Otem [Import]
On this CD:
1. Ego Antḥs, for saxophone, violin & organ
Composed by Dietrich Oberdorfer
2. Skin of the Earth, for soprano saxophone, violin & organ
Composed by Dietrich Oberdorfer
3. Cum Sanctus Spiritus, for organ
Composed by Dietrich Oberdorfer
4. Magnificat, for organ
Composed by Dietrich Oberdorfer
5. One and Another Horn, for organ
Composed by Dietrich Oberdorfer
Otem, Music, Dietrich Oberdorfer, Chamber, Chamber Music, Classical, Keyboard, Music for Keyboard, Orchestral & Symphonic, World Music
Average customer rating:
- Close your eyes and think of her
- One of the best americana albums of 2006!
- One of the Best Albums of 2006
- Better as a solo artist?
- I expected soooo much more
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Rabbit Fur Coat
Jenny Lewis with The Watson Twins
Manufacturer: Team Love Records
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Fox Confessor Brings the Flood
- Comfort of Strangers
- More Adventurous
- The Believer
- The Crane Wife
ASIN: B000CQQHPY
Release Date: 2006-01-24 |
Tracks:
- Run Devil Run - (with Jenny Lewis)
- Big Guns, The - (with Jenny Lewis)
- Rise Up With Fists!!! - (with Jenny Lewis)
- Happy - (with Jenny Lewis)
- Charging Sky, The - (with Jenny Lewis)
- Melt Your Heart - (with Jenny Lewis)
- You Are What You Love - (with Jenny Lewis)
- Rabbit Fur Coat - (with Jenny Lewis)
- Handle With Care - (with Jenny Lewis)
- Born Secular - (with Jenny Lewis)
- It Wasn't Me - (with Jenny Lewis)
- Happy (Reprise) - (with Jenny Lewis)
Amazon.com
Channeling the evocative storytelling of Laura Nyro and the soulful sexiness of Dusty Springfield, singer/songwriter Jenny Lewis skips all contemporary studio gimmickry to proffer a near-perfect solo debut. The front-woman for indie darlings Rilo Kiley breaks away from the songwriting democracy she shares with that band's co-leader Blake Sennett (also of the Elected), drawing inspiration from the crackling vinyl albums of her youth. And from the opening notes of "Run Devil Run," an acapella gospel hymn sung with the Watson Twins, through the note-for-note cover of the Traveling Wilbury's "Handle With Care" (with Bright Eyes' Conor Oberst and Death Cab For Cutie's Ben Gibbard), Lewis verifies this is her record. Her goose-bump voice can be as mournful as it is optimistic, but remains perpetually mesmerizing on Rabbit Fur Coat's best songs: the god-fearing country-rocker "The Charging Sky," the radio-poppy "You Are What You Love" and, especially, the title track, a haunting, solo-guitar waltz of poor meets rich. --Scott Holter
Album Description
Known and loved by many as the enchanting front-woman for LA's Rilo Kiley, Jenny's vocal and songwriting gifts have continued to blossom at a rapid rate since that band's first album in 2000. Jenny's hauntingly soulful voice, sometimes bursting with buoyant spirit and at other times plaintive and world wearied, is deep, sensual and beguiling. Intricate storytelling and evocative lyrics infuse these songs with a captivating vibrancy but may be knocked sideways by the musical alchemy at play as a result of folk, country, and Southern gospel influences.
Customer Reviews:
Close your eyes and think of her.......2007-03-16
This album reminds me of that fresh breath of artistic creativity Mary Chapin Carpenter brought to the music world those some years ago. And the Watson Twins - what beauties and with such great vocals. Like all music, the beauty is in the ear of the beholder (so to speak), and I really like this album. Especially the harmonizing provided by (I believe) the Watson Twins. Did I tell you they were beautiful? And have beautiful voices?
This CD provides some interesting stories set to unique music and vocalizations. With harmonizing provided by the Watson Twins. I close my eyes and think of them both. All three. I like it.
One of the best americana albums of 2006!.......2007-03-02
Great album altogether. Honestly, her version of "Handle me with care" blows away the original, even though it does contain vocals from that over-rated emo whiner, Ben Gibbard. At least Jenny's voice is better than Tom Petty's!
One of the Best Albums of 2006.......2007-02-18
I really like Rilo Kiley so I was interested to listen to this Jenny Lewis solo effort. But being a fan of Rilo Kiley definitely won't guarantee that you'll enjoy this album.
It's a lot more twangy and folksy than Rilo Kiley which appeals more to the college radio crowd but I must admit that I play this record more often than "More Adventurous" which is an album I adore; "Rabbit Fur Coat" just strikes me as being more original and better realized.
Jenny Lewis and the Watson Twins have managed to record one of the most memorable albums of 2006. I'm not alone in this assessment. NPR did a list of the best albums of '06 and this, not surprisingly, was on it.
Better as a solo artist?.......2007-02-12
Rilo Kiley is a great band, there's no doubt. But Jenny Lewis has done something with this solo project that, to my estimation, is in a different league. It's folksy, it's catchy... the songs just get stuck in your head. Her voice is the best feature of Rilo Kiley anyway, but it seems that with this project, she's really bloomed. She seems almost weepy on songs like "Happy" and "Melt Your Heart," but the strength of great stuff like "The Big Guns" and "You Are What you Love" that will keep you coming back for more. A good balance across the board, not too much of any one thing.
I expected soooo much more.......2007-01-21
not good, Im sorry, Im a big big rilo kiley fan, and this cannot hold a candle to any release. Shes trying something new, and its not good. My opinion? no....
Average customer rating:
- Music that supplies the soundtrack to our passions...
