String Quartets Op 33 #2 #3 & #5
On this CD:
1. String Quartet No. 29 in G major, Op. 33/5, H. 3/41
Composed by Franz Joseph Haydn
Performed by Andrea Bischof, Christophe Coin, Erich Hobarth, Anita Mitterer, Mosaiques Quartet
2. String Quartet No. 32 in C major ("Bird"), Op. 33/3, H. 3/39
Composed by Franz Joseph Haydn
Performed by Andrea Bischof, Christophe Coin, Erich Hobarth, Anita Mitterer, Mosaiques Quartet
3. String Quartet No. 30 in E flat major ("Joke"), Op. 33/2, H. 3/38
Composed by Franz Joseph Haydn
Performed by Andrea Bischof, Christophe Coin, Erich Hobarth, Anita Mitterer, Mosaiques Quartet
String Quartets Op 33 #2 #3 & #5, Music, Haydn, Mosaiques Quartets, Classical, Classical Music, Orchestral & Symphonic
Average customer rating:
- A superb Haydn benchmark
- Perfect Dinner Music
- Delightful Background Music
- He truly is the father of string quartets!
- A matter of taste?
|
Haydn: Complete String Quartets
Angeles String Quartet
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Haydn: Complete Symphonies (Box Set)
- Haydn: Complete Piano Trios
- Haydn: The Complete Piano Sonatas
- Schubert: The String Quartets
- Liszt: Piano Works
ASIN: B0000501PC
Release Date: 2001-05-22 |
Tracks:
- Str Qt in E flat, Op.0: I. Presto
- Str Qt in E flat, Op.0: II. Menuetto
- Str Qt in E flat, Op.0: III. Adagio
- Str Qt in E flat, Op.0: IV. Menuetto
- Str Qt in E flat, Op.0: V. Finale: Presto
- Str Qt in B flat, Op.1 No.1: I. Presto
- Str Qt in B flat, Op.1 No.1: II. Menuetto
- Str Qt in B flat, Op.1 No.1: III. Adagio
- Str Qt in B flat, Op.1 No.1: IV. Menuetto
- Str Qt in B flat, Op.1 No.1: V. Presto
- Str Qt in E flat, Op.1 No.2: I. Allegro
- Str Qt in E flat, Op.1 No.2: II. Menuetto
- Str Qt in E flat, Op.1 No.2: III. Adagio
- Str Qt in E flat, Op.1 No.2: IV. Menuetto
- Str Qt in E flat, Op.1 No.2: V. Presto
- Str Qt in D, Op.1 No.3: I. Adagio
- Str Qt in D, Op.1 No.3: II. Menuetto
- Str Qt in D, Op.1 No.3: III. Presto
- Str Qt in D, Op.1 No.3: IV. Menuetto
- Str Qt in D, Op.1 No.3: V. Finale: Presto
Tracks:
- Str Qt in G, Op.1 No.4: I. Presto
- Str Qt in G, Op.1 No.4: II. Menuetto
- Str Qt in G, Op.1 No.4: III. Adagio Ma Non Tanto
- Str Qt in G, Op.1 No.4: IV. Menuetto
- Str Qt in G, Op.1 No.4: V. Presto
- Str Qt in C, Op.1 No.6: I. Presto Assai
- Str Qt in C, Op.1 No.6: II. Menuetto
- Str Qt in C, Op.1 No.6: III. Adagio
- Str Qt in C, Op.1 No.6: IV. Menuetto
- Str Qt in C, Op.1 No.6: V. Finale: Presto
- Str Qt in A, Op.2 No.1: I. Allegro
- Str Qt in A, Op.2 No.1: II. Menuetto
- Str Qt in A, Op.2 No.1: III. Adagio
- Str Qt in A, Op.2 No.1: IV. Menuetto
- Str Qt in A, Op.2 No.1: V. Allegro Molto
Tracks:
- Str Qt in E, Op.2 No.2: I. Allegro Molto
- Str Qt in E, Op.2 No.2: II. Menuetto
- Str Qt in E, Op.2 No.2: III. Adagio
- Str Qt in E, Op.2 No.2: IV. Menuetto
- Str Qt in E, Op.2 No.2: V. Finale: Presto
- Str Qt in F, Op.2 No.4: I. Presto
- Str Qt in F, Op.2 No.4: II. Menuetto
- Str Qt in F, Op.2 No.4: III. Adagio
- Str Qt in F, Op.2 No.4: IV Menuetto: Allegretto
- Str Qt in F, Op.2 No.4: V. Allegro
- Str Qt in B flat, Op.2 No.6: I. Adagio
- Str Qt in B flat, Op.2 No.6: II. Menuetto
- Str Qt in B flat, Op.2 No.6: III. Presto: Scherzo
- Str Qt in B flat, Op.2 No.6: IV. Menuetto
- Str Qt in B flat, Op.2 No.6: V. Presto
Tracks:
- Str Qt in C, Op.9 No.1: I. Moderato
- Str Qt in C, Op.9 No.1: II. Menuetto: Un Poco Allegretto
- Str Qt in C, Op.9 No.1: III. Adagio
- Str Qt in C, Op.9 No.1: IV. Finale: Presto
- Str Qt in E flat, Op.9 No.2: I. Moderato
- Str Qt in E flat, Op.9 No.2: II. Menuetto
- Str Qt in E flat, Op.9 No.2: III. Adagio
- Str Qt in E flat, Op.9 No.2: IV. Finale: Allegro Molto
- Str Qt in G, Op.9 No.3: I. Allegro Moderato
- Str Qt in G, Op.9 No.3: II. Menuetto
- Str Qt in G, Op.9 No.3: III. Largo
- Str Qt in G, Op.9 No.3: IV. Finale: Presto
- Str Qt in d, Op.9 No.4: I. Moderato
- Str Qt in d, Op.9 No.4: II. Menuetto
- Str Qt in d, Op.9 No.4: III. Adagio Cantabile
- Str Qt in d, Op.9 No.4: IV. Finale: Presto
Tracks:
- Str Qt in B flat, Op.9 No.5: I. Poco Adagio: Theme And Vars
- Str Qt in B flat, Op.9 No.5: II. Menuet: Allegretto
- Str Qt in B flat, Op.9 No.5: III. Largo Cantabile
- Str Qt in B flat, Op.9 No.5: IV. Finale: Presto
- Str Qt in A, Op.9 No.6: I. Presto
- Str Qt in A, Op.9 No.6: II. Menuetto
- Str Qt in A, Op.9 No.6: III. Adagio
- Str Qt in A, Op.9 No.6: IV. Finale: Presto
- Str Qt in E, Op.17 No.1: I. Moderato
- Str Qt in E, Op.17 No.1: II. Menuet
- Str Qt in E, Op.17 No.1: III. Adagio
- Str Qt in E, Op.17 No.1: IV. Finale: Presto
- Str Qt in F, Op.17 No.2: I. Moderato
- Str Qt in F, Op.17 No.2: II. Menuet: Poco Allegretto
- Str Qt in F, Op.17 No.2: III. Adagio
- Str Qt in F, Op.17 No.2: IV. Finale: Allegro Di Molto
Tracks:
- Str Qt in E flat, Op.17 No.3: I. Andante Grazioso
- Str Qt in E flat, Op.17 No.3: II. Menuet: Allegretto
- Str Qt in E flat, Op.17 No.3: III. Adagio
- Str Qt in E flat, Op.17 No.3: IV. Allegro Di Molto
- Str Qt in c, Op.17 No.4: I. Moderato
- Str Qt in c, Op.17 No.4: II. Menuet: Allegretto
- Str Qt in c, Op.17 No.4: III. Adagio Cantabile
- Str Qt in c, Op.17 No.4: IV. Finale: Allegro
- Str Qt in G, Op.17 No.5: I. Moderato
- Str Qt in G, Op.17 No.5: II. Menuet: Allegretto
- Str Qt in G, Op.17 No.5: III. Adagio
- Str Qt in G, Op.17 No.5: IV. Finale: Presto
- Str Qt in D, Op.17 No.6: I. Presto
- Str Qt in D, Op.17 No.6: II. Menuet
- Str Qt in D, Op.17 No.6: III. Largo
- Str Qt in D, Op.17 No.6: IV. Finale: Allegro
Tracks:
- Str Qt in E flat, Op.20 No.1: I. Allegro Moderato
- Str Qt in E flat, Op.20 No.1: II. Menuet: Un Poco Allegretto
- Str Qt in E flat, Op.20 No.1: III. Affettuoso E Sostenuto
- Str Qt in E flat, Op.20 No.1: IV. Finale: Presto
- Str Qt in C, Op.20 No.2: I. Moderato
- Str Qt in C, Op.20 No.2: II. Capriccio: Adagio
- Str Qt in C, Op.20 No.2: III. Menuet: Allegretto
- Str Qt in C, Op.20 No.2: IV. Fuga A Quattro Soggeti: Allegro
- Str Qt in g, Op.20 No.3: I. Allegro Con Spirito
- Str Qt in g, Op.20 No.3: II. Menuet: Allegretto
- Str Qt in g, Op.20 No.3: III. Poco Adagio
- Str Qt in g, Op.20 No.3: IV. Allegro Di Molto
Tracks:
- Str Qt in D, Op.20 No.4: I. Allegro Di Molto
- Str Qt in D, Op.20 No.4: II. Un Poco Adagio E Affettuoso
- Str Qt in D, Op.20 No.4: II. Menuet Alla Zingarese
- Str Qt in D, Op.20 No.4: IV. Presto E Scherzando
- Str Qt in f, Op.20 No.5: I. Moderato
- Str Qt in f, Op.20 No.5: II. Menuet
- Str Qt in f, Op.20 No.5: III. Adagio
- Str Qt in f, Op.20 No.5: IV. Fuga A Due Soggetti
- Str Qt in A, Op.20 No.6: I. Allegro Di Molto E Scherzando
- Str Qt in A, Op.20 No.6: II. Adagio
- Str Qt in A, Op.20 No.6: III. Menuetto
- Str Qt in A, Op.20 No.6: IV. Fuga A Tre Soggetti: Allegro
Tracks:
- Str Qt in b, Op.33 No.1: I. Allegro Moderato
- Str Qt in b, Op.33 No.1: II. Scherzo: Allegro
- Str Qt in b, Op.33 No.1: III. Andante
- Str Qt in b, Op.33 No.1: IV. Presto
- Str Qt in E flat, Op.33 No.2 'The Joke': I. Allegro Moderato, Cantabile
- Str Qt in E flat, Op.33 No.2 'The Joke': II. Scherzo: Allegro
- Str Qt in E flat, Op.33 No.2 'The Joke': III. Largo Sostenuto
- Str Qt in E flat, Op.33 No.2 'The Joke': IV. Finale: Presto
- Str Qt in C, Op.33 No.3 'The Bird': I. Allegro Moderato
- Str Qt in C, Op.33 No.3 'The Bird': II. Scherzo: Allegretto
- Str Qt in C, Op.33 No.3 'The Bird': III. Adagio
- Str Qt in C, Op.33 No.3 'The Bird': IV. Rondo: Presto
Tracks:
- Str Qt in B flat, Op.33 No.4: I. Allegro Moderato
- Str Qt in B flat, Op.33 No.4: II. Scherzo: Allegretto
- Str Qt in B flat, Op.33 No.4: III. Largo
- Str Qt in B flat, Op.33 No.4: IV. Presto
- Str Qt in G, Op.33 No.5: I. Vivace Assai
- Str Qt in G, Op.33 No.5: II. Largo E Cantabile
- Str Qt in G, Op.33 No.5: III. Scherzo: Allegro
- Str Qt in G, Op.33 No.5: IV. Finale: Allegretto
- Str Qt in D, Op.33 No.6: I. Vivace Assai
- Str Qt in D, Op.33 No.6: II. Andante
- Str Qt in D, Op.33 No.6: III. Scherzo: Allegretto
- Str Qt in D, Op.33 No.6: IV. Finale: Allegretto
- Str Qt in d, Op.42: I. Andante Ed Innocentemente
- Str Qt in d, Op.42: II. Menuet
- Str Qt in d, Op.42: III. Adagio E Cantabile
- Str Qt in d, Op.42: IV. Finale: Presto
Tracks:
- Str Qt in B flat, Op.50 No.1: I. Allegro
- Str Qt in B flat, Op.50 No.1: II. Adagio Non Lento
- Str Qt in B flat, Op.50 No.1: III. Poco Allegretto
- Str Qt in B flat, Op.50 No.1: IV. Finale: Vivace
- Str Qt in C, Op.50 No.2: I. Vivace
- Str Qt in C, Op.50 No.2: II. Adagio Cantabile
- Str Qt in C, Op.50 No.2: III. Menuetto: Allegretto
- Str Qt in C, Op.50 No.2: IV. Finale: Vivace Assai
- Str Qt in E flat, Op.50 No.3: I. Allegro Con Brio
- Str Qt in E flat, Op.50 No.3: II. Andante Piu Tosto Allegretto
- Str Qt in E flat, Op.50 No.3: III. Menuetto: Allegretto
- Str Qt in E flat, Op.50 No.3: IV. Finale: Presto
Tracks:
- Str Qt in f#, Op.50 No.4: I. Allegro Spirito
- Str Qt in f#, Op.50 No.4: II. Andante
- Str Qt in f#, Op.50 No.4: III. Menuetto
- Str Qt in f#, Op.50 No.4: IV. Fuga: Allegro Moderato
- Str Qt in F, Op.50 No.5: I. Allegro Moderato
- Str Qt in F, Op.50 No.5: II. Poco Adagio
- Str Qt in F, Op.50 No.5: III. Menuetto
- Str Qt in F, Op.50 No.5: IV. Finale: Vivace
- Str Qt in D, Op.50 No.6 'The Frog': I. Allegro
- Str Qt in D, Op.50 No.6 'The Frog': II. Poco Adagio
- Str Qt in D, Op.50 No.6 'The Frog': III. Menuetto: Allegretto
- Str Qt in D, Op.50 No.6 'The Frog': IV. Finale: Allegro Con Spirito
Tracks:
- Str Qt inG, Op.54 No.1: I. Vivace Assai
- Str Qt inG, Op.54 No.1: II. Allegretto
- Str Qt inG, Op.54 No.1: III. Menuet
- Str Qt inG, Op.54 No.1: IV. Vivace
- Str Qt in C, Op.54 No.2: I. Vivace
- Str Qt in C, Op.54 No.2: II. Adagio -
- Str Qt in C, Op.54 No.2: III. Menuetto: Allegretto
- Str Qt in C, Op.54 No.2: IV. Adagio
- Str Qt in E, Op.54 No.3: I. Allegretto
- Str Qt in E, Op.54 No.3: II. Largo
- Str Qt in E, Op.54 No.3: III. Menuetto: Allegretto
- Str Qt in E, Op.54 No.3: IV. Finale: Presto
Tracks:
- Str Qt in A, Op.55 No.1: I. Allegro
- Str Qt in A, Op.55 No.1: II. Adagio Cantabile
- Str Qt in A, Op.55 No.1: III. Menuet
- Str Qt in A, Op.55 No.1: IV. Finale: Vivace
- Str Qt in f, Op.55 No.2 'The Razor': I. Andante
- Str Qt in f, Op.55 No.2 'The Razor': II. Allegro
- Str Qt in f, Op.55 No.2 'The Razor': III. Menuetto: Allegretto
- Str Qt in f, Op.55 No.2 'The Razor': IV. Presto
- Str Qt in B flat, Op.55 No.3: I. Vivace Assai
- Str Qt in B flat, Op.55 No.3: II. Adagio Ma Non Troppo
- Str Qt in B flat, Op.55 No.3: III. Menuetto
- Str Qt in B flat, Op.55 No.3: IV. Presto
Tracks:
- Str Qt in C, Op.64 No.1: I. Allegro Moderato
- Str Qt in C, Op.64 No.1: II. Menuet: Allegro Ma Non Troppo
- Str Qt in C, Op.64 No.1: III. Allegretto Scherzando
- Str Qt in C, Op.64 No.1: IV. Finale: Presto
- Str Qt in b, Op.64 No.3: I. Allegro Spirito
- Str Qt in b, Op.64 No.3: II. Adagio Ma Non Troppo
- Str Qt in b, Op.64 No.3: III. Menuet: Allegretto -
Amazon.com's Best of 2001
A massive set--67 string quartets on 21 discs in a budget-priced, shelf-friendly, compact box. So the obvious question is: do you need it? The equally obvious answer is a resounding "yes" if you love these endlessly inventive quartets and if you appreciate superbly played performances that capture both the letter and the spirit of Haydn's genius. The Angeles String Quartet isn't as well known as some ensembles that have recorded complete Haydn sets, but they are superior to all, with the arguable exception of the Tatrai Quartet. They demonstrate technical polish and rich, warm sound that's never cloying. And they give these works the forward-moving impetus they need within a classical framework, eschewing both anachronistic Romanticism and the mechanical astringency of period specialists.
