Live in Japan [Import]

Track Listings

1. Thats What They All Say

2. Platinum Blonde

3. Mercury Poisoning

4. Sweet 16

5. No Woman No Cry

6. Lunatic Fringe

7. Long Stem Rose

8. Discovering Japan

9. Dont Ask Me Questions

10. Watch The Moon Come Down (revisited)

11. Just Like Herman Hesse

12. Too Many Knots To Untangle

13. Chopsticks

14. Short Memories

Editorial Reviews
Album Description
Graham Parker's second commercially released live album is a solo affair that finds him connecting with his audience and singing a lot of his 1970s favorites. 14 tracks.

Tracks:

Aurora Giapponese
Impronippo
How Can You Not?
If Only For A Time
Mio Caro Dottor Grasler
Musashi
Improleaves
Winter Moon
Broken Time
Tokyo Reflections
Nuovo Cinema Paradiso
Ninfa Plebea
When I Think Of You
Improminor

Amazon.com

Some piano trios bear the personality of the pianist; the bassist and drummer are there to lend support. Other piano trios draw personality from each of its principals, and the special, interactive way they go together. The latter definition fits the combination of pianist Enrico Pieranunzi, bassist Marc Johnson and drummer Joey Baron, who have melded into a unit that provides special pleasures on a par with those of Keith Jarrett's standards trio. As revealed on this double-disc live set, recorded during a tour of Japan in 2004, it's a highly flexible trio that shifts with ease from lyrical Pieranunzi originals to extended free-style improvisations to the film music of Ennio Morricone (which the pianist recorded when regularly working in Rome film studios). Pieranunzi is distinguished by his unerring touch, fast or slow, Johnson by his deep, resonating melodicism, Baron by his ability to energize the music even in the quiet spots. --Lloyd Sachs--

Product Description

Live In Japan continues Pieranunzi s encounter with the works of Italy s great film composer, Ennio Morricone. Pieranunzi worked in Roman film studios in the 70s and 80s and played on dozens of Morricone soundtracks. He has revealed a rich, mostly unexplored source for jazz in the hypnotic melodies of Morricone. Two of them here, Musashi and Nuovo Cinema Paradiso, were arranged for the Japan tour. Mio Caro Dottor Gräsler and Ninfa Plebea come from Pieranunzi's two CamJazz albums, Play Morricone 1 and 2 . Ninfa Plebea (a secondary theme from Lina Wertmüller's film of that name) demonstrates the nuances of emotion that Morricone can evoke with a simple snatch of melody (its core is three notes). Pieranunzi is exactly the pianist to take it up and wonder over it. Marc Johnson's solo is like prayer, if prayers can be so sensual.
The recorded sound of this album deserves mention. Working in concert venues of medium size (three of the performances took place at the Asahi Shimbum Hall in Tokyo), engineer Danilo Rossi achieves sonic quality as vivid and detailed as the best studio recordings, yet captures the in-the-moment electricity of these live events.

Average customer rating:

Correction to last review...
Every Career Should End Like This
A must for collectors
The missing piece................
I Want to Tell You it's Time For George!

Live in Japan
George Harrison , and Eric Clapton & Band
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00014TJU2
Release Date: 2004-02-24

Tracks:

I Want To Tell You
Old Brown Shoe
Taxman
Give Me Love (Give Me Peace On Earth)
If I Needed Someone
Something
What Is Life
Dark Horse
Piggies
Got My Mind Set On You

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Isn't It A Pity
While My Guitar Gently Weeps
Roll Over Beethoven

Customer Reviews:

Correction to last review..........2006-12-31

It's actually George who plays the solos on "Something", including the one in the intro...revealed by amateur video I've seen from this tour.

Which does beg the question...where's the commercially-released pro-shot DVD that should be out from this tour? Musically and visually, this tour was a highlight of George's solo career.

Every Career Should End Like This.......2006-07-13

I look at Harrison's Live In Japan as more than a collection of music played live. Taken with "Brainwashed" and "Concert For George", this album is the first of an epic trilogy in which George first says good bye to us, and then we say goodbye to him.

Coming off a five-year hiatus in 1987, George re-enters the limelight with "Cloud Nine". The years 1987 - 1991 were one of those post-breakup golden eras of the Fab Four. The three surviving Beatles were beginning to reconnect with each other, Yoko puts out "Imagine". The ice was thawing rapidly now, and Beatles fans were deliciously treated.

From Cloud Nine to the Traveling Wilbury albums, George is having a blast, and shows that of all rock icons, he has perhaps the coolest and perhaps most numerous group of iconic friends. Everybody is jamming with George these days. In the pantheon of the Beatles legend, 1987 - 1991 were George's years.

The quiet Beatle, who shunned the limelight, agrees to do this concert and album in Japan. His music covers the gamut - only about half love songs, the remainder are his commentary on life, the environment, spirituality, his love for John Lennon and all of his friends. On this album, George Harrison is where he was not often found while in the Fabs: front and center, and he masterfully commands the stage.

To the side, Harrison's devoted friend Eric Clapton treats Beatles music with respect and love.

Live In Japan is released, and within a few years George is first diagnosed with cancer. But in the meantime, he reunites with the Beatles for the Anthology, then records some tracks that are to become "Brainwashed". Each brick of the Harrison edifice is carefully put in place as his career comes first circle.

Finally - the Concert for George closes the final chapter in the saddest and most joyful of ways. But that's another review.

George covers all of his bases as he exits the stage . . . perfect!

This CD belongs in every Beatles and classic rock collection.

A must for collectors.......2006-03-10

George Harrison after the Beatles broke up only toured twice.
The first time was 1973 when he lost his voice about midway through the tour. The other time is captured on this CD.
George uses Eric Claptons' band. Clapton has an excellant entourage of musicians.
George plays his best songs and greatest hits not only from his solo days but also from his Beatles days.
Harrison seems comfortable with Eric Clapton and they exchange some very nice lead guitar during the set.
My favorite songs on the album tend to be the songs from his Beatles days.
If I Needed Someone, I Want to Tell You, Here Comes the Sun, Something, Taxman and others.
I have been a lifelong Beatles fan and like a sponge try to collect Beatles albums.
George Harrison after the Beatles broke up in my mind wrote the best songs of all the former Beatles, with the exception of possibly John Lennon.
This is a real treat for Beatles fans, and a very historical tour of one of the icons of the 60's and Rock music in general.

