Joseph Haydn: Symphonies Nos. 99, 100 & 102

On this CD:

1. Symphony No. 102 in B flat major, H. 1/102
Composed by Franz Joseph Haydn
Performed by Dresden Philharmonic Orchestra
Conducted by Kurt Masur

2. Symphony No. 99 in E flat major, H. 1/99
Composed by Franz Joseph Haydn
Performed by Dresden Philharmonic Orchestra
Conducted by Gunther Herbig

3. Symphony No. 100 in G major ("Military") H. 1/100
Composed by Franz Joseph Haydn
Performed by Dresden Philharmonic Orchestra
Conducted by Gunther Herbig

Tracks:

Sym. No. 93 in D major: Adagio - Allegro assai - J. Haydn
Sym. No. 93 in D major: Largo cantabile - J. Haydn
Sym. No. 93 in D major: Menuetto & Trio: Allegro - J. Haydn
Sym. No. 93 in D major: Finale: Presto ma non troppo - J. Haydn
Sym. No. 94 in G Major: Adagio - Vivace assai - J. Haydn
Sym. No. 94 in G Major: Andante - J. Haydn
Sym. No. 94 in G Major: Menuet & Trio: Allegro molto - J. Haydn
Sym. No. 94 in G Major: Finale: Allegro di molto - J. Haydn
Sym. No. 95 in C Major: Allegro moderato - J. Haydn
Sym. No. 95 in C Major: Andante - J. Haydn
Sym. No. 95 in C Major: Menuetto & Trio - J. Haydn
Sym. No. 95 in C Major: Final: Vivace - J. Haydn

Tracks:

Sym. No. 96 in D major: Adagio - Allegro - J. Haydn
Sym. No. 96 in D major: Andante - J. Haydn
Sym. No. 96 in D major: Menuetto & Trio: Allegretto - J. Haydn
Sym. No. 96 in D major: Finale: Vivace (assai) - J. Haydn
Sym. No. 97 in C major: Adagio - Vivace - J. Haydn
Sym. No. 97 in C major: Adagio ma non troppo - J. Haydn
Sym. No. 97 in C major: Menuetto & Trio: Allegretto - J. Haydn
Sym. No. 97 in C major: Finale: Presto assai - J. Haydn
Sym. No. 98 in B-flat Major: Adagio - Allegro - J. Haydn
Sym. No. 98 in B-flat Major: Adagio - J. Haydn
Sym. No. 98 in B-flat Major: Menuet & Trio: Allegro - J. Haydn
Sym. No. 98 in B-flat Major: Finale: Presto - J. Haydn

Tracks:

Symphony No. 99 in E-flat Major: Adagio - Vivace assai - J. Haydn
Symphony No. 99 in E-flat Major: Adagio - J. Haydn
Symphony No. 99 in E-flat Major: Menuet & Trio: Allegretto - J. Haydn
Symphony No. 99 in E-flat Major: Finale: Vivace - J. Haydn
Sym. No. 100 in G Major: Adagio - Allegro - J. Haydn
Sym. No. 100 in G Major: Allegretto - J. Haydn
Sym. No. 100 in G Major: Menuet & Trio: Moderato - J. Haydn
Sym. No. 100 in G Major: Finale: Presto - J. Haydn

Tracks:

Sym No. 101 in D Major (Clock): Adagio --Presto - Joseph Haydn
Sym No. 101 in D Major (Clock): Andante - Joseph Haydn
Sym No. 101 in D Major (Clock): Menuet & Trio: Allegretto - Joseph Haydn
Sym No. 101 in D Major (Clock): Finale: Vivace - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Largo - Allegro vivace - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Adagio - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Menuetto & Trio: Allegro - Joseph Haydn
Sym No. 102 in B-Flat Major (Miracle): Finale: Presto - Joseph Haydn

Tracks:

Sym No. 103 in E-Flat Major (Drumroll): Adagio - Allegro con spirito - Joseph Haydn
Sym No. 103 in E-Flat Major (Drumroll): Andante pito allegretto - Joseph Haydn
Sym No. 103 in E-Flat Major (Drumroll): Menuet & Trio - Joseph Haydn
Sym No. 103 in E-Flat Major (Drumroll): Finale: Allegro con spirito - Joseph Haydn
Sym No. 104 in D Major (London): Adagio - Allegro - Joseph Haydn
Sym No. 104 in D Major (London): Andante - Joseph Haydn
Sym No. 104 in D Major (London): Menuetto & Trio: Allegro - Joseph Haydn
Sym No. 104 in D Major (London): Finale: Spiritoso - Joseph Haydn

Customer Reviews:

Worth acquiring at any price........2007-02-23

Some say Haydn's ingenuity is even greater than that of Mozart's or Beethoven's. When listening to this brilliantly played set, I find myself becoming a convert of the belief. Haydn experimented with a variety of musical tools in these works. Surprising twists and turns are abundant. You will hear chamber serenade, harpsichord run, or violin solo in the most unexpected spots. Instruments are sometimes played in very unconventional ways resulting in exotic sounds - similar to what Berlioz and Mahler did later. Structure is toyed with in many symphonies, especially in the early ones.

In Austro-Hungrarian Orchestra, Adam Fischer finds an all-in chef's toolkit needed to cook these delightful ingredients. The woodwinds not only sing but also coo and meow. Strings melt your heart to a puddle with their exquisite pianissimo. Horns are expressive yet stylish. The whole orchestra knows how to knock themselves out when the music calls for it. The overall timbre is unlike any other orchestra I've ever heard, period or conventional. It's bright, edgy and folksy at the same time. It sounds like a virtuosic chamber ensemble rather than an orchestra except in the big symphonies. I believe the closest thing to their sound is Vienna Philharmonic playing Johann Strauss waltzes. Throw in a hint of gypsy flavor then it would be even closer.

Because this is a massive 33-CD set, there are inevitably a few imperfections. In a handful of spots the strings are not perfectly together. Adding to this, some of the violins have very distinctive tones which don't blend well with others when the music gets energetic. As to the engineering, some of the symphonies recorded early in the cycle are captured with too much reverberation, especially some London symphonies which sound soft-edged. But let me assure you the vast majority of the 100 plus symphonies have been recorded with crystal-clear brilliance.

One may find more sophisticated and smooth playing in some conventional performances (Colin Davis and Jochum) or crisper articulations in some period recordings (Bruggen and Pinnock). But Fischer and his hand-picked orchestra deliver more character and expressiveness than in any Haydn performances I've ever heard. Harnoncourt comes close but Fischer's set has more smiles. And his orchestra has the devilish ability to accommodate any mood Haydn's score throws at them - whether it's charm, wit, panache, or pathos. Their playing in slow movements is simply inimitable.

This set will be the source of joy for many Haydn lovers whether they are beginners just opening up the treasure chest or seasoned collectors with many other Haydn CDs. According to others' opinions, it compares favorably to Dorati's box, the only other complete set which I have not heard.

One final point - I wrote the review without the consideration of the price. In other words, this set is worth acquiring at any price.

Very enjoyable.......2002-03-23

I have enjoyed these discs quite a bit. The playing is fabulous, and the conducting is fine. Sometimes the engineering is a little muddy, but not near enough to destroy my pleasure.

For the ultimate London symphonies, I highly recommend Beecham on EMI. No one has matched his charm and wit with the drama. Fischer's recordings are great; Beecham is awesome!

Terrible recordings ruin decent performances........2001-12-11

Overmiked, overmixed recordings that sound very unnatural, wasting their authentic recording venue. Bass is boomy and muddy on some of them. The performances themselves are OK, but generally too slow and relaxed for my tastes. I would recommend the Colin Davis set on Philips instead. It contains warmly-recorded performances, none of which falls short of excellent, and it comes on only 4 discs, which comes out to about the same price as this Fischer set, and you only have to buy 2 at once.

The ones who know it best.......2000-05-16

I suppose it's a tad bit ethnocentric to assume that because Fischer and the Haydn Orchestra are Hungarian they'd be able to play Haydn better than anyone else, but in this case I feel it's true. Aside from having a high level of technical skill, the orchestra puts real verve and life into their performances. (You will never listen to another recording of the "Military" symphony again.) This is coupled with Fischer's flair for the dramatic; endings are rallentandoed appropriately, and each piece shines with the sense that it is being thoroughly interpreted, not just perfunctorily played through. A rather muffled-sounding recording of the "Clock" symphony and some blurriness in the first movement of the "Military" does not detract from the overall greatness of these interpretations. Ethnocentric or not, these players know what they're doing.

A wonderful collection.......2000-03-29

This is an excellent collection of Haydn symphonies. It is the highest numbered volume in an 8 volume set although it is not the last to be produced. Volumes 5 and 2 are forthcoming and will be available in October of 2000 and 2001 respectively. (I contacted the record label to find out...that's how much I enjoy this set) It is a full digital recording and has no discernable technical flaws. The performances are beautifully done. If you are looking for a complete collection of Haydn symphonies - this is one piece of the set I would recommend.

Haydn: The London Symphonies Nos. 93-104

Average customer rating:

Clean performances in lovely sound, but that's not enough
The most enjoyable Haydn I own
Romantic Haydn

Haydn: The London Symphonies Nos. 93-104

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Berlioz: Harold en Italie
Schumann - The Symphonies / Barenboim, Berlin Staatskapelle
Mahler: Das Klagend Lied
Mahler - The Symphonies / Chicago Symphony Orchestra, Sir Georg Solti
Robert Schumann: Symphonies Nos. 1-4

ASIN: B0001Y4JHK
Release Date: 2004-10-12

Customer Reviews:

Clean performances in lovely sound, but that's not enough.......2007-04-27

No one should expect the fire-eating Solti when it comes to Haydn. As its often his wont, his driven style becomes quite tame--the same thing happens in Beethoven. Eerything here is cleanly played, and the sound provided by the ?Decca engineers falls gracefully on the ear. The London Phil. has the distinciton of two "London" symphony cycles, this one and another on DG with Eugen Jochum. They play beter for Solti, and his direct, unfussy approach, though semi-anonymous, is preerable to Jochum's plodding dullness and heavy hand.

That said, I never smiled while listening to these readings. There's no depth or humor to be had here, unlike the marvelous Beecham and equally impressive Bernstein. Tempos are moderate throughout, with no surprises in either the fast or slow movements; happily, the Minuets are light-footed. I won't run through each symphony because they all follow the same model---each is precise, respectful, and unexceptionable. For me, that's jsut not enough to make this great music come alive.

The most enjoyable Haydn I own.......2006-07-29

I bought this set with some trepidation, because I had a hard time conceptualizing what Solti's Haydn might be. The fullness, sheer size and gloss of the sound at first struck me as stylistically incorrect, but that impression rapidly faded, and now Solti's Haydn easily eclipses the competing sets I've owned. The overrated Davis set is positively lackluster by comparison, (and contains annoying noises from the musicians). Solti's outer movements are a little faster than Davis', the inner movements a little slower. But this scarcely matters, as every note on these recordings is played with such warm-hearted exhuberance and recorded so brilliantly, each symphony seduces the listener on its own. The recordings are remarkably consistent despite multiple producers and venues over a large span of time. Every recording is very clean and contains no distracting noises even on my in-th-ear headphones. I've got other Haydn by Goodman, Muller-Bruhl, Marriner, Mackerras, La Petite band and others, but this set is the one I listen to the most.

Romantic Haydn.......2005-02-15

I am delighted to see these Solti recordings of The London Symphonies reissued. The London Symphonies have been interpreted in various ways by several different conductors. No one has a definitive interpretation. Each has their own strength and weaknesses. Solti's are big, imposing readings in the Romantic mode yet they catch the spirit of Haydn's wit and joy. While these performances have a firm, weighty tone, they are extemely fleet and nimble. They are never ponderous or heavy-footed. Rather, they are sparkling, vivid; naturally supple interpretations. Sometimes Solti's tempos can be too fast, especially in the 97th. One wishes for a larger bassoon belch in the 93rd. Solti's 95th is unsmiling for the most part. But now I am quibbling. I heartily commend these recordings for your Haydn collection.

Joseph Haydn: Symphonies Nos. 99, 100 & 102

Average customer rating:

Outstanding 102

Joseph Haydn: Symphonies Nos. 99, 100 & 102

Manufacturer: Curb Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Tracks:

Sym No. 102 in B flat: Largo-Vivace - Dresdner Phil/Kurt Masur
Sym No. 102 in B flat: Adagio - Dresdner Phil/Kurt Masur
Sym No. 102 in B flat: Menuetto. Allegro - Dresdner Phil/Kurt Masur
Sym No. 102 in B flat: Finale. Presto - Dresdner Phil/Kurt Masur
Sym No. 99 in E flat: Adagio-Vivace Assai - Dresdner Phil/Kurt Masur
Sym No. 99 in E flat: Adagio - Dresdner Phil/Kurt Masur
Sym No. 99 in E flat: Menuet. Allegretto - Dresdner Phil/Kurt Masur
Sym No. 99 in E flat: Finale. Vivace - Dresdner Phil/Kurt Masur
Sym No. 100 in G ('Military'): Adagio-Allegro - Dresdner Phil/Gunther Herbig
Sym No. 100 in G ('Military'): Allegretto - Dresdner Phil/Gunther Herbig
Sym No. 100 in G ('Military'): Menuet. Moderato - Dresdner Phil/Gunther Herbig
Sym No. 100 in G ('Military'): Finale. Presto - Dresdner Phil/Gunther Herbig

Customer Reviews:

Outstanding 102.......2005-05-20

Haydn wrote 104 symphonies and naturally not all of them are masterpieces. However, it is my opinion that symphonies 80 through 104 are all indeed masterpieces. No other composer ever wrote 25 consecutive symphonic masterworks. It is certainly without a doubt one of the greatest achievements in all of music. Here we have three of the greatest of those 25 and my personal favorite, No. 102. 102 has an incredibly beautiful slow movement. It is the heart of the symphony. Kurt Masur, in this recording from the early '70's, plays this movement with tremendous passion. The rest of the symphony is very taut and exciting. Overall, a magnificent performance by a conductor who I have rarely found to my liking. Symphonies 99 and 100 are conducted by Gunther Herbig. These two performances are somewhat superficial, lacking feeling and poetry. But the music moves very well and these readings are certainly adequate. But if you find this CD, it is well worth it for 102.

Average customer rating:

Woldike's Wonderful Haydn
Vanguard's Classic Haydn London Symphonies

Haydn: Symphonies Nos. 99-104

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B0000023B2
Release Date: 1995-05-23

Tracks:

Sym No.99 in E flat: Adagio-Vivace Assai
Sym No.99 in E flat: Adagio
Sym No.99 in E flat: Menuetto: Allegretto
Sym No.99 in E flat: Finale: Vivace
Sym No.100 in G, 'Military': Adagio-Allegro
Sym No.100 in G, 'Military': Allegretto
Sym No.100 in G, 'Military': Menuetto: Moderato
Sym No.100 in G, 'Military': Finale: Presto

Tracks:

Sym No.101 in D, 'The Clock': Adagio-Presto
Sym No.101 in D, 'The Clock': Andante
Sym No.101 in D, 'The Clock': Menuetto: Allegretto
Sym No.101 in D, 'The Clock': Finale: Vivace
Sym No.102 in B flat: Largo-Allegro Vivace
Sym No.102 in B flat: Adagio
Sym No.102 in B flat: Menuetto: Allegro
Sym No.102 in B flat: Finale: Presto

Tracks:

Sym No.103 in E flat, 'Drum Roll': Adagio-Allegro Con Spirito - Willi Boskovsky
Sym No.103 in E flat, 'Drum Roll': Andante - Willi Boskovsky
Sym No.103 in E flat, 'Drum Roll': Menuetto - Willi Boskovsky
Sym No.103 in E flat, 'Drum Roll': Finale: Allegro Con Spirito - Willi Boskovsky
Sym No.104 in D, 'London': Adagio-Allegro
Sym No.104 in D, 'London': Andante
Sym No.104 in D, 'London': Menuetto: Allegro
Sym No.104 in D, 'London': Allegro Spiritoso

Customer Reviews:

Woldike's Wonderful Haydn.......2005-05-15

Danish conductor Mogens Woldike (1897-1988) was one of the finest Haydn interpreters: straightforward, direct, yet sensitive. The early stereo sound (1956) here is excellent. While there are recordings by other conductors that I admire equally - Scherchen (on his DG set of the complete London symphonies and several earlier works), the Leslie Jones/Little Orchestra of London (a 6-disc LP set on Nonesuch), the Fritz Busch #101 (Dante), the Matacic #103 (Orfeo), and the Rosbaud #104 (DG) - this Woldike integral set of the last six symphonies is a treasure to cherish. Unfortunately, while many dull-witted readings by lesser conductors live on in the current catalogue, these fine Woldike accounts are no longer available. If you should come across a copy of this set, don't hesitate.

Highly recommended.

Vanguard's Classic Haydn London Symphonies.......2000-06-16

In the late 1950s and early 1960s, Vanguard released three LPS of the last six of Joseph Haydn's so-called "London Symphonies." These six, along with their six predecessors, are among the great treasures of the late 18th century. The classical symphony in Haydn's hands, reached its apex in these works. They are all, without exception, gems of the highest order.

Mogens Woldike, whose recordings of these and other works of Haydn, was a phenominal Haydn conductor. He plays these works with absolute confidence and real elan and style. While he tends to omit the first movement repeats, the performances are otherwise solid and well worth knowing.

I grew up with these recordings. Except for Leonard Bernstein, who was probably the only other conductor of our times who really understood the very essence of Haydn's work, Woldike's recordings are an absolute must. In an age when we perhaps take "authenticity of performing environment" a little too far (after all, given the highly experimental nature of much of Haydn's music, I find it impossible to believe that he would shun today's much larger orchestras-steel stringed strings and all), it is a pleasure to hear a large orchestral ensemble play these works with all the necessary weight that's built into them. But Haydn is capable of featherweight lightness, too, and Woldike doesn't miss a trick.

Thanks are due to Vanguard for bringing back this most impressive early stereo collection of performances.

Music Review: