L'Agnese Va A Morire / Gott Mit Uns [Soundtrack]

On this CD:

1. L'Agnese Va A Morire, film score L'Agnese va a morire
Composed by Ennio Morricone

Conducted by Ennio Morricone

2. L'Agnese Va A Morire, film score Disperazione dentro
Composed by Ennio Morricone

Conducted by Ennio Morricone

3. L'Agnese Va A Morire, film score Un Breve canto, un lungo grido
Composed by Ennio Morricone

Conducted by Ennio Morricone

4. L'Agnese Va A Morire, film score Ostinazione e impegno
Composed by Ennio Morricone

Conducted by Ennio Morricone

5. L'Agnese Va A Morire, film score Agnese e palita
Composed by Ennio Morricone

Conducted by Ennio Morricone

6. L'Agnese Va A Morire, film score Canzone della nostalgia
Composed by Ennio Morricone

Conducted by Ennio Morricone

7. L'Agnese Va A Morire, film score Immagini di guerra
Composed by Ennio Morricone

Conducted by Ennio Morricone

8. L'Agnese Va A Morire, film score Alla stazione
Composed by Ennio Morricone

Conducted by Ennio Morricone

9. L'Agnese Va A Morire, film score Ricordo dei compagni
Composed by Ennio Morricone

Conducted by Ennio Morricone

10. L'Agnese Va A Morire, film score Repressione
Composed by Ennio Morricone

Conducted by Ennio Morricone

11. Gott Mit Uns, film score Prigionieri
Composed by Ennio Morricone

Conducted by Gianfraco Plenizio

12. Gott Mit Uns, film score Prigionieri
Composed by Ennio Morricone

Conducted by Gianfraco Plenizio

13. Gott Mit Uns, film score Nella garitta
Composed by Ennio Morricone

Conducted by Gianfraco Plenizio

14. Gott Mit Uns, film score All'erta
Composed by Ennio Morricone

Conducted by Gianfraco Plenizio

15. Gott Mit Uns, film score La Mitraglia
Composed by Ennio Morricone

Conducted by Gianfraco Plenizio

16. Gott Mit Uns, film score Percussioni e marcia
Composed by Ennio Morricone

Conducted by Gianfraco Plenizio

17. Gott Mit Uns, film score Lontano
Composed by Ennio Morricone

Conducted by Gianfraco Plenizio

L'Agnese Va A Morire / Gott Mit Uns, Music, Ennio Morricone, Ennio Morricone, Gianfraco Plenizio, Classical, Film, Film Music, Soundtracks & Film Scores

An Ennio Morricone Anthology: All Music Composed & Conducted By Ennio Morricone - From The EMI General Music Vaults
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Remembering Past Enchantments And Past Ills

Delightful scores from Ennio Morricone

An Ennio Morricone Anthology: All Music Composed & Conducted By Ennio Morricone - From The EMI General Music Vaults

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Ennio Morricone - Film Music, Vol.1

Film Music, Vol. 2

Very Best of Ennio Morricone

Ennio Morricone, Vol.3: Main Titles

With Love: Music Composed & Conducted By

ASIN: B000000PIZ
Release Date: 1995-09-19

Tracks:

The Lady Caliph
Women at the River
Without Apparent Motive
Night Search
A Friend
The Ballad of Hank McCain
Rosemary
God With Us
What Am I Doing?
Like Maddalena
Moscow Farewell
Amusing Diversion
End Credits
A Neighborhood Song
The Wind, The Shout
My Name Is Nobody
March in F
The Unholy Three
Dedication
Belinda May
Lullaby in Blue
Companeros

Tracks:

Slalom
Sestriere
Viva la revolucion
Chi mai
A Far Away Italy
To Forget Palermo
Three Columns on Front Page
The Lamb is Going to Die?
Song of Nostalgia
This Kind of Love
To the People of Parma
A Little Bitter Irony
Place of Spain
Reason, Heart, Love
Veruschka
The Cousin
The Hellbenders
To Serenity
The Venetian Woman
Western?
Theme for a Woman Alone
Castles in Scotland
The Outsider

Customer Reviews:

Remembering Past Enchantments And Past Ills.......2004-06-07

Few composers outside of the classical canon have expressed the ineffable as beautifully as Ennio Morricone. The Italian Morricone, who has written scores of wildly varying quality for over 400 films, came to international prominence with and is still best - known in America for his "Spaghetti Western" scores of several classic Sergio Leone films of the Sixties, such as A Fistful of Dollars (1964), The Good, The Bad, And The Ugly (1966), and Once Upon A Time In The West (1969).

With the Leone scores, Morricone created musical pieces structured like complex mathematical equations, many of which were suffused with a driving, hypnotic, and archetypal power. In fact, the soundtrack for The Good, The Bad, And The Ugly was so dramatically dynamic that it thoroughly outstripped the finished film in terms of imaginative potential. Only with Once Upon A Time In The West did Leone create a film well crafted and realized enough to match Morricone's entrancing, playful, and occasionally perditious score. Similarly, Dario Argento's The Bird With The Crystal Plumage (1969) almost completely failed to utilize Morricone's contribution, the best portions of which were heard only dimly and sporadically in the finished film. Leone's late masterpiece, Once Upon A Time In America (1984), two - thirds a perfect film, also failed to fully rise to the occasion of Morricone's simultaneously poignant, wistful, and wonderfully exuberant score.

Today, Morricone's work is available on literally hundreds of soundtracks and soundtrack compilations dedicated to the composer, very few of which are entirely satisfying. An Ennio Morricone Anthology (1995), which contains 45 tracks from 39 films produced in Italy from 1965 onward, perpetuates this frustrating tradition.

Of the 45 tracks, about a third represent Morricone realizing or approaching the height of his talent, another third are fairly interesting but ultimately repetitious and self-cannibalizing, and the final third, which may have worked reasonably well within the context of the films they were written for, never rise above the status of shrill, discordant, and bellowing kitsch (several attempt a Henry Mancini - like levity and fall flat). In fact, there is a great deal of healthy, raw, and leveling vulgarity even in some of Morricone's most famous compositions, such as "Le Vent, Le Cri" from 1981's The Professional and "Chi Mai" from 1971's Maddalena, both of which are included.

Those seeking haunting compositions on the scale of "L'Estasi Dell 'Oro" or "Il Triello" from The Good, The Bad, And The Ugly or "Poverty" from Once Upon A Time In America will be disappointed to find very few pieces approaching their caliber here, especially if already familiar with such well - known pieces such as "Moscow Farewell" from the 1987 film of the same name or the otherworldly "Il Gatto A Nove Code" from The Cat O' Nine Tails (1971).

As compositions of vastly different quality are interspersed amongst one another in dizzying array, many may find An Ennio Morricone Anthology virtually impossible to listen to from beginning to end without skipping tracks repeatedly. As a genius whose greatest compositions address both the immanent and the transcendent, both perdition and salvation, both the archaic and the modern, Morricone and his admirers deserve a more carefully selected and thoughtfully produced anthology than this haphazard collection offers.

Delightful scores from Ennio Morricone.......1998-12-19

Few composers in film music today are as greatly admired as Ennio Morricone whose scores for a wide range of screen fares and many Oscar nominations and wins have attracted the attention of fans all over the world. This compilation is one of the best and contains very fine original musics and rare tracks of this Italian composer.

Main Titles: 40 Motion Pictures, Volume One - Music Composed, Orchestrated And Conducted By Ennio Morricone, 1965-1995

Average customer rating:

Main Titles: 40 Motion Pictures, Volume One - Music Composed, Orchestrated And Conducted By Ennio Morricone, 1965-1995

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Soundtracks | Indie Music | Stores | Music

Movie Soundtracks | Soundtracks | Indie Music | Stores | Music
Similar Items:

The Singles Collection: 47 Themes From 25 Movies, Volume Two - Music Composed, Orchestrated And Conducted By Ennio Morricone, 1969-1981
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With Love, Vol. 2
With Love: Music Composed & Conducted By
Ennio Morricone - Film Music, Vol.1

ASIN: B000000PJ9
Release Date: 1996-11-19

Tracks:

Slalom: Main Title
The Hellbenders: Main Title
Blood And Guns: Viva La Revolucion
L'Alibi: Una Fotografia
The Heart Of A Mother: Ricreazione Divertia
The Invisible Woman: Alla Serenita
The Nun From Monza: Main Title
Machine Gun McCain: La Ballata Di Hank McCain
The Lady Caliph: Main Title
The 5th Dawn: Lontano
Private Pictures Of A Lady: Main Title
Revolver (Blood In The Streets): Un Amico
Maddalena: Chi Mai
The Poetry Of A Woman: Main Title
What Am I Doing In The Middle Of The Revolution?: Main Title
This Kind Of Love: Main Title
Devil In The Brain: La Ragione, Il Cuore, L'Amore
Two Seasons Of Life: Main Title
The Children Who Are Asking Why: Main Title
Without Apparent Motive: Main Title
One Could Die Of Love: Main Title
My Name Is Nobody: Main Title
The Secret: Main Title

Tracks:

The Infernal Trio: Main Title
The Cousin: Main Title
Around The World With The Lovers Of Peynet: Forse Basta
Who Saw Him Die?: Main Title
The Lady Bunker: Dedicace
The Professional: Le Vent, Le Cri
The Outsider: Main Title
The Resenter: Main Title
The Venetian Woman: Baci Dopo Il Tramonto
Farewell To Moscow: Main Title
The Neighborhood: Romanza Quartiere
Nuovo Cinema Paradiso: Main Title
A Time To Kill: Main Title
To Forget Palermo: Main Title
Three Columns On The Front Page: Main Title
Piazza Di Spagna: Main Title
The Night And The Moment: A Caccia Di Lei

Amazon.com

This double-disc treat covers Morricone's work from 1965 to 1995 and contains mostly never-before-released material from 40 different motion pictures, many of which demonstrate his quirkier side. Many are from less-known films like To Forget Palermo and What Am I Doing in the Middle of the Revolution? But there are also more famous tracks like the main titles to Cinema Paradiso and My Name Is Nobody as well as the haunting "Chi Mai" from Maddalena. Though best known for his much-imitated and oppressively cute spaghetti-Western themes, Morricone here demonstrates his much more intriguing romantic and melancholic sides. His title song to Farewell to Moscow is among his saddest and menacing works and, like several other selections, can be the preferred antidote to Prozac. --Joseph Lanza