Scriabin: Piano Concerto

On this CD:

1. Symphony No. 4 in C major ("Poem of Ecstasy"), Op. 54
Composed by Alexander Nikolayevich Skryabin
Performed by Czech Philharmonic Orchestra with Garrick Ohlsson
Conducted by Libor Pesek

2. Rêverie, for orchestra in E major, Op. 24
Composed by Alexander Nikolayevich Skryabin
Performed by Czech Philharmonic Orchestra with Garrick Ohlsson
Conducted by Libor Pesek

3. Piano Concerto in F sharp minor, Op. 20
Composed by Alexander Nikolayevich Skryabin
Performed by Czech Philharmonic Orchestra with Garrick Ohlsson
Conducted by Libor Pesek

Tracks:

Tchaikovsky: Piano Concerto No. 1 In B-Flat Minor (Introduction)
Brahms: Rhapsody In G Minor Op. 79, No. 2
Mozart: Piano Sonata No. 15 In C (I. Allegro)
Schubert: Moment Musical No. 2
Dvorak: Humoresque No. 7
Debussy: Prelude 'La Fille Aux Cheveux De Lin'
Grieg: 'Butterfly' From Lyrical Pieces
Chopin: Etude In C Minor, Op. 10 No. 12 'Revolutionary'
Scarlatti: Sonata In E
Debussy: Clair De Lune
Rubenstein: Melody In F
Rachmaninoff: Prelude In C-sharp Minor, Op. 3 No. 2
Paderewski: Menuett
Chopin: 'Military' Polonaise
Liszt: Liebestraum
Chopin: Etude In E, Op. 10 No. 3 'Tristesse'
Scriabin: Etude, Op. 8 No. 12
Beethoven: Minuet In G
Mozart: Sonata No. 11 In A 'Rondo All Turca'
Debussy: Rrie
Rachmaninoff: Rhapsody On A Theme By Paganini (Variation No. 18)
Schumann: From Kinderszenen (1. Von Fremden Landern Und Menschen)
Mozart: Piano Concerto No. 20 In D Minor (II. Romance)
Chopin: Waltz In D-flat, Op. 64 No. 1 'Minute Waltz'
Gershwin: Rhapsody In Blue (Finale)

Customer Reviews:

25 Piano Favorites.......2007-01-09

This is my favorite classical CD since it is geared to a wide audience. Many of my friends and acquaintances enjoy it, too.

Good for the price............2005-11-30

I listen to this CD while reading or when I need inspiration to play the piano. There are many classic pieces here that will have many recognizable sections to the non classical music fans. The sound quality is not amazing but the essence and technical difficulty of these pieces can still be heard. Most of the songs are under 5 mins and there is a mix of faster and slower tempos.

This is a bargain bin CD that you usually see at Fry's Electronics. There are more detailed and comprehensive collections out there but for 5 bucks this isn't bad and you basically get what you expect. There are much better classical CD's out there of course but for a beginner compilation album, this one has a great price.

Wonderful relaxing and soothing music.......2005-09-02

This cd of piano classics has become one of my favorites. Since I am a full-time student and work out of my home the music relaxes me during times of rest.

The Sound Quality Really Bugs Me.......2004-08-26

This is a good intro CD to famous piano pieces. However, the sound quality is really *poor*. Of course, what do you expect for the price? I'm sure there are better Piano Sample CDs out there that sound much better. It's worth the extra money, trust me.

Good Disc for the Price.......2004-01-19

A good compilation of excerpts from the rich and vast piano repertoire. Sure they are merely excerpts and are meant to just introduce the piano to someone unfamiliar with the instrument or classical music, but that doesn't mean that an experienced person can't just pop it into the CD player and enjoy.

While there's no classic recordings here or big names, most of the tracks are well played and acceptable in sound quality. There are some interesting pieces here that are unfamiliar to most, such as the Dvorak Humoresque or the Paderewski Minuet, as well as classics such as the Debussy Clair de Lune or the Mozart Concerto.

Tracks:

Moment Musical In E Mino Op. 12 No. 4
Prelude In G Op.32 No.5
Etude-Tableau In D Op.39 No.9
Prelude in D Flat Op.17 No.3
Prelude In E Flat Minor Op.16 No.4
Prelude In G Op.13 No.3
Etude in C Sharp Minor Op.42 No.5
La Vida Breve: First Spanish Dance - Manuel De Falla
Goyescas: Quejas O La Maya Y El Ruisenor
Danza Del Viejo Boyero
Danza De La Moza Donosa
Danza Del Gaucho Matrero
Nocturne In D Flat Op.27 No.2
Fantaisie-Impromptu In C Sharp Minor Op.66
Mephisto Waltz No.1

Tracks:

On Rachmaniov: Vocalise
On The Theme From Bach 'Goldberg Variations'
On Chopin: Nocturne In D Flat
On Rachmaninov: Piano Concerto No.2
Inspired By Scriabin
On Duermete Mi Nino
In The Style Of Tango
On Granados: 'Quejas O La Maya El Ruisenor'
In The Style Of Bach
On Chopin: Prelude In A
'Improvisation in Blue (Gabriela Montero)'
'Song for Natalia and Isabella (Gabriela Montero)'

Customer Reviews:

Gabriela Montero CDs.......2007-06-12

Excellent service -- speedy, just as described, well-packaged. I'd definitely buy from this seller again.

Non-professional Review.......2007-03-27

Okay, I listen almost exclusively to classical music, but I do so simply for the pleasure and nothing more. I cannot tell you about Gabriela Montero's technique, and, when she improvises, I have no ability to judge the music's intrinsic value, authenticity, or whatever. I can only tell you this: while I own many dozens of albums, running the full spectrum of the classical genre, I value none of them above Montero's Bach and Beyond and her Piano Recital. Pure listening joy!

Absolutely Magnificent!.......2007-03-09

I first saw Gabriela Montero on 60 Minutes a few months ago and was taken by her playing ability as well as her ability to improvise on the classics. Ms. Montero's fingers fly over the keyboard, playing Rachmaninoff more dramatically and key-perfect than I've heard in a long time. I decided to purchase this CD and have not been disappointed.

Improvisations Unbelievable!.......2007-01-26

Gabriela Montero is a tremendous talent, both in standard classical repertoire, and improvisation. I have know her since she was a young girl, and she was by far the best pianist around, even then. She is an undersung pianist of our age, and should rise to the top very soon!

A beautiful breath of fresh air!.......2007-01-20

What a sheer delight hearing her play. I've never heard anyone quite like her. A phenomenally gifted player, and it's a rare treat to hear someone who defies pigeonholing. I had heard her on the radio, and knew I was onto something when her improvisation on a very simple theme gave me the chills. I love both CD's in this collection.

It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:

1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??

2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.

3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.

4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?

5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....

The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.

Rachmaninoff: Piano Concerto No. 3, Scriabin Etudes

Average customer rating:

First class
Lang Lang - A stylish Virtuoso...or is he?
TERRIBLE sound quality
Oh dear
Waste of lunch money...

Rachmaninoff: Piano Concerto No. 3, Scriabin Etudes
Sergei Rachmaninoff , Alexander Scriabin , Yuri Temirkanov , and St. Petersburg Philharmonic
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
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Memory [Includes Bonus CD]

ASIN: B00006419G
Release Date: 2002-04-23

Tracks:

I. Allegro Ma Non Lanto
II. Intermezzo: Adagio
III. Finale: Alia Breve
Encore: Liu Yang River
Etude Op. 2, No. 1 In C-sharp Minor
Etude Op. 8, No. 2 In F-sharp Minor
Etude Op. 8, No. 3 In B Minor
Etude Op. 8, No. 8 In A-flat Major
Etude Op. 8, No. 10 In D-flat Major
Etude Op. 8, No. 11 In B-flat Minor
Etude Op. 8, No. 12 In D-sharp Minor
Etude Op. 42, No. 4 In F-sharp Major
Etude Op. 42, No. 3 In F-sharp Major
Etude Op. 65, No. 3 In G Major

Amazon.com

Recorded during live concert performances, Lang Lang's second Telarc release justifies all the positive buzz surrounding this young pianist's rapidly ascending international career. He brings plenty of finger power and long-lined drama to Rachmaninov's ubiquitous Third Concerto, yet takes plenty of time to let the lyrical, soaring tunes spin without an inkling of self-indulgence. He admirably adjusts the piano part to accompany when he doesn't bear the melodic burden, and he gets more expressive mileage from transitions than many pianists do. For once, the thicker, more difficult first movement cadenza doesn't sound unwieldy and elephantine. The piano is a little too prominent in the mix next to Temirkanov's sensitively detailed, flowing orchestral support. While Lang Lang has not fully internalized the quivering underbelly of Scriabin's passionate keyboard writing, his poised and secure readings of 10 Etudes still boast plenty of dynamism, idiomatic nuance, and roaring, Horowitz-like octaves. Watch this pianist! --Jed Distler

Customer Reviews:

First class.......2007-05-17

I can't understand the bad opinions about this extraordinary pianist and this pleasant CD. Even after so many versions of Rachmaninoff Third Piano Concert Lang Lang give us a new one, fresh and powerful. Scriabin Etudes also sound clean, passionate, great! The only strange thing is the audience laughing when the artist announces a chinese song as encore.

Lang Lang - A stylish Virtuoso...or is he?.......2006-03-03

My opinion of Lang Lang is very complicated. He is a young virtuoso with impeccable clarity and technique. I have seen him live, and he performs very clearly and with refined pianism. His playing is clean and accurate, no question about it. However, the problem lies with Lang Lang's interpretation. He isn't mature enough to interpret music correctly. Many people know this and criticize him for it, and revere Yundi Li as an alternative. Lang Lang lacks the musical experience and maturity to properly interpret certain styles, and I hope he doesn't try to interpret late Beethoven or the Liszt sonata. That said, however, his interpretations of Russian music are much more fitting. Typically Russian music is more free-spirited and flamboyant than its German counterpart. While his Rachmaninoff is decently-interpreted, his Scriabin is worth mentioning.

Lang Lang interprets Scriabin like no other. There are good and bad things to this. He is so unsure of himself musically that his Scriabin etudes are mere guesswork. Compare his recordings to the great Scriabin legends of Sofronitsky, Horowitz, and even Kissin. Case in point, his uncertainty actually leads him to play Scriabin in a very unique and interesting style. He plays it schizophrenically, which may be appropriate - Scriabin, though brilliant, was crazy (hypochondria and synaesthesia being the smallest examples). Lang Lang's "guesswork" actually works out in these etudes, because they are young, showy pieces, so the schizophrenic, unsure interpretation works out nicely for him. However I think Lang Lang would poorly interpret late Scriabin as it is very mature and atonal.

