Bach for Children

On this CD:

1. Two part invention for keyboard No. 1 in C major, BWV 772
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

2. Two part invention for keyboard No. 2 in C minor, BWV773
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

3. Two part invention for keyboard No. 3 in D major, BWV774
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

4. Two part invention for keyboard No. 4 in D minor, BWV775
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

5. Two part invention for keyboard No. 5 in E flat major, BWV776
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

6. Two part invention for keyboard No. 6 in E major, BWV777
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

7. Two part invention for keyboard No. 7 in E minor, BWV 778
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

8. Two part invention for keyboard No. 8 in F major, BWV779
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

9. Two part invention for keyboard No. 9 in F minor, BWV780
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

10. Two part invention for keyboard No. 10 in G major, BWV781
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

11. Two part invention for keyboard No. 11 in G minor, BWV782
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

12. Two part invention for keyboard No. 12 in A major, BWV783
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

13. Two part invention for keyboard No. 13 in A minor, BWV 784
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

14. Two part invention for keyboard No. 14 in B flat major, BWV 785
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

15. Two part invention for keyboard No. 15 in B minor, BWV786
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

16. Three-Part Invention (Sinfonia) for keyboard No. 1 in C major, BWV 787 Sinfonia No. 1 in C Major, BWV 787
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

17. Three-Part Invention (Sinfonia) for keyboard No. 2 in C minor, BWV 788 Sinfonia No. 2 in C Minor, BWV 788
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

18. Three-Part Invention (Sinfonia) for keyboard No. 3 in D major, BWV 789 Sinfonia No. 3 in D Major, BWV 789
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

19. Three-Part Invention (Sinfonia) for keyboard No. 4 in D minor, BWV 790 Sinfonia No. 4 in E Flat Major, BWV 790
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

20. Three-Part Invention (Sinfonia) for keyboard No. 5 in E flat major, BWV 791 Sinfonia No. 5 in E Major, BWV 791
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

21. Three-Part Invention (Sinfonia) for keyboard No. 6 in E major, BWV 792 Sinfonia No. 6 in E Major, BWV 792
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

22. Three-Part Invention (Sinfonia) for keyboard No. 7 in E minor, BWV 793 Sinfonia No. 7 in E Minor, BWV 793
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

23. Three-Part Invention (Sinfonia) for keyboard No. 7 in E minor, BWV 793 Sinfonia No. 8 in F Major, BWV 794
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

24. Three-Part Invention (Sinfonia) for keyboard No. 9 in F minor, BWV 795 Sinfonia No. 9 in F Minor, BWV 795
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

25. Three-Part Invention (Sinfonia) for keyboard No. 10 in G major, BWV 796 Sinfonia No. 10 in G Major, BWV 796
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

26. Three-Part Invention (Sinfonia) for keyboard No. 11 in G minor, BWV 797 Sinfonia No. 11 in G Minor, BWV 797
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

27. Three-Part Invention (Sinfonia) for keyboard No. 12 in A major, BWV 798 Sinfonia No. 12 in A Major, BWV 798
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

28. Three-Part Invention (Sinfonia) for keyboard No. 13 in A minor, BWV 799 Sinfonia No. 13 in A Minor, BWV 799
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

29. Well tempered clavier book 1, No. 20 in A minor, BWV 865
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

30. Well tempered clavier book 1, No. 21 in B flat major, BWV 866
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

31. Well tempered clavier book 1, No. 22 in B flat minor, BWV 867
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

32. Well tempered clavier book 1, No. 23 in B major, BWV 868
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

33. Well tempered clavier book 1, No. 24 in B minor, BWV 869
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

Tracks:

Variations (Twinkle, Twinkle), K265/300e
Minuet In G From Anna Magdalena
Piano Sonata In C, K 545, 2nd Movement
Spring Song
Piano Sonata In D, K 576, 3rd Movement
Jesu, Joy Of Man's Desiring, BWV 147
Canon
The Moldau
Preludes Book II, Clair De Lune
Sonata No.14 (Moonlight), 2nd Movement, Op.27
Symphony No.9, New World
Fur Elise, WoO 59
The Four Seasons, Winter, RV267, 2nd Movement
Orchestral Suite No.3 In D, Air, BWV 1068
Sonata No.8 (Pathetique), 2nd Movement, Op.13
Kinderscene, Op.15
Waltz No.15, Lullaby

Product Description

The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)

Customer Reviews:

Lame.......2007-07-22

I was really disappointed in this CD. I was expecting a toned-down version of real classical music, but it sounds really fake and tinkley and weird. Not soothing at all.

Sounds like a cheap plastic toy.......2007-06-20

I have these DVD's and I can tell you that they will not be a huge part of my baby's development. I received them as a gift from someone that thinks that all you need to do is plunk your child in front of a TV all day without giving the baby any attention. You can see why these DVD's are popular at Day Care Centers or what I like to call, "Concentration camps for baby's with lazy parents", because they know that they can sit their kid/baby in front of the TV and let them turn into a thoughtless zombie while they listen to Baby Einstein totally ruin classics by Bach and DeBussy by playing the music with very cheap midi keyboards. I can get better quality music by whistling Dixie with a mouth-full of saltine crackers.

Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.

would make you sleepy.........2007-06-15

its a good product with very fine music and my toddler realizes that it is sleep time, if I play it. he goes to bed and sleeps after a couple songs. I have trouble in some songs are some months.. dont know why.

Kid's Music.......2007-06-08

I bought this CD for my grandniece, but after listening to it, I determined that no one would ever play this for her except me. I would have kept it for myself but I have the grown-up versions of each of the classical masterpieces on this CD. So, I ended up returning it for a full refund. If you want your kids to be exposed to classicl music, it's a great buy. But if you don't think they will get to listen to it, don't waste your time.

Baby Einstein: Lullaby Classics

Not soothing.......2007-06-07

These synthesizer versions of classical songs get really old, really fast. Worse yet, the songs are sometimes not soothing at all, especially the very first song. The song seems to get particularly loud and uptempo, which is precisely what you don't expect in a lullaby. Please listen to the sample of the first song at least before you buy.

Classical Music for Children: A Toddler's Introduction to Classical Music

Average customer rating:

Awesome CD
He started dancing as soon as we put it on!
Better than baby einstein
great music at a great price
A Wonderful CD for all ages

Classical Music for Children: A Toddler's Introduction to Classical Music

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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ASIN: B000002XE8
Release Date: 1997-10-24

Tracks:

Clair de Lune
Eine kleine Nachtmusik: Romance: Andante
Moonlight Sonata: Adagio sestonuto
Minute Waltz
On The Beautiful Blue Danube
The Nutcracker Suite: Russian Dance
El Amor Brujo: Danca del Terror
Grand Valse Brillante, Waltz No. 1 op. 18
Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
Goldberg Variations: Aria
The Nutcracker Suite: Chinese Dance
Symphony No. 7: Allegro molto
Symphony No. 94: Menuetto: Allegro molto
The Nutcracker Suite: March
Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile

Customer Reviews:

Awesome CD.......2007-05-11

Have enjoyed this CD immensely with our four-year old. Great price for the quality. Thank you.

He started dancing as soon as we put it on!.......2007-01-09

My 12 month old loves this CD and happily bops away to the music (in the car he sometimes even starts singing!). We like it too and not being very well versed in Classical music, it is a nice mix for us.

Better than baby einstein.......2006-02-26

This is a great CD, with great music, at a great price. Everyone seems to love Baby Einstein, but I don't like the plinking music on those CD's, I like real orchestral pieces to stimulate my child. This is exactly what parents need, at a good price!

great music at a great price.......2006-02-02

I got this cd to use as background when putting my 18 month old to sleep and for car rides. So far it has not made it out of the car. The cd is wonderful. The first song is the Luftansa airline comercial song (that is what my husband calls it) and is beautiful. I didn't think my husband would enjoy the cd at all but he doesn't mind one bit listening to it, he actually will put it on himself when we get in the car. My daughter loves it and will often start nodding her head back and forth to songs. I actually listen to it even when my daughter is not in the car. The music is soft and relaxing but not boring. It is also one of the only cd's that my in laws don't mind listening to when they are in the car with us.

I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!

A Wonderful CD for all ages.......2002-11-03

My whole family has enjoyed this CD. It is very upbeat and easy to listen to. I think there is something for everyone on this one.

Average customer rating:

Children's Favorites a solid purchase
The perfect package
A Wonderful Introduction to the Classics

Children's Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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Classical Music for Children: A Toddler's Introduction to Classical Music
Classics for Kids
Pavarotti's Opera Made Easy-My Favourite Opera For Children
Bernstein Favorites: Children's Classics
World's Very Best Opera for Kids... in English!

ASIN: B00004Y6T3
Release Date: 2000-09-05

Tracks:

March Of The Tin Soldiers - Leon Jessel
Variations On 'Twinkle Twinkle Little Star' - Walter Klien
The Nutcracker: Dance Of The Reed Flutes - Pyotr Il'yich Tchaikovsky
The Nutcracker: Dance Of The Sugar Plum Fairy - Pyotr Il'yich Tchaikovsky
The Sorceror's Apprentice - Paul Dukas
Peter And The Wolf (Extract) - Brandon de Wilde
Invention No. 8 In F Major - Christiane Jaccottet
Invention No. 11 in G Minor - Christiane Jaccottet
Invention No. 13 in A Minor - Christiane Jaccottet
Prelude And Fugue No. 21 In B Flat Major (Book 1) - Christiane Jaccottet
Sonata For 2 Pianos In D Major, K. 448, 1st Mvt. - Rudolf Firkusny
III. Allegretto - Walter Klien
Kinderszenen: Of Strange Lands And People - Walter Klien
Kinderszenen: Curious Story - Walter Klien
Kinderszenen: Entreating Child - Walter Klien
Kinderszenen: Perfect Happiness - Walter Klien
Introduction And Royal March - Marylene Dosse
The Elephant - Marylene Dosse
Kangaroos - Marylene Dosse
The Aquarium - Marylene Dosse
Cuckoo In The Woods - Marylene Dosse
Birds - Marylene Dosse
Fossils - Marylene Dosse
The Swan - Marylene Dosse
Finale - Marylene Dosse

