Classical Flute Concertos

On this CD:

1. Flute Concerto No. 2 in D major, K. 314 (K. 285d)
Composed by Wolfgang Amadeus Mozart
Performed by Dresden Ensemble, Johannes Walter

2. Concerto for flute, bassoon, strings & continuo in G major
Composed by Johann Joachim Quantz
Performed by Eckart Konigstedt, Reinhart Vogel

3. Concerto for flute & orchestra in G major
Composed by Carl Stamitz
Performed by Leipzig Radio Chamber Orchestra with Werner Tast
Conducted by Wolf-Dieter Hauschild

Tracks:

Concerto for Harpsichord and Strings in D minor, BVW 1052: 1. Allegro
Concerto for Harpsichord and Strings in D minor, BVW 1052: 2. Adagio
Concerto for Harpsichord and Strings in D minor, BVW 1052: 3. Allegro
Concerto for Harpsichord and Strings in E major, BVW 1053: 1. (without tempo indication)
Concerto for Harpsichord and Strings in E major, BVW 1053: 2. Siciliano
Concerto for Harpsichord and Strings in E major, BVW 1053: 3. Allegro
Concerto for Harpsichord and Strings in D major, BVW 1054: 1. (without tempo indication)
Concerto for Harpsichord and Strings in D major, BVW 1054: 2. Adagio e piano sempre
Concerto for Harpsichord and Strings in D major, BVW 1054: 3. Allegro

Tracks:

Concerto for Harpsichord and Strings in A major, BWV.1055: 1. Allegro
Concerto for Harpsichord and Strings in A major, BWV.1055: 2. Larghetto
Concerto for Harpsichord and Strings in A major, BWV.1055: 3. Allegro ma non tanto
Concerto for Harpsichord and Strings in F minor, BWV.1056: 1. (Without Tempo Indication)
Concerto for Harpsichord and Strings in F minor, BWV.1056: 2. Largo
Concerto for Harpsichord and Strings in F minor, BWV.1056: 3. Presto
Concerto for Harpsichord, 2 Recorders and Strings in F major, BWV1057: 1. (Without Tempo Indication)
Concerto for Harpsichord, 2 Recorders and Strings in F major, BWV1057: 2. Andante
Concerto for Harpsichord, 2 Recorders and Strings in F major, BWV1057: 3. Allegro assai
Concerto for Harpsichord and Strings in G minor, BWV1058: 1. (Without Tempo Indication)
Concerto for Harpsichord and Strings in G minor, BWV1058: 2. Andante
Concerto for Harpsichord and Strings in G minor, BWV1058: 3. Allegro assai
Concerto for 2 Harpsichords and Strings in C minor, BWV1060: 1. Allegro
Concerto for 2 Harpsichords and Strings in C minor, BWV1060: 2. Adagio
Concerto for 2 Harpsichords and Strings in C minor, BWV1060: 3. Allegro

Tracks:

Concerto for 2 Harpsichords and Strings in C major, BWV1061: 1. (Without Tempo Indication) - Nicholas Kraemer
Concerto for 2 Harpsichords and Strings in C major, BWV1061: 2. Adagio ovvero Largo - Nicholas Kraemer
Concerto for 2 Harpsichords and Strings in C major, BWV1061: 3. Fuga - Nicholas Kraemer
Concerto for 2 Harpsichords and Strings in C minor, BWV1062: 1. (Without Tempo Indication) - Nicholas Kraemer
Concerto for 2 Harpsichords and Strings in C minor, BWV1062: 2. Andante - Nicholas Kraemer
Concerto for 2 Harpsichords and Strings in C minor, BWV1062: 3. Allegro assai - Nicholas Kraemer
Concerto for 3 Harpsichords and Strings in D minor, BWV.1063: 1. (Without Tempo Indication) - Nicholas Kraemer
Concerto for 3 Harpsichords and Strings in D minor, BWV.1063: 2. Alla Siciliana - Nicholas Kraemer
Concerto for 3 Harpsichords and Strings in D minor, BWV.1063: 3. Allegro - Nicholas Kraemer
Concerto for 3 Harpsichords and Strings in C major, BWV1064: 1. Allegro - Nicholas Kraemer
Concerto for 3 Harpsichords and Strings in C major, BWV1064: 2. Adagio - Nicholas Kraemer
Concerto for 3 Harpsichords and Strings in C major, BWV1064: 3. Allegro - Nicholas Kraemer
Concerto for 4 Harpsichords and Strings in A minor, BWV.1065: 1. (Without Tempo Indication) - Nicholas Kraemer
Concerto for 4 Harpsichords and Strings in A minor, BWV.1065: 2. Largo - Nicholas Kraemer
Concerto for 4 Harpsichords and Strings in A minor, BWV.1065: 3. Allegro - Nicholas Kraemer

Tracks:

Concerto for Flute, Violin, Harpsichord, Strings, and Basso Continuo in A minor, BWV1044 'Triple Concerto': 1. Allegro
Concerto for Flute, Violin, Harpsichord, Strings, and Basso Continuo in A minor, BWV1044 'Triple Concerto': 2. Adagio, ma non tanto, e dolce
Concerto for Flute, Violin, Harpsichord, Strings, and Basso Continuo in A minor, BWV1044 'Triple Concerto': 3. Allabreve
Concerto for Oboe, Violin, Strings, and Basso Continuo in C minor: 1. Allegro
Concerto for Oboe, Violin, Strings, and Basso Continuo in C minor: 2. Adagio
Concerto for Oboe, Violin, Strings, and Basso Continuo in C minor: 3. Allegro
Concerto for Oboe d'amore, Strings and Basso Continuo in A major: 1. (Without Tempo Indication)
Concerto for Oboe d'amore, Strings and Basso Continuo in A major: 2. Larghetto
Concerto for Oboe d'amore, Strings and Basso Continuo in A major: 3. Allegro ma non tanto

Tracks:

Concerto for Violin, Strings and Continuo in A minor, BWV.1041: 1. (Allegro moderato) - Simon Standage
Concerto for Violin, Strings and Continuo in A minor, BWV.1041: 2. Andante - Simon Standage
Concerto for Violin, Strings and Continuo in A minor, BWV.1041: 3. Allegro assai - Simon Standage
Concerto for Violin, Strings and Continuo in E major, BWV.1042: 1. Allegro - Simon Standage
Concerto for Violin, Strings and Continuo in E major, BWV.1042: 2. Adagio - Simon Standage
Concerto for Violin, Strings and Continuo in E major, BWV.1042: 3. Allegro assai - Simon Standage
Concerto for 2 Violins in D minor, BWV.1043: 1. Vivace - Simon Standage
Concerto for 2 Violins in D minor, BWV.1043: 2. Largo ma non tanto - Simon Standage
Concerto for 2 Violins in D minor, BWV.1043: 3. Allegro - Simon Standage

Customer Reviews:

A Premier Bach Series Recording.......2007-03-26

I purchased these recordings nearly 20 years ago, when Deutsche Gramophone was still selling them as five individual discs, and at over $20 per disc. With the re-release of the set of all five discs in a single, price-reduced "Collectors Edition" box set, the price has fallen by more than half, making this one of the outstanding values for high-quality Bach recordings on today's market.

