Russian Flute

On this CD:

1. Petites Duos (5), for flute, violin & piano, Op. 56, No. 1, Badinage, Op. 56/1
Composed by Cesar Cui
Performed by Tim Frederiksen, Bent Larsen

2. Petites Duos (5), for flute, violin & piano, Op. 56, No. 2, Berceuse, Op. 56/2
Composed by Cesar Cui
Performed by Tim Frederiksen, Bent Larsen

3. Petites Duos (5), for flute, violin & piano, Op. 56, No. 3, Scherzino, Op. 56/3
Composed by Cesar Cui
Performed by Tim Frederiksen, Bent Larsen

4. Petites Duos (5), for flute, violin & piano, Op. 56, No. 4, Nocturne, Op. 56/4
Composed by Cesar Cui
Performed by Tim Frederiksen, Bent Larsen

5. Petites Duos (5), for flute, violin & piano, Op. 56, No. 5, Valse, Op. 56/5
Composed by Cesar Cui
Performed by Tim Frederiksen, Bent Larsen

6. Early morning, for flute & piano, No. 1, Morning Stroll
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

7. Early morning, for flute & piano, No. 2, Homesickness
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

8. Early morning, for flute & piano, No. 3, The joker
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

9. Early morning, for flute & piano, No. 4, Twilight
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

10. Early morning, for flute & piano, No. 5, Little Horseman
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

11. Early morning, for flute & piano, No. 6, On Winter's Eve
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

12. Early morning, for flute & piano, No. 7, Burlesque
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

13. Early morning, for flute & piano, No. 8, In a Fortress
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

14. Early morning, for flute & piano, No. 9, Thieves and Policeman
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

15. Early morning, for flute & piano, No. 10, Waltz
Composed by Alexander Tikhonovich Grechaninov
Performed by Bent Larsen

16. In the green meadow, for piano, Op. 99, No. 1, Im Günen (In the Meadows), Op. 99/1
Composed by Alexander Tikhonovich Grechaninov

17. In the green meadow, for piano, Op. 99, No. 2, Mother's Song, Op. 99/2
Composed by Alexander Tikhonovich Grechaninov

18. In the green meadow, for piano, Op. 99, No. 3, Ballade, Op. 99/3
Composed by Alexander Tikhonovich Grechaninov

19. In the green meadow, for piano, Op. 99, No. 4, Lost in the Woods, Op. 99/4
Composed by Alexander Tikhonovich Grechaninov

20. In the green meadow, for piano, Op. 99, No. 5, Walking , Op. 99/5
Composed by Alexander Tikhonovich Grechaninov

21. In the green meadow, for piano, Op. 99, No. 6, Spring Morning, Op. 99/6
Composed by Alexander Tikhonovich Grechaninov

22. In the green meadow, for piano, Op. 99, No. 7, Tale, Op. 99/7
Composed by Alexander Tikhonovich Grechaninov

23. In the green meadow, for piano, Op. 99, No. 8, In the country, Op. 99/8
Composed by Alexander Tikhonovich Grechaninov

24. In the green meadow, for piano, Op. 99, No. 9, In the Mountains, Op. 99/9
Composed by Alexander Tikhonovich Grechaninov

25. In the green meadow, for piano, Op. 99, No. 10, Serenade, Op. 99/10
Composed by Alexander Tikhonovich Grechaninov

26. Trio for flute, violin & cello
Composed by Alexander Tcherepnin
Performed by Tim Frederiksen, Niels Ullner, Bent Larsen

