Bach: Duo & Trio Sonatas
On this CD:
1. Sonata for violin & continuo in G major, BWV 1021
Composed by Johann Sebastian Bach
Performed by John Gibbons, Daniel Stepner
2. Sonata for violin & continuo in E minor, BWV 1023
Composed by Johann Sebastian Bach
Performed by John Gibbons, Daniel Stepner
3. Trio for organ in G major, BWV 1027a
Composed by Johann Sebastian Bach
Performed by John Gibbons, Laura Jeppesen, Daniel Stepner
4. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
Composed by Johann Sebastian Bach
Performed by John Gibbons, Laura Jeppesen, Daniel Stepner
5. Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
Composed by Johann Sebastian Bach
Performed by John Gibbons, Laura Jeppesen, Daniel Stepner
Bach: Duo & Trio Sonatas, Music, Johann Sebastian Bach, John Gibbons, Daniel Stepner, Laura Jeppesen, Boston Museum Trio, Chamber, Classical, Classical Composers, Keyboard, Music for Organ, Single String Instrument with Keyboard/Continuo, Violin with Keyboard
Average customer rating:
- Illuminating
- Essential recordings
- Exquisite
- The "cool school" of guitar playing
- Bach and others on the Guitar
|
300 Years of Guitar Masterpieces
Manufacturer: Vox (Classical)
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Similar Items:
- Essential Guitar: 33 Guitar Masterpieces
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- Spanish Guitar Music
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- Art of Segovia
ASIN: B000001K62
Release Date: 1992-11-04 |
Tracks:
- Spanish Dances: No. 4 Villanesca
- Spanish Dances: No. 12 Arabesca
- Etudes For Guitar: No. 7 In E Minor
- Etudes For Guitar: No. 3 In D Major
- Etudes For Guitar: No. 5 In C Major
- Etudes For Guitar: No. 12 In A Minor
- Etudes For Guitar: No. 2 In A Major
- Etudes For Guitar: No. 8 In C - Sharp Minor
- Etudes For Guitar: No. 11 In E Minor
- Etudes For Guitar: No. 1 In E Minor
- Estudo No. 1
- 3 Pieces For Guitar: No. 1 Largo
- 3 Pieces For Guitar: No. 2 Tranquillo
- 3 Pieces For Guitar: No. 3 Un poco mosso
- Suite populaire bresilienne: Mazurka - Choro
- Suite populaire bresilienne: Schottish - Choro
- Suite populaire bresilienne: Valsa - Choro
- Suite populaire bresilienne: Gavotta - Choro
- Suite populaire bresilienne: Chorinho
Tracks:
- Sonata In D Major, K. 290, L. 206
- Sonata In E Minor, K. 292, L. 24
- Sonata In E Major, K. 380, L. 23
- Sonata In A Major, K. 208, L. 238
- Sonata In A Major, K. 209, L. 428
- Sonata In D Minor
- Sonata In A Major
- Sonata In B Minor
- Sonata In A Major, Op. 3, No. 1
- Variations sur les Folies d'Espagne, Op. 45
- Sonata In E Minor, Op. 3, No. 6
- Gran Sonata Eroica In A Major, Op. 150: Allegro maestoso
- Spanish Dances: No. 1 Minuetto
- Spanish Dances: No. 5 Andaluza (Playera)
- Spanish Dances: No. 3 Zarabanda
Tracks:
- Suite No. 4 In E Major: Prelude
- Suite No. 4 In E Major: Loure
- Suite No. 4 In E Major: Gavotte en Rondeau
- Suite No. 4 In E Major: Menuett
- Suite No. 4 In E Major: Bourree
- Suite No. 4 In E Major: Gigue
- Suite No. 2 In A Minor: Preludio
- Suite No. 2 In A Minor: Fuga
- Suite No. 2 In A Minor: Sarabande
- Suite No. 2 In A Minor: Gigue - Double
- First Suite Espagnola, Op. 47: Granada (Serenata)
- First Suite Espagnola, Op. 47: Cataluna (Curranda)
- First Suite Espagnola, Op. 47: Sevilla (Sevillanas)
- First Suite Espagnola, Op. 47: Cadiz (Cancion)
- First Suite Espagnola, Op. 47: Cuba (Capricho)
Amazon.com
Manuel Barrueco is one of the best guitarists I've ever heard. Listen to his own arrangement of Albeniz's Suite Española and you'll have trouble believing it's only two hands on one guitar. But Barrueco doesn't use his technique to show off. He's a solid musician, as expressive in Bach as in Villa- Lobos. He also makes transcriptions that respect the origins of the music. This is a wide-ranging guitar collection, but all the music is worth hearing, especially in performances like these. The disc is one of the best bargains among all guitar recordings, and Vox's recordings still sound like a guitar. --Leslie Gerber
Customer Reviews:
Illuminating.......2007-07-04
I'm a thoughtful and introspective person with a diverse background. Of all the old countries, Spain's diverse background appealed to me. This music reflects that appeal.
Essential recordings.......2007-04-06
Not much else really to say about this. It is a collection of brilliant interpretations and the guitar has the most amazing sound I've ever heard on a recording. You will find yourself almost spiritually bound to share this recording with any classical guitar playing friends and aficionados.
Exquisite.......2006-12-14
I was browsing Amazon, shopping for gifts, and when I listened to the snippets of this, I couldn't resist ordering it for myself. It's a 3CD set of beautiful, varied music played by a brilliantly skilled and sensitive master. Barrueco has an extraordinary touch that seems perfect for each piece, from Bach to Paganini to Villa-Lobos. Anyone who likes classical guitar would treasure this set.
The "cool school" of guitar playing.......2006-10-26
This three CD collection is a reissue of Cuban born virtuoso Manuel Barrueco's early Vox LPs, recorded in the late 1970s to early 1980s. Included in this set is his stunning performance of selections by Spanish composers Isaac Albéniz and Enrique Granados. This 1978 Albéniz/Granados recording is perhaps the greatest example of what I call the "cool school" of guitar playing, eschewing color and warmth in favor of restraint, taste, and note perfect execution. One complaint: in this reissue VoxBox inexplicably spread the Albéniz/Granados selections over three CDs.
Bach and others on the Guitar.......2006-08-10
A wonderful combination between the Great Bach and a master of Guitar
Average customer rating:
- Yo-Yo Ma and Bobby McFerrin
- Yo-Yo keeps on experimental
- This is no "Don't Worry, Be Happy"
- Excellent CD!
- My 1st introduction to Bobby McFerrin (3.5-4 stars)
|
Hush
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000027VR
Release Date: 1992-01-28 |
Tracks:
- Grace
- Concerto In D Minor For 2 Mandolins: Andante
- The Legend Of Tsar Saltan: Flight Of The Bumblebee
- Stars
- Hush Little Baby
- Vocalise
- Notebook For Anna Magdalena Bach: Musette
- Coyote
- Sonata For 2 Cellos: Allegro prestissimo
- Ave Maria
- Hoedown!
- Orchestral Suite No. 3: Air
- Good-Bye
Amazon.com
The idea here was to put two masters together--one classical cellist, one improvisational singer/sound-effects performer--and voilà! instant amazing, unique, hip--and, hopefully, hit--record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians' good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin's impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma's highly refined, formalized musicianship. Originally planned as a disc for children, Hush goes far beyond its initial premise, with each of the 13 tracks demonstrating these musicians' unique gifts and showing that, whether it's Vivaldi or jazz, it's all music and it's all a lot of fun. --David Vernier
Customer Reviews:
Yo-Yo Ma and Bobby McFerrin.......2007-05-12
This CD is one of my favorites. I give it away and buy another. Playful and fun as well as great music. It never fails to make me laugh. A joy. If you aren't a little silly, don't bother. Kids love it, too.
Yo-Yo keeps on experimental.......2006-03-04
One of the best parts of a genius is to try out of his layers. In this case Yo-Yo tried to go out from the classic, and with a very good singer, in a easy say, as Bobby. They make a very special music between classic and jazz, with some elements of pop.
It's an incredible fusion of strings and vocal strings, in some moments it is not possible to separate them, some times is like a big keyboard directed by a single musician. In a word, they experiment, and the result was incredible.
This is no "Don't Worry, Be Happy".......2005-10-23
Have never been a big Bobby McFerrin fan, probably due to that god-awful, "Don't Worry, Be Happy." But I am a classical music junkie and one day listening to our local classical station I heard a selection that I thought was the most beautiful thing I had ever heard. What a shock when I learned that it was McFerrin and Yo-Yo Ma doing Vivaldi's Andante!
Honestly, I could do without the non-classical pieces on this CD...although I enjoy them.
But the classical interpretations are some of the most heavenly, wonderful, beautiful, awe-inspiring things that I have ever heard, on any CD, in any genre! Yes, that good!
McFerrin uses his voice as the perfect instrument and accompanient to Ma's cello. They were made for each other.
Listen to the samples of the classical pieces if you're a doubter...
Excellent CD!.......2005-09-22
While I admit to being a newbie in my connoisseurship of the classical music genre, not only do I think that this disc is a good collection of some of the best classical music ever written, it is actually FUN sometimes, with silly bits thrown in by Bobby and Yo-Yo Ma every now and then! These guys make great music and have a great time making it.
Bobby uses his voice as a fantastic sounding 'instrument' to sing notes much like an instrument playing a duet with Yo-Yo; sometimes his voice sounds so much like a real instrument that you even forget that you are hearing vocals--I don't even know what other vocalist could pull this off. It is a fascinating experiment. I recommend it highly!
My 1st introduction to Bobby McFerrin (3.5-4 stars).......2005-05-29
I think I kinda heard this back in elementary school (maybe like in the 2nd, 3rd, 4th grade or so, I get kinda mixed when I say that), it's like sumthin I never heard be4, A guy who sings, scats and does it all goes by the name Bobby McFerrin and a cellist by the name of Yo Yo Ma. I'd have follow thru his work as a cellist/string player from various TV apperances, shows, movies, etc. and he does sounds good 2 this day, believe me.
Anyway as I was gonna say this was the 1st album I got introduced a bit by Bobby McFerrin. Not SIMPLE PLEASURES nor SPONTANEOUS INVENTIONS. Just this 1. I hope to hear more from him and collect all of his albums incl. Yo Yo Ma's. They still sound good. No doubt.
Average customer rating:
- Amazing and beautiful
- Another Bela Fleck Masterpiece!
- Definitely a Winner
- Soul Food
- AN AMAZING WORK ! ! !