Customer Reviews:

Children's Favorites a solid purchase.......2006-03-09

This CD mostly delivered what was expected of it. The only critique I have is that some of the tempos could have been cleaner, and that it should be cross-referenced by the other composers besides J. S. Bach.

The perfect package.......2005-10-23

This is the most wonderful collection to have on 1 CD. Children from birth on up can benefit from this musical collage.
Songs from the "Nutcracker" are familiar and comfortable for many children. What child wouldn't love "March of the Tin Soldiers?"
Selections from Saint-Saens' "Carnival of the Animals" is a must in my creative movement library. Every child should be exposed to this music. Well,I believe every age should be.

A Wonderful Introduction to the Classics.......2003-03-11

With total playing time clocking in at 78:04 minutes of music, you'll be paying about 6-cents/minute, which is a better bargain than long distance phone calls, and often more rewarding!

This disc is far superior than most other "Classics for Kids"-type recordings I've sampled for a number of reasons:

1) This album was expertly engineered. The production quality on this disc is first-rate from start to finish with crisp, clear sound.

2) The pieces were expertly picked. There is wonderful sonic variety here, spanning hundreds of years of wonderful melodies. There are orchestral pieces, harpsichord pieces, solo piano, and a piano concerto, capped off with Saint-Seans whimsical Carnival of the Animals. What kid (or adult) wouldn't love that?

3) The performances are, without exeption, expert! The pieces were definately screened for quality as well as content. Many are simply a joy to behold. Walter Klein is a particular stand-out, almost giddily prancing through Schumann's pieces. Believe it or not, he sounds even more impressive when backed up by the always inspiring Minnesota Orchestra on Mozart's Piano Concerto #17.

In short, this album is a great album even before you factor in the great price. You and your children are almost guaranteed to enjoy every 6-cents worth!

Baby Bach
Average customer rating:

Relaxing music for baby's bedtime

Baby loves this music!

yikes! would say any lover of classical music

ANOTHER FANTASTIC CD

Excellent CD

Baby Bach
Various Artists
Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

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ASIN: B000065VBH
Release Date: 2002-05-07

Product Description

A collection of classical music specifically designed for babies 1 to 36 months. The Bach selections included in this recording have been softened so as not to frighten or startle young listeners and to make classical music accessible and pleasing. Since classical music has been shown to influence a child's verbal ability, creativity, intuition, and memory, this CD is a perfect tool to aid in your child's development. Musical selections include: Minuet in G from the Anna Magdalena Notebooks; Flute Sonata in E flat, third movement; Brandenburg Concerto no. two, third movement; Orchestral Suite no. four, Rejouissance; Brandenburg Concerto no. four, first movement; Flute Sonata in E flat, first movement; Toccata in D; Brandenburg Concerto no. five, third movement; Orchestral Suite no. two, Badinerie; Jesu, Joy of Man's Desiring; Orchestral Suite no. three in D, Air; Two Part Invention, no. one; Goldberg Variations, no. one; Goldberg Variations, no. four; Goldberg Variations, no. thirty; Goldberg Variations, Canons; and Brandenburg Concerto no. two, third movement. Age: Birth - 3 years Manufacturer: New Sound Music

Customer Reviews:

Relaxing music for baby's bedtime.......2007-04-27

While I do want my baby to listen to Bach's music played with "real" instruments in an authentic style (which Baby Bach is NOT), Baby Bach is a very sweet, soothing selection of music. My newborn son and I both find this music very relaxing and it works like a charm to calm him down at bedtime! I would recommend this CD to any parent looking for new music to add to a baby's or young child's bedtime routine.

Baby loves this music!.......2007-02-17

Puts our 6-week old daughter to sleep. What more could you ask for!

yikes! would say any lover of classical music.......2007-01-05

The baby einstein series of music CDs is the equivalent of muzack for babies- horror to the ears!
I don't think babies need their music dumbed down to that degree.
Anyway, for the parent it's awful to hear. The beauty inherent in the muusic is completely lost, and replaced with whistles, goofy chimes, and plastic pianos. Absolutely horrible.

ANOTHER FANTASTIC CD.......2006-04-25

This cd absolutely calms my newborn - and I like the music also. Everyone with children should have this cd.

Excellent CD.......2005-10-12

Loved the CD, same music as on the DVD which my 20-month-old grandson loves. Falls asleep at night with the CD on, and I leave it on all night to soothe him if he wakes. Great puchase, worth the money!

