Schubert: Death and The Maiden

On this CD:

1. String Quartet in C minor (one movement: Grave & Allegro), D. 103
Composed by Franz Schubert
Performed by Maggini Quartet with David Angel, David Juritz, Michal Kasnowski, Martin Outram

2. Minuets (5) and Trios (6) for string quartet , D. 89
Composed by Franz Schubert
Performed by Maggini Quartet with David Angel, David Juritz, Michal Kasnowski, Martin Outram

3. String Quartet No. 14 in D minor ("Death and the Maiden"), D. 810
Composed by Franz Schubert
Performed by Maggini Quartet with David Angel, David Juritz, Michal Kasnowski, Martin Outram

Tracks:

Symphony No. 8 In B Minor 'Unfinished': Allegro moderato
Marche Militaire, Op. 51, No.1
Ave Maria
Serenade
Erlkonig
Rosamunde Overture
Impromptu In E-Flat Major, Op. 90, No. 2
Death And The Maiden String Quartet In D Minor: IV Presto
Moment Musical In F Minor Op. 94, No3
Trout Quintet For Piano & Strings In A Major: III Scherzo Presto
Symphony No. 9 In C Major 'The Great': I Andante - Allegro ma non troppo

Schubert: Trout Quintet, Death and the Maiden / Amadeus Quartet

Average customer rating:

Interpretative solvency!
Indelible
Fair purchase
heart-rending beauty
Two classics from 1958 and 1975, some fine and some not so fine moments

Schubert: Trout Quintet, Death and the Maiden / Amadeus Quartet
Norbert Brainin , Emil Grigoryevich Gilels , Martin Lovett , Peter Schidlof , Rainer Zepperitz , and Amadeus Quartet
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Schubert: String Quintet in C, D. 956
Bach: Brandenburg Concertos / Orchestra of the Age of Enlightenment
Mozart: Great Piano Concertos
Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74
Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra

ASIN: B000001GXF
Release Date: 1997-06-10

Tracks:

Quintet For Piano, Violin, Viola, Cello And Double Bass In A Major, 'The Trout' D 667: 1. Allegro vivace
Quintet For Piano, Violin, Viola, Cello And Double Bass In A Major, 'The Trout' D 667: 2. Andante
Quintet For Piano, Violin, Viola, Cello And Double Bass In A Major, 'The Trout' D 667: 3. Scherzo. Presto
Quintet For Piano, Violin, Viola, Cello And Double Bass In A Major, 'The Trout' D 667: 4. Thema. Andantino - Variazioni I-V - Allegretto
Quintet For Piano, Violin, Viola, Cello And Double Bass In A Major, 'The Trout' D 667: 5. Finale. Allegro giusto.
String Quartet In D Minor 'Death And The Maiden' D 810: 1. Allegro vivace
String Quartet In D Minor 'Death And The Maiden' D 810: 2. Andante con moto
String Quartet In D Minor 'Death And The Maiden' D 810: 3. Scherzo. Allegro molto
String Quartet In D Minor 'Death And The Maiden' D 810: 4. Presto

Customer Reviews:

Interpretative solvency!.......2007-06-05

The main virtue of Emil Gilels as colossal pianist was always ironically his main failure: his extreme coldness. But when he played with the Amadeus quartet, something inside him seemed to bright with radiant intensity and his temperament showed us his Dionysian side, a remarkable and not precisely his main landmark.

This was successfully what it happened with this remarkable version of the celebrated Quintet Op 144 best known as "The trout". Filled of nostalgic reminiscences and genuine Viennese flavor, they conveyed us the own core of this work.

"The Death and the Maiden" is beautifully performed although I think no one has been able to surmount two insurmountable historical achievements of a recent past: the first version belongs to the famous ensemble Konzerthaus of Vienna of the middle fifties and the other is performed by the famous ensemble Chiringilian.

My favorite Trout version until this date: Horzowski and the Julliard ensemble, although I recognize the memorable versions of Paul Badura Skoda, Andras Schiff, Clifford Curzon, Rudolf Serkin and Arthur Schnabel.

Indelible.......2007-02-05

This is one of my favorite recordings. A reissue of recordings made by the Amadeus many years ago, these are wonderful interpretations of 2 of the most beautiful works in the chamber literature. The sound quality may not be quite up to that possible with modern recording technology but the quality of playing is superb.

Fair purchase.......2007-01-10

I think the price it's fair: the sound quality is not perfect, but the price is cheap and both Death and the Maiden and the Trout are enjoyable. For whoever is missing them and does not want to spend to much this is a fair purchase.

heart-rending beauty.......2006-11-03

Lovely, but sound quality of this reissue not tops. Wonderful as additional CD to compare with other interpretations. Ultimately I prefer the Emersons.

Two classics from 1958 and 1975, some fine and some not so fine moments.......2006-08-23

DG has brought together, now on their "The Originals" collection, two recordings dating from different periods of the Amadeus quartet's recording career: in 1958, then the very early days of stereo, they rerecorded Schubert's "Death and the Maiden" which they had already committed to mono LP in 1953 (now in an "Original Masters" DG box). The "Trout" Quintet, recorded in 1975 with Emil Gilels (with bassist Rainer Zepperitz), is their second go at the piece (the first was with Hebzibah Menuhin on EMI in 1958, reissued on CD by EMI and Testament) and dates from their later years; the Gilels and Amadeus quartet encounter was a purely studio affair which before this recording had resulted in the Brahms 1st piano quartet.

The great thing about the opening "allegro vivace" (taken with its repeat) in particular and the "Trout" quintet in general is that Gilels and his partners do not let their interpretation be colored by any pre-conception of a "gemütlich", e.g. easy-going and genial Schubert. On the contrary, they give full weight and impact to the accents and piquant perkiness to the staccato markings, resulting in a reading of great vigor and zest. Gilels proves a fine chamber player, with crisp playing and a fine sense of balance with his partners.