If you are looking to purchase this CD, let me give you a good summary. The Rach Concerto 3 is well done, clean and accurate, but nothing spectacular: don't expect a 1951 Horowitz recording here, just a clean and accurate recording. The Scriabin etudes are fascinating to listen to and showcase a very interesting interpretation that surpringly works (his Op. 8/3 and 65/3 are unparalleled in my opinion).

Unlike a few others, I have no problems with sound quality. The sound is crystal clear, what I would expect from a modern recording like this. Good luck in your purchasing endeavours!

TERRIBLE sound quality.......2005-10-24

I love Lang Lang and bought this CD specifically for that reason -- but I was very disappointed at the sound quality. Usually Telarc has great recordings, but this one was the worst I have ever heard. I was not able to finish listening to it.

What an awful way to showcase a major young talent.

Oh dear.......2005-01-27

Unfortunately, the technical engineering of the live recording in Albert Hall is of such poor quality that it compares with recordings of 30-40 years ago. Despite Mr. Lang's artistry and that of Temirkanov and the St. Petersburg Philharmonic, I am gravely disappointed by this purchase. By comparison with the Carnegie Hall concert and Deutsche Gramaphon's technical expertise, this really rates no stars at all.

Waste of lunch money..........2005-01-24

Maybe its just me but the piano is out of tune badly enough that it should not have been recorded. I had to force myself to finish listening to the concerto and did not even bother with the rest. Sad piece of work.

Average customer rating:

badly remastered
Rachmaninov is the master
A Master of Musical Love
Classic Historic Rachmaninoff.

Rachmaninov: His Complete Recordings

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A2AD2S
Release Date: 2006-01-10

Customer Reviews:

badly remastered.......2007-06-25

"The Complete Rachmaninoff', at 2-3 times the price is a better deal. This version is re-mastered in a way that reduces surface noise, but, at the same time, removes much of the pianists' tone quality that comes through so well on the original LP release, as well as the more expensive set. Also, this album is lacking the documentation of recording dates that the LP and 'The Complete Rachmaninoff' provide. For the neophyte, the re-mastering reduces the magic of Rachmaninoff's tone. I would expect the connoisseur to be even more disappointed. There are bargains out there, but for this album, you get what you pay for.

Rachmaninov is the master.......2007-05-15

Some people like the recordings and some dont, but as a fan of Rachmaninov it would be a shame not to own these recordings. To hear a master composer from history play his own works is not that common. Just put the cd in your player put your headphones on and watch the black and white images appear in your mind as though you were at a concert in the 1930's looking on at the man sitting at the piano carefully but with feeling pounding each note into the air of time. If you don't like the scratchy recordings then obviously you are a spoiled brat who doesnt appreciate fine art.

A Master of Musical Love.......2007-01-18

There have been other brilliant composers and genius pianists as Rachmaninoff lived and afterwards. Yet, in my opinion, he is the real central figure of his days and, as far as I can feel, what there is of most modern up to now in classical music. I do not think it exaggerated to say that, after all these decades, someone is still to pick up the torch from his hands at that level of inspiration, just as he picked it up from Tchaikovsky. It is true that a few of his compositions seem quirky and cerebral: but more than a few are the masterpieces. His second Concerto is the concert of the century. And where do we find, for instance, a match for his etude tableau 39/5 in one hundred years? Or a simply revolutionary piece as his prelude 32/12 is?

One could go on with a list of marvelous compositions either created or played by him and many reviewers already pointed so much of great in his recordings. So a good thing to do here is what a previous reviewer also did: to say something special about one favorite piece of the box-set. My forerunner pointed to Rach's rendering of Haendel's "Harmonious Blacksmith" and I agree with each word he wrote about it. Now I should like to declare my amazement about his version of "Leise flehen", initially a Swansong written by Schubert and later transcribed by Liszt.

Hopefully Dietrich Fischer-Dieskau and other singers will not mind my saying this, but Rachmaninoff unveils and exposes such a treasure in this song that now its original lyrics only seem to obstruct the inestimable wealth in piano notes below them at all other known recordings: the piece is infinitely more beautiful when left to the pianist alone. Rach's playing is warm and generous, just like Schubert's creative Geist, and the result is light-years ahead of the usual rough, squared, catacomb mood with which people bring the composition along with singers.

Impossible not to love, but there is more to that. After listening so many times to this piece that never ceases to stun me, I came to conclude that in fact very few people could manage to play the `leise flehen' like this, even among good pianists. As expressed here, its notes speak to their listener in such frank, open, and direct way - like a true friend making an important confession - that only a man with Rachmaninoff's `heart of gold' could manage to convey its meaning.

Ahhh, maybe we're talking about technique... To have a most noble heart, then, is THE decisive technical prerequisite for communicating these notes, otherwise they will simply not come out at all.