27. Study, for flute & piano
Composed by Alexander Tcherepnin
Performed by Bent Larsen

28. Prelude for 2 flutes
Composed by Alexander Tcherepnin
Performed by Henrik Svitzer, Bent Larsen

29. Duo for two flutes, Op. 108
Composed by Alexander Tcherepnin
Performed by Henrik Svitzer, Bent Larsen

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Antony & Cleopatra: 'Give Me My Robe' - Leontyne Price
Fidelio: 'In des Lebens Fruhlingstagen...' - Ben Heppner
Fidelio: Act II Quartet: 'Ach, du bist gerettet...' - Deborah Voigt
Norma: 'Casta Diva' - Rosa Ponselle
Candide: 'Glitter And Be Gay' - Harolyn Blackwell
Candide: 'Make Our Garden Grow' - Jerry Hadley
Carmen: Flower Song - Placido Domingo
Carmen: Habanera - Rise Stevens
Carmen: Toreador Song - Robert Merrill
Les pecheurs de perles: Duet: 'Oui, c'est elle, c'est la deesse...' - Robert Merrill
Mefistofele: 'Ecco il mondo' - Samuel Ramey
La Wally: 'Eben, ne andro lontana' - ONLY OPERA CD YOU'LL EVER NEED
Lakme: Bell Song - Lily Pons
L'Elisir d'Amore: 'Una furtiva lagrima' - Tito Schipa
Lucia di Lammermoor: 'Chi mi frena in tal momento...' - Carlo Bergonzi
Lucia di Lammermoor: 'Spargi d'amaro pianto' - Anna Moffo
Martha: 'M'appari tutto amor' - Jussi Bjoerling
Porgy & Bess: 'Summertime' - Leontyne Price
Porgy & Bess: 'Bess, You Is My Woman' - William Warfield
Andrea Chenier: 'Come un bel di di maggio' - Ben Heppner
Romeo et Juliette: Juliette's Waltz; 'Je veux vivre' - Ruth Ann Swenson
Salammbo: Aria - Kiri Te Kanawa
Hansel & Gretel: 'Suuse, liebe Susse - Helen Donath
I Pagliacci: 'Vesti la giubba' - Enrico Caruso
Cavalleria Rusticana: 'Viva il vino' - Jussi Bjoerling
Cherubin: 'Lorsque vous n'aurez rien' - Dawn Upshaw
Manon: 'Ah! Fuyez, douce image' - Richard Crooks
Cosi fan tutte: 'Come scoglio immoto resta' - Leontyne Price
Don Giovanni: 'La ci darem la mano' - Edith Mathis
Don Giovanni: 'Deh! vieni alla finestra' - Ezio Pinza
Don Giovanni: 'Non mi dir' - Carol Vaness
Le nozze di Figaro: 'Non piu andrai...' - Alan Titus
Le nozze di Figaro: 'Porgi, amor' - Carol Vaness
Le nozze di Figaro: 'Deh vieni, non tardar' - Bidu Sayao
Die Zauberflote: 'Dies Bildnis ist bezaubernd schon' - Fritz Wunderlich
Die Zauberflote: Der Holle Rache - Zdislawa Donat
Die Zauberflote: Papageno - Papageno Duet - Christian Boesch
Boris Godunov: 'I v ljutomgore, nisposlannom Bogom...' - Alexander Kipnis
Tales Of Hoffmann: Barcarolle - Montserrat Caballe
La Gioconda: 'Cielo e mar' - Beniamino Gigli
La Boheme: 'Che gelida manina' - Giuseppe Di Stefano
La Boheme: 'Mi piaccion quelle cose...' - Licia Albanese
La Boheme: 'Fremon gia nell'anima' - Luciano Pavarotti
La Boheme: Musetta's Waltz Song - Judith Blegen
Gianni Schicchi: 'O mio babbino caro' - Angela Gheorghiu
Madama Butterfly: 'Ah, ti serro palpitante' - Placido Domingo
Madama Butterfly: 'Un bel di' - Leontyne Price
Manon Lescaut: 'Donna non vidi mai' - Jussi Bjoerling
La rondine: 'Chi il bel sogno di Doretta - Anna Moffo
TOSCA: 'Recondita armonia' - Placido Domingo
TOSCA: 'Vissi d'arte' - Irina Oudalova
TOSCA: 'E avanti a lui...' - Zinka Milanov
TOSCA: 'E lucevan le stelle' - Mario Lanza
Turandot: 'Signore, ascolta' - Renata Tebaldi
Turandot: 'In questa reggia' - Birgit Nilsson
Turandot: 'Nessun dorma' - Jussi Bjoerling
Dido & Aeneas: 'When I Am Laid In Earth' - Leontyne Price
Il Barbiere di Siviglia: 'Largo al factotum' - Robert Merrill
Il Barbiere di Siviglia: 'Una voce poco fa' - Roberta Peters
Samson et Dalila: 'Mon coeur s'ouvre' - Christa Ludwig
The Bartered Bride: 'Wenn ich das einmal erfahre' - Teresa Stratas
Elektra: 'Agamemnon' - Inge Borkh
Der Rosenkavalier: 'Ist ein Traum' - Erna Berger
Salome: 'Nicht in der Welt...' - Inge Borkh
Eugene Onegin: Lenski's Aria - Placido Domingo
Eugene Onegin: Tatiana's Letter Scene - Leontyne Price
Aida: 'Celeste Aida' - Jussi Bjoerling
Aida: 'Ritorna vincitor!' - Leontyne Price
Aida: 'Gloria all'Egitto' - John Alldis Choir
Aida: 'O patria mia' - Leontyne Price
Un Ballo in Maschera: 'O docezze perdute! O memorie...' - Robert Merrill
Don Carlo: 'Dio, che nell'anima infondere' - Placido Domingo
Ernani: 'Emani, involami' - Leontyne Price
La forza del destino: 'Or muoio tranquillo...' - Robert Merrill
La forza del destino: 'Pace, pace mio dio' - Zinka Milanov
Nabucco: 'Va, pensiero' - Oleg Reshetkin
Otello: 'Credo' - Tito Gobbi
Otello: Willow Song - Leonie Rysanek
Otello: 'Niun mi tema' - Jon Vickers
Rigoletto: 'Qesta o quella' - Alfredo Kraus
Rigoletto: 'Caro nome' - Anna Moffo
Rigoletto: 'La donna e mobile' - Jan Peerce
Rigoletto: 'Bella figlia dell'amore' - Alfredo Kraus
La Traviata: Brindisi - Montserrat Caballe
La Traviata: 'Di provenza' - Sherrill Milnes
La Traviata: 'Sempre libera' - Eleanor Steber
La Traviata: 'Addio del passato' - Anna Moffo
Il Trovatore: Anvil Chorus - Moscow Classical Chorus & Ensemble
Il Trovatore: 'Di quella pira' - Placido Domingo
Il Trovatore: 'Tacea la notte placido - Leontyne Price
Die Meistersinger von Nurnberg: 'Morgenlicht leuchtend' - Set Svanholm
Die Walkure: Ride Of The Valkyries - Staatskapelle Dresden
Die Walkure: Wotan's Farewell - Lawrence Tibbett
Siegfried: Song Of The Forest Bird - Norma Sharp
Gotterdammerung: 'Starke Scheite schichtet mir dort' - Kirsten Flagstad
Lohengrin: Bridal Chorus - Robert Shaw Chorale
Lohengrin: 'In fernem Land' - Lauritz Melchior
Tannhauser: 'Dich teure Halle' - Waltraud Meler

Customer Reviews:

Not worth buying!.......2007-05-29

I found this recording basically worthless. It contains only very short excerpts of the song. Not enough to get into and enjoy!

Don't waste your money.......2007-01-18

This is the worst purchase I have ever made. It is a truly dreadful piece of work.I was so disgusted with it that I threw it into the trash can.

