American Wind Music

On this CD:

1. Partita for Wind Quintet
Composed by Irving Fine
Performed by Pennsylvania Quintet

2. To the Dark Wood, for woodwind quintet
Composed by George Rochberg
Performed by Pennsylvania Quintet

3. Wind quintet No 1
Composed by Alvin Etler
Performed by Pennsylvania Quintet

4. Skizzen: Suite after Drawings by Heinrich Kley, for wind quintet
Composed by Jan Bach
Performed by Pennsylvania Quintet

American Wind Music, Music, Jan Bach, Alvin Etler, Irving Fine, George Rochberg, Pennsylvania Quintet, Chamber, Classical, Quintet for Five Woodwind Instruments
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Dance with the Wind
Average customer rating: 5 out of 5 stars
  • Mystical, magical, mysterious, mesmerizing... AND ... memorable!
  • Fabulous
  • Another Grammy Award (2007) for Mary Youngbood
 Dance with the Wind
Mary Youngblood
Manufacturer: Silver Wave
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
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Similar Items:
  1. Feed the Fire
  2. Beneath the Raven Moon
  3. Heart of the World
  4. The Offering
  5. Heart of the Wind: Music for Native American Flute & Drums

ASIN: B000FDEU6M
Release Date: 2006-05-23

Tracks:

  1. Misty Rain 3:54
  2. Wind Whispers 3:25
  3. My Gypsy Soul 3:20
  4. Play With Me 4:27
  5. Dance With Me 2:56
  6. Find the Song 4:30
  7. Lost Long Ago 4:17
  8. Make An Offering 4:32
  9. Reach For The Sky 4:37
  10. Blood of MY Blood 3:12
  11. On Our Journey 3:52
  12. Dance With the Wind 5:08

Amazon.com

Native American musical icon Mary Youngblood can make her wooden flutes express every possible shade of emotion while never losing sight of the larger cosmic epic we are all part of. Of Aleut (Alaskan) and Seminole (Floridian) ancestry, she was named "Flautist Of The Year" at the Native American Music Awards two years in row and won a Grammy for Beneath The Raven Moon (2003.) A classically trained multi-instrumentalist and composer, she was one of the first tribal women to play an instrument that not only has ancient religious connotations but was formerly confined, amid a few centuries-worth of stiff taboos, exclusively to male performers. But she also has few peers as a singer; her vocals on "Play With Me" are transparently lovely. Meanwhile, "Dance With Me" sounds almost Celtic, with Eric Levine's lilting fiddle leaping amid the other instruments like a trout in the sunshine. As a musician and a human being, Youngblood continues to personify all that is strong, spiritual, womanly and fine; her music is at once easily accessible and miles deep. She has something important to share with people of all backgrounds and deserves to reach a mainstream audience. --Christina Roden

Album Description

NEW May, 2006 Sometimes the wind whispers and sometimes the wind howls. When GRAMMY winner Mary Youngblood lets the wind flow through her Native American flutes the result is always one of beauty and joy. Inspired by the wisdom of nature, Mary writes: "The trees have given a voice to me, the voice that sings to you now." Her eclectic musical style evokes feelings of freedom, and gratitude for the blessings of life, our Dance with the Wind.

Customer Reviews:

5 out of 5 stars Mystical, magical, mysterious, mesmerizing... AND ... memorable!.......2007-05-19

Playing Time - 51:45 -- Dedicated to hurricane Katrina survivors, "Dance with the Wind" recognizes that the wind has many personalities from breeze to gale. With her music swaying to the gentle zephyr, Grammy-award winner Mary Youngblood's splendid Native American flute-playing is warm and conversational. She adds her gusty vocals on three tracks (Play with Me, Dance with the Wind, Make an Offering). Of Aleut and Seminole descent, Mary has released four previous albums: The Offering, Heart of the World, Beneath the Raven Moon, Feed the Fire. As on her other albums, Tom Wasinger wears pivotal hats as a co-producer, co-writer, and accompanist who plays many different instruments. Other musicians featured are Eric Levine (violin), Jody Price (viola), Mark McCoin (percussion), Larry Thompson (drums), Ray Wasinger (drums), and James Marienthal (piano). An instrumental piece like "Dance with Me" has blustery moments when infused with Celtic-flavored sensibilities of Levine's silky smooth bow work. Using a dual chambered flute on "My Gypsy Soul," Mary decorates that piece with a colorful, breezy wrap although I felt like it could've used a tad more diversity. Her approach is to keep her melodies and arrangements fairly simple. My guess is that she does this to have a greater impact on a listener's emotions without cluttering her tunes with technical overload.

Youngblood's music draws inspiration from various genres from classical to jazz, and traditional to new age. With flutes always in the forefront, the music has rich, distinctive timbre and usually a jaunty lilt. At the middle of the set, more stark and wistful pieces like "Find the Song" and "Lost Long Ago" are contemplative and seem to convey calm statements about pursuing dreams. This album does convey some elements of predictability that reinforce Youngblood's signature sound established over the years. Her multi-tracked vocals on "Play with Me" honor the trees for the voices they have given her to her music in the form of guitar and flute. At track eight, "Make an Offering" is her own declaration about the importance of music in her life to sing breath into the soul. In a subtle reference to an earlier song at track seven, Mary also sings "find the song lost long ago, Its melody will lead us home." Spare instrumental settings keep the arrangements lean, bordering on new age at times to create soothing aural soundscapes. "Blood of my Blood" has a jazzy chordal progression, walking bass line, and muted strings of a Hungarian cymbalom. That makes for interesting cross-genre pollination. This type of hammered dulcimer also appears in the mix of "Find the Song." "Reach for the Sky" is the one piece that also has Mary playing piano along with Native American wooden flute and alto flute. "On Our Journey" is one of the more lyrical and melodic instrumental tracks. A bonus track closes the genial album on an ethereal note.

