Beethoven: Symphonies Nos. 5 & 8; Fidelio

On this CD:

1. Symphony No. 5 in C minor ("Fate") Op. 67
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Leonard Bernstein

2. Symphony No. 8 in F major, Op. 93
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Leonard Bernstein

3. Leonore Overture No. 3 in C major, Op. 72b
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Leonard Bernstein

Editorial Reviews
Amazon.com
Leave it to the powers that be at Deutsche Grammophon to home in on the one weak link in Leonard Bernstein's excellent Beethoven cycle and highlight it in a separate issue! The Fifth Symphony is one of those works that Bernstein understood almost too well--he seems determined to underline and italicize every important moment, and the result sounds a bit labored and generally lacks spontaneity. It's not bad, but it's not great either. The Eighth is tops, though. --David Hurwitz

Beethoven: Symphonies Nos. 5 & 8; Fidelio, Music, Ludwig van Beethoven, Leonard Bernstein, Wiener Philharmoniker, Classical, Classical Music, Orchestral, Romantic Overture for Orchestra, Romantic Symphony, Symphonic
Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra
Average customer rating: 4.5 out of 5 stars
  • Unsatisfactory audio quality
  • Kleiber does Beethoven...and does it right!
  • a legendary recording
  • Simply revelatory
  • An ultimate Beethoven interpretion of Sym 5 and Sym 7
Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001GPX
Release Date: 1996-01-23

Tracks:

  1. Symphony No. 5 In C Minor, Op. 67: 1 - Allegro con brio
  2. Symphonie No. 5 In C Minor, Op. 67: 2 - Andante con moto
  3. Symphonie No. 5 In C Minor, Op. 67: 3 - Allegro
  4. Symphonie No. 5 In C Minor, Op. 67: 4 - Allegro
  5. SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 1 - Poco sostenuto - vivace
  6. SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 2 - Allegretto
  7. SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 3 - Presto
  8. SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 4 - Allegro con brio

Amazon.com essential recording

Long regarded as the quintessential interpretation of the most popular and best-loved symphony ever written, this performance of the Fifth has everything: passion, precision, drama, lyric beauty, and a coiled fury in the first movement that sets your pulse racing from the very first note. Carlos Kleiber has made very few recordings in his distinguished career, but almost all are special. If you own no other copy of this symphony, this is the one to get. It comes with an exceptional performance of the Seventh--not quite as gripping as the Fifth, but definitely one of the great ones. There is classical music, and there are classic recordings of classical music. This one's a classic. -- David Hurwitz

Customer Reviews:

2 out of 5 stars Unsatisfactory audio quality.......2007-07-13

The performance is marred by the inferior audio quality. It seems that the engineers of this CD have not adequately limited the dynamic range, with the result that the loud passages are too loud and the soft passages are too soft. I found myself constantly adjusting the volume control. I have purchased other CDs from Deutsche Grammophon (e.g., the Brahms Symphony collection) and those CDs are fine.

5 out of 5 stars Kleiber does Beethoven...and does it right!.......2007-07-12

A terrific 5th!

This is the best rendition of Beethoven's 5th Symphony I've ever heard. It has a continuous pace and energy that I've seldom heard when listening to this piece before.

Beethoven's 5th has often described as "fate knocking at the door". Well Kleiber's interpretation still has fate knocking at the door, but urgently... very urgently, and with the utmost positive effect. (I somehow envision the musicians lathered in sweat and collapsing from fatigue at the end of this piece).

This disc also has Beethoven's 7th Symphony; it too is very well done and, on any other CD, would be the focal point of attention.

A great CD; one to be considered in anyone's collection of classical music.
5 Stars.

R. Nicholson

5 out of 5 stars a legendary recording.......2007-03-06

"For all Kleiber's notable work, there will be a lingering regret that such a natural and brilliant talent did not achieve even more." - The Guardian

Even Beethoven legends like Karajan could not emulate Kleiber's success with these 2 symphonies. The 5th Symphony, as commercially overplayed as it is, becomes something completely different under his baton; the final movement is especially dramatic, rivaling the energy of an actual live recording. The 7th Symphony is not so superior - other conductors have come closer to this benchmark - but the 2nd movement (again overplayed) is truly something special. The recording, made over 30 years ago, sounds just as good as anything made today.

With 100+ recordings, my review seems somewhat superfluous, as well :)

5 out of 5 stars Simply revelatory.......2007-02-12

To be able to generate such passion and electricity especially in the studio seems exactly what Beethovan wanted the music at the time. To me this version puts all other versions out of court.

5 out of 5 stars An ultimate Beethoven interpretion of Sym 5 and Sym 7.......2007-02-06

Carlos Kleiber who was relatively unknown until fairly recently, has created a masterpiece. In effect he has been rediscovered. His father was no mean figure in classical music during WWII in South America and the son seems to have inherited a great deal of inspirational genius from Dad. The Viena Philharmonic is playing in its best form. This recording will outlive most others for musical excellence, precision, feeling and soul. Technically and musically, this is by far the most thrilling recording of our time. The technical sound is flawless, the inspiration is impeccable.The recording of both symphonies sustains the level of awe and excitement not usually found on most recordings of Beethoven. Oh, dear, would that Carlos had recorded the Missa Solemnis and other iconic monuments by Beethoven.
Beethoven Collection: Symphonies Nos. 1-9, Complete Recording (Box Set)
Average customer rating: 4 out of 5 stars
  • Beethoven Collection
  • Amazing!
  • An excellent introduction to beethoven's symphonies.
  • Beethoven Collection
  • Top music!
Beethoven Collection: Symphonies Nos. 1-9, Complete Recording (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001VVY
Release Date: 1990-10-25

Tracks:

  1. Symphony No. 5 Op. 67 C Minor: Allegro con brio
  2. Symphony No. 5 Op. 67 C Minor: Andante con motto
  3. Symphony No. 5 Op. 67 C Minor: Scherzo - Allegro
  4. Symphony No. 5 Op. 67 C Minor: Finale - Allegro
  5. Symphony No. 4 Op. 60 B Flat Major: Adagio - Allegro vivace
  6. Symphony No. 4 Op. 60 B Flat Major: Adagio
  7. Symphony No. 4 Op. 60 B Flat Major: Menuetto, Allegro vivace Trio: un poco meno allegro
  8. Symphony No. 4 Op. 60 B Flat Major: Allegro ma non troppo

Tracks:

  1. Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Allegro con brio
  2. Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Marcia funebre. Adagio assai
  3. Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Scherzo-Allegro vivace
  4. Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Finale-Allegro molto
  5. Symphony No. 8 Op. 93 F Major: Allegro vivace e con brio
  6. Symphony No. 8 Op. 93 F Major: Allegretto scherzando
  7. Symphony No. 8 Op. 93 F Major: Tempo di menuetto
  8. Symphony No. 8 Op. 93 F Major: Allegro vivace

Tracks:

  1. Symphony No. 6 Op. 68 F Major: Allegro ma non troppo
  2. Symphony No. 6 Op. 68 F Major: Andante molto mosso
  3. Symphony No. 6 Op. 68 F Major: Allegro
  4. Symphony No. 6 Op. 68 F Major: Allegro
  5. Symphony No. 6 Op. 68 F Major: Allegretto
  6. Symphony No. 2 Op. 36 D Major: Adagio molto - Allegro con brio
  7. Symphony No. 2 Op. 36 D Major: Larghetto
  8. Symphony No. 2 Op. 36 D Major: Scherzo Allegro
  9. Symphony No. 2 Op. 36 D Major: Allegro molto

Tracks:

  1. Symphony No. 7 Op. 92 A Major: Poco sostenuto - vivace
  2. Symphony No. 7 Op. 92 A Major: Allegretto
  3. Symphony No. 7 Op. 92 A Major: Presto - Assai meno presto
  4. Symphony No. 7 Op. 92 A Major: Allegro con brio
  5. Symphony No. 1 Op. 21 C Major: Adagio molto - Allegro con brio
  6. Symphony No. 1 Op. 21 C Major: Andante cantabile con moto
  7. Symphony No. 1 Op. 21 C Major: Menuetto (Allegro molto e vivace)
  8. Symphony No. 1 Op. 21 C Major: Finale Adagio - Allegro molto e vivace

Tracks:

  1. Symphony No. 9 Op. 125 In D Minor: Allegro ma non troppo, un poco maestoso - Beethoven
  2. Symphony No. 9 Op. 125 In D Minor: Molto vivace - Beethoven
  3. Symphony No. 9 Op. 125 In D Minor: Adagio molto e cantabile - Beethoven
  4. Symphony No. 9 Op. 125 In D Minor: Presto - Allegro assai - Beethoven

Customer Reviews:

5 out of 5 stars Beethoven Collection.......2007-05-14

I just got this for my brother-in-law as a gift and he loves it!

5 out of 5 stars Amazing!.......2007-01-24

Having Beethoven's Symphonies in one, very affordable, set is heaven! The recordings are clear and crisp. Each symphony is truly a masterpiece from the very soft tones of the woodwinds to the thundering sounds of horns. It is amazing to listen to certain passages of Beethoven and realize the genius and otherworldliness of his talent.

5 out of 5 stars An excellent introduction to beethoven's symphonies........2007-01-11

The sound is excellent, and the musicianship and conducting is excellent.

5 out of 5 stars Beethoven Collection.......2006-07-23

Beethoven is my favorite composer. No matter how upset or tired I am, his music calms me down, just like a big, gentle hug.
But the cheap CDs have poor quality. And the good ones are too expensive for me. When I found this collection, with such a good price on Amazon.com, I couldn't believe it. Shortly after I purchased it, I received it. The quality is great. I am enjoying it. Thank you

Hoda

5 out of 5 stars Top music!.......2006-07-19

Everything else you can get over, but classical music like Beethoven is stuff you just can't get sick of. A whole collection of Beethoven's Symphonies for such a small price, Wow!. Classical music is so relaxing and peaceful that you can't go wrong with spending time chillin out to this pure classic. The symphonies are great but after this you've got to go get the sonata's etc and I guarantee you won't be dissapointed!

Think about it, they don't call it classical for nothing.
Beethoven's Wig, Vol. 2: More Sing-Along Symphonies
Average customer rating: 5 out of 5 stars
  • Greatest baby gift ever
  • Great for the whole family
  • More Great Fun
  • One is better but this is still awesome!! Gotta have it!
  • Absolute joy, and endless fun!
Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001I2C8O
Release Date: 2004-03-16

Tracks:

  1. Stuck In The Saddle Again (Light Cavalry March, Suppe)
  2. Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
  3. Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
  4. Musical Bs (Hungarian Dance #5, Brahms)
  5. Dont Play That Violin (Violin Concerto #2, Paganini)
  6. Schuberts Trout (Trout Quintet, Schubert)
  7. Dvorak The Czechoslovak (Humoresque #7, Dvorak)
  8. A Fan of Chopin (Prelude 7, Op. 28, Chopin)
  9. Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
  10. Its Spring! (Spring, from The Four Seasons, Vivaldi)
  11. Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
  12. Instrumental Performances:
  13. Light Cavalry March, Suppe
  14. La donna e mobile, from Rigoletto, Verdi (with vocals)
  15. In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
  16. Hungarian Dance #5, Brahms
  17. Violin Concerto #2, Paganini
  18. Trout Quintet, Schubert
  19. Humoresque #7, Dvorak
  20. Prelude 7, Op. 28, Chopin
  21. Blue Danube Waltz, Strauss
  22. Spring, from The Four Seasons, Vivaldi

Amazon.com

From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce

Customer Reviews:

5 out of 5 stars Greatest baby gift ever.......2007-03-15

Both of my grandchildren (and their parents and grandparents) are hooked on this CD and all of the silliness and beauty it brings into our lives. We sing to it, dance to it, and find ourselves thinking about it at odd times. Who can't love singing Verdi VERY LOUD? I've now started giving this as a simple baby gift, especially to those with older siblings. They are already equipped with clothing and nursery gear, and Beethoven's Wig invites the whole family to gather round...even if it is just on short car rides.