Perfect for "drop the needle" style tests.......2006-11-19

If you want to hear full recordings of arias, then this disc is not for you. It plays only tidbits of 99 arias. Contrary to the title, this is definitely not the only opera disc you'll ever need. You shouldn't take it seriously. This disc has next to no value for an opera neophyte. But for opera fanatics, there has never been a better test of your knowledge of operatic repertoire and singers. It's a great challenge for opera buffs. Sit down with your opera loving friends for an hour, play this disc, and try to be the first to identify the singer, composer, opera, and piece. If you're a music professor, this disc would make for an awesome pop quiz. Find out how well your students really know their opera repertoire.

A CD with Attention Deficit Disorder.......2006-10-02

I don't know anyone who would enjoy this CD. It will drive opera fans nuts with a hundred exerpts that run about 30 seconds each, then fade out without the singers even finishing a single verse. It's more like an index of arias, or a volume of teasers that hucksters might use to sell opera CDs.

I never realized how much Bernstein's "Glitter and be gay" sounded like Delibes' "Bell Song" until I heard 35 seconds of one, followed 23 seconds of the other.

Maybe the TV show 'Jeopardy' could use this CD. 'What is "Hush little baby don't you..."??'

What a waste of beautiful voices and great music. 38 seconds of Enrico Caruso, followed by 31 seconds of Jussi Bjoerling, followed by 38 seconds of Dawn Upshaw.

My copy is going to go sailing into the wastebasket as soon as I finish this review.

This sucks..........2006-03-31

I should only blame myself for not checking out more reviews... this is a CD filled with short, little snippets of great operas songs... and I mean SHORT, LITTLE snippets of 30 seconds or so, each. Don't buy this CD... it is a complete rip off... and that is saying ALOT since it is only $4.00... Again, my fault for not reading the reviews but I trusted that something called a "Music CD" would actually have complete songs... What else does this company offer? A "Music CD" that only has the intros or applause tracks to great songs...?

Move on to something else... Amazon has a great selection... just not this one.

Average customer rating:

Ever-reigning Queen of Sopranos
Lucia Popp
Lucy: The Reigning Queen of Opera

The Very Best of Lucia Popp

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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The Very Best of Victoria de los Angeles
Lucia Popp: Opera Arias
Very Best of
Very Best of
The Very Best of Janet Baker

ASIN: B0000AHEAY
Release Date: 2003-09-02

Tracks:

Song To The Moon
Should I Ever Learn
How Confused I Feel
Solveig's Song
Solveig's Cradle Song
Amor Volat Undique
Stetit Puella
In Trutina
Vier Letzte Lieder
Vier Letzte Lieder
Vier Letzte Lieder
Vier Letzte Lieder
Symphony No. 4 In G
Tatiana's Letter Scene

Tracks:

Un Cenno Leggiadretto
Ho Perduto Il Caro Sposo
O Had I Jubel's Lyre
Laudate Dominum
Welche Wonne, Welche Lust
Porgi, Amor
Voi Che Sapete
Giunse Alfin Il Momento...Deh Vieni, Non Tardar
Crudele?...Non Mi Dir
Come Scoglio
Una Donna A Quindici Anni
Der Holle Rache
Ach, Ich Fuhl's
Crucifixus
Die Forelle
Gretchen Am Spinnrade
An Sylvia
Zueignung
Es Lebt' Eine Vilja
Klange Der Heimat

Customer Reviews:

Ever-reigning Queen of Sopranos.......2007-05-28

Listening through these two discs, one thought kept leaping up to mind: will ever there be another soprano as versatile and accomplished as Lucia Popp? Died in 1994 at the early age of 54, the operatic world hadn't really mourned her enough.
People are still lingering on Maria Callas, the 'star' soprano with all her glamour and legendary life could offer.
Real listeners, however, could not give up the memory of Lucia Popp's terrific artistry and almost supernatural voice.
Her Rusalka, her Solveig, her Susanna, Zerlina, Despina in the da Ponte/Mozart trio, her terrific Queen of the Night (unsurpassed by ANY subsequent sopranos up till now), and ALSO her Pamina in the same opera. In any language you ask her to sing, and she excelled. I marvel at the Letter Scene in Eugene Onegin - only if Lucia had the chance to perform the whole opera during her short life! The joy, the expectation, the emotional tribulations, so vividly captured in girlish and pure timbre. No one will ever beat her; not even Fleming and Netrebko.
"Weird and wonderful" - that's what Elisabeth Schwarzkopf said of Lucia Popp's singing. We today would modify it to 'wonderful and unsurpassable'.
This 2-CD set is an absolute must have, even if you have never heard of Lucia Popp before.

Lucia Popp.......2006-01-12

This is a wonderful album showcasing the very best of Lucia Popp (as the title suggests). Her voice was absolutely beautiful. She could sing the slavic languages like no one else. Her version of Dvorak's Song to the Moon is unbeatable. I dare anyone to find a better performance! Also, the song from Die Zauberflute -Ah Ich fuls (sp?) is outstanding. I've yet to hear a better version. Her diction was fantastic and while she wasn't the highest soprano around - she knew what worked for her voice. This is album is a keeper!

Lucy: The Reigning Queen of Opera.......2004-07-12

Lucia Popp is one of the best sopranos to ever grace the operatic/classical voice stage. This CD compilation shows her progression through lyric Handel to lyric and dramatic Mozart (her Der Holle Rache from Magic Flute is unrivaled) to tender art song and operetta literature. The first disc also showcases her adeptness with 20th Century literature as well as the ability to step out of the traditional four languages of opera. Any avid music fan MUST have this CD compilation.

Average customer rating:

Look out world
What fun!
I LOVE YOU, BRYN!
awesome..
Why do people think this guy can SING???

Bryn Terfel - Opera Arias / MET, Levine
Wolfgang Amadeus Mozart , Richard Wagner , Jacques Offenbach , Charles Gounod , Alexander Borodin , Gaetano Donizetti , Gioachino Rossini , Giuseppe Verdi , James Levine , Bryn Terfel , and The Metropolitan Opera Orchestra
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

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Deutsche Grammophon: Music | Specialty Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

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Similar Items:

Bryn Terfel - Simple Gifts
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Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)
Bryn Terfel Sings Favorites
Bryn Terfel - Handel Arias / Scottish CO, Mackerras

ASIN: B000001GP8
Release Date: 1996-04-09

Tracks:

Le nozze di Figaro: Non pirai, farfallone amoroso
Don Giovanni: Deh, vieni alla finestra
Don Giovanni: Madamina, il catalogo uesto
Cosi fan tutte: Rivolgete a lui lo sguardo
Die Zauberfl Der Vogelfer bin ich ja
Tannher: Wie Todesahnung Drung deckt die Lande...O du mein holder Abendstern
Der Fliegende Holler: Die Frist ist um
Les Contes d'Hoffmann: Allez!...Pour te livrer combat...Seintille, diamant
Faust: Vous qui faites l'endormie
Prince Igor: Ni sna ni otdycha izmucennoj duse
Don Pasquale: Bella siccome un angelo
La Cenerentola: Miei rampolli femminini
Macbeth: Perfidi! All'anglo contra me v'unite!
Falstaff: Ehi! paggio!...L'Onore!

Customer Reviews:

Look out world.......2006-01-20

Maestro Terfel throws down the vocal gauntlet in this tour de force offering of selected opera arias and dares any male singer, future or current, to pick it up. From the elegance and humor of Mozart, to the giddy delights of Rossini, and the vocal power of Verdi, Bryn Terfel diplays clearly why he is the preeeminent bass-baritone of our age. Short of some misguided forays into American Musical Theater, there seems to be nothing that this proetean singer cannot do. James Levine leads the bravura Met Orchestra with equal parts style and substance. A must have for a fan of great singing and artful music making.

What fun!.......2005-11-22

This is definitely the best recording of the selections chosen from "le Nozze de Figaro" I have ever heard. Terfel has a wonderful sense of musical humour, and is able to make his voice do seemingly, whatever he likes. In fact I think one could liken his voice to a big red bouncy ball, it's so round and fun to play with, you can tell that he himself has fun using it. However this is the only one of his albums I have really fallen in love with, in spite of listening to quite a few. Some of the same pieces are on his other cds, but not as well-sung as in this one.

I LOVE YOU, BRYN!.......2005-06-03

Terfel is amazing. The voice is warm, wide and sensous, and the acting is top-notch. This recital is the best recording I have heard of him outside full operas, where he is (of course) at his best. Every peice on it is a gem, but especially the first five Mozart arias. You will never hear a better Catologue Aria. I make it a point to listen to his at least once a week.
If you are an opera lover and (God forbid!) have not yet stumbled upon Terfel, this is an excellent introduction. And by the way, you needn't be a singer to appreciate his voice - I know very little of the technicalities of singing (about as much as a year in the church choir can give you), but I play the violin and we violinists are very keen on singers who know what they are doing. In the words of my violin teacher, Terfel is "charming!"

awesome.........2004-03-10

this is an awesome cd. if you're a fan of Bryn Terfel, you should buy this. you'll enjoy every song in this cd. I also recommend his recital dvd.

ps) don't listen to what the guy under my review said. i don't think this person knows how to sing.

Why do people think this guy can SING???.......2004-02-09

It baffles me that people think that Bryn Terfel is a great singer. It sounds like he is SINGING HOLDING HIS NOSE CLOSED. Absolutely AWFUL. Just because you can sing LOUD and POWERFUL does NOT mean you are GOOD. I would rather listen to my dishwasher running than this stuff!! The TONE of the voice is what matters to MOST people, and this guy doesn't have it. If you want to hear a beautiful voice, do yourself a favor and go buy Josh Groban's new CD, Closer. You won't regret it!!

Average customer rating:

Superlative collection
Great value for the money
Great for the money and a good starter on opera....
Amazing Value

100 Best Opera Classics

Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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The #1 Opera Album

ASIN: B0007QOERC
Release Date: 2007-05-14

Tracks:

Voi Che Sepate - Teresa Berganza
Porgi Amor - Heather Harper
Deh, Vieni Alla Finestra - Thomas Allen
Batti, Batti, O Bel Masetto - Elizabeth Gale
Der Holle Rache - Edda Moser
O Isis Und Osiris - Cornelius Hauptmann
Temerari...Come Scoglio - Elisabeth Schwarzkopf
La Calunnia E Un Venticello - Ruggero Raimondi
Nei Giardin Del Bello - Ambrosian Opera Chorus
Casta Diva - Maria Callas
Se Quel Guerrier...Celeste Aida - Franco Corelli
Tenesta La Promessa...Addio Del Passato - Beverly Sills
Niun Mi Tema - Jon Vickers
Un Bel Di Vedremo - Renata Scotto
E Lucevan Le Stelle - Placido Domingo
Si, Mi Chiamano Mimi - Mirella Freni
In Quelle Trine Morbide - Montserrat Caballe
Signore, Ascolta - Kiri Te Kanawa
Recitar...Vesti La Giubba - Jose Carreras
Amor Ti Vieta Di Non Amor - Roberto Alagna

Tracks:

Le Veau D'Or Est Toujours Debout - Boris Christoff
Ou Va La Jeune Hindoue? - Mady Mesple
L'Amour, L'Amour...Ah! Leve-Toi, Soleil - Alfredo Kraus
Allons! Le Faut...Adieu Notre Petite Table - Ileana Cotrubas
Toute Mon Ame Est La Pourquoi Me Reveiller - Nicolai Gedda
Quand La Flamme De L'Amour - Jose Van Dam
L'Amour Est Un Oiseau Rebelle - Victoria De Los Angeles
A Cette Voix...Je Crois Entendre Encore - Alain Vanzo
Une Puce Gentille - Gabriel Bacquier
Je Vais Mourir...Adieu, Fiere Cite - Regine Crespin
Mon Coeur S'Ouvre A Ta Voix - Rita Gorr
Wie Todesahnung...O Du Mein Holder Abenstern - Dietrich Fischer-Dieskau
Johohoe! Traft Ihr Das Schiff Im Meere An? - Anja Silja
In Fernem Land - Chor Der Wiener Staatsoper
Heil Dir, Sonne! - Siegfried Jerusalem
Mild Und Leise - Helga Dernesch