Not so great, on the other hand, is the well-known and distinctive feature of the Amadeus quartet: namely, Norbert Brainin's thin violin tone and sometimes pitch uncertainty, Martin Lovett's dry cello emission and Peter Schidlof's nasal viola. This is especially penalizing in the 2nd movement's deeply moving viola & cello cantilena (1:30), which doesn't approach the gripping lyricism which others impart to it. The 3rd movement's Presto is brisk (though not as brisk as Curzon-Wiener Oktett members) but string tone is somewhat shrill; fortunately (and unlike the afore-mentioned Curzon-Wiener) the pace is maintained in the central trio, consequently avoiding the usual mawkishness. In the 4th movement's "Trout" theme, the tempo is somewhere in between Curzon's lively briskness and Serkin's more sedate deliberation, and the ensuing variations maintain a reasonably acceptable unity of tempo, with a lively and carefree coda; but violin tone retains a not entirely pleasant edge of shrillness. The Finale is nicely brisk, forward-moving and carefree, reminiscent of Serkin and Marlboro friends from 1967. All things considered, despite the slight discomfort of the Amadeus' tone production, this is a fine version of Schubert's piano quintet. Now, for more choices of "Trouts" recorded since 1975, see my reviews of the Beaux Arts Trio (Philips), Brendel-Cleveland (Philips), Richter-Borodine (EMI), Ax-Ma and partners (Sony), Badura-Skoda (Amiata), Adès-Belcea (EMI) among others.

The "Death and the Maiden" is early stereo and the sound is somewhat dry, not as full as that afforded by Boston Skyline's transfer to the Fine Arts quartet from 1962 (with the same coupling - see my review), but it is still quite acceptable and with no audible tape-hiss. Interpretively, the opening "Allegro" a little more spacious and slightly less biting than the Amadeus' earlier mono attempt, with a tendency to be a little finicky on small details - and of course in much better sound. As before, the opening D triplets are taken legato rather than the written staccato and rushed headlong into; then ensues a reading that is vigorous and dogged rather than fast and furious; it commendably avoids any mawkish prettifying of the second, lyrical theme, which is given instead a fine rhythmic snap on its further developments, though not as biting as in the earlier version. As in 1953, the famous "Death and the Maiden" theme (2nd movement) is taken at a forward-moving pace, true to Schubert's "andante con moto" indication, and tempo relationships in the ensuing variations are more coherent than before, with less "gas and breaks"; Martin Lovett's cello voices a profound and moving chant in the 2nd variation, and the 3rd variation sounds like the heavy and powerful canter of warhorses rather than like Death furiously whipping its steed. Where this 1958 remake varies most from its 1953 predecessor is in the Scherzo and Finale, where the Amadeuses now go for power and weight more than rage and fury, but the Scherzo's middle trio maintains a laudable unity of tempo and displays charm without mawkishness. Likewise the "Presto" Finale is more deliberate than five years before and elicits less of the sense of a race to the abyss - more of an unhurried - but inexorable? - canter.

One can think of more gripping "Death and the Maiden" quartets (see my reviews of the Hollywood Quartet-Testament, Juilliard-Testament, Alban Berg Quartet-EMI, Brodsky-Teldec, Petersen-Capriccio among others) but this one has nonetheless something of a classic poise.

Average customer rating:

This set or the Auryn Quartet set?
Buy it for the right reasons
Great Music for a Good Price

Schubert: The String Quartets

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Brahms: Complete String Quartets, Quintets & Sextets
Schubert: The Piano Sonatas
Dvorák: The String Quartets
Schubert: 8 Symphonies
Brahms: Works for Solo Piano

ASIN: B00002DEH3
Release Date: 1999-11-09

Tracks:

String Quartet (In Various Keys), D 18 (No.1): Andante - Presto vivace
String Quartet (In Various Keys), D 18 (No.1): Menuetto
String Quartet (In Various Keys), D 18 (No.1): Andante
String Quartet (In Various Keys), D 18 (No.1): Presto
String Quartet in C major, D 32 (No.2): Presto
String Quartet in C major, D 32 (No.2): Andante
String Quartet in C major, D 32 (No.2): Menuetto. Allegro
String Quartet in C major, D 32 (No.2): Allegro con spirito
String Quartet in B flat major, D 36 (No.3): Allegro
String Quartet in B flat major, D 36 (No.3): Andante
String Quartet in B flat major, D 36 (No.3): Menuetto. Allegro non troppo
String Quartet in B flat major, D 36 (No.3): Allegretto
Quartet Movement In C Minor, D 103: Grave - Allegro

Tracks:

String Quartet in C major, D 46 (No.4): Adagio - Allegro con moto
String Quartet in C major, D 46 (No.4): Andante con moto
String Quartet in C major, D 46 (No.4): Menuetto. Allegro
String Quartet in C major, D 46 (No.4): Allegro
String Quartet In B Flat Major, D 68 (No.5): Allegro
String Quartet In B Flat Major, D 68 (No.5): Allegro
String Quartet In D Major, D 74 (No. 6): Allegro ma non troppo
String Quartet In D Major, D 74 (No. 6): Andante
String Quartet In D Major, D 74 (No. 6): Menuetto. Allegro
String Quartet In D Major, D 74 (No. 6): Allegro

Tracks:

String Quartet In D Major, D 94 (No. 7): Allegro
String Quartet In D Major, D 94 (No. 7): Andante con moto
String Quartet In D Major, D 94 (No. 7): Menuetto. Allegro
String Quartet In D Major, D 94 (No. 7): Presto
String Quartet In B-Flat Major, D 112 (No. 8): Allegro ma non troppo
String Quartet In B-Flat Major, D 112 (No. 8): Andante sostenuto
String Quartet In B-Flat Major, D 112 (No. 8): Menuetto. Allegro
String Quartet In B-Flat Major, D 112 (No. 8): Presto
String Quartet In G Minor, D 173 (No. 9): Allegro con brio
String Quartet In G Minor, D 173 (No. 9): Andantino
String Quartet In G Minor, D 173 (No. 9): Menuetto. Allegro vivace
String Quartet In G Minor, D 173 (No. 9): Allegro

Tracks:

