Soulima Stravinsky plays Igor Stravinsky
On this CD:
1. Les Cinq doigts (The Five Fingers; 8), very easy pieces on five notes for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
2. Valse pour les enfants, for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
3. Easy Pieces (3) for piano, 4-hands Valse
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
4. Easy Pieces (3) for piano, 4-hands Polka
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
5. L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Scherzo
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
6. L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Berceuse
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
7. Andantino, for piano (Four Etudes No. 3), Op. 7/3
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
8. Vivo, for piano (Four Etudes No. 4), Op. 7/4
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
9. Serenade in A, for piano in A major
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
10. L'histoire du soldat (The Soldier's Tale), suite transcribed for violin, clarinet & piano Music to Scene 1- arr. for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
11. L'histoire du soldat (The Soldier's Tale), suite transcribed for violin, clarinet & piano The Royal March, arr. for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
12. Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra Gavotta con due Variazione - arr. for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
13. Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra Vivo
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
14. Piano-Rag-Music, for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
15. Tango, for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
16. Sonata, for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
17. Petrushka, movements (3) for piano
Composed by Igor Stravinsky
Performed by Soulima Stravinsky
Editorial Reviews
Amazon.com
The late Soulima Stravinsky, son of Igor, was a pianist and composer of relatively minor reputation. So I was totally unprepared for his performance of the Three Movements from Petrouchka, one of our century's great virtuoso showpieces for piano. There are wrong notes in this live performance, as there always are, but Soulima still gives a really thrilling performance of the piece, with great drama and tigerish dynamic surges. Very exciting stuff. He also plays his father's major piano works, a few minor pieces, and some transcriptions of his own with obvious insight and affection. Only fair recorded sound--and ignore the ridiculous DDD designation for 1960-75 recordings--but the playing is something special. --Leslie Gerber
Soulima Stravinsky plays Igor Stravinsky, Music, Igor Stravinsky, Soulima Stravinsky, 20th/21st Century Ballet, 20th/21st Century Sonata/Sonatina for Keyboard, Ballet, Character/Single-Movement/Miscellaneous Work for Keyboard, Classical, Keyboard, Music for Four Hands at One Keyboard, Music for Keyboard, Rag for Keyboard, Serenade for Keyboard, Suite/Partita for Keyboard, Tango for Keyboard, Transcription for Keyboard
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Soulima Stravinsky plays Igor Stravinsky
Manufacturer: Centaur ProductGroup: Music Binding: Audio CD ASIN: B0000057WQ Release Date: 1995-04-16 |
Tracks:
Amazon.com
The late Soulima Stravinsky, son of Igor, was a pianist and composer of relatively minor reputation. So I was totally unprepared for his performance of the Three Movements from Petrouchka, one of our century's great virtuoso showpieces for piano. There are wrong notes in this live performance, as there always are, but Soulima still gives a really thrilling performance of the piece, with great drama and tigerish dynamic surges. Very exciting stuff. He also plays his father's major piano works, a few minor pieces, and some transcriptions of his own with obvious insight and affection. Only fair recorded sound--and ignore the ridiculous DDD designation for 1960-75 recordings--but the playing is something special. --Leslie GerberMusic Review:
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