Adopted as a baby by a middle class non-Indian family, Mary grew up studying piano, violin, classical flute, guitar and ballet. As an adult, she decided to concentrate on wooden flute, and she now owns over 250 hand carved instruments that celebrate her heritage. On the stage of life, "Dance with the Wind" is about seeking dreams, meeting goals, searching for answers, finding truth, and experiencing freedom. Whether you find it mystical, magical, mysterious, or mesmerizing, there's one word that best describes Mary's music. That is memorable! (Joe Ross, Roseburg, OR.)

5 out of 5 stars Fabulous.......2007-04-02

Prior to Dance with the Wind, I was not familiar with Mary Youngblood's work, but she is fabulous. Now I will get her other albums and enjoy. In addition to her lovely flute, her voice is as soft as velvet.

5 out of 5 stars Another Grammy Award (2007) for Mary Youngbood.......2007-03-23

Mary Youngblood just keeps getting better and her second Grammy winning record is a remarkable joy to behold. Stellar flute playing, signature song writing, creative arrangements, and unique instrumentation all combine to make this a superb recording. Mary Youngblood has always had the talent to stand out above the crowd, and with this honor she stakes her claim as the number one star of Native American music.
The Classical Underground
Average customer rating: 4.5 out of 5 stars
  • windplayer
  • A Feisty Classical Recording - who knew?
  • Stunningly original
  • Winds of subversive change
  • There is something special about Imani Winds.
 The Classical Underground

Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

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  1. Imani Winds
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ASIN: B0006UEVLI
Release Date: 2005-01-25

Tracks:

  1. Astor Piazzolla: Liber Tango (arr. Jeff Scott)
  2. Paquito D'Rivera: Aires Tropicales: Alborada
  3. Paquito D'Rivera: Aires Tropicales: Son
  4. Paquito D'Rivera: Aires Tropicales: Habanera
  5. Paquito D'Rivera: Aires Tropicales: Vals Venezolano
  6. Paquito D'Rivera: Aires Tropicales: Dizzyness
  7. Paquito D'Rivera: Aires Tropicales: Contradanza
  8. Paquito D'Rivera: Aires Tropicales: Afro (arr. Jeff Scott)
  9. traditional spiritual: Steal Away (arr. VColeman)
  10. V. Coleman: Concerto for Wind Quintet: Afro
  11. V. Coleman: Concerto for Wind Quintet: Vocalise
  12. V. Coleman: Concerto for Wind Quintet: Danza
  13. Lalo Schifrin: La Nouvelle Orleans
  14. Jeff Scott: Homage to Duke

Customer Reviews:

5 out of 5 stars windplayer.......2007-04-09

This quintet has been going strong for about 10 years but they keep getting better all the time. The Grammy-nominated album breaks new ground for wind quintets. Many of the arrangements of Jeff Scott (horn) and Valerie Coleman (flute) as well as their collaborations with Paquito D'Rivera aren't what you hear from traditional quintets--these are self-described "classical musicians" who would be formidable in a symphonic wind section. But add afro-latin-inspired percussion and some vocalese and they produce something more from an Argentenian tango hall or a Cuban club . One of the best new classical albums of the year and highly recommended.

4 out of 5 stars A Feisty Classical Recording - who knew?.......2005-05-08

This is the first classical recording I ever bought, and it's fabulous. Lively, interesting, eclectic. And a tight, tight ensemble that's obviously totally uninterested in the status quo. Great music.

5 out of 5 stars Stunningly original.......2005-04-27

This CD is an edgy, fresh look at the genre of the woodwind quintet. Instead of the typical 20th century (mostly French) literature that woodwind quintets typically perform, the Imani Winds have sought out (and composed) works by African and Latin American composers. The result is an energetic, technically-demanding, and passionate recording of great music.

You'll never think of woodwind quintets the same way again.
-Shelley Collins, flute teacher in Seattle, WA

4 out of 5 stars Winds of subversive change.......2005-03-15

Wind quintets don't have to be staid; sometimes they're subversive. Imani Winds horn player Jeff Scott, for example, has arranged "Afro," the final movement of Cuban composer Paquito D'Rivera's Aires Tropicales (1994), adding a mysterious introduction with chimes, bongos, rattles and moans to the flute trills and bassoon ostinato, reinterpreting "what is on the page." On flute, oboe, clarinet, bassoon and French horn, the five wind players of Imani -- it means "faith" in Swahili -- aim to create "urban classical music," and certainly their reading of Aires is less traditional than those of the Aspen and Dorian wind quintets.
Flutist Valerie Coleman has composed an Afro-Cuban Concerto for Wind Quintet that concludes with a galloping "Danza." Scott's arrangement of Argentinian composer Astor Piazzolla's "Liber Tango" features clarinet pulses and horn shouts; he even layers R&B rhythms into his spiritual "Homage to Duke."
In the next four months, these Winds will swirl through Portland, Seattle and Eugene. If you've lost hope that there's anything new under the classical sun, they'll help you keep the Imani.