String Quartet In E-Flat Major, Op. Post. 125, No. 1, D 87 (No. 10): Allegro moderato
String Quartet In E-Flat Major, Op. Post. 125, No. 1, D 87 (No. 10): Adagio
String Quartet In E-Flat Major, Op. Post. 125, No. 1, D 87 (No. 10): Scherzo. Prestissimo
String Quartet In E-Flat Major, Op. Post. 125, No. 1, D 87 (No. 10): Allegro
String Quartet In A Minor, Op. 29, No. 1, D 804 (No. 13) 'Rosamunde': Allegro ma non troppo
String Quartet In A Minor, Op. 29, No. 1, D 804 (No. 13) 'Rosamunde': Andante
String Quartet In A Minor, Op. 29, No. 1, D 804 (No. 13) 'Rosamunde': Menuetto. Allegretto
String Quartet In A Minor, Op. 29, No. 1, D 804 (No. 13) 'Rosamunde': Allegro moderato

Tracks:

String Quartet In E Major, Op. Post. 125, No. 2, D 353 (No. 11): Allegro con fuoco
String Quartet In E Major, Op. Post. 125, No. 2, D 353 (No. 11): Andante
String Quartet In E Major, Op. Post. 125, No. 2, D 353 (No. 11): Menuetto. Allegro vivace
String Quartet In E Major, Op. Post. 125, No. 2, D 353 (No. 11): Rondo. Allegro vivace
String Quartet In D Minor, D 810 (No. 14) 'Death And The Maiden': Allegro
String Quartet In D Minor, D 810 (No. 14) 'Death And The Maiden': Andante con moto
String Quartet In D Minor, D 810 (No. 14) 'Death And The Maiden': Scherzo. Allegro molto
String Quartet In D Minor, D 810 (No. 14) 'Death And The Maiden': Presto

Tracks:

Quartet Movement In C Minor, D 703 (No. 12): Allegro assai
String Quartet In G Major, Op. Post. 161, D 887 (No. 15): Allegro molto moderato
String Quartet In G Major, Op. Post. 161, D 887 (No. 15): Andante un poco moto
String Quartet In G Major, Op. Post. 161, D 887 (No. 15): Scherzo. Allegro vivace - Trio. Allegretto
String Quartet In G Major, Op. Post. 161, D 887 (No. 15): Allegro assai

Customer Reviews:

This set or the Auryn Quartet set?.......2004-06-06

I read, in a book on string quartets, the statement: "More than half of the best string quartets had been written when Schubert died in 1828". I agree, but would put the percentage at more like 75 or 80%. The author went on to include all of Schubert's, even those that he wrote as a teenager. I was surprised by this comment, but now, having now heard his complete string quartets, I have to agree. Even his early ones are superb!

To the recordings: I was just a bit disappointed. The sound seems a bit harsh in places, not as warm as sets I have by the Quartetto Italiano (Beethoven), Melos Quartet (Mozart) and Aoelian Q (Haydn). No doubt they are technically very correct, and show real liveliness - the violins just sound a bit scratchy in places.

The only other complete set seems to be the Auryn Quartet recording, highly recommended by the Penguin guide, but twice as expensive. Naxos offers 12 or the 15 quartets on 5 separate CDs. I'd liked to have heard the Auryn recording before I'd made the decision to purchase this one - who knows, I might have made the same decision anyway.

Buy it for the right reasons.......2002-10-04

I agree with the other review, but there is an alternative to this set, by the Auryn Quartet, and it is also excellent. So, buy this set for the right reasons, whatever those are, such as: the sound quality of this Chamber Ensemble (extremely warm)
or the overall feel of their playing (caring, respectful). Buy the set from the Auryn quartet if you care more about the sound quality of the recording (it is noticeably better) or if you happen to like a younger, slightly more aggressive approach.
Frankly I have both sets, and love both.

Great Music for a Good Price.......2002-05-02

I bought this set in Dec. '01 and it has since become a favorite in my collection. Schubert is a great composer and in my opinion, the quartets are where he really shines.

Sadly, it is hard to find recordings of all but the last four. In total, there are fourteen plus two fragments- one incomplete and one lost. They are all here and at such a good deal!

The first two discs (first five quartets and a fragment) really stand out. These were quartets Schubert composed as a student and they capture well the energy of youth and have a beautifully simple quality that always makes Schubert stand out. The middle discs track his early career with a more mature motif development revealing a taste of the boldness to come from his later quartets. Not as melodic as the first quartets in my opinion, but a treat nonetheless. Then ah! the last three discs. "Rosamunde," "Death and the maiden," Quartettstatz and C 703. Can you possibly go wrong? Don't answer that. You know it doesn't get better!!

Now we come to recording quality. Well, the Melos Quartet recorded these in the mid 70's. They've been digitally touched up and well done. Still, not convincing enough to sound like new. Treble and Mid is alright but the Bass is really lacking and overall, it still lacks the full sound of recordings from the Emerson and Tokyo quartets. Still, with touchup, these recordings sound more like late 80's- Not Bad!

Tracks:

Rosamunde, D. 797: Overture
Mozart: String Quartet In B-Flat Major, K. 172
Marche Militaire, D. 733, No. 1
Hark, Hark, The Lark!, D. 889
Mass No. 5 In A-Flat Major, D. 678: Credo
Symphony No. 5 In B-Flat Major, D. 485: Allegro
Symphony No. 4 In C Minor, D. 417 'Tragic': Finale: Allegro
Moment Musicaux No. 3 In F Minor, D. 780
Piano Sonata In A Minor, D. 845: Moderato
The Erl King, D. 328
Symphony No. 2 In B-Flat Major, D. 125: Allegro
Symphony No. 6 In C Major, D. 589 'Little': Andante
Symphony No. 6 In C Major, D. 589 'Little': Scherzo
To Music, D. 547
The Trout, D. 550
Piano Quintet In A Major, D. 667 'Trout': Theme And Variations
Octet In F Major, D. 803: Finale
Impromptu In B-Flat Major, D. 935 No. 3
String Quintet In C Major, D. 956: Allegro ma non troppo
Wanderer Fantasy In C Major, D. 760
Symphony No. 8 In B Minor, D. 759 'Unfinished': Allegro moderato
Symphony No. 9 In C Major, D. 944 'Great': Andante-Allegro ma non troppo
Mass No. 6 IN E-Flat Major, D. 950: Gloria
String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': Andante con moto
Symphony No. 8 In B Minor, D. 759 'Unfinished': Andante
Ave Maria, D. 839
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Andante con moto
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Menuetto: Allegro molto
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro vivace

Customer Reviews:

inspired performance !!!.......2001-09-02

this collection deserves more than 5 stars.peter maag and the philharmonica hungarica are in top form.this is the best ever of schubert's fifth and eigth i have ever listened to.it is not karl bohm or leonard bernstein or george szell or lorin maazel.
truly the hungarians inspired by maag easily beat all the other top orchestras.
the orchestral texture is transparent with a perfect balance among the string sections ,the woodwind and the brass sections.peter maag obviously loves this music and brings out the heavenly beauty ,the pathos and the monumental dramatic quality of these works.
just listen to schubert's fifth second movement which ends with a heart rending cello phrase.
it is a shame that the well established record companies have not thought it fit to record more of peter maag.in my opinion he is one of the greatest ever conductors.
i will not exchange these performances for any other!

Schubert: The Late String Quartets; String Quintet

Average customer rating:

FULL APPRECIATION

Schubert: The Late String Quartets; String Quintet

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Beethoven: The Late String Quartets
Brahms: Complete String Quartets, Quintets & Sextets
Mendelssohn: The Complete String Quartets / Emerson String Quartet
Mozart: String Quartets Nos. 14 - 23
Shostakovich: The String Quartets

ASIN: B0001ZWGI8
Release Date: 2004-06-15

Customer Reviews:

FULL APPRECIATION.......2007-03-20

Until this bargain priced recording on three discs of the Emerson Quartet playing Schubert`s last four string quartets (included also is the String Quintet in C major, D956 featuring Rostropovich on cello), down through the years, I really did not have too much of an appreciation for Schubert's Quartets # 12, 13, 14, 15. For some reason their beauty eluded me. Now, with this recording, I love the works especially the #15 in G major. It is indeed filled with drama, pathos and great beauty. I don't think I can blame this "new found" appreciation on any maturation on my part. I really believe, it's soley due to the exquisite playing of the Emerson Quartet. They really play these works not like they are "walking on eggshells" but with vigor, passion and beauty. Also, I'm sure, that the wonderful recorded sound helped in my appreciation too.

I plan on seeking out more Schubert performed by the Emerson Quartet--they are so very good!!

Franz Schubert: String Quartets D 804 "Rosamunde", D 810 "Death and the Maiden", D 887, D 703 and String Quintet D 956

Average customer rating:

SO MUCH THAT I WANT EVEN MORE
Schubert's late chamber masterpieces
Awesome music, interesting performance
Schubert + Emerson = Listener Satisfaction
Good but not Best

Franz Schubert: String Quartets D 804 "Rosamunde", D 810 "Death and the Maiden", D 887, D 703 and String Quintet D 956
Franz Schubert , Emerson String Quartet , and Mstislav Rostropovich
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

The Haydn Project
Mendelssohn: The Complete String Quartets / Emerson String Quartet
Intimate Voices
Beethoven: The String Quartets
Bela Bartok: The 6 String Quartets - Emerson String Quartet

ASIN: B00000I0L8
Release Date: 1999-02-09

Tracks:

String Quartet In A Minor, D 804, Op. 29: Allegro ma non troppo
String Quartet In A Minor, D 804, Op. 29: 2. Andante
String Quartet In A Minor, D 804, Op. 29: 3. Menuetto. Allegretto - Trio
String Quartet In A Minor, D 804, Op. 29: 4. Allegro moderato
String Quartet In D Minor, D 810 'Death And The Maiden': 1. Allegro
String Quartet In D Minor, D 810 'Death And The Maiden': 2. Andante con moto
String Quartet In D Minor, D 810 'Death And The Maiden': 3. Scherzo. Allegro molto - Trio
String Quartet In D Minor, D 810 'Death And The Maiden': 4. Presto

Tracks:

String Quartet In G Major, D 887: 1. Allegro molto moderato
String Quartet In G Major, D 887: 2. Andante un poco mosso
String Quartet In G Major, D 887: 3. Scherzo. Allegro vivace - Trio. Allegretto
String Quartet In G Major, D 887: 4. Allegro assai
Quartet Movement In C Minor, D 703: 5. Allegro assai
Quartet Movement In C Minor, D 703: 6. Andante (fragment)

Tracks:

String Quintet In C Major, D 956: 1. Allegro ma non troppo - Franz Schubert
String Quintet In C Major, D 956: 2. Adagio - Franz Schubert
String Quintet In C Major, D 956: 3. Scherzo, Presto - Trio, Andante sostenuto - Franz Schubert
String Quintet In C Major, D 956: 4. Allegretto - Franz Schubert

Customer Reviews:

SO MUCH THAT I WANT EVEN MORE.......2007-05-24

To say the least, nobody purchasing this set is likely to regret it. Just at the pedestrian level of value-for-quantity the value is brilliant, and at the artistic level it is more brilliant still. The professionalism and technical proficiency of the Emerson group probably needs little highlighting by now, but these players are musicians first and foremost. Apart from perfect intonation and ultra-perfect ensemble they have added variety to their unfailing beauty of sound. The start of the G major quartet, which can sometimes be a bit of an assault on the ears, is done ideally, with the exploding chords sonorous and majestic. At the other end of the volume-scale there is a wonderful breathless hush near the end of the variations in the D minor, and in this same quartet I don't think I ever heard the enchanting second subject of the first movement phrased so beautifully.

How do they relate to Schubert? For me, Schubert is a composer apart. All his compositions are early works, and in the five pieces comprised in this set I sense a steady advance in certainty and consistency. By the time of the quintet he is fully inside his own individual style, but at every stage of his development there are sequences in which someone or something beyond the merely human seems to be speaking or singing, using him as a mouthpiece, and it taxes even the greatest of his exponents to detect and express these. They are not a matter of one specific idiom, but of several, and the better the interpreters handle such passages the more I find myself longing for some ideal that I refuse to consider unreachable, because I have always heard it reached by someone at some time. One issue is represented by the second subject in the G major's first movement. When this comes round for the second time, in the recapitulation with new counterpoint, the Emersons are perfect for me. However at its first appearance this theme, with its muttering self-repetitions, has a somnambulistic air to it that the Novak quartet on my old LP capture ideally for me, and I wonder whether the Emersons are just a little bright-eyed and clean-limbed. The sense of that grew on me as the set progressed. The great melody from the first movement of the quintet (with Rostropovich on the second cello) suits me fine as they do it, but in the trio of the G major's scherzo while they sing the melody like angels what I want is not people like angels but the angels themselves. I have heard them in this movement before. In a different mode of expression there is the G major's last movement. Schubert produced a similar finale to his late C minor piano sonata, and I would have been more than satisfied with the Emersons here, particularly with the magnificent tone at the end, if I did not know Ogdon's performance of the sonata movement, one of the greatest interpretations I ever heard, with the whole huge piece seemingly taken in a single breath.

The very first and the very last things on this set are especially testing for interpreters of Schubert. The last movement in the quintet, a piece in a very special Schubertian idiom, is my idea of unqualified perfection here. The speed is not too fast, the variations in pace are superbly judged, there is the right sense of a heavy and almost dragging undertow to the rhythm in the accompaniment, and the phrasing of the second theme is something to live for. The set starts with the A minor quartet, and here I held my breath, because with that opening theme we are communing with something not of this world. Verdi, so immune in general to German influence and so gifted with melody himself, explicitly takes off his hat to it at the start of his Requiem. The balance of the melody against the hypnotic wavy accompaniment is perfect here, so is it my absolute ideal? It's somewhere near it at least.

Only one movement out of the whole eighteen seems to me not quite right. The last movement of the D minor is a little fast for my liking, but I could live with that. However the Emersons' fast tempo really does seem symptomatic of a sense that they have missed a deeper tone to the movement, and I felt that in the cadence-theme to the exposition and recapitulation in particular. My thoughts reverted to how this is done by the Gabrieli Quartet on my beloved old LP, with the impression of an apparition of the four horsemen of somewhere that makes me catch my breath to this day. On the other hand, for many people the high spot of such a set is likely to be the slow movement of the quintet, and I can report a reading to rank with the finest here, time held in abeyance as it should be and the control of the sustained long notes perfect beyond perfection.

The set dates from as long ago as 1988, I see, and I wonder how these divinely gifted artists do these pieces nearly twenty years on. The recording is excellent, an absolute necessity for playing like this. The liner notes are also good, except for the one on the quintet, and I seem not to have mentioned so far that we are given the outstandingly lovely fragment of the intended slow movement to the Quartettsatz. Altogether, an outstanding issue in nearly every way. I am reminded of Schubert's epitaph `A rich treasure and still fairer hopes'. These players are young enough to do these quartets again, as they are to do Beethoven's again, and I hope I am still young enough to hear how they do them.

Schubert's late chamber masterpieces.......2005-10-29

The strong points of this 3-CD set are: (1) the immeasurably rich compositions from Schubert, (2) the excellent coupling of the last four quartets with the quintet, (3) the above-average Emerson Quartet performance and (4) the superb value from DG. If you are not familiar with Schubert's chamber works, these four quartets and string quintet are very late masterpieces and some of Schubert's most intricate, mature and monumental compositions. These, along with Schubert's late piano sonatas, reveal glimpses into his deep struggles and pain (through the explosive, dissonant outbursts) but also tender moments of joy and repose as well. It seemed in his final year or two that he was emerging into a consumate maturity as a composer - which tragically was cut short by his early death (supposedly due to complications from Syphilis). The quintet is especially magnificant with each movement being as towering as the next.

There is no arguing that the Emerson Quartet stands among the finest current quartets around. Whether you gravitate to their particular style and sound is quite a personal matter. Certainly, the Emersons get strong accolades for their late Beethoven and recordings of more modern (and 'edgy') composers. In such bold, purcussive and chromatic music they seem to excel and find their greatest expression. Schubert - while 'edgy' in his own way in these late chamber works - still composed in the somewhat-restrained Vienesse tradition (being born and bread in Vienna himself) although parallels to Beethoven are abundent in the music here. Consequently, Schubert's chamber music has still a strong classical flavor and typical Schubertian lyricism. Like another reviewer mentioned, the Emerson Quartet's style is a bit more "direct" and "sharp" in terms of phrasing, articulations and tonality somewhat. Some call their style "A Manhattan style" - I guess suggesting the directness that people from Manhattan are known for (no offense to New Yorkers).

Regardless, the Emerson's style becomes more apparent when comparing with European quartets like the Alban Berg, the Quartetto Italiano and the Quatuor Mosaiques - all of which perform this music with what is often described as a more traditional "Old World Austrian style" (particular the Alban Berg Quartet who hails from Austria). So, while the Emerson's put forth dramatic, precise and interesting readings here, I think at times they "attack" the music too aggressively for its intent and period in history. Schubert was first and foremost a master of melody and lyricism - which does not go away even in his most dissonant and explosive momements. There just seems - at times - an overly-direct expressiveness and tempos that are driven a bit too quickly from the Emersons and a lack of the needed elegance and lyrical smoothness of Schubert's music when called for. But, such things are nuance and not a matter of right or wrong really. However, this quartet dynamic brings out the needed emotive effect in pieces like the potent G-major scherzo movement or the electifying Quartetsalz. Ditto that as well for the great quintet in C major - which a live recording with the legendary cellist, Rostropovich. So, the Emerson's playing here on the whole is impeccably precise and consumately professional so it is more a question whether you like their style nuances as compared to others.

Part of this above conclusion may be colored in part by the sound quality here on DG, which I found to be deficient in tone richness and resonant depth. It just sounds stark and dry - lacking the resonant, harmonic fullness and proper sound stage that allow music to "breath" more and sound more expansive and dramatic. But on the positive side, the instrument balance is great and the sound is full in volume and not "hissy" with a close-miked ambiance allowing clear differentiation of instruments if you like that kind of sound.

The Quartets who to me best capture these most complex and emotive quartets most fully are the (1) Alban Berg (quartets and especially the quintet), (2) the Quatuor Mosaiques (who play a most expressively and nuanced Rosamunde) and (3) the Quartetto Italiano (all quartets, especially the G major quartet which is truly staturesque in its harmonic depths). And for the great quintet, the Marlboro Festival recording (Sony) is highly recommended for its spirited live performance, along with the Alban Berg's "Great Recording of the Century" on EMI.

This DG 3-CD set is a fine recording and value - I just don't think it is the music in which this top quartet shines the brightest. I think the others listed above represent Schubert on a higher plane of excellence and more idiomatic to the composition. But, this DG coupling of the last four great quartets plus the monumental string quintet is fairly unique and priced to be the best value out there. Either way, what is most important is to explore these most wonderful chamber masterpieces.

Awesome music, interesting performance.......2004-07-22

These five compositions--Schubert?s last quartets and nearly his last work, the string quintet--have got to be one of the most underappreciated achievements in the history of artistic endeavor. Who else ever captured such an incredible spectrum of emotions in such exquisite poetry, without Romantic excess? Only Shakespeare comes to mind.

The Emerson performances of the quartets are extremely interesting?very high on the drama, maybe not so high on the poetry. There is immense energy and passion, the usual Emerson technical excellence, but not warmth exactly. Someone reviewing the Berg Quartet?s version of D.887 said he hasn?t gone back to Emerson after hearing ABQ (?honey has replaced the razor blades?). I feel like I couldn?t go back to ABQ after Emerson. The way the Emerson four do the first movement of D.887?I just get a lump in my throat and a little shiver down my spine every time I hear it. If the music can be played this way, why wimp out? I guess I?ll take the razor blades?.

The performance of the quintet with Rostropovich is of a different order: brilliant AND warm. I suggest checking out the reviews of the separately issued CD. This is music-making of a very high order indeed. If the set was the only way to get this performance of the quintet, I?d recommend buying the set. With the quality of the other performances, a fantastic deal.

Schubert + Emerson = Listener Satisfaction.......2002-02-23

First, these quartets are some of the best written to date so if you've not heard them, you should. Second, This is a great set to start with.
From the subtle first movement of Rosemunde, to the confused fury of Death and the Maiden, Emerson's interpretations are immense and multi-dimensional, constantly engaging the listener to jump further into the music. Not bad for a thirty some-odd dollar CD set.
The shining moment is the Quartettsatz. Already (in my opinion) THE BEST nine minutes of chamber music ever, Emerson adds to its appeal taking a bold flirty approach with it; Like a good crime novel, building an undeniable forward motion. It's so sad when after two minutes, the second movement cuts off. If the reader has no idea what I'm talking about, take my word. It will effect you.
The reason for the subtracted star is that, although Emersons in-your-face approach works well for the fast, bold movements, they can not fully shake it in the slower movements, where it sounds clumsey and innapropriate. The second movement in Rosamunde and D 703 could've done with more delicate treatment. For experienced Schubert listeners, Emerson adds a refreshing twist to these quartets. For the beginner, this is an exciting starting point.

Good but not Best.......2000-12-12

Unless you are in a hurry or care about the modern, digital sound, wait for Sony to release the Budapest Quartet version of these quartets on CD. That is the version to have; its absence from CD is one of the great gaps in the catalog.

Schubert: Trout Quintet; Death and the Maiden

Average customer rating:

Top-rate prformance of the Trout Quintet and very good performance of the string quartet, too

Schubert: Trout Quintet; Death and the Maiden

Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

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ASIN: B00016XMY4
Release Date: 2004-01-13

Tracks:

Allegro Vivace
Andante
Scherzo (Presto)
Theme And Variations: Andantino
Finale (Allegro Giusto)
Allegro
Andante Con Moto
Scherzo (Allegro Molto)
Presto

Customer Reviews:

Top-rate prformance of the Trout Quintet and very good performance of the string quartet, too.......2006-11-20

James Levine and the string players who perform the "Trout Quintet" do an excellent job at interpreting this work and getting though it without virtually any rough spots. (The only reason there would be is because it is a very hard work.) The quintet is a top Schubert chamber music piece. Different movements in the work contain sections of (vastly) contrasting characteristics and emotions, but it blends together very nicely to make a great (but, again, challenging) piece. String quartet #14, "Death and the maiden" is also a favorite Schubert piece and in this performance, the Melos Quartet displays their virtuousity as a great group. The recording quality is great, and the price is also excellent. If you buy this, you will be very happy that you did.

Tracks 1 - 5: Piano Quintet in A major, ("Trout")
Tracks 6 - 9: "Death and the maiden" String Quartet #14 in D minor
Total Time: 79:27

Average customer rating:

One of the best of the Masterworks series
Will not buy this
Worth it!
Great way to jumpstart a schubert collection
Better to Pick a Few First-rate Performances

Schubert: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Ecossaises | Ballets & Dances | Classical | Styles | Music

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ASIN: B00062FLJC
Release Date: 2004-11-30

Customer Reviews:

One of the best of the Masterworks series.......2007-07-06

Brilliant Classics' "Masterworks" series, if you can get them cheaply (and currently they go for about $1/CD from Amazon's France Web site), are a great way to amass a significant library of the works of several great computers. The production values and the performances themselves are uneven, and the interpretations are not always historically-informed (unlike the bulk of Brilliant's "Complete Editions" of the works of Bach and Mozart). But there are numerous gems in the rough in The Masterworks, and the economic value is unsurpassed, even if you were to throw away half of the CDs in each set.