But what about the performances? Here's the best way I can sum it up. Having listened to these disks for some two decades, in the car, on the main home stereo system, on portable equipment, on the boom box, and etc., etc., it is, I imagine, inevitable that one ends up memorizing nearly every note. And with that familiarity comes the ability to detect flaws in the performance, missteps, missed beats, the occasional off-tone instrument. Here's the rub: it is difficult to locate any significant flaw in the performances. These performances are about as perfect as one can get, but having said that, there is more. The sound reproduction of this recording remains near or at the top of any Bach recordings with which I've become familiar, and remains in my own thinking the de facto standard by which other performances should be measured.

Sound too good to be true? Pick up a set and see for yourself. And then relish the thought that you paid $40 for a set worth far more.

A nice way to complete your collection of Bach's concertos..........2007-02-21

...and cheap to boot. This, paired with the Brandenburg Concertos/Overtures compilation from Arkiv (also featuring Pinnock and the English Concert), gives any new Bach fan a fairly complete account of Bach's instrumental orchestral output. This particular package includes all of Bach's keyboard concertos (played exceptionally well by Pinnock), all of his violin concertos, and also his Triple Concerto (Harpsicord, Flute and Violin), several works for Oboe and Oboe D'Amour, and several double concertos (2 violins, and oboe and violin). Highlights are the D Minor Harpsicord concerto BWV 1052, the C Major concerto for 2 Harpsicords BWV 1061, the Oboe D'Amour concerto BWV 1055, the double concerto BWV 1060, and the violin concertos.
This set sounds fantastic and is a great value to boot. Strongly recommended for those who loved Bach's Bradenburg concertos and Overtures and are looking for something new to sink their teeth into.

"Best Bach - Box Set".......2005-11-06

This is undoubtedly the best Back box set I have heard. These Concerto's for Harsichord, Violin, Flute and Oboe are among the finest in classical music. Although the Harpsichord volume level could have been a bit higher overall the recordings are very good. I am very pleased with this CD set with so much music at a very good price. This is truly a collectors gem.

Pinnock is good performer.......2005-09-30

Pinnock is good performer...I drop one start because BWV 1052-58
Might sound better when it's played piano.

Unbeatable Value.......2004-12-15

This set offers unbeatable value. The performances are uniformly excellent. Pinnock's Bach is brisk and sprightly when it should be, but also tender and relaxed when it must be. He is not afraid to slow down and savour the music, unlike many period-performance specialists. He is one of the world's great harpsichordists and his partners in the multiple concerti are also excellent. Simon Standage yields nothing to better-known soloists in the violin concerti.

The sound is clear, deep, and only a little bit on the bright side.

While you're at it, buy the Pinnock/English Concert complete Mozart symphonies. Sure, Mozart's first fifteen or so aren't anything special, but the set is superb and the price unbelievable.

Mozart: Flute Concertos; Concerto for Flute & Harp

Average customer rating:

Great Music by a Great Composer
Great Galway

Mozart: Flute Concertos; Concerto for Flute & Harp

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Mozart - The Flute Quartets, K. 285 · K. 285a · K. 285b · 295 / Rampal · Stern · Accardo · Rostropovich

ASIN: B0001TSWJ6
Release Date: 2004-04-20

Customer Reviews:

Great Music by a Great Composer.......2007-01-09

I have played this CD about 7 or 8 times since I got it and every time I listen, it gets better. This is great music for relaxing, working out to, doing some work around the house or even to play it at low volume while taking a nice afternoon nap. I highly recommend this CD for those with ears for classical music and I even recommend it for anyone who's just starting out into the realm of classicals.

Great Galway.......2005-07-06

To my knowledge Galway has recorded these pieces twice; once here with Marriner/ASMIF an once with the LSO. This Marriner performance outdoes the LSO performance by a hair because Marriner put a light under the orchestra's fanny and made the ASMIF call and respond to Galway with spine-tingling logic. Here we hear the fantastic flute concertos transformed from the usual haughty flutters disjointed from the orchestra to complete drama with no unecessary parts. I recommend this CD without reservation, though you should check out Rampal's version (Mehta), Tripp's version (Bohm), and Aurele Nicolet's version (Zinman) as well - not to mention the LSO Galway version, which takes fine advantage of the orchestra's dark-silk sonority.

Average customer rating:

Average
Fantastic!
Fine Collection of Baroque Concertos
Excellent, a great find

Telemann: Concertos & Sonatas

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002S5Z
Release Date: 1995-02-14

Tracks:

Suite In A Minor For Flute: Overture
Suite In A Minor For Flute: Les Plaisirs
Suite In A Minor For Flute: Air a l'italienne
Suite In A Minor For Flute: Menuets 1 & 2
Suite In A Minor For Flute: Rejouissance
Suite In A Minor For Flute: Passepieds 1 & 2
Suite In A Minor For Flute: Polonaise
Trumpet Concert In D: I: Largo
Trumpet Concert In D: II: Vivace
Trumpet Concert In D: III: Sicilienne
Trumpet Concert In D: IV: Vivace
Sonata In B Minor For 2 Flutes, Op.2 No.4: I: Largo - Vivace
Sonata In B Minor For 2 Flutes, Op.2 No.4: II: Grazioso - Allegro
Concerto In B Flat For 3 Oboes, 3 Violins & Basso Continuo: I: Allegro
Concerto In B Flat For 3 Oboes, 3 Violins & Basso Continuo: II: Largo
Concerto In B Flat For 3 Oboes, 3 Violins & Basso Continuo: III: Allegro
Canonic Sonata In G For Violins: I: Vivace
Canonic Sonata In G For Violins: II: Adagio
Canonic Sonata In G For Violins: III: Allegro

Customer Reviews:

Average.......2007-05-08

The recording does not have the depth of sound that I was seeking. The selections are okay but could be better--however, this is only a preference. I more or less use the album as background music/noise; do not confuse Telemann with poor music but the recording, yes.

