arc from the fountain scene until she's led away after the Mad Scene. And she's fully seconded by everyone else who takes part, especially Bergonzi and -- best of all conductors in this score -- Thomas Schippers. If you want to know why bel canto opera has such a large body of fans, immerse yourself in in this recording as soon as possible.

One of the great Lucias.......2004-12-03

Many people, me included, have often wondered at the supreme ugliness of, even in her "prime", Maria Callas' voice. Of course, the rejoinder always has been "But did you see her in the house?"

Obviously, since she blew herself out at a comparatively early age, the answer is "no".

Now, we have a whole new group of nay-sayers telling us the Sills voice is too small, too thin, too ugly, too whatever. To those, I would simply say "But did you see her in the house?". Fair is fair.

I saw Ms. Sills many times in the house throughout her lengthy career. She did not possess a "perfect" voice. Who does?

But, during her greatest years, of which this recording is one of several examples, she possessed a beautiful and remarkably expressive lyric coloratura instrument. While a shade "lighter" than some, she had the almost uncanny ability of always being heard, even in the heaviest ensembles and over the loudest orchestras (which happened often when Julius Rudel was at the helm). Her voice seemed to bounce around the house. When you saw her in person.

Lucia was one of her most remarkable achievements. Anyone who ever saw her in the house knows of what I speak. Those who did not see her in the house should remain silent in their envy.

Now, make no mistake. I adored Sutherland. I would be completely unable to chose between the two, so different were their approaches to their art.

Of course, Sills' tireless efforts to popularize opera and bring a new audience to the opera house are well known.

Thank God I was around to see them both in the house. Many times.

And as for Anna Moffo. Well, she was a beautiful woman with a beautiful voice. For a while.

Enough said.

Luciano Pavrotti: The Best (Farewell Tour)

Average customer rating:

Luciano Pavrotti: The Best (Farewell Tour)
Luciano Pavorotti
Luciano is the best!

Luciano Pavrotti: The Best (Farewell Tour)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Best of the Three Tenors
Romantica: The Very Best Of Luciano Pavarotti
Pavarotti: Greatest Hits
Amore: Romantic Italian Love Songs
The Best of Luciano Pavarotti: 20th Century Masters/The Millennium Collection

ASIN: B0007V5WB4
Release Date: 2005-09-13

Tracks:

La donna obile
Una furtiva lagrima
"Libiamo ne'lieti calici (Brindisi)
Donna non vidi mai
Che gelida manina
O soave fanciulla
Mi batte il cor...O Paradiso!
M'appari
Quando le sere al placido chiaror d'un ciel stellato
Se quel guerrier io fossi!..Celeste Aida
Forse la soglia attinse
Recitar! - "Vesti la giubba"
Come un bel di maggio
Ah mes amis - Pour mon
Di quella pira
Nessun dorma!

Tracks:

Torna a Surriento
Santa Lucia luntana
La Danza
L'ultima canzone
Non t'amo pi
Mattinata
'O sole mio
'A vucchella
Core 'ngrato
Nel blu, dipinto di blu
Vivere
Il Canto
Caruso
Buongiorno a te
Ti adoro
E lucevan le stelle
Questa o quella (Ballata)
Parmi veder le lagrime

Customer Reviews:

Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27

Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.

Luciano Pavorotti.......2007-02-17

All the songs are wonderful, can never become tired of listening to his songs. Excellent.

Luciano is the best!.......2007-01-20

I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)

Average customer rating:

Bright Star
Anna Netrebko: Opera Arias
First DGG album--very promising
Remarkable!
Beautiful voice, beautiful girl

Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Sempre Libera
Russian Album
Violetta: Arias and Duets from Verdi's La Traviata [Includes DVD]
Anna Netrebko - The Woman, The Voice
Verdi - La Traviata

ASIN: B00008MLSH
Release Date: 2003-09-09

Tracks:

Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
Rusalka: "Mesicku na nebli hlubokem" - Dvorak
La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini

Amazon.com

Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella tale—the bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May

Customer Reviews:

Bright Star.......2007-07-13

If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.

Anna Netrebko: Opera Arias.......2007-03-29

Her voice takes my breath away, I fell in love with her.
I highly reccomend it.

First DGG album--very promising.......2007-02-01

Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.

A few selections illustrate:

Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.

Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.

Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.

Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.

Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.

Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.

All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.

Remarkable!.......2006-11-02

Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.

Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.

Beautiful voice, beautiful girl.......2005-11-22

When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!

Average customer rating:

A Marvelous Performance of Adeste Fideles
Bocelli never disappoints!
Worst C.D Ever...But still a great artist
the Perry Como of operatic tenors
Absolutely lovely!

Viaggio Italiano / Andrea Bocelli

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Romanza
Andrea Bocelli - The Opera Album ~ Aria
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ASIN: B0000041OA
Release Date: 1997-11-18

Tracks:

Turandot: Nessun dorma
L' Arlesiana: Lamento di Federico
Macbeth: Ah, la paterna mano
Rigoletto: La donna e mobile
Elisir d'amore: Una furtiva Iagrima
Panis Angelicus
Ava Maria
O Sole Mio
Core n'grato
Santa Lucia luntana
I' te vurria vasa
Tu, 'ca nun chiagne!
Marinarello
Piscatore 'e Pusilleco
Message Bocelli
Adeste Fideles (bonus track)

Amazon.com essential recording

Opera is in fashion, and the woods are full of pop vocalists who think they have the chops to sing arias. The best contender so far is Andrea Bocelli, who at least has a real voice, if a small one, and sometimes manages a really exciting tenor sound. Unfortunately, he is inconsistent in his tone and production, and, despite the fact that he's singing in his native language, he often sounds as though he has only the barest idea of what the words mean. The Moscow Radio Symphony Orchestra, conducted by Vladimir Fedoseyev, plays stodgily. Anyone with a real interest in tenor arias would be much better advised to check out recordings by the young Luciano Pavarotti. --Sarah Bryan Miller

Customer Reviews:

A Marvelous Performance of Adeste Fideles.......2006-11-13

Andrea Bocelli sings magnificently on this CD. Never have I heard Adeste Fidelis sung with such energy, joy, and understanding.

Bocelli never disappoints!.......2006-07-07

I hate to admit it but it has only been fairly recent that I "discovered" Andrea Bocelli, when he appeared on Oprah Winfrey(or was it Dr. Phil?), and American Idol. His voice mezmorized and touched me so much that I HAD to find out more. Over the last few weeks I have purchased apx. 6 of his CD's, and I can honestly say I love them all, including this one. Bocelli does not disappoint, and it doesnt seem to matter if he is singing in french, english, spanish or italian...as the purity, honesty and richness of his voice goes above and beyond various cultures and ethnicities. From a technical level, there are other well-knows (past and present) who are equal to or above Bocelli. However, what makes Andrea stand alone is a certain something that is hard to place your finger on, or put in to words, but all who appreciate him SEE and FEEL this. Some say he sings like an angel, or if God had a voice, it would sound like Bocelli. My own hypothesis is that Bocelli sings with his heart because his eyes cannot see the words. As such, along with his beautiful vocals pours forth his very spirit. It is this very essense that makes him so unique, and has caused so many people from all around the world to love him.

Worst C.D Ever...But still a great artist.......2006-06-22

Reviewed By D. J.P Vergaleto

I just had to write this review. I recently purchesed 3 Bocelli C.Ds and was rewarded with 1 Very good , 1 not bad, n this one that STINKS...IF THE REVIEWERS WERE HONEST I COULD HAVE SAVED SOME MONEY.... I buy a lot from Amazon, ITs a great site, and 99 percent of the time when i read reviews they are on the money and help me out a great deal....With that said

Let me say that this cd entices you with all the big name italian songs, BUT DONT LET IT FOOL YOU..It sounds like it was made in 1 day. Who ever mixed the album has Bocellis voice so loud it sounds like he is SCREAMING ( I THINK HE IS) AND the
orchestra sounds like it is made of 3 pieces as you can only faintly hear it. There is not 1 song on this C.D ID recommend.