You're unlikely to throw away much of this Schubert collection though. This seems to be the finest of the Masterworks sets, with a succession of solid, often first-rate performances of most of the major Schubert works. Here's what you get:

- The symphonies, performed by The Hanover Band in a historically-informed style. Very interesting performances perhaps marred by an odd recording balance that makes the woodwinds sound distant. Takes up four CDs
- The six Latin masses. Also the Deutsche Messe in the version with wind instruments. Five CDs in all
- Edison Denisov's completion of Schubert's unfinished dramatic work Lazarus (2 CDs, Helmuth Rilling's premier recording)
- The last four string quartets (including the Quartettsatz) with #9 thrown in. Also the octet, piano quintet ("The Trout"), string quintet and both piano trios. In short all the canonical chamber works. Performances are strong, and well recorded
- Two CDs of violin/piano duets, including Op. 137 and Op. 162
- 19 of the 21 "canonical" piano sonatas (missing #7 and #12) as well as the Moments Musicaux, Impromptus, German Dances, Wanderer Fantasy and several other piano works, 11 CDs in all. As with the chamber music, the performances and recordings are strong, often stunning
- Two CDs of piano duets, including the Divertissements and D. 617
- Song cycles: Die Schöne Müllerin, Winterreise, Schwanengesang, and four CDs of standalone songs, including such "standards" as Erlkönig and Gretchen am Spinnrade. The singers are a bit uneven here, ranging from standouts Robert Holl, Deitrich Fischer-Dieskau and John Shirley-Quirk to the somewhat shrill Arleen Augér

Missing from the collection is Rosamunde, and a number of famous songs: Die Forelle (The Trout), Death and the Maiden, Ellens Gesang III (the so-called Ave Maria, D. 839), Der Hirt auf dem Felsen and Der Wanderer. But you do have almost all the important instrumental works, and most of the vocal works generally considered to be essential, with some padding added in the form of minor works such as the parochial Deutsche Messe, the German Dances, and the modernist-informed completion of Lazarus by the 20th Century Russian composer Denisov.

As with the other Masterworks sets, there are no program notes. You'll need to do your own research. Answers.com is a good starting point for Schubert compositions. There are also no song texts or translations provided, so again you'll need to track down your own. Try "The Lied and Art Song Texts Page" for lieder lyrics and translations. Hunt down a good price on this collection, browsing one of Amazon's European sites if necessary, and treat yourself to many hours of lovely music for the cost of a modest night out.

Will not buy this.......2007-03-16

I can't see D965 or D945 on this 40 disks worth of Schubert. Bizarre! There are so many great songs missing it scares me.

Worth it!.......2006-12-19

One of the best in "The Masterpices" series. Many of the discs (the symphonies in particular) were licensed from Nimbus and other full-line labels. Not all that long ago these discs would have set you back $18 to $20 a piece. That said, I still wouldn't part with my Hyperion collection. 40 CD's at this price... you can't go wrong.

Great way to jumpstart a schubert collection.......2006-12-19

Hartmut Holl, Dietrich Fischer-Dieskau, Stephanie Brown, and Jaime Laredo as well as the Stuttgart Bach Collegium performing Schubert are hardly "left-behind artists and ensembles" as the previous naysayer states. These are licensed from major label releases and from the original masters issued at a bargain price, especially for the number of discs you get. Sound quality ranges from good to excellent. Good for all Schubertians and anyone who wants to jumpstart a Schubert collection.

Better to Pick a Few First-rate Performances.......2006-11-14

This is a bargain in dollar/listening time ratio, but who cares? There are many second-rate performances by left-behind artists and ensembles. Obviously the economics of resurrecting disks that don't require royalties has been the driving factor of selection. (On the other hand, the complete edition boxed sets of Bach and Mozart, which you'll find if you look, are stupendous successes artistically.)

Average customer rating:

One of the best soundtracks of the past ten years
Simply Gorgeous!
extremely touching
One of the most beautiful soundtracks I've ever heard
One of the best film scores in 1996

Portrait of a Lady
Wojciech Kilar , Franz Schubert , Nic Raine , Stepan Konicek , and Jean-Yves Thibaudet
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B00000429T
Release Date: 1996-12-10

Tracks:

Prologue: My Life Before Me
The Potrait Of A Lady
Flowers Of Firenze
Twilight Cellos
A Certain Light
Cypresses
Impromptu In G Flat, D.899 No.3
Impromptu In A Flat, D899 No.4
String Quartet In D Minor, D810: Death And The Maiden
Epilogue: The Potrait Of A Lady
Phantasms Of Love
The Kiss
Love Remains
End Credits

Customer Reviews:

One of the best soundtracks of the past ten years.......2006-04-07

Blending an original score by Wojciech Kilar with complementary pieces by Schubert, this recording creates a definite mood. One of my favorite original pieces is the opening track, "My Life Before Me" which is so evocative that it's hard not to be touched by it in some way. This is not a sountrack full of generic, John Williams-like orchestrations; rather, each piece stands on its own.

It's not necessary to be familiar with either the film or Henry James' original novel to appreciate this great soundtrack; while I may have some problems with the creative choices made by the director of the film, this disc is one of my all-time favorites of any genre.

Simply Gorgeous!.......2005-12-24

I heard this music playing in the background while browsing in a record store. I promptly went to the counter and inquired about it. I came home with this prize of a score. One of the most beautiful I've ever heard. The film was mediocre but the music saves it. Mr. Kilar hits a jackpot!

extremely touching.......2000-02-27

I was first introduced to this movie by my aunt Sandra who claimed I would love it. I am a "period" film fanatic and she knew it would "get to me" eventually. It wasn't until I went off to college that I could actually even consider renting the film while I worked at a video store. When i finally brought it back to my dorm room tired and worn out from a hard days of work, I became mesmerized and awakened by such a film. It couldn't have been as touching if it weren't for the blissful, poignant music. My heart ached when I heard the score. I knew after that I had to purchase this soundtrack. It is must for anyone who likes film scores and the movie itself is a must for any female who wants to know what an honest to God lady is.