Notes: Here are a few opinions about the pieces mentioned above; hopefully they will be helpful for persons who don't know Rachmaninoff's works and stimulating for those who already know them. 1) As far as I am aware, besides Rachmaninoff only Valentina Lisitsa recorded the Leise flehen in a solo version. It can be found in her 2005 DVD with the Swan Songs program. 2) The etude tableaux 39/5 is not in this box set; many performers have played it, but none as Van Cliburn, who simply operates a miracle in the CD "My Favorite Rachmaninoff". His playing and the vertigo sensation it leaves behind are so powerful that I am sometimes afraid to listen to him. 3) Horowitz, the wizard, masters the prelude 32/12 in his CD "Horowitz Plays Scriabin" and in his legendary 1986 Moscow recital; the prelude is also in Rach's box-set. 4) About the second concerto, there are so many recordings, most of which I have not heard; my favorite performer is Benno Moiseiwitsch, a sublime piano poet much admired by Rachmaninoff himself. None of the recordings I've heard of the concerto, including the two available by its own composer, reach the climax of its third movement as Moiseiwitsch does in a 1944 movie called "Battle for Music". It is only a short excerpt from one of his wartime presentations with the LSO, but long enough to show how it sounds when perfectly done. The excerpt is also in the movie "The Art of Piano", in which the entire footage involving Rachmaninoff and Moiseiwitsch is simply a gem (however much historically unprecise).

Classic Historic Rachmaninoff........2006-01-14

If you're a tad bit confused between this boxed set and "The Complete Recordings" boxed set from 1992, fear not. Both this and "The Complete Recordings" are exactly the same. The only difference is in the cover art and packaging. Also, the price of this recent reissue is half as much as the original edition. If you have the original edition, there's no need to buy it again. If you don't own this already, then this present edition is the one to get mainly because of its reduced price tag.
With this out of the way, onto the music itself:
The Rachmaninoff Complete recordings collection includes everything the great Russian composer/pianist recorded between the years 1919 and 1941. Besides recording historic versions of his own classic Piano Concertos, his "Rhapsody on a Theme of Paginini" as well as conducting his own Third Symphony and Isle of the Dead, Rachmaninoff also recorded arrangements of works by such great composers ranging from Bach, Handel, Mozart, Beethoven, Schubert to most importantly, Chopin. These recordings are also included in this mammoth set alongside more obscure works by Mussorgsky, Daquin, Henselt and Dohnanyi.
The sound quality varies throughout the set ranging from highly listenable to sounding as if it were transferred by placing a microphone directly into the horn of an old grammophone. Despite the variants of sound quality, one cannot deny that this music as well as these recordings are important and historic.
The CD booklet gives a brief insight to Rachmaninoff's history as a recording artist as well as a breakdown of the tracks themselves. The only major flaw with this present edition is the fact that there are no recording dates listed anywhere in the liner notes. Considering that these are historic recordings dating from the very birth of the recording age, it would've definitely been helpful to be able to identify the year in which each work included here was recorded. Considering that I do not own the original edition of this set, there's a good chance that the first edition included the dates of the recordings. Not so here though. This is the reason why this reviewer docked this set one star.
Apart from this, this present edition or Rachmaninoff's complete recordings is a must for the die-hard Rachmaninoff fan. You get to hear the genius at work not only with his own material but with works by others as well. There are also a few note worthy collaborations such as a full disc of duets with legendary violinist Fritz Kreisler, an appearance by mezzo soprano Naddejda Plevitskaya on the arrangement of the traditional tune "Powder and Paint" and a fabulous four-hand piano rendition of Rachmaninoff's own "Italian Polka" with his daughter Natalie as second pianist (which actually sounds like a homemade wax-cylinder recording).
With this said, if you can get around guessing when these recordings were made, this is some great and historic music from one of the very best composer/musicians of our time - the one and only, the great Sergei Rachmaninoff.

Average customer rating:

Still amazing after all these years...
Bill Goes 'Symphonic'
A Gem Among Bill's Recordings
One for the Ages
a stunning fusion of classical and jazz

Bill Evans Trio with Symphony Orchestra

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000046UD
Release Date: 1990-10-25

Tracks:

Granadas
Valse
Prelude
Time Remembered
Pavane
Elegia (Elegy)
My Bells
Blue Interlude

Amazon.com

Throughout his career, pianist-composer Bill Evans successfully melded Bud Powell's fiery bop-paced technique with the lyricism and harmonic language of the French impressionists Ravel and Debussy. So it was only natural that he would record a session that combines the jazz and classical traditions.

Released in 1965, this date features Evans's trio with drummer Larry Bunker, who, three decades later, guest-starred on Diana Krall's When I Look in Your Eyes, and the sensitive bassist Larry Bunker. They're augmented by the azure-tinged arrangements by the famed conductor Claus Ogerman, who worked his magic with artists from Antonio Carlos Jobim to Frank Sinatra. The result of this union is a swinging and seamless interplay in which improvisation becomes spontaneous composition, and vice versa. The linearity and logic of Evans's lines erase centuries of musical distance from the works of Bach, Chopin, Granados, Fauré, and Scriabin, with the trio's trademark telepathy expressed in 4/4 and 3/4 time signatures and light Latin tinges. Evans's haunting compositions, "My Bells" and "Time Remembered," imbued by Ogerman's ethereal strings, are the jewels of this delightful recording, whose brilliance has increased with time. --Eugene Holley Jr.

Customer Reviews:

Still amazing after all these years..........2007-07-23

Dumb luck... I was given my first copy of this album in the mid-1960's 'cause the program director of a radio station I was working for "didn't play jazz."
It was "kismet." Now I have multiple CD's of Bill Evans with Symphony Orch. - one for each car, and one for home. In spite of some minor technical flaws, this is an absolutely wonderful album to relax to. The orchestral parts are lush and well brought off, and the trio's playing is exceptional. If you have one oar in jazz and another in classical, please do yourself a favor and buy this CD. "You'll thank me later..."