- I can't stop listening
- Excellent Soundtrack
- WARNING
- The Sounds of Shortbus
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Shortbus
Original Soundtrack
Manufacturer: Team Love Records
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
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Similar Items:
- Shortbus (Unrated Edition)
- Release the Stars
- Another Gay Movie
- Hedwig and the Angry Inch
- Hedwig and the Angry Inch (New Line Platinum Series)
ASIN: B000IOMXZ8
Release Date: 2006-11-07 |
Tracks:
- Scott Matthew - Upside Down
- Azure Ray - If You Fall
- Yo La Tengo - Wizard's Sleeve
- Animal Collective - Winter's Love
- Scott Matthew - Surgery
- Sook-Yin Lee - Beautiful
- Gentleman Reg - It's Not Safe
- John LaMonica - Kids
- Scott Matthew - Language
- Jay Brannan - Soda Shop
- Anita O'Day - Is You Is or Is You Ain't My Baby?
- The Ark - Kolla Kolla
- The Hidden Cameras - Boys of Melody
- Scott Matthew - Little Bird
- The Ark - This Piece of Poetry Is Meant to Do Harm
- Jasper James - This House
- Scott Matthew - In the End (Long Film Version)
- Scott Matthew - In the End (Acoustic)
Amazon.com
His follow-up to Hedwig and the Angry Inch may not be a music movie per se, but music is indeed important to the aesthetic of John Cameron Mitchell's Shortbus. While some soundtracks go out of the way to be diverse, this one prefers a uniform mood, and that mood is reflective, relatively lo-fi indie rock. This is exemplified by Scott Matthew's five new tracks. The first, "Upside Down," gives off a strong whiff of late-period Magnetic Fields (maybe it's the ukulele), and the remaining four stay within these parameters of predominantly acoustic, forlorn introspection. Other paragons of American indie creativity include Yo La Tengo (the previously unreleased "Wizard's Sleeve"), Azure Ray, Animal Collective, and guest Canadians the Hidden Cameras. Rocker and former MuchMusic VJ Sook-Yin Lee (who plays a sex therapist in the movie) sings one of the best tracks, the pared-down but catchy "Beautiful." Two songs by Sweden's the Ark mercifully inject a welcome dose of disco excitement, while jazz singer Anita O'Day sounds as fantastically smoky as ever on "Is You Is or Is You Ain't My Baby." Look also for Justin Bond (a.k.a. Kiki of Kiki and Herb) as he delivers the elegiac coda with the melancholy "In the End." --Elisabeth Vincentelli
Album Description
The much rumored-about new film from John Cameron Mitchell ("Hedwig And The Angry Inch") comes to the US this fall following its sold-out premiere at the Cannes Film Festival where it received a ten-minute standing ovation. "Shortbus" is an engaging study of love and lust; a playful comedy about oddball New Yorkers in search of love, happiness, and the perfect orgasm. The soundtrack includes all the original songs from the film, composed by singer-songwriter Scott Matthew. Other contributors include Yo La Tengo, Animal Collective, Azure Ray, The Ark, and Hidden Cameras.
Customer Reviews:
Music that supplies the soundtrack to our passions..........2007-06-14
Shortbus boasts a great soundtrack of various artists with amazing abilities to communicate emotions through words and music. The track set has songs that explore the different angles and dimensions of love, romance, and more fleeting encounters. The result is one awesome ride!
The track set starts off with somewhat pared down "Upside Down" by Scott Matthew; he and musician B**** play the ukuleles well, too. Scott sings of how happy he would be if his one true love "would just stick around." Scott's voice, while distinctly masculine, also has a vulnerable quality to it that truly makes his vocals all the more powerful. The melody is beautiful and The Wau Wau Sisters do a great job with the background vocals, too. "If You Fall" plays with key changes to enhance the beauty of a song about love; Azure Ray does a great job of singing this ballad. "If You Fall" has an upbeat, pop flavor to it that works well; and the sometimes flat vocals play off the musical arrangement to perfection!
"Wizard's Sleeve" by Yo La Tengo has a type of 1960s mood music feel to it; and Yo La Tengo sing the vocals without a superfluous note! Yo La Tengo, as always, really shines with this track. In addition, Scott Matthew returns with "Surgery;" Scott sings this passionately as he compares a love to a "saving surgery." Awesome!
"Beautiful" features Sook Yin Lee singing in several different keys in such a way as to infuse this number with a singular beauty. I can only hope that Sook Yin Lee will continue to make more creative music like "Beautiful." "Beautiful" makes good use of the percussion, too.
Other gems on this CD include the strikingly beautiful "Is You Is Or Is You Ain't My Baby" performed by the incomparable Anita O'Day. Anita performs her usual vocal gymnastics on this number; and the overall effect stuns you with its shimmering quality. "Boys Of Melody," performed here by The Hidden Cameras, offers us a great melody; and "Little Bird" by Scott Matthew glows brightly as Scott sings this to perfection! The melody makes good use of the ukulele and the chimes, too. "Kolla Kolla" by The Ark serves up a disco type number apparently thrown in for shock effect to balance out some of the lower keyed musical numbers on this CD.
Justin Bond performs "In The End" with panache and great sensitivity; as the music plays there are thoughtful key changes that give "In The End" an extra special sense of poignancy. Justin refers to our last dying moments as he sings of how our time on Earth is all too short and how we should die contently as we remember "that (we) tried." The line "'Cause we all get it in the end" could have a double meaning: It could mean that we all must experience the sadness of our lives ending, and this could be especially accurate because the overall mood of this album is pensive and often sad. On the other hand, it could also mean that if we strive hard enough to find true love, as the characters in the move do, we will have that one true love as an ultimate prize and one magnificent trophy to cherish and remember fondly as our lives end.
The liner notes contain the song credits and the artwork is very nicely done. I would have liked an essay of some sort but that is a relatively small disappointment.
Amazon correctly notes that the songs on this CD deal with and inspire introspection. The artists who worked so hard to make the soundtrack music--and this CD--display an incredible amount of creativity and even genius through their art. I highly recommend this CD for fans of "indie" rock; and anyone who wants to experience a fresh, rich sound and creative ballads would also do well to buy this CD.
I can't stop listening.......2007-06-07
Honestly, I didn't love this movie as much as I loved Hedwig, but I did really, really like it. And I think that one of its greatest assets is the music. Usually soundtracks are a little disappointing because they always leave something out, but this one is AMAZING! Everything is on it, and I can listen to it over and over without getting sick of it. I've already forced three other people to buy it.
Excellent Soundtrack.......2007-05-25
From the first listen this soundtrack is awesome. I bought it after seeing the movie. Especially the song from Hidden Cameras. I think for this song only the CD is worth buying. All the songs from Scott Matthew are very elegant. Mostly is very accoustic with wonderful guitars and lyrics.
Absolute 5 stars.
WARNING.......2007-05-08
This soundtrack should come with a warning message, because once these tunes get into your head, you cannot get them out.
If you see the movie, the effect will be greatly intensified by the synergy between music and imagery.
Each song holds a moment, a time and emotional space. As difficult as it was to get this CD out of my car CD player, getting the tunes out of my head has proven impossible.
The songs contain the kind of melodies that build in intensity with each listening.
The Sounds of Shortbus.......2007-05-07
I'm not one to buy soundtracks from films. In fact, this is the first soundtrack I've purchased. But what a soundtrack it is! The sound is seamless from the first song to the last, each one different from the rest, yet forming a perfect whole. I find myself listening to the CD once each day and, when it's over, I'm filled with a feeling on content. While the film "Shortbus" may be too sexually explicit for some tastes, the music from it will appeal to everyone.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- A little too much treble
- Five Reasons Why I Didn't Like This Album
- Strange little booger
- Good, but....
- it's hard to listen to this album without smiling.
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Thunder, Lightning, Strike
The Go! Team
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
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Indie Rock
| Indie & Lo-Fi
| Alternative Rock
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Similar Items:
- The Magic Numbers
- Show Your Bones
- Z
- You Could Have It So Much Better
- Broken Social Scene
ASIN: B000AP2Z3A
Release Date: 2005-10-04 |
Tracks:
- Panther Dash
- Ladyflash
- Feelgood By Numbers
- The Power Is On
- Get It Together
- We Just Won't Be Defeated
- Junior Kickstart
- Air Raid GTR
- Bottle Rocket
- Friendship Update
- Hold Yr Terror Close
- Huddle Formation
- Everyone's A VIP To Someone
Album Description
Includes two bonus tracks: We Just Won't Be Defeated and Hold Yr Terror Close.
Customer Reviews:
A little too much treble.......2007-07-12
I love the energy of the songs on this album, but I must criticize the mix. There is just too much treble, making this album painful to listen to on headphones. For this reason alone I am docking 1 star from an otherwise 5-star album. I hope that on their next album they can afford to hire a better studio and engineer.
Five Reasons Why I Didn't Like This Album.......2007-05-14
1. In high-school, I used to play in the marching band. Although the furtive pleasures to be found in the dark corners of a band bus still make me smile, I never found the football half-time shows that we played every autumn to be anything short of annoying. "Is this music anyone really wants to hear?" I wondered.
2. I am a teacher, and although I love my kids, they are also my job. The age groups that I've taught have run the gamut from five years old to fifty, and I've learned one very important lesson about myself. If I don't have to listen to prepubescent girls clapping their hands and chanting inanities about who's "number one," then I'm happy.
3. I love the poor little guy, but because he is a tragic figure (no matter how you look at it), a sad and bald little Sisyphus, Charlie Brown's theme song always (and I mean always) depresses me. Likewise with the theme song to "The Little House on the Prairie," although I can't as easily explain that one.
4. Like most people, I really DON'T want to go to your niece's piano recital.
5. In addition to containing all of the above elements, I found this album to be far too forced for me. If you want unrelenting rambunctiousness and corn-fed cheeriness, I won't think less of you for picking this album up, but I found it too much, the grating chaos of a musical garbage disposal. I don't mind a record trying to make me happy, but I prefer it to be tonally persuasive and compositionally compelling, rather than attempting to make its point through sheer exuberance. "The Go! Team" may have a lot of fans, but I'm skipping this half-time show.
Strange little booger.......2006-10-02
Eccentric, original, distinct and fun. Yet, spectacular 'tis not.
It goes down easy, especially at thirty minutes. It's headstrong in its peculiar style, and has an odd obsession with brass -- listen to that fanfare motif hiding under "Bottle Rocket"!.. just wonderful -- and harmonicas (?!). The vocals are as unique as anything I've heard, and generally speaking for the better, providing a musical experience that, in all, damned, honesty, I cannot compare to anything I've heard before. That, when I think about it, is a pretty extraordinary feat.
But it ain't all radiant goodness, friends. While it's little else than good times while it's rolling about with glee, it abruptly ends. And then it's done. Over. Gone. "What, is that it?" And, mind you, this question pops up every time I listen to it, so I predict I've allowed myself the due time to absorb it properly. None of the tunes are particularly striking, sans my favorite on the disc, the freaking ENCHANTING 'Huddle Formation', which is surely one of the most offbeat, giddy pieces of music I've heard in a decade. From my experience, most the people I've happily showcased the gem for have been either weirded out or confusingly unimpressed, but I shun them for such distaste, as is the correct thing to do. Moving on, the nature of the album elaborated, barely... The first track, "Panther Dash", pretty striking, with dazzling hooks and the introduction of the oft revisited harmonica. Yet, in only three minutes, it practically outstays its welcome, bringing forth little new ideas after the one minute mark; not a good sign. Then, on the other side of the spectrum, you've got a tune like "Feel good by Numbers", a waste of time and devoid of any spark even some of the more moderately amusing songs possess. When you release an album as short as thirty minutes, and end up throwing a song of such dreck in the mix (even if it's only two minutes), the more negative implications begin to shine forth.
Certainly it's not out of the question that I'm being too harsh on the album, but despite all of its innovative vibes, I'd feel a spear of guilt stabbing my chest if I were to rate this anything higher than a three. Three and a half, maybe, but even that could be pushing it. By no means is this not worth hearing, and those more fixated on creative virtue than anything just might be in heaven, but I prefer a little more, lasting oomph to my music. Good stuff, but little more, me thinks.
Good, but...........2006-08-13
Ok, I love this cd to death. It's cool that the US version has "We Just Won't Be Defeated" and "Hold Yr Terror Close," but in all honesty you're better off paying for the import version. As much trouble as their label went through to clear all the samples from the original UK release, they couldn't get them all. And songs like "The Power is On," "Bottle Rocket," and "Huddle Information" really suffer without the female MC samples on the verses. Trust me, buy the import instead. It's pure genius.
it's hard to listen to this album without smiling........2006-08-07
the go! team are so much fun. cheesy daytime television music looped with old-school hip hop and a cheerleader shouting over it. if you deny enjoying this album, you simply have no soul. the go! team stole the show at lollapalooza 2006, had about 50,000 people dancing and singing like no one was watching, and held more energy than any band i've ever seen in my life. the go! team are amazing in every aspect.
Average customer rating:
- Amazing
- now is the time to (re)visit one of indie rock's most epochal releases
- Old Guy No Like
- Starting to take off
- Not popular music
|
Young Team
Mogwai
Manufacturer: Jet Set Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Come on Die Young
- Lift Your Skinny Fists Like Antennas To Heaven
- f#a# (infinity symbol)
- Ten Rapid (Collected Recordings 1996-1997)
- 4 Satin
ASIN: B0000058SE
Release Date: 1997-10-21 |
Tracks:
- Yes! I am a long way from home
- Like Herod
- Katrien
- Radar Maker
- Tracy
- Summer (priority version)
- With Portfolio
- R U still in 2 it
- A cheery wave from stranded youngsters
- Mogwai Fear Satan
Album Details
Second Full-length Release, this Time with the Addition of Former Teenage Fanclub and Telstar Ponies Member Brendan O'hare.
Customer Reviews:
Amazing.......2007-04-18
The newer post rock genre has its many faults, pretentious, boring, and depressing. Mogwai attempts to transcend this partly because of there father of the genre status and there shorter songs that a tight and faced paced. Young Team is a master peace. Probably there best album but hardest to listen too. They do fall into the pitfalls of the genre the music is very very on the sad mellow side, there best song on the album(my opinion) Mogwai Fear Satan is about a pretentious a rock song can get, but they are never boring.
now is the time to (re)visit one of indie rock's most epochal releases.......2006-05-14
This is it! The one. The record that launched a MILLION other records. Half the bands I love and freak out about wouldn't even exist if it weren't for THIS RECORD. Or if they did, they sure as heck wouldn't sound the way they do. Sure there was Spiderland. And the theory that everyone who heard Spiderland started a band. And the Pixies. Same thing. And let's not forget Nirvana. Between Slint, Nirvana and the Pixies, the template for angsty loud/soft indie rock was pretty much defined FOREVER. Until Young Team that is.
Mogwai most definitely owed a huge debt to the above mentioned big three, but there was just something special about Young Team. The ultimate brooding post rock stumble into massive epic metallic crush record I had ever heard. This is heavy, but oh so pretty, dark and romantic, but also creepy and seriously ominous sounding. Soft, super blissed-out meandering almost-ambient soundscapes, dark brooding passages of near silence, eventually shattered into a million pieces by bursts of frenzied, rhythmic noise a la Godflesh, crushing and metallic and machinelike, but always ready to drift and fade back into soft swooning tranquility. But even the loud heavy parts are strangely melodic and ridiculously catchy.
This record is so f-cking great. Even now, a decade after it was first released, and after I've heard about a million bands do their own versions of Young Team. Maybe the best way to really drive home how massive and amazing and incredibly influential this record is, would be to list a handful of bands who would probably not exist, at least not in their present forms, if it weren't for this record. No disrespect to any of these groups AT ALL (I love them every single one of them) but you gotta give credit where credit is due... the sons of Mogwai include Godspeed! You Black Emperor, Isis, Timeout Drawer, Snowblood, the Ocean, Magyar Posse, Gregor Samsa, Aereogramme, This Is Your Captain Speaking, Explosions In The Sky, Sigur Ros, Pelican, Mono, Grails, Tarentel, Jimmy Cake, Switchblade, Minsk, Conifer, Tides, Eden Maine, Rosetta, Red Sparrowes, Indian, Baroness, Cult Of Luna, Mouth Of The Architect and I could go on and on.
So if you love any or all of the above mentioned bands, and how could you not, and you've somehow never heard Young Team, you are in for it in a big beautiful way! Now's your chance. Don't blow it. You will not be sorry. As for the rest of you, who for one reason or another just haven't listened to Young Team in years, lent it, lost it or whatever, now is the time to revisit one of indie rock's most epochal releases, you just may very well have forgotten how devastatingly fantastic this record is!
Old Guy No Like.......2006-03-29
What the heck makes this "post rock?" It sounds like second rate guitar rock to me, repetive in a boring--rather than blissed out--way, with dynamic extremes that sound gimmicky rather than cathartic, opaque production and uninspired playing (I hesitate to mention song-writing because these guys are a jam band). A hopeful prediction from the 47 year old guy contingent: you 20 somethings who are slobbering over this will eventually come to your senses and go after some REAL noise: Bardo Pond, Flying Saucer Attack, Spacemen 3, Amp, Jessamine, Loop, older Flaming Lips, MBV, Lovesliescrushing, or maybe even the Stooges or MC5. If you insist on the post rock thing, Sigur Ros or GSYBE. Again, this is just mediocre, at times mildly inspired, guitar rock.
Starting to take off.......2006-03-14
I envy the feeling it must be like to be such a young group and release an album containing echoes of melodic reverb that will carry on throughout the stratosphere for many more years..The type of music the band plays, slow burning escalations of poinient, darkened, melodic washes of distortion, is certainly not for everyone, but for everyone who wants to stay actively engaged with an open mind..Mogwai was just begining to find it's footing here, accentuating the best of their earlier singles..When the tracks do work completely, a sound so immersive begins to take root in the astute listeners ear, that the band itself must have meditated on some of their greatest material..Songs like the classic closer Mogwai fear Satan, show them at their tightest, with none of the self conscious clutter that often goes for atmosphere in the mogwai market..As people began to open up to this unique and introspective musical experience, I know a mental shrine had begun to be constructed by the fans, for the appreciation of this young team's extraoridinary passion for going inside of itself...
Not popular music.......2006-01-15
Was persuaded by the positive reviews (which sounded very educated mind you) to try something different. OK, so I found out I really value rhythm, continuity, and meaning in music. Which means I can appreciate the likes of Pink Floyd but not this inharmonious bunch called Mogwai. This is actually more like Heavy Metal, not "Pop", so I wouldn't have wasted my money if it has been properly labelled as such.
Average customer rating:
- Bottoms of barrels, top of the heap
- Better than seeing them live
- Care-free Wunderkind, WOW!
- Good, but not great
- THE SWEETNESS OF YOUTH, FOR A CHANGE
|
Bottoms of Barrels
Tilly and the Wall
Manufacturer: Team Love Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- The Crane Wife
- Fox Confessor Brings the Flood
- Begin to Hope
- The Gulag Orkestar
- The Reminder
ASIN: B000F3AJSK
Release Date: 2006-05-23 |
Tracks:
- Rainbows In The Dark
- Urgency
- Bad Education
- Lost Girls
- Love Song
- Sing Songs Along
- Black and Blue
- Brave Day
- The Freest Man
- Coughing Colours
Album Description
The result of five Omaha residents with a penchant for classic 60's pop, boy/girl harmonies, and Americana folk records, Tilly And The Wall celebrate the petulant, determined, feisty nature of youth. They rejoice in tales of dreams followed, mistakes made, and hearts broken. Their debut, "Wild Like Children", consisted of eleven perfectly formed songs bursting with enthusiastic hyperactivity, while emanating a bittersweet melancholy of long lost summers and misguided first loves. This, their follow-up, takes their signature sound to a new level. The choruses are more rousing, the tapping more intense, the instrumentation fuller. Guaranteed to make you love the band even more than you probably already do.
Customer Reviews:
Bottoms of barrels, top of the heap.......2006-11-19
Tilly and the Wall pioneered a weird new kind of indie-pop -- tap-dance pop!
That worked well in their debut, and it works even better in "Bottoms of Barrels," which makes everything about their sound fuller. The instrumentation is bigger, the melodies are catchier, the tapping is more promiment, and their second album is just more fun in general.
It opens with echoing vocals over a barely-audible electric guitar... then it's joined in by piano, increasingly with drama as the heels start ratatatting in the background. "I was kidnapped real young by the sweet taste of love/Built a fondness for things that just weren't good enough/I cradled the crow, always shooed off the dove/Which tagged me a naïve son," Kianna Alarid sings a little breathlessly.
It's followed up by the lo-fi mellotron swirls of "Urgency" and the Latin-flavoured stomp-stomps of "Bad Education" ("Girls and boys and full frustration/St. Valentine, I think I taste it!"). Then they tap and frolic through shimmering keyboard pop, pretty little piano ballads, solid indiepop, and tambourine-laden dance music.
This Omaha pop band really does have something special -- they really add life and vibrancy to retro indie-pop, and they have a knack for spinning up melodies that make you want to dance whether you like it or not. Perhaps the only weak spot is that their folkier songs are less engaging than their sprightly ones, though these are still above average
The album seems to center on unhappy, rebellious youth -- they're young, feisty, and they want OUT INTO THE WORLD. Boys who want to be girls, frightened young girls, and teens who "slept on the bad side of town." While the lyrics can be playful and fun, they can also be very dark ("so when your bones are broke and you're all alone/and the fog's so thick you can't see up close/just know that i will end up strangled too")
The music is a colourful swirl of bells, tambourine, xylophone, recorder and swirls of warm-tinged keyboard, with some guitar and bass lurking down there somewhere. No drums -- Jamie Williams just tap-dances really hard to the rhythm of the music, and surprisingly it works as well, if not better.
Tilly and the Wall are still as colourful and infectious as ever, and anyone who adored their first album will practically worship "Bottoms of Barrels."
Better than seeing them live.......2006-10-29
It took me a while (not that long, thankfully) to get into Tilly and the Wall and ever since then I have been tapping my feet along to the beat. Their music, lyrics and tapping is refreshing and is the answer to today's boring pop music. I would say they are "indie pop". If you are looking for some music to sing along (loudly and proudly) in the car or to get your mood up this is the CD. Listen to the first track, if you like it than the CD is highly recommended since many of their songs have similar beats and sounds. There are some beautiful slow songs (Lost Girl), but some people have a hard time getting use to Derek's voice (the main guy's voice) since it is rather soft and scratchy. I had a chance to see them live and even though they were entertaining then, it did not do justice as shown on this album. I high recommend this to anyone looking to dance, need a mood lifter or just looking for a new kind of band to listen to.
Care-free Wunderkind, WOW!.......2006-10-20
These guys totally took me by surprise. I'm coming from an outsider's viewpoint. I read some stuff about them and decided to give them a spin.
Very glad I did!
There's no denying there's alot of subconscious remarks of comparison in my head that come to me when I listen to this.
Does that make this bad? Not at all! With melodies and arrangements that sound as though Oberst decided to sing about pure happy fluff stuff, and percussions that could rival that of Stomp! this group has very much going for them.
Each track molds and shifts into a new sound, and I am reminded of different types of music and of the world. "Bad Education" gives me images of a gun shooter duking it out with a Flamenco dancer, while being backed up by a Ukrainian gypsy band! Weird I know but that's how I envision these songs with each one a story of it's own, regardless of what they're singing about sometime! But they're very much infused with the heart of Americana and very folky yet poppy enough that most won't notice that which is good, in order to branch out to all kinds of people willing to take a listen.
Not only that but the lyrics and the vocals are beautiful! So much are we succumbed to the usual indie folk that really don't have the voice to express their emotions and thoughts. But with these female vocals that stand so strong and vibrant they really compliment the sounds that encompass you and the singers.
And those that say "more tap dancing". Honestly, what is the big deal? It's not a gimmick, it's a part of their instrument base, it's no longer a prank or twist, but an instrument in itself and it works very well.
They can totally keep up with any other drum kit and percussionist out there. They don't take over the tracks nor are they background filler. They fill in just nicely all over. As do the rest of the sounds, be it pianos, organs, synths or trash can lids.
You want to make music you'll find a way and they have!
And these guys are very uplifting, their music evoke almost like that of Aquarius; full of youth, playfulness, mystery and everything we hated back then but long for now!
It's nice to hear something refreshing like this out of all the usual dark and moody or straight up nonsensical lyricism out there.
I highly recommend this album to those that are into beautiful good music.
Now I'm off to listen to their first. I'm sure I won't be disappointed.
Good, but not great.......2006-10-06
I liked their first album and I like this album, I'm just afraid they are turning into a novelty act with the tap dancing. It's fresh and inviting through the first few songs, then you start hoping for a little change, but it never comes. The order the songs are plcaed in are aabout the same on this ablum as their last; with a few tap dance songs, followed by a couple slower mostly acoustic tap dance songs proceeded with a song w/out tap dancing but uses a drum loop only to follow with some more tap dancing.
Good songs yes, but they need to break some new ground instead of stomping on their old ones.
THE SWEETNESS OF YOUTH, FOR A CHANGE.......2006-07-07
In an era when most young pop and rock performers are preoccupied with the utter misery of their wretched lives, Tilly And The Wall fly square in the face of post-teen cynicism and angst with an utterly buoyant, sweet, exuberant sound that dresses even their more introspective lyrics in bright musical colors. Beautifully crafted songs and arrangements, soaring, happy harmonies and that tap-dancing percussionist(!) make for a unique and truly joyful noise. Tilly and the Wall are the best thing to come out of Omaha since Bob Gibson.
Average customer rating:
- Dig
- Slow moving rock, very peaceful.
- Hypnotic, Anaesthetic Dreamstate
- Excellent Music....Buy it...
- Simply Amazing...
|
Team Sleep
Team Sleep
Manufacturer: Maverick
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- B-Sides & Rarities
- Saturday Night Wrist
- Deftones
- Around the Fur
- Adrenaline
ASIN: B000641ZDQ
Release Date: 2005-05-10 |
Tracks:
- Ataraxia
- Ever
- Your Skull Is Red
- Princeton Review
- Blvd. Knights
- Delorian
- Our Ride to the Rectory
- Tomb of Liegia
- Elizabeth
- Staring at the Queen
- Ever Since WWI
- King Diamond
- Live From the Stage
- Paris Arm
- 11-11
Amazon.com
While the Deftones were racking up millions of album sales around the world and collecting Grammy Awards on the back of their apocalyptic metal sound, front man Chino Moreno was endlessly tinkering away on this side project that seems to owe more to the ethereal-electronic moods of Radiohead. Team Sleep may not add any extra decimals to his bank account but it reveals that the singer is not just another testosterone-fueled crybaby. Working with guest singers Mary Timony (ex-Helium) and Rob Crow (Pinback), plus DJ Crook and Hella drummer Zach Hill, Moreno has made a beautifully crafted album that doesn't employ a single note of distortion or angst without complete intellectual engagement. Really, it's hard to imagine the dude from Papa Roach coming up with a sideways tribute to ivy-league schools ("Princeton Review") or a song inspired by an Edgar Allen Poe poem ("Tomb of Liegia,") --Aidin Vaziri
Album Description
Team Sleep is an artful, experimental, ambient band that is led by frontman Chino Moreno, singer of Deftones, the highly influential, two-time Grammy winning group that has sold over 4 million albums worldwide. With contributions from musician friends and production by Terry Date (Deftones) and Ross Robinson (Cure, Slipknot, Limp Bizkit), Team Sleep's ethereal debut album builds a new fan base for a fresh new band.
Customer Reviews:
Dig.......2007-07-03
This is a good album to get if you are a fan of the Deftones or Chino Moreno, particularly if you would like to hear a little something different from him. On this album it's very emotional and slower, it's less "hard" and you won't hear nearly as much screaming as you might hear on a Deftones album. This album is like a long, soothing dream sequence. And I doubt anyone can argue with the beauty and genius of the song "Ever (Foreign Flag). I liked the eletronic beats and drumset used on this album, it's a different sound, and it works in good with the rest of the songs, more traditionally "alternative rock". The only songs I could have done without is the song "Tomb of Liegia" sung by Mary Timony (only because I think Timony does not have a good enough voice to carry this out) and "King Diamond" which after one listen becomes kind of repetitive and doesn't seem to flow well with the rest of the album. Rob Crow's vocals are superb on this album, I look forward to the songs he sings on this as much as Chino's when I listen to it.
Slow moving rock, very peaceful........2007-06-28
If you are the ultimate Deftones fan buy this cd. There are some very good tracks on the cd but also alot of filler songs.
Hypnotic, Anaesthetic Dreamstate.......2007-04-09
Team Sleep is a side project of Deftones frontman Chino Moreno, and is quite a bit different from the music of his well-known band. I had never been a big Deftones fan, but this album has really seduced me, and recieved high marks and heavy rotation....
Team Sleep is a more avant-garde, almost ambient/electronica album full of very tranquil grooves sometimes reminiscent of the softer side of Isis, and soothing, rhythmic percussion as well as washes of guitar and electronic effects which are quite atmospheric and soothing. The singing style on this project (both Moreno's and the vocals of other guest vocalists) is quite ethereal and compelling- certainly not "metal" in any way. Comparisons to Tool and perhaps Sparta would be appropriate, and there are moments of heavy guitar, but the surreal, dreamlike pull of the music definately tones them down. It comes across like a fusion of the "post modern" rock of Isis or Tool combined with electronica, ambient, and an alt-rock twist. Recommended.
Excellent Music....Buy it..........2007-03-21
One of the best albums I've heard in years. Team Sleep captures the hollow sound of Joy Division, but in a 21st century vibe. Nice beats...mellow vocals...this is a fine piece of work. Give us another album...
Simply Amazing..........2007-02-17
I have to admit I am a hardcore Deftones fan, but this wasn't until fairly recently, in fact, not until after my friend took me to a Team Sleep concert. It did take me a couple listens of this album to take it all in, especially considering there's no real genre these guys fit in. However, once my ears were tuned, I realized how beautiful and full of emotion this was. I haven't taken the time to find and listen to the leaked tracks that were meant for this album, but even if you have, I don't see how you could be disappointed. Oh well, enjoy!
Average customer rating:
- Fan's of the movie must buy this!
- Great Music
- Better than I thought
- Come on everybody, we got quilting to do!
- Parker and Shaiman are the masters of satirical songwriting!
|
Team America: World Police
Various Artists
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Team America: World Police - Unrated (Widescreen Special Collector's Edition)
- South Park: Bigger, Longer & Uncut - Music From And Inspired By The Motion Picture
- Mr. Hankey's Christmas Classics
- Chef Aid: The South Park Album (Television Compilation) [Extreme Version]
- Timmy & The Lords of the Underworld
ASIN: B00031TXTU
Release Date: 2004-11-02 |
Tracks:
- Everyone Has AIDS
- Freedom Isn't Free
- America, F**k Yeah
- Derka Derk (Terrorist Theme)
- Only A Woman
- I'm So Ronery
- America, F**k Yeah (Bummer Remix)
- Teh End Of An Act
- Montage
- North Korean Medley
- The Team America March
- Lisa & Gary
- F.*.G.
- Putting A Jihad On You
- Kim Jong II
- Mount, Rush, More
Amazon.com
Marc Shaiman, the former SNL musical director/film composer who scored an Oscar nomination for his collaboration on
South Park: Bigger, Longer & Uncut and makes occasional contributions here, once called SP co-creator Trey Parker "the biggest heterosexual show queen" he'd ever met. The satirical songs Parker wrote (and sometimes performs) for he and Matt Stone's inventive, marionette-starring skewering of Hollywood action films, American foreign intrigues and political correctness of various stripes only confirms Parker's status as the idiot savant Sondheim. Trey's musical desecration here is as hilarious as it is equal opportunity, variously taking aim at manipulative Broadway fare (the Rent send-up "Everyone Has AIDS"), patriotism-pimping country stars like Toby Keith ("Freedom Isn't Free"), schlock ballad queen Diane Warren ("Only A Woman") and mindlessly jingoistic macho-rock anthems ("America, Fuck Yeah"). Parker's unlikely showcase for North Korean dictator Kim Il Jong ("I'm So Ronery") manages to be loopy, genuinely touching and typically un-PC all at once. The underscore cues by Harry Gregson-Williams take informed, if more subtle jabs at his own oeuvre and that of his oft cliché-ridden colleagues: heroic marches, nervous techno and uber brooding orchestral cues played so straight that context is often the only clue to their parody intent. It's a welcome puncturing of much bloated Hollywood pomposity -- and far and away our favorite soundtrack of the year. --Jerry McCulley
Customer Reviews:
Fan's of the movie must buy this!.......2007-07-17
If you love the movie I don't understand how you can not own this soundtrack. Even though there is a lot of background music on their it's worth if for the songs you know and love from the movie.
Great Music.......2007-06-05
This soundtrack is complete. It has every great song from the movie and more. Trey Parker and Matt Stone have another classic on their hands.
Better than I thought.......2006-03-20
I've seen the movie a bunch, so I thought I'd get the OST. Turns out, it has some of the best tracks I've heard! The North Korean song is hilarious, and there is some great orchestration on many of the pieces. Great soundtrack.
Come on everybody, we got quilting to do!.......2006-02-03
The songs from Team America are absolutely hilarious. But they only take up 19 minutes of this 47 minute soundtrack. The rest of the soundtrack features the instrumental score, which isn't all that interesting to listen to. But it's still worth getting the CD just to get the songs.
Parker and Shaiman are the masters of satirical songwriting!.......2005-12-29
With this soundtrack, Trey Parker once again proves his musical talent is nothing short of genius. As a huge fan of the South Park movie, I was skeptical as to whether Shaiman and Parker could duplicate the brilliant music and songwriting that made SP:BLU such as a feast for the ears. Every song on this soundtrack is hilarious, catchy and provacative. Trey Parker's love of musicals really shines through in his work. My favorite songs are "I'm So Ronery", which has a gorgeous,orchestral melody and "Freedom Isn't Free" which illustrates Parker's amazing vocal abilities. Parker is quite possibly the best parody songwriter in show business. He is an incredible talent with an amazing ear for music. I recommend this album to anyone who enjoys well-written, funny stuff.
Average customer rating:
|
Candylion
Gruff Rhys
Manufacturer: Team Love Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Britpop
| British Alternative
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Adult Alternative
| Pop
| Styles
| Music
Similar Items:
- The Good, the Bad & the Queen
- Sound of Silver
- Sky Blue Sky
- Favourite Worst Nightmare
- The Reminder
ASIN: B000MRA6IC
Release Date: 2007-03-06 |
Tracks:
- this is just the beginning
- candylion
- the court of king arthur
- lonsome words
- cycle of violence
- painting people blue
- beacon in the darkness
- con cariño
- gyrru gyrru gyrru
- now that the feeling has gone
- ffrwydriad yn y ffurfafen
- skylon!