5 out of 5 stars There is something special about Imani Winds........2005-01-30

Vitality oozes from Imani Winds' latest release, Classical Underground. The quintet plays with astonishing virtuosity and a warm and tight sense of ensemble, but the freshness is what I find truly invigorating. This isn't your father's wind quintet. The diverse repertoire, which includes original music by two of the players, is full of joy and energy. At the same time, there is a serious and driven quality to the disc. Imani Winds seem to know that there is something different about them - and this realization comes across in an inspiring way.
Bernstein Century - Bernstein: Trouble In Tahiti, Facsimile / Bernstein, New York Philharmonic
Average customer rating: 5 out of 5 stars
  • A great find for anyone who loves Bernstein's musicals
  • Wow! That's good!
  • A fantastic recording of an unfortunately overlooked piece
 Bernstein Century - Bernstein: Trouble In Tahiti, Facsimile / Bernstein, New York Philharmonic
Nancy Williams
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Bernstein: Prelude, Fugue and Riffs
  2. Bernstein - Trouble in Tahiti / Nancy Williams, Julian Patrick, Antoria Butler, Michael Clarke, Mark Brown
  3. Trouble in Tahiti
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  5. American Masters: Harris, Thompson, Diamond

ASIN: B00000I9GA
Release Date: 1999-03-16

Tracks:

  1. Trouble In Tahiti: Prelude
  2. Trouble In Tahiti: Scene I (Breakfast In The Little White Dream-House) - 'How Could You Say'
  3. Trouble In Tahiti: Scene II (Sam's Office) - 'Yes? Oh, Mister Patridge'
  4. Trouble In Tahiti: Scene III (Psychiatrist's Office) - Ila (Sam's Office) - 'I Was Standing In A Garden'
  5. Trouble In Tahiti: Scene Illa (Psychiatrist's Office) - 'Then Desire Took Hold Inside Me'
  6. Trouble In Tahiti: Scene IV (Meeting In The Street) - 'Well, Of All People' 'I'm On My Way'
  7. Trouble In Tahiti: Interlude - 'Skid A Lit Day'
  8. Trouble In Tahiti: Scene V (The Gymnasium) - 'There's A Low'
  9. Trouble In Tahiti: Scene VI (The Hat Shop) - 'What A Movie'
  10. Trouble In Tahiti: Scene Vla (Coming Home) - 'There's A Law'
  11. Trouble In Tahiti: Scene VII (After Dinner) 'Evenin' Shadows'
  12. Facsimile: Part I: Motlo Adagio - Piu Andante - Moderate Waltz - Tempo - Sostenuto assai - accelerando - a tempo
  13. Facsimile: Part II: Allegretto - Subito Allegro - Piu mosso - Andante - Meno mosso - rallentando - Adagio - Molto - Et Al

Amazon.com

An abiding ambition of Leonard Bernstein as composer was to write the Great American Opera. Indeed his own recordings of West Side Story and Candide in the last decade of his life, with their rosters of high-caliber singers, were intended in part to display the larger, quasi-operatic scope of these works. And right from the start, Bernstein's savvy instinct was to create a musical language that would integrate lively vernacular American idioms, as his early one-act opera Trouble in Tahiti (1952) demonstrates. This biting satire--to the composer's own libretto--of a marriage falling to pieces against the backdrop of the vacuous suburban life promulgated by '50s advertisements is little more than a series of vignettes. But the compact score is exuberantly inventive and wide ranging, from its parody of AM radio jingles-cum-Greek chorus to its wistfully lyrical depiction of a faded love. In this reissue of a recording made in 1973, Bernstein emphasizes the jazzy, rhythmic swing of the former--with its fascinating anticipations of West Side Story--as well as the poignant oasis of yearning melody in Dinah's scene at the psychiatrist's office, which would serve as the kernel for his later full-length opera on the same characters, A Quiet Place. Nancy Williams brings to life a convincingly vulnerable Dinah, and Julian Patrick's bass-baritone booms with just the right attitude of defensive machismo in Sam's gym scene "There's a law." The disc also includes the short 1946 "choreographic essay" Facsimile. This is the composer in his "age of anxiety" mode; its hauntingly scored depiction of loneliness at the core makes an excellent companion piece. --Thomas May

Customer Reviews:

5 out of 5 stars A great find for anyone who loves Bernstein's musicals.......2005-10-17

By 1952 Leonard Bernstein had already finished a triumphant decade. His Sym. #1 had won the Pulitzer Prize, he had made a spectcular debut with the NY Phil., his ballet Fancy Free and the spin-off musical derived form it, On the Town, were smash hits. So the amazon reviewer isn't on the mark to call Trouble in Tahiti an early piece, nor is he right to say that Bernstein had a lifelong ambition to write the great American opera.

Trouble in Tahiti is jazzy and colloquial, its melodies and rhythms familiar to anyone who knows Bernstein's musc from the Forties, or the musical Wonderful Town that would follow it the next year. The work is operatic only in the sense that the voices of the two leads are more operatic than Broadway, but not by much. The trio that serves as Greek chorus sings in a parodistic pop style, half Andrews Sisters, half Manhattan Transfer.