|
Perpetual Motion
Bela Fleck , Edgar Meyer , Evelyn Glennie , Joshua Bell , Gary Hoffman , John [guitar] Williams , Domenico Scarlatti , Johann Sebastian Bach , Claude Debussy , Fryderyk Chopin , Pyotr Il'yich Tchaikovsky , Johannes Brahms , Niccolo Paganini , and Ludwig van Beethoven
Manufacturer: Sony
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ASIN: B00005OSX6
Release Date: 2001-10-02 |
Tracks:
- Scarlatti: Keyboard Sonata in C Major K. 159
- Bach: Two-Part Invention No. 13
- Debussy: "Doctor Gradus ad Parnassum" from Children's Corner
- Chopin: Mazurka in F-sharp Minor
- Bach: "Prelude" from Partita No. 3 for Solo Violin
- Chopin: Etude in C-sharp Minor
- Chopin: Mazurka in F-sharp Minor
- Bach: Three-Part Invention No. 10
- Tchaikovsky: Melody in E-flat
- Brahms: "Presto in G-Minor I after Bach"
- Bach: "Prelude" from Suite for Unaccompanied Cello 1
- Bach: Three-Part Invention No. 15
- Paganini: Moto Perpetuo
- Scarlatti: Keyboard Sonata in D Minor K. 213
- Bach: Two-Part Invention No. 6
- Beethoven: "Adagio sostenuto" from "Moonlight" Sonata
- Bach: Two-Part Invention No. 11
- Beethoven: Seven Variations on "God Save The King"
- Bach: Three-Part Invention No. 7
- Paganini: Moto Perpetuo (Bluegrass version)
Amazon.com
Bela Fleck is one of the greatest five-string banjo players performing today. Beginning in the 1970s, he honed his lightning-fast chops performing bluegrass, then moved on to contemporary jazz and fusion sounds. With this album, he broadens his horizons once again by performing an entire program of classical music transcriptions. Reminiscent of classical guitar albums by John Williams (who makes a guest appearance here), the disc traverses a wide range of repertoire--from Chopin mazurkas to Bach's Two and Three Part Inventions. Throughout, Fleck displays a feathery touch on his banjo, and his instrument offers a pleasant, brassy tone with very little twang. The technique he displays on Perpetual Motion is astounding and a refreshing change of pace from the smooth grooves found on the banjoist's Flecktones recordings. The arrangements are generally minimalist and understated, but violinist Joshua Bell, bassist Edgar Meyer, mandolinist Chris Thile, and percussionist Evelyn Glennie join in on this groundbreaking disc. Bluegrass purists may be disappointed (this is a far cry from the free-spirited, folksy abandon found on Sony's Short Trip Home and Appalachian Journey CDs), but classical fans will be astounded by how perfectly natural Fleck's banjo sounds on these works. --Jason Verlinde
Customer Reviews:
Amazing and beautiful.......2007-01-02
Fleck's 2001 disc `Perpetual Motion' is by far his most ambitious foray into virtuosity, performing classical works by Bach, Scarlatti and Chopin.
And he does it without really showing off. He only tackles mazurkas, fugues and Bach classical inventions on the five-string banjo, a simple instrument for which this music was never conceived.
I once flirted with playing the banjo, and it wasn't an easy task, even trying to play 'Uncle Pen'.
But the man must be possessed to play it like Bela does. Alternating between delicate and complicated, slow to fast, Fleck gets about as much out of the humble banjo as anyone possibly could. He plays it precisely and with a light touch, with respect for the music and his instrument.
Some reviewers think it pretentious of Fleck to attempt a banjo foray into the classical genre. That's bunk. How is virtuosity measured, after all? By playing many genres: classical, bluegrass, pop, jazz, Indian, fusion. And by playing them well.
Fleck wasn't awarded a Grammy for this recording just by looking pretty. He earned it.
Another Bela Fleck Masterpiece!.......2006-09-17
Who knew there could be classical banjo. It may sound dumb to some of you, but Bela Fleck pulls it off perfectly. I prefer the jazz fusion of his work with the Flecktones, but that does not mean this is not brilliant. Technically speaking, Bela and all of his collaborators are the best around, and who can argue with the songwriting of the classical composers(no one openly insults Mozart). If you haven't heard Bela Fleck, here's some advice. Get one of his Flecktones albums if you're into jazz, rock, or funk, this if you like classical, and his Newgrass Revival, Strength in Numbers, or Sam Bush stuff if you're a bluegrass fan.
Definitely a Winner.......2006-07-05
It is apparent to my ears why this CD won a Grammy. It takes familiar classical music pieces and puts the distinct Bela Fleck style on them. The pairing of the banjo with different instruments makes this album texturally interesting for the ear and one does not tire of the selections, even if they are familiar. My favorite pairing is the marimba with the banjo. The liner notes are interesting, as is Bela's story on how difficult it was to make the album. It was definitely worth his time and the listener's .
Soul Food.......2006-01-30
This is exquisite! The best of human experience encoded on a simple CD disk.
AN AMAZING WORK ! ! !.......2005-11-12
I was searching a classical music CD for a long time which is something different.Which consists variety of instruments. Like guitar,violin,banjo,mandolin...for example.Something different and also exiting music.This CD fullfills my wishes. The music like this doesn't come up very often I suppose!
Béla Fleck did a great job by working with people who is masters of their instruments like John Williams etc. This causes the CD to be more joyful.You won't get bored to listen it again and again!
Anyway ,either you are a fan of classical music or not, you won't be dissapointed with this.I guarantee :)
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
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- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
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- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Excellent recording
- Highly Recommended!
- Amazing
- A gentleman musical agreement!
