4 Ballades/Scherzos/Mazurkas (RMST) [Original recording remastered]
Editorial Reviews
Amazon.com
Emanuel Ax here offers a fine selection of Chopin, showcasing every aspect of the great Polish composer. The G Minor Ballade is played as poetically as the Scherzos are played expressively, with some of the more chaotic moments presented in the most melodious way. Ax rarely showboats and is mostly interested in Chopin's long lines. His tone is always warm and never brittle; the argument could be made that some of the music is emotionally thornier than Ax acknowledges, but he nonetheless is always communicative, underlining the harmonic daring of the music this latter trait particularly in the mazurkas. The two CDs are programmed for variety and it works--listening straight through never tires the ear or the sensations. The sound is big and rich. Highly recommended. --Robert Levine
Chopin: 4 Ballades; Scherzos; Mazurkas, Music, Fryderyk Chopin, Emanuel Ax, Ballade for Keyboard, Chamber Music & Recitals, Classical, Classical Composers, Collection of Etudes, Studies, or Exercises for Keyboard, Concerto, Keyboard, Mazurka for Keyboard, Nocturne for Keyboard, Piano Concerto, Polonaise for Keyboard, Scherzo for Keyboard
Average customer rating:
- Three phases of a great Chopin player
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Chopin: 4 Ballades; Scherzos; Mazurkas
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Brahms: 7 Fantasies, Op. 116; 4 Piano Pieces, Op. 119; Sonata No. 2, Op. 2
- Haydn: Piano Sonatas (Hob. 33, 36, 43, 45, 46)
- Haydn:Piano Sonatas (Hob. 32, 34, 44, 49)
- Brahms: Piano Sonata No. 3, Op. 5; Intermezzi, Op. 117
- Brahms: Handel Variations/Six Piano Pieces/Two Rhapsodies
ASIN: B000BKDO3Y
Release Date: 2005-11-01 |
Tracks:
- Ballade No.1, Op.23, In G Minor
- Ballade No.2, Op.38, In F Major
- Ballade No.3, Op.47, In A-Flat Major
- Ballade No.4, Op.52, In F Minor
- Scherzo No.1, Op.20, In B Minor
- Scherzo No.3, Op.39 In C-Sharp Minor
- Mazurka, Op.24 No.2, In C Major
- Mazurka, Op.56 No.3, In C Minor
- Mazurka, Op.59 No.1, In A Minor
- Mazurka, Op.59 No.2, In A-Flat Major
- Mazurka, Op.59 No.3, In F-Sharp Minor
Tracks:
- Andante Spianato/Grand Polonaise Brillante, Op.22
- Nocturne, Op.62 No.1, In B Major
- Scherzo No.2 Op.31, In B-Flat Minor
- Scherzo No.4, Op.54, In E Major
- Etude In F Minor
- Etude In D-Flat Major
- Etude In A-Flat Major
- Polonaise-Fantaisie, Op.61, In A-Flat Major
Amazon.com
Emanuel Ax here offers a fine selection of Chopin, showcasing every aspect of the great Polish composer. The G Minor Ballade is played as poetically as the Scherzos are played expressively, with some of the more chaotic moments presented in the most melodious way. Ax rarely showboats and is mostly interested in Chopin's long lines. His tone is always warm and never brittle; the argument could be made that some of the music is emotionally thornier than Ax acknowledges, but he nonetheless is always communicative, underlining the harmonic daring of the music this latter trait particularly in the mazurkas. The two CDs are programmed for variety and it works--listening straight through never tires the ear or the sensations. The sound is big and rich. Highly recommended. --Robert Levine
Customer Reviews:
Three phases of a great Chopin player.......2006-06-14
I think Emanuel Ax has settled into routine playing as he's aged, but these are premiere Chopin interpretations from two decades ago. Now that Sony and BMG have merged their classical divisions, it's possible to issue Ax's excellent 1985 reading of the four Ballades--the best ever done by an American--with a 1988 recital of Mazurkas and the four Scherzi. The first recital was originally on RCA, the second on Sony. But just to confuse things a bit more, the readings here of Scherzos #2 and #4 are dropped in from an even earlier RCA recording.
The provenance won't matter that much to the general listener, who will be happy with the budget price for probably the best Chopin two-fer on the market. Begin listening with the four Ballades, where Ax is at his most impassioned and inspired. Even three years later, when he got to Scherzos #1 and #3, he had become more refined and relaxed, less a romantic risk-taker. He's remained that way ever since, but here at least we can hear Ax in his glory. Faithful as I am to Pollini and Kisin in this repertoire, this collection often rises to their heights.
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