Virtuoso Music for Flute & Guitar
On this CD:
1. Gentil prince
Composed by Vincenzo Capirola
Performed by Eckart Haupt, Monika Rost
2. Bransle gay
Composed by Adrian Le Roy
Performed by Eckart Haupt, Monika Rost
3. La souris
Composed by Adrian Le Roy
Performed by Eckart Haupt, Monika Rost
4. Bicinium
Composed by Robert Morton
Performed by Eckart Haupt, Monika Rost
5. Tourdion, for chamber ensemble
Composed by Pierre Attaingnant
Performed by Eckart Haupt, Monika Rost
6. Les Folies d'Espagne, for viola da gamba & continuo
Composed by Marin Marais
Performed by Eckart Haupt, Monika Rost
7. Original Pieces (5) for flute & guitar, Op.35 Maestoso
Composed by Al-A'ma
Performed by Eckart Haupt, Monika Rost
8. Original Pieces (5) for flute & guitar, Op.35 Allegretto
Composed by Al-A'ma
Performed by Eckart Haupt, Monika Rost
9. Original Pieces (5) for flute & guitar, Op.35 Allegro
Composed by Al-A'ma
Performed by Eckart Haupt, Monika Rost
10. Original Pieces (5) for flute & guitar, Op.35 Menuetto
Composed by Al-A'ma
Performed by Eckart Haupt, Monika Rost
11. Original Pieces (5) for flute & guitar, Op.35 Burlesko
Composed by Al-A'ma
Performed by Eckart Haupt, Monika Rost
12. Entr'acte for flute (or violin) & harp (or guitar)
Composed by Jacques Ibert
Performed by Eckart Haupt, Monika Rost
13. Góccia-capriccio, for flute & guitar
Composed by Gunther Neubert
Performed by Eckart Haupt, Monika Rost
14. Grand Duo Concertante, sonata for flute & guitar in A, Op 85
Composed by Mauro Giuliani
Performed by Eckart Haupt, Monika Rost
Virtuoso Music for Flute & Guitar, Music, Al-A'ma, Pierre Attaingnant, Vincenzo Capirola, Mauro Giuliani, Jacques Ibert, Adrian Le Roy, Marin Marais, Robert Morton, Gunther Neubert, Eckart Haupt, Monika Rost, Chamber, Chamber Music, Classical, Classical Music, Duo for Mixed Instruments without Keyboard, Flute Solo/Sonata, Keyboard, Miscellaneous, Miscellaneous Music, Music for Keyboard, Single String Instrument with Keyboard/Continuo
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Excellent recording
- Highly Recommended!
- Amazing
- A gentleman musical agreement!
- Extreme virtuosity
|
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Duets
| Chamber Music
| Classical
| Styles
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General
| Chamber Music
| Classical
| Styles
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All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
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General
| Couperin, François
| ( C )
| Featured Composers, A-Z
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All Works by Falla
| Falla, Manuel de
| ( F )
| Featured Composers, A-Z
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| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
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Granados, Enrique
| ( G )
| Featured Composers, A-Z
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
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All Works by Satie
| Satie, Erik
| ( S )
| Featured Composers, A-Z
| Classical
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All Works by Tarrega
| Tarrega, Francisco
| ( T )
| Featured Composers, A-Z
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Telemann, Georg Philipp
| ( T )
| Featured Composers, A-Z
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Villa-Lobos, Heitor
| ( V )
| Featured Composers, A-Z
| Classical
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All Works by Debussy
| Debussy, Claude
| ( D )
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| Telemann, Georg Philipp
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General
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Parkening, Christopher
| ( P )
| Featured Performers, A-Z
| Classical
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| Music
General
| Symphonies
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General
| Sacred & Religious
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| Classical
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General
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| Opera & Vocal
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General
| Songs & Lieder
| Vocal Non-Opera
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Similar Items:
- Christopher Parkening plays Bach
- Simple Gifts: Christopher Parkening
- In the Spanish Style / Christopher Parkening
- The Christopher Parkening Guitar Method - Volume 2: Guitar Technique
- Christopher Parkening - A Tribute to Segovia
ASIN: B000002RTR