Fantastic!.......2005-02-05

In his day, George Philip Telemann was more popular than Bach. But, as a Telemann fan, I GREATLY enjoy this CD. Additionally, I especially like flutes and violins. The CD includes one of Telemann's best pieces, Suite in A minor for Flute (Suite a-moll) which is a wonderful delight. Telemann also composed concertos for trumpet and one is included here as well. If you haven't tried Telemann, this CD would be a good bet. It's quite versatile too--can be just listened to, used as background music, meditated to, etc.

Fine Collection of Baroque Concertos.......2004-02-16

Telemann certainly was a prolific composer. For some forty-six years he composed much for both church and court.

Composing so much, he understood well the capabilities of each instrument and composed much for each. Here, for flute, oboe and trumpet, as well as strings.

The trio for oboes is especially charming.

Excellent, a great find.......2002-08-01

I really enjoyed this CD because I couldn't find the Suite in a minor by Telemann, until now. A beautiful Rejouissance I must say. I would love to hear longer samples of all the classical music, because I appreciate it so much.

Mozart: Flute Concertos; Rondo; Andante [Includes the Bis 2005 Catalog] [Hybrid SACD]

Average customer rating:

Quintessential Mozart
Hauntingly beautiful cadenzas
Mozart: Flute Concertos; Rondo; Andante [Includes the Bis 2005 Catalog] [Hybrid SACD]
Do NOT Miss this.

Mozart: Flute Concertos; Rondo; Andante [Includes the Bis 2005 Catalog] [Hybrid SACD]

Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD

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Mozart: Violin Concertos

ASIN: B000AYYTD0
Release Date: 2005-09-27

Customer Reviews:

Quintessential Mozart.......2007-03-08

This is a bright and beautiful collection of four of Mozart's flute works with Sharon Bezaly as flautist who is making waves in Europe. One cannot ask very much more from BIS recording techniques.

Hauntingly beautiful cadenzas.......2006-12-18

Izrael-born Sharon Bezaly (who now lives in Sweden) has rightly risen to the top of her field with silky performances like this one which seemed universally rated highly by the music press (Gramophone, ClassicsToday, etc). Her repertoire extends to many Scandanavian composers who have written several flute concertos for her marvelously refined technique (she was a student of Aurele Nicolet). On this recording she plays a 24k instrument custom-made for her by Muramatsu Japan (see in the cover photo).

A great reference recording for Mozart's flute pieces is the Philips DUO set featuring Aurele Nicolet (concertos) and William Bennett (quartets). But even if you have this or other versions of these pieces, one good reason to get this one is the intriguing and hauntingly beautiful cadenzas (written for her). While they move a bit beyond the normal classical restraints, they are not beyond Mozart nor good taste. So, this reason - plus her stunning, breathless and seamless playing and solid orchestral support and budget price are enough reasons to get this. The frequently noted minor drawbacks - slightly overly-resonant sound and slightly low projection of flute vs. orchestra - are not really enough to take away from the superb piece of work by Ms. Bezaly. Also, the huge BIS catalog that is included is a great way to get to better know this Swedish label and Scandanavian composers/performers less represented by the US/EU music press. Compositions - 4 stars; Performance - 5 stars; Sound - 4 stars.

Mozart: Flute Concertos; Rondo; Andante [Includes the Bis 2005 Catalog] [Hybrid SACD].......2006-06-29

Mozart: Flute Concertos; Rondo; Andante [Includes the Bis 2005 Catalog] [Hybrid SACD]~ Wolfgang Amadeus Mozart is a stupendous recording with the cute and talented Sharon Bezaley. She plays the flute with such ability and fervour that she truly is able to play Mozart as it was intended. The book-let is a fair enough item but it lacks pictures and the writing is a bit long winded. The photo of Ms Bezaley is very well done but the photo on the backof the album is a bit small and I wonder why did they did it this way. It seems quite odd. Do not get me wrong, this is an amazing recording and whilst there are some details that could have been better as far as the book-let I still would very much recommend it.

Do NOT Miss this........2005-12-14

In my studies of these pieces I have gradually come to own over 10 recordings of them, and until I heard this one, I thought Galway, Rampal, and Nicolet had a comfortable proprietorship of the field. But times have changed. This Sharon Bezaly deserves to be known in every household. I have never heard flawless tone and pitch control paired with such clean articulation. She is smoother even than Maestro Galway himself. The liner notes say she studied with Aurele Nicolet - it shows. She carries all the patrician elegance of her teacher, only more easily. Her technique is a face-and-tongue equivalent of the unerring steel fingers of the young Vladimir Horowitz. As to her interpretation, the spirit of old Nicolet returns in a glorious new prophet: she is both charming and powerful, serious and joyful. She is on good terms with the orchestra, blending admirably; the recording itself seems to have been made in a more natural setting that doesn't amplify the flute beyond levels heard in the concert hall. The cadenzas are strange and beautiful. The only thing that is merely excellent on this recording is the conducting. Juha Kangas is no Karl Boehm or Neville Marriner and his understanding of Mozart is profound but still mortal. However, in the maestro's defense, he does bring out many often-obscure parts beautifully and he really does not take anything away - a difficult thing to achieve with Mozart. The orchestra is wonderful to boot. The sound recorded sound may be a bit less rich than what we're used to with the likes of Sony Classical and DG, but that doesn't matter - in a portrait of an angel, it is hard to obscure the light of heaven. Buy this recording and bask, bask, bask!

Vivaldi: Violin Concertos (La Tempesta di Mare)

Average customer rating:

HOT RECORDING
lively vivaldi
Do you really like waiting ? Aimez-vous attendre"l'eco" ?
Biondi rulez...
Vibrant Vivaldi

Vivaldi: Violin Concertos (La Tempesta di Mare)
Antonio Vivaldi , Europa Galante , and Fabio Biondi
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SRG3
Release Date: 2000-06-27

Tracks:

Con in D, RV 234 'L'inquietudine': I. Allegro Molto
Con in D, RV 234 'L'inquietudine': II. Largo
Con in D, RV 234 'L'inquietudine': III. Allegro
Con in B flat, RV 579 'Concerto Funebre': I. Largo
Con in B flat, RV 579 'Concerto Funebre': II. Allegro Poco Poco
Con in B flat, RV 579 'Concerto Funebre': III. Adagio
Con in B flat, RV 579 'Concerto Funebre': IV. Allegro
Con in F, RV 570 'La Tempesta Di Mare': I. Allegro
Con in F, RV 570 'La Tempesta Di Mare': II. Largo
Con in F, RV 570 'La Tempesta Di Mare': III. Presto
Con in g, RV 439 'La Notte': I. Largo
Con in g, RV 439 'La Notte': II. Presto (Fantasmi)
Con in g, RV 439 'La Notte': III. Largo
Con in g, RV 439 'La Notte': IV. Presto
Con in g, RV 439 'La Notte': V. Largo (Il Sonno)
Con in g, RV 439 'La Notte': VI. Allegro
Con in A, RV 552 'Per Eco In Lontano': I. Allegro
Con in A, RV 552 'Per Eco In Lontano': II. Larghetto
Con in A, RV 552 'Per Eco In Lontano': III. Allegro
Con in E, RV 270 'Il Riposo - Per Il Natale': I. Allegro
Con in E, RV 270 'Il Riposo - Per Il Natale': II. Adagio
Con in E, RV 270 'Il Riposo - Per Il Natale': III. Allegro
Con in g, RV 531: I. Allegro
Con in g, RV 531: II. Largo
Con in g, RV 531: III. Allegro

Amazon.com

You say your favorite Vivaldi passage is the Four Seasons summer storm? Well, here's a disc for you. Fabio Biondi and the Europa Galante (known to many for their bestselling Seasons disc) focus on concerti con titoli, the titled concertos the Red Priest wrote that are full of inventive drama and expression. Writing for his student orchestra, the composer employed plenty of creativity in his instrumentation, and, as evidenced on a few tracks here, he wasn't beyond recycling motifs from his older works. But just give this exciting disc a listen. The Concerto funebre (RV 579) is sweet, yet somber; the six-movement La notte (RV 439) is weird and ominous; and the stormy seas of La tempesta di mare really come alive in Europa Galante's hands. Biondi and his ensemble never try to steal the show from these works; they let the music speak for itself. Some period-instrument groups sound a little ragged, but this one gets it just right and delivers a knockout, taut performance. A great disc for Baroque lovers. --Jason Verlinde

Customer Reviews:

HOT RECORDING.......2006-03-27

It has been said that Vivaldi's Violin Concerti can give one the impression that he wrote the same concerto about a 1000 times. Perhaps the reason for the aforesaid impression is that there are many recordings and/or performances that exhibit little imagination in the programming of the concertos or in the playing of same. In other words, they border on being rather boring with a feeling of repeativeness. This recording is the exception. Fabio Biondi and the Europa Galante in this recording perform these concertos in a "hot" and most exciting manner that made me feel that I was hearing them for the very first time. I know that the programming of the disc also had a lot to do with me not getting bored while listening to this recording. Fabio Biondi and the Europa Galante are an "original" instrumental group without even a hint of the astringency usually associated with "original" instruments. Their playing is rather sweet in the slow movements as it is certainly very vigorous in the fast movements with no "mouth puckering" bite! I really loved the concerto for two cellos; it is very richly textured and sonorous; plus Europa Galante plays it splendidly.

Believe me, I found this Vivaldi recording, for once, to be very exciting and a most enjoyable listening experience!

If you want to hear a "hot" recording of some Vivaldi at his best, buy this disc.

lively vivaldi.......2005-11-09

I'm not a baroque expert as some of the other reviewers seem to be. I do listen to a lot of music and have heard much Vivaldi -- most frequently the Four Seasons warhorse from Opus 8. This Vivaldi is quite enjoyable, very bright and very well played, energetic and well-recorded. My personal favorite was the last work for two cellos. The slow movement is absolutely beautiful. RV 270 is also quite excellent. This is a worthwhile purchase. Sometimes when period groups play his music Vivaldi sounds mummified but not here. Recommended.

Do you really like waiting ? Aimez-vous attendre"l'eco" ?.......2003-02-22

I know Biondi and Europa Galante since they were playing on the label Opus 111. I am a great fan of Europa galante. But...I was quite disappointed when I heard this CD. Mainly because I did not find Biondi the arrogant. But he can't certainly not played like "a little electric tornado" in the "Concerto funebre". It's the same in Concerto "Per eco in lontano". I particularly hate this music with this boring echo;the same music which is repeated from " outer space". The Concerto "Il riposo.."is perfect to relax with the dog. "L'inquietude" is outstanding. Even better than the Carmignola version on Divox Antiqua (1995). "La tempesta di mare" and La Notte" are enough strange and captivating to be considered as interesting performances. But they not be compared with the fabulous interpretation of Jean-Christophe Spinosi (Ensemble Matheus-2002-Label Naive). Finally the "Concerto for 2 cellos and orchestra" has already been recorded in 1993 by Europa Galante(album "Vivaldi Concerti" (Vol.22. Opus 111)). So no great surprise for me there. A very good CD to someone who want to discover Vivaldi with talentuous musicians.

Biondi rulez..........2002-01-11

I know I have been very negative in my other reviews of Biondi-cds. Actually, I almost take it back!
He is NOT an opera-conductor, period. But he IS a brilliant violinist! His playing in the Vivaldi concertos is just outstanding. The orchestra is also amazing. I really recommends this set of concertos to anyone not familiar with the Biondi legacy!

Vibrant Vivaldi.......2001-06-12

Vivaldi is played with excitement by Europa Galante, a string and woodwind orchestra 13 strong here. Some collections of Vivaldi concertos can sound a bit monotonous, but not this carefully selected group of emotively titled short pieces. Instrumentation is varied, the playing is enthusiastic and energetic as needed, and the strings really bite in the staccato "Sea Tempest," the waves slapping hard on the boat. The 6-movement "Night" is remarkably eerie and ghostly, particularly if you can cleanse your ears of all the chromatic pieces written since and try to listen with 18th century expectations. RV 234 is full of unsettling "Apprehension" no matter what later music you have heard, displaying a harried and rapidly modulated sense of harmonic uncertainty. The brief notes with the CD are a slightly strange mixture of English and untranslated Italiano. Fresh and well worth listening closely.

Average customer rating:

A Must!
great music
The one you need

Best of the Canadian Brass

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Essential Canadian Brass
Go For Baroque! - The Canadian Brass
The Christmas Album
Super Hits: Canadian Brass
The Canadian Brass: Greatest Hits

ASIN: B0000026Z3
Release Date: 1989-11-20

Tracks:

Vespers Of The Blessed Virgin: Deus in adjutorium - Monteverdi
Canzon V - Canadian Brass
Canon In D - Pachelbel
Le Nozze Di Figaro, K. 492: Overture - Mozart
Le Nozze Di Figaro, K. 492: Non Piu Andrai - Mozart
Ave Verum Corpus - Mozart
Die Zauberflote: Der Holle Rache - Mozart
Exultate Jubilate: Alleluia - Mozart
Piano sonata in A major: Rondo Alla Turca - Mozart
The Four Seasons: I - Allegro (Spring) - Canadian Brass
The Four Seasons: II - Largo (Winter) - Canadian Brass
The Four Seasons: III - Presto (Summer) - Canadian Brass
The Four Seasons: IV - Allegro (Autumn) - Canadian Brass
Contrapunctus I (Andante Sostenuto) - Bach
Contrapunctus XIII (Rectus, Allegro Spiritoso) - Bach
Basin Street Blues - Canadian Brass
Chinatown, My Chinatown - Canadian Brass
Just A Closer Walk With Thee - Traditional
The Saints' Halleluja - Canadian Brass

Customer Reviews:

A Must!.......2004-12-28

This is a must have for any fan of brass instrumentals. (Especially if you are a fan of the Canadian Brass.)

great music.......2000-12-18

I just bought this cd yesterday and i love it already. as a trumpeter, i can really enjoy and appreciate the music they perform. i was quite intrigued hearing canon in D (currently playing right now on my stereo), et al.

The one you need.......2000-06-26

If you are to buy only 1 CD for Brass Enemble, Get this! It captured the BEST of the Candian Brass (one of the top brass enemble in the world). It has all the nice tunes, e.g. Four Seasons, Cannon in D, etc. Strongly recommended.

Telemann: Flute Concertos; Emmanuel Pahud

Average customer rating:

Telemann: Pleasurable Instrumentation - Modern Flute + Oboe D'Amore
Elegance and Charm, Not to Mention Beauty
Telemann Perfection
Pahud makes a strong case, with two debut recordings

Telemann: Flute Concertos; Emmanuel Pahud
Emmanuel Pahud , Rainer Kussmaul , and Berlin Baroque Soloists
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Vivaldi: Flute Concertos
Bach Brandenburg Concerto No. 5, Orchestral Suite No. 2/ Emmanuel Pahud
Mozart: Concerto for flute & harp in C; Concerto for flute No1
Khachaturian & Ibert: Flute Concertos; Emmanuel Pahud
Bach: Flute Sonatas

ASIN: B00006L3S5
Release Date: 2003-01-07

Tracks:

Andante
Vivace
Adagio
Allegro
Largo
Allegro
Gratioso
Allegro
Lentement
[Ohne Satzbezeichnung]
Loure
[Rondeau]
Andante
Allegro
Siciliano
Vivace
Moderato
Allegro
Largo
Vivace

Amazon.com

This is a delightful record. Telemann, one of the most prolific composers of all time, wrote music that is technically masterful, endlessly inventive, full of surprises, emotionally mercurial, and continuously engaging. In these five concertos, composed over two decades, the solo flutist is often joined by one or more soloists from the ranks of the orchestra, who, as in Telemann's day, are all fully equal to the task. This results in a wide variety of combinations and colors, illustrating Telemann's skill in displaying each instrument at its best, so as to "give the player joy, the listener pleasure," as he himself put it.

These performances certainly radiate infectious enjoyment. The concertos all follow the traditional form, alternating four slow and fast movements, but are infinitely diverse in tonality, texture, mood, and character. There are carefree, sprightly, playful, elegant dances, humorous imitation games, brilliant passage-work and cadenzas, startling chromaticisms, and deeply expressive melodies that beguile the ear and touch the heart. The first movement of the opening Concerto is so reminiscent of a Bach Arioso that one of the two composers must have "borrowed" it from the other. The playing is superb in a modified period-style: the pitch is normal; the sound wonderfully pure, but rich and full; tempi are designed to invite both virtuosity and leisurely enjoyment of musical and expressive details. Pahud uses a narrow, restrained vibrato that underlines the flawless beauty of his tone. The other players, all like him present or past principals of the Berlin Philharmonic, match him in the perfection of their intonation, phrasing, and ensemble. --Edith Eisler

Customer Reviews:

Telemann: Pleasurable Instrumentation - Modern Flute + Oboe D'Amore .......2007-06-12

"Give every instrument what suits it best. The player will enjoy himself and you'll be pleased." (Telemann - quoted from liner notes)

A couple of years ago, I played this recording of these flute concertos so much that I feel I lived in this music. I took them everywhere with me and listened to them all the time for several months. They are very beautiful, lively and will definitely lift the listener's spirits. The three other reviewers, particuarly Matthew M. Yau, have written very good and complete reviews. My only addition is to particularly praise the combination of the flute and oboe d'amore in the Concerto in E (#13-16) and the Vivace (#16) in particular. It is unbelieveably beautiful! I am also extremely fond of the Concerto in D (#17-20) and the Andante of the Concerto in G (#1). The liner notes tell an interesting story of this movement's reconstruction/restoration.

Elegance and Charm, Not to Mention Beauty.......2006-06-13

I'll leave the musical analysis to others here, but this is one of the most charming and lovely flute recordings I've come across. Pahud has the right felicitous touch for this charming---there's no other word for it---music from the prolific G.P. Telemann. I've listened to it many times and never tire of it. Really. It's terrific.

Telemann Perfection.......2005-07-08

Every recording I've heard from the EMI catalogue featuring Pahud and whatever orchestra he's accompanying has been splendid. He must have a great sense about whom to team up with and when. I really have to hand it to him and to his agent. This recording is no exception. Sublime interchange between composer, orchestra and soloist! Maestro Vivaldi lives on mainly in the vaults of Venice churches, where you have to travel to to appreciate the true quality of his music...It truly reverberates only in those ancient, richly adorned tempples.

The CD builds, fresco by fresco.. Starting with the Adagio driven G Major Flute , then travelling rather quickly to the Vivace second movement. The entire CD tends to be a study in that sort of contrast, which is one of the reasons that no matter in what venue we are listening to Vivaldi, he always mangaes to keep us alert! He was one of the first composers to engage in that sort of dimminuendo,zzzzzzzzzzzz.
Quiet you down to the stage that you're ready to nod off and then set a fire cracker off near your right ear!

Maybe not that bad, but I think Beethoven got a lot of his ideas in contrasting modes from first Vivaldi, then Mozart. It's just my own little theory, and I'm definitely no music maven, so just chalk it up to UFO theory type conjecture.

Don't let any of that dissuade you from purchasing this CD, however. It's clear, distinct, exceptionally executed! I can't detect a flaw in the ointment! 5 stars, no debate!

BK

Pahud makes a strong case, with two debut recordings.......2004-05-26

TELEMANN: FLUTE CONCERTOS is a rarely beautifully compilation. The five concertos for flute chosen for this recording illustrates exactly what suits the instrument best and accentuates the instrument's beauty. Georg Philipp Telemann (1681-1767) not only wrote concertos for one flute or two, but also variously combined the flute with other concertante instruments, showing the virtuoso flute in a wide range of different roles.

The five pieces heard in this compilation were composed over a period of more than 20 years and fully demonstrate Telemann's engagement with the concerto genre. In each of the five works almost every member in the orchestras at Telemann's disposal was capable of taking solo parts. The beauty of sound springs forth from the combination with softer tone of instruments such as oboe d'amore, viola d'amore or violone, which enhance the flute's brilliance and crispness, while an often astonishing playfulness could develop in the high registers when Telemann introduced a second flute or a violin, as manifested obviously in the Concerto for Flute, Violin, Cello, Strings and Continuo in A from "Musique de Table I" (5-8).

Concerto for Flute, Strings and Continuo in G (1-4) is a first recording because the only manuscript copy of the parts was in an extremely poor condition that the piece was sadly considered unplayable (until 2000). The concerto was composed for oboe as well as for the transverse flute of the time. The andante movement is the most beautiful movement, so elegantly and stately executed. Pahud makes such a strong case for the first recording of this concerto.

Concerto for Flute, Violin, Cello, Strings and Continuo in A from "Musique de Table I" (5-8) is probably the most beautiful concerto in Musique de Table. The agility and swiftness of notes best suited the festive occasions for which Telemann composed in 1733. This might be the most well-known and most played piece out of this compilation. Even Handel himself performed some of the pieces and some of his own compositions (flute sonata and oboe sonata) show the inspiration of Telemann.

Concerto for Two Flutes, Violone, Strings and Continuo (9-12) is also a debut recording for the piece, with a deep, velvety tone of the violone that creates an impressive contrariety to the agility of the flutes, notably when the flutes and the violone play together in parallel for long stretches.

Concerto for Flute, Oboe d'amore, Viola d'amore, Strings and Continuo in E (13-16). The Largo in D minor forms a sharp contrast to the vivacious movements to Part 1 of Music de Table. In the Siciliano, the repeated theme and expression is achieved by repetition of three concertante instruments without the continuo.

Listen for the only concertos with a combination of flute and two other different solo instruments in the final piece of the compilation, Concerto for Flute, Strings and Continuo in D (17-20).

Overall high marks for the agility, flow, and swiftness of all the performances in this compilation.

Tracks:

Concerto No. 1 in G Major: Allegro con spirito
Concerto No. 1 in G Major: Romance: Andantino
Concerto No. 1 in G Major: Rondo: Allegro
Concerto No. 2 in A Major: Allegro con spirito
Concerto No. 2 in A Major: Romance: Andantino
Concerto No. 2 in A Major: Rondo: Allegretto
Concerto No. 3 in C Major: Allegro con spirito
Concerto No. 3 in C Major: Andante poco moderato
Concerto No. 3 in C Major: Rondo: Allegro

Customer Reviews:

Wonderful music.......2006-10-24

I recently heard some music by Carl Stamitz on Radio Swiss Classic. That prompted me to listen to more of it, and that led me to this magnificent CD of the Cello Concertos, performed by the Prague Chamber Orchestra.

The music is sublime. Christian Benda is superb on the cello. The orchestra plays confidently and knowingly. The digital sound is clear and crisp. All in all, this is an excellent CD. By all means, take advantage of the very reasonable price to add this to your classical music collection.

Click on No. 2, Romanze, and you'll understand my five stars.......2002-12-16

Carl Stamitz, composer and member of the famous Mannheim orchestra , was one of the great melodists of the Classical period. Though rarely heard, and not of the stature of Haydn and Mozart, his inspired moments are unsurpassed. You get a taste of his gift in the Romanze of Concerto No. 2, in the sampling thoughtfully provided. An even more ravishing melody occurs in the slow movement of Clarinet Concerto No 2, I believe. It hangs on for days in my head whenever I hear it.

In my judgment it is critical that performers feel this music and bring it to music-loving audiences without mannered play (e.g. period performance) that interposes intellectual barriers to enjoyment of it as timeless beauty. In this respect, Christian Benda does a tasteful and sensitive job, neither adopting "authentic performance" tendencies like cutting short languorous phrases, nor going into excess sentimentality. He comes by his right to play this music naturally, being of Bohemian origin like the Stamitz family.

Tracks:

Con in G, RV 151 'Alla Rustica': 1. Presto - The English Concert/Trevor Pinnock
Con in G, RV 151 'Alla Rustica': 2. Adagio - The English Concert/Trevor Pinnock
Con in G, RV 151 'Alla Rustica': 3. Allegro - The English Concert/Trevor Pinnock
Con in B flat, RV 548: 1. (Allegro) - David Reichenberg/Simon Standage
Con in B flat, RV 548: 2. Largo - David Reichenberg/Simon Standage
Con in B flat, RV 548: 3. Allegro - David Reichenberg/Simon Standage
Con in C, RV 558 'Con Molti Stromenti': 1. Allegro Molto - Philip Pickett/Rachel Beckett/Colin Lawson/Carlos Riera/Simon Standage/Micaela Comberti...
Con in C, RV 558 'Con Molti Stromenti': 2. Andante Molto - Philip Pickett/Rachel Beckett/Colin Lawson/Carlos Riera/Simon Standage/Micaela Comberti...
Con in C, RV 558 'Con Molti Stromenti': 3. Allegro - Philip Pickett/Rachel Beckett/Colin Lawson/Carlos Riera/Simon Standage/Micaela Comberti...
Con in G, RV 516: 1. Allegro Molto - Simon Standage/Elizabeth Wilcock
Con in G, RV 516: 2. Andante (Molto) - Simon Standage/Elizabeth Wilcock
Con in G, RV 516: 3. Allegro - Simon Standage/Elizabeth Wilcock
Con in a, RV 461: 1. Allegro Non Molto - David Reichenberg
Con in a, RV 461: 2. Larghetto - David Reichenberg
Con in a, RV 461: 3. (Allegro) - David Reichenberg
Con in G, RV 532: 1. Allegro - James Tyler/Robin Jeffrey
Con in G, RV 532: 2. Andante - James Tyler/Robin Jeffrey
Con in G, RV 532: 3. Allegro - James Tyler/Robin Jeffrey

Tracks:

Con in A, RV 159: 1. Allegro - The English Concert/Trevor Pinnock
Con in A, RV 159: 2. Adagio - The English Concert/Trevor Pinnock
Con in A, RV 159: 3. Allegro - The English Concert/Trevor Pinnock
Con in E, RV 271 'L'Amoroso': 1. Allegro - Simon Standage
Con in E, RV 271 'L'Amoroso': 2. Cantabile - Simon Standage
Con in E, RV 271 'L'Amoroso': 3. (Allegro) - Simon Standage
Con in e, RV 484: 1. Allegro Poco - Milan Turkovic
Con in e, RV 484: 2. Andante - Milan Turkovic
Con in e, RV 484: 3. Allegro - Milan Turkovic
Con in G, RV 436: 1. Allegro - Lisa Beznosiuk
Con in G, RV 436: 2. Largo - Lisa Beznosiuk
Con in G, RV 436: 3. (Allegro) - Lisa Beznosiuk
Con in d, RV 540: 1. Allegro - Roy Goodman/Nigel North
Con in d, RV 540: 2. Largo - Roy Goodman/Nigel North
Con in d, RV 540: 3. Allegro - Roy Goodman/Nigel North
Con in G, RV 545: 1. Andante Molto - David Reichenberg/Milan Turkovic
Con in G, RV 545: 2. Largo - David Reichenberg/Milan Turkovic
Con in G, RV 545: 3. Allegro Molto - David Reichenberg/Milan Turkovic

Tracks:

L'estro Armonico, Op.3: Con No.1 in D, RV 549: 1. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.1 in D, RV 549: 2. Largo E Spiccato - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.1 in D, RV 549: 3. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.2 in g, RV 578: 1. Adagio E Spiccato - Simon Standage/Michaela Comberti/Jaap Ter Linden
L'estro Armonico, Op.3: Con No.2 in g, RV 578: 2. Allegro - Simon Standage/Michaela Comberti/Jaap Ter Linden
L'estro Armonico, Op.3: Con No.2 in g, RV 578: 3. Larghetto - Simon Standage/Michaela Comberti/Jaap Ter Linden
L'estro Armonico, Op.3: Con No.2 in g, RV 578: 4. Allegro - Simon Standage/Michaela Comberti/Jaap Ter Linden
L'estro Armonico, Op.3: Con No.3 in G, RV 310: 1. Allegro - Simon Standage
L'estro Armonico, Op.3: Con No.3 in G, RV 310: 2. Largo - Simon Standage
L'estro Armonico, Op.3: Con No.3 in G, RV 310: 3. Allegro - Simon Standage
L'estro Armonico, Op.3: Con No.4 in e, RV 550: 1. Andante - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding
L'estro Armonico, Op.3: Con No.4 in e, RV 550: 2. Allegro Assai - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding
L'estro Armonico, Op.3: Con No.4 in e, RV 550: 3. Adagio/4. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding
L'estro Armonico, Op.3: Con No.5 in A, RV 519: 1. Allegro - Simon Standage/Miles Golding
L'estro Armonico, Op.3: Con No.5 in A, RV 519: 2. Largo - Simon Standage/Miles Golding
L'estro Armonico, Op.3: Con No.5 in A, RV 519: 3. Allegro - Simon Standage/Miles Golding
L'estro Armonico, Op.3: Con No.6 in a, RV 356: 1. Allegro - Simon Standage
L'estro Armonico, Op.3: Con No.6 in a, RV 356: 2. Largo - Simon Standage
L'estro Armonico, Op.3: Con No.6 in a, RV 356: 3. Presto - Simon Standage

Tracks:

L'estro Armonico, Op.3: Con No.7 in F, RV 567: 1. Andante - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.7 in F, RV 567: 2. Adagio - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.7 in F, RV 567: 3. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.7 in F, RV 567: 4. Adagio - Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.8 in a, RV 522: 1. Allegro - Elizabeth Wilcock/Micaela Comberti
L'estro Armonico, Op.3: Con No.8 in a, RV 522: 2. Larghetto - Elizabeth Wilcock/Micaela Comberti
L'estro Armonico, Op.3: Con No.8 in a, RV 522: 3. Allegro - Elizabeth Wilcock/Micaela Comberti
L'estro Armonico, Op.3: Con No.9 in D, RV 230: 1. Allegro - Simon Standage
L'estro Armonico, Op.3: Con No.9 in D, RV 230: 2. Larghetto - Simon Standage
L'estro Armonico, Op.3: Con No.9 in D, RV 230: 3. Allegro - Simon Standage
L'estro Armonico, Op.3: Con No.10 in b, RV 580: 1. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.10 in b, RV 580: 2. Largo - Larghetto - Adagio - Largo - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.10 in b, RV 580: 3. Allegro - Simon Standage/Elizabeth Wilcock/Micaela Comberti/Miles Golding/Jaap ter Linden
L'estro Armonico, Op.3: Con No.11 in d, RV 565: 1. Allegro - Adagio Spiccato E Tutti - Allegro - Simon Standage/Elizabeth Wilcock/Jaap ter Linden
L'estro Armonico, Op.3: Con No.11 in d, RV 565: 2. Largo E Spicatto - Simon Standage/Elizabeth Wilcock/Jaap ter Linden
L'estro Armonico, Op.3: Con No.11 in d, RV 565: 3. Allegro - Simon Standage/Elizabeth Wilcock/Jaap ter Linden
L'estro Armonico, Op.3: Con No.12 in E, RV 265: 1. Allegro - Simon Standage
L'estro Armonico, Op.3: Con No.12 in E, RV 265: 2. Largo - Simon Standage
L'estro Armonico, Op.3: Con No.12 in E, RV 265: 3. Allegro - Simon Standage

Tracks:

6 Fl Cons, Op.10: No.1 in F, RV 433 'La Tempesta Di Mare': 1. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.1 in F, RV 433 'La Tempesta Di Mare': 2. Largo - Lisa Beznosiuk
6 Fl Cons, Op.10: No.1 in F, RV 433 'La Tempesta Di Mare': 3. Presto - Lisa Beznosiuk
6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 1. Largo - Lisa Beznosiuk
6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 2. Presto (Fantasmi) - Lisa Beznosiuk
6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 3. Largo - Lisa Beznosiuk
6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 4. Presto - Lisa Beznosiuk
6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 5. Largo (Il Sonno) - Lisa Beznosiuk
6 Fl Cons, Op.10: No.2 in g, RV 439 'La Notte': 6. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.3 in D, RV 428 'Il Gardellino': 1. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.3 in D, RV 428 'Il Gardellino': 2. Without Tempo Indication - Lisa Beznosiuk
6 Fl Cons, Op.10: No.3 in D, RV 428 'Il Gardellino': 3. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.4 in G, RV 435: 1. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.4 in G, RV 435: 2. Largo - Lisa Beznosiuk
6 Fl Cons, Op.10: No.4 in G, RV 435: 3. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.5 in F, RV 434: 1. Allegro Ma Non Tanto - Lisa Beznosiuk
6 Fl Cons, Op.10: No.5 in F, RV 434: 2. Largo Cantabile - Lisa Beznosiuk
6 Fl Cons, Op.10: No.5 in F, RV 434: 3. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.6 in G, RV 437: 1. Allegro - Lisa Beznosiuk
6 Fl Cons, Op.10: No.6 in G, RV 437: 2. Largo - Lisa Beznosiuk
6 Fl Cons, Op.10: No.6 in G, RV 437: 3. Allegro - Lisa Beznosiuk

Customer Reviews:

Vivaldi ROCKS ! ! ! ! !.......2007-01-12

Violins, harpsichords, basso continuo, what can I say.
Vivaldi ROCKS ! ! ! !
Excellent selection of his music and as usual flawlessly performed by the english consort.