Average customer rating:

Amazing and beautiful
Another Bela Fleck Masterpiece!
Definitely a Winner
Soul Food
AN AMAZING WORK ! ! !

Perpetual Motion
Bela Fleck , Edgar Meyer , Evelyn Glennie , Joshua Bell , Gary Hoffman , John [guitar] Williams , Domenico Scarlatti , Johann Sebastian Bach , Claude Debussy , Fryderyk Chopin , Pyotr Il'yich Tchaikovsky , Johannes Brahms , Niccolo Paganini , and Ludwig van Beethoven
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005OSX6
Release Date: 2001-10-02

Tracks:

Scarlatti: Keyboard Sonata in C Major K. 159
Bach: Two-Part Invention No. 13
Debussy: "Doctor Gradus ad Parnassum" from Children's Corner
Chopin: Mazurka in F-sharp Minor
Bach: "Prelude" from Partita No. 3 for Solo Violin
Chopin: Etude in C-sharp Minor
Chopin: Mazurka in F-sharp Minor
Bach: Three-Part Invention No. 10
Tchaikovsky: Melody in E-flat
Brahms: "Presto in G-Minor I after Bach"
Bach: "Prelude" from Suite for Unaccompanied Cello 1
Bach: Three-Part Invention No. 15
Paganini: Moto Perpetuo
Scarlatti: Keyboard Sonata in D Minor K. 213
Bach: Two-Part Invention No. 6
Beethoven: "Adagio sostenuto" from "Moonlight" Sonata
Bach: Two-Part Invention No. 11
Beethoven: Seven Variations on "God Save The King"
Bach: Three-Part Invention No. 7
Paganini: Moto Perpetuo (Bluegrass version)

Amazon.com

Bela Fleck is one of the greatest five-string banjo players performing today. Beginning in the 1970s, he honed his lightning-fast chops performing bluegrass, then moved on to contemporary jazz and fusion sounds. With this album, he broadens his horizons once again by performing an entire program of classical music transcriptions. Reminiscent of classical guitar albums by John Williams (who makes a guest appearance here), the disc traverses a wide range of repertoire--from Chopin mazurkas to Bach's Two and Three Part Inventions. Throughout, Fleck displays a feathery touch on his banjo, and his instrument offers a pleasant, brassy tone with very little twang. The technique he displays on Perpetual Motion is astounding and a refreshing change of pace from the smooth grooves found on the banjoist's Flecktones recordings. The arrangements are generally minimalist and understated, but violinist Joshua Bell, bassist Edgar Meyer, mandolinist Chris Thile, and percussionist Evelyn Glennie join in on this groundbreaking disc. Bluegrass purists may be disappointed (this is a far cry from the free-spirited, folksy abandon found on Sony's Short Trip Home and Appalachian Journey CDs), but classical fans will be astounded by how perfectly natural Fleck's banjo sounds on these works. --Jason Verlinde

Customer Reviews:

Amazing and beautiful.......2007-01-02

Fleck's 2001 disc `Perpetual Motion' is by far his most ambitious foray into virtuosity, performing classical works by Bach, Scarlatti and Chopin.

And he does it without really showing off. He only tackles mazurkas, fugues and Bach classical inventions on the five-string banjo, a simple instrument for which this music was never conceived.

I once flirted with playing the banjo, and it wasn't an easy task, even trying to play 'Uncle Pen'.

But the man must be possessed to play it like Bela does. Alternating between delicate and complicated, slow to fast, Fleck gets about as much out of the humble banjo as anyone possibly could. He plays it precisely and with a light touch, with respect for the music and his instrument.

Some reviewers think it pretentious of Fleck to attempt a banjo foray into the classical genre. That's bunk. How is virtuosity measured, after all? By playing many genres: classical, bluegrass, pop, jazz, Indian, fusion. And by playing them well.

Fleck wasn't awarded a Grammy for this recording just by looking pretty. He earned it.

Another Bela Fleck Masterpiece!.......2006-09-17

Who knew there could be classical banjo. It may sound dumb to some of you, but Bela Fleck pulls it off perfectly. I prefer the jazz fusion of his work with the Flecktones, but that does not mean this is not brilliant. Technically speaking, Bela and all of his collaborators are the best around, and who can argue with the songwriting of the classical composers(no one openly insults Mozart). If you haven't heard Bela Fleck, here's some advice. Get one of his Flecktones albums if you're into jazz, rock, or funk, this if you like classical, and his Newgrass Revival, Strength in Numbers, or Sam Bush stuff if you're a bluegrass fan.

Definitely a Winner.......2006-07-05

It is apparent to my ears why this CD won a Grammy. It takes familiar classical music pieces and puts the distinct Bela Fleck style on them. The pairing of the banjo with different instruments makes this album texturally interesting for the ear and one does not tire of the selections, even if they are familiar. My favorite pairing is the marimba with the banjo. The liner notes are interesting, as is Bela's story on how difficult it was to make the album. It was definitely worth his time and the listener's .

