Wagner, Brahms and Berlioz

On this CD:

1. Symphony No. 4 in E minor, Op. 98
Composed by Johannes Brahms
Performed by Berlin Philharmonic Orchestra
Conducted by Victor De Sabata

2. Le carnival romain, ouverture catactéristique (Roman Carnival Overture) for orchestra, H.95 (Op. 9)
Composed by Hector Berlioz
Performed by London Philharmonic Orchestra
Conducted by Victor De Sabata

3. Die Walküre (The Valkyrie), opera, WWV 86b Ride of the Valkyries
Composed by Richard Wagner
Performed by London Philharmonic Orchestra
Conducted by Victor De Sabata

4. Tristan und Isolde, opera, WWV 90 Prelude to Act I
Composed by Richard Wagner
Performed by Berlin Philharmonic Orchestra
Conducted by Victor De Sabata

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Light Cavalry - Suppe
Ruslan and Lyudmila - Glinka
La Traviata - Prelude, Act I - Verdi
Die Meistersinger von Nurnberg - Prelude, ACt I - Wagner
Les Francs-Juges - Berlioz
Le nozze di Figaro - Mozart
Egmont - Beethoven
Oberon - Weber
Academic Festival Overture - Brahms
Pique Dame - Suppe

Tracks:

Morning, Noon and Night in Vienna - Suppe
Il barbiere di Siviglia - Rossini
Prince Igor - Borodin
Carmen - Prelude, Act I - Bizet
Der fliegende Hollander - Wagner
Leonore No 3 - Beethoven
Hansel und Gretel - Humperdinck
Khovanshchina - Mussorgsky
Poet and Peasant - Suppe

Customer Reviews:

Fantastic.......2006-06-30

First of all anything with Sir Solti's name on is worth purchasing. Solti has such a way with interpreting music! If you like overtures this CD is for you. It has the best overtures here in one collection. With orchestras like chicago, london, and the vienna you cannot argue with the performances. There are a few "weaker" ensembles, but when compared with the other ensembles there are few that will not sound weak. Again any work Solti has done is worth purchasing!

Famous Overtures.......2005-08-16

Did not like the way these musical pieces were "interpretted".
Did not like the tempo and in one piece one of the instruments played a portion which I would say they played a flat instead of a natural note. This is based on hearing the same pieces played by someone else, it's just my opinion.

Spectacular.......2003-09-25

Not only does it include some of the most famous overtures, but they are played in such an exciting style, full of life and passion. The Suppe overtures are superior and the Wagner overtures are wonderful as well. There is not a bad point to this recording - highly recommended!

Excellent.......2002-06-11

This is an excellent collection of overtures, especially of Von Suppe's overtures. Solti truly brings out life in these pieces.

The best Overture Album !.......2000-02-28

If you like overtures, here is the album. Never have these been performed so musically and with such excitement. The orchestras involved vary in their abilities, yet the Chicago, Vienna, and London Symphony perfom with style. Solti loves this music and it shows.

The Essential Jessye Norman [Includes DVD: Jessye Norman Sings Carmen]

Average customer rating:

wonderful
Favorite Soprano: Gorgeous Dramatic Voice
Amazing.... if you get it somewhere else
A MUST HAVE...
Amazing Voice

The Essential Jessye Norman [Includes DVD: Jessye Norman Sings Carmen]

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Norman, Jessye | Divas | Opera & Vocal | Styles | Music
Similar Items:

I Was Born in Love With You
Jessye Norman Classics
Jessye Norman at Christmas (Ac3 Dol Dts)
Jessye Norman - Sacred Songs ~ Ave Maria, Amazing Grace, etc..
Brava, Jessye!: The Very Best Of Jessye Norman

ASIN: B00067GKEM
Release Date: 2005-01-11

Tracks:

Quand Je Vous Aimerai? L'amour Est Un Oiseau Rebelle (Habanera)
Pres Des Ramparts De Seville (Seguidilla)
Porgi, Amor, Qualche Ristoro
E Susanna Non Vien! ... Dove Sono I Bei Momenti
Regina Coeli Laetare ... Inneggiamo, Il Signor Non E Morto (Easter Hymn)
Thy Hand Belinda ... When I Am Laid In Earth
Cacilie, Op. 27 No. 2
Wiegenlied
Villanelle (No. 1)
Standchen
Ave Maria
Amazing Grace
Somewhere
With A Song In My Heart
O Holy Night
Panis Angelicus
Mild Und Leise (Isoldes Liebestod)

Customer Reviews:

wonderful.......2007-04-04

This record is wonderful; simply Jessye Norman. What else can I say: loved it!

Favorite Soprano: Gorgeous Dramatic Voice.......2006-11-05

The first time I ever heard Jessye Norman sing was a recording of Dich Teure Halle from Wagner's Tannhauser, and I was immediately enchanted. She has a gorgeous ringing tone and powerful voice. However, she can also bring her voice to a delicate sweetness that other dramatic sopranos find difficult. This album is put together particularly well. I love her Carmen and Isolde here, but I cannot stop listening to the other songs either, the non-operatic ones included. This my favorite CD, and I would definitely reccomend it to anyone considering the purchase.

Amazing.... if you get it somewhere else.......2006-05-28

I got it for HKD $69 in HKV in Hong Kong (which is around 8.70USD)

A MUST HAVE..........2006-02-09

The American soprano Jessye Norman was born in Augusta, Georgia (the segregated South) on September 15, 1945 in a family of amateur musicians; her mother a pianist, her father a singer in a local choir.

Norman received a scholarship to Howard University (a historically black university in Washington, D.C.) -NOT INDIANA-, graduating in 1967 with a degree in music. The following year, she won the ARD International Music Competition in Munich. She made her operatic debut in 1969 as Elisabeth in Richard Wagner's Tannhäuser at the Berlin State Opera, and in subsequent years performed with various German and Italian opera companies. She returned to the US to make her professional concert debut at Lincoln Center in 1973.

Amazing Voice.......2005-07-06

Jessye Norman has possibly the greatest voice I have ever heard. Being a bass/baritone, I usually shy away from higher voices (especially tenors), but I find this soprano to be flooring. For being a classicaly trained vocalist (she attended Indiana University) Ms. Norman has an incredibly versatile voice. In this album alone, she sings broad French arias, light Mozart, spirituals, and Broadway. Each is done superbly. Out of every track, her rendition of "Ave Maria" is my favorite. She sings it so tenderly and intimately, it is like she is singing it directly in front of you. You will be moved, certainly.

I suggest this CD to everyone, a fan of classical music or not. It is important for everyone to have these songs to relax, calm down, or to just listen to. You would not regret it.

A Midsummer Night's Dream: A Classical Wedding Album

Average customer rating:

Great variety of classical wedding music, great for Prelude.

A Midsummer Night's Dream: A Classical Wedding Album

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Wedding Music | Miscellaneous | Styles | Music

Wedding Music | Compilations | Miscellaneous | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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Bride's Guide to Wedding Music
25 Wedding Favorites
The Ultimate Wedding Album
Classical Wedding

ASIN: B0000064XU
Release Date: 1998-04-07

Tracks:

Purcell: Trumpet Tune And Air - Vigil Fox
Wagner: Lohengrin Bridal Chorus - Ambrosian Singers National PO/Slatkin
Debussy: Clair de lune - James Galway/Marisa Robles
Pachelbel: Canon - Baroque Chamber Orchestra
Handel: Allegro maestoso from Water Music - The Canadian Brass
Brahms: 'Es tont ein voller Harfenklang - Musica Sacra Westenburg
Berlioz: Trio for two flutes and harp from L'Enfance du Christ - Dwyer et Pappoutsakis
Mendelssohn: Wedding March - The Philadelphia Orchestra
Clarke: Trumpet Voluntary - The Canadian Brass
Bach: 'Jesu, Joy Of Man's Desiring' from Cantata No. 147 - Virgil Fox
Mouret: Rondeau - The Canadian Brass
Bach: 'Sheep May Safely Graze' - Virgil Fox
Debussy: Reverie - James Galway/Marisa Robles
Traditional: Greensleeves - Julian Bream
Bach: Andante from Brandenburg Concerto No. 2 - Boston Symphony Orchestra
Widor: Toccata from Symphony No. 5 - Virgil Fox

Customer Reviews:

Great variety of classical wedding music, great for Prelude........1999-04-18

This is a great album. It really helped me plan the music that I wanted played at my wedding. It has a great varitey of classical wedding music. It gives you many ideas for your Prelude, Processional and Interlude. It has good sound quality from the original artists. And it's great to listen to after the wedding to relive the memories of that day.

Average customer rating:

Orchestral Excerpts for Trombone

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Sauer: Orchestral Excerpts for Trombone Vol. 2
Orchestral Excerpts for Bass Trombone, Tenore Tuba, Bass Trumpet
Orchestral Excerpts For Trumpet
Orchestral Excerpts For Horn
Orchestral Excerpts for Tuba

ASIN: B0000038JF
Release Date: 1994-05-31

Tracks:

Requiem
Hungarian March/Sym Fantastique
Con
Sym No.9
Prld Act III, Lohengrin/Ride Of The Valkyries/Tannhauser Ov
Bolero
Sym No.3
Sym No.3
Sym No.1 & 2
Sym No.5
William Tell/La Gazza Ladra
Sym No.3
Sym No.6
Firebird Ste/Petrouchka
Russian Easter/Scheherazade
Till Eulenspiegel/Ein Heldenleben/Sprach Zarathustra
Sym No.4 & 7
Mathis Der Maler/Symphonic Metamorphosis

Average customer rating:

From the review in the The Washington Post

Furtwängler: Early Recordings 1926-37

Manufacturer: Koch
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
ASIN: B000001SE9
Release Date: 1995-01-25

Tracks:

Der Freischutz: Ov
Der Freischutz: Entr' Acte
Invitation To The Dance
A Midsummer Night's Dream: Ov
Hebrides Ov
Damnation Of Faust: March

Tracks:

Lohengrin, Act I: Prld
Tristan Und Isole: Prld And Liebestod
Gotterdammerung: Trauermarsch
Hungarian Dances Nos.1 And 3
Die Fledermaus: Ov
Till Eulenspiegels Lustige Streiche

Customer Reviews:

From the review in the The Washington Post.......2007-05-14

Wilhelm Furtwaengler was a poet of the baton, more interested in emotional communication than in the precise discipline favored today. He was likely to make each performance of a work sound different from the last, a quality hard to capture on records, which tend to go on doing the same things in the same way every time you play them. Still, the personality of the conductor comes through in some of his old recordings recently remastered on CD.

The Koch Legacy series has issued a thorough survey of Furtwangler's early recordings with the Berlin Philharmonic, from 1926 to 1937, in two volumes of two CDs each. The first (3-7059-2) has music of Bach (Brandenburg Concerto No. 3), Mozart ("Eine Kleine Nachtmusik" and overtures), Schubert ("Rosamunde"), Beethoven ("Egmont" Overture and Symphony No. 5) and Rossini ("Gazza Ladra" and "Barber of Seville" overtures). The second (3-7073-2) includes theatrical music of Weber, Mendelssohn, Berlioz, Wagner and Johann Strauss Jr., as well as a superb performance of "Till Eulenspiegel" by the other Strauss. There is a special interest in comparing his fine 1926 recording of the "Freischutz" Overture (in the first set) with the more evocative 1935 recording in the second set. These interpretations cannot be called better or worse than their abundant and excellent competition; they are one-of-a-kind and to be treasured for that reason.

Average customer rating:

Favourite Choruses

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
ASIN: B00005NPK8
Release Date: 2003-03-25

Tracks:

Nabucco: Act III. Va, Pensiero, Sull'ali Dorate ('Chor Of The Hebrew Slaves') - Ambrosian Or Chor
Madama Butterfly: Act II: Humming Chor - Chor Del Teatro Dell'Opr Di Roma
Messiah: Hallelujah - Ambrosian Sngrs
Requiem: Dies Irae...Tuba Mirum - Ambrosian Chor
Requiem: Confutatis Maledictis - Philharmonia Chor
The Childhood Of Christ: The Shepherds' Farewell: L'Adieu Des Bergers - Choeurs Rene Duclos
Lohengrin: Act III. Treulich Gefuhrt ('Bridal Chor') - Chor Of The ROHCG
A German Requiem: Selig Sind, Die Da Leid Tragen - Wiener Singverein
Il Trovatore: Act II: Vedi Le Fosche - Ambrosian Opr Chor
Requiem: In Paradisum - Edinburgh Festival Chor
Faust: Act IV. Gloire Immortelle ('Soldiers' Chor') - Chor De L'Armee Francaise/Chor Du Capitole De Toulouse
The Flying Dutchman: Act III: Johohoe! - BBC Chor
The Magic Flute: Act II: O Isis Und Osiris ('Priests' Chor') - Chor Des Bayerischen Rundfunks
Cavalleria Rusticana: Regina Coeli...Ineggiamo ('Easter Hymn') - Helen Field/Chor Of The ROHCG
Carmen: Act I: Avec La Garde Montante - Petits chanteurs de Versailles
Aida: Act II. Triumphal Scene And Grand March: Gloria All'Egitto - Chor Of The ROHCG

Average customer rating:

An EMI house conductor with a devoted cult following
Great Conductors of 20th Century= Best Reissues of the 21st

Paul Kletzki

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Great Conductors of the 20th Century: Rudolf Kempe

ASIN: B00006IGIR
Release Date: 2003-02-11

Tracks:

Benvenuto Cellini: Overture - Philharmonia Orchestra
I. Andante - Allegro Con Anima - Symphonieorchester Des Bayerischen Rundfunks
II. Andante Cantabile, Con Alcuna Licenza - Symphonieorchester Des Bayerischen Rundfunks
III. Valse. Allegro Moderato - Symphonieorchester Des Bayerischen Rundfunks
IV. Finale. Andante Maestoso - Allegro Vivace - Symphonieorchester Des Bayerischen Rundfunks
No. 5: Entr'Acte Nach Dem 3. Aufzug - Royal Philharmonic Orchestra
In D Major, Op46 No.6 - Paul Kletzki
In C Minor, Op.46 No.7 - Paul Kletzki
In C Major, Op.72 No.7 - Paul Kletzki

Tracks:

Ouverture 'Meeresstille Und Gluckliche Fahrt', Op.27 - Israel Philharmonic Orchestra
I. Allegro Non Troppo - Paul Kletzki
II. Andante Moderato - Paul Kletzki
III. Allegro Giocoso - Poco Meno Presto - Tempo I - Paul Kletzki
IV. Allegro Energico E Passionato - Piu Allegro - Paul Kletzki
No.5: Traume - Hugh Bean
Capriccio Italien, Op.45 - Philharmonia Orchestra

Customer Reviews:

An EMI house conductor with a devoted cult following.......2005-11-22

Sometimes one feels that the Great Conductors series is just a convenient way for EMI to push recordings that otherwise wouldn't sell. I don't think there's much market for these performances from the Polish-born, Swiss-naturalized Paul Kletzki. When he died in 1973 Kletzki had had a strong career as a perennial guest condcutor around Europe--he appears on these two CDs with five different orchestras from London to Prague. Kletzki made lots of records for EMI, but none that I've heard really rose to any level of inspiration.

In fact, I would rate this set as one of the poorer compilations in the whole series. The big works here are a live Tchaikovsky Fifth with the Bavarian Radio Orchestra (stereo, 1967) and a less well recorded Brahms Fourth with the Czech Phil. (stereo, 1965). Neither strikes me as anything but ordinary, or worth salvaging, really, despite their honest, sober ways. Neither orchestra sounds at its best. Nor are the minor works, such as a cautious Benevenuto Cellini Over. and a decent enough Mendelssohn Calm Sea and Happy Voyage Over., anything notable.

The happiest item is the Capriccio Italien that wraps up CD 2, a 1958 studio recording with the Philharmonia. It is fresh and lively, without a trace of bombast or fakery. I liked it better than anything else here, but one bright performance can't save the dullness of the rest. Overall, this is a perfect set to keep around in case somebody claims that Kletzki was great just becasue his records are out of print.

Great Conductors of 20th Century= Best Reissues of the 21st.......2003-03-29

It's sad that the "Great Conductors of the 20th Century" reissue series has not gotten more notice on Amazon and in other places, because it has my vote for the best reissue program thus far of the 21st Century. Drawing from the archives of all the major classical labels (EMI, Sony, BMG, DG, Decca, Philips, Supraphon, etc.), EMI and IMG Artists have assembled a wonderful series of affordable two-disc sets by the leading conductors of the last century. And unlike its counterpart, "The Great Pianists of the 20th Century," which are basically compilations of material already available on other CDs, the "Great Conductors" features rare and, for the most part, previously unreleased performances!

This particular CD, Volume 20, features the great Paul Kletzki, a conductor who is woefully underrepresented on CD at the present time. (His wonderful recordings of Sibelius, Prokofiev, Beethoven, and others are currently unavailable -- in fact the only decent recordings of his that are in print is the Chopin Piano Concerto with Pollini, and only a couple of Mahler discs!) As the track information is not abundantly clear above, allow me to mention that these two discs feature memorable stereo performances of Tchaikovsky's 5th Symphony and Capriccio Italien, Brahms' 4th Symphony, 3 of Dvorak's Slavonic Dances, an excerpt from Schubert's ballet "Rosamunde," and a Wagner song. There are also two mono performances from the early 50s --Berlioz's "Benvenuto Cellini" Overture and Mendelssohn's "Calm Sea and Prosperous Voyage" Overture. Kletzki, who was probably best associated with the Philharmonia Orchestra and the Czech Philharmonic, also performs here with Bavarian RSO, Royal Philharmonic, Israel Philharmonic, and Orchestre National de la Radiodiffusion Francaise.

Tracks:

Overture: Der Freischutz
Tragic Overture Op.81
No.19 In B Minor
No.20 In E Minor
No.21 In E Minor
Overture: Die Meistersinger Von Nurnberg
Prelude: Tristan Und Isolde
Overture: Le Carnaval Romain
The Oceanides Op.73
Nightride And Sunrise Op.55
Prelude: Violin Sonata No.6 In E Major

Great Conductors of the 20th Century: Arturo Toscanini

Average customer rating:

A worthy testimony to a legend, despite the antique sonics
Great conducting; Poor Processing

Great Conductors of the 20th Century: Arturo Toscanini
Antonin Dvorak , Giacomo Puccini , Johannes Brahms , Richard Wagner , Ludwig van Beethoven , Vincenzo Bellini , Arturo Toscanini , Peter Wilhovsky Chorus , NBC Symphony Orchestra , and BBC Symphony Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
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Great Conductors of the 20th Century: Fritz Reiner
Great Conductors of the 20th Century: Herbert von Karajan

ASIN: B00022UTPC
Release Date: 2004-07-27

Tracks:

Adagio Sostenuto - Allegro Assai
I Allegro Non Troppo
II Andante Moderato
III Allegro Giocoso - Poco Meno Presto - Tempo I
IV Allegro Energico E Passionato - Piu Allegro
Symphonic Variations, Op.78
Intermezzo From Act III

Tracks:

Ouverture
I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande
II Szene Am Bach
III Lustiges Zusammensein Der Landleute
IV Gewitter - Sturm
V Hirtengesang. Frohe Und Dankbare Gefuhle Nach Dem Sturm
Gotterdammerung: Brunnhildes Opfer Und Erlosung
Norma: Introduction Chorus And Cavatina - Nicola Moscona

Customer Reviews:

A worthy testimony to a legend, despite the antique sonics.......2006-05-22

It was unthinkable when I was young that anyone but Toscanini could be synonymous with "maestro," but evolving technology and changing tastes have dimmed his supreme reputation. The rise of Bernstein and Karajan brought new glamur to the podium, and the resurrection of Furtwangler from post-Nazi neglect gave us a musician whose inspiration exceeded Toscanini's. Now, even though the bulk of his recordings are still available, Toscanini stands in the front rank of great historical figures rather than among those whose musicmaking sitll feels fully alive (this is only a gneralization; there are some Toscanini performances that will thrill listeners forever).

This installment in the Great Conductors of the Century series does Toscanini full justice, I think. We hear the passion and razor-sharp precision that so astonished early audiences, but also the tendency to be too strict with the beat, too heated and rushed in phrasing. The highlight of this 2-CD colleciton is a live 1948 Brahms Fourth that collectors consider to be first choice among Toscanini's NBC peformances. I am not a collector, but this reading, despite the expected cramaped, boxy mono sound, is flexible, precise, and clean. Toscanini's Brahms was never musty, and since he actually played for the composer, one feels a strong continuity with the past.

The big work on CD 2 is a familiar Beethhoven Pastorale with the BBC Sym., less hard-driving than his NBC remake but in antique sound, especially annoying since the first oboe is front and center, drowning out half the orchestra. The 1941 Immolation scene with Helen Traubel has good radio sound for its day, with the soloist placed close to the mike. She is stalwart and secure, and Toscanini accompanies with his customary intensity and refusal to revere Wagner. The Francs-Juges Over. is given another alert, lithe performance that shows off Toscanini's approach to Berlioz, rather in the vein of Rossini. Despite the complaints of the reviewer below, these are good-enough transfers, but they fall short of RCA's almost miraculous remastering in their latest Toscanini the Immortal series.

Great conducting; Poor Processing.......2004-08-16

Despite the quality of most of the other sets in this laudable EMI series, this one is disappointing. The pieces are well chosen, but it sounds as though EMI were not able to find good sources for these rarities. The sound is certainly better somewhere else, so we have to listen through the poor recordings to hear Il Maestro. Still worth owning, but they could have done much better with this one.

Music Review:

Music Review

music review

Music Review

Bass Station [Import]

Contemporary American Eclectic Music for the Piano

Easter & Ascension

Forces and Feelings

Final Fantasy: The Spirits Within - Original Motion Picture Soundtrack [Enhanced] [Soundtrack]

Cosa de Locos

Farther Along (Exp) [Extra tracks]

Earthquake Glue [Import]

Flamenco Histórico, Vol. 6 [Import]

Classics For Lovers

Gruelash

Coleccion, Vol. 12 [Import]

Hip Hop Drunkies [CD-single]

Pierre Boulez: Rituel / Eclat / Multiples - Ensemble InterContemporain / BBC Symphony Orchestra

Elvis R&B