Tracks:

Che Faro Senza Euridice? - Agnes Baltsa
Der Vogelfanger Bin Ich Ja - Walter Berry
Finch'Han Dal Vino - Nicolai Ghiaurov
E Susanna Non Vien!...Dove Sono - Barbara Hendricks
Abscheulicher! - Christa Ludwig
Ne M'Abandonne Pas, Espoir De La Vengeance...Asile Hereditaire - Nicolai Gedda
Largo Al Factotum - Tito Gobbi
Ella Giammai M'Amo! - Ruggero Raimondi
La Donna E Mobile - Alfredo Kraus
Di Quella Pira - Franco Corelli
Esultate! - James McCracken
Dio! Mi Potevi Scagliar - Placido Domingo
Vissi D'Arte, Vissi D'Amore - Maria Callas
In Questa Reggia - Ghena Dimitrova
Tanto Amore - Janine Micheau
O Mio Babbino Caro - Montserrat Caballe
Ed Anche Beppe Amo - Luciano Pavarotti
Poveri Fiori - Maria Callas
Come Un Bel Di Di Maggio - Roberto Alagna

Tracks:

Les Grands Seigneurs...Ah! Je Ris De Me Voir Si Belle - Victoria De Los Angeles
Marie, Avec L'Enfant Jesus - Jules Bastin
Heureux Petit Berger - Janine Micheau
Connais-Tu Le Pays - Jane Rhodes
Elle Ne Croyait Pas Dans Sa Candeur - Nicolai Gedda
Votre Toast, Je Peux Vous Le Rendre...Toreador - Victoria De Los Angeles
Les Oiseaux Dans La Charmille - Mady Mesple
Maintenant, Chantons...Devant La Maison De Celui Qui D'Adore - Gerard Souzay
Depuis Le Jour - Beverly Sills
Da Geht Er Hin - Elisabeth Schwarzkopf
Einsam In Truben Tagen - Regine Crespin
Dich, Teure Halle - Hildegard Behrens
Leb Wohl, Du Kuhnes, Herrliches Kind - Dietrich Fischer-Dieskau
Hojotoho! Hojotoho! - Ute Walther

Tracks:

Non Piu Andrai - Thomas Allen
La Ci Darem La Mano - Graziella Sciutti
Duo: Pa-Pa-Pa - Andreas Schmidt
Soave Sia Il Vento - Delores Ziegler
Mira, O Norma - Maria Callas
Il Dolce Suono - Edita Gruberova
Com'e Gentil - Alfredo Kraus
Una Voce Poco Fa - Maria Callas
Libiamo Ne' Lieti Calici - Alfredo Kraus
Gualtier Malde!...Caro Nome - Michele Pertusi
Ritorna Vincitor - Birgit Nilsson
Ave Maria - Katia Ricciarelli
Nessun Dorma - Franco Corelli
Che Gelida Manina - Nicolai Gedda
Ebben? Ne Andro Lontana - Barbara Hendricks

Tracks:

Mes Amis, Ecoutez L'Histoire - Nicolai Gedda
Mieux Vaut Mourir...Amour Sacre De La Patrie - Alfredo Kraus
Ah! Je Veux Vivre Dans Ce Reve - Mady Mesple
Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee - Henry Legay
Suis-Je Gentille Ainsi?...Je Marche Sur Tous Les Chemins - June Anderson
Belle Nuit, O Nuit D'Amour - Jessye Norman
La Fleur Que Tu M'Avais Jetee - Jose Carreras
C'est Toi!...Au Fond Du Temple Saint - John Aler
Werther, Werther, Qui M'Aurait Dit...Ces Lettres! - Tatiana Troyanos
Viens, Mallika - Mady Mesple
Ah! Je Suis Seule Enfin...Dis-Moi Que Je Suis Belle - Beverly Sills
Alerte, Alerte!...Anges Purs, Anges Radieux - Nicolai Ghiaurov
Boris's Farewell - Boris Christoff
Schreckensschwur! - Gary Lakes
Die 'Selige Morgentraum-Deutweise'...Selig, Wie Die Sonne - Peter Schreier
Was Am Besten er Kann...Nothung! Nothung! - Siegfried Jerusalem

Customer Reviews:

Superlative collection.......2006-10-11

A collection of 100 individual arias and ensembles from the EMI catalogue of complete works recorded between 1955 and 2003. It includes selections from operas by Italian, Austrian, German, Russian and French composers. The French composers are especially well represented unlike most such anthologies. And there are several more obscure contributions, such as an aria from Catalani's La Wally. A well-judged balance of musical periods and styles, and the very best singers of the last half of the last century. And remarkably, the whole collection of 6 CDS, over 7 hours of music, is being sold for the cost of only 1 CD !

Great value for the money.......2006-04-23

This is simply the best collection of opera arias that I have seen. It's not 100% in that there are a few well-known arias that are not here, but what is here is simply a treasure. The organization is a bit strange, but there's some logic. For example, Disk 6 is mostly from French operas. A seemingly endless amount of glorious music. Just fabulous. You won't be disappointed.