Soul Food.......2006-01-30

This is exquisite! The best of human experience encoded on a simple CD disk.

AN AMAZING WORK ! ! !.......2005-11-12

I was searching a classical music CD for a long time which is something different.Which consists variety of instruments. Like guitar,violin,banjo,mandolin...for example.Something different and also exiting music.This CD fullfills my wishes. The music like this doesn't come up very often I suppose!
Béla Fleck did a great job by working with people who is masters of their instruments like John Williams etc. This causes the CD to be more joyful.You won't get bored to listen it again and again!
Anyway ,either you are a fan of classical music or not, you won't be dissapointed with this.I guarantee :)

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

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Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Scenes Form Childhood: Foreign Lands And People
Scenes Form Childhood: Dreaming
Scenes Form Childhood: Child Falling Asleep
Dream Of Children: Andante
Dream Of Children: Allegretto Piacevole
Sicilienne
Study No. 5: Moderato
The Nutcracker Suite Op. 71a: Dance Of The Sugar Plum Fairy - Tchaikovsky
Notebooks Of Anna Magdalena Bach: Minuets 4 and 5
The Indian Queen: Adagio
Album Leaves: Lullaby
Album Leaves: Cradlesong
Prelude In C Major - Bach
The Carnival Of Animals: The Swan
Gymnopedie I
Gymnopedie III
Album for the Young: Morning Prayer - Tchaikovsky
Album for the Young: My Dear Little Mother - Tchaikovsky
Album for the Young: Sweet Reveries - Tchaikovsky
A Midsummer Night's Dream: Nocturne No. 7 - Mendelssohn
Contes D'Hoffmann: Barcarolle
Piano Concerto No. 26 In D Major: Larghetto
Melody
Lullaby

Amazon.com

I think this music is intended for adults, though the photo on the cover is of a sleeping baby. In any event, Schumann's work, Scenes From Childhood, Op. 15, featured here is more likely to bolt you out of bed than put you to sleep, as the mike is far too close to the piano being played by Cyprien Katsaris. Purcell's Adagio from The Indian Queen is magnificent, performed by John Elliott Gardiner and the English Baroque Soloists. The Weird Award goes to triple harpist Tim Hobrough and lutenist Stephen Barber for their bizarre, spiky rendition of Minuets Nos. 4 and 5 from the Notebook of Anna Magdalena Bach. I would like to meet Bill Holland, producer of all these Atlantic Records classical compilations. He's programmed Satie's Gymnopedie No. 1 on three different CDs, billed alternately as sensuous, romantic, and now here: good for a long snooze. --Gwendolyn Freed

Customer Reviews:

What is all the hype about?.......2007-07-09

I purchased this CD on the basis of the reviews written on Amazon. I have to say I am terribly disappointed. My son hates the CD, I listened to it and I am not all that impressed either. It is ok but nothing like described by other users.

great cd.......2007-06-26

We play this cd every night at bedtime. It not only helps my baby stay asleep, but helps me fall asleep. The only issue I have is that one of the tracks near the end of the cd is a little louder than the tracks before it, so I just make sure I keep it on very quiet and it's wonderful.

My girls listen to this every night.......2006-11-10

My girls (ages 3 & 5) have a hard time winding down at night. We have a regular bedtime routine (bath, snack, teeth brushing, books, hugs), but they still take forever to settle down and sleep. Adding this CD to the bedtime routine has really helped.

I would give it more than 5 stars...........2005-11-18

I had this CD when my daughter was born 5 years ago, and it gave us such a soothing environment in which to bond during quiet times. We also put it on shortly before we'd put her down to sleep, and by 6 weeks she was sleeping through the night in her own crib. I think it was her sanctuary, and the music helped her feel comforted. We've since then completely worn out the CD (she listened to it through her 3rd year), and will have to buy a new one for our next little addition (coming soon!). I found it on this site and just listened to the samples from each track. Aahhh... very soothing for Mommy, too!
I also plan to get it as a baby gift for a friend. :)

Great CD: soothing music by best performers. Worth every penny........2005-08-05

I listened to this CD countless times ever since I first bought it from BMG music service back in 1997. Compositions of this CD are popular classical hits. That is, you will likely recognize at least some of them if you listen to the sampler.

What sets this CD apart is supreme music performance. Every composition is performed flawlessly, with real feeling and passion. There is a good reason why this CD that was released in 1997 is still around and costs over ten dollars. This reason is called quality.

Average customer rating:

A lifesaver!

Baby Einstein: Music Box Orchestra

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Baby Einstein: Traveling Melodies
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ASIN: B0009AJK3E
Release Date: 2005-05-10

Tracks:

Tune Up And Fanfare Based On Themes From 'The Magic Flute'
Piano Sonata In C Major, K545, 1st Movement
Piano Sonata In C, K330, 1st Movement
Concerto For Flute And Harp In C, K299, 1st Movement
Sonata IN D For Two Pianos, K448, 1st Movement
Tune Up And Fanfare Based On A Theme From Tocata In D
Flute Sonata In E Flat, BWV 1031, 3rd Movement
Brandenburg Concerto No.6, BWV 1051, 3rd Movement
Goldberg Variations, Canons, BWV 988
Brandenburg Concerto No.2, BWV 1047, 3rd Movement
Symphony No.1, Op.21, 1st Movement
The Ruins Of Athens, Turkish March, Op.113
Sonatina In G
Music For The Royal Fireworks, Fanfare And Overture
Prelude No.7 In A, 'The Polish Dance', Op.28
On The Beautiful Blue Danube, Op.314
Nocturne In F Sharp No.2, Op.15

Customer Reviews:

A lifesaver!.......2006-01-14

Our baby loves it! We tried this CD in the car and are now avid roadsters again. This and the other soothing CD "Nursery Lullaby" are the best! Wish we tried it earlier!

Average customer rating:

DON'T GET THIS FROM AMAZON!!!!!
Bounty of Flute's Best From One of Best Flutist
A Masterpiece
The Master of the Flute
lotsa flute

James Galway ~ Meditations
Jules Massenet , George Frideric Handel , Johann Sebastian Bach , Tomaso Albinoni , Giovanni Pergolesi , Baldassare Galuppi , Johann Pachelbel , Carl Philipp Emanuel Bach , Romano Antonio Piacentino , Antonio Vivaldi , Claude Debussy , John [composer] Field , Wolfgang Amadeus Mozart , Franz Schubert , Joaquin Rodrigo , Sergey Rachmaninov , Fryderyk Chopin , Christoph Willibald Gluck , John Georgiadis , James Galway , Jorg Faerber , Claudio Scimone , Claudio Schimone , David Measham , Michael Tilson Thomas , Eduardo Mata , and Charles Gerhardt
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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ASIN: B000006OP0
Release Date: 1998-05-19

Tracks:

Adagio
'Winter' Concerto In F Minor: ll Largo - The Four Seasons
Largo: Xerxes
Flute Concerto In C, BWV 1032: ll Largo E Doice
Pastoral Symphony: Messiah
Flute Concerto In G: ll Adagio
Flute Concerto In D, Op 10 No 3 'll Cardellino': ll Cantabile
Flute Concerto In D: ll Adagio
'Spring' Concerto In E, Op 8 No 1: ll Largo - The Four Seasons
Canon
Flute Concerto In F, Op 10 No 5: ll Largo E Cantabile
Flute Concerto In A, Wq168: ll Largo Con Sordini
Flute Concerto In G: ll Andante
Flute Concerto In G, Wq169: ll Largo
Flute Concerto In G Minor, Op 10 No 2 'La Note': V Largo 'll Sonno'
Flute Concerto In D Minor, Wq 426: ll Un Poco Andante

Tracks:

Meditation - Thais
The Little Shepard
Nocturne No 5 In B Flat
ll Andantino
Serenade, D957
Fantasia Para Un Gentilhombre
Prelude A L' Apres-midi d'un Faune
En Bateau
Vocalise
Nocturne In E Flat, Op 9 No 2
Andante In C, K315
Syrinx
Orfeo ed Euridice: Dance Of The Blessed Spirits

Customer Reviews:

DON'T GET THIS FROM AMAZON!!!!!.......2005-11-04

Ok people. I ordered this from Oct. 13 and NOw it's Nov. 3. I still didnt' get it. They told me it's gonna be delayed until the 14... I'm rating this only a one star not because SIR James Galway isn't a great flutist, but it's Amazon's crappy service and lack of interest.

Bounty of Flute's Best From One of Best Flutist.......2005-02-17

Being married to a flutist allows me to hear some of the greatest works written for this beautiful instrument. Here one of its greatest virtuosos records his favorites from its reportoire.

Gallway performs superb renditions of 29 of his favorites, from Albinoni and Bach to Vivaldi. Much of what he plays most are already familiar with but will enjoy his passionate interpretation even then, e.g. CPE Bach's Flute Concertos and Vivaldi's four seasons selections. The fun comes from hearing other that some might not be that familiar with: Galuppi's Flute Concerto in D or Field's Nocturne in B Flat.

These are all enhanced by Gallway's personal notes on each selection, which is truly a wonderful addition to the liner notes.

This two CD set is truly a wonderful addition to all who love the sweet and flowing tone of flute well played accompanied by excellent orchestration and other instruments. Top shelf!

A Masterpiece.......2003-02-08

I am a college student and I am majoring in music education. My primary instrument is the flute, and my goal is to attain all of the pieces that I have studied. By buying this CD with many different selections has saved me the aggravation of purchasing many different CDs. James Galway is an extremely talented man, and this collection shows off his capabilities with flare. There are selections from all of the major musical periods such as the Baroque and the Classical which makes for a wonderful variety. This CD is worth every penny.

