MUSIC FROM THE HOLOCAUST
Editorial Reviews
Album Description
The four composers represented on this recording reflect the rich diversity of Czech musical life during the 1930s and early 1940s. In their music one hears expressionist gestures, tonal lyricism, folk melody and rhythmic vitality, all interwoven in a manner that eschews superficiality or sentimentality. While each composer speaks with a unique voice, they share common national origins and love of country and will always be linked by the shared tragic fate that brought them to one of the Nazi realms of the damned, the Terezin concentration camp. Of the four composers, only one, Karel Berman, would survive the war. Of the remaining three, Pavel Haas and Viktor Ullmann, would be murdered in the gas chambers of Auschwitz while Gideon Klein would disappear after several months of forced labor.
MUSIC FROM THE HOLOCAUST, Music, Ullmann, Haas, Klein, Berman, Paul Orgel, 20th/21st Century Sonata/Sonatina for Keyboard, Chamber Music & Recitals, Classical, Keyboard, Music for Keyboard
Average customer rating:
- Awesome Set!
- Elmer Bernstein Film Music Collection
- Overall a strong Goldsmith sampler
- Jerry Goldsmith - 40 years of pleasure
- Almost the perfect compilation
|
Jerry Goldsmith: 40 Years of Film Music
Jerry Goldsmith
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Trek
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Classical
| Styles
| Music
Similar Items:
- The Essential Elmer Bernstein Film Music Collection
- The Music of John Williams: 40 Years of Film Music
- Epics: The History of the World According to Hollywood
- John Barry: The Collection
- Paramount 90th Anniversary Collection: Scores
ASIN: B0009KIYDG
Release Date: 2005-08-09 |
Tracks:
- Blue Max, The
- Blue Max, The
- Blue Max, The
- Blue Max, The
- Blue Max, The
- The Man From U.N.C.L.E.: Doctor Kildare / Room 222 / Waltons, The / Barnaby Jones / Television Themes Medley
- In Harm's Way
- The Sandpebbles: Chinatown / Patch Of Blue, A / Poltergeist / Papillon / Wind And The Lion, The / Motion Pictures Medley
- Generals, The
- Tora! Tora! Tora!
- Wild Rovers, The
- Pursuit
- Wind And The Lion, The
Tracks:
- QB VII
- QB VII
- QB VII
- QB VII
- QB VII
- Waltons, The
- Papillon
- Police Story
- Omen, The
- Capricorn One
- Swarm, The
- Boys From Brazil, The
- , The (First) Great Train Robbery
- Alien
- Star Trek The Motion Picture
Tracks:
- Masada
- Poltergeist
- First Blood - Rambo II
- Twilight Zone: The Movie
- Under Fire
- Under Fire
- Under Fire
- Under Fire
- Gremlins
- Baby - Secret Of The Lost Legend
- Legend
- Lionheart
- Rambo III
- Total Recall
Tracks:
- Star Trek Voyager
- Basic Instinct
- Russia House, The
- Gremlins II
- Medicine Man
- Shadow, The
- Forever Young
- First Knight
- Powder
- Airforce One
- L.A. Confidential
- Mummy, The
- Haunting, The
Album Description
Jerry Goldsmith's death in 2004 marked the end of one of the greatest careers in film composing. This lavish 57 track 4 CD set traces the path of his astonishing achievements and includes recordings conducted by Goldsmith himself. Featuring The City Of Prague Philharmonic Orchestra, The Philharmonia Orchestra, The National Philharmonic Orchestra, and The Daniel Caine Orchestra. Includes over 280 minutes of music.
Customer Reviews:
Awesome Set!.......2007-07-01
I am a huge fan of Jerry Goldsmith. They did a great job preserving his vision. I can listen to this collection for hours. Great music!