The libretto is a bit embarrassing in its soap-opera simplicity, but in this case "dated" is a synonym for nostalgic--the score is full of tunes that evoke the immediate post-war period. The jazzy ballet filler, Facsimile, is just as winning. There was a classic performance in mono with Beverly Wolff in the lead that collectors prize, but this later stereo remake is almost as good. I've loved this minor work since I saw a college production in 1965 and return to it whenever I want to rekindle fond memories.

5 out of 5 stars Wow! That's good!.......2000-05-08

The title should speak for itself. I don't just give out 4s and 5s to most any CD. I expect much and I got much from this CD. This is one of the most passionate and moving pieces of music I have ever allowed to try the test of my ear and emotions. The vocalists are wonderful. The climax is a work of art. The finale to the first half of this work is tear jerking. The opera deals with a married couple who are in the pits of their marriage. And unlike many people today, this couple wants to fix the marriage. It was very clever how Bernstein had them go through the entire opera with just the two of them as characters. The jazz trio adds a lot to the mood, beginning, and 'intermission'. The opera was so great I spent so long on the internet trying to find the sequel, Quiet Place, which is on here but is sold out. I wrote the internet address of the company who has it in my review of the CD here since I just know you will love this music. I'm so attached to Trouble in Tahiti I have not even really listened to the other work on the CD.

5 out of 5 stars A fantastic recording of an unfortunately overlooked piece.......2000-01-27

Leonard Bernstein was far more prolific than most people know; many think of him only in connection with West Side Story and On the Waterfront. Trouble in Tahiti, one of his earliest works, deserves a place among his better-known work. Although an opera, it never leans on recitative or pretentious bellowing. There is an amazing diversity in the score; one number is a swingy, scat-filled trio, another an aria of haunting beauty, another a hilarious evocation of escapist cinema. The liner notes excellently compare it with a Mahler symphony in the way it juxtaposes such different moods to such great effect. The libretto may seem to some a bit naive, but it is amazing to see the way Bernstein destroyed 1950's cliches of happy family life before they were even cliches! The cast is perfect: Julian Parick has the perfect resonant voice and arrogance; Nancy Williams switches from anger to wistful despair to high comedy with remarkable facility; and the trio is wonderful, especially the ethereal-voiced Antonia Butler. Facsimile, a "choreographic essay" on virtually the same subject (isolation and broken relationships) is truly an excellent companion. A great CD.
Hovhaness: Symphonies Nos. 4, 20 & 53; The Prayer of St. Gregory
Average customer rating: 4 out of 5 stars
  • Same old Hovhaness
  • Hovhaness for Winds
  • Hovhaness' Wind Symphonies
 Hovhaness: Symphonies Nos. 4, 20 & 53; The Prayer of St. Gregory

Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

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  4. William Schuman: Symphonies Nos. 7 and 10
  5. Morton Gould: Fall River Legend; Jekyll and Hyde Variations

ASIN: B000BK53H4
Release Date: 2005-11-15

Tracks:

  1. Andante
  2. Allegro
  3. Andante Espressivo
  4. Andante
  5. Adagio
  6. Andante Espressivo
  7. Allegro Moderato
  8. Andante Maestoso
  9. Prayer Of Saint Gregory, Op.62b
  10. Maestoso Sostenuto
  11. Moderato Sostenuto Con Molta Espressione

Customer Reviews:

3 out of 5 stars Same old Hovhaness.......2007-02-19

If you've heard one Hovhaness, you've heard most. I liked the "Prayer", but the symphony gave me nothing really new.

4 out of 5 stars Hovhaness for Winds.......2005-12-04

I would urge you to read Robin Friedman's excellent review dated November 25, 2005; his descriptions of the music are excellent and give a pretty good idea of what to expect, especially if you are not that familiar with Hovhaness's music. Hovhaness wrote a great deal of music, and like some other very prolific composers (Milhaud comes to mind) some of Hovhaness's music treads a thin line between real merit and kitsch. For instance, the first of the 'Three Journeys to a Holy Mountain' sounds very much like clichéd snake-charmer music to me. That said, I found most of this disc to be extremely enjoyable. Much of it is based on chorale harmonies in the brass with occasional fanfare-like episodes, plus very imaginative use of percussion, both tuned and untuned. And, of course, there is much use of Near Eastern melorhythms.

By far the most amazing thing in this program is the noisy eruption shortly after the trumpet's oration in the first movement of 'Return and Rebuild the Desolate Place.' If one tried to imagine the cacophony of hell, one couldn't do better than this. And it sounds for all the world as if it is aleatoric, with each instrument going its satanic way, each one slowly dropping out until all that's left are sinister low growling trombone glisses. Wow! What an imagination Hohvaness had to come up with this!

The performances by the Royal Scottish Academy of Music and Drama Wind Orchestra (what an ungainly name!), which I take to be a student group, is quite good. Solo trumpet work is done beautifully by John Wallace, as one would expect by this fine Scots trumpeter who has recently become the principal of the Academy.

I would suggest that whoever listens to this CD make sure not to listen to the whole CD in one sitting, but rather to each piece on its own. Otherwise there is some tendency for it to all run together and sound alike. Close listening, however, reveals that each piece has its own charms.

Scott Morrison

5 out of 5 stars Hovhaness' Wind Symphonies.......2005-11-26

The late Alan Hovhaness (1911 - 2000)has received considerable popular attention but too little critical appreciation. Hovhaness was a prolific composer of 67 symphonies and over 400 works in a variety of forms. He wrote a great deal of music for band, and his output includes eight wind symphonies. Three of these symphonies are offered on this CD. Keith Brion conducts the Royal Scottish Academy of Music and Drama Wind Orchestra. Brion first conducted Hovhaness' wind music in 1964 with a high school band and recorded an all-Hovhaness disk with Gerard Schwartz on the trumpet in 1969. He has also made extensive recordings for Naxos of the music of John Phillip Sousa.

Hovhaness' symphonies are generally short and programmatic. The three wind symphonies on this CD emphasize the mystical, spiritual music of the composer. They consist of long choral passages for brass intertwined with solos for many different wind instruments, and for gongs, bells, cymbals, and drums. Much of the music, for the solos in particular, is modal in character, and it is contrasted with tonal passages in the larger ensembles. (Jean Sibelius did the same thing at times and Sibelius was a great influence on Hovhaness.) Hovhaness makes extensive use of counterpoint. The music is, and was composed to be, immediately accessible to a broad audience.

The three movement Symphony no. 4, opus 165, probably Hovhaness' best-known wind work, was composed in 1958. It contrasts brass chorales for trombone and trumpet with long solo themes in the bass clarinet and bassoon. It closes with an extended fugue. The unusual second movement features a haunting solo for xylophone extending the length of the music. It reminded me of a Milt Jackson solo for the Modern Jazz Quartet, which was active at the time this work was composed. The final opens with an extended brass chorale followed by solos for trumpet and winds. Bells and gongs give a mystical character to this symphony throughout.

Hovhaness' three -movement symphony no. 20, "Three Journeys to a Holy Mountain" opus 223 dates from 1969 and was one the composer's works commissioned and performed first by a high school band. Each movement represents a pilgrimage. The tripartite first movement opens with a clarinet solo, followed by an English horn solo, and a long, lyrical climactic section. The second movement begins with a long solo for alto saxophone, and the band gradually joins in over a low droning theme and the roll of drums. The finale features a brass chorale and fugue. Here again percussion and chimes add much to this piece.

The final symphony on this disk, the two-movement "Star Dawn" opus 377 dates from 1983. Hovhaness apparently was fascinated by the possiblity of space travel, an interest I find it best to disregard in hearing the music. Chorale sections are contrasted with long, flowing solo passages for clarinet in the first movement. A drum-roll opens the second movement followed by a long reedy solo and a fugual close. The accompaniment of bells is to represent the stars or, perhaps,human yearning.

The CD includes two short Hovhaness works for band. The "Prayer of Saint Gregory" is a short piece Hovhaness arranged from an earlier composition for trumpet solo, played here by John Wallace, and band The trumpet solo predominates in this brief work with a meditative, searching character. The other short work, "Return and Rebuild the Desolate Places" also features John Wallace on the trumpet. The work opens with a piercing trumpet solo, followed by a loud helter-skelter passage for the ensemble. The second movement also is lead by the trumpet and is a call to rebuild the world from chaos.

This CD and its earlier companion will introduce the listener to the music of Alan Hovhaness. I understand that further releases of Hovhaness' music may be in the offing on Naxos. Naxos is performing a real service to lovers of music in its ongoing "American Classics" series.

Robin Friedman
The Incredible Film Music Box
Average customer rating: 4.5 out of 5 stars
  • Six Decades of Film Music
  • Excellent collection with fine performances
  • "essential film scores from 1939 to 2004 ~ Incredible Music"
 The Incredible Film Music Box

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

All Works by HerrmannAll Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ManciniAll Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by NymanAll Works by Nyman | Nyman, Michael | ( N ) | Featured Composers, A-Z | Classical | Styles | Music
Rota, NinoRota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
VangelisVangelis | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
Star WarsStar Wars | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:
  1. The Essential Elmer Bernstein Film Music Collection
  2. Paramount 90th Anniversary Collection: Scores
  3. Epics: The History of the World According to Hollywood
  4. The Ultimate Movie Music Collection
  5. Jerry Goldsmith: 40 Years of Film Music

ASIN: B0007S687Y
Release Date: 2005-05-10

Tracks:

  1. Gone With The Wind: Overture
  2. Citizen Kane: Overture
  3. Casablanca: As Time Goes By
  4. It's A Wonderful Life: It's A Wonderful Life
  5. The Third Man: The Harry Lime Theme
  6. The Searchers: Suite
  7. The Bridge On The River Kwai: Colonel Bogey March
  8. Vertigo: Prelude
  9. Touch Of Evil: Main Title
  10. Ben-Hur: Parade Of The Charioteers
  11. North By Northwest: Prelude
  12. Psycho: Suite
  13. The Magnificent Seven: The Magnificent Seven
  14. Lawrence Of Arabia: Overture

Tracks:

  1. To Kill A Mockingbird: Suite
  2. The Great Escape: Main Title
  3. Doctor Zhivago: Main Title & Lara's Theme
  4. The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
  5. Once Upon A Time In The West: Jill's Theme
  6. 2001: A Space Odyssey: Also Sprach Zarathustra
  7. Midnight Cowboy: Midnight Cowboy
  8. Get Carter: Main Title
  9. A Clockwork Orange: Ode To Joy
  10. The Godfather: Waltz & Love Theme
  11. Jaws: Jaws
  12. Rocky: Gonna Fly Now
  13. Taxi Driver: Suite
  14. Star Wars: Episode IV: A New Hope

Tracks:

  1. Superman: Main Theme
  2. Alien: End Title
  3. Raging Bull: Intermezzo From Cavalleria Rusticana
  4. Raiders Of The Lost Ark: Raiders March
  5. Blade Runner: End Titles
  6. E.T.: The Extraterrestrial: Adventures On Earth
  7. Once Upon A Time In America: Deborah's Theme
  8. Back To The Future: Main Theme
  9. Witness: Building The Barn
  10. Aliens: Main Title
  11. Cinema Paradiso: Cinema Paradiso
  12. Glory: Charging Frot Wagner
  13. Dances With Wolves: The John Dunbar Theme
  14. Unforgiven: Claudia's Theme

Tracks:

  1. The Piano: The Heart Asks Pleasure First
  2. Schindler's List: Main Theme
  3. Braveheart: End Credits
  4. Titanic: My Heart Will Go On
  5. Saving Private Ryan: Hymn To The Fallen
  6. American Beauty: Any Other Name
  7. Gladiator: Now We Are Free
  8. Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
  9. The Girl With The Pearl Earring: Griet's Theme
  10. Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
  11. Harry Potter And The Prisoner Of Azkaban: Suite
  12. Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
  13. Finding Neverland: Impossible Opening
  14. The Incredibles: Overture

Customer Reviews:

4 out of 5 stars Six Decades of Film Music.......2007-05-13

This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.

5 out of 5 stars Excellent collection with fine performances.......2007-03-28

Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.

5 out of 5 stars "essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16

When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004

There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!

Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.

Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!

Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
Music of the American Revolution: The Birth of Liberty
Average customer rating: 4.5 out of 5 stars
  • Good overall
  • Great Music from the Birth of Our Nation
  • Protest Songs of the 1770s
  • Important work of musical heritage
  • A good source of enjoyment and education
 Music of the American Revolution: The Birth of Liberty

Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD

All Works by ArneAll Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:
  1. The Spirit of '76 and Ruffles and Flourishes
  2. Colonial America
  3. Early American Roots
  4. The World Turned Upside Down
  5. Liberty! (1997 Television Mini-series)

ASIN: B0000030FQ
Release Date: 1996-07-09

Tracks:

  1. The Brickmaker March - American Fife Ensemble
  2. Lamentation Over Boston - The Continental Harmony Singers
  3. March For The 3rd Regt. Of Foot, Lord Amherst's - The Liberty Tree Wind Players
  4. British Grenadiers - American Fife Ensemble
  5. Song On Liberty - Sherrill Milnes
  6. General Scott's March - The Liberty Tree Wind Players
  7. Junto Song - James Richman
  8. Lovely Nancy - BIRTH OF LIBERTY
  9. American Vicar Of Bray - Sherrill Milnes
  10. Independence - The Continental Harmony Singers
  11. March Of The 35th Regiment - The Liberty Tree Wind Players
  12. Liberty Song - Sherrill Milnes
  13. Lady Hope's Reel - American Fife Ensemble
  14. Parody Upon A Well-Known Liberty Song - James Richman
  15. March For The 76th Regiment - The Liberty Tree Wind Players
  16. Warren - The Continental Harmony Singers
  17. Stone Grinds All - American Fife Ensemble
  18. The King's Own Regulars - James Richman
  19. Washington's March - The Liberty Tree Wind Players
  20. A Hymn On Peace - The Continental Harmony Singers

Customer Reviews:

4 out of 5 stars Good overall.......2005-07-20

Technically a very clean album. It has a good selection of tunes, particularly for the history buff, however some of the polished choral pieces sound funny when you think that most of them are essentially folk tunes that should be sung with a somewhat less practiced air. Overall, worth the purchase for historical value and good production.

4 out of 5 stars Great Music from the Birth of Our Nation.......2002-02-02

A great collection of music from 18th century America.

If you enjoy fifes and drums, choral compositions, patriotic songs, and uplifting music from the birth of America, please get this CD.

A perfect selection for a patriotic American to play, especially on the 4th of July.

5 out of 5 stars Protest Songs of the 1770s.......2002-01-24

The music that was composed and performed during the American Revolution is presented on this 1 hour CD. Since I was a child, I've enjoyed hearing the drum and fife corps on the Fourth of July and during the Presidential inaugurations, and this CD has several good drum and fife marches. Other selections are 18th century protest songs about taxation ("A taxing we will go...} and British tyranny. There are also some good harpsichord numbers contained on this CD. The musicians are excellent and the sound is clear. I don't know how many common people got to hear music like this during the Revolution, but at least this CD gives the 21st Century listener the opportunity enjoy the "popular" music of 200 years ago. Classical music lovers will enjoy this CD too.