Bill Goes 'Symphonic'.......2004-06-10

This is an unusual Bill Evans recording, as it combines his trio with a "symphony orchestra" playing arrangements by Claus Ogerman of several "classical" themes along with two of Evans's most haunting originals: "Time Remembered" and "My Bells". Not that there's much of a classical feel to the orchestrations: apart from the Vaughan Williams/Shostakovich overtones of Ogerman's "Elegy", the orchestral music is more reminiscent of a glossy 1960s/70s film score. There's some attractive woodwind and french horn, but on some of the tracks the large string section might be a bit too lush for some tastes. Fortunately, on most tracks the orchestra confines itself to stating the theme at the opening and in a few places playing a fairly discreet accompanying role, but generally keeping out of the way of Evans's improvisations. So the main "fusion" interest lies in what Evans does with the themes in his solos.

One of the minor oddnesses of the album is the way in which, on some tracks, the beginning of Evans's solo launches into a very different tempo and mood from the one just established in the orchestra's theme statement. Sometimes - as on Faure's Pavane - this creates a musically effective contrast; elsewhere - as on "Granados" - it leaves you feeling too sharply aware of the incongruity rather than empathy between the different musical worlds being brought together. Maybe that's partly why the most satisfying of the "classical" tracks are the Bach Sicilienne and "Blue Interlude" (on Chopin's C minor Prelude): each solo seems to grow organically out of its theme and both themes inspire Evans to some excellent improvisation. Listen, for example, to the way in which he exploits the "bluesy" aspect of the Chopin as his solo builds to its climax. Evans's own "My Bells" is another high spot of the album - an attractively nostalgic modal theme tastefully arranged for the orchestra, leading to a gently swinging solo and a rubato restatement of the theme by Evans before a wistful coda.

There's certainly a lot of absorbing, beautiful playing from the Evans trio here, including a high level of melodic invention and incomparable rhythmic subtlety from the pianist. But the appeal of the album will largely depend on what you think of the orchestra's part in the proceedings. It's probably one to try before you buy.

A Gem Among Bill's Recordings.......2002-06-25

This recording is a gem of Bill's playing. Simple, clean lines, and a beautiful background by Claus Ogerman. I listen to this recording over and over. I was a fan of Bill Evans and Claus Ogerman before I listened to this CD. But this exceeded my expectations of the two artists.

One for the Ages.......2001-08-09

"The Bill Evans Trio with Symphony Orchestra" was one of the first recordings I ever heard...EVER. My Mon used to play the LP while she was carrying me so I really do mean first. With that in mind it has never been far from my CD player for as long as I can remember. From all reports this was a troubled recording session with the arranger and conductor of record, Claus Ogerman having trouble controlling all the elements specifically the pick up orchestra and vocal soloist. Sometimes great things come out of great conflict to paraphrase an old saying. Because, despite all of this this is one of the most glorious recordings ever produced. The Ogerman arrangements are lush and beautiful to the point of distraction. Evans chose the perfect composers to compliment his style and that of his trio. Listen to his rendition of Faure's Pavane or Granados' Granadas. And Ogerman and Evans have also composed two of the tracks themselves. Gorgeous. Lie back on your sofa, turn the volume up, open a bottle of Pinot Noir and let this music take you away.

a stunning fusion of classical and jazz.......2001-05-03

There's nothing like having your expectations completely blown away - this recording is a revelation. I've set my cd player to repeat and listened to this cd for hours at a time. If you're looking for a fresh interpretation of jazz, look no further.

Average customer rating:

Best of Horowitz
Truly Legendary...with icing on the cake...
Highs and Lows
Called "Legendary" for a reason
What More Can I Say That Hasn't Been Said?

Horowitz: Legendary RCA Recordings

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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The Magic of Horowitz
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Horowitz Plays Rachmaninoff/Concerto for Piano in Dm; Sonata for Piano No2/Vladimir Horowitz, Pianist
Horowitz in Moscow

ASIN: B0000CE9YK
Release Date: 2003-11-04

Amazon.com

This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to appreciate Clementi, bless him.) The Chopin items include an unfortunately steely-sounding Polonaise-Fantaisie(along with a beautiful Mazurka), and the Liszt Mephisto Waltz gets pretty frantic at moments. Still, hearing this set will give you a well-rounded picture of Horowitz's art. RCA's producer-engineer Jon Samuels has gotten remarkably fine results with some of these antiquities. --Leslie Gerber

Customer Reviews:

Best of Horowitz.......2006-02-22

Those of us who were fortunate to SEE as well as hear pianist Vladimir Horowitz perform in concert will long remember the quiet, nervous, and rather timid man who slowly walked on the stage. When I saw him at the Paramount Theatre in Oakland in 1978, he hadn't played on the West Coast in many years. Actually, Horowitz was absent from concert halls for years, only making recordings, either for RCA Victor or Columbia.

His Oakland appearance was recorded by RCA and portions of the concert were included in the commercial releases; the engineers would take the best from various performances and cleverly edit them together to give a strong performance. Actually, Horowitz was absolutely dazzling once he sat down at the piano. Despite the initial tentative appearance, he really came to life when he began to play. He was a living legend by 1978 and he did not disappoint the audience. Fortunately, recordings such as those included in this two-CD set give excellent examples of his virtuoso playing.

The 1941 recording session of Tchaikovsky's first piano concerto was made in Carnegie Hall with the NBC Symphony Orchestra, conducted by Horowitz's father-in-law, Arturo Toscanini. Yes, Horowitz had married Wanda Toscanini. One wonders what Toscanini thought about having Horowitz in his family. It's clear, however, the Toscanini and Horowitz had great respect for each other and they worked well together. This is quite apparent in this celebrated, very popular recording, originally issued on 78-rpm discs.

By 1941 RCA Victor had reached a new standard in high fidelity, which was only limited by the surface noise of the shellac discs. This digital remastering has reduced the noise slightly while maintaining as much of the fidelity as possible. The performance is very exciting throughout. Given the difficulty of the solo passages, it is amazing how well Horowitz played this music. Toscanini, who only occasionally conducted the music of Tchaikovsky, saw to it that the NBC Symphony provided strong accompaniment throughout. The memorable orchestral interlude in the first movement is especially dramatic and powerful. An interesting comparison is Horowitz's live concert performance (also in Carnegie Hall) with Toscanini and the NBC Symphony from 1943, also released by RCA Victor; that performance is more "fluid" and there is one section in the second movement where Horowitz and the orchestra got a little "out of synch" for a few moments.

Just ten years later, Horowitz recorded Rachmaninoff's third piano concerto with a "pick-up" orchestra of New York musicians conducted by Fritz Reiner. This was recorded in Carnegie Hall on magnetic tape and the sound is much improved. The performance was the second of three recordings that Horowitz made of the concerto and it may be the best of them. Certainly Rachmaninoff himself had admired Horowitz's performances of his music and this clearly demonstrates why.

The other disc includes numerous shorter works, all briliantly played and all evidence of the wonderful playing of Horowitz. Some of them are taken from live performances and have the extra value of showing how well Horowitz played in concert. A special treat is Horowitz's popular arrangement of music from Georges Bizet's "Carmen," one of the most dazzling pieces the pianist ever played. I also enjoyed his fiery performance of Lizst's "Mephisto Waltz," clearly a devilish piece inspired by part of the Faust legend.

This is a wonderful compilation and a good introduction to the excellent playing of Vladimir Horowitz.

Truly Legendary...with icing on the cake..........2005-07-07

This cd is one of the best Horowitz compilations that exists. It is indeed Legendary. The recording of the Rach 3 here is the top, greatest reading of the piece, how Rachmaninoff himself would have approved. The Tchaikovsky with Toscanini is my favorite, even though Horowitz does not take many chances in tempo and whatnot because, afterall, he was playing with his great, fiery-tempered father-in-law. Now, on to the second disk. Despite what some people say about the Polonaise-Fantaisie, I believe it is a great reading, and Horowitz never drags the tempo like Ashkenazy often does. The Mazurka is beautiful indeed (the 1965 version is better) and the forever famous Nocturne can bother people who are used to Rubinstein's interpretation. The reading of the Nocturne is somewhat like Cortot's - different. The schumann Traumerei is beautifully done (it was toped, however, by the version in Horowitz in Moscow). The Scriabin preludes are full of color, but what really is fascinating is the Etude op.8 no.12 (not op. 18, as the cd cover says). This version is slower than Horowitz's usual tempo, and there are finger slips and mistakes. There are some "neurotic" sections, and all this is explained by the fact that Horowitz, at the time, was going through a period of uncertainty and failure, I guess you could say, because of all the medicine he was taking. It is, however, beautiful instead of powerful, and Horowitz is in control. The favorite encores Etincelles and Carmen variations are excellent, and the Rachmaninoff prelude is the most beautiful, deep, and searching reading I have ever heard. The Mephisto Waltz is a showpiece, and Horowitz plays it like it is intended to be, a little out of control in some places however.

Overall, this is an excellent 2-cd compilation. BUY IT!

Highs and Lows.......2005-07-04

Although the Tchaikovsky is "viscerally exciting" as one reviewer put it, it is unfortunately much too fast. While Horowitz certainly has the technical skills to pull this off, some of the grandeur of this concerto is lost along the way. It's too bad they couldn't instead have included Horowitz's incredible 1943 performance (also with Toscanini) of the concerto, which has all of the power and none of the rushing.

The second half of the first CD is an incredible performance of Rachmaninoff's 3rd concerto, somehow managing to contain both the power and grandeur of that work. The only flaw is a sound which (like in Cliburn's recording of the Rach 2 with Reiner) lacks a bit at times in terms of balance.

The second disk is a similar mixed bag, with both high points (the Rachmaninoff G-Major prelude is just gorgeous) and lows (I'm not a big fan of the Mephisto Waltz as recorded here). Nevertheless, there's certainly more than $17.98 worth of 5-star music on this set, so I conder it worth a 5-star rating.

Called "Legendary" for a reason.......2004-06-10

This set includes numerous staples of Horowitz's repertoire, most formidably the two concertos, complimented by the three Chopin pieces, Traumerei, Etincelles, and the Rachmaninoff prelude. It also includes three relatively unplayed composers whose music Horowitz championed: Clementi, Poulenc and Scarlatti. Other less publicly-performed pieces in Horowitz's repertoire are included on this disc, the Scriaban pieces, Horowitz's own arrangement of Bizet's Carmen, the Prokofiev Toccata and the Mephisto Waltz.

The two concerto recordings are quite possibly the best ones of the respective pieces, except for Cliburn's Tchaikovsky concerto performance in 1958. The piano sounds almost metallic in the Polonaise-Fantaisie, a fault of RCA's. Most everything else on the second disc is flawless, excluding the Mephisto Waltz. Horowitz is widely acclaimed to bring the most tones out of the piano, but, in the Mephisto Waltz, there are lots of places where the tone is simply . . . bad. It is labeled as "Horowitz's retouching of the Busoni transcription". I, first of all, do not even agree with most of the Busoni transcription, and, as a result, do not agree at all with Horowitz's interpretation. In my opinion, Cliburn's and Kapell's versions are far superior.

So, buy the disc for the well-known Tchaikovsky, Rachmaninoff, Chopin, and Prokofiev, and the lesser-known Poulenc, Clementi and Scarlatti. Do not listen to the Mephisto Waltz! In fact, the first time I heard it I screamed out, "What were you thinking!?".
But maybe I am a little uptight about these sorts of things.

What More Can I Say That Hasn't Been Said?.......2003-12-11

Drake, the reviewer above or below this review, made me purchase this CD ... I advice you to do the same.

The two major concertos on the first disc were for me the main attractions, and they do not disappoint. The Rach 3rd especially is a must in your collection. It's indeed the one with Reiner (the most praised of all the Horowitz readings).

Tracks:

Warsaw Con
Pno Con No.2 in c, Op.18: Moderato
Pno Con No.2 in F, Op.102: 1. Allegro
Pno Con No.2 in F, Op.102: 2. Andante
Pno Con No.2 in F, Op.102: 3. Allegro
Rhap On A Theme By Paganini - Vladimir Ashkenazy
Pno Con: 3. Allegro Moderato - Vladimir Ashkenazy

Customer Reviews:

An excellent sampler.......2003-04-24

I purchased this CD as a sampler (which it is) of piano concertos. As such, I expected to listen to the various selections and then remand it to an unused CD rack. To my surprise, this CD has become one of my favorites. I confess that the Shostakovich concerto is not my cup o' tea, but the rest of the performances are really marvelous. The Warsaw is beautifully performed. The Rachmaninoff concerto (#2) is only the first movement, but is exquisite (get a full copy of this and other Rach concertos by Previn/Ashkenazy), as is the Paganini Rhapsody (also by Previn/Ashkenazy), which is presented in full. The CD concludes with an excellent performance of the final movement of Scriabin's concerto.

The sonics of these analog recordings are excellent. I noted an emphasis in bass on the Rhapsody that does not exist on other releases of this same performance (Polygram Records #460632 and #455234). This may be due to the AMSI encoding, although it does not appear to affect the other performances on this CD. Actually, the added bass may appeal to some, and is not a major distraction.

I am not an advocate for samplers, but this one is more cohesive than most. At this price, it is worth it just for the Warsaw Concerto and the Rhapsody. For the others (which may include the Rhapsody), you will want the full concertos after being teased by these well-performed pieces. Highly recommended.

Best piano concerto collection I have!.......2003-04-01

This has to be the best piano concerto CD I have in my collection. Addinsell's Warsaw Concerto rattles the room when I crank up the volume. I bought the CD just for that piece, but everything else grew on me. Rachmaninov's Piano Concerto #2 in C minor is downright awesome, and I love his Rhapsody on a Theme of Paganini. This is the first time I've seen the full 20-minute version. This was a great buy and I'd highly recommend it for any piano concerto fan.

Best Version of Concerto 2 out there!.......2001-04-07

I have heard many versions of Rachmaninoff's Concerto 2. Every single version has been a total disaster - But this one is PERFECT! The piano and the orchestra are totally in-sink with one another (the pianist's tempo isn't cocky and the dynamics are perfect). The concerto is on the romance side if thass yo thang - I'd say soft and heavenly with an ardent yet tender obsession. The Rhapsody isn't that bad either although it has a different style and mood. I totally recommend this CD to anyone wanting to score the best concerto by Rachmaninoff.

Complete Recordings on Deutsche Grammophon

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MUST HAVE THIS IN YOUR COLLECTION OF HOROWITZ
Horowitz: A Digital Legacy

Complete Recordings on Deutsche Grammophon

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008RWRI
Release Date: 2003-10-14

Customer Reviews:

MUST HAVE THIS IN YOUR COLLECTION OF HOROWITZ.......2007-07-13

If you have any Horowitz music in your collection. THEN YOU MUST GET THE COMPLETE RECORDINGS ON DEUTSCHE GRAMMOPHON. Quality of recording is superb.

Horowitz: A Digital Legacy.......2004-11-15

This set includes all of the recordings Vladimir Horowitz did for Deutsche Grammophon in the 1980s, including his historical concert in Moscow.

While the context of his return in Moscow is moving, the studio recordings are simply wonderful. The sound quality is impeccable. The Steinway piano sounds warm but yet crisp and sharp. Horowitz still has plenty of power, and if you don't have a good sound system, you will notice that your speakers will literally fail, due to the overwhelming wall of sound that Horowitz creates in the intense parts.

The tender moments are just as exciting, as they are enhanced by the very quiet and clear digital recording process. Liszt's Standchen and Mozart's Piano Concerto No 23 are only two of a myriad of highlights contained on this boxed set. Having these high quality digital recordings of this piano legend is a blessing that you can't afford to miss. And at this price, it's simply irresistible.

Customer Reviews:

The tradition of the new!.......2006-05-08

Respect the egregious significance of Vladimir Horowitz for the great Western audiences, I really should notice that Europe had lived a Century and a half of reluctant Romanticism, while North America was in another historical process; the recent musical history began to write with two important composers: Edward Mac Dowell, a beloved and admired friend of Frau Carreno and Louis Moreau Gotschalk, who accustomed to make those Gargantuan recitals such as that famous Concert with more than one hundred pianists on stage. Indeed, this was an imported costume of those Ages, where the concept of listening music had lessened the value; the visible decay of the music in the second half of the XIX Century is more than obvious. The ominous presence of composers of the artistic height of Richard Wagner, Johannes Brahms, Gustav Mahler and Anton Bruckner were concentrated in Germany and Austria; Frank in Belgium and Max Reger in Swiss, but if you take a look around the musical triviality lived in the rest of Europe (with counted and isolated exceptions)where the fireworks of Liszt, Thalberg, and Alkan filled the Concert Halls in Paris, with the elusive music of Lalo or Jules Massenet and the arriving of the new Midas King of the great Halls, Strauss dynasty, included Waldteufel captivated the audiences.

The emotion for watching a piano virtuosi simply had not prize. You should remind the famous tour undertaken by Anton Rubinstein in the last years of the XIX Century. Horowitz contributed conscious or unconsciously to perpetuate the legend. Effectively, he marked a`personal style at the piano; if not let me refresh you these names: William Kapell, John Browning, Gary Graffman. Lori Hollander, Byron Janis, Van Cliburn and Leon Fleisher, were notably influenced with this style. And please tell me who in a sensate state of mind, would be able to send to Europe his promising son or daughter where the flaming wrecks of the WW1 were in the air and the expected fears of a next confrontation was still to come.

Schnabel was a particular exception, since he was hired as Docent in USA, but its influence was relatively small. We should wait to the early Fifties to appreciate other styles and approaches; Gilels, Richter from USRR, Badura Skoda, Demus and Gulda from Austria, but still remained confined for dilettantes the renowned figures such as Edwin Fisher, Michelangeli, Myra Hess and Wilhelm Kempff.

His playing caused true furor during almost four decades. Horowitz now belongs to the legend.

Mature Horowitz And The Best Liszt Sonetto 104.......2005-10-04

I have not much to add to the other reviews. Horowitz made some of his very best recordings when he was already more than 80 years old, and this 2CD (+DVD) set contains many of them, as well as the best recording of Liszt's Sonetto 104 that I know of, or am ever likely to hear.

Truly Magical.......2005-04-17

This album showcases the mighty Vladimir Horowitz in his last years. His life of music is definitive in these masterful interpretations. In these pieces, Mr. Horowitz displays many new ideas on some pieces that have been played, assumed successfully, continually in the same manner.

Two instances - Scriabin's Etude, Op. 8 No. 12 and Mozart's Rondo, K. 511. The maestro's entrance is softer and slower in the former, and in the latter, as stated in the studio chatter, he speeds up the tempo to make it less of a profound statement. It was Horowitz who chastised the new age of pianists on their attempts to play everything slow and prophetic. I believe it was Mr. Horowitz that told David Dubal "Only very few pieces are meant to be played slow" (after comparing performance times of major piano works from the early part of the 20th century to the later part, you will see the difference).

The DVD included in this package is wonderful, but for those who enjoy a more classic approach to the classical period - do not anticipate simple aural enjoyment. Do expect to see one of the greatest pianists ever work his magic at the piano. Do look forward to watching a master correct a mistake by another master. Do count on a memorable experience.

Stunning.......2004-08-01

Horowitz is simply stunning, and this compilation is an absolute jewel. The added bonus of the DVD performance of Mozart's 23rd is the icing on the cake.

The piano as an extension of consciousness.......2004-07-25

Mr. Drake has written the definitive review of this recording, but I want to add a few things.
In these recordings, the piano seems merely an extension of Horowitz's consciousness. The translation from his head and his heart to the piano is effortless, and filled with emotion. While listening to this CD, I understood that Horowitz's flawless technique stems not just from a complete knowledge of the pieces, but from his love of the music. He makes the music his own like no other.
This is inspirational music, played by the greatest master of his craft at the height of his powers.
An added bonus is the DVD which accompanies the 2 CD's, a video of the studio recording of Mozart's 23rd piano concerto. Horowitz, in his 80's, has the innocence of a child, playfully joking with the producer, the conductor, the page turner. When he plays, it is with a sense of joy that seems to accompany all of the recordings in this set.
The productions values here are excellent, typical Deutsche Grammophon.
I'd give this recording a 10 if I could.

Scriabin: le Poème De L'Extase/Piano Concerto/Prometheus

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In absence of Badura Skoda' s crowned version this is a well deserved second choice!
An Essential Scriabin CD!
Essential recording
Still the Best Recording of these Works

Scriabin: le Poème De L'Extase/Piano Concerto/Prometheus
Alexander Nikolayevich Scriabin , Lorin Maazel , Vladimir Ashkenazy , and Ambrosian Singers
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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