Release Date: 1993-09-14 |
Tracks:
- Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
- Estudio brillante
- Etude No. 1 In E Minor
- Recuerdos de la Alhambra
- Leyenda
- Romance
- Rumores de la Caleta
- Capricho Arabe
- Cantata 147: Jesu, Joy Of Man's Desiring
- Well-Tempered Clavier: Prelude No. 1
- Well-Tempered Clavier: Prelude No. 6
- Cantata 140: Sleepers Awake
- Prelude, Fugue, And Allegro: Allegro
- Cantata 208: Sheep May Safely Graze
- Les Barricades mysterieuses
- Preambulo & Allegro vivo: Preambulo And Allegro vivo
- Passacaglia
- The Girl With The Flaxen Hair
- Gymnopedie No. 1
- Empress Of The Pagodas
- Afro-Cuban Lullaby
Tracks:
- Fourth Lute Suite: Praludium
- Fairest Lord Jesus
- Praise Ye The Lord, K. 339
- Simple Gifts
- Hymn Of Christian Joy
- Cantata 29: We Thank Thee, Lord
- Cantata 156: Arioso
- Cantata 99: What God Hath Done
- Canon
- Dolly Suite: Berceuse
- La Vida breve: Spanish Dance No. 1
- Terezinha De Jesus
- Prelude (In The Baroque Style)
- Goyescas: Intermezzo
- Prelude & Fugue No. 4 In E: Fugue
- Evening Dance
- Variations On A Theme Of Mozart
- Canarlos
- La Maja de Goya
- El Noi de la Mare
- Concierto de Aranjuez: Adagio - J. Rodrigo
Customer Reviews:
Excellent recording.......2007-05-12
If you are a fan of classical guitar than this is a must own set. I enjoy every moment.
Highly Recommended!.......2006-12-23
I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.
This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.
Amazing.......2006-05-08
I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.
A gentleman musical agreement! .......2006-03-16
In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.
But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.
Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.
Extreme virtuosity.......2005-09-25
CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Average customer rating:
|
Rendezvous of Angels: Virtuoso Flute Concertos
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
All Works by Hasse
| Hasse, Johann Adolf
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Heinichen
| Heinichen, Johann David
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Cello
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B0001BS4NI
Release Date: 2004-01-07 |
Tracks:
- Concerto in D Major No.116 for Flute, Strings and Continuo QV: ...
- Concerto in D Major No.116 for Flute, Strings and Continuo QV: Arioso
- Concerto in D Major No.116 for Flute, Strings and Continuo QV: Presto
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ...
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ...
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ...
- Concerto in E Minor for Flute, Strings and Continuo [Original Version]
- Concerto in E Minor for Flute, Strings and Continuo [Original Version]
- Concerto in E Minor for Flute, Strings and Continuo [Original Version]
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi]
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi]
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi]
Average customer rating:
|
The English Nightingale: Virtuoso Recorder Music 1590-1830
Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD
Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
| Music
| Allemandes
| Courantes
| Gigue
| Sarabande
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Corelli
| Corelli, Arcangelo
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Telemann, Georg Philipp
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Fantasies
| Forms & Genres
| Classical
| Styles
| Music
General
| Telemann, Georg Philipp
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Recorder
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B0000049MV
Release Date: 2006-10-24 |
Average customer rating:
|
Virtuoso Flute, Vol. 2
Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vaughan Williams, Ralph
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Vaughan Williams, Ralph
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Piccolo
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Similar Items:
- The Virtuoso Flute, Vol. 3
ASIN: B0000023BK
Release Date: 1997-01-07 |
Tracks:
- Concerto For Flute And Orchestra No. 1 In G Major, K. 313: Allegro Maestoso
- Concerto For Flute And Orchestra No. 1 In G Major, K. 313: Adagio non troppo
- Concerto For Flute And Orchestra No. 1 In G Major, K. 313: Rondo: Tempo di Menuetto
- Andante For Flute And Orchestra In C, K. 315
- Concerto For Flute And Strings In D, 'Il Cardellino' (The Goldfinch), R. 428: Allegro