The missing piece.......................2005-07-18

i dont believe that people actually complain bout Live in Japan, come on guys, its george playing live.... how can u compare it to the 'concert for george' cd, sure the band for the tribute cd sounds better, maybe they even sing better then george, but u guys are missing the point, it aint a george song if he aint singing it, its just bunch of guys singing george songs, yeah u ave paul and ringo, they ave rite to sing it coz their the only surviving members but its like saying u luv birtney spears singing 'yer blues' or 'hey jude' or 'yellow submarine' or even 'for you blues', i beg to differ, even george not singing at his best, it is still george singing, if u listen closely, george is singing thru his heart, he meant every word, understand every word, coz who else in the world would know the meaning of the songs except for george, i should say he sang kinda like ala bob dylan in times they are a changin', george sang every song like he wanted to, if he feels the melody of the song should be sang like that so be it, every track is worth listen to, some of the song hadnt been played since the 60's, such as taxman etc, that alone is worth buying the cd, if u a truly beatles fan and truly a george harrison fan, u wouldnt complain 1 bit, coz its actually the best LP george had ever release since all things must pass and cloud 9.....

I Want to Tell You it's Time For George!.......2005-01-15

This was the first live concert from George Harrison in many years. A gifted guitarist, lyricist and delightful vocalist, Harrison does not disappoint on this collection. Although his voice gets a little husky and raspy on some songs, he comes through in his distinct, Harrison style in fine form!

When you listen to "Piggies," George gives this 1968 gem an added bonus section, which is mentioned in his book, "I Me Mine." The high point of the collection for me was his doing two of my favorite Harrison Beatle classics, the 1969 gem "Here Comes the Sun" and the 1966 gem "I Want to Tell You," wherein he amends one line. This "change" is mentioned in his book "I Me Mine" as well.

Eric Clapton's band does a stellar job of performing with George. This combination works and flows with each other brilliantly and the guitar playing is superb. Just LISTEN to the 1968 magnum opus "While My Guitar Gently Weeps...." that is such a worthwhile treat!

This is such a delightful collection and people ranging from those just becoming familiar with Harrison, the Beatles and Clapton to inveterate fans. Be sure to check this out - it is excellent!

Average customer rating:

live
The Supreme Tele-Master
More Great Live Roy Buchanan!
Roy's Favorite

Live in Japan
Roy Buchanan
Manufacturer: Repertoire
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000AVF28
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Album Description

2003 live release for the late blues rock guitarist features 8 tracks. Digipak. Repertoire.

Album Details

The Late Blues Guitarist Captured Live on Tour in the Land of the Rising Sun.

Customer Reviews:

live.......2007-06-14

A concert within a concert, this cd has the best in which Roy himself has dubbed his finest. I agree. Roy went to extra lengths and finely tuned the songs, this cd will make you an instant fan. The only downfall is the songs in which you do not hear. The concert itself was much longer that the cd.

The Supreme Tele-Master.......2006-02-08

I said it in my other Roy Buchanan reviews and I'll say it again, Nobody before or since has played electric guitar with more power than Roy. By "power" I don't mean volume or distortion,etc., I mean emotional weight. In the world of classic Black gospel groups of the 1940's and 50's (Soul Stirrers, Pilgrim Travelers) this kind of musical-emotional intensity is called "house-wrecking" and "pew-burning". Roy Buchanan definitely knew how to wreck the house like no one else. As many reviewers have pointed out, he used nothing more than an old Telecaster straight into his Fender amp. But most importantly he used his awe-inspiring technique to pour his soul into every note. Just as on his other live recordings, on this night in Japan, he scorched the place.

More Great Live Roy Buchanan!.......2003-10-26

I was wondering if this would ever be released on cd. "Live In Japan" was released by Polydor only in Japan in 1978. "Live In Japan" documents Buchanan's tour of Japan in 1977 and was his gift to his Japanese fans. This disk was supposed to be Roy's favorite among all of his releases. Buchanan's live disks tend to be much more explosive than his studio albums. The standout cut is a great live rendition of "Hey Joe" with "Foxy Lady" as a coda. The disk begins with an excellent cover of Booker T. & the MGs instrumental "Soul Dressing". The disk also includes the upbeat "Sweet Honey Dew" a cover of Larry Williams' "Slow Down" and an inspired version of "My Baby Says She's Gonna Leave Me". "Sweet Dreams" one of Roy's personal favorites is also included. Roy's playing shines throughout and if you are a fan this release along with the new "American Axe" another live set from 1974 are essential. My only regret is that the disk is only about 46 minutes long. A number of other songs were played during Roy's tour of Japan including a smokin' cover of Cream's "Sunshine Of Your Love". Maybe at some point this will be released stateside in an expanded edition with some of the outtakes from this tour! Until then enjoy the master of the Telecaster!

Roy's Favorite.......2003-10-21

This was recorded during a tour of Japan in the late 70s. Roy stated that of all the albums he released this was his favorite-many of the others he refused to acknowledge. Listening to this CD helps the listener understand why Roy thought so highly of this album- Roy was on that night and the band was tight. My only complaint is that the whole show isn't available. This is the editted show, some 46 minutes of the two hour event. Still if your a fan of this amazing guitar player you owe it to youreself to pick this CD up along with American Axe to hear this guy make that guitar cry!

At Budokan [Live In Japan, February, 1978]

Average customer rating:

unfolding surprising beauties and power
breath of fresh air perhaps
Truly sad...
Some necessary Budokan revisionism......
Every Song Different than Before

At Budokan [Live In Japan, February, 1978]
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000025GP
Release Date: 1990-10-25

Tracks:

Mr. Tambourne Man
Shelter From The Storm
Love Minus Zero/No Limit
Ballad Of A Thin Man
Don't Think Twice, It's All Right
Maggie's Farm
One More Cup Of Coffee (Valley Below)
Like A Rolling Stone
I Shall Be Released
Is Your Love In Vain
Going, Going, Gone

Tracks:

Blowin' In The Wind
Just Like A Woman
Oh, Sister
Simple Twist Of Fate
All Along The Watchtower
I Want You
All I Really Want To Do
Knockin' On Heaven's Door
It's Alright, Ma (I'm Only Bleeding)
Forever Young
The Times They Are A-Changin'