Great for the money and a good starter on opera...........2006-01-07

This cd is a splendid collection of songs, and the price is unbeatable; I have but a few minor complaints about the overall product. The cd would have been much more enjoyable if they had put the music in some sort of order, rather than jumping around from artist to artist sporatically. My only other complaint would be that they could have chosen some better vocalists to play some of the songs. For example, in CD 6, track 3: Romeo et Juliette, the singer was not nearly as strong and definative as she should have been and I've definately heard in various other versions that were way better than this. This disappointed me greatly. But even with these few small complaints, this collection is still great and the price is amazing. It includes MOST of the famous opera pieces, as well some great songs that are often overlooked such as the beautiful song from Wagner's Die Meistersinger von Nurnberg (CD 6, track 16) along with others.

Amazing Value.......2005-08-23

I am so impressed by this collection that I must share my joy at getting so many beautiful arias, duets, et al in one collection. It captures many of the great operatic voices in stellar performances spanning the last 50 years. If you are enchanted by beautiful operatic highlights, removed from their operatic storylines, this set is for you. Hours of gorgeous music for practically pennies!

Average customer rating:

Excellent collection
One CD too many. Decent value, though
Where else can you get Caruso and Pavorotti on the same CD?

The Greatest Tenors of the Century

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

ASIN: B00000HY3T
Release Date: 1999-01-12

Tracks:

L'Africaine: O paradiso!
Die Meistersinger von Nurnberg: Morgenlich leuchtend
Madama Butterfly: Madchen, in deinen Augen liegt ein Zauber
Pagliacci: Recitar!... Vesti la giubba
Manon Lescaut: Donna non vidi mai
Les Contes d'Hoffman: Il etait une fois a la cour d'Eisenach
Tosca: Recondita armonia
Der fliegende Hollander: Mein Herz voll Treue bis zum Sterben
Rigoletto: Ella mi fu rapita... Parmi veder le lagrime
Die Zauberflote: Dies Bildnis ist bezaubernd schon
La Gioconda: Cielo e mar
Die Entfuhrung aus dem Serail: Wenn der Freude Tranen flessen
Don Giovanni: Dalla sua pace
Die Walkure: Ein Schwert verhiess mir der Vater

Tracks:

L'elisir d'amore: Una furtiva lagrima
Aida: Se quel guerrier io fossi! ... Celeste Aida
Il barbiere di Siviglia: Ecco ridente in cielo
Die lustige Witwe: O Vaterland ... Da geh' ich ins Maxim
Paloma querida
West Side Story: Maria
Tosca: E lucevan le stelle
Lohengrin: In fernem Land, unnahbar euren Schritten
Yevgeni Onegin: Nu, shto zhe? ... Kuda, kuda, kuda, vy udalilis
La forza del destino: La vita e inferno... O tu, che in seno
La Boheme: Che gelida manina
Carmen: La fleur que tu m'avais jetee
La Traviata: Lunge da lei ... De' miei bollenti spiriti

Customer Reviews:

Excellent collection.......2003-02-15

This is an excellent collection of great tenors past to present.
While some are still missing (Jussi Bjorling, for instance), it provides a spectacular array of singers from Caruso (earliest) to Alagna (latest). The arias are selected to showcase each tenor's strength: Ernst Haefliger sings "Dalla sua Page" and Jose Carreras sings "Maria", Carlo Bergonzi -- "Parmi veder le lagrime." There's much to enjoy here, and DG's presentation is, as always, superb.

One CD too many. Decent value, though.......1999-12-20

This collection is worth buying for CD 1 alone (and for the low price, of course). Peter Anders was new to me but is marvellous in the Prize Song from Meistersinger. Amazon has got it all wrong on track 6, which features none other than the incomparable Alfredo Kraus singing the Kleinzach aria from Hoffman like few other tenors - at the age of 67 (!). You won't believe what you hear.

The rest of the first CD is equally good stuff, mixing all kinds of tenor voices from the lightest (Schreier, Wunderlich) to the heaviest (Corelli, Del Monaco, Vickers).

CD 2, however, is a sad story. "The 3 tenors" get two tracks each to deliver their usual bland performances, and the rest of the tracks are mostly rather odd choices, even when sung by otherwise fine tenors like Kollo and Araiza. Perhaps Jerry Hadley does the finest performance in "Che gelida manina". I don't care much for Alagna or Schicoff.

Regarding the selection, perhaps the record should be called "Some Tenors of the Century". If DG had given "the 3" one track each and left out Luigi Alva and Araiza, we could have had Melchior, Björling, Gigli and Gedda, to name but a few.

Anyway, there you have it: put CD 1 into your player, press "REPEAT" and just leave it there.

Where else can you get Caruso and Pavorotti on the same CD?.......1999-09-24

I didn't buy this online, but needless to say it is one of the best Tenor CD's I own. I am still in the process of trying to locate a recording of "M'appari tutt' amor" by von Flotow from the Opera Martha. If anyone knows where I could get this, that would be great! This is a great buy for two CD's.

Operas Greatest Moments / Domingo, Price, Caballé, Kraus, Norman, Lanza

Average customer rating:

My FIRST opera cd
Better compilations available
My desert island CD pick
Fine Querschnitt!
A collection of opera gems on one CD

Operas Greatest Moments / Domingo, Price, Caballé, Kraus, Norman, Lanza

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Opera's Greatest Love Songs
Opera's Greatest Duets
The Most Famous Opera Duets
The #1 Opera Album
The Best of Italian Opera

ASIN: B000003FDD
Release Date: 1992-11-10

Tracks:

