British Organ Music

On this CD:

1. Sonata for organ in G major, Op.28
Composed by Edward Elgar

2. Holsworthy Church Bells, air with variation
Composed by Samuel Sebastian Wesley

3. Intro and Fugue in C sharp minor
Composed by Samuel Sebastian Wesley

4. Short Preludes & Postludes (6), Set 2, Op 105 On a Theme of of Orlando Gibbons
Composed by Charles Villiers Stanford

5. Short Preludes & Postludes (6), Set 1, Op 101 No.4 Andante Tranquillo
Composed by Charles Villiers Stanford

6. Short Preludes & Postludes (6), Set 1, Op 101 No.2 Allegro Non Troppo e Pesante
Composed by Charles Villiers Stanford

7. Solemn Melody for organ
Composed by Sir Henry Walford Davies

8. Fantasia and Fugue for organ in G major, Op 188
Composed by Sir Charles H.H. Parry

9. Prelude on Welsh Hymn Tunes for organ No. 2 in G major ("Rhosymedre")
Composed by Ralph Vaughan Williams

10. Imperial March for orchestra, Op.32
Composed by Edward Elgar

Tracks:

Overture (Redux)
Nessun Dorma (Redux)
Flower Duet (Redux)
La Donna E Mobile (Redux)
Un Bel Di (Redux)
Au Fond Du Temple Saint (Redux)
O Mio Babbino Caro (Redux)
Ebben? Ne Andro Lontana (Redux)
Che Gelida Manina (Redux)
Habanera (Redux)
When I Am Laid Earth (Redux)
E Lucevan Le Stelle (Redux)

Customer Reviews:

This is a great album.......2007-04-26

I never liked opera before. I guess it's all about how the music is presented. The performances are top-notch, and taken from real operatic classics, but the way it is done makes it very nice to listen too. If you can only get one album of this genre, this is the one to get!!!!

Great CD.......2007-03-16

I enjoy this different kind of opera music. Very nice and still giving you the feeling of the opera it self but in more modern way.

Hooked.......2007-03-15

I love this CD. I have it in my car, and now know practically all of the Italian words by heart. Infectious and uplifting. Good tears and fun listening.

Not bad, vocals are severely lacking however.......2007-02-28

I love music. I especially love classical music. When I find musicians who have taken classical music and presented it in a new way, I'm always excited. EVOC has done exactly that with these tried-and-true opera classics. The orchestrations are wonderful and the musicians obviously very talented. The vocalists, however, sometimes really don't deliver. All in all, it's a fun CD and I will certainly enjoy listening to it again and again.

EAST VILLAGE OPERA CO........2007-02-13

I SAW THEM ON T.V. AND HAD TO HAVE IT - JUST A REFRESHING TREATMENT POF OPERA

Average customer rating:

Mad about Baroque
The beauty of the songs brings tears to my eyes
Brilliant
Be Welcome then, great Sirs (and Mesdames).
Brilliant Purcell Disc

Essential Purcell
Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music

Bonney, Barbara | Divas | Opera & Vocal | Styles | Music

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Similar Items:

Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Purcell: The Fairy Queen
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
Purcell: Full Anthems & Organ Music

ASIN: B000002ZDU
Release Date: 1995-04-10

Tracks:

Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
The Choir Of The King's Consort: Hear My Prayer, O Lord
Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
Complete Anthems And Services Vol.3: Hosanna To The Highest
Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
Complete Anthems And Services Vol. 11: An Evening Hymn
Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven

Rule Britannia and Other Music from Last Night of the Proms

Average customer rating:

Music from the empire
The British and their music
A good choice of tunes
A beautiful CD!

Rule Britannia and Other Music from Last Night of the Proms

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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The Ultimate Last Night of the Proms
Royal Salute
Rule Britannia
Music from the coronation of Her Majesty Queen Elizabeth II
The Last Night of the Proms

ASIN: B00000AEL9
Release Date: 1998-08-25

Tracks:

Crown Imperial
Jerusalem
Enigma Variations, Op 36, Variation No 9 (Nimrod)
Fantasia on British Sea Songs: The Saucy Arethusa
Fantasia on British Sea Songs: Tom Bowling
Fantasia on British Sea Songs: Jack's The Lad
Fantasia on British Sea Songs: Farewell Ye Spanish Ladies
Fantasia on British Sea Songs: Home Sweet Home
Fantasia on British Sea Songs: See The Conquering Hero
Fantasia on British Sea Songs: Rule Britannia
Overture: 'Tam O'Shanter', Op. 51
I Was Glad When They Said Unto Me
Orb And Sceptre
Pomp and Circumstance, Op. 39, March No. 1

Customer Reviews:

Music from the empire.......2007-06-01

From the 1700s to the mid-1900s, Britian ruled most of the world at some time or another. Part of this experience was the exportation of the English language, English bureaucracy, and the British school system (headmasters, uniforms, standardized testing) to places as disparate as Canada, Singapore, India and Egypt. Yet somehow, music students around the world learn to play Mozart, Beethoven, Bach, or some other continental composer. British music did not get widespread attention until the Beatles. This is surprising given that English composers produced music in ballets, symphonies, overtures, operas and just about every other style and form known. Maybe the reason why is that many locals' first taste of British music was imperial music played upon the entrance of their overlords, or in military parades meant to cower them. Samples of such music are provided in this CD from naxos. Offering works from various English composers from the 1800s to early 1900s, this album leaves out the more melodic and evocative works of English music such as Vaughn-Williams' Greensleeves, Elgar's Pomp and Circumstance, or Jupiter by Holst. Instead, the focus is on music played at ceremonies, whether they be parades, crownings, burials, etc... The result is a nicely-themed CD that is unique in its contents. The sound quality is great, though the orchestration is only good. For example, title piece of Rule Britannia is played much better on other albums. Note that the works on this CD are pure British; no Irish, Scottish or Welsh influences. Overall, a nice CD to listen to.

The British and their music.......2007-05-30

This CD offers an excellent sampler of traditional British music. If you have watched Chariots Of Fire you will recognize Jerusalem By Parry(the final scene at Harold Abraham's funeral). This is a beautiful selection. The Tam O'Shanter Overture dispells the often unjustified characterization of the stuffy Englishman and is a rousing piece. All in all a very enjoyable CD. Buy it!

A good choice of tunes.......2005-06-29

It is a good choice of tunes played often in England. The quality of recording is good, the choice of tunes is good too and the orchestration is good too. It is a good CD to buy.

A beautiful CD!.......2001-12-16

This one is for all those who want a splendid introduction to the music this CD offers. It would make a lovely Christmas present for the discriminating listener. My favorite is "Jerusalem!"

Average customer rating:

Wonderfully Addictive CD!

Music for Trumpet and Organ

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

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Bach: Works for Trumpet
Caprice - Alison Balsom
Amanda
Famous Classical Trumpet Concertos
Trumpeting by Nature: An Efficient Guide to Optimal Trumpet Performance

ASIN: B00006JC6U
Release Date: 2003-02-04

Tracks:

Variations On 'Mein Junges Leben Hat Ein End'
Allemande From Partita II, BWV 1004
Musike From 'King Arthur'
Musike From 'King Arthur'
Musike From 'King Arthur'
Musike From 'King Arthur'
Shenandoah
Elegy
Semaine Sainte A Cuzco
Vocalise-Etude, Pour Voix Elevees
Okna, Podle Marca Chagalla
Okna, Podle Marca Chagalla
Okna, Podle Marca Chagalla
Okna, Podle Marca Chagalla

Customer Reviews:

Wonderfully Addictive CD!.......2006-02-08

Inspired by a recent recital performance I attended featuring Ms. Balsom, I purchased her latest CD ("Bach Works for Trumpet"). I was completely blown away by her performance and immediately fell in love with the disc. And so began my quest to find "Music for Trumpet and Organ"- her debut album, released in the US in 2003.

I finally got it yesterday. I decided to put it in my CD player, and take it in while reading the program notes she included in the CD jacket. Wow, what a performance!

Ms. Balsom plays everything from Sweelinck's "Variations on 'Mein junges Leben hat ein End'" to Petr Eben's "Windows" with a sweet and captivating tone, and with virtuosic technical ability to match. Her performance on the "suite" of excerpts from Act IV of Purcell's "King Arthur," played on the baroque trumpet (basically a trumpet with no valves) was especially remarkable; and her performances of "Shenandoah" and George Thalben-Ball's "Elegy" on the flugelhorn were incredibly passionate. She captures the emotion of the pieces well.

Whether your interests are in late Renaissance or Baroque music, 20th century music, or anything in between; it's on this CD. And it's all played incredibly well. I would recommend reading her program notes that accompany the CD, they really add a lot to her performance.

Average customer rating:

It's the Empire Brass!

Baroque Music for Brass and Organ

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

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Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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Italian | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
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A Bach Festival for Brass & Organ
Music for Organ, Brass & Percussion
Music Of Gabrieli
Great Toccatas

ASIN: B00009NH8O
Release Date: 2003-06-24

Tracks:

Rondeay From Abdealazer
Fantaisie in C Major, BWV 570
Allegro
Sicilienne
Allegro
Adagio
Allegro
Largo
Allegro
Rigaudon From Idomenee
Contrapunctus I From The Art Of Fuge
Allegro
Fantasia in D Minor
Overture And Allegro From King Author
March From The Married Beau
Allegro
Trumpet Voluntary
The Prince Of Denmark's March
Prelude From Te Deum in D Major
Opening Movement From A Mighty Fortess Is Our God, BWV 80

Amazon.com

Take a fine organist, a crack brass ensemble, bathe in wide-ranging, vivid sound, and you've got a recipe for an exciting disc. That's what Telarc has done in this recording of a live concert by the Empire Brass Quintet in effective arrangements of Baroque favorites and rarities. It may seem odd to hear a Handel Violin Sonata or a Telemann Trio Sonata played by a brass-organ combo, but it works thanks to clever arrangements and superb playing. A highlight here is the Largo of the Handel work, where marvelous horn and trombone solos enhance its beauties. And of course, such favorites as Jeremiah Clarke's Trumpet Voluntary and the Prince of Denmark's March join Campra's stately Rigaudon and other stirring processional pieces. The SACD version adds another level of air and bite, but the CD layer of this hybrid disc is demonstration quality too. --Dan Davis

Customer Reviews:

It's the Empire Brass!.......2004-05-14

C'mon, it's the Empire Brass! They rock! What's not to like?

Stokowski: Bach Orchestral Transcriptions

Average customer rating:

Absolutely extraordinary and spellbounding performances!
Arrangements With Power and Beauty
SENSATIONAL NEW CD
Stokowski Lives Again!

Stokowski: Bach Orchestral Transcriptions

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

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The Fantastic Leopold Stokowski: Transcriptions For Orchestra

ASIN: B000FGGKI0
Release Date: 2006-06-20

Amazon.com

Leopold Stokowski's Orchestral Transcriptions are guilty pleasures: high-fat concoctions that are always in danger of becoming campy and gargantuan, something like the classical equivalent of Phil Spector, but without the guns. It is crucial to almost (and I mean "almost") underplay them; they will speak for themselves. The transcriptions are not particularly complicated and lack anything even vaguely revolutionary in their tonality. What we get is a wall of string tone carrying the melodies, usually, with brass and winds used for focus and enlarging. The famous Bach Passacaglia finds the entry of the brass reiterating the ostinato with a handsome blare, and much to the credit of conductor José Serebrier, he does not play all his cards so early in the piece. It builds and builds, and then blows us away. The CD opens with the almost too famous Air from the 3rd Orchestral Suite of Bach. Serebrier gets just the right dark, warm sound from the low strings that one associates with a Stokowski performance. Also included on the CD are Dido's Lament (Purcell), not needing its text in such an expressive performance; a big, toasty version of the Pastoral Symphony from Messiah; and a pairing of Two Ancient Liturgical Melodies by Stokowski himself. The Bournemouth Symphony seem to know they're doing something popular. This is a stunning CD and the engineers have done a great job as well. --Robert Levine

Customer Reviews:

Absolutely extraordinary and spellbounding performances!.......2006-07-25

These are extraordinary and spellbounding performances. The legendary Stokowski sound lives again, now in the hands of that great Maestro José Serebrier, who has put his personal touches to the remarkable Stokowski versions of Bach works. This recording is to be enjoyed from the first, magical tones of the Air from the 3rd. Suite, to the last track, the massive Passacaglia and Fugue in C Minor. In between, we are treated to one of the best recordings ever made, in clarity, sound, beauty.
Every recording I have heard (I must have at least two dozen) conducted by Serebrier -regardless of the orchestra he may be using at the time- Tchaikovsky on BIS, Glazunov on Warner Classics, Ives on BMG, Rodrigo on Warner, etc., there is magic there, from the first to the last note. I have read that he is the most recorded conductor today, and I can see why. Well beyond the perfection he attains, and much more important to me, is the innate musicality and great intensity. Not since Stokowski, Toscanini, Szell, have we heard such personal, electric recordings. The Bach-Stokowski is one of the best, but I have also enjoyed the first volume in this series, the Mussorgsky-Stokowski that Naxos released last year. Both are highly recomended.
Pedro Gonzalez
Miami, FL

Arrangements With Power and Beauty.......2006-06-29

Transcriptions for orchestra, once a staple of many orchestras, have fallen out of favor in the past few decades. Tastes seem to lean more toward more authentic renditions of the works of the great composers and for some, orchestral arrangements are nothing short of musical apostasy. Yet we can forget that in many cases, these arrangements were the work of some of music's great legends, one of whom is the well known twentieth century conductor Leopold Stokowski.

In high school when I collected LP's, I had two recordings of Bach transcriptions. One was a full price recording by the Philadelphia Orchestra under the baton of Eugene Ormandy. The music was transcribed by the orchestra's arrangers and from time to time I still listen to this set, but now on CD. The second was a budget recording in mono recoding under the direction of Stokowski. One of the major differences I noticed was the lush sound of Ormandy as opposed to the somewhat edgy and exciting sound of Stokowski as opposed to the more lush performances conducted by Ormandy. Sometimes I'd put on the headphones and I'd jump out of my seat. The music had that much power. As I've become more familiar with Bach's music, I have discovered that Stokowski's transcriptions seem to be closer to what the composer intended and at least for me, the orchestral transcriptions helped me come to see the beauty of Bach's music.

In the past when I've purchased some recordings of Stokowski's transcriptions under other conductors, I've been disappointed. Something seems to be missing. I purchased this collection hoping it would have some of the magic of the old LP, but didn't expect all that much. As soon as I could I put the CD in the player, went to what is my favorite Stokowski transcription, track 12, the Passacaglia and Fugue. I was transported back in time which was probably not a good thing, considering I was driving, and as I listened to the other Bach music, I remembered why I love these arrangements so. My guess is that conductor Jose Serebrier must also have had an appreciation for Stokowski's genius. Perhaps he was also mesmerized by recordings by Stokowski in his youth. My only wish is that instead of the Handel and Purcell music, more of the transcriptions were included such as the Toccata and Fugue and the Great Fugue, but since the other tracks while not Bach are performed well, I can't complain.

SENSATIONAL NEW CD.......2006-06-27

This recording is fantastic! One of the most rewarding I have heard in a long time. Finally there is some warmth and phrasing,
something I have missed in many modern recordings.
The sound is spectacular. I have heard a few recordings made by Phil Rowlands and conducted by Jose Serebrier, and they all sound magnificent. Bravo to the Bournemouth Symphony, the Leopold Stokowski Society and to Naxos. Let us hope this is the start of a long series.

Stokowski Lives Again!.......2006-06-21

As a ten-year-old piano student I learned the piano transcription of Bach's 'Little' G Minor Fugue for organ done by Olga Samaroff. One day my teacher asked, 'Would you like to hear what Madame Samaroff's husband has done with this fugue? He set it for full orchestra.' When she played a 78rpm recording of Stokowski's transcription I knew I'd entered an entirely delightful world. I bought my own record and played it until the grooves were worn down. I had the temerity, though, to ask my teacher if, when I performed the fugue, I should slow down at the climax like Stokowski did and she explained the difference between a keyboard and an orchestral climax, and said something about Stokowski 'taking liberties' on that account. 'It really works, doesn't it?' I'll say!

When I got this CD I went immediately to track 3 -- that same Little G Minor Fugue -- and heard it with the memory of Stokowski's recording in my mind's ear. This one stacks up beautifully and is in modern sound. Actually, though, that transcription is a bit out of character for Stokowski's Bach settings because it is so dependent on the sound of the wind section. His transcriptions typically are based on massed string sound -- he had, after all, the 'Philadelphia sound' (which, of course, he'd created) to work with, those silky, lush, deeply visceral Philadelphia strings. The Bournemouth strings have nothing to fear, though, when compared with the Philadelphia strings of old. There is much to like on this CD. For instance, there is the utter serenity of the first section of 'Es is vollbracht' (from the St. John Passion) which leads to the quicker triumphal middle section with celebratory brass before returning to the earlier calm. Or the sweet contemplation of 'Komm süsser Tod.' Or the majestic chorale from 'Christ lag in Todesbanden.'

But this CD is slightly misnamed: it is not all Bach. There is the Pastoral Symphony from 'Messiah,' a moving transcription of 'Dido's Lament' from Purcell's 'Dido and Aeneas,' and Stokowski's own 'Two Ancient Liturgical Melodies' which is an effective intermingling of 'Veni Creator Spiritus' and 'Veni Emmanuel'.

The CD ends with one of Stokowski's most glorious efforts, his transcription of Bach's great Passacaglia and Fugue in C Minor, BWV 582. This gigantic work, so effective in its original organ setting, is perfect for the orchestrational skills of Stokowski who loved nothing better than building layer upon layer of orchestration in a work that starts simply and builds repeatedly to exhilarating climaxes. This is one of Stokowski's (and, of course, Bach's) masterpieces. It is given an exciting reading by José Serebrier and the Bournemouth orchestra, who, by the way, have issued an earlier CD, also justly praised, of Stokowski-Mussorgsky transcriptions including Stoki's own orchestration of 'Pictures at an Exhibition' that is really first-rate.

The booklet notes are by Serebrier who, as most will recall, had been Stokowski's assistant at the very beginning of his career and who was present for many, many Stokowski rehearsals and performances. If Stokowski has an heir it has to be Serebrier. He certainly obtains the characteristic Stokowski style and sound in these marvelous performances. The excellent sonics make this very nearly a demonstration CD.

Heartily recommended.

Scott Morrison

Average customer rating:

For Water Aerobics, a Top-Ten CD
Greatest March Sampling Out There!
For the Lover of Marches
Blood Pumping Music
Blood Pumping Music

Marches: Greatest Hits

Manufacturer: Sony
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Greatest Hits: Trumpet

ASIN: B000002AW0
Release Date: 1994-12-06

Tracks:

Various: The Prince of Denmark's March
Various: March from The Anna Magdalena Notebook
Various: March from Cantata No. 207
Various: See, the Conqu'ring Hero Comes March from Judus Maccabaeus
Various: Turkish March from The Ruins of Athens, Op. 113, No. 4
Various: Rakoczy March from The Damnation of Faust
Various: Procession of the Nobles from Mlada Suite
Various: Pomp and Circumstance March No. 1
Various: Grand March from Aida
Various: The Washington Post March
Various: National Emblem March
Various: The Liberty Bell
Various: Colonel Bogey March
Various: Semper fidelis
Various: British Grenadiers
Various: King Cotton
Various: Under the Double Eagle
Various: The Thunderer
Various: III. March from First Suite for Military Band in E-flat Major
Various: March of the Toys from Babes in Toyland
Various: El capitan
Various: March from 1941
Various: March from The Love for Three Oranges
Various: The Raiders' March from Raiders of the Lost Ark
Various: The Stars and Stripes Forever!

Customer Reviews:

For Water Aerobics, a Top-Ten CD.......2005-07-30

I provide music for water aerobics classes. The class members are typically retirees, and like Classical music, yet until this CD the only Classical music with a beat distinctive and steady enough for water aerobics that I'd found was on the "Hooked on Classics" series. Thus, for water aerobics, this is a find.

Also contributing to this CD's popularity for water aerobics are that: (1) many of the songs are upbeat, and (2) "new stereo" recordings (in contrast to my recordings of Sousa marches that were played by Sousa himself; he died in the 1930s.)

In Summary, were you to buy just ten CDs for water aerobics classes, this would be one of them.

Greatest March Sampling Out There!.......2004-04-05

Knowing very little about classical music, I bought several march compilations a few years back, in hopes that I could develop at least a fanboy level of appreciation. Of the compilations I picked up, this is the one that showed me the most diverse sampling of marches. If you want to become familiar with the march genre, this collection runs away with the blue ribbon, with no contendors close behind. The other compilations I came across focused strictly on the American military marches; they were all very good, but this compilation dishes up a diverse menu, from Ludwig Von Beethoven to John Williams.

This CD has a special place in my collection since it turned me on to John Philip Sousa, who has become one of my favorite composers ever. The Sousa selections on this CD are performed by The Incredible Columbia All-Star Band. I enjoyed these tunes immensely enough to buy some Sousa compilations, and found that while the All-Star Band's take on Sousa tunes is very good, I greatly prefer the releases by The United States Marine Band. The Sousa tunes on this CD are a bit rushed for my taste, while The United States Marine Band's delivery seems more pronounced and evenly paced.

My personal favorite track is Kenneth Alford's "Colonel Bogey" performed by John Williams and The Boston Pops Orchestra. They take Alford's memorable placid march, and shape it into a powerful storm-of-an-orchestral march. Absent are the keyboards prevalent in many renditions of Colonel Bogey, but beautifully replaced with a dynamic orchestra.

It's the variety of marches, however, that steal the show, especially if you are a novice like I am, and want to find out which era of marches is your cup of tea. You get a wide range, from Hector Berlioz's Racoczy March from "Damnation of Faust," to Edwin Bagley's "National Emblem March," to Victor Herbert's "March of the Toys," all the way up to the present day with John William's "The Raider's March" from "Raiders of the Lost Ark."

I am still getting my feet wet learning about marches, and this compilation has given me a great head start. No doubt I'll cringe one day if I read this clumsy description of Sousa and Alford tunes, but for the time being, I am having great fun discovering a whole new school of music. This CD is a great starting point if you want to become familiar with marches.

Just one other comment that will only further display my amateur level of classical music appreciation, but I've just got to say it: JOHN PHILIP SOUSA ROCKS!!! There are very few pieces that sound as happy and uplifting as a Sousa march. I proudly salute Mr. Sousa!

For the Lover of Marches.......2002-05-16

This is the best march music CD I have in my collection. It covers a range from Beethoven's "Turkish March" (track 5 and my favorite of the CD) to Sousa. The weakness of the CD comes from the Incredible Columbia All-Star Band tracks. They do a few Sousa marches and the difference between them and the Boston Pops is very noticable. But that's just a minor complaint and certainly nothing to keep you from buying and enjoying this CD.

Blood Pumping Music.......2001-01-30

This CD took me back many years. It has great music that will get your blood pumping. It is a great selection of music and should be in anyones CD collection!!

Blood Pumping Music.......2001-01-30

This CD is a great CD. It includes some the worlds most famous marches with a great recording. I grew up in marching bands in East Texas and loved marches, and this CD gets my blood pumping and takes me back to the old days. If you love great music and marches, this is a sure buy!!!!

The Best Baroque Album in the World ... Ever!

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Honest

The Best Baroque Album in the World ... Ever!

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000ERU8RE
Release Date: 2006-04-04

Tracks:

The Arrival Of The Queen Of Sheba - Sir Neville Marriner
Adagio In G Minor - Sir Neville Marriner
Toccata In D Minor - Wayne Marshall
Canon In D - Sir Neville Marriner
I. Allegro - Yehudi Menuhin
Air On The G-String - Sir Neville Marriner
Water Music Suite No.2 In D - Sir Charles Mackerras
Gloria In Excelsis Deo - Sir Neville Marriner
Dance Of The Blessed Spirits - Sir Neville Marriner
Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
Air - Sir Charles Mackerras
Aria - Alan Curtis
Rondeau - Maurice Andre
La Rejouissance - Yehudi Menuhin
I. Allegro - Linde Consort
Rondeau - Yehudi Menuhin
I. Allegro - William Bennett
II. Adagio - Ton Koopman
Pastorale (Largo) - Jean-Patrice Brosse
When I Am Laid In Earth - Victoria De Los Angeles

Tracks:

Prelude - Philip Ledger
Sheep May Safely Graze - Sir Neville Marriner
II. Largo - Yehudi Menuhin
II. Largo - Yehudi Menuhin
Laudate Pueri - Choir Of King's College, Cambridge
Miserere Mei, Deus - Stephen Cleobury
Trumpet Voluntary (The Prince Of Denamrk's March) - Maurice Andre
Zadok The Priest - Ambrosian Singers
III. Allegro Assai - George Malcolm
Minuet - Sir Neville Marriner
March - Choir Of King's College, Cambridge
Thou Knowest, Lord - Choir Of King's College, Cambridge
II. Largo - George Malcolm
Rejouissance - Christopher Hogwood
Prelude No.1 In C - Bob Van Asperen
Musette Et Tambourin En Rondeau - English Chamber Orchestra
Bist Du Bei Mir - Dame Janet Baker
VII. Badinerie - William Bennett
Sonata In B-Flat - Bob Van Asperen
I. Allegro Giusto - Anthony Bailes
Zion Hort Die Wachter Singen - South German Madrigal Choir
Hallelujah Chorus - Ambrosian Singers

Customer Reviews:

Honest.......2007-07-08

To title the album "The Best..." is arrogant and boastfull, however, this is the best fuggin' Baroque ALBUM EVER!!!

Average customer rating:

Outstanding Collection With Exquisite Vocals
Why is this beautiful set so low in Amazon sales?

Baroque Adagios
Various Artists
Manufacturer: Decca
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ASIN: B00005UWKY
Release Date: 2002-02-12

Tracks:

Pachelbel: Canon
Vivaldi: Winter: Largo
Albinoni: Adagio
Gluck: Dance of the blessed spirits (Orfeo)
Vivaldi: Guitar Concerto in D: Largo
Bach: Concerto for 2 violins in D minor
Marcello: Oboe Concerto in D minor
Vivaldi: Nisi Dominus: Cum dederit delectis
Handel: Concerto grosso in A minor: Larghetto affteuoso
Handel: Organ Concerto "The cuckoo and the nightingale": Larghetto
Bach: Sleepers awake (excerpt)
Tartini: "The Devil's Trill" Sonata: Larghetto affetuoso
Bach: Obo Concerto in F: Siciliano
vivaldi: Concerto for 2 oboesin D minor: Largo
Corelli: Concerto grosso in D: Largo
Bach: Keyboard Concerto in A: Larghetto
Bach: Goldberg Variations: Aria
Handel: Ombra mai fu (Largo) (Xerxes)
Vivaldi: Nulli in mundo pax sincera (excerpt)

Tracks:

Bach: Air on a G string: Orchestral Suite No. 3
Handel: Lascia ch'io pianga
Vivaldi: Spring: Largo
Bach: Keyboard Concerto in D: Adagio
Albinoni: Oboe Concerto in D minor: Adagio
Bach: Cello Sonata in G minor: Adagio
Handel: Concerto in B flat for Harp & 2 flutes: Larghetto
Bach: Violin Concerto in A minor: Andante
Bach: Brandenburh Concerto No. 5: Affetuoso
Pergolesi: Stabat Mater: Stabat Mater
Bach: Arioso: Cantata, BWV 156
Vivaldi: Concerto in G for 2 Mandolins: Andante
Bach: Concerto for Oboe & Violin: Adagio
Vivaldi: Autumn: Adagio molto
Telemann: Oboe Concerto in D minor: Adagio
Scarlatti/Avison: Concerto grosso in D: Largo
Vivaldi: Violin Concerto in A minor: Largo
Croft: Ground
Purcell: Dido's Lament (Dido and Aeneas)

Customer Reviews:

Outstanding Collection With Exquisite Vocals.......2005-09-18

I could not agree more with the review written by Frank T. Manheim. All I would add to his comments are that the recording quality is excellent, and that there are, amongst all of the wonderful selections on this CD, two vocal selections that I found deeply moving. On the first CD, there is a powerful, yet at the same time delicate performance of Vivaldi's In Nisi Dominus, by Andreas Scholl. I had never heard this selection of Vivaldi before buying this CD and don't have other performances to compare it to, but Scholl's performance was so moving, as was the accompaniment of the musical instruments on this track, that I listened to it several times in a row. I did the same with Janet Baker's performance of Dido's Lament, by Henry Purcell, on the second CD of this 2 CD set, listening to her haunting passionate voice over and over again. As with Vivaldi's In Nisi Dominus, I had never heard this composition, nor in fact any composition by Henry Purcell before buying this CD. The emotional depth and intensity that Janet Baker brings to her performance is very deeply moving. This is, fittingly, the last track on CD 2, ending this collection on a musical and emotional level, or rather, summit, that will leave you with eyes closed, thinking of the stars. As a result of having heard Janet Baker's performance on this compilation, I bought the full recording of Purcell's Dido and Aeneas. In fact, I bought several CDs of music by Henry Purcell after hearing Dido's Lament.

As Frank Manheim writes in his review, this CD can either be put on as background music, or it can be listened to intently, savoring every note. Although the title of this CD set has the work "Adagios" in it, this is no mere easy listening experience. There is plenty of musical passion on both CDs. This is a wonderful 2 CD set. I highly recommend it for anyone interested in classical, and especially, Baroque music.

Why is this beautiful set so low in Amazon sales? .......2005-09-15

While classical music is achieving a resurgence in the UK and Finland, in the U.S. the meager proportion of classical music among record store and department offerings still reflects classical's waning status. What we do find even in drugstores and supermarkets is inexpensive "mood" collections like "Romance", "Spring", "Melancholy", etc. I have no problem with this - some of the unnamed orchestras or soloists aren't bad although recording quality may disappoint.

"Baroque Adagios" is a big cut higher for both enjoyable listening, as well as background music for social occasions. The Baroque period simply overflows with memorable slow movement gems - both well-known, and rarely heard. The famous Italian tenor, Beniamino Gigli, confessed that many of his most favorite pieces came from the Italian baroque and earlier. Music of the earlier times combines emotional and melodic appeal with a restraint and depth that makes it wear well on many hearings. The only risk for background music is that the gorgeous melodies and resonant sonorities will draw people away from what they might otherwise do.

The choice of repertory is rich and varied, but this collection is particularly noteworthy for its long list of famous soloists and conductors. Besides Janos Starker, these include Heinz Holliger, Andras Schiff, Henryk Szeryng (in the Bach Double Concerto in D minor), Thurston Dart, Enrique Fernandez, Christopher Hogwood, Karl Munchinger, Neville Marriner, and many others.

I can think of few ways to better dissolve stress than to put this recording on a player and relax into a comfortable easy chair - or or put it into a car CD player on a longer trip. It makes a thoughtful present for both knowledgeable classic buffs and newcomers to classical music.

Land of My Fathers: 100 Great Welsh Choir Favourites

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Land of My Fathers: 100 Great Welsh Choir Favourites

Manufacturer: Castle Pulse
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Binding: Audio CD

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ASIN: B0009SOFXG
Release Date: 2005-08-01

Tracks:

Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
Land of My Fathers - Caerphilly Make Voice Choir
Dies Irae
Men of Harlech
You'll Never Walk Alone
Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
Old Folks at Home
Il Liza Jane
Faust/Soldier's Chorus - Caerphilly Make Voice Choir
Vergine Degli Angeli
Ballard of Rourke's Drift - Cwt-Y-Collen Choir
My Hero
God Bless the Prince of Wales - Caerphilly Make Voice Choir
German Mass/Gloria
German Mass/Sanctus
Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
All Through the Night - Caerphilly Make Voice Choir
Arwelfa
Invictus
Softly as I Leave You

Tracks:

Diolch l'R L
Hine E Hine (Maori Lullaby)
Pererin Wyf (Amazing Grace)
Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
Memories of Martha
I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
Myfanwy - Treorchy Male Choir
Tales of Hoffman/Barcarolle
Creation's Hymn
In the Spirit!
Shall We Gather at the River
Nos a Bore
Very Best Time of Year
Soon Ah Will Be Done
Thanks Be to God
Flower That Shattered the Stone
Rhys - Treorchy Male Choir
Where Shall I Be?
Bywyd y Bugail
Lord's Prayer

Tracks:

Ave Maria
Pearl Fishers/Divine Brahma
She Was Beautiful (Cavatina) - Treorchy Male Choir
Cymru Fach
Nidaros
Jacob's Ladder - Treorchy Male Choir
Watching the Wheat
Pan Ddaw y Saint (When the Saints Go Marching In)
Misbles/Stars
Rachie
Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
There Is a Balm in Gilead
Rise Up Shepherd and Foller
My Lord, What a Mornin'
Bryn Myrddin
Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
Finnish Forest (Suomen Salossa)
Nabucco/The Glory of Israel
Ride the Chariot
Tydi a Roddaist - Treorchy Male Choir

Tracks:

Y Nefoedd
Phantom of the Opera/Think of Me
Morte Christe (When I Survey the Wondrous Cross)
By Babylon's Wave
I'm Gonna Sing
Where Could I Go But to the Lord?
Holy City - Treorchy Male Choir
Mefistofele: Ave Signor, Degli Angeli
Senzenina (Zulu Chant)
That's All I Want from You
Deep Harmony - Treorchy Male Choir
Give Me Jesus
Just a Closer Walk with Thee
My Wish for You
Jeptha/Waft Her Angels
Mose in Egitto/Prayer
Be Still My Soul (Finlandia Hymn)
God's Choir in the Sky
Floral Dance - Treorchy Male Choir
Smilin' Through

Tracks:

Calon Lan
True Love
Mor Fawr Wyt Ti (How Great Thou Art)
Aberystwyth
Comrades in Arms
Cats/Memory
They Led My Lord Away
State Fair/It's a Grand Night for Singing
When I Fall in Love
Let's Face the Music and Dance
Windmills of Your Mind
How Soon
Non Nobis Domine
Rhythm of Life
Kalinka
Sound an Alarm
Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
Turandot/Nessun Dorma
Christus Redemptor
Ann Evening's Pastorale

Album Details

Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.

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