But dont worry , if you like Bocelli and dont know what to buy
let me tell you that I Enjoyed (Cieli Di Toscana) The first song Melodramma Rivals Bocellis Con Te Partiro Which is on his ROMANZA C.D AND HIGHLY Recomended, Also Sogno is Another very good C.D. So save yourself money and stay away from this one.
Also his Verdi CD IS VERY well made, not as strong a voice as Caruso , but once you hear Bocelli you wont care. Great Great voice that is very Hypnotic and when you hear him you wont care if he is as good as Caruso because he is Different , totally different and there both great Tenors. Peace

the Perry Como of operatic tenors.......2006-03-25

I found this to be a wonderful cd. This was my first sustained exposure to Mr. Bocelli's art (I first heard his wonderful singing on the Charlotte Church cd "Time To Say Goodbye" -- also strongly recommended) and, on the whole, I enjoyed his singing very much. I also love Perry Como so the comparison above is not meant to be disparaging in any way, but merely to indicate that he's perhaps better in slower tempo pieces where the line of the melody naturally accentuates the richness of his voice. But if anyone doubts his chops, the first selection on this cd should put those doubts to rest -- his rendition of Puccini's "Nessun dorma" is both powerful and dramatic and stands up (dare I say it?) even to Pavarotti's.

Absolutely lovely!.......2006-02-25

Even though it was Andre Bocelli's Romanza CD that introduced me to his wonderful voice, I have to admit that I enjoy his opera offerings more than his popular works. I still enjoy Romanza and his other pop CD's, but it is his opera selections that seem to show the full beauty of his voice.

I am not an opera expert by any means, so I don't get hung up on whether or not someone is techically perfect or not. If I like it, that's good enough for me!

My teenage sons and I were in a pizza place the other day and above the noise, I heard a beautiful song- a male singer- and was shushing the boys, trying to determine who it was. With great patience, my 17 year old son said, "Mom, that's Andre Bocelli. Can't you tell?"

Enough said.

Mandolins from Italy: 24 Most Popular Melodies

Average customer rating:

Every song sounds the same
Traditional Italian music
Italian dinner music
Perfect for a themed party, or just background music!
Just like my dad's music

Mandolins from Italy: 24 Most Popular Melodies

Manufacturer: Arc Music
ProductGroup: Music
Binding: Audio CD

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Viva Italia! Festive Italian Classics
Accordion Italiano
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Italian Mandoline: Funiculi Funicula
Italian Love Songs

ASIN: B0000516VA
Release Date: 2002-03-12

Tracks:

Azzurro
Tarantella Del Diavolo
O' Sole Mio
Notte Di Christallo
Tarantella Di Napoli
Macia Di Bergamo A Monte Catini
Volare
Piccola Maria
Torna A Sorriento
Tarantella Meridionale
Marina
Che La La
Tarantella Siciliana
Tarantella Meridionale
Santa Lucia
Guaglione - Nisa
O Maria
Valsa Della Primavera
Funiculi Funicula
La Passeggiata
Arrivederci Roma
Il Padrone - Rota
Quanne Ta Fatte Mammeta
Balatta Siciliana

Customer Reviews:

Every song sounds the same.......2007-04-13

My husband and I buy many Italian CDs so we think we have good judgement after so many purchases. We were somewhat disappointed in this CD. Every song has the same instrumentation and basically sounds the same. We wonder even if the mandolins are "live" or just canned, they sound so tinny and the same each song. This CD could have used more feeling, romance, whatever...possible had there been some sensitive arrangements with solos, etc. Instead, it was the same bunch of mandolin sounds which made for a very boring CD, in our opinion. A few vocals would have helped the monotony, too. Would not recommend.

Traditional Italian music.......2007-03-31

This is a great album of really very traditional Italian music. It is not anglicised but just like you hear when you go to Italian festas.

Italian dinner music.......2007-03-08

Excellent....Perfect! We recently had an Italian themed dinner party and needed just the right instrumental background/mood music. Mandolins from Italy was perfect. We also needed it FAST. Althought shipping was not cheap, we received it on time and made our party a hit.

WELL DONE!

Perfect for a themed party, or just background music!.......2007-02-03

Very cute! Romantic, uplifting, nostalgic background music for an Italian night with friends! Enjoy!

Just like my dad's music.......2007-01-09

I love this music. It takes me back to my childhood when my Dad played the mandolin and my uncle accompanied him on guitar. Some old Italian melodies and some new ones to sing along with. Very nice.

Average customer rating:

Un gran concierto
Give em a 3.5
The Most Enjoyable Evening IN !!!!!!!!!!!
Hmmmm....
Last Encore of songs missing off C.D.

The 3 Tenors in Concert 1994

Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music
Similar Items:

Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
The Best of the Three Tenors
Paris 1998
The Three Tenors Christmas
The 3 Tenors in Concert 1994 / William Cosel

ASIN: B000002IZE
Release Date: 1994-08-30

Tracks:

Le Cid: O Souverain, O Juge, O Pere
Maravilla: Amor, Vida De Mi Vida
Werther: Pourquoi Me Reveiller
Spring Is Here: With a Song In My Heart
Granada
Non Ti Scordar Di Me
'A Tribute to Hollywood': My Way
Tribute To Hollywood: Moon River
Tribute To Hollywood: Because
'A Tribute to Hollywood': Singin' In the Rain
Tu, Ca Nun Chiagne
Pagliacci: Vesti la Giubba
Turondat: Nessun Dorma!
'Around the World': America
'Around the World': All I Ask Of You
'Around the World': Funiculi, Funicula
'Around the World': Sous Les Ponts De Paris
'Around the World': Brazil
'Around the World': Be My Love
'Around the World': Marechiare
'Around the World': Lippen Schweigen
'Around the World': Santa Lucia Luntana
'Around the World': Those Were the Days
'Around the World': Te Quiero Dijiste
'Around the World': Torna A Surriento
Encores: La Donna E Mobile
Encores: Libiamo Ne' Lieti Calici

Amazon.com

It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavor of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer, and his voice is in far better shape than the other two. But if you crave big, high, and loud--and you don't take your opera too seriously--you'll love this disc. --David Vernier

Customer Reviews:

Un gran concierto.......2005-07-19

Yo tenia el Cd de este concierto, pero sin duda el DVD presenta la realidad, lo sublime de este evento, porque ademas de ver las interpretaciones, trae varios puntos y canciones extras. Carreras creo que esta bien, saca la tarea. Placido Domingo en Amor vida de mi vida, logra llevar el concierto a su punto mas alto en ese momento, punto superado unicamente por Pavarotti en Nessum Dorma. Pavarotti como siempre sublime como dije en Nessum Dorma, Ave maria y en los popurris. La calidad del DVD es genial, con full screen y sonido digital. Otro punto buenisimo es la aparicion de Frank Sinatra en la cancion My way y de otras luminarias del cine y la política. Espero que este comentario sirva de ayuda para aquellos que quieran este DVD.

Give em a 3.5.......2004-01-25

The Three Tenors has/have become a cottage industry, churning out one CD after another for every imaginable event and in every combination. This does not mean that the results are necessarily inferior but it does imply a commercial, layman's approach. And maybe this is better - spreading the joys of fine music to the masses. After all, where besides figure skating and cartoons do most people have a chance to even hear opera?

This event, like the first one in Rome, has a magnificent setting but, like Rome, the show was marketed mainly to the American audience. They still include the dreadful "Maria" with the hilarious pronunciation and even added "With a Song In My Heart" (or, as Carreras is wont to sing, "Weeth a Soeeng een My Haht"). Though some may deride the choice of encores, they were almost perfect. The Three Tenors, despite their prior celebrity, are creations of our culture of entertainment in ways that Caruso could only dream about.

Synopsis: Carreras stands out, Domingo substitutes volume for quality and Pavarotti soars when he doesn't have to.

The Most Enjoyable Evening IN !!!!!!!!!!!.......2003-05-01

I am not a regular Opera fan, hoever these THREE are the Best. their songs they sing together are SUPER!!! And the range of NOTES REACHED ARE REMARKABLE. tHE MIXTURE of songs is a treat for all, even if you are not an OPERA FAN!!!! Great show!!!!!!

Hmmmm...........2002-04-21

Not what I thought it was going to be. I like only about 4 of the 20+ tracks on this CD. I shoudl have just bought the DVD instead and actually watched them perform. Much, much more entertaining.

Last Encore of songs missing off C.D........2002-02-06

The Three Tenors are my absolute favourite singers. The 1994 Concert was undoubtedly their best in my view. I taped this live concert from the television, and have played and played and played it!! I also taped it on a cassette, however, when I bought the C.D. I was really disappointed that they did not include the last set of encore songs, which included O Sole a Mio (don't know if I've spelt that correctly), where Placido and Jose try and outdo Luciano!! It received such a fantastic reception from the crowd, (one of the many standing ovations), and really showed how much the Three Tenors seemed to enjoy performing the concert. How come this was not included? I don't know if it was on the Video because I play my own.

Many thanks for your time,

With kind regards,
Pam Sargeant.

Music Review: