Nielsen: String Quartets Vol 1 / Oslo String Quartet

On this CD:

1. String quartet No. 3 in E flat major, Op.14 (FS 23)
Composed by Carl Nielsen
Performed by Oslo String Quartet

2. String quartet No. 4 in F major ("Piacevolezz"), Op. 44 (Op.19) (FS36)
Composed by Carl Nielsen
Performed by Oslo String Quartet

Tracks:

String Quartet In E Flat Major, Op. 14: Allegro con brio
String Quartet In E Flat Major, Op. 14: Andante sostenuto
String Quartet In E Flat Major, Op. 14: Allegretto pastorale - Presto - Allegretto pastorale
String Quartet In E Flat Major, Op. 14: Finale: Allegro coraggioso - Allegro molto
String Quartet In F Major, Op. 44: Allegro non tanto e comodo
String Quartet In F Major, Op. 44: Adagio con sentimento religioso
String Quartet In F Major, Op. 44: Allegretto moderato ed innocente
String Quartet In F Major, Op. 44: Finale: Molto adagio - Allegro non tanto, ma molto scherzoso

Customer Reviews:

Wonderful additions to the quartet repertoire.......2007-07-23

I've been a fan of Nielsen's work for many years, but have known him mostly through his symphonies, the Flute and Clarinet concertos, and his Woodwind Quintet. Since the composer was a violinist, one suspects his writing for strings to be special, though I've never been convinced by his Violin Concerto. These recordings of his string quartets by the Oslo String Quartet make an excellent case for his skills in this medium. Interestingly, his string quartets are mostly early works. Even the quartet called Op. 44 (1919) was originally written in 1906. All that aside, Nielsen's revision of the F Major Quartet was a good one, and the work has strong parallels to the Wind Quintet, Op. 43: themes suggesting hymn tunes, quirky modal shifts that suggest Shostakovich, and lively rhythms that at times suggest folk dances. If the E-flat Quartet is more Romantic, and a bit less adventurous, it's still charming and tuneful. These works deserve to be played and heard more often: thanks to Naxos and the Oslo Quartet for bringing them to us at an affordable price.

Hoping for a wider diffusion of these invaluable compositions!.......2007-05-12

By historical reasons, the chamber genre experienced at the beginning of the XX Century, a painful aggravation, and among the different expressions, the genre of String Quartets, whose unique heralds were by then Ferrucio Busoni, Max Reger, Arnold Schoenberg, Jean Sibelius and Carl Nielsen. On one hand, the Russian ballets, Mahler's symphonies and the raising Dodecaphonist movement, literally permeated most of musical halls in international stages. The echoes of the musical Impressionism( ravel and Debussy), the appearing of the "Six" (Taileferre, Auric, Honnegger, Milhaud, Satie and Poulenc) and isolated figures of the Neo Romanticism movement (Respighi), were involuntarily factors that somehow eclipsed this appreciated musical expression.

Carl Nielsen gave this genre a vigorous impulse, because understood the enormous importance of its significance. After Beethoven's death, only Schubert, Brahms, Mendelssohn, Schumann and in minor relevance Dvorak, Smetana impressed this genre of refined splendor and creative vigor.

Nevertheless, the deserved reputation of these musical pages, are still far to affiance themselves in the musical taste of the great audiences, although the countless efforts of new chamber ensembles that have proposed themselves to play these works.

Thanks to the actual technological devices, treasures of such magnitude are available in the market, so this is your opportunity to acquire these priceless compositions that accent still more the prestige and world fame of Carl Nielsen.

A Must For Nielsen Lovers!.......2004-01-26

Carl Nielsen was, and still is, best known for his six symphonies. Great works that the symphonies are, Nielsen wrote prolifically in almost every genre, his Wind Quintet the best known of his chamber works. However, I highly recommend purchasing both the Nielsen String Quartet CD's

These two great CD's feature the young, up-and-coming Oslo String Quartet. They play wonderfully together, and they have a thorough mastery of their instruments, the string quartet idiom, and, most importantly in this case, the Nielsen String Quartets. They play wonderfully in tune and create music cooperatively very well. The Oslo String Quartet uses a wide range of dynamics in bringing out Nielsen's music. It is a wonder that these works are not better known and more often heard!

If you are familiar with Carl Nielsen's music and style, you should know what to expect: strange, winding, and engaging melodies, rhythmic complexities, optimistic simplicity, sad mourning, and frequent chordal modulations.

These CD's are real winners (and so are Naxos and the members of the Oslo String Quartet) for making such excellent and affordable renditions of these works available to the public. You will pay two or three times this if you look to other CD labels, and you may not get a better quality set of performances, either!! I highly recommend these two CD's of Carl Nielsen's string quartets.

Seeking the Nielsen of the Symphonies.......2001-08-25

Being a lover of Nielsen's symphonies and other orchestral works, I was a little put off initially at not finding the composer I know in these chamber works. The quartets aren't pieces at the core of the repertoire (and in this country not even at the fringes), but as with any good music new to one, repeated hearings bring out more and more of the idiom of the composer in question. So I've at last found the Nielsen of the symphonies in these quartets. Interestingly, while the Op. 14 (1899) understandably reminds me of Nielsen's first three symphonies, Op. 44 (1906, revised in 1919) reminds me not of the wartime symphonies but of Symphony No. 6, written in the mid 20s. It has the gentle pastoral quality of this work with much of the quiet humor as well. Perhaps it also shares some of these qualities with the lovely, pastoral Symphony No. 3 (1911), though that symphony has as well the energy and elan of the first five symphonies, especially 4 and 5, with their life-asserting finales. Op. 44 is a much less demonstrative work and takes a bit longer to grow on one. In fact, while Nielsen said of the work that it represents his true grasp of string quartet writing, and despite the fact that it is beautifully and graciously written for the forces involved, I prefer the earlier quartet. It has a stirring Allegro con brio first movement that reminds me of the Symphony No. 2's energetic first movement and a surprising scherzo in which the fast music comes in the trio. (Shades of Berwald, who sometimes encapsulates his scherzos within slow movements?) But both works are genuine Nielsen, witty and wonderfully melodic, both with distinguished slow movements of almost religious intensity. The Olso quartet, founded 1991, is made up of members who are busy in various Scandanavian orchestras but who are obviously seasoned chamber players as well and certainly play gorgeously together. Their playing in the Op. 44--where the lines often intertwine, requiring superb ensemble playing--is everything one could ask. They produce a very fresh, young sound in music that will be fresh to most listeners. Naxos's engineering is fine as well. Recommended for Nielsen lovers and for those seeking rewarding new chamber-musical paths to explore.

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