A Little More Vivaldi Please.......2003-12-28

This budget-priced, slim paper-sleeved box set of various Vivaldi Concertos on the DG/Archiv label is quite excellent. Trevor Pinnock, directing from the harpsichord and organ, leads the English Concert (an all-star cast including Roy Goodman and Simon Standage, both of whom have graduated to the podium in recent years) in digital recordings from the late 80s. Since the track information is not abundantly clear above, allow me to mention that the first two discs of this set feature various Concertos, discs 3 & 4 contain the complete "L'estro amonico" op. 3, and CD5 six Flute Concertos op. 10. While I have never been a big fan of period-instrument recordings, there is nothing I can complain about here. The performances are warm, spirited, and thoroughly engaging, and certainly not academic. In fact, my only complaint is that there is not more to listen to. I popped this set in my 5-disc changer over the Holidays, and was disappointed to find it end so soon, being that four of the five CDs log in at the mid-50 minute mark and one only at a whopping 45:08. By my calculations, there is easily room for an additional two hours of material here! Alas, it is the only problem with an otherwise stellar set.

Average customer rating:

The Value Far Exceeds the Cost
Value Packed Concerto Set
Great Set of Concertos
Fine performances with superb accompaniments.
Great de Peyers and Tuckwell performances

Mozart: Wind Concertos

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Mozart: The Great Serenades
Mozart: Violin Concertos
Mozart: The Complete Piano Trios
Mozart: The Six String Quintets
Mozart: The Great Piano Concertos, Vol. 1

ASIN: B000040OX6
Release Date: 2000-02-08

Tracks:

Clarinet Concerto In A Major, K622: I Allegro
Clarinet Concerto In A Major, K622: II Adagio
Clarinet Concerto In A Major, K622: III Rondo; Allegro
Flute Concerto No. 1 In G Major, K313 (285C): I Allegro maestoso
Flute Concerto No. 1 In G Major, K313 (285C): II Adagio non troppo
Flute Concerto No. 1 In G Major, K313 (285C): III Rondo: Tempo di menuetto
Oboe Concerto In C Major, K314: I Allegro aperto
Oboe Concerto In C Major, K314: II Adagio non troppo
Oboe Concerto In C Major, K314: III Rondo: Allegretto

Tracks:

Bassoon Concerto In B Flat Major, K191: I Allegro
Bassoon Concerto In B Flat Major, K191: II Andante ma adagio
Bassoon Concerto In B Flat Major, K191: III Rondo: Tempo di menuetto
Horn Concerto No. 1 In D Major, K412: I Allegro
Horn Concerto No. 1 In D Major, K412: II Rondo: Allegro
Horn Concerto No. 2 In E Flat Major, K417: I Allegro
Horn Concerto No. 2 In E Flat Major, K417: II Andante
Horn Concerto No. 2 In E Flat Major, K417: III Rondo: Allegro
Horn Concerto No. 3 In E Flat Major, K447: I Allegro
Horn Concerto No. 3 In E Flat Major, K447: II Romance: Larghetto
Horn Concerto No. 3 In E Flat Major, K447: III Allegro
Horn Concerto No. 4 In E Flat Major, K495: I Allegro maestoso
Horn Concerto No. 4 In E Flat Major, K495: II Romance: Andante cantabile
Horn Concerto No. 4 In E Flat Major, K495: III Rondo: Allegro vivace

Customer Reviews:

The Value Far Exceeds the Cost.......2005-06-28

Not only does this 2-CD set present a great set of pieces by Mozart, but the renditions given are among the best anywhere. Much good has been said about the performances of the clarinet and horn concertos, and rightly so. I must, however, being a flute player, comment on William Bennett's wonderful G Major concerto: you would be hard-pressed to find a more songful and intense recording. The bassoon concerto is the best I've heard, as is the oboe concerto. The horn concertos, though thoroughly enjoyable, are bested by James Sommerville. I would also recommend you compare the clarinet concerto here with Bohm's on DG, which is transcendent.

Value Packed Concerto Set.......2002-01-19

Outstanding value from this two-CD set. Highlighting this solid recording is a marvelous clarinet performance by de Peyer backed solidly by the London Symphony and what could be the best of the horn renderings of Mozart's Concertos by Tuckwell again with the London Symphony. The balance and mood here by their interpretation is excellent, with the strength and toning by de Peyer and Tuckwell superb.

These are ably supplemented by very able renditions of the oboe and bassoon concertos respectively by Mack and McGill with the Cleveland Orchestra.

One will not go astray by having this set in their collection.

Great Set of Concertos.......2001-03-19

This is a marvelous set of mozart's wind concertos. De Peyer is an incredible musician who executes the clarinet concerto with sheer brilliance. Elegant and refined, this is the only recording of this concerto you'll ever need. The flute and bassoon concertos are remarkable as well. John Mack is a wonderful player who shapes the most beautiful phrases in the oboe concerto, and puts a touch of elegance on every note he plays. Tuckwell is a notoriously excellent musician, and his interpretation of the horn concertos are certainly 1st-rate, with an accompaniment to match. These CD's are certainly an asset to any Mozart-lover.

Fine performances with superb accompaniments........2000-09-07

Both Barry Tuckwell on horn and Gervais de Peyer on clarinet are fine soloists who play their respective concertos beautifully. However, it is the suberb accompaniments by Peter Maag -- an extremely gifted Mozart conductor -- which provide the polish which makes this a 5-star set.

Great de Peyers and Tuckwell performances.......2000-04-04

The clarinet concerto played by de Peyer is undoubtedly the best recorded performance of this great concerto. The sound is absolutely beautiful and the interpretation is retrained but elegant to the extreme. The orchestra under Maag played precisely and stylishly. In spite of the age of this recording, the sonic quality is very fine. Tuckwell's performance is as fantastic as one would expect from the all time greatest horn player.

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Music Review

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Music Review

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