3 Gymnopedies / 6 Gnossiennes

On this CD:

1. Sports et divertissements (Sports and diversions), 21 pieces for piano
Composed by Erik Satie
Performed by Chantal De Buchy

2. Gymnopédies (3), for piano, complete (also orchestrated by Debussy)
Composed by Erik Satie
Performed by Chantal De Buchy

3. Gymnopédies (3), for piano, complete (also orchestrated by Debussy)
Composed by Erik Satie
Performed by Chantal De Buchy

4. Gymnopédies (3), for piano, complete (also orchestrated by Debussy)
Composed by Erik Satie
Performed by Chantal De Buchy

5. Véritables préludes flasques pour un chien (Truely Flabby Preludes for a Dog), for piano
Composed by Erik Satie
Performed by Chantal De Buchy

6. La belle excentrique, "serious fantasy" for orchestra (or piano, 4 hands)
Composed by Erik Satie
Performed by Chantal De Buchy, Theodore Paraskivesko

7. Gnossiennes (6), for piano, complete
Composed by Erik Satie
Performed by Chantal De Buchy

8. Gnossiennes (6), for piano, complete
Composed by Erik Satie
Performed by Chantal De Buchy

9. Gnossiennes (6), for piano, complete
Composed by Erik Satie
Performed by Chantal De Buchy

10. Gnossiennes (6), for piano, complete
Composed by Erik Satie
Performed by Chantal De Buchy

11. Gnossiennes (6), for piano, complete
Composed by Erik Satie
Performed by Chantal De Buchy

12. Gnossiennes (6), for piano, complete
Composed by Erik Satie
Performed by Chantal De Buchy

Tracks:

Trois Gymnopedies (Pno Version): No.1. Lent Et Douloureux
Trois Gymnopedies (Pno Version): No.2. Lent Et Triste
Trois Gymnopedies (Pno Version): No.3. Lent Et Grave
Six Gnossiennes: No.1. Lent
Six Gnossiennes: No.2. Avec Etonnement
Six Gnossiennes: No.3. Lent
Six Gnossiennes: No.4. Lent
Six Gnossiennes: No.5. Modere
Six Gnossiennes: No.6. Avec Conviction Et Une Tristesse Rigoureuse
Je Te Veux (Valse)
Avant-dernieres Pensees: 1. Idylle/2. Aubade/3. Meditation
La Diva De L'Empire (Intermezzo Americain D'apres La Celebre Chanson)
Les Trois Valses Distinguees Du Precieux Degoute: 1. Sa Taille/2. Son Binoche/3. Ses Jambes
Sarabandes: Premiere Sarabande
Sarabandes: Deuxieme Sarabande
Sarabandes: Troisieme Sarabande
Trois Nocturnes: Premier Nocturne
Trois Nocturnes: Deuxieme Nocturne
Trois Nocturnes: Troisieme Nocturne
Reverie Du Pauvre
Trois Gymnopedies (Orchestral Version): No.1. Lent Et Couloureux - Orchestre Symphonique Et Lyrique De Nancy
Trois Gymnopedies (Orchestral Version): No.2. Lent Et Triste - Orchestre Symphonique Et Lyrique De Nancy
Trois Gymnopedies (Orchestral Version): No.3. Lent Et Grave - Orchestre Symphonique Et Lyrique De Nancy

Customer Reviews:

The Best of Erick Satie.......2007-06-11

The reason I bought this product, is because I was familiar with the 3 Gymnopedies of Erick Satie and also another of his work: The Gnosiemme (I'm not sure about the spelling) No. 4. After listening to the CD I felt very happy with it because include both versions of the Gymnopedies, the Orchestral and the one for piano and of course the Gnosiemme No. 4 which I now like it very much. The pianist makes justice to Satie's work and if you like his work is a good buy.

A forerunner to minimalism.......2007-04-13

Satie is a forerunner to minimalism. Each piece of his music is a beauty. He also had great influence on many famous composers and musicians in his age. This album is one of the best piano classical.

Wonderful.......2006-07-07

Just a great collection from Erik Satie. I would highly recommend this one!

Richard review of Best of Satie.......2005-09-02

The recording is well done. Eric Satie is not the type of music that many people will appreciate. I like his music and this particular recording.

Got Satie?.......2005-07-27

... Well folks. This may be the perfect album to get started. This features some of the best-known works by the wierd and witty Erik Satie, including the Gymnopedies (both the original piano and the orchestrated versions), the Gnossiennes, just to name a few.

The performance done by pianist Klara Kormendi is relatively plain and simple, just as Satie might have wanted. Some of his music is actually not too difficult to play... A great CD at a budget price. Kudos to Naxos for a good performance at a good price.

Also, what I'm equally impressed is the fact that in this "appreciation" album, the listener will actually be listening to many "sets" of pieces. Some of those albums (Beethoven and Mozart for example) are mere collections of selected tracks, many just one movement of a large work, such as a symphony. In some you will only be listening to selected numbers of different large "sets" of pieces. In Chopin's for example one may listen only few of the 20+ nocturnes (No. 2 for example), 15+ waltzes, and 20+ mazurkas he wrote, so one would not feel complete listening to the whole "cycles" of short pieces. Satie, fortunatley, prefered using tiny sets of pieces, most of them only comprising of three movments each. Plus each piece is short. ALL of the three Gymnopedies. ALL of the six Gnossiennes. ALL of the three Sarabandes. ALL of the three nocturnes. One can already feel happy listening to couple "sets" within a single CD.

Once again, this may be the perfect album to get started with Erik Satie. And get ALL out of those pieces!!!

Average customer rating:

Picasso in sound
Great but NOT complete
There's only one.
Don't forget Satie was an Anti-Romantic
"Electric Spirit of Eric Satie" fans this is the one !

Satie: Piano Works

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
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ASIN: B000002SBP
Release Date: 1992-01-23

Tracks:

Oeuvres Pour Piano: Gymnopedie I
Oeuvres Pour Piano: Gymnopedie II
Oeuvres Pour Piano: Gymnopedie III
Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
Oeuvres Pour Piano: II: Son binocle
Oeuvres Pour Piano: III: Ses jambes
Oeuvres Pour Piano: Trois Gnossiennes: I Lent
Oeuvres Pour Piano: II Avec nnement
Oeuvres Pour Piano: III Lent
Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
Oeuvres Pour Piano: V Mod
Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
Oeuvres Pour Piano: Prolongation du m
Oeuvres Pour Piano: I
Oeuvres Pour Piano: II
Oeuvres Pour Piano: III
Oeuvres Pour Piano: En plus
Oeuvres Pour Piano: Redite
Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
Oeuvres Pour Piano: III Espa (Sorte de valse)
Oeuvres Pour Piano: Sonatine bureaucratique
Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
Oeuvres Pour Piano: II Simplement
Oeuvres Pour Piano: III Un peu mouvement
Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
Oeuvres Pour Piano: Air du Grand Maitre
Oeuvres Pour Piano: Air du Grand Prieur
Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation

Tracks:

Jack In The Box: Prelude
Jack In The Box: Entracte
Jack In The Box: Final
Sports et Divertissements: Choral inappetissant
Sports et Divertissements: La Balanre
Sports et Divertissements: La Chasse
Sports et Divertissements: La Come italienne
Sports et Divertissements: Le Ril de la Mari
Sports et Divertissements: Colin-Maillard
Sports et Divertissements: La Pe
Sports et Divertissements: Le Yachting
Sports et Divertissements: Le Bain de mer
Sports et Divertissements: Le Carnaval
Sports et Divertissements: Le Golf
Sports et Divertissements: La Pieuvre
Sports et Divertissements: Les Courses
Sports et Divertissements: Les Quatre-Coins
Sports et Divertissements: Le pique-nique
Sports et Divertissements: Le Water-chute
Sports et Divertissements: Le Tango
Sports et Divertissements: Le Traau
Sports et Divertissements: Le Flirt
Sports et Divertissements: Le Feu d'artifice
Sports et Divertissements: Le Tennis
Oeuvres Pour Piano: I D'Holothurie
Embryons desseches: II D'Edriophtalma
Embryons desseches: III De Podophtalma
Preludes flasques (pour un chien): I Voix d'interieur
Preludes flasques (pour un chien): II. Idylle cynique
Preludes flasques (pour un chien): III. Chanson canine
Preludes flasques (pour un chien): IV. Avec camaraderie
En habit de cheval (a 4 mains): I Choral
En habit de cheval (a 4 mains): II Fugue litanique
En habit de cheval (a 4 mains): III Autre chose
En habit de cheval (a 4 mains): IV Fugue de papier
Apercus desagreables: I Pastorale
Apercus desagreables: II Choral
Apercus desagreables: III Fugue
Descriptions automatiques: I Sur un vaisseau
Descriptions automatiques: II Sur une lanterne
Descriptions automatiques: III Sur un casque
3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
Peccadilles importunes: Lui manger sa tartine
Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
Pieces froides - No. 1 Airs a faire fuir: II Modestement
Pieces froides - No. 1 Airs a faire fuir: III S'inviter
Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
Pieces froides - No. 2 Danses de travers: II Passer
Pieces froides - No. 2 Danses de travers: III Encore
La Belle Excentrique: I Grande ritournelle
La Belle Excentrique: II Marche franco-lunaire
La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
La Belle Excentrique: IV Can-can grand-mondain
3 Sarabandes: No. 1
3 Sarabandes: No. 2
3 Sarabandes: No. 3

Amazon.com

It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey

Customer Reviews:

Picasso in sound.......2006-02-19

Pablo Picasso, Jean Cocteau and Eric Satie were drinking buddies; it shouldn't be surprising that their work, though in different media, should bear striking similarities. This CD set replaces a very badly abused vinyl recording from the 1960s. No one plays Satie like Aldo Ciccolini. I do wish the Parade had been included, Satie wrote the music, Cocteau the libretto and Picasso did the sets and costumes-Satie's only ballet. Of course, the circa 1910 audience walked out. It's the story of an out-of-work ballet company that goes out onto the streets of Paris to try to get customers to come inside. The customers are stereotypes like the American in a cowboy outfit who adds the sound of this six gun to the music and the secretary who types through the encounter. The back wall of the theater was covered with Picasso designed neon signs flashing in bright colors throughout the performance. Across the front of the stage he'd strung acetate on which were playing street scenes of Paris from three cameras-red, blue and green. The men were way, way ahead of their times.

Great but NOT complete.......2004-12-23

Please note that this collection does NOT contain Erik Satie's complete works for piano. The collection makes no such claim, but at 5 CDs, some may assume it to be complete and none of the other reviews to date mention this. I am too lazy to do the research to come up with a complete list, but offhand I know that these songs are missing - "Je Te Veux", "Fantaisie-Valse" and "Valse-Ballet". These 3 are among my favorite Satie pieces, so yes, I think the collection is diminished somewhat by their absence.

Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.

There's only one........2004-06-26

If you're reading this, you've already heard Satie's music, so I needn't to go into that. I do want to say that this is the only recording of Satie that is worth hearing. Ciccolini is the only foot that will fit the Satie glass slipper. Don't waste your money on the ugly step-sisters.

Don't forget Satie was an Anti-Romantic.......2002-02-25

No one could deny that setting every disperse music in a unique album is a remarkable job. But I didn't like much the approach of Ciccolini, which I knew around 1975 while getting borrowed the vinyl LPs in the Embassy of France in Buenos Aires. Now I'd like to explain to whom it may concern why do I feel that way.
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.

"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17

Fans of "The Electronic Spirit of Eric Satie" will immediately recognize Aldo Ciccolini as one of the few musicians in touch with the true "Satie" style. The selections correspond to "Electric Spirit" ; except, performed as a good piano solo. The piano recording is done so well it's better than most orchestral versions. It sounds very much like "Electric Spirit" without orchestration nor electronic "boops" and "beeps"-- just a good piano. It's really just as funny and powerful; and here it has a class act. This performance is a rare find !

After the Rain...The Soft Sounds of Erik Satie

Average customer rating:

sparse
After the Rain...The Soft Sounds of Erik Satie
Such beautiful music
nice
Meditative Satie

After the Rain...The Soft Sounds of Erik Satie

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Satie: Gymnopédies No1-3; Gnossiennes No1-6

ASIN: B00000427P
Release Date: 1996-03-12

Tracks:

Gymnopedie No.1
Gymnopedie No.2
Gymnopedie No.3
Gnossienne No.1
Gnossienne No.2
Gnossienne No.3
Gnossienne No.4
Gnossienne No.5
Gnossienne No.6
Nocturne I
Nocturne II
Nocturne III
Nocturne IV
Nocturne V
Avant-Dernieres Pens: I. Idylle, A Debussy/II. Aubade, A Paul Dukas/III. Meditation, A Albert...
Pieces Froides-Trois Airs A Fuir
Pieces Froides-Trois Danses De Travers
Deux Reveries Nocturnes
Prde De la Porte He Du Ciel - Pascal Roge P

Customer Reviews:

sparse.......2007-03-11

If you enjoy simple accoustic piano arrangements played simply and beautifully you will enjoy this music.Satie has a moody and haunting way with his compositions

After the Rain...The Soft Sounds of Erik Satie.......2007-02-15

Excellent rendition of intimate Satie. Very evocative of Paris. Cool and quiet.

Such beautiful music.......2007-01-12

Eric Satie has composed some of the most beautiful music in the world. One of the few musical pieces that bring out real emotion in me.

nice.......2007-01-05

a good introduction to satie's music. Well played, excellent recording.
Nuff said!

Meditative Satie.......2006-12-24

As with any composer there are many ways to competently interpret their work. If you like Satie's music played to bring out its meditative, dreamy qualities, this is the recording for you.

Satie: Gymnopedies Gnossiennes / Jacques Loussier Trio

Average customer rating:

Be transported
Satie with a Twist!
A Win --- on many counts
Dumbing down Satie
Loussier takes on Satie

Satie: Gymnopedies Gnossiennes / Jacques Loussier Trio
Benoit Dunoyer De Segonzac , Andre Arpino , Jacques Loussier , Jacques Loussier Trio , and Erik Satie
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B000007NGR
Release Date: 1998-05-26

Tracks:

Gymnopedie No.1 / Var. 1
Gymnopedie No. 1 / Var. 2
Gnossienne No. 3
Gnossienne No. 6
Gnossienne No. 2
Gnossienne No. 1 / Var. 3
Gnossienne No. 4
Gnossienne No. 5
Gymnopedie No. 1 / Var. 4
Gnossienne No. 1
Pas A Pas

Customer Reviews:

Be transported.......2006-12-25

In my opinion, the Jacques Loussier Trio is best at interpreting classic Impressionist masterworks.
"Satie: Gymnopedies/Gnossiennes" is haunting and atmospheric musical poetry and, I think, superior to their other attempts at integrating classical and jazz into one musical statement. The entire CD reminds me of the musical equivalent of J.M.W. Turner's Venetian watercolours. Stunning! Also, check out "JLT Plays Debussy".

Jacques Loussier Trio's "Satie" takes the listener on a trip. Gnossienne No. 4 is especially effective in transporting the listener to a quiet "cinema noir" oasis full of intrigue. This jazz trio's technique lends itself much better to interpretations of delicate impressionist masterworks rather than to classic baroque. This is NOT smooth jazz but each piece is "fluid" or "atmospheric", just as Satie would have wanted it! The haunting sound is perfect- translucent as any mountain lake. In my opinion, this is Loussier's best disc and rates as one of the top discs in the classical-jazz hybrid genre, "Third Stream".

Satie with a Twist!.......2006-01-11

I have long considered Satie's Gnossienne to be some of the most emotionally touching and versatile pieces in music. So to pass a lazy afternoon, I went searching for as many versions of them as possible. I found everything from guitar to harp to dancefloor remixes. But there was one interpretation that stood out from all of them: the Jacques Loussier Trio interpretations.

First, I disagree vehemently with what one can only describe as the dense and snobbish two star review below. Satie's music is not degraded here; it is simply reinterpreted into a new genre. But my ears (nor those of any other reviewer, it seems) detect any degredation or "dumbing down" of Satie. Rather, the Loussier Trio handle Satie's delicate pieces with all the care they deserve. They do well at playing minimalistically, using no more notes than are necessary. I can't help but think that this is the way Satie would have wanted it, as his compositions cry out for exactly that style.

While there are a few question marks on the CD (for instance, trying to fit a 3/4 Gymnopedie into 4/4)even the weaker tracks (relatively speaking) are worth a good listen. The Gnossienne (particularly the first four) take the cake, though!

A brief descriptive note before I leave you to buy the CD. Any lover of the "new" European (particularly Nordic) jazz, such as the Esbjorn Svensson trio, or the Tord Gustavsen trio, will UNQUESTIONABLY love the Jacques Loussier trio. Loussier has mastered the type of sparse and dark sound achieved by the said trios.

You are in for a treat, indeed!

A Win --- on many counts.......2004-04-03

My introduction to the Gymnopedies was hearing Blood Sweat and Tears rendition on their 2nd album. I've been entranced by them ever since. I've collected the purist renditions of the work, and then I heard the lead track of this CD on our local Jazz/NPR station, KPLU.

I was immediately obsessed with finding out who/what/where.

I did, and I purchased this disc and several others. I was not disappointed. Other writers here are far more eloquent than I about the musical content; suffice it to say that Loussier remains true to the mood and emotion of the original, and his improvizations on those themes brings a new and fresh point of view to these already beautiful works.

Last, I'll comment on a technical point. These recordings are stunning. Totally natural sounds, and a stunning mix. Everything is in its place, you hear everything. The SACD version is even better. The older recordings (like the original Bach) are not at all dated in their sound.

I applaud this artist, this work, and this recording. Few of my recent CD purchases have been this satisfying.

Dumbing down Satie.......2004-01-12

Satie's Gymnopedies are beautiful and expressive works -- that have a distinctive sound. This interpretation dilutes Satie with "soft jazz" that is oh-so-familiar -- and not very interesting.

Loussier takes on Satie.......2000-09-12

It was this recording of Loussier playing the works of Satie that got me interested in this musician. Loussier's style lends itself well to Satie (perhaps even more so than Bach), and the music is very nice as a soft jazz CD.

Satie: Gymnopédies No1-3; Gnossiennes No1-6

Average customer rating:

Great Performance, disappointing listening experience
Great Performance, not so great quality recording
Splendid Introduction to Satie's Piano Music

Satie: Gymnopédies No1-3; Gnossiennes No1-6

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

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ASIN: B00004R95Q
Release Date: 2000-03-14

Tracks:

Trois Gymnopedies: I. Lent Et Douloureux
Trois Gymnopedies: II. Lent Et Triste
Trois Gymnopedies: II. Lent Et Grave
I. Lent
Six Gnossiennes: II. Avec Etonnement
Six Gnossiennes: III. Lent
Six Gnossiennes: IV. Lent
Six Gnossiennes: V. Modere
Six Gnossiennes: VI. Avec Conviction Et Avec Une Tristesse Rigoureuse
Croquis Et Agaceries D'un Gros Bonhomme En Bois: I. Tyrolienne Turque (Avec Precaution Et Lent)
Croquis Et Agaceries D'un Gros Bonhomme En Bois: II. Danse Maigre (A La Maniere De Ces Messieurs) (Assez Lent Si Vous Le Voulez Bien)
Croquis Et Agaceries D'un Gros Bonhomme En Bois: III. Espanana (Sorte De Valse)
Embryons Desseches: I. - D'Holothurie (Allez Un Peu)
Embryons Desseches: II. - D'Edriophtalma (Sonore)
Embryons Desseches: III. - De Podophtalma (Un Peu Vif)
Sonatine Bureaucratique: Allegro - Andante - Vivace
Avant-dernieres Pensees: I. Idylle, (A Debussy) (Modere, Je Vous Prie)
Avant-dernieres Pensees: II. Aubade (A Paul Dukas) (Pa Vite)
Avant-dernieres Pensees: III. Meditations (A Albert Roussel) (Un Peu Vif)
Veritables Preludes Flasques (Pour Un Chien): I. Severe Reprimande (Vif [Sans Trop])
Veritables Preludes Flasques (Pour Un Chien): II. Seul A La Maison (Pas Vite)
Veritables Preludes Flasques (Pour Un Chien): III. On Joue (Aller)
Cinq Nocturnes: I. Doux Et Calme
Cinq Nocturnes: II. Simplement
Cinq Nocturnes: III. Un Peu Mouvemente
Cinq Nocturnes: IV. Mysterieux et tendre
Cinq Nocturnes: V.
Trois Morceaux En Forme De Poire: I. Maniere De Commencement (Allez Moderement) - Gabriel Tacchino
Trois Morceaux En Forme De Poire: II. Prolongation Du Meme (Au Pas) - Gabriel Tacchino
Trois Morceaux En Forme De Poire: 1. Lentement - Gabriel Tacchino
Trois Morceaux En Forme De Poire: 2. Enleve - Gabriel Tacchino
Trois Morceaux En Forme De Poire: 3. Brutal - Gabriel Tacchino
Trois Morceaux En Forme De Poire: III. En Plus (Calme) - Gabriel Tacchino
Trois Morceaux En Forme De Poire: IV. Redite (Dans Le Lent) - Gabriel Tacchino
La Belle Excentrique: I. Grand Ritournelle - Gabriel Tacchino
La Belle Excentrique: II. Marche 'Franco-Lunaire' - Gabriel Tacchino
La Belle Excentrique: III. Valse Du 'Mysterieux Baiser Dans L'oeil' (Mouvement De Valse) - Gabriel Tacchino
La Belle Excentrique: IV. Cancan Grand-Mondain (Galop) - Gabriel Tacchino

Amazon.com

Aldo Ciccolini's late-1960s survey devoted to Erik Satie's piano music helped spawn new interest in the idiosyncratic French composer. The pianist rerecorded the cycle digitally, and it is from these remakes that the present reissue stems. While the performances are refreshingly pert, stylish, and perceptive, the rather glassy, treble-heavy engineering can't hold a candle to EMI's warmer analog sound for the earlier recordings. Be that as it may, this disc covers a spectrum of Satie's creative moods (to say nothing of his bizarre titles), from the pensive Gymnopédies, Gnossiennes, and Nocturnes to the upbeat irony inherent in the character pieces. Gabriel Tacchino joins Ciccolini for a balletic romp through La belle excentrique. Happily, this duo will have none of the fussy rubato with which a handful of world-class pianists distort Trois Morceaux en forme de poire. If warm, rounded piano sound is not an issue, then this disc will do just fine as your basic Satie starter kit. --Jed Distler

Customer Reviews:

Great Performance, disappointing listening experience.......2007-05-06

The performance of all of the pieces on this disk are exceptional, and the recording of the piano itself is well done. Unfortunately, both are almost irreparably marred by a loud recording hiss throughout the performances. The fact that this hiss fades to zero between sets only serves to highlight the hiss and make it distracting again. I am stunned that this disk advertises itself as a DDD recording, the engineers and producers should be ashamed. If you know how to process hiss out of a recording, go for it. Otherwise, be warned, you may be disappointed.

Great Performance, not so great quality recording.......2006-01-19

I think that the interpretation of Satie's work here is really good, but my complain is that the recording has a lot of noise in it, is not just the noise of a life performance (which I don't mind), but there is a clear white noise in the background that spoils the overall effect. Still, as I said the interpretation is just great, but the noise issue forces me to give a 3 start rating.

Splendid Introduction to Satie's Piano Music.......2004-05-29

I must confess my ignorance with respect to Satie and his music, so this fine CD was a revelation. Satie clearly falls in the same group of "Impressionist" composers such as Debussy, but still remains an enigmatic figure, in part because of the satirical content of his music, as well as his personality. In Aldo Ciccolini, Satie had one of his foremost champions. This CD is replete with graceful, lyrical playing of Satie's works. I am truly surprised that Satie was neglected until the 1960's, when Ciccolini began championing his music. The sound quality isn't nearly as warm as earlier EMI analogue recordings, but this isn't a major disappointment in what is otherwise a splendid introduction to Satie's music.

Average customer rating:

Listen for hours
Hauntingly beautiful

Satie: Piano Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

The Music Of Satie: Orchestra, Piano, Voice
After the Rain...The Soft Sounds of Erik Satie
Satie: Piano Works
Bartok: Complete Solo Piano Music
Satie: Gymnopédies No1-3; Gnossiennes No1-6

ASIN: B000001K23
Release Date: 1992-11-04

Tracks:

3 Gymnopedies
Sonatine bureaucratique
Prelude en tapisserie
Passcaille
Croquis et agaceries d'un gros bonhomme en bois
Embryons desseches
2 Pieces froides: No.1-Airs a faire fuir
2 Pieces froides: No.2-Danses de travers
Descriptions automatiques
3 Sarabandes
Heures seculaires et instantanees
Menus propos enfantins
Enfantillages pittoresques
Peccadilles importunes
Les Pantins dansent
4 Ogives

Tracks:

3 Gnossiennes
Vieux Sequins et vielles cuirasses
Reverie de l'enfance de Pantagruel
Avant-dernieres pensees
Premier menuet
Trios valses du precieux degoute
Veritables preludes flasques
Sports et divertissements
5 Noctures
Chapitres tournes en tous sens
Prelude de la Parte heroique du ciel
4 Preludes
Danses gothiques

Customer Reviews:

Listen for hours.......2006-01-25

I don't listen to a *whole* lot of classical music, and pretty much no other solo piano than this. I bought this album years ago, and it is that rare music, where everything is good. As the other review notes, it's fine in the background. But whenever, and wherever, you tune in to it, pay attention to it, something good is going on. And: you can listen to it again next week, or next month, or next year, and find things you didn't find before. It's good piano music that doesn't have to be dazzlingly fast or difficult. And, Glazer touches the notes just right: more gently than you might have thought a piano note could be.

Hauntingly beautiful.......2002-10-30

I first became acquainted with Satie when I found a transcription of Gymnopedie I in a guitar magazine. After years of playing it on classical guitar, I finally got a recording on piano, and was delighted to discover that, though few of the pieces match the haunting tone of Gymnopedie I, the rest of the music on the CD is of the same caliber. Great music to have going in the bckground, or to relax and listen to.

Average customer rating:

Actually, 4 1/2 stars... Just shy of Perfection!
Satie for Guitar (and flute)
Haunting and hypnotic
The classical side of Hackett
Dont expect his old stuff , but...

Sketches of Satie

Manufacturer: Inside Out U.S.
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006J3TS
Release Date: 2002-09-24

Tracks:

Gnossienne No. 3
Gnossienne No. 2
Gnossienne No. 1
Gymnope No. 3
Gymnope No. 2
Gymnope No. 1
Pies Froides No. 1 Airs Faire Fuir I
Pis Froides No. 1 Airs Faire Fuir II
Pis Froides No. 2 Danse de Travers II
Avant Dernis Pens Idylle Debussy
Avant Dernis Pens Aubade Paul Dukas
Avant Dernis Pens Mtation Albert Roussel
Gnossienne No. 4
Gnossienne No. 5
Gnossienne No. 6
Nocturnes No. 1
Nocturnes, No. 2
Nocturnes, No. 3
Nocturnes No. 4
Nocturnes No. 5

Album Description

This collaboration by brothers Steve Hackett (ex-Genesis guitarist) and John Hackett is a skilled and sensitive interpretation of selected works by classical composer Erik Satie. 2002 reissue, originally released in 2000. Inside Out label.

Customer Reviews:

Actually, 4 1/2 stars... Just shy of Perfection!.......2007-07-05

Exquisite' showcase: Hacketts' Satie. I'm giving this my 3rd listen so far
since purchasing today. It glows on you like a magical silk robe. Steve's
departure from Genesis was thought to be another* death knell for (what was
thought to be) the finest Prog. Rock group in history. John has been adding support to his more famous brother since the 1st solo project (more 'Genesis' than the band at the time). Satie's century-old compositions have been more than just a proving ground for classical musicians thru time and like many true strokes of genius, the piano works weren't thought to be 'music' at all by some of the most respected critics of the day. We have
the pleasure of recognizing it's beauty today, in this fine adaptation.
Steve was one of 2 great rock guitarists who began performing the electric
guitar w/ his band while sitting down in a chair (classically trained so).
The other guy is Robert Fripp (who's Crimson Kings have graduated to play
with S.H. on more recent prog. projects). Respected, is the word that is
often used to describe the subdued, previously nerdy Steve. Brother John's
flute is honed into an ethereal transport through space/time on this CD. If
you don't share it with a friend or lover, you're neither.

*Steve was the heart transplant for early Genesis. The next death knell in
that book was the departure of Gabriel.

Satie for Guitar (and flute).......2006-10-06

Had the idea recently to transpose Satie (specifically the gymnopedie) for guitar, then found out that the Hackett Bros. have already done so. After reviewing samples, I'm a bit disappointed that they chose flute for some of the melodies -- was hoping for all guitar -- but these are very natural, warm adaptions, especially Pièces Froides No.2. Also see The Guitarist John Williams (name of the album) for more Satie on guitar.

Haunting and hypnotic.......2004-01-10

"Sketches of Satie" is a collection of Erik Satie's compositions for piano, rearranged and performed by Steve Hackett (guitar) and his brother John (flute). The songs translate so well to flute and guitar, it's hard to believe they weren't originally composed for these instruments.

Fans of early Genesis won't be surprised by Hackett's virtuosity; the revelation here is John Hackett on flute. John's playing is so natural and fluent, it seems almost divinely inspired. On the first six tracks (Gnossiennes 3, 2 and 1 and Gymnopédies 3, 2 and 1), Steve provides subtle and steady accompaniment, allowing John's flute to handle the melodies. The next three tracks (the "Pièces Froides") highlight Steve on guitar, but John rejoins him for the rest of the album. The performances exhibit a hypnotic, haunting, and exotic beauty. Steve Hackett again demonstrates why he's one of the world's best and most versatile guitarists; by ceding the spotlight to his brother, he exhibits admirable modesty and restraint.

You don't have to be a fan of Satie or Hackett to enjoy this - just someone who enjoys gentle instrumental music that stimulates the mind while calming the soul.

The classical side of Hackett.......2003-09-19

This is Steve Hackett at his classical best, along with the excellent flute-playing by his brother. The melodies are wonderful--perfect for when you want to relax and unwind. Other Steve Hackett albums in the classical vein are Bay Of Kings; Momentum; There Are Many Sides To The Night; and A Midsummer Night's Dream.

Dont expect his old stuff , but..........2003-02-04

A nice cd to get up in the morning and still feel in a dreamy kinda mood for the next couple of hours...if you are looking for progressive stuff check his first 3 or 4 albums...and thats it! there is nothing more worth checking out...this has his acoustic gt sound and his bro is a nice flute player too, and of course , the music of Satie, which has inspired so many Prog groups, is also great, but still you can not really relate this to earlier works of his...nice anyways!

Average customer rating:

A Fine Satie...
SUBLIME SATIE

Erik Satie: Piano Works
Reinbert de Leeuw
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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After the Rain...The Soft Sounds of Erik Satie
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The Reminder

ASIN: B0000BWVDE
Release Date: 2003-09-09

Tracks:

No. 1
No. 2
No. 3
No. 4
No. 5
No. 6
I
II
III
IV
Petite Ouverture A Danser
No. 1
No. 2
No. 3
No. 1
No. 2
No. 3

Customer Reviews:

A Fine Satie..........2006-03-11

Difficult to beat Pascal Roge with Satie, but this disc is very fine indeed. Pair this disc with Roge's "After the Rain."

Adequate faux-Magritte cover photo too!

SUBLIME SATIE.......2005-08-03

In no way, shape or form has Satie sounded so metaphysical, so ethereal; in no way, shape or form does the composer's mystical visions receive a more rapt personal approach. In the hands of pianist de Leeuw, the music simply doesn't get more intimate than this. Time stops; the melancholic simplicity embraces; the nurturing repetition--- tres lent---soothes mind, body and spirit. Not a note is out of joint, or misjudged. This is the deepest essence of Satie revealed in a performance so ideal in timing, so uncannily concentrated and distilled, so beautifully recorded, and so fully in accord, as to be, ultimately, perfect.

[Running time: 66:49]

Ravel & Satie: Piano Works - Anne Queffelec (4 CD's)

Average customer rating:

Ravel & Satie: Piano Works - Anne Queffelec (4 CD's)
Anne Queffelec , Maurice Ravel , and Erik Satie
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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Debussy: Piano Works

ASIN: B00030FJIU
Release Date: 2004-11-16

Tracks:

1. Tyrolienne Torque
2. Danse Maigre/A La Maniere De Ces Messieurs
3. Espanana
1. Sur Un Vaisseau
2. Sur Une Lanterne
3. Sur Casque
1. Sa Taille
2. Son Binocle
3. Ses Jambes
Petite Ouverture A Danser
A. Valse/Ballet
B. Fantaisie/Valse
Les Pantins Dansent
Caresse
Danse De Travers
1. D'Une Maniere Tres Particuliere
2. Modestement
3. S'Inviter
1. En Y Regardant A Deux Fois
2. Passer
3. Encore
Premiere Pensee Rose+Croix
Prelude De La Port Heroique
Passacaille
Prelude En Tapisserie
Poudre D'Or
Maniere De Commencement
Prolongation Du Meme
Morceau 1/Lentement
Morceau 2/Enleve
Morceau 3/Brutal
En Plus (Calme)
Redite (Dans Le Lent)
Grande Ritournelle
1. Marche (Franco Lunaire)
2. Valse Du (Mysterieux Baiser Dans L'Oeil)
3. Cancan (Grand-Mondain)

Tracks:

No. 1 Lent
No. 2 Avec Etonnement
No. 3 Lent
No. 4 Lent
No. 5 Modere
No. 6 Avec Conviction Et Avec Une Tristesse Rigoureuse
Severe Reprimande
Seul A La Maison
On Joue
Chez Le Marchand D'Or
Danse Cuirassee (Periode Grecque)
La Defaite Des Cimbres (Cauchemar)
Celle Qui Parle Trop
Le Porteur De Grosses Pierres
Regrets Des Enfermes (Jonas Et Latude)
No. 1 Lent Et Douloureux
No. 2 Lent Et Triste
No. 3 Lent Et Grave
1. D'Holothurie
2. D'Edriophthalma
3. De Podophthalma
Je Te Veux
1. Allegro
2. Andante
3. Vivace
1. Obstacles Venimeux
2. Crepuscule Matinal (De Midi)
3. Affolements Granitiques
Le Piccadilly-Marche
1. Idylle, A Debussy
2. Aubade, A Paul Dukas
Meditation, A Albert Roussel
Choral Inappetissant
La Balancoire
La Chasse
La Comedie Italienne (A La Napolitaine)
Le Reveil De La Mariee
Colin-Maillard
La Peche
Le Yachting
Le Bain De Mer
Le Carnaval
Le Golf
La Pieuvre
Les Courses
Les Quatre-Coins
Le Pique-Nique
Le Water-Chute
Le Tango
Le Traineau
Le Flirt
Le Feu D'Artifice
Le Tennis

Tracks:

Prelude
Fugue
Forlane
Riguadon
Menuet
Toccata
Pavane Pour Une Infante Defunte
Menuet Antique
Noctuelles
Oiseaux Tristes
Une Barque Sur L'Ocean
Alborada Del Gracioso
La Vallee Des Cloches

Tracks:

Jeux D'Eau
1. Modere
Mouvement De Menuet
3. Anime
Prelude
Serenade Grotesque
Modere
Assez Lent
Modere
Assez Anime
Presque Lent
Vif
Moins Vif
Epilogue: Lent
Menuet Sur Le Nom De Haydn
A La Maniere De Chabrier
A La Maniere De Borodine
Ondine
Le Gibet
Scarbo

Satie: Gymnopédies No1-3; Petite ouverture à danser

Average customer rating:

Worth it for Gnossiennes
Misinterpretation of Satie's music
Near Perfection
Haunting and Beautiful at the same time!
Spiritual Satie

Satie: Gymnopédies No1-3; Petite ouverture à danser

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
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Satie: The Early Piano Works

ASIN: B0000041DE
Release Date: 1996-06-11

Tracks:

Gnossiennes: No. 1
Gnossiennes: No. 2
Gnossiennes: No. 3
Gnossiennes: No. 4
Gnossiennes: No. 5
Gnossiennes: No. 6
Ogives: I
Ogives: II
Ogives: III
Ogives: IV
Petite ouverture a danser
Sarabandes: No. 1
Sarabandes: No. 2
Sarabandes: No. 3
Gymnopedies: No. 1
Gymnopedies: No. 2
Gymnopedies: No. 3

Customer Reviews:

Worth it for Gnossiennes.......2004-11-21

The interpretation of Gnossiennes is worth the price of this CD. The slow, soulful rendition of that piece is the best anywhere. However, I agree with a previous reviewer that the downtempo approach does not work for other Satie favorites. The slow motion, low energy rendition of other pieces can be maddening.

Misinterpretation of Satie's music.......2002-07-31

The poetry, subtle energy and elasticity of Satie's music is entirely lost in De Leeuw's interpretations. The pieces are drawn out to an extent where each note becomes a fragment that does not add up to a whole. The music of Satie thus becomes as unengaging as elevator music.

Eric Satie was a restless and discontented innovator who barely had finished with one musical style until he moved on to the next. This tireless energy can be found in other recordings of Satie's music - most notably by Anne Queffelec - where even the most famous of Satie's composition, the slow Gymnopedies 1-3, reflect Satie's dynamic persona.

In order to profoundly understand music and see it from the inside, it is necessary for the interpretor to understand its composer. This is not the case with De Leeuw.

Near Perfection.......2001-10-20

There are some pieces of music that need to be played fast and flashy, and others which must be played slow and compelling. These are of the second nature. And De Leeuw captures the essence of this music. Early Fusion - dreams of Hashish and Opium and the Desert - melancholy - wistful - mysterious - meandering - wandering -- full of the fine textured Algerian and Turkish colored patterns that overlay all visions, views and vistas which we might conjure of our world. An exceptional rendering - an artist who resonates to what must have been the true intent of the composer - slow, forceful, pulling, compelling mystery of Mystery. I am glad I read, and believed, the other reviews - much more elegant than this - and which, each and every one, pointed out the true genius of this performance. Those reviews simply reflect the truth that few words can hold. Perhaps, those truths might be further mirrored in these long remembered words:

Wandering, Dreaming --
Dreaming that Dreams
Forever Wander
-- Basho --

Haunting and Beautiful at the same time!.......2001-04-14

I heard "Gymnopedies" no. 1 & 2 about 10 years ago and since then I have never forgotten the soul stirring force of this composition. Even after the passing of this time I still feel enough of its effects to finally buy this piece of artistic beauty on cd; I can now enjoy with my ears too (my memory and soul have been "hearing" it since that first time).

Spiritual Satie.......2000-06-15

As a spectator watching the judging of a musical contest we sometimes notice that one of the performers quite simply possesses that `inner music.' All of the contestants may possess very good technical ability, may present themselves well, and may also construct a very good programme. Ye that one stands out from the other performers by an innate musicality that distinguishes them from among their peers. This is the case here with Reinbert de Leeuw. He possesses that extra something, which transforms the notes from off of the page into living music. His elasticity of timing and phrasing seems to suggest that he has carefully weighed and considered every note and its significance within the total piece alongside of its unique contribution towards this larger picture. It is as if he's lived with this music for so many years that it has become an integral part of his psyche. He quite simply is the music. Like a wonderful dance between the three, he brings so much to the music and yet allows Satie's music to breathe through him also. Yet more than this, he has fused with the spirit of this music. Nonetheless, he seems to have found the right balance, for he is not subservient to the spirit of the music neither is he too dominating in his own approach but rather has released something that was inherent in the individual music right from the start. Such a tremendous sensitivity towards interpreting what Satie intended really brings this music alive. It breathes and in that breathing communicates so much. It is also extremely relaxing and nurturing. A fantastic CD to put on when feeling stressed and looking to chill out to beautiful music. There is a very real sense of this music being truly beautiful; altogether approaching something of a mystical experience - for those able to so resonate. I am forced to say that it offers a transcendent approach to Satie's wonderful music. Previously, I'd heard Satie's music and found it `interesting,' but very cold, distant and cerebral. However, with de Leeuw I entered into the life of Satie and any sense of empty, abstract noises was left behind and the landscape of the music of life opened up before me. The space between the notes, the piano, and me - the listener - melted into a rare intimacy such as I would expect from Mompou playing Mompou or De Hartmann playing his Gurdjieff piano music. I can't recommend de Leeuw's playing of Satie too much. I'd say that every house should have a copy of this one!

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