One of the most beautiful soundtracks I've ever heard.......1999-09-14

The moment I first watched the movie, I was spellbound by the beautiful music accompanying it. It is wondrous and moving complementing the movie perfectly!

One of the best film scores in 1996.......1998-11-01

Wojciech Kilar has composed one of the best and most beautiful film scores of 1996 with "Portrait of a Lady" whose main title came to him on a plane from Australia back to Poland. If you love exquisite flute and string writing then this one is for you!

Average customer rating:

I love this cd!
As good as it gets
Good Value, But Hardly the Best Recording
Flawed "Death and the Maiden"
Legendary Italians

Schubert: The Last Four Quartets
Franco Rossi , Franz Schubert , Piero Farulli , Elisa Pegreffi , Paolo Borciani , and Quartetto Italiano
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000041BX
Release Date: 1995-04-11

Tracks:

String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': 1. Allegro
String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': 2. Andante con moto
String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': 3. Scherzo. Allegro molto
String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': 4. Presto
String Quartet No. 13 In A Minor, D. 804 'Rosamunde': 1. Allegro ma non troppo
String Quartet No. 13 In A Minor, D. 804 'Rosamunde': 2. Andante
String Quartet No. 13 In A Minor, D. 804 'Rosamunde': 3. Menuetto
String Quartet No. 13 In A Minor, D. 804 'Rosamunde': 4. Allegro moderato

Tracks:

String Quartet No. 15 In G, D. 887: 1. Allegro molto moderato
String Quartet No. 15 In G, D. 887: 2. Andante un poco moto
String Quartet No. 15 In G, D. 887: 3. Scherzo. Allegro vivace
String Quartet No. 15 In G, D. 887: 4. Allegro Assai
String Quartet No. 12 In C Minor, D. 703 'Quartettsatz': 1. Allegro assai

Amazon.com

Few quartets match this legendary Italian ensemble for tonal sheen and refinement. The ensemble imbues the famous variations movement of "Death and the Maiden" with a kind of choked inwardness that never dematerializes into bathos. One might wish the players to allow Schubert's extroverted moments their giddy head, rather than reigning things in. The group embarks upon the composer's other-worldly G Major Quartet with quiet, trembling tread, making you work with them as they divine the music's visionary beauties and dark truths. Listen to this performance in a quiet space, with the lights out. --Jed Distler

Customer Reviews:

I love this cd!.......2007-02-16

How can people give this less than 4 stars!? The performance by the Quartetto Italiano is great. Very confident and powerful playing. If you like "in your face" recordings you will like this. Very close miked and "hot" sound. Clearly played and wonderfully recorded. There may be better individual recordings, but as a set of four this is a stone cold bargain. I would highly recommend this cd.

As good as it gets.......2007-02-11

I had not come across the Quartetto Italiano before which is not so surprising as these recordings were made 30 - 40 years ago. However it is a great delight to find them as their playing delightfully taut and energetic. Maybe the tempo is a little slower than expected in the Andante of the G major quartet but it still brings out some wonderful highlights.
It would be surprising to find a btter recording anywhere.
Phil Rowe

Good Value, But Hardly the Best Recording.......2005-09-02

When I like a body of work by a composer, I collect many different recordings. For me, Schubert's late string quartets are perfect. I own several versions including the Melos Quartet and the Auryn Quartet. This Philips recording is a recent addition, and while it is a fair value, the sound is mediocre and the interpretation is irritating to me(every movement is slow, slow, slow).

Try to find a copy of the Auryn Quartet if you can. The recordings are magnificent and the music is perfect.

Flawed "Death and the Maiden".......2005-06-03

I am surprised that Alan Lekan ("Legendary Italians" 5/31/05) is the only reviewer to comment on the "booming" or thumping sound that appears throughout quartet number 14 regardless of the quality of playback equipment. Although the performances are outstanding Philips should never have released this recording, or at least not without a warning. Recommended purchase only to those who have other versions of #14.

Legendary Italians.......2005-05-31

The great composer Franz Schubert is often talked about as a "late bloomer," referring to how his last compositions emerged with great maturity, emotional complexity and consumate skill. These last four quartets are part of this final, masterful phase of Schubert's short life as a composer and should be in every chamber-music collector's shelf.

Among the finest performances of these great quartets stands the recordings here from the legendary Quartetto Italiano - one of the top quartets in the 60's and 70's. The Quartetto Italiano really have a nack for penetrating the depths of such emotive works as #14 or #15 and bring out the intended drama and pathos within. Their powerful reading of the great, last quartet in G (#15) is especially noted by many major reviewers as one of the finest recordings of this complex masterpiece. The first movement in particular is epic in scale (lasting some 25 minutes) and exudes a powerful, anguished emotional mood which the Italianos bring out with tremedous depth and passion that can send chills down your spine. In all, their playing is of the highest caliber and just sounds superb in terms of synchonicity, intonation and phrasing. Their unison within cresendos is impeccable as was their ability to create sonorities on a "symphonic scale."

However, I found one quirky sonic flaw throughout the entire "Death and the Maiden" and other quartets when listening with headphones: there was an intermittent and jarring "booming" sound that is quite distracting. It is probably not be an issue without headphones, but be forewarned nevertheless. Overall, the sound quality is very good but not perfect given the transfer to CD from the 1960's analog tapes. There is not quite the depth and realism of more modern recordings in general, but this should not discourage purchase for most.

Other quartets to consider for these works are the Guarnari Quartet and, in some works, the Emersons - although the Emerson's style is more "direct" and less "old world graceful" like the Alban Berg's or lyrically soaring like the Quartetto Italiano's overall sound. The Quatuor Mosaiques also recorded a powerful reading of the Rosamunde quartet and others that ranks with the best. All-in-all, I would say the Italianos is of the finest SETS of Schubert's greatest (last) quartets - although some individual quartets may be better represented by other ensembles. When I hear music of this stature, it reminds me how unfortunate it was for Schubert that his enormous talent and output was not recognized and valued in his day. And these last quartets are only a small part of that heritage.

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