The Angeles Quartet is unique in its mastery of early as well as late works, in tune with Haydn's stylistic development and sensitive to the attractions of each of these remarkable pieces. So they infuse the visionary slow movements of the late quartets with the appropriate depth and at the same time revel in the muscularity of the Opus 76 No.2's catchy Menuetto, the humor of the "Joke" Quartet, Opus 33 No.2, and the power of the Allegro con spirito of Opus 76 No.1. Most impressive is their way with the early quartets--no small matter when you consider that the contents of the first six discs precede the Opus 20 set generally considered as signaling the maturity of the form. The Angeles make even the earliest quartets, five-movement divertimentos for four strings, a habit-forming delight. Their playing here is full of exuberance, wittily playful and rough, peasantlike by turns. The sonics are outstanding, too, well-balanced, warm, and lifelike. An indispensable recording. --Dan Davis
Customer Reviews:
A superb Haydn benchmark.......2007-06-28
It takes a lot of time to grasp Haydn's music, because there's much of everything: symphonies, piano sonatas, operas, piano trios, string quartets, choral works, songs, etc. - in sum, more than one thousand individual works. It will probably take more than a year listening to it all, and comprehend it as well (i.e., not as "background music"). Few, if any person, can have a complete grasp of everything he wrote.
But there are nonetheless good reasons trying to grasp Haydn's music, at least partly. This bargain set - 68 string quartets on 21 CDs - is a perfectly good reason. Haydn's string quartets contain some of his finest music. And the present recordings with Angeles Quartet are simply superb. Unlike many period instrument performers, Angeles Quartet avoids meticulous mannerism and plays this music with energy and passion, without loosing structural control. Furthermore, the recordings are excellent, with a rich, creamy and spacious sound. In short, great performances and excellent engineering. A benchmark recording, no less.
There are some rival complete sets: Aeolian Quartet (Decca), Festetics Quartet (period instrument performances, Arcana), Tátrai (Hungaroton), and Kodaly Quartet (Naxos). In terms of sound, the present set is clearly preferable. In terms of performances, the only serious rival is Tátrai Quartet's classic collection from the sixties. But Angeles Quartet is not a second choice. If you hesitate, you need both. Budget and shelf space minded collectors need not hesitate.
Perfect Dinner Music.......2007-05-14
Some might be offended at the idea that music be played in the background to accompany a fine meal, but in fact most of us listen to music in the background. This entire set of 15-CDs is (to my ears) the perfect music to accompany a delicious meal with someone you love. I have owned this CD set for years and never tire of it.
I have found that after listening to it hundreds of times that using iTunes in shuffle mode keeps it fresh.
Delightful Background Music.......2006-03-04
This music is a great buy, and wonderful to listen to while doing desk work or reading.
The Angeles String Quartet does an excellent job, and all of the works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.
He truly is the father of string quartets!.......2005-09-27
This may not be true as far as the instrumentation is concerned, but Haydn is one of the first to explore them as more than a solo violin with a trio accompaniment (second violin, viola and cello), thus giving the chamber music a new dimension.
If you've already explored Haydn's universe through some of his glorious symphonies, these string quartets are an excellent way of further expanding your appreciation of Haydn's music. There are very few dull moments in this lot (and almost all of them are to be found in his early quartets, while there are a few in his very latest works, where he seems to have lost the energy and brio that had established him as one of the best composers of his time). His first works have five movements and ressemble the divertimenti or serenatas. Later on, his quartets took a form which was to become standard, both for Haydn and other composers: four movements - a fast one, a slow one, a minuet and trio and a fast finale.
If one listens to Haydn's string quartes in chronological order, one can feel and appreciate his growth and maturity as a composer. The motives introduced during the first movement are developed over the entire work entity, the increasing use of first movements that are monothematic, the expansion of harmonic usage, the combination of serious with funny, intellectual with ridicule, etc.
Both Mozart and Beethoven wrote famous series of string quartets, but I've always liked Haydn's quartets the most. My personal favorites are op. 76 (especially no 3, which later on became the German National Anthem), op. 64 (especially no 5 called "The lark") and op. 33 (where Haydn introduced special effects, like a birdcall, which gave the third quartet its name).
A matter of taste?.......2005-05-31
It is something unpleasant about the sound here; it is resonant, yes, but not like the Takacs quartet. Comparing to the Takacs' take on op.76/1, 2 & 3, which I love, the Angeles' makes me think of a grey substance, sterile, antiseptic, of no life. Is it the sound quality? Or is it the way the quartet is playing? I think the latter, but it is difficult to figure out what is wrong; in fact I don't find any serious miscalculations. The problem is that the playing feels calculated; it is some kind of contrived perfection, it all feels too concious; I feel something wrong about the accent, the stress of the phrasings... but I give up: Suffice it to say that I regret I bought this collection of boring performances. Three stars for professional playing. If you like some human touch, go for the Aeolian quartet, less perfection, more life.
Average customer rating:
- Haydn's String Quartets, Opus 33
- Warm, good humored and eventful Haydn
- Warm, good humored and eventful Haydn
- Warm, funny, charming and eventful Haydn
|
Haydn: String Quartets, Op. 33 "Russian", No. 1, No. 2 "The Joke", No. 5 "How do you do?"
Manufacturer: Naxos
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Similar Items:
- Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6
- Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6
- Haydn: String Quartets Op. 76, Nos. 1-3
- Haydn: String Quartets, Op. 76, Nos. 4, 5 and 6
- Haydn: String Quartets, Op. 71, Nos. 1-3 "Apponyi Quartets"
ASIN: B0000013YE
Release Date: 1995-03-21 |
Tracks:
- Vivace Assai
- Largo E Cantabile
- Scherzo
- Finale
- Allegro Moderato
- Scherzo
- Largo E Sostenuto
- Finale
- Allegro Moderato
- Scherzo
- Andante
- Finale
Amazon.com
Haydn's string quartet Op. 33 No. 2, The Joke, is one of the funniest things he ever wrote, and that's saying a lot because Haydn was the funniest composer in history. In fact, you might say that Haydn really invented the language of musical humor as part of his development of what we now call the classical style. These quartets were a crucial milestone, then, in musical history, and it's rare that such important artistic events are such a breezy good time too. In the finale of the The Joke Quartet, Haydn invents a principal theme that breaks up into four equal pieces. By making the pauses between each phrase longer and longer, it becomes impossible to tell when the music actually ends. Check it out for yourself and see if you get it right. --David Hurwitz
Customer Reviews:
Haydn's String Quartets, Opus 33.......2007-02-19
I ordered this CD and its mate with the other three quartets of Opus 33. My interest in these six quartets was originally their importance as models for Mozart's six late quartets dedicated to Joseph Haydn. However, I discovered that these are great works on their own, in the same class as Mozart's. The differences between them show the differences in Mozart and Haydn's temperaments, rather than any difference in genius of the composer or excellence of workmanship.
The performances of the Kodaly Quartet are uniformly first-rate, and the quality of the reproduction is excellent.
Warm, good humored and eventful Haydn.......1999-09-19
The Naxos/Kodaly Quartet series of the complete Haydn string quartets offers a great way to acquire outstanding, historically ground-breaking music in warm, good humored and eventful performances that perfectly capture the spirit of the composer.
Warm, good humored and eventful Haydn.......1999-09-19
The Naxos/Kodaly Quartet series of the complete Haydn string quartets offers a great way to acquire outstanding, historically ground-breaking music in warm, good humored and eventful performances that perfectly capture the spirit of the composer.
Warm, funny, charming and eventful Haydn.......1998-11-08
These Kodaly Qt. performances of three of the six Haydn op. 33 Quartets, like most of the Kodaly performances of Hadyn in their remarkable bargain series for Naxos, are warm, funny, charming and eventful performances. I've collected nine discs in this series and plan to collect more.
Average customer rating:
- The "Clinker" of the bunch
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Brahms: The Masterworks (Box Set)
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Similar Items:
- Dvorák: The Masterworks [Box Set]
- Mendelssohn: The Masterworks [Box Set]
- Vivaldi: The Masterworks (Box Set)
- Beethoven: The Masterworks (Box Set)
- Schubert: The Masterworks [Box Set]
ASIN: B00062FLIS
Release Date: 2004-11-30 |
Customer Reviews:
The "Clinker" of the bunch.......2006-12-19
Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.
Average customer rating:
- Haydn's Op 33 String Quartets
- Haydn's Top 30 Quartets
|
Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6
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Similar Items:
- Haydn: String Quartets, Op. 33 "Russian", No. 1, No. 2 "The Joke", No. 5 "How do you do?"
- Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6
- Haydn: String Quartets Op. 76, Nos. 1-3
- Haydn: String Quartets, Op. 71, Nos. 1-3 "Apponyi Quartets"
- Haydn: String Quartets, Op. 76, Nos. 4, 5 and 6
ASIN: B0000013YF
Release Date: 1995-01-25 |
Tracks:
- Allegro Moderato
- Scherzo: Allegretto
- Adagio Ma Non Troppo
- Finale: Rondo-Presto
- Vivace Assai
- Andante
- Scherzo: Allegretto
- Finale: Allegretto
- Allegro Moderato
- Scherzo: Allegretto
- Largo
- Finale: Presto
Amazon.com
Haydn claimed that his Op. 33 string quartets were composed in a "new and special way," and ever since musical scholars have been arguing about what he meant. Was it mere advertising, or is something different really going on? One this is certain: in place of the usual minuet movement, Haydn invented something called a "Scherzo," which means "joke" in Italian--an innovation that was immediately taken up by Beethoven and just about every composer since. These were also the string quartets that inspired Mozart to compose his great Six Quartets Dedicated to Haydn, making them one of the most influential set of pieces in the history of music. Witty, sophisticated, and tuneful, the music itself is its own best advertisement. --David Hurwitz
Customer Reviews:
Haydn's Op 33 String Quartets.......2007-02-19
I ordered this CD and its mate with the other three quartets of Opus 33. My interest in these six quartets was originally their importance as models for Mozart's six late quartets dedicated to Joseph Haydn. However, I discovered that these are great works on their own, in the same class as Mozart's. The differences between them show the differences in Mozart and Haydn's temperaments, rather than any difference in genius of the composer or excellence of workmanship.
The performances of the Kodaly Quartet are uniformly first-rate, and the quality of the reproduction is excellent.
Haydn's Top 30 Quartets.......2005-07-29
This is general review of the Naxos series of Haydn's string quartets.
You know the old saying, "you get what you pay for." This is usually true for sure ... but once in a while in life something comes around whose quality and value far exceed the price. Such is the case with the Naxos recordings of the Kodaly Quartet. These are performances of top caliber recorded with very good to excellent sound quality.
But, where to start with so many Haydn quartets? One suggestion is to get the Naxos SETS of these works which are an even more stellar bargin. But, if you are buying one CD at-a-time (which perhaps allows for more appreciation and slower savoring), you might focus on what is known as "Haydn's Top 30." This is a list of Haydn's quartets that are recognized by many experts as his finest: Op. 3 (no. 3,5) - Op.9 (no. 2) - Op. 17 (no. 5) - Op. 20 (no. 4,5,6) - Op. 33 (No. 2,3,6) - Op. 50 (no. 6) - Op. 54 (no. 1,2,3) - Op. 64 (all) - Op. 74 (no. 1,2,3) - Op. 76 (all) - Op. 77 (no. 1,2).
Quartets prior to Op. 17 have more of a simpler, pleasant "galante" style and are quite enjoyable for "everyday listening" ... Op. 20 sees Haydn fully in his "Storm & Stress" period with bold harmonies and dynamic rhythms ... By Op. 33 Haydn was over his pre-Romantic-era emotive composing and returned to a more lyrical style .... Op. 64 has a really gorgeous and relaxed style ... then in Op. 76 & 77 we see the pinnacle of Haydn's craft late in his life with quartets rich in intelligent construction, complex part writing and more grand 'symphonic' harmonies - part due to his writing for large London audiences. A good place to start is to get one CD each from roughly Haydn's early-middle-late periods - like Op. 3, Op. 33 and Op. 76 and see the development that occured as Haydn literally gave birth to the modern string quartet.
Another quartet with a keen affinity for Haydn is the Austrian quartet, Quatuor Mosaiques, whose vivid recordings of Op. 20, 33, 64, 76 and 77 have won critical acclaim for their in-depth readings and beautiful sound. Using period instruments, the Mosaiques' recordings in general are more dramatic in style and tone generally than the Kodaly Quartet (using modern instruments) and are considered by most to be the finest of any period-instrument quartet right now. Their award-winning Op. 20 recording is most exceptional and dramatic. But the Kodaly Quartet with their lucious, smooth-sounding Haydn recordings gets universally high marks from most reviewers and is the finest value bar none. Go for the sets for the best value.
Average customer rating:
- Many Hours of Magnificent Listening Pleasure
|
Franz Joseph Haydn: Complete String Quartets (Box Set)
Kodly Quartet
Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Haydn: Complete Piano Trios
- Mozart: String Quartets (Complete Mozart Edition, Vol. 12)
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- Haydn: The "Sturm und Drang" Symphonies
- Schubert: The String Quartets
ASIN: B00004SSJF
Release Date: 2000-08-15 |
Tracks:
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Allegro con spirito
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Adagio sostenuto
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Menuetto: Presto
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Finale: Allegro ma non troppo
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Allegro
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Andante o piu tosto allegretto
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Menuetto: Allegro ma non troppo
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Vivace assai
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Allegro
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Poco adagio, cantabile
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Menuetto: Allegro
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Finale: Presto
Tracks:
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Allegro con spirito
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Adagio
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Menuetto: Allegro
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Finale: Allegro ma non troppo
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Allegretto - Allegro
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Largo cantabile e mesto
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Menuetto: Allegro
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Finale: Presto
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Allegretto - Allegro
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Fantasia: Adagio
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Menuetto: Presto
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Finale: Allegro spirituoso
Tracks:
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: L'Introduzione: Maestoso ed adagio
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata I: Pater, dimitte illis, non enim sciunt, quid faciunt (Largo)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata II: Amen dico tibi: hodie mecum eris in paradiso (Grave e cantabile)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata III: Mullier, ecce fillus tuus, et tu, ecce mater tua! (Grave)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata IV: Eli, Eli, lama asabthani? (Largo)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata V: Sitio (Adagio)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata VI: Consummatum est! (Lento)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata VII: Peter! in manus tuas commendo spiritum meum - (Largo)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Il terrmoto (Presto e con tutta la forza)
- String Quartet No. 68 In D Minor, Op. 103 Hob. III: 83: Andante graziso
- String Quartet No. 68 In D Minor, Op. 103 Hob. III: 83: Menuetto ma non troppo presto
Tracks:
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Allegro
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Adagio
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Menuetto: Allegretto
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: (Finale): Vivace
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Adagio-Allegro
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Adagio (cantobile)
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Menuetto: Allegretto
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Finale: Allegretto
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Vivace
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Andante con moto
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Menuetto
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Finale: Vivace
Tracks:
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Vivace
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Adagio
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Menuetto: Allegretto
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Finale: Adagio-Presto-Adagio
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Allegro con brio
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Allegretto
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Menuetto: Allegretto
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Finale: Presto
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Allegro
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Largo cantobile
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Menuetto: Allegretto
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Finale: Presto
Tracks:
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Allegro (moderato)
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Andantino (grazioso)
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Menuetto: Allegro
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Finale: Vivace
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Allegro spiritoso
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Andadnte grazioso
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Menuetto
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Finale: Presto
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Allegro
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Largo assai
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Menuetto: (Allegretto)
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Finbale: Allegro con brio
Tracks:
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Allegro
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Adagio cantabile
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Menuetto
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Finale: Vivace
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Andante o piu tosto allegretto
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Allegro
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Menuetto: Allegretto
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Finale: Presto
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Vivace assai
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Adagio ma non troppo
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Menuetto
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Finale: Presto
Tracks:
- String Quartet In B Flat Major Op. 1, No. 1: Presto
- String Quartet In B Flat Major Op. 1, No. 1: Minuet
- String Quartet In B Flat Major Op. 1, No. 1: Adagio
- String Quartet In B Flat Major Op. 1, No. 1: Minuet
- String Quartet In B Flat Major Op. 1, No. 1: Finale: Presto
- String Quartet In E Flat Major Op. 1, No. 2: Allegro molto
- String Quartet In E Flat Major Op. 1, No. 2: Minuet
- String Quartet In E Flat Major Op. 1, No. 2: Adagio
- String Quartet In E Flat Major Op. 1, No. 2: Minuet
- String Quartet In E Flat Major Op. 1, No. 2: Finale: Presto
- String Quartet In D Flat Major Op. 1, No. 3: Adagio
- String Quartet In D Flat Major Op. 1, No. 3: Minuet
- String Quartet In D Flat Major Op. 1, No. 3: Scherzo: Presto
- String Quartet In D Flat Major Op. 1, No. 3: Menuet
- String Quartet In D Flat Major Op. 1, No. 3: Finale: Presto
- String Quartet In G Flat Major Op. 1, No. 4: Presto
- String Quartet In G Flat Major Op. 1, No. 4: Minuet
- String Quartet In G Flat Major Op. 1, No. 4: Adagio ma non tanto
- String Quartet In G Flat Major Op. 1, No. 4: Minuet
- String Quartet In G Flat Major Op. 1, No. 4: Finale: Presto
Tracks:
- String Quartet In E Flat Major Op. 1, No. 0: Presto
- String Quartet In E Flat Major Op. 1, No. 0: Minuet
- String Quartet In E Flat Major Op. 1, No. 0: Adagio
- String Quartet In E Flat Major Op. 1, No. 0: Minuet
- String Quartet In E Flat Major Op. 1, No. 0: Finale: Presto
- String Quartet In C Major Op. 2, No. 6: Presto assai
- String Quartet In C Major Op. 2, No. 6: Minuet
- String Quartet In C Major Op. 2, No. 6: Adagio
- String Quartet In C Major Op. 2, No. 6: Minuet
- String Quartet In C Major Op. 2, No. 6: Finale: Allegro
- String Quartet In D Major Op. 2, No. 1: Allegro
- String Quartet In D Major Op. 2, No. 1: Minuet
- String Quartet In D Major Op. 2, No. 1: Adagio
- String Quartet In D Major Op. 2, No. 1: Minuet
- String Quartet In D Major Op. 2, No. 1: Finale: Allegro molto
- String Quartet In G Major Op. 2, No. 2: Allegro molto
- String Quartet In G Major Op. 2, No. 2: Minuet
- String Quartet In G Major Op. 2, No. 2: Adagio
- String Quartet In G Major Op. 2, No. 2: Minuetto
- String Quartet In G Major Op. 2, No. 2: Finale: Presto
Tracks:
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Allegro moderato
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Menuetto: Allegretto ma non troppo
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Allegretto scherzando
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Finale: Presto
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Allegro spiritoso
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Adagio ma non troppo
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Menuetto: Allegretto
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Finale: Presto
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Vivace assai
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Adagio
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Menuetto: Allegretto
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Finale: Allegro con spirito
Tracks:
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Allegro con brio
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Menuetto: Allegretto
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Adagio - Cantabile e sostenuto
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Finale: Presto
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Allegro moderato
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Adagio - Cantabile
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Menuetto: Allegretto
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Finale: Vivace
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Allegro
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Andante
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Menuetto: Allegretto
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Finale: Presto
Tracks:
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Allegro moderato
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Minuet: Un poco allegretto
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Affetuoso e sostenuto