Amazon.com

It was Dylan himself who said "the present now will later be past" and there's no better proof of it than this bizarre live collection of his old hits performed in big band versions where nothing seems to mean what it originally did. There's something going on here and even Dylan doesn't know what it is. Following the success of Cheap Trick and Neil Diamond--who both scored with Japanese live albums--Dylan took his Las Vegas revue with him and handed up "Don't Think Twice, It's All Right," "Mr. Tambourine Man," "Shelter from the Storm," and even "The Times They Are A-Changin'" without the vehemence that made them anthems for a past generation. Weird. --Rob O'Connor

Customer Reviews:

unfolding surprising beauties and power.......2007-03-29

After the 2 Rolling Thunder albums for me this is the 3rd best life album of Bob Dylan. Though there are a few songs on this album which were changed to the worse (especially one of my favourite songs, Oh Sister, is pretty much ruined) many others unfold a surprising beauty: The tendernes "I want you" of this former fun-song and on the other hand the power of "It's alright Ma" and "All along the watchtower" just knock me out! Other highlights to me are "Is your love in vain" and "The Times they are changing" (never heard this better!) which convey here a expression of passionate humanity and honour that later on Dylan unfortuneately somehow seems to have lost... What is so "Las Vegas" about these songs? I can't help but love and strongly recommend this Live album from the 70s where he truely had his peak time!

Gerd

breath of fresh air perhaps.......2007-01-11

I appreciate the different ways around the same songs Dylan takes from tour to tour. If I were to put one version of each Dylan song in a vault to be heard for all of time, most of these wouldnt come close. But Simple Twist of Fate has reached its pinnacle of beauty right here as far as I'm concerned. This head-bobbing version of All I Really Want To Do would certainly get consideration, and yes even the reconstructed The Times They Are A-Changin' is very worthy. This song never excited me much musically, and i think it's driven with tension here. And sorry, but, All I Really Want To Do was done pretty crappily to begin with IMO. Regardless, I think it's impossible to degrade the quality of the original classics through reinvention, for better or worse. And to keep playing them in the same vain is redundant.

It also might be the most accessible to new/ non fans with it's slickness and emphasis on melody, in contrast to his more recent performances.

Truly sad..........2006-12-28

Dylan has spent the last 40yrs trashing his legacy, nowhere worse than here--the abysmal Budokan shows, lounge versions of his best material served up like McDonald's cheeseburgers. I don't know what's sadder, Dylan as a raddled-out parody of himself or the legions of fans who continue to believe that he has anything to do with the guy who lit the world on fire back in 1965.

Some necessary Budokan revisionism.............2006-02-01

The maliciousness that has been directed at this album over the years is an open testament of the way in which Dylan fans desire to own their idol, to constrict him, and to demand him to peform and record in ways that are their own, but not his....
"Live at Budokan" was my first Dylan album, miraculously discovered twenty five years ago as a window into a magic world.
Ever since I've heard bile and venom from innumerable sources about it's 'Vegasy' feel, and its 'commercialism'.
But Dylan is a song and dance man, mercurial and a mystery -
the minute you define him and place expectations on him he will inevitably disappoint.
Above all he is a true entertainer, who paradoxically brings everything to his performances and yet nothing, like it's always gonna be new.
The songs on this album are all like that, all stone cold classics, but elastic, sweet, wry, still timeless.
After twenty five years of listening to all the rubbish reviews, I still recommend this album for any newcomer to Dylan.
For one thing, there is booklet of lyrics to the great songs which is really helpful for new fans, as it was for me so many years ago, and the album photos still talk of the irresistible mystery that is Dylan.
'Budokan'is like an old road map on which the street signs are still right.
It truly gets better like old wine.

Every Song Different than Before.......2005-11-09

Unlike a lot of live albums that just seem to reproduce an artist work with applause between the songs, this one has a different arrangement for every song on it. The opening, "Mr. Tambourine," is a rocker performed by about a dozen musicians. It's mind boggling. Every song is mind boggling. Though it came out two years before I was born, I sounds as fresh as if it were performed yesterday. If you think you know Dylan's work and you haven't heard this CD, well you have no idea how songs like "Blowing in the Wind," "Shelter from the Storm," "It's Alright Ma," and a huge host of others can sound. Five stars for this record in my book. My recommendation, get this record.

Reviewed by Stephanie Sane

Average customer rating:

Ours is not to wonder why...
This Title Is Actually Called "Live In Japan"

Live in Japan
Laura Nyro
Manufacturer: EMI Special Products
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008YJHW
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Customer Reviews:

Ours is not to wonder why..........2006-11-28

There must be a story behind this 2003 Laura Nyro recording, because its place in the artists catalog is almost non-existant. One year previous to these selections hitting the shelves, the Rounder label released a two disc compendium of Laura solo and with her harmony group in 1993 and 1994, a collection that far outshines the limited production tendered here. And unless there was something wrong with other songs performed for this reserved Japanese audience, one also wonders why only ten tracks, totalling less than thirty minutes, are offered. As far as I can tell there are only two significant differences between this Laura-solo-live and the four other Laura-solo-live releases ('At the Bottom Line', 'On Mountain Stage', 'At the Fillmore' and the two disc 'Loom's Desire'): we have a complete version of Laura covering Burt Bacharach and Hal David's 'Walk On By' (a track available, incidentally, as part of a medley in the 1971 Fillmore East concert), and the rather staid response of the Japanese audience to Laura's work (with the exception of 'Wedding Bell Blues', which elicits immediate applause followed up with a clap-along). So if you're looking for "cleaner" versions of some of Laura's better known tracks, 'Live In Japan' may be the ticket, but none of Laura's audiences will ever get a reputation for being rowdy anyway.

With that cavaet, let me say that the ten songs collected here are very well recorded and very well performed. The first six songs represent some of the finest compositions of the 1960's, among them the opener, 'Dedicated To the One I Love'. Although covered by artists such as The Shirelles and The Mama's and the Papa's, and despite it's engaging melody, don't assume this is a Laura original. The track was penned by Ralph Bass and Lowman Pauling. The second number, 'Ooh Baby Baby' was written by Smokey Robinson, and 'Let It Be Me' (covered by artists as diverse as Bob Dylan and David Hasselhoff) is originally a French song from the 1950's. The three remaining tracks, representing nearly one-third of the setlist (and more than one-third of the total running time), give undue weight to Laura'a late-career productions. Conspicuously absent are selections from Laura's mid-career releases, 'Smile', 'Nested', and 'Mother's Spiritual', the latter two of which appear to be quagmired in legal limbo. Live releases could serve as a way to reintroduce some of this material, but that apparently wasn't a motivation in releasing this disc either. The last three tracks, all of which appear on 'The Loom's Desire', carry considerable political and philosophical weight, favoring women's and animal's rights, and so carry on Laura's favored crusades in her absence.

Aside from the brevity of the recording, and the lack of original material, the most obvious deficiency is the inability of the recording to pick up steam. Be prepared for a beautiful performance, but one that only comes close to bringing you out of your seat (to join our Japanese brethren in support of 'Wedding Bell Blues'). Five numbers are offered with Laura's three member harmony group (tracks one, four, five, nine, and ten), and while those perfomances are richer, they aren't necessarily more scintillating. In fact, the tracks that have some potential for establishing a burning presence, 'And When I Die' (which can be found on three of Laura's four solo-live recordings) and 'Save the Country' (a rare late-career performance) are offered in a subdued format.

If not for 'The Loom's Desire', 'Live In Japan' would help to fill a void in the Nyro catalog, but much of this has been done too many times before to consider the release anything but superfluous. If you're a rabid Laura Nyro fan who must have each and every recording the artist ever produced, then I suppose you'll have to run out and purchase this one. For the more casual fan, unless you absolutely must have that rare, quaint performance of 'Walk On By', ante up a few more George Washington's and cash in on the well-constructed, and well-anotated 'Loom's Desire'. The difference is fulfillment as opposed to wanting more. You can't argue against this one on its merits, but you can argue against it on what has come before. It merits four stars, based on Laura's irrepressible talent, but the fact is you can do better... far too easily.

This Title Is Actually Called "Live In Japan".......2003-05-30

That discrepancy aside, I've heard the whole concert from which this very affordable half-hour distillation is taken from, and these are indeed the best performances from that show. A great value for the buck and the opportunity to hear Laura at the piano alone and, on occasion, with three fine harmony vocalists. Gorgeous.

Average customer rating:

Surprisingly beautiful
Coltrane in Japan - Epic and Majestic.
LIVE IN JAPAN: epic live
Explorations from Coltrane's last band.
God Speaks Again!

Live in Japan
John Coltrane
Manufacturer: Grp Records
ProductGroup: Music
Binding: Audio CD

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My Favorite Things

Customer Reviews:

Surprisingly beautiful.......2006-07-12

I just bought a copy of Live in Japan, with admittedly some trepidation, not knowing whether I would be faced with abhorrent sound quality (Olatunji Concert), uninspired playing (Live at the Village Vanguard Again!), overly-intellectual music that I wouldn't understand (Interstellar Space) or complete [...] (Live in Seattle). When it comes to Coltrane's final years, it is best to be cautious.

Well, I was very surprised, in many ways. I have so far only listened to Disc 1 and Disc 4, but both have been a revelation.

From the beginning of 1966, Coltrane toured with a new band, the Second Quartet, featuring Garrison from his old band, drummer Rashied Ali, pianist Alice Coltrane, and (sometimes) Pharoah Sanders on tenor.

The new band caused outrage and controversy wherever they went. Stanley Crouch visited a Coltrane concert in 1966, and saw Coltrane and Sanders, both with tenor saxophones, just screaming at each other eternally. There were three people in the audience, including himself. Great saxophonist Dave Liebman was a teenager in 1966. He wandered into a Coltrane concert, and found himself confronted with a half hour version of My Favorite Things in which the band members chanted "Om Mani Padme Om" while shaking tambourines and hitting bells. Liebman says that, after the theme was stated once, there was literally nothing recogniseable - just screaming.

This period of Coltrane's music is puzzling even to many great musicians. It is doubly puzzling to us now, because almost no recordings were made by the band in 1966. During that year, for some reason, no recordings were made - not even bootlegs or radio broadcasts - except for the Village Vanguard performance, and two concerts recorded by Japanese radio in July 1966.
Coltrane and his band recorded an enormous amount in 1965 and 1967. The vital, controversial year of 1966 is a howling void.

I was unimpressed by Live at the Village Vanguard Again, which I regard as being supremely overrated. The version of "My Favorite Things" seemed sluggish, the soloes somtimes verging on the banal, and the band often lacking co-ordination. It was therefore with great interest that I bought these Japanese concerts.

I have been disappointed before with Coltrane concerts. "Live in Seattle" is still probably the Coltrane recording I dislike most. But I was hoping for something with the majesty and power of the Olatunji Concert. What I did not expect was wonderful peace and joy.

The Penguin Guide describes the version of My Favorite Things on this album as "the equivalent of bombing Nagasaki just days after laying waste to Hiroshima". It goes on to wonder as to the musical worth of "music as humourless and God-bothering as this".

I must say I found the opposite to be the case. Coltrane may not be a laugh a minute, but I found the atmosphere on this recording to be surprisingly cordial and light. Whereas you could justifiably call "Live in Seattle" humourless and God-bothering (as well as "trippy" and "blatantly inept") I found the Japanese concerts to completely change my view of Coltrane's later period.

After reading articles by eyewitnesses to Coltrane's 1966 style, I was expecting something harsher and weirder. Instead, we have here completely sane and engaging sample of music.

"Afro-Blue" begins with Coltrane playing the theme, as always, and launching on a three minute solo. Then Pharoah Sanders squawks, farts and quacks for ten minutes (I must say, I still cannot get used to Sanders' style at all). Alice Coltrane plays a rare solo after that; then Coltrane blows everything out of the water with a raging soprano solo that cuts up the tune in every way possible. At one stage he plays screeching, toneless phrases obviously inspired by Sanders, though with far more musical judgement. The atmosphere is fierce and bloody, but there is a certain classical tidiness to it, which is a stark contrast to the version on Live in Seattle, which I would rate the worst thing on that album.

"Peace on Earth" (written, of course, during the Vietnam War) is a stunningly beautiful theme I have never heard before. Coltrane's solo is heartfelt and a voice of protest in a world of violence. Sanders' solo after this is also surprisingly beautiful, thus showing that he can solo without screaming after all. A very beautiful performace.

"My Favorite Things" is, of course, a piece that Coltrane played every night. He played it even when he went avant garde. Coltrane starts off with alto-saxophone, an instrument he last played with Dizzy Gillespie in the 1940s. He takes full advantage of the horn, making it a pity he never played the instrument much. The sound takes advantage of the lighter sound of the horn, while the low-register honks show you what a soprano couldn't do. Pharoah Sanders' solo is again not worth talking about. Alice Coltrane then enters, playing the My Favorite Things theme in such a harmonically altered way that it is literally unrecogniseable unless you are actively listening for it. Then Coltrane comes in on soprano in a thrilling solo that always touches base with the atmosphere of the original. It is a world away from the tepid version from the Village Vamguard, and also from the ferocious version on Olatunji Concert.

The sound quality, by the way, is incredible. While it is mono, and there is too much tape hiss, the sound of the two horn players comes through stunningly clear and wonderful. The timbre of Coltrane's horn (especially his alto) is actually better here than on most Impulse recorded live stuff. It is certainly better than the echo-y sound from most of his European concerts. I dont know if the Japanese used better microphones, but there is a silky sound to the horns that I've not heard elsewhere.

Overall, the Live in Japan concerts (at least the two discs I've heard) are a surprisingly beautiful recording that should be more widely available. I would vote it as second only to Olatunji Concert in documenting this band live.

Coltrane in Japan - Epic and Majestic........2005-10-10

"Live In Japan" is a mammoth 4-disc set which documents John Coltrane's first and only concert tour in that country. The occasion took place in July 1966 (exactly one year before Coltrane's untimely death) and this was during the time in which Coltrane's music was at its most free-form, experimental and arguably most innovative. Coltrane's musician personnel had shifted as well. The previous year, drummer Elvin Jones and pianist McCoy Tyner had left and were replaced respectively by Rashied Ali and Coltrane's wife Alice. Also joining Coltrane is second saxophonist Pharoah Sanders who made his debut with the dynamic leader on the earth-shattering free-for-all "Ascension". Bassist Jimmy Garrison was the only long-term member of the ensemble to still be in Coltrane's group. Also of interest is the fact that these Japanese concerts find Coltrane (as well as Sanders) performing on alto sax in addition to the unsual tenor and soprano.
As for the music itself, it is loaded with fierce improvisational chops with the ensemble stretching the music to its outer limits. The idea of releasing an album of this material was not initially planned in 1966 so, Coltrane and his group of players took the music into an area of no boundaries or limits whatsoever. Although this set may take a few listens to fully digest, it doesn't take long before the listener is completely emmersed in the music.
Musical standouts in this 4-disc set are as follows:
Afro Blue: Pharoah Sanders' shrieking tenor solo and Coltrane's nearly 20-minute solo on soprano sax which closes the piece.
Peace on Earth (Version 1): Alice Coltrane's beautiful piano solo and John and Pharoah's tenor duet.
Crescent: Jimmy Garrison's extended bass introduction and another standout piano lead from Alice.
Peace on Earth (Version 2): Pharaoh's excellent alto sax spotlight.
Leo: Pharoah's ferocious alto solo, Rashied Ali's extended drum feature, John and Pharoah's catfighting alto duel.
My Favorite Things: Another great extended Garrison bass intro, John performing the melody on alto sax as well as an extended soprano solo in the middle, a flowing piano solo from Alice and another sax duel from John and Pharoah.
"Live In Japan" isn't recommended for a first-time Coltrane listener. However, this is definitely an essential purchase once you've studied his other musical periods and have made it to this, his final period of pure musical exploration. It also should be noted that all of the music in this set was recorded in mono. Despite this, the sound quality is excellent and every musician comes through sharp and clear.
This is late-period Coltrane at its very best!!!

LIVE IN JAPAN: epic live.......2005-09-21

an epic live event. John Coltrane in japan! this 4cd set is one of the most surprising and amazing live albums of all time. surprising in the fact of how controlled this band is. the music John was recording at this period in his creative life was far more turbulent than what is presented here in japan. alot of his more "out there" stuff would have been what i would have expected him to play if i was attending these concerts. now, there is plenty of wild playing...and some skronk here and there. but everyone sticks to some very tight and beautiful stylings...even Pharoah Sanders. wow. actually, Pharoah is a revelation on here. his playing is shockingly fluid and full of melody and grace. perhaps the eastern climate cooled everyone down a bit...or jetlag maybe? haha. well, whatever the reasons, there can be no denying that this is wonderful music. also great to hear Jimmy Garrison getting lots of extended solo time. his playing is astounding and quite creative. if i had to pick my favorite disc out of all these 4, i would have to go with disc 3. the combination of the serene "Peace On Earth" segway into the fiery "Leo" is the kind of magical music that will leave your jaw on the floor. unbelievable! Live In Japan deserves 5 stars and high recommendation. it stands the test of time as a further testament to Coltrane's power, beauty, genius, and eternal search for the higher plane. a document of perfection in mammoth proportions.

Explorations from Coltrane's last band........2005-04-04

Recorded over two nights in Tokyo, "Live in Japan" shows Coltrane's last band in full flight. Trane (on soprano, alto, and tenor saxaphones and percussion) is joined by Pharoah Sanders (on alto and tenor sax, bass clarinet, and percussion), Alice Coltrane (piano), Jimmy Garrison (bass), and Rashied Ali (drums). Often maligned as the successor to the much beloved "classic quartet" (with only Garrison left from that band), and for their largely exploratory nature, this is a band largely in transition-- they're finding each other, finding their places together, already some of the bonds are starting to show between the band members that would develop fully by the end of '66, but there's a looseness to these recordings that hadn't existed on a live Coltrane document that adds an interesting spice to the mix. Trane is quoted in the liner notes as stating that knowing you're being recorded tends to cause a tightening up, but he didn't know these shows were recorded, and if that's the result on other contemporary live recordings ("Live in the Village Vanguard Again!"), it shows when compared to this. There are two shows captured here, each is about two hours long and features three pieces.

Now mind you, you need to be ready for things like fourteen minute bass solos or twenty minute sax solos to be able to digest this stuff, and thats not for everyone-- considering that much of jazz was still in the three minute vein (and many of Trane's contemporaries were playing eight or nine minute pieces as extended), this may be a bit much, but there's a lot to hear on these.