Elmer Bernstein Film Music Collection.......2006-11-03
This is compilation of hit film music from one of the greatest composers in motion pictures. What is surprising though is the music not included like the Ghost And The Darkness, the 13th Warrior, Rudy and others. To be sure, 4 discs are not enough for a composure of this stature. THe recording, however, is an "engineering masterpiece" which makes the music even more enjoyable than when you first heard it at the movies. When are we ging to get the music that was omittd from this compilaton?
Overall a strong Goldsmith sampler.......2006-04-11
Okay, this is a CD review, so the focus is on music, but I've got to say this first: this has got to be a contender for the ugliest cover art ever. I mean, come on...instead of a tribute to the composer, the cover looks like someone spilled a glass of merlot over a NASA photo.
Fortunately, even an ugly cover will not ruin good music. And the good news is that I'd say about 75 percent of the music is good....and on a 4 cd set, that's a lot. Like other Silva compilations, the strength of this compilation is the variety. There are selections from the big releases (Star Trek, Omen, Rambo), but there is also a healthy dose of tracks from the smaller releases(Under Fire, Lionheart, The Swarm).
Two examples come to mind. Capricorn One and The Great Train Robbery are two movies that are not exactly household names today, but are dominated by two of Goldmith's finest main themes. The City of Prague Philharmonic come through with terrific renditions. And there are plenty of other strong performances...a few being concert versions conducted by Goldsmith himself. Suprisingly, "The Wind and the Lion" works, which is no small accomplishment given the ferentic original performance of "Raisuli Attacks".
It's not a complete success. A few of the performances fall flat, particularly some of the more inventive scores. Total Recall is just bad, mangling the performance with poor percussion and synthesizer choices to boot. Also a letdown is the Klingon Attack from the first Star Trek movie. The Prague Philhamonic attempt doesn't sound bad--it's just that once you've heard the original soundtrack's "blaster beam" with enough bass to rattle your teeth...well let's just say Silva's version is a little tinny in comparison.
But I shouldn't dwell on the negative. Overall, this is a strong sampler of Goldsmith's variety. There are plenty of quality performances here, and despite a few omissions (noticeably Planet of the Apes)this is a very good release from Silva.
Jerry Goldsmith - 40 years of pleasure.......2006-02-22
It was wonderful to hear Mr. Goldsmith's music that went all the way back to The Man from UNCLE, The Waltons, Dr Kildare, etc. And then to hear his music up to the present. The man was a genius!
Almost the perfect compilation.......2005-12-31
Age has its value.... This sweeping collection of compositions brings back so many great memories. This collection shows how significant Goldsmith was for both the movie screen and the small screen. With such a grand collection, every reader can be assured that at least one movie or TV program they like or remember had Goldsmith's contribution. It was an amazing life and the collection well worth having.
However, as sweepig as it is, there are a few holes in the selection. "First Contact", one of the sweetest and richest compositions from the Star Trek is absent. "The Ghost and the Darkness" is missing and the "Medicine Man" music should include the theme song. By dwelling on several selections from the Blue Max, these were squeezed out. Three full and important movie themes got the axe.
However, all but "The Ghost and the Darkness" are readily available and not overly expensive as is the "Ghost" CD. This is a must have for the TV and movie music fan.
Before there was Hans Solo there was Napolean Solo, before ER there was Dr. Kildare. Jerry Goldsmith IS Sci-Fi. "Resistance is futile.. you MUST assimilate this CD collection."
Average customer rating:
- A Timely Performance
- Outstanding; a soon to be classic
- Uninspired tedium
- Holocaust Cantata: A Five Star Work of Art
- An excerpt from my liner notes...