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Finale: Presto
- Quartet No. 25 In C Major, Op. 20, No. 2: Moderato
- Quartet No. 25 In C Major, Op. 20, No. 2: Capriccio: Adagio
- Quartet No. 25 In C Major, Op. 20, No. 2: Minuet: Allegretto
- Quartet No. 25 In C Major, Op. 20, No. 2: Fuga a quattro soggetti
- Quartet No. 26 In G Minor, Op. 20, No. 3: Allegro con spirito
- Quartet No. 26 In G Minor, Op. 20, No. 3: Minuet: Allegretto
- Quartet No. 26 In G Minor, Op. 20, No. 3: Poco adagio
- Quartet No. 26 In G Minor, Op. 20, No. 3: Finale: Allegro di molto
Tracks:
- Quartet No. 27 In D Major, Op. 20, No. 4: Allegro di molto
- Quartet No. 27 In D Major, Op. 20, No. 4: Un poco adagio e affettuoso
- Quartet No. 27 In D Major, Op. 20, No. 4: Menuet alla Zingarese: Allegretto
- Quartet No. 27 In D Major, Op. 20, No. 4: Presto e scherzando
- Quartet No. 23 In F Minor, Op. 20, No. 5: Moderato
- Quartet No. 23 In F Minor, Op. 20, No. 5: Menuet
- Quartet No. 23 In F Minor, Op. 20, No. 5: Adagio
- Quartet No. 23 In F Minor, Op. 20, No. 5: Finale: Fuga a due soggetti
- Quartet No. 24 In A Major, Op. 20, No. 6: Allegro di molto e scherzando
- Quartet No. 24 In A Major, Op. 20, No. 6: Adagio
- Quartet No. 24 In A Major, Op. 20, No. 6: Menuet
- Quartet No. 24 In A Major, Op. 20, No. 6: Fuga con tre soggetti
Tracks:
- Quartet No. 35 In D Minor, Op. 42: Andante ed Innocentemente
- Quartet No. 35 In D Minor, Op. 42: Menuetto: Allegretto
- Quartet No. 35 In D Minor, Op. 42: Adagio e cantabile
- Quartet No. 35 In D Minor, Op. 42: Finale: Presto
- Quartet No. 9 In F Major, Op. 2, No. 4: Presto
- Quartet No. 9 In F Major, Op. 2, No. 4: Menuet
- Quartet No. 9 In F Major, Op. 2, No. 4: Adagio
- Quartet No. 9 In F Major, Op. 2, No. 4: Menuet: Allegretto
- Quartet No. 9 In F Major, Op. 2, No. 4: Finale: Allegro
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Adagio With Variations
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Menuet
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Scherzo: Presto
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Menuet
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Finale: Presto
Tracks:
- Quartet No. 11 In D Minor, Op. 9, No. 4: Moderato
- Quartet No. 11 In D Minor, Op. 9, No. 4: Menuet
- Quartet No. 11 In D Minor, Op. 9, No. 4: Adagio - Cantabile
- Quartet No. 11 In D Minor, Op. 9, No. 4: Finale: Presto
- Quartet No. 12 In C Major, Op. 9, No. 1: Moderato
- Quartet No. 12 In C Major, Op. 9, No. 1: Menuet: Un poco allegretto
- Quartet No. 12 In C Major, Op. 9, No. 1: Adagio
- Quartet No. 12 In C Major, Op. 9, No. 1: Finale: Presto
- Quartet No. 13 In G Major, Op. 9, No. 3: Moderato
- Quartet No. 13 In G Major, Op. 9, No. 3: Menuet: Allegretto
- Quartet No. 13 In G Major, Op. 9, No. 3: Largo
- Quartet No. 13 In G Major, Op. 9, No. 3: Finale: Presto
Tracks:
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Moderato
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Menuet
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Adagio
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Finale: Allegro di molto
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Poco adagio
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Menuet: Allegretto
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Largo: Cantabile
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Finale: Presto
- Quartet No. 16 In A Major, Op. 9, No. 6: Presto
- Quartet No. 16 In A Major, Op. 9, No. 6: Menuet
- Quartet No. 16 In A Major, Op. 9, No. 6: Adagio
- Quartet No. 16 In A Major, Op. 9, No. 6: Finale: Presto
Tracks:
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Vivace assai
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Largo e cantabile
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Scherzo
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Finale
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Allegro moderato
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Scherzo
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Largo e sostenuto
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Finale
- Quartet No. 31 In B Minor, Op. 33, No. 1: Allegro moderato
- Quartet No. 31 In B Minor, Op. 33, No. 1: Scherzo
- Quartet No. 31 In B Minor, Op. 33, No. 1: Andante
- Quartet No. 31 In B Minor, Op. 33, No. 1: Finale
Tracks:
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Allegro moderato
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Scherzo: Allegretto
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Adagio ma non troppo
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Finale: Rondo - Presto
- Quartet No. 33 In D Major, Op. 33, No. 6: Vivace assai
- Quartet No. 33 In D Major, Op. 33, No. 6: Andante
- Quartet No. 33 In D Major, Op. 33, No. 6: Scherzo: Allegretto
- Quartet No. 33 In D Major, Op. 33, No. 6: Finale: Rondo - Presto
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Allegro moderato
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Scherzo: Allegretto
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Largo
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Finale: Presto
Tracks:
- String Quartet Op. 17 No. 2 In F Major: Moderato
- String Quartet Op. 17 No. 2 In F Major: Menuetto: Allegretto
- String Quartet Op. 17 No. 2 In F Major: Adagio
- String Quartet Op. 17 No. 2 In F Major: Finale: Allegro di molto
- String Quartet Op. 17 No. 1 In E Major: Moderato
- String Quartet Op. 17 No. 1 In E Major: Menuetto: Allegretto
- String Quartet Op. 17 No. 1 In E Major: Adagio
- String Quartet Op. 17 No. 1 In E Major: Finale: Presto
- String Quartet Op. 17 No. 4 In C Minor: Moderato
- String Quartet Op. 17 No. 4 In C Minor: Menuetto
- String Quartet Op. 17 No. 4 In C Minor: Adagio cantabile
- String Quartet Op. 17 No. 4 In C Minor: Finale: Allegro
Tracks:
- String Quartet In D Major, Op. 17, No. 6: Presto
- String Quartet In D Major, Op. 17, No. 6: Menuetto
- String Quartet In D Major, Op. 17, No. 6: Largo
- String Quartet In D Major, Op. 17, No. 6: Presto
- String Quartet In E Flat Major, Op. 17, No. 3: Andate grazioso
- String Quartet In E Flat Major, Op. 17, No. 3: Menuetto: Allegretto
- String Quartet In E Flat Major, Op. 17, No. 3: Adagio
- String Quartet In E Flat Major, Op. 17, No. 3: Allegro molto
- String Quartet In G Major, Op. 17, No. 5: Moderato
- String Quartet In G Major, Op. 17, No. 5: Menuetto
- String Quartet In G Major, Op. 17, No. 5: Adagio
- String Quartet In G Major, Op. 17, No. 5: Presto
Tracks:
- Quartet No. 66 In G Major, Op. 77, No. 1: Allegro moderato
- Quartet No. 66 In G Major, Op. 77, No. 1: Adagio
- Quartet No. 66 In G Major, Op. 77, No. 1: Menuetto: Presto
- Quartet No. 66 In G Major, Op. 77, No. 1: Finale: Presto
- Quartet No. 67 In F Major, Op. 77, No. 2: Allegro moderato
- Quartet No. 67 In F Major, Op. 77, No. 2: Menuet: Presto
- Quartet No. 67 In F Major, Op. 77, No. 2: Andante
- Quartet No. 67 In F Major, Op. 77, No. 2: Finale: Vivace assai
Tracks:
- String Quartet In B Flat Major, Op. 50, No. 1: Allegro
- String Quartet In B Flat Major, Op. 50, No. 1: Adagio non lento
- String Quartet In B Flat Major, Op. 50, No. 1: Menuetto: Poco allegretto
- String Quartet In B Flat Major, Op. 50, No. 1: Finale: Vivace
- String Quartet In C Major, Op. 50, No. 2: Vivace
- String Quartet In C Major, Op. 50, No. 2: Adagio: Cantabile
- String Quartet In C Major, Op. 50, No. 2: Menuetto: Allegretto
- String Quartet In C Major, Op. 50, No. 2: Finale: Vivace assai
- String Quartet In E Flat Major, Op. 50, No. 3: Allegro con brio
- String Quartet In E Flat Major, Op. 50, No. 3: Andante piu tosto Allegretto
- String Quartet In E Flat Major, Op. 50, No. 3: Menuetto: Allegretto
- String Quartet In E Flat Major, Op. 50, No. 3: Finale: Presto
Tracks:
- String Quartet Op. 50 No. 4 In F Sharp Minor: Allegro spirituoso
- String Quartet Op. 50 No. 4 In F Sharp Minor: Andante
- String Quartet Op. 50 No. 4 In F Sharp Minor: Menuetto: Poco allegretto
- String Quartet Op. 50 No. 4 In F Sharp Minor: Finale: Fuga: Allegro moderato
- String Quartet Op. 50 No. 5 In F Major: Allegro moderato
- String Quartet Op. 50 No. 5 In F Major: Poco adagio
- String Quartet Op. 50 No. 5 In F Major: Menuetto: Allegretto
- String Quartet Op. 50 No. 5 In F Major: Finale: Vivace
- String Quartet Op. 50 No. 6 In D Major: Allegro
- String Quartet Op. 50 No. 6 In D Major: Poco adagio
- String Quartet Op. 50 No. 6 In D Major: Menuetto: Allegretto
- String Quartet Op. 50 No. 6 In D Major: Finale: Allegro con spirito
Customer Reviews:
Many Hours of Magnificent Listening Pleasure.......2007-02-20
When these quartets were recorded, in the 1990's and early 2000's, the Kodaly Quartet ("KQ") had been playing together for more than a quarter century. It shows. What is evident on these recordings is the perfect cohesion of these highly talented musicians; they clearly have an intimate knowledge of the score of each quartet and thoroughly enjoy playing together. The KQ's performance is fresh, truly conveys their love for this music, and fully brings to life the range of emotions contained in this musical microcosm - playfulness, elegance, sunny joy, and gentle reverie - with every movement of these quartets having a quality of refinement and graciousness that allows the listener to savor every note.
The allegro movements on these CDs have a wonderful rhythmic vitality.
While listening to them, one can imagine elegantly dressed men and women in the 18th century, with the women in long, flowing silk dresses, moving across the dance floor to the sounds of this wonderful music. Although this chamber music was originally composed for small private gatherings, the fast movements have a lively rhythm that evokes the image of dancing couples.
The slow movements are played with a beautiful tenderness that invites the listener to float upwards with closed eyes into a serene musical heaven, floating in the clouds like an albatross with its wings outspread, being lifted by air currents as it slowly glides through an azure sky on a warm summer day.
These digital recordings have an excellent crystal clear sound quality, capturing the KQ's precision and their sensitivity to every nuance of every note. The sound engineering is truly first-rate, giving a feeling of immediacy and physical presence to the instruments. It is only one step away from having the musicians actually performing in front of you, in your own living room.
I am absolutely delighted with this series of the complete Haydn string quartets by the KQ. As it turns out, every CD in the series has been a delight, including the ones with "spurious arrangements" and quartets that may very well not have been composed by Haydn at all, but by Romanus Hoffstetter (1742 - 1815).
Even the early string quartets are more than mere historical footnotes. They are also beautiful music, irrespective of who composed them, Haydn or Hoffstetter. They are delightful and very worthy compositions in their own right. As stated by Allan Badley in the booklet notes to one of the CD's of the earliest quartets: "There is much to admire in the Op. 3 Quartets, whoever the composer may have been. They are elegant, neatly composed works with lively outer movements, gentle, graceful slow movements, and the kind of lilting, intoxicating minuets that are an integral part of Austrian music of the period." The fact that these string quartets are less musically complex than Haydn's later masterpieces, such as the Opus 71, "Apponyi" quartets, does not detract from their beauty.
I would gladly have paid twice as much for this set of CDs and still felt it was an excellent value. The CD booklet notes are well-written, with historical information, musical analysis, and information on the Kodaly Quartet. Very highly recommended.
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Haydn: String Quartets Op. 33
Manufacturer: Astree
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Similar Items:
- Haydn: String Quartets Op. 20
- Haydn: String Quartets Op 64 Nos 1, 3, 6 /Quatuor Mosaiques
- Haydn: String Quartets Op 64 Nos 2, 4, 5 /Quatuor Mosaiques
- Mozart: String Quartets /Quatuor Mosaiques
- Haydn: String Quartets Op. 76
ASIN: B0000DETAW
Release Date: 2000-01-01 |
Average customer rating:
- Gramophone Top Pick
- award winning performances, great value
- Deserves to be as well-loved as Haydn's Opus 76 ...
|
Haydn: String Quartets Op 33 /Quatuor Mosaiques
Quatuor Mosaiques
Manufacturer: Naive Astree
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Similar Items:
- Haydn: String Quartets Op 20 /Quatuor Mosaïques
- Haydn: String Quartets Op 64 Nos 2, 4, 5 /Quatuor Mosaiques
- Haydn: String Quartets Op. 76
- Haydn: String Quartets Op 64 Nos 1, 3, 6 /Quatuor Mosaiques
- Mozart: String Quartets /Quatuor Mosaiques
ASIN: B00004TQPM
Release Date: 2000-06-13 |
Customer Reviews:
Gramophone Top Pick.......2005-12-24
After waiting ten years since writing his ground-breaking opus 20 quartets, Haydn felt sufficiently prepared to compose something fresh in the quartet genre - and away from the emotive intensity of the trendy "Sturm und Drang" movement that swept through Germany in the 1770's. According to chamber-music scholar Melvin Berger: "In his Op. 33 (1781), Haydn achieved a synthesis of the melodic grace of the courtly style galante, the contrapunctal texture and formal logic of Der Gelehrte Style ('the learned style') and the emotional intensity of Sturm und Drang ('storm and stress') that premiered in his Opus 20 quartets. Indeed, there was something unique and exciting about these compositions to Haydn who announced them as 'written in a new and special way.' One was the appearance of the lively, playful scherzo movement (in place of the traditional minuet) and another the use of what Haydn called 'thematic elaboration' where he assembles several fragments of often contrasting music ideas into one imaginative, organic whole." Haydn was most pleased with his Op. 33 quartets apparently.
Compared to Op. 20, Haydn's Op. 33 quartets are more "subdued" (particularly disc 2 here) with a smoother blend of harmonies and textures and an abundance of flowing melodies. Out of the six quartets, No. 2, 3 and 6 are the most substantial and interesting while No. 1 and 4 can be a bit simple and plodding at times. There are many striking and memorable themes and melodies especially on the first disc that are performed with depth, brilliance and a razor-sharp ensemble by the Mosaiques.
For any of Haydn's Quartets, the Quatuor Mosaiques is a safe choice as all of their recordings on Astree has garnered many awards from both Gramophone and Penguin Guide. Their Op. 20 is one of the great recordings in the classical-period chamber music repertoire. For period-instuments in particular, they are the top choice due to their immensely composed, tonally rich and dynamic readings that set the highest standard for period quartet playing. This Opus 33 set won a Gramophone Award for excellence as was also a top-rated Penguin choice who said this about the Mosaiques: "Those wanting Op. 33 on period instruments can recommended without reservation to the Mosaiques Quartet, whose performances are more penetrating than any of their competitors. Indeed the intensity of the playing is remarkable, with concentration held throughout the widest range of dynamics, and constantly uncovering hidden depths in these works, even the "Joke" Quartet. The superb recording is perfectly balanced." Agreed. Compositions - 4 stars; Performance - 5 stars; Sound - 5 stars.
award winning performances, great value.......2004-12-29
As the excellent review below states, one should not in any way shy away from Haydn's op.33 quartets... superb pieces, very accessible, yet great depth. The Mosaiques Quartet is a (the) premier period instrument quartet of our time. The performances are beautifully balanced, full of energy and understanding of Haydn's great art. Recording quality is first rate. The Penguin Guide and others strongly recommend the Mosaiques, and I have to agree. This is a two disc set of premium performances for the price of a single disc. Not to be missed!
Deserves to be as well-loved as Haydn's Opus 76 ..........2000-12-05
Sure, Haydn's Opus 76 -- the "Erody" string quartets -- are immediately likeable and popular with just about everyone who hears them. And why not? They're some of the greatest and most entertaining chamber music ever written. But if you haven't yet tried the six quartets that make up his much earlier Opus 33, you're missing a real treat.
This recording is an excellent introduction to some wonderful quartets. These aren't "lesser" works in my book: Haydn's wit, inventiveness, and personality are just as strong here as in the later works. And the Quatour Mosaiques blow the dust off this music with alert, imaginative performances that are some of the best recorded ever.
If you like Haydn's Opus 76, are a chamber music fan, or are just looking for some great music you may not have heard before, look no further.
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Haydn: String Quartets, Vol. 1
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
Quartets
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ASIN: B000001K4H
Release Date: 1996-07-09 |
Tracks:
- Quartet In E-Flat Major, Op. 20 No. 1: I. Allegro moderato
- Quartet In E-Flat Major, Op. 20 No. 1: II. Menuetto: Allegretto
- Quartet In E-Flat Major, Op. 20 No. 1: III. Affetuoso e sostenuto
- Quartet In E-Flat Major, Op. 20 No. 1: IV. Finale: Presto
- Quartet In G Minor, Op. 20, No. 3: I. Allegro con spirito
- Quartet In G Minor, Op. 20, No. 3: II. Menuetto: Allegretto
- Quartet In G Minor, Op. 20, No. 3: III. Poco adagio
- Quartet In G Minor, Op. 20, No. 3: IV. Finale: Allegro molto
- Quartet In A Major, Op. 20 No.6: I. Allegro con spirito
- Quartet In A Major, Op. 20 No.6: II. Adagio cantabile
- Quartet In A Major, Op. 20 No.6: III. Menuetto: Allegro Allegretto
- Quartet In A Major, Op. 20 No.6: IV. Fuga: Allegro
- Quartet In C Major, Op.20 No.2: I. Moderato
- Quartet In C Major, Op.20 No.2: II. Adagio
- Quartet In C Major, Op.20 No.2: III. Menuetto: Allegretto
- Quartet In C Major, Op.20 No.2: IV. Fuga IV soggetti
Tracks:
- Quartet In D Major, Op.20 No.4: I. Allegro di molto
- Quartet In D Major, Op.20 No.4: II. Un poco adagio affetuoso
- Quartet In D Major, Op.20 No.4: III. Menuetto: Allegretto alla zingarese
- Quartet In D Major, Op.20 No.4: IV. Presto scherzando
- Quartet In F Major, Op.20, No.5: I. Allegro moderato
- Quartet In F Major, Op.20, No.5: II. Menuetto
- Quartet In F Major, Op.20, No.5: III. Adagio
- Quartet In F Major, Op.20, No.5: IV. Finale: Fuga a due sogetti
- Quartet In F-Flat Major, Op.1, No.1: I. Presto
- Quartet In F-Flat Major, Op.1, No.1: II. Menuetto
- Quartet In F-Flat Major, Op.1, No.1: III. Adagio
- Quartet In F-Flat Major, Op.1, No.1: IV. Menuetto
- Quartet In F-Flat Major, Op.1, No.1: V. Presto
- Quartet In E-Flat Major, Op.1, No.2: I. Allegro molto
- Quartet In E-Flat Major, Op.1, No.2: II. Menuetto
- Quartet In E-Flat Major, Op.1, No.2: III. Adagio
- Quartet In E-Flat Major, Op.1, No.2: IV. Menuetto
- Quartet In E-Flat Major, Op.1, No.2: V. Presto
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Franz Joseph Haydn: "Sun Quartets" Op. 20
Franz Joseph Haydn , and Tátrai Quartet
Manufacturer: Hungaroton
ProductGroup: Music
Binding: Audio CD
Quartets
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ASIN: B00000303T
Release Date: 1993-01-20 |
Average customer rating:
- Each movement is an event!