Whats interesting is to see how far Coltrane is reaching with his playing, his solos (particularly on tenor, although he also solos on alto and soprano) have a quality of almost incompleteness to them as though he isn't quite where he wants to be yet-- comparing these to the urgency and power of his 1967 recordings, you get the impression that he found it then. But on extended solos on "Afro Blue" and "Crescent", Coltrane is looking. Joining him in this exploration is the mighty Pharoah Sanders, whose playinig is no doubt inspiring, check the alto solo on "Peace on Earth" for a good example of this. The rhythm section is also interesting, although the sound quality tends to force Garrison out when the other instruments get aggressive, he's already developed a rappport with Rashied Ali (who to my ears was a better partner for Trane's exploratory phase than Jones was-- and I've always felt that Trane sought his most sympathetic support from his drummers). Ali's playing is actually breathtaking, his stylistic developments after Elvin Jones left the band is pretty incredible. Coltrane's second wife, Alice, adds a unique touch to the piano-- also a harpist, there's a sparseness to her playing on this recording that I suspect comes from her harp background, that nicely offsets the density of Trane and Pharoah's playing.

The recordings are interesting, certainly worth hearing. Maybe not for everyone, but if you're a fan of Trane's later work, this is essential.

God Speaks Again!.......2005-03-31

You see, this time, it is through John Coltrane which is not surprising. Praise the Lord and thank him for creating the man named John.

Average customer rating:

Good evening, ladies and gentlemen, and welcome to the best show in town.
Man, this cooks!!!!!!!!!!!!!!!
GREAT LIVE ALBUM!!!!!!!!
The Ventures Knock Out Japan!
The ULTIMATE instrumental rock record

Live In Japan '65
The Ventures
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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The Ventures Play Telstar/Ventures in Space
The Ventures' Christmas Album
Simply the Best
The Ventures Play the Greatest Surfin' Hits of All Time
Surfing

ASIN: B000002TX2
Release Date: 1995-05-30

Tracks:

Introduction
The Cruel Sea (The Cruel Surf)
Penetration
Bulldog
I Feel Fine
Band Member Introductions
The House Of The Rising Sun
Out Of Limits
Slaughter On Tenth Avenue
Besame Mucho Twist
Love Potion No. 9
Walk Don't Run
When You Walk In The Room
Rap City
Wipe Out
The Ventures Medley:A. Walk-Don't Run; B. Lullaby Of The Leaves; C. Perfidia
The Lonely Bull
Telstar
Driving Guitars
Mariner #4
The Pink Panther Theme
Yellow Jacket
Apache
Pipeline
Surf Rider (Spudnik)
Journey To The Stars
Bumble Bee Twist (The Wasp). Rimsky-Korsakov's 'The Flight Of The Bumble Bee'
Diamond Head
Caravan

Amazon.com

Recorded at the peak of the band's '60s popularity, this album is a collection of previously unreleased live tracks from Japan, where the Ventures have been stars for nearly 40 years; instrumental rock transcends every language barrier. The 29 songs collected here represent a virtual live greatest-hits package, cut on ancient, Buddy Holly-vintage three-track tape machines, including: "Caravan," "Pipeline," "Slaughter on Tenth Avenue" and "Journey to the Stars." A cover of the Searchers' version of Jackie DeShannon's "When You Walk in the Room" is a generous tip of the hat to the British invasion groups who all but buried surf music in the mid-'60s. Fun, lo-fi and best of all--live Ventures! --Dave Provost

Customer Reviews:

Good evening, ladies and gentlemen, and welcome to the best show in town........2007-01-27

The Ventures, of course, are the most succesful instrumental rock group of all time. This CD features a live concert from the group's first tour of Japan in 1965. It's a very good concert, with the group performing some of their most popular songs. An odd thing about the concert is that most of the tunes are introduced by a Filipino MC, in both English and Japanese. But that doesn't really detract from the enjoyment of the CD.

Man, this cooks!!!!!!!!!!!!!!!.......2006-12-16

I'm always kinda leery about live recordings, but this one was hot! The Ventures LIVE in Japan in 1965! It's awesome! GET IT!

GREAT LIVE ALBUM!!!!!!!!.......2004-03-24

This album is loud, it rocks, and is very enjoyable to listen to. Every song is good. This album is a great live Rock preformance. If you buy it, you'll be satisfied. Even if your not a regular Ventures fan.

The Ventures Knock Out Japan!.......2003-08-05

I almost didnt buy this cd - I already had most of the Dolton/Liberty studio albums on CD/Vinyl and also the live "Ventures On Stage" album from 1965-6. I'm so glad I picked it up because this is one of the best recorded live performances of the 1960's and a true testiment to the greatness and importance of the Ventures. They have inspired so many musicans to learn guitar and this CD has 29 great reasons why.

The sound is punchy and super clean with plenty of stereo separation between the instruments (good for learning parts). About the only thing I didn't like is the intrusive Japanese announcements between each song. I wind up fast forwarding to get to the next song, and I wish they were edited out for us english speaking fans. But they were part of this historical performance.

Any fan of instrumental rock (including those uptight UK Shadows fans - Hank & Bruce couldnt rock this hard if they tried!) who thinks the Ventures wern't a great band in the early-mid 60's should pick this CD up because the group's performance is the hottest I have ever heard them. Many tracks surpass the studio versions. The group sounds like they were having a good time playing for the Japanese fans. No wonder why they have stayed loyal to the group for over 40 years!

The ULTIMATE instrumental rock record.......2002-08-21

This is as great as instrumental rock & roll gets. Much tougher (driving!) than their studio records, this features one of the greatest rock & roll bands of all time at their very best. Far and away the greatest drumming on any live rock & roll record ever made, Mel Taylor's ferocious, driving beat propels even the "slower" songs to the musical equivalent of a one-two punch to the gut. Additionally Nokie Edwards' lead guitar playing is nothing short of spectacular (Note: this isn't a surf record -- the sound is dry and even a little crunchy even on the surf numbers thanks to the Mosrite guitars -- GREAT guitar tone). The set starts out with unbelievable energy and actually picks up so much steam, by the set closer "Bumblebee Twist" 29 songs later they're truly on another plane. If the band's studio records are a little tame for your taste you'd do well to check this out -- one of the greatest and toughest live records you'll ever hear.

Average customer rating:

In honor of Sandy West and because The Runaways rock!
For Sandy West - this album rocks!
Buy This NOW!
On the Road...
The essense of rock!