|
Holocaust Cantata
Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
General
| Classical
| Styles
| Music
Similar Items:
- Composers of the Holocaust: Ghetto Songs & Instrumental Works
- MUSIC FROM THE HOLOCAUST
- Rossini: Petite Messe solennelle
- Music in the Holocaust: Confronting Life in the Nazi Ghettos and Camps (Oxford Historical Monographs)
- Forbidden Music: Music from Theresienstadt
ASIN: B000031VRF
Release Date: 1999-11-23 |
Tracks:
- The Prisoner Rises
- Singing Saved My Life
- Song Of The Polish Prisoners
- The Execution Of The Twelve
- In Buchenwald
- A State Of Seperation
- The Train
- Singing From Birth To Death
- The Striped Ones
- There's No Life Like Life At Auschwitz
- Tempo di Tango
- Letter To Mom
- Song Of Days Now Gone
- Passacaille For Cello And Piano
- Even When God Is Silent
- A Child's Journey: An Accidental Meeting
- A Child's Journey: I Once Had A Friend
- A Child's Journey: There Are No Stars In The Sky
- Is Not A Flower A Mystery?
- We Remember Them
Album Description
The Holocaust Cantata uses the words and music of actual concentration camp inmates to create a wholly original and powerful work. Using material found within the archives of the United States Holocaust Memorial Museum, Donald McCullough's Holocaust Cantata traverses one of the bleakest episodes in human history. Yet the piece also evokes a sense of music's life-affirming power, even in the face of absolute despair, to express what words alone cannot.
McCullough discovered the material within the vast Aleksander Kulisiewicz collection in the museum's archives. Kulisiewicz himself had performed as a kind of camp troubador during his own incarceration at Sachsenhausen, and, after the war, spent several years interviewing fellow survivors about music in the camps, gathering together the scattered remnants of this music.
As McCullough painstakingly sifted through this material-much of which was uncatalogued-the arresting melodies and compelling testimonies that make up the Holocaust Cantata gradually began to emerge. "I wanted the Cantata to speak with a sense of immediacy," says McCullough, explaining his decision to set the choral texts and spoken testimonies in English, and his hope is that the piece may "transform statistics into people in the minds of the Cantata's listeners, and perhaps be a part of making it more difficult for such a horror ever to occur again." The Washington Post, reviewing the world premiere in March 1998, called it "an experience that should linger long in the audience's memory and should be regularly revived."
Customer Reviews:
A Timely Performance.......2001-11-18
In August of 2001, the choral group I sing with began practicing this work for performance on Veteran's Day Nov 11. We rehearse on Tuesday nights. As we all know on Tuesday Sept 11 the world change forever. Of course rehearsal was cancelled. When we returned the next Tuesday - a piece that we all thought was so powerful became more so. The first song contains the words "the fires burning, the iron furnace..". The paralells to what happened were evident. As one of the reviewers noted " so this can never happen again", well it has, only much faster, in one single day. Hate caused both events. People need to hear this CD and really listen to the words of the songs and the narration, and maybe we can prevent this from happening again and again. A MUST HEAR FOR ALL THE PEOPLE OF THE WORLD. The music and lyics came from the hearts and the lives of the prisoners.This is a beautiful tribute to them.
Outstanding; a soon to be classic.......2000-05-04
Beautifully written and performed! This recording and an encore live performance of this inspiring work were downright demanded by audiences after the premiere. I rate it a "strong buy."
Uninspired tedium.......2000-04-28
McCullough has appropriated other people's material, "choralized" it, and appears to be attempting to capitalize on a wave of political correctness to buy himself a Grammy nomination. There are a few nice tunes scattered throughout this tedious piece, but overall the interpretation is lifeless, unimaginative, and uninspired, almost clinical. Here's hoping that victims of the Shoah can find a more suitable expression of their music than McCullough has tried to give them. They deserve better than this.
Holocaust Cantata: A Five Star Work of Art.......2000-01-07
For me, the Holocaust Cantata is one of those artistic representations of that cataclysmic period that evokes an even stronger picture of the horrors of the Holocaust then do many pictures in newspapers and museum exhibits. I think this is because the Cantata is poetry-it's message sounds a spare and powerful truth. I am grateful to Mr. McCullough for his vision and energy in bringing about the Holocaust Cantata.
An excerpt from my liner notes..........1999-11-25
I was present at the March 1998 Kennedy Center premiere of this extraordinary work, and subsequently wrote the liner notes for the CD. Because of the unusual nature of this recording-which I think captures the haunting beauty of this work-I believe that others would be interested in reading an excerpt from my notes on the music. Please note that I am posting this material with the permission of the composer, Donald McCullough:
Notes on the Music
It is well-known that during the Holocaust inmates wrote music while incarcerated in concentration camps. Much of it has since been recorded. At Theresienstadt, for instance-the infamous "Paradise Ghetto"-the Nazis organized an orchestra made up of young musicians who had studied under such luminaries as Leos Janacek and Arnold Schoenberg. Most of these musicians, among them such promising students as Gideon Klein and Viktor Ullmann, perished during the Holocaust, leaving behind but a few pieces, composed under duress and co-opted by the Nazis for their own propaganda purposes. What might they have eventually accomplished had they survived? Such classical music-beautiful as it is-was the product of formally trained musicians. What about the music of the common man-music embraced by the whole community and passed secretly by aural transmission-music that carried with it powerful words revealing different aspects of camp life, or expressing the inmates' innermost feelings, of mourning, or resistance, or patriotism? Was there other Holocaust music, akin to the spirituals that sprang from slavery in America, that spoke with the same startling immediacy to express the agony of the victims of the Nazi regime?...
McCullough's [quest to answer this question] began with a call to Bret Werb, musicologist at the United States Holocaust Memorial Museum, who revealed the existence of the Aleksander Kulisiewicz collection in the museum archives. Kulisiewicz had traveled about Europe during the postwar period collecting and preserving what he could of the music that had emerged from the Holocaust concentration camps, but little was known about the music itself.
McCullough's first task, then, was to immerse himself in the collection, playing through the hundreds of tunes. He was encouraged to find that they contained some compelling melodies, and for the first time he began to wonder whether a choral cantata-perhaps reflecting the role of music in the camps or evoking the daily lives of these people-might emerge from the material. But he still had no idea what lay within the accompanying text.
At some point, someone had added a rough, English-language index to the collection, but the materials themselves were mostly in Polish. Marcin Zmudzki, a young Pole, was engaged to sift through the mountain of texts. McCullough told the translator that he was interested in anything that had to do with camp life, especially as it related to music. As he recalls, "It was my good fortune that not only was Marcin an excellent translator, but also he had a sense for poetry and thus grasped, very quickly, the type of material I was seeking."
In addition to music, Kulisiewicz also collected interviews, articles, and letters that had anything to do with camp life. With this wealth of material, McCullough decided to place between each musical arrangement readings that also spoke of life in the camps. After considering and rejecting literally hundreds of documents, he finally decided that he had what he needed from the archives. But in a sense, the real work was just beginning. "Because I wanted the Cantata to speak with a sense of immediacy," says McCullough, "I thought it should be sung in English. But before I could arrange a single note of it, I needed to have singable translations. Here I employed the talents of lyricist Denny Clark, who at first worked with Marcin, getting a word by word translation. Knowing which words appear on which notes is important in keeping the overall impact of the song." A trained singer himself, Clark was able to make transliterations to ensure that the best vowels for singing fell on the proper notes, all while remaining faithful to the original text. It was an immensely complicated task....
A few words about the structure of the Cantata. As you listen you should not look for a plot, as such. Because each song and reading represents a different person, a different place, and a different time in the Holocaust experience, you should be wary about viewing the entire piece as a streaming narrative. Nonetheless, certain common truths will begin to emerge, and no doubt others will come to you with each successive hearing. Among these is the certainty that these are nakedly honest responses to the most unthinkable of acts. Sometimes the responses are jarring; who could find humor amid such horror? And yet humor-albeit dark in nature-undoubtedly exists within this work. Nevertheless the inmates' responses never sink to the level of triteness. For them, music functioned as something much more than just a light in the darkness; its very existence was a form of spiritual resistance in an environment where such resistance risked instant extermination.
McCullough's hope is that this work may "transform statistics into people in the minds of the Cantata's listeners, and perhaps be a part of making it more difficult for such a horror ever to occur again." In the end, for me, the work flows inexorably back to its source: it is the voice of humanity, crying out to be heard.
Average customer rating:
|
The Music Of Morton Gould
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
All Works by Morton Gould
| Gould, Morton
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
ASIN: B0000006ZP
Release Date: 1995-10-20 |
Tracks:
- Pavanne From Symphonette No. 2
- Cinerama Holiday: Souvenirs Of Paris
- Cinerama Holiday: On The Boulevard
- CBS Documentary: World War 1: Prologue And Drum Waltz
- CBS Documentary: World War 1: Sad Song
- CBS Documentary: World War 1: Royal Hunt: Galop
- NBC Mini-Series: Holocaust: Holocaust Theme
- NBC Mini-Series: Holocaust: Elegy
- Interlude From 'Festive Music'
- Formations: Suite For Marching Band: March On
- Formations: Suite For Marching Band: Rally
- Formations: Suite For Marching Band: Twirling Blues
- Formations: Suite For Marching Band: Strut
- Formations: Suite For Marching Band: Slink
- Formations: Suite For Marching Band: Waltzing Alumni
- Formations: Suite For Marching Band: Alma Mater
- Formations: Suite For Marching Band: March Off
- Concerto Grosso For 4 Solo Violins And Orchestra, From Balanchine's Ballet, Audubon: I. Prelude And Fuque
- Concerto Grosso For 4 Solo Violins And Orchestra, From Balanchine's Ballet, Audubon: II. Air
- Concerto Grosso For 4 Solo Violins And Orchestra, From Balanchine's Ballet, Audubon: III. Variations
- Concerto Grosso For 4 Solo Violins And Orchestra, From Balanchine's Ballet, Audubon: IV. Rondo
Average customer rating:
|
MUSIC FROM THE HOLOCAUST
Manufacturer: Phoenix USA
ProductGroup: Music
Binding: Audio CD
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Sonatas
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Similar Items:
- Composers of the Holocaust: Ghetto Songs & Instrumental Works
- Forbidden Music: Music from Theresienstadt
- Holocaust Cantata
ASIN: B000BIUYKW
Release Date: 2005-09-15 |
Tracks:
- Berman-Youth
- Berman-Family-Home
- Berman-3/15/1939 Occupation
- Berman-Factory-Germany
- Berman-Auschwitz-Corpse Factory
- Berman-Typhus in the Kauffering Concentration Camp
- Berman-Alone-Alone
- Berman-New Life
- Haas-Praeludium
- Haas-Con Molta Espressione
- Haas-Danza
- Haas-Pastorale
- Haas-Postludium
- Klein-Allegro con Fuoco
- Klein-Adagio
- Klein-Allego Vivace
- Ullmann-Allegro Gemachliche
- Ullmann-Alla Marcia, ben Misurato
- Ullmann-Adagio ma non Troppo
- Ullmann-Scherzo:Allegretto Grazioso
- Ullmann-Variations and Fugue on a Hebrew Folk Tune
Product Description
The four composers represented on this recording reflect the rich diversity of Czech musical life during the 1930s and early 1940s. In their music one hears expressionist gestures, tonal lyricism, folk melody and rhythmic vitality, all interwoven in a manner that eschews superficiality or sentimentality. While each composer speaks with a unique voice, they share common national origins and love of country and will always be linked by the shared tragic fate that brought them to one of the Nazi realms of the damned, the Terezin concentration camp. Of the four composers, only one, Karel Berman, would survive the war. Of the remaining three, Pavel Haas and Viktor Ullmann, would be murdered in the gas chambers of Auschwitz while Gideon Klein would disappear after several months of forced labor.