- One of the finest recordings in chamber music
- Haydn with sense and sensibility
- Excellent performance overall.
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Haydn: String Quartets Op 20 /Quatuor Mosaïques
Joseph Haydn , Quatuor Mosaiques , Erich Höbarth , and Andrea Bischof
Manufacturer: Astree
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Binding: Audio CD
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Similar Items:
- Haydn: String Quartets Op 33 /Quatuor Mosaiques
- Haydn: String Quartets Op. 76
- Haydn: String Quartets Op 64 Nos 2, 4, 5 /Quatuor Mosaiques
- Haydn: String Quartets Op 64 Nos 1, 3, 6 /Quatuor Mosaiques
- Mozart: String Quartets /Quatuor Mosaiques
ASIN: B00004TQPN
Release Date: 2000-06-13 |
Customer Reviews:
Each movement is an event!.......2007-02-19
In comparison with The Lindsays who play beautifully but lack in recording quality and intimacy (especially on ASV), the Emerson Quartet who are recorded really well but for me play with too much self-regard, and the Amadeus Quartet who play excellently but who's recordings are older and analogue to digital transfers, the Mosaiques are as close to perfection as one could wish. Period instruments are not all that important perhaps but the intimacy of recording them and their acoustics is and both are technically very well accomplished here and on their Op 33, 64, 76, & 77 CDs. As far as musical interpretation goes they are sensitive and revealing artists who are most sympathetic to how my relationship with this music is. I own several CDs by all the above quartets but the Mosaiques are the ones I am drawn to first every time in any mood (closely followed by the Amadeus Quartet). The others provide valuable comparisons which may broaden one's understanding of Hadyn but for depth, drama, and lucidity the Mosaiques cannot be bettered.
One of the finest recordings in chamber music.......2005-03-22
This superb recording is one of the finest recordings of 18th-century chamber music and stands at the pinnacle of great quartet playing. The combination of Haydn's compositional innovations, the Mosaiques' stauresque period-musicianship and the cutting-edge DDD recording makes this two-CD set rise to the top of excellence. This recording won a 1993 Gramophone award and - with the Mosaiques' Op. 33, 76 and 77 - are Gramophone's top pick for Haydn's quartets among all available recordings. Additionally, Penguin Guide awarded this set the distinctive ROSETTE rating along with a "Key Recommended Recording" citing (ie: ideal for building a collection). One listen should reveal the reasons for such top accolades.
There is something about the Op.20 Haydn quartets performed by the Mosaiques that is ever-so-captivating. I stumbled upon the set at the library and was absolutely amazed at the unique and dramatic sound and style of this quartet. The tones and textures they create on their period (gut string) instruments are equisitely shaped and highly alluring. Additionally in these fine all-digital recordings, you can hear each of the four string's dramatic tonal colorations played in superb definition - a clarity not matched by any other recording I have listened to. The Penguin Guide confirmed such an impression: "This is playing of rare distinction which is immensely revealing and rewarding, helped by a state-of-the-art recording of complete realism and presence within an acoustic that provides the necessary intimacy of ambiance."
The Op.20 quartets are historic in many ways, the main one being that they were among the first true quartet compositions of any kind, with independent parts given to each instrument. Also, having been composed during Haydn's "Storm and Stress" phase in the 1770's, they exude a distinct (pre-Romantic-era) emotional uneasiness and dissonance - but new sounds still within the boundaries of the good Vienesse taste of Haydn. The sharp shifts in rhythm, dynamics, and tempos are part of this new expressiveness that makes Op. 20 fairly unique among Haydn's many quartets. And with their period instruments and stark yet attractive style of shaping notes (no vibrato), the Mosaiques bring out this "Storm & Stress" intensity with great effect and expression. Their bold and superbly precise starts and stops and cresendos bring great drama to the music as Haydn intended and better than modern insrument quartets in my opinion. Equally, the Mosaiques bring out Haydn's playful side in the "scherzo" movements with great bouyancy and charm but without going over into pretentiousness. Their slow movements are pure artistry and elegance and done with the most nuanced shades of tonal colour and dynamic.
If you could only splurge for one Mosaique's recording, Op. 20 is really most special and recommended. Their reading of this work is truly staturesque. Part of the reason is because their style and more robust, gutsy tone are ideally suited for this most dramatic composition of Haydn - which essentially launched the modern string quartet form. Most recommended.
Haydn with sense and sensibility.......2004-11-07
These performances of Haydn's opus 20 by the Mosaiques are widely considered to be a top recommendation by experts such as Grammophone and the Penguin guide. Why is that so? First, Haydn's opus 20 is a landwark of the string quartet literature: after initial efforts that are closer to a divertimento, Haydn succeeds in establishing the layout of the string quartet that would be followed in the centuries to come: first movement in ABA (sonata) form, a slow second movement, a light-hearted third (a menuetto) and a fast-paced finale. That said, the opus 20 quartets see Hadyn experimenting with alternatives: in three of the quartets, the second and third movement are switched. On other two quarterts, the finale is based on a fuge (antecipating Beethoven's famous opus 133). These experimentations are fascinating attempts at finding the right balance, and no chamber music lover can fail to have them in his collection. The performance do full justice to the importance of the piece: although the Mosaiques play with period instruments, theirs is not a strict "period performance". The Mosaiques are rather more faithful to Hadyn's spirit: their interpretation captures all different paces and structures of Haydn's opus 20. This is an "all period" recording which puts together skill, knowledge and sensibility to a extraordinary effect. Finally, the two sets are available at a very attractive price. I bought those for 50 pounds at a Mosaiques concert in England. You can have them for far less, and enjoy them as much as I do.
Excellent performance overall........2003-12-31
As a child, I remember sitting on the floor in front of the stereo transfixed by Haydn's Quartet op. 20 no. 4 in D. I simply couldn't believe what I was hearing. As soon as I had saved enough allowance, I bought the Juilliard Quartet recording of these "Sun" Quartets, an expansive and somewhat romantic recording which made the most of the high level of emotion in these works.
I'm always a bit reluctant to buy "period instrument" recordings, especially when I am so familiar with a particular sound and interpretation. It's not that I don't appreciate historical accuracy, but so often the interpretations are unmusical, meaning either deliberately "scholarly" or "faux bizarre", with all kinds of liberties taken (tempo, ornamentation, etc.) to make a performance more "interesting".
I'm happy to report that the Quatour Mosaiques plays with beauty, feeling, and best of all, allows Haydn's genius its due. These quartets are the first fully-developed, profound, and utterly mature works of their kind and QM does them absolute justice. The melodic passages aren't burdened by ego, the accompaniaments aren't ponderous, the tempi are darn near perfect (the Adagio variations of no. 4 are just a touch too slow, which detracts from the inexorable and tragic coda) and the most difficult of them, no. 3, is played with such a combination of fire and restraint (elegance) that it is easy to see where Mozart obtained inspiration for his String Quintet in the same key (although the Haydn quartet is much more daring in many respects). My only complaint is an occasional thinness of tone (some vibrato would help, particularly in the slow movement of no. 1) and a general lack of variation in sound (not only tone color, but also a lack of variation in volume). Other than that, I recommend this recording wholeheartedly, especially to those of you who aren't familiar with Haydn's earlier quartets. With their fugues, their frequent minor keys, sudden changes of mood, chromaticism, formal experiments, thematic links (especially no. 2), and their overall lyrical expression, these quartets plumb greater depths than many of their later counterparts.
This recording is an excellent choice and well worth the price.
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