Schubert - Mass in A-flat / York · Bruce Payne · Archer · George · Gardiner
On this CD:
1. Mass for soloists, chorus, orchestra & organ in A flat major (Missa Solemnis), D. 678
Composed by Franz Schubert
Performed by Orchestre Revolutionnaire et Romantique
with Neill Archer, Michael George, Deborah York
Conducted by John Eliot Gardiner
2. Hymne ("Komm, heil'ger Geist"), quartet for male voices & piano (Hymnus an den heiligen Geist), D. 948
Composed by Franz Schubert
Performed by Orchestre Revolutionnaire et Romantique
with Neill Archer, Robert Burt, Colin Campbell, Robert McDonald
Conducted by John Eliot Gardiner
3. Psalm 92 ("tôw l'hôdôs ladônoj"), for baritone solo & chorus, D. 953
Composed by Franz Schubert
Performed by Orchestre Revolutionnaire et Romantique
with Lynette Alcantara, Robert Burt, Colin Campbell, Mhairi Lawson, Robert McDonald
Conducted by John Eliot Gardiner
4. Stabat Mater for chorus, orchestra & organ in G minor, D. 175
Composed by Franz Schubert
Performed by Orchestre Revolutionnaire et Romantique
Conducted by John Eliot Gardiner
5. Mass for soloists, chorus, orchestra & organ in A flat major (Missa Solemnis), D. 678 Credo in unum Deum
Composed by Franz Schubert
Performed by Orchestre Revolutionnaire et Romantique
with Neill Archer, Michael George, Deborah York
Conducted by John Eliot Gardiner
6. Mass for soloists, chorus, orchestra & organ in A flat major (Missa Solemnis), D. 678 Et incarnatus est (Earliest version)
Composed by Franz Schubert
Performed by Orchestre Revolutionnaire et Romantique
with Neill Archer, Michael George, Deborah York
Conducted by John Eliot Gardiner
7. Mass for soloists, chorus, orchestra & organ in A flat major (Missa Solemnis), D. 678 Et resurrexit
Composed by Franz Schubert
Performed by Orchestre Revolutionnaire et Romantique
with Neill Archer, Michael George, Deborah York
Conducted by John Eliot Gardiner
Editorial Reviews
Amazon.com
This record illustrates that during his tragically short life, Schubert's style and technique changed and developed dramatically. The Stabat Mater, composed when he was 18, is incredibly beautiful: mournful, deeply expressive, a spontaneous outpouring of lyrical inspiration. The Hymnus and the Psalm, written during his last year, certainly belong among his late masterpieces. Melding devout lyricism with almost operatic drama, Schubert, as he does so often, turns literary dross into musical gold. The Psalm was written for a famous cantor in Vienna and pays homage to his baritone with splendid solos. The Mass dates from Schubert's 20s; it must have been important to him, for he set several movements twice. (Gardiner adds the first version of one at the very end.) The music is somewhat uneven; sections that betray a struggle for technical mastery alternate with magical pages of intimate, devout pleading, ominous drama, and radiant triumph. The opening is simply heavenly: lyrical, serene, and touchingly innocent. The performance is excellent, but the instruments seem overly subdued (in the name of authenticity?) and the dynamic contrasts are extreme. --Edith Eisler
Schubert - Mass in A-flat / York · Bruce Payne · Archer · George · Gardiner, Music, Franz Schubert, John Eliot Gardiner, Deborah York, Sally Bruce Payne, Orchestre Révolutionaire et Romantique, Monteverdi Choir, Neill Archer, Michael George, Mhairi Lawson, Lynette Alcantara, Robert McDonald, Colin Campbell, Robert Burt, Choral, Choral Music, Classical, Classical Composers, Classical Music, Classical Vocals, Mass, Psalm Setting, Sacred Choral Music
Average customer rating: |
Schubert - Mass in A-flat / York · Bruce Payne · Archer · George · Gardiner
Franz Schubert , John Eliot Gardiner , Deborah York , Sally Bruce Payne , Orchestre Révolutionaire et Romantique , Monteverdi Choir , Neill Archer , Michael George , Mhairi Lawson , Lynette Alcantara , Robert McDonald , Colin Campbell , and Robert Burt Manufacturer: Philips ProductGroup: Music Binding: Audio CD ASIN: B00000IX74 Release Date: 1999-05-11 |
Tracks:
Amazon.com
This record illustrates that during his tragically short life, Schubert's style and technique changed and developed dramatically. The Stabat Mater, composed when he was 18, is incredibly beautiful: mournful, deeply expressive, a spontaneous outpouring of lyrical inspiration. The Hymnus and the Psalm, written during his last year, certainly belong among his late masterpieces. Melding devout lyricism with almost operatic drama, Schubert, as he does so often, turns literary dross into musical gold. The Psalm was written for a famous cantor in Vienna and pays homage to his baritone with splendid solos. The Mass dates from Schubert's 20s; it must have been important to him, for he set several movements twice. (Gardiner adds the first version of one at the very end.) The music is somewhat uneven; sections that betray a struggle for technical mastery alternate with magical pages of intimate, devout pleading, ominous drama, and radiant triumph. The opening is simply heavenly: lyrical, serene, and touchingly innocent. The performance is excellent, but the instruments seem overly subdued (in the name of authenticity?) and the dynamic contrasts are extreme. --Edith EislerMusic Review:
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