The Master of the Flute.......2001-01-18

James Galway performs miracles on the flute. This is an exquisite CD. Flautist must own this one!! It is a wonderful resource and helpful to young musicians needing some musicality help.

lotsa flute.......2000-09-09

you really have to love flute music to have 2+ hours, I didn't realize it was ALL flute.

Horowitz Live and Unedited [includes Bonus DVD]

Average customer rating:

A historical legacy!
Masterpieces played by the great Horowitz
Insert Here Any Superlative You Can Think Of
WHAT IS GOING ON?
Just the Facts...

Horowitz Live and Unedited [includes Bonus DVD]

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

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ASIN: B0000CF314
Release Date: 2003-09-30

Tracks:

Organ Toccata, Adagio And Fugue In C Major, BWV 564 I. - J.S. Bach
Organ Toccata, Adagio And Fugue In C Major, BWV 564 II. - J.S. Bach
Organ Toccata, Adagio And Fugue In C Major, BWV 564 III. - J.S. Bach
Fantasy In C Major, Op.17 (I)
Fantasy In C Major, Op.17 (II)
Fantasy In C Major, Op.17 (III)
Piano Sonata No. 9 In F Major, Op. 68 'Black Mass' - Scriabin
Poeme In F-Sharp Major, Op. 32, No. 1 - Scriabin

Tracks:

Mazurka In C-Sharp Minor, Op. 30, No.4 - Chopin
Etude No. 8 In F Major, Op. 10 - Chopin
Ballade in G Minor, Op. 23, No.1 - Chopin
Serenade For The Doll No.3 - DeBussy
Etude In C-Sharp Minor, Op.2, No.1 - Scriabin
Etude No. 11 In A-Flat Major, Op.72 - Moszkowski
Traumerei
Kinderszenen, Op. 15 (1)
Kinderszenen, Op. 15 (2)
Kinderszenen, Op. 15 (3)
Kinderszenen, Op. 15 (4)
Kinderszenen, Op. 15 (5)
Kinderszenen, Op. 15 (6)
Kinderszenen, Op. 15 (7)
Kinderszenen, Op. 15 (8)
Kinderszenen, Op. 15 (9)
Kinderszenen, Op. 15 (10)
Kinderszenen, Op. 15 (11)
Kinderszenen, Op. 15 (12)
Kinderszenen, Op. 15 (13)

Customer Reviews:

A historical legacy!.......2006-03-28

Despite I am not a Horowitz admirer, it 's worthy to underline and emphasize the colossal pianism and thunderous fingering around every one of its different performances.

The special distinction around this album is the fresh inspiration and notable musicality emanated in this Recital, that deserves to be catalogued as a cult recording among the impressive and even excellent live recordings in the Sixties.

A bravura performance and a genuine expression make of this album a very special recommendation.

Masterpieces played by the great Horowitz.......2004-12-12

This Carnegie Hall return recital is one of the greatest recordings by Horowitz. With a huge audience, Horowitz did not disappoint. He plays the Bach/Busoni as only he can play; it is eternally beautiful. Schumann has some mistakes, but those mistakes make the playing even more fascinating. The Scriabin is also excellent.

I am confident in saying that Horowitz's mazurka here is the best recording of op. 30 no. 4. Horowitz takes his time and does not rush the tempo, which is soooo easy to do with this piece. The etude is played awesomely, but the real treat is the Ballade no. 1. Horowitz played this piece all his life and played it very different many times, but this ballade is the best, most musical he ever played, mistakes and all.

The encores are also a treat, and the complete Kinderszenen bonus is another reason to buy this cd. The bonus dvd contains Liszt's Au Bord D'une Source, Chopin's Black key etude, and Moszkowski's etude in f major, op. 72, no.6.

This cd is my favorite, and I have a lot...

Insert Here Any Superlative You Can Think Of.......2004-06-10

For those of you who don't enjoy reading long drawn-out reviews: This is the best CD set I could possibly imagine buying before I bought it. After I bought it, I wept twice in the first listening of just the second disc. The Chopin recordings on this disc are simply legendary, definitive, and indescribably beautiful.

Horowitz out-did even himself at this concert. Sure, wow, wrong notes, even in the first couple measures. Who cares. You had better not. I noticed two exposed wrong notes in my first listen of this disc. It is by far the best CD set I own.

Toccata, Adagio and Fugue in C Major: Sure, wrong note. Grand. I'm not too large a fan of this piece, but, regardless, if you like Bach, you like Horowitz for this recording.

Fantasy in C Major: True to its title, this performance was indeed fantastic. Horowitz is acclaimed most for his different tones on the piano. Let me tell you, that is for a reason.

Scriaban: I, personally, do not like Scriaban. An acquired taste. If you do like him, however, you will by all means enjoy these two recordings of the Black Mass Sonata and the Poeme in F-sharp Major.