Live in Japan
The Runaways
Manufacturer: Cherry Red UK
ProductGroup: Music
Binding: Audio CD

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The Runaways
Queens of Noise
And Now... The Runaways
Waitin' for the Night
Flaming Schoolgirls

ASIN: B0000DZGTZ
Release Date: 2004-01-23

Tracks:

Queens Of Noise
California Paradise
All Right You Guys
Wild Thing
Gettin Hot
Rock N Roll
You Drive Me Wild
Neon Angels On The Road To Ruin
I Wanna Be Where The Boys Are
Cherry Bomb
American Nights
Cmon

Album Details

Although by this Time the Runaways Had Lost Both Cherie Currie and Jackie Fox, it was by No Means Fatal as Joan Jett Took Over the Lead Vocals. With Snarling Vocals from Joan and in Your Face Rock Guitar from Lita Ford, this was a Fantastic Album from the Runaways. Tracks Like the Jaded `little Sister' and the Catchy `wait for Me' Proved There was Plenty of Life in the Girls Yet!! Critically Acclaimed but Never Receiving their Due, the Runaways were Formed in Hollywood in 1975, with the Help of Music Svengali / Producer Kim Fowley, Becoming the First all Female Rock and Roll Band to Actually Make an Impression on the Record Buying Public and Musicians Alike - Although More So Now Than Then! Respected in their Day by Bands Such as Blondie and the Ramones, and Now Cited as a Major Influence by Bands Such as Courtney Love, Bikini Kill, L7, the Donnas and Babes in Toyland the Runaways Time Has Finally Come!

Customer Reviews:

In honor of Sandy West and because The Runaways rock!.......2006-10-26

My review is in honor of Sandy West the drummer for The Runaways who passed away on October 21, 2006. I also have been a fan of The Runaways since they began. I grew up with them - have all their albums and still listen to their music. For me, it is the kind of music I can put on and instantly feel energized and alive. I love Queen's of Noise, California, American Nights and of course, Cherry Bomb from this cd.

For Sandy West - this album rocks!.......2006-10-24

My friend in the 70s, David Coston, had this album on Japanese import and I borrowed it all the time. It sounded so much bigger than the studio albums. I'm finally getting my own copy today, in loving memory of Sandy West, one of the great all-time rock drummers!

Buy This NOW!.......2006-03-07

After the horrible production of "The Runaways" & the HUGE improvement on the stellar "Queens Of Noise", the band released one of the best live albums ever made. A good amount of new material is featured here & it is all great (Gettin' Hot, I Wanna Be Where The Boys Are, C'Mon, All Right You Guys) and almost all of the songs from the first album are 100% better, especially "Rock N' Roll" & "American Nights". If you can track down the Live In Japan footage, buy it! All of the girls shine on this, but I give props to Jackie Fox first!

On the Road..........2005-02-22

After making two enourmous studio albums The Runaways give them fans what they wanted for: a live recording. I like this live album so much because it is simpel and doesn't have anything strange: intros, outros, interludes, guitar solos, or anything absolutely nonesense. They just play and sing songs: that's what the audiences wishes for. There's three songs from their second album, Queens of Noise ("Queens of Noise", "California Paradise", "Neon Angels on the Road to Ruin"), four from their debut album ("Rock-n-Roll", "You Drive Me Wild", "Cherry Bomb", "American Nights"), and five previously unreleased songs ("All Right You Guys", "Wild Thing", "Gettin' Hot", "I Wanna Be Where the Boys Are", "C'mon"). I think there should have been at least one more track from "Queens of Noise"...maybe "Midnight Music" or "Heartbeat" would have been good. I think the previously unreleased songs are good in this live concert, especially "Gettin' Hot" and "I Wanna Be Where the Boys Are". The sound quality is very good and feels like you actually would be there listening to them. I like when audience sing with them "Rock-n-Roll" in the beginning of the song: "It's Alright!". Cherie Currie never loses her touch with the audience.
Stars: Cherry Bomb, Queens of Noise, I Wanna Be Where the Boys Are, Rock-n-roll, Neon Angels on the Road to Ruin

The essense of rock!.......2005-01-11

Live in Japan by the Runaways is 1000% pure rock and roll.

There is nothing better.

Average customer rating:

Essential Blues Release
A CLASSIC RECORDING!
my oh my, this is seriously HOT stuff
Dare I Say.... Better Than Regal?
leave the cook county CD for some other schmuck

Live in Japan
B.B. King
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Blues Is King
Live in Cook County Jail
Live at the Regal
Blues on the Bayou
King Biscuit Flower Hour Presents B. B. King Live!

ASIN: B00000J2TK
Release Date: 1999-05-18

Tracks:

Every Day I Have The Blues
How Blue Can You Get?
Eyesight To The Blind
Niji Baby
You're Still My Woman
Chains And Things
Sweet Sixteen
Hummingbird
Darlin' You Know I Love You
Japanese Boogie
Jamming At Sankei Hall
The Thrill Is Gone
Hikari #88

Amazon.com

Recorded in 1971, but unreleased in the U.S. until 1999, B.B. King's Live in Japan deserves high marks for exuberance alone. Had Live in Cook County Jail not just jumped into the charts, this live album might have been released long ago. The recording opens with a swelling of enthusiastic cheers, as King launches into an uptempo "Every Day I Have the Blues." There are plenty of other classics here as well, including "How Blue Can You Get?", "Sweet Sixteen," and "The Thrill Is Gone" (which elicits another round of cheering from the opening notes). Live in Japan may not have the long-standing reputation of Cook County Jail or Live at the Regal, but it's an excellent album, with a decidedly different feel from these two classics. King's obvious enthusiasm for his music and for his audience is infectious, and you can hear the sheer joy of it in every note. And, for those who don't really feel that they need additional versions of well-known songs, let it be mentioned that Live in Japan contains King's only live rendition of "Hummingbird," not to mention a couple of unique jams ("Japanese Boogie," "Jamming at Sankei Hall," and "Hikari #88"). --Genevieve Williams

Customer Reviews:

Essential Blues Release.......2003-03-19

Even if you own "Live at the Regal", you can't go wrong picking this up. Just as "Miles In Tokyo" benefits from audience reception, so too does "Live In Japan". It really is that good.

There's an exhuberance on this recording that can rarely be found in live 'blues' albums. The band is spot-on, the solos are immaculate, and the recording is clear as a whistle. On top of that, it's a double-album worth of material, and none of it is filler.