4 out of 5 stars Important work of musical heritage.......1999-02-25

I fell in love with this CD from the first track.The music of the American Fife Ensamble is stirring, I felt positivly rebelious. The satarical songs based on the tunes "British Grenadires" and "Hearts of Oak" are like the paintings of W. Hogarth set to music. You should have more than a cursory knowledge of the 18th century though, to fully enjoy this CD

5 out of 5 stars A good source of enjoyment and education.......1999-02-23

We will never know exactly how these songs sounded when the citizens of Boston were darting black looks to the British regulars on the streets, but I would wager quite a bit that these renditions come pretty close. Of course the "American" accents are an anachronism; but most listeners might be puzzled to hear British accents used for these anti-British songs (with one exception, composed by a British regular!)I have already used selections from this CD to a groups of 3rd and 5th graders and they loved it. So teachers, take note, but be sure they have the words in front of them. A very valuable educational tool that also happens to be a very enjoyable program to hear for its own sake. And as with most New World releases, the annotations alone are worth the price of the product.
Fennell Conducts Hands Across the Sea
Average customer rating: 5 out of 5 stars
  • happy music
  • Vintage march collection for connoisseurs
 Fennell Conducts Hands Across the Sea

Manufacturer: Mercury
ProductGroup: Music
Binding: Audio CD

All Works by SousaAll Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:
  1. Fennell Conducts Sousa
  2. Screamers (Circus Marches)
  3. British and American Band Classics
  4. Fennell: Suites 1 & 2 / Folk Song Suite / Toccata Marziale
  5. Frederick Fennell & the Eastman Wind Ensemble: Grainger; Persichetti...

ASIN: B0000057M6
Release Date: 1994-02-15

Tracks:

  1. Hands Across The Sea
  2. Father Of Victory
  3. The Golden Ear
  4. Old Comrades
  5. March, Op. 99
  6. Valdres March
  7. Inglesina
  8. Knightsbridge March
  9. The U.S. Field Artillery
  10. The Thunderer
  11. Washington Post
  12. King Cotton
  13. El Capitan
  14. The Stars And Stripes Forever
  15. American Patrol
  16. On The Mall
  17. Lights Out
  18. Barnum And Bailey's Favorite
  19. Colonel Bogey
  20. The Billboard

Customer Reviews:

5 out of 5 stars happy music.......2006-08-29

I could't offer a technical critique of this c.d,instead I'll attempt to describe the enjoyment it gave me.Imagine you're sitting in your car listening to the radio,not terribly enthusiastic about getting out to start work.You become aware there's a bright ,cheerful sounding tune being played-vaguely familiar,I find myself tapping out the beat and humming along-what's this called then?Then we get to the part I can identify-DAH-DAHdeDAHdeDAH-DAH-DAH-Oh,of course,it's the music they used in "The Hunters",oh the memories that brought back.That tune got me out of the car ,through the day's turmoil,and when I woke up the next morning at 3a.m.,it was still going throgh my head!Okay,log onto Amazon,click,click,all I've gotta do now is contain my impatience .The C.D. duly arrived,suffice it to say it exceeded all my expectations regarding quality and content and has become one of my favourites.






5 out of 5 stars Vintage march collection for connoisseurs.......2000-05-26

It seems like the heyday for recorded march collections was the early stereo era. The classic Mercury recordings by Fennell and the Eastman Wind Ensemble dating from that time no doubt contribute to that impression. In this collection, they demonstrate the seriousness with which they approach this repertoire by unearthing some lesser known (at least in the US) pieces to go along with the usual Sousa-esque fare. However, there is no sense that they scraped the bottom of the barrel: all of these marches are first rate. Even the less familiar marches will have you humming along in no time, so infectious are they. These performers bring their usual gutsy exuberance and the necessary polish, too. The sound is on the bold side so turn the volume down a bit for this one.
British and American Band Classics
Average customer rating: 5 out of 5 stars
  • Fennell Interpretation
  • Symphonic Band Memories
  • Fennell - A Wind Band Pioneer
  • The Gold Standard for Symphonic Band Music
  • Hold On To Your Socks!
 British and American Band Classics

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WaltonAll Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
Similar Items:
  1. Fennell: Suites 1 & 2 / Folk Song Suite / Toccata Marziale
  2. Frederick Fennell & the Eastman Wind Ensemble: Grainger; Persichetti...
  3. Fennell Conducts Hands Across the Sea
  4. Frederick Fennell & the Eastman Wind Ensemble: Sullivan; Rossini-Respighi...
  5. British Wind Band Classics

ASIN: B0000057KR
Release Date: 1990-10-19

Tracks:

  1. The Earle Of Oxford's Marche: Suite 'William Byrd'
  2. Pavana: Suite 'William Byrd'
  3. Jhon Come Kisse Me Now: Suite 'William Byrd'
  4. The Mayden's Song: Suite 'William Byrd'
  5. Wolsey's Wife: Suite 'William Byrd'
  6. The Bells: Suite 'William Byrd'
  7. A Coronation March: 'Crown Imperial'
  8. 'Hammersmith': Prelude And Scherzo, Opus 52
  9. Serenade: Symphonic Songs For Band
  10. Robert Russell Bennett: Symphonic Songs For Band
  11. Celebration: Symphonic Songs For Band
  12. Fanfare And Allegro

Customer Reviews:

5 out of 5 stars Fennell Interpretation.......2007-05-14

For Band Conductors / Teachers, there is no better conducting interpretation than those of Frederick Fennell. Tho these recordings are not new recordings, they are still viable interpretations. Glad to see them still available.

4 out of 5 stars Symphonic Band Memories.......2005-09-05

I bought this album primarily for the "Symphonic Songs for Band" suite by Robert Russell Bennett and the "Fanfare and Allegro" By Clifton Williams. They are the favorite pieces I was privledged to participate in performing while a member of the Cal Poly symphonic ban in the 70's. I also remember performing them in high school. I was not disappointed in purchasing this disc! The performances captured here are excellent! The music sends chills down my spine .... I highly recommend the entire album for anyone interested in the genre of symphonic band music!