The Chopin: The Mazurka is the greatest mazurka recording I have ever heard, period. The Etude is technically flawless and musically flawless. The Ballade. One of my favorite pieces of all time. This is my favorite recording, simply. It is quite, quite unbelievable. I wept. Every theme Chopin includes, Horowitz includes with care. This piece is one that takes a long long long time to figure out. Musically, it is one of the hardest. Horowitz seems to finally understand it after having played it for almost forty years undoubtedly. I have heard roughly 10 or 12 recordings of this piece, and Horowitz's trumps all.

The encores: Debussy, Scriaban, Moszkowski are all wonderful in their own right, but Traumerei is practically Horowitz's child. People in the audience were weeping when they heard this piece. I went in with the intention of not weeping, and failed miserably. It is the singly most beautiful performance I have ever heard.

Buy this set. You will absolutely not regret it.

WHAT IS GOING ON?.......2003-12-27

WHAT IS WRONG WITH YOU PEOPLE? WHY CANT YOU JUST LEAVE THE POOR MAN ALONE? I AM A PIANO STUDENT WHO JUST FINISHED A CONCERT SERIES OUTSIDE OF MY OWN COUNTRY AND I HAVE JUST READ SOME OF THE OTHER REIEWS ABOUT HOROWITZ HERE AND I AM FRANKLY DIGUSTED.
ARE WRONG NOTES ALL YOU PEOPLE LISTEN TO?
HOROWITZ WAS BRILLIANT, YES, BUT HE WAS ALSO HUMAN LIKE ALL OF US. I MAKE MY FAIR SHARE OF WRONG NOTES AND WOULD HATE TO THINK THAT THEY WOULD BE THE ONLY THING THAT AN AUDIENCE WOULD REMEMBER AFTER A CONCERT. WRONG NOTES ARE A PART OF LIFE AND SOMETIMES ITS MORE IMPORTANT TO TAKE RISKS, EVEN IF IT RESULTS IN FAILIURE. ITS WHAT BREATHES LIFE INTO A PERSONS PLAYING, KNOWING THAT ONE SPLIT NOTE OR TWO IS NOT THE END OF THE WORLD. GIVEN THE CHOICE BETWEEN BEING MORE MUSICAL OR MORE TECHNICAL, I WOULD RATHER BE A MUSICIAN AND NOT A ROBOT.
IN HOROWITZ'S PLAYING, THERE ARE MORE IMPORTANT THINGS TO LISTEN TO. SO NEXT TIME YOU SWITCH ON ONE OF HIS RECORDINGS, WHY NOT TRY TO FORGET EVERYTHING YOU HAVE HAD BRAINWASHED INTO YOU ABOUT PERFECTION AND JUST LISTEN WITH YOUR HEART INSTEAD OF YOUR HEAD.

HOROWITZ WOULD HAVE BEEN THE FIRST PERSON TO TELL YOU THAT A PERFECT TECHNIQUE IS A COMPLETE MYTH. EVERYONE MAKES MISTAKES, WE CANT BE PERFECT FOR YOU ALL THE TIME, SO JUST GIVE US A BREAK.

Just the Facts..........2003-11-29

This is not a review per se. My review is elsewhere on this page. But I wanted to follow-up and correct a few errors, which have been circulated in regard to this recording.

First, the corrections used on the original version of Horowitz at Carnegie Hall were not made at a "patch session at Carnegie a few days" after the concert. Columbia's engineers had already recorded Horowitz's rehearsals and used that material for the editing.

Second, the editing in the album was neither as extensive as some have suggested, nor as insignificant as the anonymous reviewer from Baltimore states.

Here is a (mostly) complete list of the patches on the original album, which have been removed from this new edition:

Bach-Busoni: Preludio: Measures 2-12 and parts of the coda (Horowitz, by the way, does not play the ossias at bars 8, 10, and 12); Intermezzo: Small patches at bars 7 and 11; Fugue: Several edits between bars 97 and 110, and again in the coda.

Schumann Fantasy: 1st Movement: patches at 7:32 and 10:21; 2nd Movement: small patches at 2:44 and 4:32, and a series of patches in the coda 6:58-7:39; 3rd Movement: No edits.

Scriabin: Sonata No 9: No Edits. Poem in F-sharp: Patch from 2:16-2:26

Chopin: Mazurka: Small edit at 2:02; Etude: Patched sections from 1:27-1:33 and 2:15-2:20; Ballade: Small edits at 2:04 and 4:52, at least four patches in the coda.

None of the encores were edited.

Patched or not, the 1965 return concert contains some stunning piano playing. Can anyone imagine the pressure Horowitz was under on that day? To prove you have not just retained your original greatness, but have deepened and become even greater cannot have been easy. The new, unedited version of the concert is not a revelation, but serves as a reminder of Horowitz's all too human frailty.

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