Album Description
"Candylion took form in the spring of 2006 over a fragmented 2 week period at Gorwel Owen's Ofn studio in Llanfaelog, Wales. My ears were happily ringing from a few months touring with the Super Furry Animals and I had a batch of mellower acoustic songs I wanted to record quickly and get out of the way before the next speaker-blowing SFA record. Once in the studio however I got carried away and found myself in a nostalgic mood, pining for some of the music I grew up listening to. The cornerstones of this record became the soft vocal sound of Psychocandy-era The Jesus and Mary Chain coupled with the sonic sweetshop of daisy age hip hop. Coincidently I had been listening and dancing hard during this period to a lot of my parents' old 1960's and 70's Welsh language pop, folksploitation and progressive rock 7 inches whilst helping Finders Keepers Records compile an album of the period which was called 'Welsh Rare Beat'. With all these pieces of my past swimming around my brain I dropped a lot of slow-mo solo acoustic numbers and built up a bedrock of varied sounds, inviting my friend Owen over to add double bass, and Lisa Jen from the band 9bach - who comes from my home town and shares my Bethesda accent - to sing. The atmosphere at Gorwel's house was free and easy so I felt confident to mess around with the English and Welsh Languages; working in a 15 minute long ballad dealing with Skylon, master of the skies and even recording a duet with Lisa in really bad Patagonian Spanish which fits in with my eventual goal of killing off all the colonial languages with bad grammar. To finish it off I searched further afield and stopped by in Brixton for a day to add some strings courtesy of Sean and Marcus of The High Llamas and finally hooked up with Mario Caldato Jr (who mixed the last 2 furry records) at his home in Rio de Janeiro for a week to mix the thing and add some percussion and flute. I headed home with this record burning in my hand: Candylion, an album essentially of 11 songs for the acoustic guitar and voice. It was a joy and adventure to make and I hope it floats your boat along too for a while, wherever you may be going. " Gruff Rhys, November 2006
Customer Reviews:
better than love kraft.......2007-04-01
gruff rhys ditches the theatrics and sticks to solid song writing and groovy production on his second solo outing.
after the throw-away intro, the title track provides a pretty clear picture of how the album is going to be. in a word, playful. the fairy-tale-like lyrics and childrens-song-like melodies lead into the equally as entertaing "the court of king arthur".
from here we go into the more serious, and very similar sounding, "lonesome words" and "cycle of violence". perhaps the two strongest tracks on the album, these tracks are very unique and compliment each other well.
the following two tracks are pretty standard gruff rhys, as are the next two, which are sung in welsh like his first solo album.
"now that the feeling is gone" i sthe most SFA sounding track, and is pretty solid as well.
after another welsh song, we reach the albums climax, the stunning 14:00 "skylon!". this story-song is captivating, and much like "the trapeze swinger" by iron & wine, it keeps you interested throughout with easy-going melodies and clever lyrics. the spoken word wrap-up to the story at the end is the icing on the cake to this wonderful record.
highly recomended for Super Furry Animals fans.
Average customer rating:
- Calming and comforting
- Spiritually rich and imaginative musical flows
|
Ancient Power
Steve Gordon and Deborah Martin
Manufacturer: Spotted Peccary
ProductGroup: Music
Binding: Audio CD
Native American
| North America
| International
| Styles
| Music
General
| New Age
| Styles
| Music
Meditation
| New Age
| Styles
| Music
General
| New Age
| Indie Music
| Stores
| Music
Similar Items:
- Shaman's Vision Journey
- Sacred Earth Drums
- Drum Medicine
- Drum Prayer
- Sacred Drum Visions: 20th Anniversary Collection
ASIN: B00000DC1S
Release Date: 1998-10-06 |
Tracks:
- Spirit Of The Mountain
- Coming Of The Wolf
- Heart Of Fire
- Earth Dweller
- Ancient Power
- Sundancer
- Moon Over Cloudless Sky
- Wind Of Spirits
Album Description
Undercurrents of thundering tribal drums and primal rhythms awaken the wisdom of the ancients while haunting Native flute and keyboard melodies conjure the elements of the Earth in this greatly anticipated collaboration between best-selling Sequoia Records artist Steve Gordon (Sacred Earth Drums) and acclaimed Spotted Peccary Music artist Deborah Martin (Under the Moon). Rattles and shakers, ocarinas, acoustic guitars, textural electric guitars, hand drums, and sculpted electronic soundspaces are all combined to transport the listener to a world of delicate beauty and raw power.
Customer Reviews:
Calming and comforting.......2002-04-18
I enjoy New Age genre and Native American music and this collection was recommended to me by a 19 year old friend who shares the interest. Although my husband complains that it's a little "repetitious," I find Ancient Power very relaxing. It speaks for a more spiritual part of self than I can usually express in words. I have recently suffered the loss of a close personal friend, and this collection has allowed me to come to terms with it without the need to intellectualize. Calming and comforting.
Spiritually rich and imaginative musical flows.......1999-01-24
The liner notes accompanying this CD tell you about the instruments used -- Taos Drums, Shakers, Turtle Rattles, Keyboards, Rainstick and so on. And apparently both the artists (Deborah Martin/Under the Moon and Steve Gordon/Sacred Earth Drums) have achieved some recognition independently.
Their combined effort here is seamless. If you can imagine sitting out West in the high desert, perhaps a thousand years ago, and if you could hear the sounds of the spirits of the people and the elements of sun, wind and fire that were the basis of their spiritual life, this is what you'd hear.
The songs flow melodically with rhythm and authenticity. Very relaxing to listen to. Buy a new candle, cut the lights down and feel the Ancient Power.
Music Review:
- Over hill, over dale
- Panhandling
- Performers in Comparison 3
- Petrushka/Soldier's Tale
- Piano Concerto 1 in E Flat
- Piano Music of Josef Rheinberger
- Pilgrimage
- Plays Haydn
- Prokofiev: Violin Concerto No.1/Violin Sonata in D Major
- Purcell: Hail, Bright Cecilia!
Music Review
music review
Music Review
I Love Summer [Import]
Myslivecek: Aria's for Soprano & Orchestra
Rossini: Ballet Music/Donizetti: Ballet Music
Rashida [Import]
Standing in the Shadows of Motown [Soundtrack]
Orale Primo
Sunday's on the Way
Pumping on Your Stereo, Pt. 2 [CD-single] [Import]
Robin Hood - Marchen Und Lieder [Import]
Mozart: Symphonies Nos. 36 ("Linz"), 33 & 27
Mr Clarinet [Import] [Original recording remastered]
Mis 30 Mejores Canciones
Planet Rock: Album
The Hyperion Schubert Edition 37 ~ Schubert - The Final Year / Ainsley, Rolfe Johnson, Schade, G. Johnson
Pride & Prejudice