5 out of 5 stars Fennell - A Wind Band Pioneer.......2002-03-08

'British and American Band Classics' is a great disc for band lovers and music lovers in general. Frederick Fennell has been one of the top leaders in wind band music for decades. Here, one of his early recordings with the Eastman Wind Ensemble survives as a ground-breaking event in wind band music.

Anyone not familiar with Gordon Jacob's "William Byrd" Suite, "Crown Imperial," or any of the other greats on this disc should check out what serious band literature is available. In fact, this music has been available for many years, and has stood the test of time. I would buy the disc just for Clifton Williams' "Fanfare and Allegro," one of the most exciting works for band ever written. It will get your blood pumping!

Contrary to to other reviewers, these performances are not flawless. Intonation is a real problem that shows up especially in the William Byrd Suite, particularly in "The Earle of Oxford's March," and "The Bells." For me, the trumpets are too harsh in some of "Crown Imperial," but these factors wouldn't keep me from purchasing the disc. Remember, these recordings were made in 1958 and 1959...A lot has changed since then! However, no recording is perfect, and this one deserves a place in your collection of great music.

5 out of 5 stars The Gold Standard for Symphonic Band Music.......2000-12-01

This is the second of the two gold standard recordings of symphonic band music, the first being the prior Mercury recording of Fennel conducting the Eastman Winds performing the Holst overture and Vaughan Williams' Folksong Suite. The arrangement, the conductor, the performance, the interpretation are all perfect; one can only wonder what a current all digital master would sound like. Close call whether the vinyl through a tube power amp gives cleaner bass, but by all means get this CD for an indelible recording of unforgettable music.

5 out of 5 stars Hold On To Your Socks!.......2000-11-19

I waited sixteen years for this recording to become available again, after first hearing it on the radio, and it was well worth the wait. The sound on this release, as well as on the others in this Mercury series of vintage recordings, is amazingly spacious and dynamic. This disc's rousing version of the Crown Imperial Coronation March is THE definitive recorded performance of that work. Complete with a stirring, regal melody, startling cannon blast, majestic organ, chimes, cymbals, shattering gong crashes, and thunderous drums, it will literally blow your socks off!
Songs of Romance, Vol. 1
Average customer rating: 5 out of 5 stars
  • Romancing Romance
 Songs of Romance, Vol. 1

Manufacturer: Ranwood Records
ProductGroup: Music
Binding: Audio CD

All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Romberg, SigmundRomberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
RomaniaRomania | Eastern Europe | Europe | International | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
GeneralGeneral | Pop | Styles | Music
GeneralGeneral | Easy Listening | Pop | Styles | Music
Orchestral PopOrchestral Pop | Easy Listening | Pop | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
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Similar Items:
  1. Songs of Romance, Vol. 2
  2. Romance of the Panflute
  3. Return to Romance
  4. Zamfir: The Lonely Shepherd
  5. Pipe Dreams

ASIN: B000000BBS
Release Date: 1997-02-18

Tracks:

  1. Schubert's Serenade
  2. El Condor Pasa
  3. The Wind Beneath My Wings
  4. Clair de Lune
  5. Spanish Eyes
  6. La Mer
  7. Serenade From 'The Student Prince'
  8. La Paloma
  9. On Wings Of Song
  10. Musetta's Waltz
  11. You Light Up My Life

Customer Reviews:

5 out of 5 stars Romancing Romance.......2005-02-26

I have been in love with Zamfir's music since 1982 or so, when I listened in a radio station his fabulous renderng of the --''Theme From Limelight''. I called the radio station, gor the artist's name and album title and went out to a record store and bought it.

I listened to this album's samples and ALL of the songs are just beautifil. I highly recommende it to alll those who really love soft and romantic music, and I am buyinbg this album too!...

Music Review:

  1. Bach: Keyboard Concertos Vol. 8
  2. Beethoven: Piano Trios, Opp. 36 & 38
  3. Burkhard: Concerto Op50; Concertino
  4. Castelnuovo-Tedesco: Guitar Chamber Works
  5. CDCM Computer Music Series Vol. 1 - CEMI, University of North Texas
  6. CDCM Computer Music Series, Vol.5 -- Winham Laboratory at Princeton University
  7. CDCM Computer Music Series, Vol 6: Bregman Studio, Dartmouth College
  8. CDCM Computer Music Series Vol. 7 - iEAR Studios, Rensselaer Polytechnic Institute, NY
  9. CDCM Computer Music Series, Vol 9 - ...musics, metaphors, machines...
  10. Choral Favorites from King's

Music Review

music review

Music Review

A Different Kind of Love/The Music's No Good Without [CD-single]

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Henry V: Original Soundtrack Recording (1989 Film) [Soundtrack]

Cantinas (Mix) [CD-single]

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Gallery of Hearts

Como Una Fiera [Import]

Classic Hollywood, Vol. 2: Herrmann, Shire, Gold [Soundtrack]

Earthtones [CD-single]

El Pan y la Sal [Original recording remastered] [Import]

Doubt Me Now: Surped Up and Screwed [Explicit Lyrics]

Wagner: Lohengrin

Six Feet Under