A CLASSIC RECORDING!.......2002-06-28

This is vintage BB King complete with a band providing piano, trombone, trumpet and sax for that jazzy blues feel. Recorded live in 1971 at Sankei Hall, Tokyo, Japan the CD is fast moving and has an air of excitement surrounding it. In addition to the staples, "Every Day I Have The Blues", "How Blue Can You Get?", "The Thrill Is Gone" the disc contains some rarities such as "Niji Baby", "Japanese Boogie", "Jamming at Sankei Hall" and "Hikari #88". A fine performance from a living legend.

my oh my, this is seriously HOT stuff.......2002-03-25

Cook County Jail is considered a classic, with good reason. Live at the Regal is considered even more classic, with less reason (although it would be difficult to top the first few songs on that set). This set was bumped aside from American release by a busy schedule of B.B King records. But it blows away every B.B. King live record I've heard, including the classics. Don't know what it is about blues singers in Japan (Otis Rush also recorded a tremendous live set in Japan) but the audiences seem to elicit best performances. This disk sounds fabulous and B.B.'s singing is great, although not quite as great as his guitar playing. He plays all kinds of blues in all tempos and just nails 'Sweet Sixteen' and 'Thrill is Gone' (better than the very fine Cook County versions in both cases). Please try this disk out!

Dare I Say.... Better Than Regal?.......2001-10-10

Don't want to sound like an echo, but this album is a real treasure. Not enough banter? I'd rather hear the man play Lucille, & play he does... all over this disc, & than some. He's in absolutely fine form on this night, & there are some obscure gems on this set that will delight the BB King fan.

After having this disc for a few months... I ask myself if it isn't more enjoyable than the acclaimed Regal album. This album is THAT good. Highly, highly recommended!!

leave the cook county CD for some other schmuck.......2000-03-24

Being a blues guitarist from Memphis, I think I have a unique perspective of BB and his legacy. I will make this short. Buy this album, Live At the Regal, and Blues Is King. If you have more than that, you are a die hard fan, and need this CD anyway. It truly is wonderful. BB stretches out, and plays more than any other CD he has done. Truly inspired.

Average customer rating:

ideal live performance
*** Making the sonatas sing
A flawless recording
IMPOSSIBLE TO OVER-RATE!

Maisky & Argerich Live in Japan
Claude Debussy
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Mischa Maisky and Martha Argerich in Concert
Bach: Sonatas for Cello & Piano
Franz Schubert: Songs Without Words
Après un rêve
Meditation

ASIN: B00005ND48
Release Date: 2001-10-09

Tracks:

Applause
Son in g, Op.65: 1. Allegro Moderato
Son in g, Op.65: 2. Scherzo (Allegro Con Brio)
Son in g, Op.65: 3. Largo
Son in g, Op.65: 4. Finale. Allegro
Son in A: 1. Allegretto Moderato
Son in A: 2. Allegro - Quasi Lento - Tempo I
Son in A: 3. Recitativo-Fant. moderato
Son in A: 4. Allegretto Poco Mosso
Son in d: 1. Prologue. Lent
Son in d: 2. Ser. Moderement Anime
Son in d: 3. Finale. Anime
Polonaise Brillante Op.3: Intro. Lento
Polonaise Brillante Op.3: Alla Polacca. Allegro

Customer Reviews:

ideal live performance.......2005-03-08

Maisky knows how to turn himself as a saint. The entire recording is magic!

*** Making the sonatas sing.......2005-02-23

Maisky and Argerich complement each other well, and the musicianship is simply stunning. Maisky is miked and mixed perfectly, with his full, passionate sound balanced with Argerich's piano. I love Argerich's recordings as concerto soloist, so I was curious to hear her in an accompanist role. This is not your father's accompanist! Vibrant, masterful, the perfect choice for these sonatas with their rich piano parts.

But the best thing about this recording is the joy of the music making. At times even playful, but always seriously committed to the score -- these are two of our most visionary and accomplished soloists delivering warmly knit performances. I wouldn't call Maisky an overwhelmingly masculine cellist, and Argerich wouldn't make my top ten for a feminine approach to the piano. But there is a complementarity in the music making that suggests the complementarity of gender -- not gender, but a complementarity of the same power, the same tension, and the same joy. Well, I guess you will just have to listen to the recording, because I cannot describe it any better.

A flawless recording.......2003-06-27

I find this recording to be one of the most convincing recordings of the Chopin sonata I have heard. While I might disagree with some strange placement of rubato on Maisky's part, it is too hard not to be impressed with Martha's ability to feel it with him. The ensemble succeeds at matching each other in every way, lending a unified and organic feeling that make it hard to believe at times that this is a *live* recording. The acoustic quality is also outsanding, although you may wish it were not so good when Maisky's loud breathing and foot-tapping get out of hand (particularly in the Debussy).

Just when I was feeling that the earlier Argerich/Rostropovich recording of the Chopin was too sloppy and sonically out of balance, I picked up this recording and was amazed. Normally the 'cello ends up being overpowered by the piano, but not here. Due to the ensemble and the quality of recording, I would definitely consider this a "desert island disc."

IMPOSSIBLE TO OVER-RATE!.......2001-10-29

I usually don't bother to write reviews for Amazon, but this time, my excitment is too big. If you ever get the chance to listen to this CD, you'll see that the moment it starts playing, the magic begins. Every single work in this album is played with a great precision and every single note makes sense. Maisky and Argerich are so in tune with one another...A wide range of expressive capacity in display...ideal recording quality... And the encore piece is so free-flowing, so well articualted, so improviastion-like, that it gives us the ideal Chopin sound. In any case. To hear Argerich play Chopin is a real delight,enough of a reason by itself. In this case, the entire album is a delight and the fact that total playing time is almost 80 minutes is a cause for celebration. Really beautiful.
Bravo!

Music Review:

Music Review

music review

Music Review

Easy Filters [Import]

Historical Organs of Friuli

Kalanus

No Assembly Required [Hybrid SACD]

Love Songs [Import]

Jochy Sanchez & Carengue

Lifted Up: Songs of Faith, Love and Inspiration

Nowhere Fast [Explicit Lyrics]

Mestro [Import]

Jewish Tone Poems

Made in Sardinia

New Age Music: 20 Best of Jigs, Reels & Hornpipes of Ireland

Inspirations

In Touch

1. Thats What They All Say
2. Platinum Blonde
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4. Sweet 16
5. No Woman No Cry
6. Lunatic Fringe
7. Long Stem Rose
8. Discovering Japan
9. Dont Ask Me Questions
10. Watch The Moon Come Down (revisited)
11. Just Like Herman Hesse
12. Too Many Knots To Untangle
13. Chopsticks
14. Short Memories