5 out of 5 stars Great for the whole family.......2007-01-04

My husband, 18 month old daughter and I all love this CD. It's a staple in the car. One caveat- these lyrics will get stuck in your head and I now find myself singing the "words" to these songs when I hear them in a store or commercial! I'm hoping this means my daughter will recognize these songs as she gets older.

5 out of 5 stars More Great Fun.......2006-03-13

Like the first volume, this CD encourages young children to enjoy classical music. The silly lyrics sometimes impart factual information on the composer or the piece. There are 11 sing-along symphonies and then the 11 symphonies are replayed without the lyrics--total of 22 tracks. Booklet with lyrics and trivia is included. All our children (aged 2-12) enjoy this CD, as do we.

5 out of 5 stars One is better but this is still awesome!! Gotta have it!.......2006-01-10

My children loved Beethovens Wig 1. I checked this one out at the library. Then, we decided we had to have this one too.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!

5 out of 5 stars Absolute joy, and endless fun!.......2005-11-15

The tunes and word stay with you and before you know it, you are signing them along. My two kids (ages 9 and 7) ask me to put the CD on as soon as we get into the car. What a wonderful and fun way to get them to love classical music!
Classical Music for People Who Hate Classical Music
Average customer rating: 3.5 out of 5 stars
  • CD set is misnamed
  • Do not Buy
  • Classical Music for People Who Hate Classical Music
  • Seek better versions
  • It Is What It Is
Classical Music for People Who Hate Classical Music

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  1. Best of the Millennium: Top 40 Classical Hits
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  4. The Most Relaxing Classical Album in the World...Ever!
  5. The Most Relaxing Classical Music in the Universe

ASIN: B000003QWH
Release Date: 1994-06-09

Tracks:

  1. Canon In D
  2. 'Brandenburg' Concerto No. 3: Allegro
  3. The Four Seasons - The Winter: Largo And Allegro
  4. Fanfare ('Masterpiece Theatre' Theme)
  5. Camerata Romana: Air For The 'G' String
  6. 'Eine kleine Nachtmusik': Allegro
  7. Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
  8. Introduction To Symphony No. 5
  9. 'William Tell' Overture: Finale
  10. 'Aida': Triumphal March
  11. On The Beautiful, Blue Danube Waltz
  12. 'The Nutcracker': Waltz Of The Flowers
  13. '1812' Overture: Finale

Tracks:

  1. Sabre Dance
  2. 'Light Cavalry' Overture: Finale
  3. Carmen: The Toreadors
  4. ' Midsummer Night's Dream': Wedding March
  5. Radetzky March
  6. Symphony No. 9, 'Choral': Finale
  7. 'Prince Igor': Polovstian Dance No. 17
  8. Jesu, Joy Of Man's Desiring
  9. Peer Gynt: Solveig's Song
  10. Sleepers, Wake
  11. Water Music: Hornpipe
  12. Symphony No. 9, 'From The New World': Largo
  13. Emperor Waltz
  14. 'Emperor' Quartet: St. Anthony's Chorale
  15. 'The Tales Of Hoffman': Barcarolle
  16. L'Arlesienne: Farandole
  17. 'The Nutcracker': Dance Of The Mirlitons
  18. 'The Nutcracker': Dance Of The Sugar-Plum Fairy
  19. 'Rhapsody In Blue': Highlight
  20. 'Orpheus In The Underworld': Can-Can

Tracks:

  1. Introduction To 'Also sprach Zarathustra'
  2. Symphony No. 4, 'Italian': Saltarello: Presto
  3. Piano Concerto No. 20: Romance
  4. 'The Valkyrie': Ride Of The Valkyries
  5. 'The Four Seasons' - The Spring: Allegro
  6. Toccata and Fugue
  7. Trumpet Voluntary
  8. 'Royal Fireworks Music': la rejouissance: Allegro
  9. 'Moonlight' Sonata: Adagio Sostenuto
  10. London Festival Orchestra: Overture To 'The Barber Of Seville'
  11. Piano Concerto No. 2: Adagio Sostenuto

Tracks:

  1. Carmina Burana: Introduction To 'Carmina Burana'
  2. Peer Gynt: Dawn From 'Peer Gynt'
  3. Lohengrin: Prelude To 'Lohengrin'
  4. 'Lieutenant Kije': Troika From 'Lieutenant Kije'
  5. Adiago For Strings
  6. 'Carmen': Habanera From 'Carmen'
  7. 'Double' Concerto: Allegro From 'Double' Concerto
  8. The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
  9. (Rondo) Alla Turca
  10. Xerxes: Largo From 'Xerxes'
  11. Symphony No. 5: Allegro vivace From Symphony No. 5
  12. 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
  13. Clair De Lune
  14. Bolero

Customer Reviews:

2 out of 5 stars CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

1 out of 5 stars Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

5 out of 5 stars Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

2 out of 5 stars Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

4 out of 5 stars It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Beethoven: Symphonies Nos. 5 & 6 [Hybrid SACD]
Average customer rating: 5 out of 5 stars
  • Comparing three classic Fifths--Karajan, Kleiber, and Bernstein
  • Brilliant!!!!!!!!!!!!!!!!!!!!!!!!!!!
Beethoven: Symphonies Nos. 5 & 6 [Hybrid SACD]

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven: Symphony No. 9 [Hybrid SACD]
  2. Beethoven: Symphonies Nos. 3 & 4 [Hybrid SACD]
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ASIN: B00029CWZU
Release Date: 2004-08-10

Customer Reviews:

5 out of 5 stars Comparing three classic Fifths--Karajan, Kleiber, and Bernstein.......2006-02-07

When Carlos Kleiber released his classic Beethoven Fifth in 1975 with the Vienna Phil., it made his reputation oernight, and the recording itself was greeted as a revelation. At the time I wondered if this was really true, since two older Fifths from the early Sixties, Karajan with the Berlin Phil. and Bernstein with the NY Phil., seemed quite wonderful already. Now I have the latest remastering of each, so I decided to sit down and compare them.

Sonics: The Kleiber recording was never one of DG's best--edgy, a bit thin, lacking in warmth. In its "Originals" reissue things are improved but not drastically so. However, neither Karajan nor Bernstein sounds appreciably better, the main difference being that these conductors asked for heavier weight in the lower part of te orchestra and were given wider stereo by the engineers. There is still some shrillness in the strings at loud volume on all three CDs. I would say that Karajan's latest SACD remastering gives him the edge. The trumpets at the beginning of the finale, for example, sound more exciting and easier on the ear.

Tempos: It's remarkable that all three ocnductors hear the Beethoven Fifth at the same tempo in every movement, within a few seconds of each other. (Karajan times out slower in the finale because he skips the exposition repeat, which Kleiber and Bernstien both take). The single exception is Bernstein's first mvoement, which at 8:30 takes a full minute longer than the other two and sounds stodgy by comparison (heard in isolation it comes off as measured and grand, an older tradition in this movement, except for the ever-fleet Toscanini).

Interpretation: Here is where Kleiber's reputation stands or falls. I think if I played these three recordings blind, the finales would be identical to any listener. Karajan's first movement is more propulsive than Kleiber's--a surprise since Kleiber was praised for finding new energy in this worn-out music. In the second movement, where Kleiber always seemed light and expressive, the other two are, also. The scherzos are more or less identical. Only Bernstein's measured first movement gives away his performance, although with careful listening, it emerges that Karajan's phrasing is a bit on the stiff side, while Kleiber;s orchestra seems a shade more alert and expressive.

In all, these are each performances to live with a long time. To me, it was surprising that Kleiber wasn't as revolutionary as I'd thought three decades ago. If it makes a difference, I once put five versions of the opening movement on a CD to see which was preferred by some friends in a blind listening test. The Kleiber easily won, so maybe there is something special here after all. Second place went to Reiner's great recording from the Fifties on RCA.

5 out of 5 stars Brilliant!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2005-08-08

This is as good as it gets. Superb performance and unbelievable sound. The 5th is right up there with the Carlos Kleiber version.
Once again - superb, beyond all expectations.
Beethoven: Symphonies Nos. 5 & 7
Average customer rating: 4.5 out of 5 stars
  • Moving
  • " A Revelation"
  • A Debut Recording For the Ages
  • Two Powerful Forces of Nature Soaring Above the Heavens
  • The flaming torch of the genius!
Beethoven: Symphonies Nos. 5 & 7

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000G6BJNA
Release Date: 2006-08-08

Tracks:

  1. Allegro Con Brio
  2. Andante Con Moto
  3. Allegro
  4. Allegro
  5. Poco Sostenuto - Vivace
  6. Allegretto
  7. Presto
  8. Allegro Con Brio

Amazon.com

In 2006, the 25-year-old Venezuelan Gustavo Dudamel's star on the international scene is rising fast, with prestigious conducting assignments and this CD of two of Beethoven's most-popular and often-recorded symphonies. It's a bold calling card for a label that has outstanding versions of these symphonies by the likes of von Karajan, Abbado, and Carlos Kleiber, among others. If Dudamel doesn't eclipse those or others atop the mountain of Beethoven symphony recordings, he gives fine performances brimming with vitality and excitement. His youth orchestra sounds as good as many better known ensembles, playing with spontaneity and technical expertise. Dudamel excels in painting vivid orchestral colors and lending rhythmic impetus to the fast movements of both symphonies, surely a prerequisite for conveying the power of the Fifth and the dancing rhythms of the Seventh. But he does tend to exaggerate dynamics, following powerful orchestral outbursts with barely audible solo or section passages. And his slow movements, while decently done, tend to lack flow and energy. Still, an impressive debut, heralding a welcome new face on the international conducting scene. --Dan Davis

Customer Reviews:

5 out of 5 stars Moving.......2007-06-27

Somehow this particular version moved me. Maybe I was not expecting much from it, but it has some undelying force in the music that really touched some fiber in me. And that I think is the signal of a great musical performance.

5 out of 5 stars " A Revelation".......2007-06-17

In these performances of Beethoven symphonies, ones already recorded earlier and frequently by the great orchestras of the world, up and coming conductor Gustavo Dudamel, leading something called the Simon Bolivar Youth Orchestra of Venezuela, nevertheless produces revelations of a sort. As if rubbing the familiar scores clean of the accumulated tarnish of the ordinary, he and his energetic group, largely made up of former street kids, clearly put into fresh and welcome prominence that revolution in sound dynamics Beethoven introduced into music. Whereas soft passages still have a Mozartian delicacy and dance-like grace, forte ones have a thrilling power and majesty new in Western music. The transition from the 3rd to 4th movement of the 5th symphony, where Dudamel produces a wonderful rise in sound from near inaudibility to joyful sonic grandeur, is especially illustrative in this regard.
Though the orchestra here may not be the world's most accomplished, its limitations pale into insignificance before its skill in communicating an obvious love of the music being played. While soft passages receive what can only be described as lingering, almost lover-like caresses, loud and spirited ones convey a ferocious passion and energy which take the breath away. These are performances not to be overlooked.

5 out of 5 stars A Debut Recording For the Ages.......2007-06-02

Does Sir Simon Rattle's comment count for anything about these stupendous performances? He said (of Dudamel and the Simon Bolivar Youth Orchestra of Venezuela) and I quote: "THIS IS THE MOST IMPORTANT THING HAPPENING IN CLASSICAL MUSIC ANYWHERE". Make that in music anywhere, period.

5 out of 5 stars Two Powerful Forces of Nature Soaring Above the Heavens.......2007-05-26

What an experience to behold: A beautiful, young powerhouse at the helm of an incredibly amazing orchestra of young people who are product of an equally impressive musical educational system. The other part of the equation that makes this recording even more sublime is that they are interpreting the music of Beethoven - his Symphonies 5 and 7. Gustavo Dudamel, THE MAESTRO OF THE 21ST CENTURY, commands every nuance, note to dance, cry, sing - to provoke and reach to the inner depths of the soul. The Simon Bolivar Youth Orchestra of Venezuela delivers each work with power, sensitivity with its exceptional form of musicianship and expression that leaves one yearning for more!!

Music is a healing potion designed to create joy and move the human spirit. As I listen to this recording, I am deeply reminded of the beauty and grandeur that creativity offers to make life a wonderful place in which to be a part.



5 out of 5 stars The flaming torch of the genius!.......2007-01-20


It' s very difficult for me to talk - as Venezuelan citizen - with meridian objectivity, about the stature and mercurial emotional power Dudamel confers to every score he conducts. He has been born with that ominous inner fire, in order to express with admirable eloquence, the oneness contained in the core of every Opus conducted by him.

The countless testimonials all around the world seem to confirm it. This prodigious and very young master of the baton (26) simply has no limits, so we will really hope and wish from him to lead us for unexplored roads into the enormous musical universe.

Bravo maestro!
Idiot's Guide to Classical Music
Average customer rating: 4.5 out of 5 stars
  • I can name that tune in three notes
  • A Fabulous CD
  • Mega-Sampler! This really does have 99 tracks!
  • Fun Sampler
  • Useful.
Idiot's Guide to Classical Music

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FPT
Release Date: 1995-02-14

Tracks:

  1. Adagio
  2. Air on the G String: Air on the G String, Excerpt
  3. Brandenburg Concerto: Third Movement, Excerpt
  4. Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
  5. Tocatta & Fugue: Excerpt
  6. Adagio for Strings: Excerpt
  7. Synphony No. 5: First Movement, Excerpt
  8. Symphony No. 9: Fourth Movement, Excerpt
  9. Fse: Excerpt
  10. Turkish March: Turkish March, Excerpt
  11. Moonlight Sonata: Excerpt
  12. Symphonie Fantastique: March Ot the Scaffold, Excerpt
  13. Damnation of Faust: Excerpt
  14. Carmen - Habanera: Habanera, Excerpt
  15. Toreador Song [From Carmen]
  16. Minuet: Minuet, Excerpt
  17. Prince Igor: Polovtsian Dance No 17, Excerpt
  18. Hungarian Dance No. 5: No 5, Excerpt
  19. Lullaby: No 4, Lullaby, Excerpt
  20. "Minute" Waltz: Excerpt
  21. Grande Valse Brillante: Excerpt
  22. Marche Fune: Marche Fune
  23. Appalachian Spring: Excerpt
  24. Fanfare for the Common Man: Excerpt
  25. Clair de Lune: Excerpt
  26. Prelude to the Afternoon: Excerpt
  27. Lakm Flower Duet: Flower Duet, Excerpt
  28. Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
  29. The Sorcerer's Apprentice: Excerpt
  30. Pomp & Circumstance: Excerpt
  31. El Amor Brujo
  32. Pavane: Excerpt
  33. Rhapsody in Blue: Excerpt
  34. American in Paris: Excerpt
  35. Funeral March of Marionette: Excerpt
  36. Piano Concerto in a Minor: Excerpt
  37. Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
  38. Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
  39. Water Music - Hornpipe: Hornpipe, Excerpt
  40. Symphony No. 94 "Surprise": Second Movement, Excerpt
  41. The Planets - Mars: Mars, Excerpt
  42. Sabre Dance: Sabre Dance, Excerpt
  43. Pagliacci: Vesti la Giubba, Excerpt
  44. Hungarian Rhapsody
  45. Liebestraum No. 3: No 3, Excerpt
  46. Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
  47. Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
  48. Symphony No. 4 "Italian": Fourth Movement, Excerpt
  49. Rondeau: No 1, Rondeau
  50. Piano Concerto No. 21: Andante, Excerpt
  51. Eine Kleine Nachtmusik: First Movement, Excerpt
  52. The Marriage of Figaro - Overture: Overture, Excerpt
  53. Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
  54. Symphony No. 40: First Movement, Excerpt
  55. Night on Bald Mountain: Excerpt
  56. Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
  57. Barcarolle: Barcarolle, Excerpt
  58. Orpheus in Hades - Theme II: Excerpt (Theme)
  59. Carmina Burana - O Fortuna: O Fortuna, Excerpt
  60. Canon: Canon, Excerpt
  61. Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
  62. Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
  63. Turandot - Nessun Dorma: Nessun Dorma, Excerpt
  64. Piano Concerto No. 2: Second Movement, Excerpt
  65. Symphony No. 2: Third Movement, Opening, Excerpt
  66. Rhapsody on a Theme: Variation 18, Excerpt
  67. Bolero
  68. Flight of the Bumblebee
  69. Concierto de Aranjuez - Adagio: Adagio, Excerpt
  70. The Barber of Seville - Overture: Excerpt
  71. The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
  72. William Tell Overture - Theme II: Excerpt
  73. Danse Macabre: Excerpt
  74. Gymnope No. 1
  75. Symphony N0. 8 "Unfinished": Excerpt
  76. Ave Maria: Excerpt
  77. Finlandia [Finale: Finale, Excerpt]
  78. Valse Triste: No 1, Valse Triste, Excerpt
  79. Stars & Stripes Forever: Excerpt
  80. Semper Fidelis: Excerpt
  81. Blue Danube Waltz: Excerpt
  82. Tales from the Vienna Woods: Excerpt
  83. Also Sprach Zarathustra: Fanfare, Excerpt
  84. Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
  85. The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
  86. Swan Lake - Waltz: Waltz, Excerpt
  87. Sleeping Beauty -: Waltz, Excerpt
  88. Romeo & Juliet - Theme II: Theme LL, Excerpt
  89. Piano Concerto No. 1 - Opening: Opening, Excerpt
  90. 1812 Overture - Finale: Finale, Excerpt
  91. Fantasia on "Greensleeves": Excerpt
  92. Alda - Grand March: Grand March, Excerpt
  93. Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
  94. Requiem - Dies Irae: Dies Irae, Excerpt
  95. Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
  96. The Four Seasons "Spring" - Allegro: Allegro, Excerpt
  97. The Four Season "Winter" - Largo: Largo, Excerpt
  98. Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
  99. Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt

Customer Reviews:

5 out of 5 stars I can name that tune in three notes.......2005-02-19

My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.

5 out of 5 stars A Fabulous CD.......2004-10-14

The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.

5 out of 5 stars Mega-Sampler! This really does have 99 tracks!.......2002-03-20

Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.

If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.

The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.

I can honestly say that this CD is a great gift for the friend who has everything.

5 out of 5 stars Fun Sampler.......2001-11-09

For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.

5 out of 5 stars Useful........1999-03-22

Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
Beethoven: Symphonies Nos. 1 & 5
Average customer rating: 5 out of 5 stars
  • Splendid, Swift Performances of Beethoven Symphonies 5 & 1 From Haitink, London Symphony Orchestra
Beethoven: Symphonies Nos. 1 & 5

Manufacturer: Lso Live UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B000I5YVJI
Release Date: 2006-11-14

Tracks:

  1. Allegro Con Brio
  2. Andante Con Moto
  3. Allegro
  4. Allegro
  5. Adagio Molto - Allegro Con Brio
  6. Andante Cantabile Con Moto
  7. Menuetto & Trio: Allegro Molto E Vivace
  8. Adagio - Allegro Molto E Vivace

Customer Reviews:

5 out of 5 stars Splendid, Swift Performances of Beethoven Symphonies 5 & 1 From Haitink, London Symphony Orchestra.......2007-05-04

This splendid CD contains two of the most memorable performances I have heard of either symphony - live or recorded - which were recorded by the LSO Live recording team during concerts held in late April 2006 at London's Barbican concert hall. They are also two of the swiftest interpretations I've heard of either symphony, but in a coupling I regard as quite unusual, since this CD opens with the titanic 5th symphony. Haitink's latest interpretation of the 5th Symphony is two minutes faster than Abbado's memorable Deutsche Grammophon recording with the Berliner Philharmoniker, and yet this isn't a rushed performance at all, but an intense, richly textured one replete with ample excellent playing from the strings, winds, brass and tympani (Purists may decry the fact that the well known opening notes of the 1st movement sound less like a ponderous declaration of an impending fate, and more like a brisk staccato announcement, but this, I believe, is an approach which Beethoven himself favored, and one presumably indicated by the late Jonathan Del Mar in his Barenreiter Edition score of this symphony.). Regardless, it is an outstanding recording not only for the superb playing by the London Symphony Orchestra, but it sounds like the best-balanced recording I've heard yet of this popular symphony. In Haitink's capable hands, Beethoven's 1st Symphony sounds less like a work firmly entrenched in the Classical milieu so firmly established by Beethoven's artistic mentors Haydn, and especially, Mozart, and more like one which carries the embryonic seeds of musical motifs which would find their full flowering in Beethoven's later symphonies, most notably the 3rd and 5th symphonies. Haitink's interpretation is among the swiftest I can think of, and one worthy of comparison to Abbado's (his Berliner Philharmoniker cycle) and Harnoncourt's revelatory accounts. There is ample warm, vibrant playing from all of the London Symphony Orchestra's sections, in a recording taken from live performances that is sonically better balanced than virtually any I have heard previously of this symphony. I strongly encourage those of you unfamiliar with Haitink's great Beethoven symphony cyle with the London Symphony to think of purchasing this CD and the rest of this set, preferably in its 6 disk hybrid SACD incarnation for optimal sound quality; regardless you'll be amazed with these excellent performances and the elegant sound quality of these recordings.
Liszt: Piano Transcriptions of Beethoven's Symphonies Nos. 5 & 6 (First Movement)
Average customer rating: 4.5 out of 5 stars
  • Non-believers may want to hesitate
  • SKIP THIS ONE, AND GET GOULD'S LISZT'S BEETHOVEN'S SIXTH INSTEAD...
  • One of the most pyramidal achievements of Mr Gould!
  • Does not compare to Cyprien Katsaris
  • Beethoven's Fifth for Piano Solo
Liszt: Piano Transcriptions of Beethoven's Symphonies Nos. 5 & 6 (First Movement)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000028NV
Release Date: 1992-10-13

Tracks:

  1. Symphony No. 5 In C Minor, Op. 67: I. Allegro con brio
  2. Symphony No. 5 In C Minor, Op. 67: II. Andante con moto
  3. Symphony No. 5 In C Minor, Op. 67: III. Allegro
  4. Symphony No. 5 In C Minor, Op. 67: IV. Allegro
  5. Symphony No. 6 In F Major, Op. 68: Awakening Of Cheerful Feelings Upon Arrival In The Country: Allegro ma non troppo

Amazon.com

None of Liszt's ingenuous Beethoven symphony transcriptions had been recorded when Glenn Gould charted virgin territory in 1967 with the Fifth. Not only does Gould take Liszt's prodigious technical demands in stride, he also turns in what may be his best Beethoven playing on record. The pianist brings a kind of rhythmic acuity to the outer movements that makes many orchestral versions seem tame in comparison, even those with faster tempos. Gould's genius for sustaining tension at slow tempos is fully revealed in the second movement, in which each phrase is timed to a T. The first movement of the Pastorale flows more assuredly and accurately than in Gould's CBC Radio performance of the entire transcription. It's a pity Gould abandoned his plans to record the entire cycle. --Jed Distler

Customer Reviews:

3 out of 5 stars Non-believers may want to hesitate.......2006-09-11

Arguing against Glenn Gould's eccentric choices of recording material is a guarantee of being scorched here at Amazon, but in all fairness, Beethoven's symphonies lose a great deal in piano transcription. The instrument cannot sustain a true legato, encompass orchestral power, mimic wooodwind and brass colors, etc. What we're left with when you erase all the orchestration is Gould's personal interpretation. I wondered if he would have brillinat or even just strange new ideas about the Fifth. He doesn't. this is basically a straightforward reading of the score, the way a conductor might play it at home to learn the work. For me, one listen was enough, but of course GG fans will strongly disagree.

5 out of 5 stars SKIP THIS ONE, AND GET GOULD'S LISZT'S BEETHOVEN'S SIXTH INSTEAD..........2006-04-14

Gould's Liszt's Beethoven's Fifth is a strange realization. I've been a GG fan--and a Beethoven fan--for over 30 years; still, I can't say I really like this recording. Again, Gould sees the piece as a gestalt--which is a good thing. The first movement he plays like the early Beethoven sonatas. He expands the time scale of the second movement, which is also a good thing. However, in the third movement GG seems a little fussy to me: but I hasten to add that I think this is Liszt's fault: I think Liszt's transcription is quirky. The last movement has those tremolos which Gould termed, "the worst excesses of Aunt Sadie at the upright [!]." One might imagine an old silent film accompaniment with the villan tieing the heroine to the railroad tracks: it's bathos at it's worst: hilarious. But Gould is just following Liszt's score.

Another critic says the first movement of B's Sixth is better than the whole gestalt GG did for CBC: WRONG! Lookit: my whole hearted recommendation is that art lovers obtain the whole recording of GG's B's Sixth instead of this recording. It's listed on Amazon as Glenn Gould Edition: Beethoven/Liszt ASIN: B0000028NW. That is the realization to get.

5 out of 5 stars One of the most pyramidal achievements of Mr Gould!.......2005-03-03

This record is simply a musical treasure. Glenn Gould made a glorious and breathtaking performance of this score, maintaining an expressive lyricism, and idiomatic approach about this hard to play transcription. Gould knew to express the inner tensions and the force of this quintessential Symphony. You won't miss the original version for whole orchestra.

A sublime masterwork which proved again the huge loss that meant for all the world the early vanishing of this giant keyboardist.

In memoriam: 1932-1982.

3 out of 5 stars Does not compare to Cyprien Katsaris.......2004-05-09

I've heard several performances of Beethoven's Symphonies on piano. The performances by Cyprien Katsaris are far superior to Glenn Gould's. Katsaris closely follows the original score by Beethoven, takes the repeats, and plays at the proper tempo consistently. Gould hums, plays too slowly and never takes repeats.

Comparing the 5th Symphony between Gould and Katsaris, it's easy to hear vast differences. Throughout the symphony, Katsaris plays with passion, excitement and tension. He adds notes left out by Liszt (and Gould) and he takes the repeats (often playing them the "ossia"). The symphony is much more entertaining and accurately played by Katsaris. The final movement by Gould is slow and almost boring. While Katsaris performs it quickly and precisely.

Overall Katsaris adds notes for instruments Liszt left out for all 9 Symphonies and is much more accurate than any other performance I've ever heard. I highly recommend Cyprien Katsaris over anyone else for Beethoven's Symphonies.

5 out of 5 stars Beethoven's Fifth for Piano Solo.......2002-01-19

This CD is top-rate. The recording quality is excellent. Some piano recordings can sound distant--not this one. You feel like you're standing next to the piano. Glenn Gould plays Beethoven's Fifth Symphony with flawless virtuosity, and he stays true to the symphony. The piano arrangement by Liszt captures the symphony's message, and you will want to turn up the volume and listen to every note. If you like Beethoven's Fifth and you like solo piano, this CD is a winner. Note that only the first movement of the Sixth Symphony is on this CD.
Beethoven: Symphonies Nos. 5 & 7
Average customer rating: 4.5 out of 5 stars
  • Musical value: 100 percent; Sound upgrade: 100 percent
  • Warning to audiophiles: it's 96/24 PCM
  • Absolutely glorious
  • The Legacy of a Genius
  • 4 1/2 stars Very High Resolution
Beethoven: Symphonies Nos. 5 & 7
Beethoven , Vpo , and Kleiber
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
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ASIN: B00007KMOX
Release Date: 2003-05-13

Tracks:

  1. Allegro Con Brio
  2. Andante Con Moto
  3. Allegro
  4. Allegro
  5. Poco Sostenuto- Vivace
  6. Allegretto
  7. Presto
  8. Allegro Con Brio

Customer Reviews:

5 out of 5 stars Musical value: 100 percent; Sound upgrade: 100 percent.......2006-05-16

Here is the return of one of classical music's most revered recordings in sound that makes it competitive with everything recorded today. I don't subscribe to the audiophile warning given elsewhere on this page, for this recording sounds every bit as good as 2005 first editions recorded with DSD technology.