La Traviata: Libiamo, ne' lieti calici (Brindisi)
Gianni Schicchi: O mio babbino caro
Il Barbiere Di Siviglia: Largo al factotum
Les Pecheurs Des Perles - Au fond du temple saint
La Boheme: Mi chiamano Mimi
Pique Dame: Yeletsky's Aria (Act ll, Scene1)
La Wally - Ebben? Ne andro lontana
L'elisir D'Amore: Una furtiva lagrima
Die Walkure: Du bist der Lenz
La Forza Del Destino: Pace, pace, mio Dio
Pagliacci: Vesti la giubba
Le Nozze Di Figaro: Dove sono i bei momenti
Rigoletto: La donna e' mobile
Madama Butterfly: Un bel di
Die Zauberflote: Ach, ich fuhl's
Aida: Se quel guerrrier io fossi; Celeste Aida
Carmen: L'amour est un oiseau rebelle (Habanera)
Turandot: Nessun dorma

Customer Reviews:

My FIRST opera cd .......2006-09-29

I purchased this compilation in late summer 1994. I always skipped over Merrill's "Largo al factotum", just because I am not a big fan of that aria - kinda hokey to me :) I fell madly in love with the two contributions by Miss Leontyne Price!!! Especially "Pace, pace mio dio", the reference recording of that aria! I like Caballe's performance of "Si, mi chiamano Mimi", and the Domingo and Hvorostovky recordings. This disc opened up a whole new world for me. Yes, I have discovered MANY different singers than those included on this cd, but it started it all for me. It is a good sample of some very fine singing on the RCA label. OH! Let's not forget the superb Pearl Fisher's duet, sung by Bjoerling and Merrill!!

Better compilations available.......2003-09-26

I recently began collecting compilations of great opera performances as raw material for custom CD's. After listening to this CD side-by-side with others, I ended up using not a single selection from it. Three double CD's that, in my opinion, have much more to offer, in both quantity and quality, are (1) Decca's The #1 Opera Album, (2) EMI's The Opera Album, and (3) Warner Brothers' Simply The Best Night At The Opera. If I could have only one, it would be the Decca product, but each has it's own strengths, unlike the RCA disc. The caveat here is that taste in music is a highly personal matter.

My desert island CD pick.......2003-01-10

I could -- and sometimes do -- listen to Nessum Dora over and over. I have never felt music so passionately as I do the selections on this CD. It is truly the best of the best: the best "songs" from the best operas being sung by the best singers at their very best. I challenge anyone who doesn't like opera or ever music to listen to this CD. You will fall deeply in love.

Fine Querschnitt!.......2001-10-12

This is a good set as it includes some of the very finest moments of recorded opera history, noticably with Jussi Björlings Pearlfishes, which was one of his most inspired singings, Placido Domingo in his charming interpretation in The Loves Exlire, Anna Moffo outside the Wienniese standards is interesting, and Montserrat Caballe was really the best Mimi that ever sung that role, and I don't think that many today doubt that Lanza was one of the finest and most flexible voice that have sung Verdi. There is a nice querschnitt through the century as old pearls have been mixed with new. I enjoyed immensely to hear Caballes Mimi and Normans "Du bist der Lenz" or Kraus clicky "Donna Mobile" and a fresh new Ben heppner in 3D sound in one and the same hour.

A collection of opera gems on one CD.......2001-04-07

I have to agree that these are some of opera's greatest moments in the later part of the 20th century. The Pearl Fishers Duet (Au Fond du Temple Saint) sung by Jussi Björling, Robert Merrill is a big favorite of mine. Monserrat Caballe sings La Boheme here, and I couldn't believe my ears; maybe the best version of this I've ever listened to.

Tracks:

Finstre Furien, Ihr Geister Der Holle (Crude Furie Delg'orridi Abissi)
Wenn Der Freude Tranen Flieben
Dies Bildnis Ist Bezaubernd Schon
Lebe Wohl Flandrisch Madchen
Nadir, Du Stehst Wirklich Vor Mir - Und In Des Tempels Grund (C'est Toi, Toi Qu'enfin Je Revois - Au Fond Du Temple Saint)
Wohin Seid Ihr Entschwunden (Kuda, Kuda, Kuda Vi Udalilis)
Ich Denk Ihn Lieber Mir Von Meinem Statde - Liebe Ist Seligkeit, Ist Licht Und Leben (Signor Ne Principe Io O Vorrei - E Il So Dell'anima, La Vita E Amora)
O, Lass Uns Fliehen Aus Diesen Mauern (Parigi, O Cara, Noi Lasceremo)
Und Es Blitzten Die Sterne (E Lucevan Le Stelle)
Wenn Es Abend Wird - Grub Mir Mein Wein
Wien Wird Bei Nacht Erst Schon
Heute Nacht Oder Nie
Ein Lied Geht Um Die Welt
Be My Love
Granada

Tracks:

Nun Schwanden Vor Dem Heiligen Strahle/Verzweiflung, Wut Und Schrecken
Mit Wurd' Und Hoheit Angetan
Ma Qual Mai S'ofre, Oh Dei - Fuggi Crudele
Come Mai Creder Deggio - Dalla Sua Pace
Amici Miei - Il Mio Tesoro Intanto
Nur Einen Wunsch, Nur Ein Verlangen (Unis Des La Plus Tendre Enfance)
O Unverhofftes Gluck - Das Hore Ich Von Dir, Von Meinem Freunde? (O Moment Trop Heureux! - Et Tu Pretends Encore Que Tu M'aimes?)
Hier Nimm Den Ring Der Treue (Prendie: L'anel Ti Dono)
O Schweige Still, O Lasse Dich Erbitten (Ne Parle Pas, Rose, Je T'en Supplie)
Doch Nun Zu Dir - Trenne Nicht Das Band Der Liebe
Di Rigori Armato Il Seno
Heimliche Aufforderung Op.27 No.3
Ich Trage Meine Minne Op.32 No.1
Standchen Op.17 No.2
Zueignung Op.10 No.1
Morgen Op.27 No.4

Customer Reviews:

Delightful!.......2007-01-19

What a beautful voice and such an artist. I've always loved Wunderlich's voice and this album was such a delightful surprise to happen across. The Pearl Fishers' duet with Herman Prey is spectacular--it would be even better than Bjoerling/Merrill if it were in the original French!