- Concerto For Flute And Strings In D, 'Il Cardellino' (The Goldfinch), R. 428: Cantabile
- Concerto For Flute And Strings In D, 'Il Cardellino' (The Goldfinch), R. 428: Allegro
- Concerto For Piccolo, Strings, And Continuo In C Major, R. 443: Allegro
- Concerto For Piccolo, Strings, And Continuo In C Major, R. 443: Largo
- Concerto For Piccolo, Strings, And Continuo In C Major, R. 443: Allegro molto
- Fantasia On 'Greensleeves'
Average customer rating:
- lots of fun, better phrasing than volume 1
|
Spanish Guitar Virtuoso, Vol. 2
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Giuliani, Mauro
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Granados, Enrique
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Domenico Scarlatti
| Scarlatti, Domenico
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Guitar
| Strings
| Instruments
| Classical
| Styles
| Music
Romero, Angel
| ( R )
| Featured Performers, A-Z
| Classical
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General
| Classical
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General
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CDs Under $7
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All Bargain Titles
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Similar Items:
- Angel Romero: Spanish Guitar Virtuoso
- Bella: The Incomparable Artistry of Angel Romero
- A Touch of Class
- A Touch of Romance
- Antonio Vivaldi: Guitar Concertos, Los Romeros
ASIN: B00005NEZZ
Release Date: 2001-08-14 |
Tracks:
- Fantasia
- Gallarda
- Variations On 'Guardame Las Vacas'
- Grand Overture, Op.61
- Sonata In D Major, L.483
- Sonata In A Minor, L.423
- Sonata In A Major, L.83
- Sonata In E Minor, L.352
- Variations On A Theme By Mozart
- Espanoleta
- Rujero
- Paradetas
- Folias
- Zarabanda
- La Esfachata De Napoles
- La Minena De Cataluna
- Canarios
- La Maja De Goya
- Fandango
- I. Allegro
- II. Andantino
- III. Allegro-Piu Allegro
- Plegaria
- Aleluya
Customer Reviews:
lots of fun, better phrasing than volume 1.......2005-05-04
i like this record mostly. my absolute favorite on here is the giuliani grand overture op.61...romero's playing here is absolutely goregous...breathtaking. also exceptional are the mudarra and the rodrigo and scarlatti. its only like 7 bucks so just buy it. some people complained of weird phrasing on vol. 1 of this series, but i am glad to say that this problem isnt really present here. the only thing that i dislike really is guardame las vacas...i feel that he sacrafices good phrasing for the sake of a display of speed...such playing isnt needed for a traditional piece like this.
Average customer rating:
- Handel Sonatas
- Handel with care!
|
The G.F. Handel Flute Sonatas for Flute and Harpsichord
Manufacturer: Cantilena Records
ProductGroup: Music
Binding: Audio CD
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Recorder
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Classical
| Indie Music
| Stores
| Music
ASIN: B000009K68
Release Date: 1995-08-22 |
Tracks:
- Sonata in G, Op.1, No. 5
- Sonata in G, movement 2
- Sonata in G, movement 3
- Sonata in G, movement 4
- Sonata in G, movement 5
- Sonata in C, Opus 7, No. 7
- Sonata in C, movement 2
- Sonata in C, movement 3
- Sonata in C, movement 4
- Sonata in E minor, Opus 1, No. 16
- Sonata in E minor, movement 2
- Sonata in E minor, movement 3
- Sonata in E minor, Movement 4
- Sonata in E minor, movement 5
- Sonata in F, Opus 1, No. 11
- Sonata in F, movement 2
- Sonata in F, movement 3
- Sonata in F, movement 4
- Sonata in G minor, Opus 1, No. 2
- Sonata in G minor, movement 2
- Sonata in G minor, movement 3
- Sonata in G minor, movement 4
- Sonata in A minor, Opus 1, No. 4
- Sonata in A minor, movement 2
- Sonata in A minor, movement 3
- Sonata in A minor, movement 4
- Sonata in B minor, Opus 1, No. 9
- Sonata in B minor, movement 2
- Sonata in B minor, movement 3
- Sonata in B minor, movement 4
Album Description
The Complete Handel Flute sonatas performed for flute and harpsichord by virtuoso Laurel zucker and robin Sutherland. A must buy for any flute student.
Customer Reviews:
Handel Sonatas.......2006-07-11
Excellent musicianship, Handel would be pleased. My flute students are playing these sonatas, so very useful to have this great interpretation. I have a cd of recorders performing these works but it's not the same.
Handel with care!.......2003-05-14
a great rendition of the complete Handel sonatas for flute and harpsichord performed with finesse and Baroque accuracy by Laurel Zucker, flautist, and Robin Sutherland, harpsichordist.
Average customer rating:
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The Virtuoso Flute - Raffaele Trevisani
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sarasate
| Sarasate, Pablo de
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
ASIN: B0009ESSCO
Release Date: 2005-05-10 |
Tracks:
- Donizetti: Sonata: Largo, Allegro
- Sarasate: Zigeunerweisen (Gypsy Airs)
- Boehm: Grand Polonaise
- Massenet: Meditation de Thais
- Doppler: Airs Valaques
- Borne: Fantaisie brillante sur "Carmen"
- Bazzini: La ronde des Lutins
Average customer rating:
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The Virtuoso Flute, Vol. 3
Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD
All Works by Gluck
| Gluck, Christoph W.
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Piccolo
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B0000023BL
Release Date: 1997-01-07 |
Tracks:
- Concerto For Flute And Orchestra No.2 In D Major: Allegro aperto
- Concerto For Flute And Orchestra No.2 In D Major: Andante ma non troppo
- Concerto For Flute And Orchestra No.2 In D Major: Allegro
- Concerto For Piccolo, Strings And Continuo In A Minor: Allegro
- Concerto For Piccolo, Strings And Continuo In A Minor: Larghetto
- Concerto For Piccolo, Strings And Continuo In A Minor: Allegro
- Concerto For Piccolo, Strings And Continuo In A Minor: Allegro non molto
- Concerto For Piccolo, Strings And Continuo In A Minor: Largo
- Concerto For Piccolo, Strings And Continuo In A Minor: Allegro molto
- Orfeo ed Euridice: Dance Of The Blessed Spirits
Customer Reviews:
Baker is the man!.......2007-01-09
Really now, has there ever been a better flute player than Julie (z'lv)? Nope, not even Galway surpassed him technically and you can ask Jimmy yourself if you don't believe me! Baker kept practicing four hours a day right up to the end, even when he didn't even have any gigs coming up. What a great man he was. The world is a poorer place now that he has split.
Average customer rating:
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Virtuoso Flute
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Galuppi
| Galuppi, Baldassare
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ibert, Jacques
| ( I )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pergolesi
| Pergolesi, Gio Battista
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tartini
| Tartini, Giuseppe
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
ASIN: B000000SN0
Release Date: 1994-07-05 |
Tracks:
- Rondo russo Allegro vivace scherzando: from converto in e for fl & strs - Wofgand Schulz
- Badinerie: from suite No.2 in b, BWV 1067 - Jean Pierre Rampal
- Allegro spiritoso: from Con in G for fl & strs - Jean Pierre Rampal
- Allegro molto: from Con in D for fl, strs & bc, H VII f, D1 - Aurele Nicolet
- Con in G for fl & strs: Allegro - Wolfgang Schultz
- Con in G for fl & strs: Arioso Mesto - Wolfgang Schultz
- Con in G for fl and strs: Presto - Wolfgang Schultz
- Allegro: from Con for fl & strs, op.10/3 'Il gardellino,' RV 428 - Jean Pierre Rampal
- Allegro: from Con in D for fl, strs, & bc - Jean Pierre Rampal
- Allegro: from Con No.6 in e for fl & strs - Jean Pierre Rampal
- Allegro assai: from Con in D for fl & strs - Jean Pierre Rampal
- Allegro: from Con in a for fl & strs - Jean Pierre Rampal
- Entr'Acte for fl & hp - Jean Pierre Rampal/Lily Laskine
- Con No.2 in D, K314: Allegro aperto - Aurele Nicolet
- Con No.2 in D, K314: Andante ma non troppo - Aurele Nicolet
- Con No.2 in D, K314: Allegro - Aurele Nicolet
Music Review:
- Vivaldi's Favorites, Vol. 2
- Works for String Quartet and Orchestra
- 18th Century Berlin Composers
- Annie's Songs [Enhanced]
- Autumn Music
- Bach Highlights
- Bach: Organ Works on Silbermann Organs, Vol. 8
- Balakirev: Symphony No. 2; Tamara; Piano Concerto, Op. 1
- Baroque Music in Bohemia
- Beethoven: Piano Concertos 3 & 5
Music Review
music review
Music Review
Viva Club Rotation V.19 [Import]
Classical Library [Box set]
Franz Schubert: String Quartet D. 887/String Quartet D. 703
Flavor Jazz Selection: French Jazz [Import]
G. I. Jane: Original Soundtrack [Soundtrack]
Banda Kora
Crossroads [Box set]
Down The River Sideways
Canta a Babalu Aye [Import]
Charles Villiers Stanford: Cello Sonata No. 1; Cello Sonata No. 2; Ballata
Combustication
Chiquilla Linda
Country Versatile [Explicit Lyrics]
The Very Best of Nicolai Gedda
Rockford