- Extreme virtuosity
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Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
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Similar Items:
- Christopher Parkening plays Bach
- Simple Gifts: Christopher Parkening
- In the Spanish Style / Christopher Parkening
- The Christopher Parkening Guitar Method - Volume 2: Guitar Technique
- Christopher Parkening - A Tribute to Segovia
ASIN: B000002RTR
Release Date: 1993-09-14 |
Tracks:
- Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
- Estudio brillante
- Etude No. 1 In E Minor
- Recuerdos de la Alhambra
- Leyenda
- Romance
- Rumores de la Caleta
- Capricho Arabe
- Cantata 147: Jesu, Joy Of Man's Desiring
- Well-Tempered Clavier: Prelude No. 1
- Well-Tempered Clavier: Prelude No. 6
- Cantata 140: Sleepers Awake
- Prelude, Fugue, And Allegro: Allegro
- Cantata 208: Sheep May Safely Graze
- Les Barricades mysterieuses
- Preambulo & Allegro vivo: Preambulo And Allegro vivo
- Passacaglia
- The Girl With The Flaxen Hair
- Gymnopedie No. 1
- Empress Of The Pagodas
- Afro-Cuban Lullaby
Tracks:
- Fourth Lute Suite: Praludium
- Fairest Lord Jesus
- Praise Ye The Lord, K. 339
- Simple Gifts
- Hymn Of Christian Joy
- Cantata 29: We Thank Thee, Lord
- Cantata 156: Arioso
- Cantata 99: What God Hath Done
- Canon
- Dolly Suite: Berceuse
- La Vida breve: Spanish Dance No. 1
- Terezinha De Jesus
- Prelude (In The Baroque Style)
- Goyescas: Intermezzo
- Prelude & Fugue No. 4 In E: Fugue
- Evening Dance
- Variations On A Theme Of Mozart
- Canarlos
- La Maja de Goya
- El Noi de la Mare
- Concierto de Aranjuez: Adagio - J. Rodrigo
Customer Reviews:
Excellent recording.......2007-05-12
If you are a fan of classical guitar than this is a must own set. I enjoy every moment.
Highly Recommended!.......2006-12-23
I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.
This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.
Amazing.......2006-05-08
I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.
A gentleman musical agreement! .......2006-03-16
In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.
But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.
Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.
Extreme virtuosity.......2005-09-25
CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Average customer rating:
- Classic Wynton
- amazing
- Heard this with NEW appreication.........
- Wynton's the best
- Classic Wynton--brilliant, clear trumpet renditions
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Classic Wynton
Manufacturer: Sony
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Similar Items:
- Wynton Marsalis - Baroque Music for Trumpet
- Carnaval
- Trumpet Concertos
- Greatest Hits: Trumpet
- Standard Time, Vol.3: The Resolution Of Romance
ASIN: B00000DI10
Release Date: 1998-11-10 |
Tracks:
- In Gabriel's Garden: The King's March - English CO; Leppard, R.
- Concerto For Two Trumpets In C Major: Allegro - English CO; Newman, A.
- The Indian Queen: Entrada From The Indian Queen - St. Luke's Orch; Nelson, J.
- In Gabriel's Garden: The Prince Of Denmark's March - English CO; Newman, A.
- In Gabriel's Garden: Trumpet Voluntary - English CO; Leppard, R.
- Baroque Duet: Let The Bright Seraphim - Wynton Marsalis
- Suites De Symphonies: Rondeau - English CO; Leppard, R.
- Brandenburg Concerto No. 2: III. Allegro Assai (Excerpt) - Eastman Wind Ensemble; Hunsberger, D.
- In Gabriel's Garden: Prelude From Te Deum - Eastman Wind Ensemble; Hunsberger, D.
- Concerto For Trumpet And Orchestra In D Major: II. Allegro Moderato - Philharmonia Orch; Salonen, E.
- Baroque Music For Trumpets: I. Adagio - Eastman Wind Ensemble; Hunsberger, D.
- Concerto For Trumpet And Orchestra In E-Flat Major: III. Finale. Allegro - Wynton Marsalis
- Concerto For Trumpet And Orchestra In E Major: III. Rondo. Allegro Molto - Wynton Marsalis
- Carnaval: 'Tis The Last Rose Of Summer - Wynton Marsalis
- Carnaval: Variations On 'Le Carnaval De Venise' - Wynton Marsalis
- On The Twentieth Century: Rondo For Lifey (For Trumpet And Piano) - Wynton Marsalis
- Prayer Of St. Gregory For Trumpet And Organ - Anthony Newman
- Concerto For Trumpet And Orchestra: I. Allegro - Wynton Marsalis
- Carnaval: Moto Perpetuo - Wynton Marsalis
- Tsar Saltan: Flight Of The Bumblebee - Wynton Marsalis
Amazon.com
Wynton Marsalis may not have an easily recognizable or even particularly handsome tone, but this erstwhile jazz trumpeter is an amazing virtuoso with a fine sense of classical style. If you've never owned/heard any of his classical CDs, and you love (mostly baroque) trumpet music, this compilation--a sort of "greatest hits"--is for you. From such cruddy, sensationalistic works as Carnival of Venice to the glories of Haydn's E-Flat Concerto, this is grand entertainment. Marsalis is joined by Kathleen Battle in an exciting version of Handel's "Let the bright seraphim," and the treat there is doubled. A fine piece by Hovhaness for trumpet and organ, never before released, is another surprise. Come listen to the endless, seemingly casual roulades that come out of this guy's trumpet--they'll wake you right up. --Robert Levine
Customer Reviews:
Classic Wynton.......2007-07-11
Classic! What else is there to say? As an introduction to the other, many classic recordings of this superbly talented trumpeter, it is as good a guide as possible.
amazing.......2006-10-31
Classic Wynton is the most glorious display of musicianship I have ever heard. No other trumpet player even comes close to Wynton. Don't listen to anything the editorial review says though, it must have been written by a complete ignoramus. Wynton Marsalis not having a clear or recognizable tone? Please...That's like saying Kobe Bryant isn't a good shooter. I can't believe that garbage is on a credible site such as Amazon.
Heard this with NEW appreication................2006-09-07
This is such a wonderful mix. I especially love the Haydn concerto finale in E flat. I was listening to this cd when my grandson (almost 3) heard the glorious music of the trumpet for the first time. He loved seeing the photos of Mr. Marsalis (which I embellished, albeit true, saying how difficult it is to play the trumpet - hence the need for a handerchief to wipe his brow in one of the photos). This awakened his awareness of trumpet music where he now loves to listen to one of his Baby Einstein cd's in the car. Specifically, he told his mother "louder" when the trumpet piece was played - repetetively.
Wynton's the best.......2006-03-17
I'm not a professional musician and don't have a trained ear but Wynton Marsalis has provided me with a very delightful hour of extremely good music.
Classic Wynton--brilliant, clear trumpet renditions.......2006-02-25
For anyone who loves trumpet music as I do, this album is a must. Wynton Marsalis has mastered twenty all-time favorite pieces with such brilliance, that no other trumpeteer comes near by comparison. Opening with J. Clarke's, The King's March, Wynton proceeds to favor listeners with such baroque favorites as Purcell's Entrada from "The Indian Queen," J. Clark's The Prince of Denmark's March and J. Stanley's Trumpet Voluntary. Fantastic selections from Bach, Mozart, and Haydn follow, with the album also including such delightful listening as The Last Rose of Summer, Carnival of Venisee, and Flight of the Bumblebee. You won't be disappointed with this purchase!
Average customer rating:
- forgotten masterpieces
- Eclipsed
- A style made for Mozart
- A nice pair
- Nobody like Artur Grumiaux for Mozart violin music!
|
Mozart: Complete String Trios & Duos
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Duets
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Trios
| Chamber Music
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General
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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Similar Items:
- Mozart: The Complete Piano Trios
- Mozart: Violin Concertos
- Mozart: The Six String Quintets
- Mozart: The Violin Sonatas
- Complete String Quintets
ASIN: B0000041EK
Release Date: 1996-06-11 |
Tracks:
- Divertimento (String Trio) In E Flat, KV 563: Allegro
- Divertimento (String Trio) In E Flat, KV 563: Adagio
- Divertimento (String Trio) In E Flat, KV 563: Menuetto. Allegretto - Trio
- Divertimento (String Trio) In E Flat, KV 563: Andante
- Divertimento (String Trio) In E Flat, KV 563: Menuetto. Allegretto - Trio I - II
- Allegro
- Duo For Violin And Viola In G, KV 423: 1. Allegro
- Duo For Violin And Viola In G, KV 423: Adagio
- Duo For Violin And Viola In G, KV 423: Rondeau, Allegro
- Duo For Violin And Viola In B Flat, KV 424: Adagio - Allegro
- Duo For Violin And Viola In B Flat, KV 424: Andante cantabile
- Duo For Violin And Viola In B Flat, KV 424: Tema con variazioni. Andante grazioso - Allegretto - Allegro
Tracks:
- Sonate (Trio) In B Flat, KV 266: Adagio
- Sonate (Trio) In B Flat, KV 266: Menuetto, Allegretto
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 1 In D Minor: Adagio
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 1 In D Minor: Fuga
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No.2 In G Minor: Adagio
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No.2 In G Minor: Fuga
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 3 In F: Adagio
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 3 In F: Fuga
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 4 In F: Adagio
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 4 In F: Fuga
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 5 In E Flat: Largo
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 5 In E Flat: Fuga
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 6 In F Minor: Adagio
- Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 6 In F Minor: Fuga
Customer Reviews:
forgotten masterpieces.......2007-02-22
I was a little surprised to see so many reviews for this CD, most of them are full of praise. As I, too, am full of praise I can be brief.
First I must confess that, after listening to Mozart for well over 40 years, it is only very recently that I came accross any of the works on these CDs. I heard the last movement of the string trio and went straight to the computer to get it. As last year was Mozart's 250th birthday and we were deluged with his music this is incredble.
The string trio K563 is a late work by a mature Mozart, it is a very fine work, beautifully played by Arthur Grumiaux and friends. The two duos for violin and viola is another great find for me, more superb Mozart. These do not have a bass line, the composition is so good that they don't need one, indeed I was well into them before I noticed that there wasn't one. In all of these works all the instruments are equals, there is lots of work for the viola and the cello too has an important role. The six preludes and fugues again were new to me, but I am getting to know them and love them.
This is another excellent recording of Mozart's chamber music from Philips Duo, and well worth full marks. I recommend it highly, especially for Mozart lovers. If you are not well versed in Mozart I might suggest that you start with his concertos and instrumental works before you buy these Cds.
Eclipsed.......2006-08-04
For me the point here is the K.563, and while I have loved Grumiaux's playing for decades, and this is a nice older [1967] recording, it is completely blown away by the recent recording by Yo Yo Ma, Gidon Kremer, and Kim Kashkashian. On the other hand, the latter recording is defective in that the technicians managed to make the violin sound shrill and harsh -- the usual suspects are of course recording engineers who've spent much of their careers blowing out their high-end hearing listening to and working with "rock and roll" recordings, and thus needing to boost the highs in order to hear them; at the same time, it was miked much too closely. At least the Philips recordings were done in an era when the engineers were older folks who had spent their careers listening to and recording music. My choice: the Ma / Kremer / Kashkashian CD, but with my treble control cranked down....
A style made for Mozart.......2005-08-26
Here is yet another great Mozart Philips recording featuring the elegant playing of Arthur Grumiaux. The String Quintets and Violin Concertos are other ones. When you hear Grumiaux play Mozart like this, you think, "Now, how can one top that?" Such a dignified, galante and poised style as his is perfect for Mozart's music. These two CD's provide a cournacopia of Mozart delights played magnificantly by Arthur Grumiaux and friends: three string duos, the one and only great string trio (K.563) and a rather unique collection of preludes and fugues mostly transcribed from Bach's "Well Tempered Clavier" for violin and viola. Each work also has an interesting story behind it as does most of Mozart's music.
Two of the late duos Mozart wrote were "ghost written" for a terribly ill Michael Haydn - a comtemporary and great friend of Mozart. As history goes, Haydn had promised a series of six duos for the impatient Archbishop Colloredo and was two short. Mozart's continual visiting the ill Haydn and lightening-fast composing of these two duos reveal the compassionate, warm-hearted side of Mozart. In each you can hear both Haydn and Mozart by the various musical mannerisms, but they eventually passed off as Haydn's works just fine.
