TELEMANN: Serenata Eroica - Rheinische Kantorei - Das Kleine Konzert - Hermann Max 2CD
Editorial Reviews George Philipp Telemann (1681-1767) Serenata Eroica TWV 4:7 Barbara Schlick, soprano Rheinische Kantorei An important release series of Telemann's vocal music performed by Rheinische Kantorei and Das Kleine Konzert conducted by Hermann Max. The 84-minute Serenata eroica is a piece of funeral music for Friedrich August of Saxony featuring six vocal soloists, chorus and orchestra. The music has all the baroque splendid usually associated with Telemann. It was written for people driven by the baroque love of extravagant spectacle and the lofty gesture, but at the same time conscious of the frailty, impotence and transience of human existance, torn between restless activity on earth and its confident belief in the hereafter and in the Christian's joyful resurrection.
Album Description
Funeral Music for Freidrich August of Saxony for solo voices, chorus and orchestra
Veronika Winter, soprano
Hans Jorg Mammel, tenor
Andreas Post, tenor
Klaus Mertens, bass
Ekkhard Abele, bass
The Kleine Konzert
Hermann Max, director
TELEMANN: Serenata Eroica - Rheinische Kantorei - Das Kleine Konzert - Hermann Max 2CD, Music, George Philipp Telemann
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TELEMANN: Serenata Eroica - Rheinische Kantorei - Das Kleine Konzert - Hermann Max 2CD
Manufacturer: Capriccio ProductGroup: Music Binding: Audio CD ASIN: B00078X1QK Release Date: 2004-12-28 |
Album Description
George Philipp Telemann (1681-1767)
Serenata Eroica TWV 4:7
Funeral Music for Freidrich August of Saxony for solo voices, chorus and orchestra
Barbara Schlick, soprano
Veronika Winter, soprano
Hans Jorg Mammel, tenor
Andreas Post, tenor
Klaus Mertens, bass
Ekkhard Abele, bass
Rheinische Kantorei
The Kleine Konzert
Hermann Max, director
An important release series of Telemann's vocal music performed by Rheinische Kantorei and Das Kleine Konzert conducted by Hermann Max. The 84-minute Serenata eroica is a piece of funeral music for Friedrich August of Saxony featuring six vocal soloists, chorus and orchestra. The music has all the baroque splendid usually associated with Telemann. It was written for people driven by the baroque love of extravagant spectacle and the lofty gesture, but at the same time conscious of the frailty, impotence and transience of human existance, torn between restless activity on earth and its confident belief in the hereafter and in the Christian's joyful resurrection.
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