A Great and Varied Collection.......2005-12-19

Fritz Wunderlich is a name that is familiar to opera buffs, at least those who enjoy the great singers of the past, but his name is not as familiar with the general public. It probably would have been, had it not been for a tragic and fluke accident that claimed his life. For those who are familiar with this great tenor, he's a beloved musician that makes listeners wonder what could have been.

Wunderlich's voice is one that can be light and airy at times, yet it can also have a dramatic intensity. This two disc set includes a variety of pieces that display Wunderlich's wide range and great vocal talent. His excerpts from Mozart are perhaps his strongest. So often the tenor roles in Mozart operas are cast with performers who are agile and can reach the higher notes, but their voices are somewhat weak. Wunderlich shows just how beautiful these arias can be. The same holds true for his arias from EUGENE ONEGIN and the pieces from well known operettas. His "Au Fond De Temple Saint" performed with Hermann Prey (a dream team pairing if there ever was one) is close to the Bjorling/Merrill rendition. We see his versatility in the excerpt from Haydn's CREATION and the live performance of "Di Rigori Armato" from DER ROSENKAVALIER is a treat and allows the listener to compare his live and studio recordings. The bonus DVD has a few slight flaws, but we see, at least in the scenes from THE BARBER OF SEVILLE that he not only has a wonderful voice but a good stage presence as well.

Most of the tracks are performed in German, even the Bellini, Bizet, and Verdi tracks, as was the case in many of the recordings of famous German singers. This may detract at first, especially of we expect to hear gorgeous French singing and it comes out, well German sounding. Still, it's a wonderful set with great variety and shows us what we missed in this tenor whose career had just begun.

MAGIC is a good word to describe Fritz Wunderlich.......2005-11-08

Magic is a good word to describe Fritz Wunderlich (1930-1966), and if you aren't already familiar with his work, you'll see why when you experience this CD.

Many of the tracks are not new to CDs: I'd say 50% of them are also in the "Art of Fritz Wunderlich" set (DG, 7 CDs), including Handel, Mozart, Bellini, and other opera arias. There are 3 tracks from "Don Giovanni" which I had not encountered elsewhere, and a scene from Richard Strauss's "Der Rosenkavalier" + 5 Strauss Lieder (with orchestra) not previously released in recent years.

Wunderlich was never less than the very best, and here is no exception. The bonus DVD has almost 30 minutes of scenes of Wunderlich (Count Almaviva) in Rossini's "Barber of Seville", sung in German with Hermann Prey (Figaro) and Erika Koth (Rosina) from a 1959 black and white TV production, in very good mono sound; and two scenes from Tchaikovsky's "Eugene Onegin", also sung in German, and with a young Brigitte Fassbaender (a little more hiss but very good, full, rich mono sound). The Rossini is available from English sources, and hopefully will be available in the US soon.

Like conductor Karl Bohm (1894-1981), I'm going to try to get as much Fritz Wunderlich material as I can find, CD or DVD, as is practical (and even when it isn't!).

Average customer rating:

Quartetto Gelato

Manufacturer: Linus
ProductGroup: Music
Binding: Audio CD

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Rustic Chivalry
Neopolitain Cafe
Aria Fresca
Travels the Orient Express
Favourite Flavours - Best Of... (Import)

ASIN: B00066U2VA
Release Date: 2004-09-15

Tracks:

Chitarra Romana
Concerto Sopra Motivi DellOpera
La Boheme Prelude and Arioa
Dark Eyes
Danny Boy
Russian Medley
Piece en formede Habanera
O Sole Mio
Allegro
Rondo - Tempo di Minuetto
Addio Sogni di Gloria

Album Description

Linus Entertainment is proud to re-issue the first four albums by the critically acclaimed Quartetto Gelato. With members from three countries playing nine instruments and a repertoire that unites classical masterworks and operatic arias with tangos, gypsy fiddling and folk songs, Quartetto Gelato is one of classical music's most imaginative ensembles. They have sold in excess of 30,000 units in Canada alone over their 5 albums. Their latest album Quartetto Gelato Travels The Orient Express (2 70025) released in March 2004 is one of the Top 10 best selling Classical albums in Canada for the first half of 2004, according to Neilson Soundscan.

The Legendary James Galway: Man With the Golden Flute

Average customer rating:

Galway is a Master

The Legendary James Galway: Man With the Golden Flute

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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James Galway - Dances for Flute
James Galway ~ Meditations
My Magic Flute
The Wind Beneath My Wings
James Galway - Serenade

ASIN: B00005LN5X
Release Date: 2001-08-07

Tracks:

Hora Staccato
Serenade
Moto Perpetuo, Op.11
Minuet & Badinerie
Haru No Umi
Waltz
The Flight Of The Bumblebee
Adagio & Var
'Minute' Waltz
Dance Of The Blessed Spirits
Fant Pastorale Hongroise, Op.26

Customer Reviews:

Galway is a Master.......2002-04-22

I have returned to playing the flute after a long 15 year hiatus and went in search of good flute music to hear for inspiration. Of the 3 flute cd's I bought this has proved to be my favorite. The range of repertoire, the beautiful tone Mr. Galway achieves to play it and the orchestra that accompanies him make all the songs delightful to hear. I often find myself humming some of the melodies even after I've put the cd away...a sure sign I've really grown to like the music. I usually only hum tunes to rock or pop songs I hear on the radio - but now I do it for these songs too. If you enjoy the sound of the flute this would be a good cd to have for a collection.

Music Review:

Music Review

music review

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Symphony #2 for Dot Matrix Printers

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20th Century Masters: The Best Of The Mamas & The Papas (Millennium Collection) [Original recording remastered]

100th Window [Import]

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Papa's Lullaby

Frengers