The current reissue is, for SACD, reproduced in five-channel SurroundSound with three distinct front channels and two rear surround channels. The sonic picture is at least 100 percent improved from the 30-year-old original with the greatest improvement in the mid ranges affecting timpani, bassoon and other lower instruments. The mid range improvement also helps the Vienna Philharmonic horns sound even more glorious than they were on the stereo edition.

Musically, this CD has been hailed as one of the greatest Beethoven recordings in history from the day it arrived in 1976. It is still one of the great recordings available of these two titanic symphonies and the sound improvement makes it a clear first choice for the Symphony No. 5. Many people were always put off by Kleinber's perhaps too direct approach to the Symphony No. 7 and nothing here will mute that criticism.

If you want an upgrade in this music or just want to sample the marvel known as SACD, this recording fits the bill. The upgrade from the three decade old original is wonderful and all the original intensity of attack is maintained. Even if you are more interested in technology than musical content, there is no reason to hesitate.

3 out of 5 stars Warning to audiophiles: it's 96/24 PCM.......2005-04-20

While the 5:1 SACD sound is better than any CD, it is only incrementally better. After noticing the lack of "breath" and "space" in the sound, a staleness in the strings. I checked the liner notes, and sure enough, the sound passed through a 96KHz, 24 bit pulse code modulation (PCM) bottleneck during remastering. I buy SACDs for one reason: to get DSD sound, and frankly, I feel ripped off again. Numerous other SACD/DSD discs are 96/24PCM, and sound like hell --- the Lindsay Beethoven op. 130, Hillary Hahn's SACDs, Alison Krauss, Mozart with Manze. Philips and Sony had better change their licensing of the DSD/SACD mark to stop the brand dilution by PCM mastering. You want to hear real DSD sound? Get Mozart's Requiem with Harnoncourt, or Mozart with Midori. Once you've heard real DSD, you can spot 96/24 PCM every time. I won't buy SACDs anymore unless I can verify they are PCM-free.

5 out of 5 stars Absolutely glorious.......2004-08-02

To those in the know, this performance needs no introduction. To newcomers, get it now! Like all Kleiber's recordings, the performance is full of unique touches that heighten one's appreciation for the work.
The SACD incarnation is incredible - the multi channel is exquisite. The sound stage is very detailed - you'll find yourself looking around the room at where the orchestral sections would be positioned.

5 out of 5 stars The Legacy of a Genius.......2004-07-20

Carlos Kleiber, who died aged 74 on July 13th 2004, was the most exciting and frustrating conductor. An acknowledged genius, admired to the point of reverence by such different personalities as Herbert von Karajan and Claudio Abbado, whenever he lifted his baton (which happened rarely enough, no matter what he was promised - unlimited rehearsals, any ammount of money), something greater than music happened.

Even more rarely did he venture into the recording studio. Again: whenever he did, something special came about. His legendary recording of the 5th (and also the 7th) is almost unanimously considered the greatest 5th ever recorded. All others must be meassured by it, none pass this test. Kleiber 'did' rhythm as well and better than, say, Mengelberg - his grasp on texture was firmer even than Karajan's - his sense of musical architecture exceeds that of Karl Bohm. No conductor had his uncanny ability to end a piece. The shy, gratutiously difficult, perhaps somewhat autistic, sometimes abbrasive, sometimes witty Kleiber, never recorded a work that could not feasibly be the best recording of the particular piece he chose (his repertoire was painfully narrow - LvB 5th, Brahms 2nd, Schubert 3rd, Tristan, La Traviata, Der Rosenkavalier, Die Fledermaus...).

None, however, have reached the undisputed status of this one. In its third life as a SACD, it will continue to outshine, outsell, outlive all other rivals. Forget 'historically informed', forget discussions about tempo... under Kleiber this work is everything you can imagine it to be, and all along it will always sound 'just right'. Never forced, never wilful, there is not a hint of 'interpretation' - just music at its most frightening, at its most beautiful, lyrical...

Enjoy!

4 out of 5 stars 4 1/2 stars Very High Resolution.......2003-08-11

I've only listened to this SACD once. (Played on a SACD player, obviously.)
The sound is excellent. Very low-level details are crystal clear. I like the performance, too. Kleiber seems to like to accentuate little trail-offs and asides that other conductors just throw away. The brass section sounds phenomenal. The pace is just right. In some places, the balance seems a wee bit on the bright side with not quite enough bass, though this may have to do with the headphones I was using.

Music Review:

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  4. Brahms Paganini Variations, Op.35/Liszt Grandes Etudes de Paganini
  5. Brahms/Scriabin/Prokofieff for Clarinet
  6. Brahms: Tragic Overture, Op.81/Symphony No.2
  7. Bread & Wine
  8. Calendrier Gregorien
  9. Chapelet Chante / 10 Cantiques a Notre-Dame
  10. Clidat Plays Liszt

Music Review

music review

Music Review

Test Four [Import]

Amelia Piano Trio "Live"

30 Exitos: Arias de Opera

Bunks Brass Band & Dance Band

A.J. Croce

15 Exitos

Acappella: The Collection

All That You Can't Leave Behind

01 Bytes 10 Cordas [Import]

A. Scarlatti - Il primo omicidio overo Cain / B. Fink · Oddone · Röschmann · R. Croft · Abete · Jacobs

1945-1946

#1 [Import]

24 All Time Funk Anthems [Import]

America's Favorite Inspirational Songs & Artists

Insights