The trio is a late work (K563/626) that was written in 1788 - the year that Mozart's popularity with the fickle Vieneese dwindled and life strarted to fall apart. But, one would never know this from the skill and stature of the great work. Having a full six movements lasting a full 45 minutes, the string trio is a work of grand scale and rich diversity that does not once become bogged down, repetitive or dull. The equality of the part writing is especially notable as much as is the complex sonorities, intelligent design and lyrical charm. It ranks right up there with his quintets as Mozart's most accomplished chamber works.
Perhaps the surprize delight of the set are the six preludes and fugues, most of which are transcribed from JS Bach (and one each from JC Bach and Mozart). It is said that Mozart's wife Constanze adored the fugues of Bach and Handel upon first hearing them in 1782 and supposedly begged her husband to compose such music - which apparently he obliged with these works here. Of course they sound like Bach as they mostly are Bach. The Grumiaux Trio makes them sound glorious from their rich and nuanced playing and the fine Philip's sound quality. Overall, a rich, rewarding listening experience.
If you are new to Mozart's chamber music, these Philips DUO sets are excellent CD's to collect. The most recommended Philips Mozart CD's are: The Great Piano Concertos Vol I, II, the Violin Concertos, Great Quintets Vol. I and II, the Piano Trios and String Trios/Duos here. Then, the Great Seranades, the six 'Haydn' String Quartets, the two Piano Quartets and Great Violin Sonatas Vol. I, II are also fine music.
A nice pair.......2005-06-22
Not much to add here: 1st CD: The string trio K. 563 is a peer to Mozart's greatest quartets and quintets. Period! The string duos K. 423 and 424 are simple in sound, but rich in texture; the simplicity of means calls for advanced composing and Mozart doesn't dissappoint. 2nd CD: The trio K. 266 is less interesting, but the six preludes and fugues are really great, fusions of Mozart and Bach. All the playing is excellent.
Nobody like Artur Grumiaux for Mozart violin music!.......2004-07-19
Joseph Szigetti gave a towering surprise with the ten violin sonatas , but Grumiaux was a real fighter for this Mozart music so plenty of lyricism.
The vibrato and musicality given for Grumiaux is out of this world. His playing is kindness enjoyable extremely cantabile and above all deeply idomatic , loaded with majesty and charm and intimacy.
This belgium violinist was a pupil of Georges Enesco . Pleas acquire also the trio Kv 563 . I've never a recording that rivalizes with that.
Certainly Grumiaux was a champion master in this field!
If you take a look around about the most remarkable string Trios, you will find out that these are not so many. Before that immense Mozart's Divertimento in E flat Kv. 563, written in 1788, we just find a dozen of Trios by Bocherini and after, Beethoven Piano Trios, Schubert, Tchaikovsky, Brahms. Dvorak Dohnayi, Webern, Roussel and Schoenberg. In this sense and taking into account the brief set it's obvious to state we are in presence of the most significant, pyramidal and complete string Trio ever written, not only because it was a true milestone in what concerns to structural complexity, lyrical density and enjoyable mood.
Surprisingly, it does not use to appear among the most extraordinary musical achievements ion the enormous musical legacy of the beloved son of Salzburg. But measure by measure, I wouldn't hesitate just for a second in what respects to include it among the ten best works of Mozart throughout his opulent and extraordinary production.
And particularly this version possesses that touch of genius and dazzling luminosity, filled of kind spirits, cheerful energy and rhythmic vitality.
This masterpiece by itself justifies plainly your inversion in this double CD, but additionally you will find out another treasures of highest level as both Duos for violin and viola, The Kv. 266 The six preludes and fugues for violin, viola and cello written as a profound and heartfelt homage in Bach's memory are astonishing and notable compositions by themselves.
So I think not to sin of exaggerate when I recommend you this extraordinary set, one of my most beloved albums of my personal collection and wishing for you to have. You will agree with me once you have acquired and enjoyed over and over.
It's almost useless to talk about the purity of spirit of Artur Grumiaux, one of the most distinguished, refined and honest violinists ever born as well as one of the maxim exponents of Mozart's repertoire for violin, and I don't think to sound exaggerate to affirm this record was one of his highest artistic peaks as musician.
Average customer rating:
- Don't buy it
- Certainly NOT Relaxing
- On the mark
- NIce Collection!
- the most annoying guitar cd in the universe
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Most Relaxing Guitar Music in the Universe
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0007M220C
Release Date: 2005-03-08 |
Tracks:
- Folk Song: Romance
- Barros: La Catedral
- Albeniz: Mallorca
- Tarrega: Recuerdos al Alhambra
- Chopin: Waltz in E Minor
- Schubert: The Fisherwoman
- Sanz: Canarios
- Sor: Variations on a Theme of Mozart
- Moreno-Torroba: Nocturno
- Sor: Introductions and Variations on the "Malbroug" Air
- Schubert: Aufenthalt
- Moreno-Torroba: Arada
- Sor: Fantasie Elegiaque
Tracks:
- Rodrigo: Romance de Durandarte
- Turina: Sonata, Andante
- Yoshimatsu: Atom Hearts Club Duo, Andante
- Albeniz: Evocacion from Suite "Iberia"
- Schubert: Standchen
- Sor: Menuett, Op. 11 No. 4
- Abt: Agathe
- Mudarra: Fantasia X
- Schubert: Lob der Thranen
- Coste: Grande Serenade
- Mertz: Liebeslied from "Bardenklange"
- Turina: Homenaje a Tarrega
- Chopin: Nocturne in E Major
- Bach: Paritta No. 2, Chaconne
Album Description
Relaxing, romantic music for solo guitar perfect for daydreaming your stress away!