Average customer rating:
- A serious composition of music
|
Our Town is Burning: Cries from the Holocaust
Manufacturer: Centaur
ProductGroup: Music
Binding: Audio CD
Eisler, Hanns
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
Similar Items:
- Composers of the Holocaust: Ghetto Songs & Instrumental Works
ASIN: B0000057XN
Release Date: 1995-03-08 |
Tracks:
- Our Town Is Burning
- I Once Had A Home
- Ghetto
- Motele Of The Warsaw Ghetto
- The Streetsinger Of The Warsaw Ghetto
- Treblinka
- Two Doves
- Under The Little Green Polish Tree
- A Jewish Child
- 13 Articles Of Faith
- Jews Are Singing Ani Mamin
- Wild Geese
- Bamboo Grove
- The Moon Far Away From Home
- Wakeful Night
- Moments Of Hope
- Babi Yar
- They Call Me Zhamele
- Quiet, Quiet
- Birds Are Dreaming
- It's One, Two, Three
- The Lonely Child
- Itzik Vitenberg
- From A Twig A Tree Will Bloom
- Hymn Of Youth
- Still The Night
- Never Say That You Are Going On The Last Road
Customer Reviews:
A serious composition of music.......2000-12-07
The artists on this CD have formed an interesting and moving insight into the Jewish music. The music at times can be very operatic in nature and at other times they can be so riveting you feel yourself being moved by the pure poetry of their assonance. If you want to have several emotions at once this would be the one to get for your collection. You get to hear the words of the Hebrew language and it so beautiful. If you don't understand Hebrew it does not really matter I believe the essence of the language is there and you will understand their intentions and meaning. You are constantly swept in emotions when you hear the lyrics and rhythm.
Average customer rating:
|
Songs of the Medieval Polish Bards
Jarek Adamow
Manufacturer: Global Village
ProductGroup: Music
Binding: Audio CD
General
| International
| Styles
| Music
ASIN: B0000D9PJ8
Release Date: 2003-10-22 |
Tracks:
- Ze Starego Jowa (From Old Jow)
- Podolanka (Podolia Dweller)
- Balkan (Balkans)
- Z Tamtej Strony Pola (From the Other End of the Field)
- W Warszawie (Happened in Warsaw)
- Klezmer (Cocktail)
- Polska Korono (Polish Crown)
- Ofiarom Holocaustu (For the Victims of the Holocaust)
- Szette
Average customer rating:
|
Air Power/Holocaust Suite
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD
Dello Joio, Norman
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Morton Gould
| Gould, Morton
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
ASIN: B000001SDE
Release Date: 1993-05-14 |
Tracks:
- Introduction And Main Theme
- Parade Of The Daredevils
- Skylarking
- The Sport Meet
- Alert
- Take Off
- Air Battle
- Safe Return
- March Of The German Legions
- The Lonely Pilot's Letter Home
- Russian Soldier Dance
- Convoy And Wolf Pack Attack
- Japanese Prayer To Victory
- The American Liberators
- Main Theme
- Crystal Night
- Berta And Joseph's Theme
- Babi Yar
- Warsaw Ghetto Surrender And Finale
- Elegy
Average customer rating:
|
Feigin: Transience
Manufacturer: North / South Record
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B000004AHC
Release Date: 1998-05-01 |
Music Review:
- Musique Des Dames
- My Dear Siegfried
- Other Mozart: Arias by Franz Xavier Mozart
- Parables
- Prokofiev: Romeo And Juliet, Op. 64
- Puccini: Madama Butterfly / Leinsdorf, Moffo, Valletti, Elias
- Renata Tebaldi
- Richard Mayr
- Richard Tauber
- Rossini: Il Barbiere Di Siviglia
Music Review
music review
Music Review
Library Party, Vol. 1 [Import]
Saint-Saëns: Music for violin & orchestra
Schubert: Piano Trio D929/Notturno D897
Spinozza [Import]
Sean-Nos Nua [Import]
Puras De Jose Alfredo
The Best of Andrae
something more
Primeiro [Import]
Ralph Vaughan Williams: Symphony No. 9 / Piano Concerto - Bryden Thomson
Songs in the Key of Love
Selena's Greatest Hits (Karaoke)
Sister Funk
Eye of the Storm
Memories of You