Customer Reviews:
Don't buy it.......2007-02-11
Ok. The guitar players are good. But there is so much extra noise such as heavy breathing, the guitarist moving around etc. in many of the pieces. I am only somewhat being humerous when I say I am suprised you don't hear the guitarist belching or passing gas! It is a very, very irritating recording of good guitarists.
Certainly NOT Relaxing.......2006-08-04
This CD would get an average rating if it was merely titled "The World's greatest guitar music". However, this CD is supposed to be "relaxing". Well, it most certainly is NOT. Some of the pieces literally sound like soundtracks to a movie thriller.
Very misleading title to an otherwise pretty good collection of Spanish guitar ballads. If you are looking for something to relax or sleep to, look elsewhere.
On the mark.......2006-02-25
From the time I first attended a John Williams concert 40 years ago, I have been a collector of Spanish / Classical guitar music. I often play, on a Ramirez, some of the tunes on these two disks. The selections are wonderful examples of the world's greatest guitar music. I actually take naps while listening to these cd's. The guitarists are excellent; I only wish Denon had listed their artists.
NIce Collection!.......2005-11-12
I listen to a lot of classical guitar (and other stringed instrument) music, and I like this collection. It draws on an unusually wide range of guitar compositions, which is a plus, and it's well produced, with good sound and balance - I think it's a better than average collection.
the most annoying guitar cd in the universe.......2005-06-26
makes me want to stick needles into my eyeballs for relief.....i would recommend buying this for a mother-in-law you don't like...otherwise, save your money
Average customer rating:
- relation through beautiful music
- A Great Find!
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Guitar Adagios
Manufacturer: Decca
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ASIN: B00028DNCW
Release Date: 2004-07-13 |
Tracks:
- Adagio In G Minor - Dominic Miller
- The Deer Hunter - Goran Sollscher
- Largo - Eduardo Fernandez
- Prelude - John Williams
- Apres Un Reve - Steve Erquiaga
- Pavane Pour Une Infante Defunte - Steve Erquiaga
- Courante - Pepe Romero
- Torija (Elegia) - Segovia
- Andantino - Piu Mosso - Primo Tempo - Julian Bream
- Andaluza - Pepe Romero
- Granada (Serenata) - Pepe Romero
- Bachians Brasileiras No.1 - Alexandre Lagoya
- Andante Cantabile - Segovia
- Cancion De Cuna - Eduardo Fernandez
- Arioso - Steve Erquiaga
- Romance D'Amour - Goran Sollscher
- Adagio - Christine Pendrill
- Qui Tollis - Dominic Miller
Tracks:
- Air On A G String - Dominic Miller
- Largo - Alexandre Lagoya
- Andante Sostenuto - Alexandre Lagoya
- La Maja De Goya - Pepe Romero
- Romance De Los Pinos - Pepe Romero
- Sarabande - John Williams
- Sonata, Op.16 - Pepe Romero
- Recuerdos De La Alhambra - Eduardo Fernandez
- Barcarolle - John Williams
- Bourees I & II - John Williams
- Sarabande - John Williams
- Andante - Alexandre Lagoya
- Oriental - Alexandre Lagoya
- Cantabile - Alexandre Lagoya
- Adagio Ma Non Troppo - Alexandre Lagoya
- Andante - Alexandre Lagoya
- Canzone In E Minor - Alexandre Lagoya
- Sicilienne - Steve Erquiaga
- Clair De Lune - Alexandre Lagoya
Customer Reviews:
relation through beautiful music.......2005-10-02
This is arguably the most relaxing music anywhere. It is lovely to take a nap to, fall asleep to..... use your imagination to......
A Great Find!.......2004-08-02
These are wonderful cds. They include Andres Segovia,Julian Bream, John Williams, Presti/Lagoya and Pepe Romero among other guitarist's. This two cd set has a rare performance of Segovia with the "Symphony Of The Air"performing Boccherini's "Cello Concerto in D". John Williams performing Bach's "Cello Suite In D" at seventeen years old. Also Ida Presti and Alexandre Lagoya performing Debussy's "Clair de Lune" and Granado's "Spanish Dance No.2 The Oriental". Presti/Lagoya's music has long been out of print and to the best of my knowledge this is the first time their music has been available on cd.These cd's have over 2 and a half hours of music and are well worth the money.
Average customer rating:
- More than the sum of the parts.
- A Great First CD
- The sublime collection
- Ultimate Collection is Gross Understatement
|
The Ultimate Recorder Collection
Manufacturer: RCA
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ASIN: B00000J916
Release Date: 1999-06-15 |
Tracks:
- Concerto In E, Op. 8 No. 1, RV 269 - Spring: Allegro
- Concerto In E, Op. 8 No. 1, RV 269 - Spring: Largo e pianissimo
- Concerto In E, Op. 8 No. 1, RV 269 - Spring: Allegro - Danza pastorale
- Gymnopedie No. 1
- Op. 55 No. 4: Solveig's Song
- Op. 46 No. 3: Anitra's Dance
- Sonata In G Minor, Op. No. 2, HWV 360: Larghetto
- Sonata In G Minor, Op. No. 2, HWV 360: Andante
- Sonata In G Minor, Op. No. 2, HWV 360: Adagio
- Sonata In G Minor, Op. No. 2, HWV 360: Presto
- Moonchild's Dream (Conlusion)
- Sonata No. 3 In F Minor: Triste
- Sonata No. 3 In F Minor: Allegro
- Sonata No. 3 In F Minor: Andante
- Sonata No. 3 In F Minor: Vivace
- Conerto Grosso Op. 6 No. 8 - 4th Movement: Vivace - Allegro - Pastorale ad libitum
- Melody And Dance Of The Blessed Spirits
- Op. 43, No. 4: Little Bird
- Op. 43 No. 1: Butterfly
- Sonata No. 5 In D Minor - For Treble Recorders: Largo
- Sonata No. 5 In D Minor - For Treble Recorders: Vivace
- Sonata No. 5 In D Minor - For Treble Recorders: Grazioso
- Sonata No. 5 In D Minor - For Treble Recorders: Allegro
- Concerto For Recorder And Orchestra, Op. 133: Lento
- Concerto Op. 10 No. 3 In D: II Gardellino - III. Allegro
Tracks:
- Two Norwegian Dances, Op. 35: No. 1
- Two Norwegian Dances, Op. 35: No. 2
- Air From Suite In D
- Concerto In F For Soprano Recorder: Allegro
- Concerto In F For Soprano Recorder: Andante
- Concerto In F For Soprano Recorder: Allegro assai
- Variations
- Sonata In E Flat, BWV 1031: Allegro moderato
- Sonata In E Flat, BWV 1031: Siciliano
- Sonata In E Flat, BWV 1031: Allegro
- Nele's Dances: No. 15
- Nele's Dances: No. 16
- Nele's Dances: No. 17
- Nele's Dances: No. 18
- Dance Suite, Op. 29 - V -: Molto Vivace
- Sonata In G Minor - Devil's Trill: II. Allegro
- Zion Hears The Watchmen's Voices
- Concerto No. 2 In G Minor: Largo
- Concerto No. 2 In G Minor: Presto 'Fantasmi'
- Concerto No. 2 In G Minor: Largo
- Concerto No. 2 In G Minor: Presto
- Concerto No. 2 In G Minor: Largo 'Il sonno'
- Concerto No. 2 In G Minor: Allegro
- Op. 54, No. 3: March Of The Trolls
- Op. 71, No. 1: Once Upon A Time
- Souvenir: An Encore For Michala
Customer Reviews:
More than the sum of the parts........2001-02-04
I bought this as wallpaper music - and got a very pleasant surprise!
Several of the pieces stopped me in my tracks, made me sit down and forced me to listen.
Michala Petri demonstrates a masterly control of her instrument and a high level of musicianship in a wide ranging selection of material - from reconstituted Bach to specially composed 20th Century pieces.
Outstanding for me was the Sammartini Concerto: Ms Petri shows a lightness of touch combined with serious enthusiasm and an obvious delight that literally stopped me from working and made me listen. The support given by the Moscow Virtuosi also deserves mention.
Koppel's pieces are fun, as are the arrangements from Grieg and Satie.
Overall, although this could be taken as a glorified sampler... it is much more - there are complete works played intelligently and lighter, throw away pieces you'll want to chase after and listen to again.
A Great First CD.......2000-06-22
After falling in love with the recorder, I started searching for CDs and this was the first I bought. It quickly became a favorite CD. I like the fact that it ranges over a wide period--Baroque to Modern, and showcases the instrument in different settings. The liner notes are quite comprehensive as well. In a word--enchanting.
The sublime collection.......2000-06-18
I must confess up front to being a Michala Petri fanatic. I also play the recorder, although after listening to this album, I feel like throwing my instruments into the nearest dumpster.
Michala Petri is a national hero in Denmark, and a recognized name among classical music fans in Europe, Asia, and Canada. If you listen to this album, you will ask yourself how the music business in the USA can frantically promote "The Three Tenors" while mostly ignoring the genius of this amazing young woman.
This is not your kid's recorder. Ms Petri's complete technical and musical mastery of her instrument transforms the recorder into the equal of other familiar solo instruments, but with its own peculiar sound, penetrating but sweet, that sets it apart.
This album is made up mostly of tracks from her many earlier recordings. Some are transcriptions of well-loved piano miniatures (the Grieg numbers are perhaps more charming here than on the piano, if that is possible); of baroque works for flute, recorder, or strings; of modern recorder music written for Ms Petri by contemporary masters. Some are accompanied by small orchestra and others by Ms Petri's husband, the excellent guitarist and lutist Lars Hannibal. The combination of recorder and guitar is an intimate match made in heaven, and I recommend also this duo's complete album, 'Air'.
Ultimate Collection is Gross Understatement.......2000-03-28
This is by far the best "sampler" I have ever heard. The playing is so superb and the recorder so perfect a vehicle that I found myself listing to too often played pieces like Satie's Gymopedie No.1 as if for the first time. Same for the Grieg. It is very hard to believe these renderings aren't the original intention of the composers. This is a guaranteed winner.
Music Review:
- Brahms: Piano Quartet in Cm No3, Op60; Dvorak: Trio No1
- Britten - Les illuminations / Lott, Rolfe Johnson, M. Thompson, Royal Scottish National Orchestra, B. Thompson
- Byzantine Chants
- Callas Edition Live - Verdi: Aida, Covent Garden, London 1953 / Barbirolli, Callas, Baum, Simionato, et al
- Carmina Sacra
- CDCM Computer Music Series Vol. 17: Music from the Center for Contemporary Music (Ccm)
- Cinema Classics 1999
- Composers in the Computer Age 2
- Computer Music Series 14
- Conundrum - David MacBride: Percussion Music
Music Review
music review
Music Review
Carte Blanche, Vol. 2
Edelmann: Sonata in C Op8; Sonata in C Op6
Fritz Reiner Conducts Richard Strauss [Box set]
If Summer Had Its Ghosts
Gypsy (1962 Film Soundtrack) [Extra tracks] [Original recording remastered] [Soundtrack]
El Amor Todo Lo Puede
Delicate Sound of Thunder [Live]
Kspace Recordings Compilation (V1)
Determinacao [Import]
Elena Kuschnerova
Definitve Black & Blue Sessions [Import]
Cruz de Palo [Import]
Frat Brothers Get Loose
Mozart: Arias
Grace