Trios 1 & 2

On this CD:

1. Piano Trio No. 1 in D minor, Op. 49
Composed by Felix Mendelssohn
Performed by Daniel Epstein, Raphael Trio, Susan Salm, Charles Castelman

2. Piano Trio No. 2 in C minor, Op. 66
Composed by Felix Mendelssohn
Performed by Daniel Epstein, Raphael Trio, Susan Salm, Charles Castelman

Tracks:

Piano Quintet In E-flat, Op. 44: Allegro brillante
Piano Quintet In E-flat, Op. 44: In modo d'una marcia. Un poco largamente
Piano Quintet In E-flat, Op. 44: Scherzo. Molto vivace
Piano Quintet In E-flat, Op. 44: Allegro, ma non troppo
Piano Quartet In E-flat, Op. 47: Sostenuto assai - Allegro ma non troppo
Piano Quartet In E-flat, Op. 47: Scherzo. Molto vivace
Piano Quartet In E-flat, Op. 47: Andante cantabile
Piano Quartet In E-flat, Op. 47: Finale. Vivace
Piano Trio No. 1 In D Minor, Op. 63: Mit Energie und Leidenschaft
Piano Trio No. 1 In D Minor, Op. 63: Lebhaft, doch nicht zu rasch

Tracks:

Piano Trio No. 1 In D Minor, Op. 63: Langsam, mit inniger Empfindung
Piano Trio No. 1 In D Minor, Op. 63: Mit Feuer
Piano Trio No. 2 In F, Op. 80: Sehr lebhaft
Piano Trio No. 2 In F, Op. 80: Mit innigem Ausdruck
Piano Trio No. 2 In F, Op. 80: In massiger Bewegung
Piano Trio No. 2 In F, Op. 80: Nicht zu rasch
Piano Trio No. 3 In G Minor, Op. 110: Bewegt, doch nicht zu rasch
Piano Trio No. 3 In G Minor, Op. 110: Ziemlich langsam
Piano Trio No. 3 In G Minor, Op. 110: Rasch
Piano Trio No. 3 In G Minor, Op. 110: Kraftig, mit Humor

Amazon.com

This two-CD set, offering Schumann's groundbreaking Piano Quintet, the Piano Quartet, and the three piano trios, is an exceptional bargain. The approach of the Beaux Arts players and their associates is essentially reflective: they let the music speak for itself and avoid the rhetorical excesses other interpreters often fall victim to. In their hands the quintet, one of Schumann's most inspired creations, receives an especially polished and poised performance, with a lovely dovetailing of voices. The analog recordings are warm and detailed, and they have been optimally transferred to CD. --Ted Libbey

Customer Reviews:

holy smoke........2007-04-17

now i'm just a big dummy. i really am. but somehow classical music got through my thick skull and into my heart. so glad that it did. these recordings from 1975 by the beaux arts trio are spectacular works of chamber music. mr schumann's compositions are given a vibrantly intense and dramatic going over by these great musicians. soul-stirring stuff in every way. this is the sound of a musical springtime, all green invention and sunshine for the spirit. the violin, cello, and piano tunnel through the music, unearthing and displaying its potential and grace. i listened to the entire two hours and twenty minutes of glorious music that's on these discs this morning, and it was a great experience indeed. i highly highly recommend this set to any and all music lovers. this whole affair is a masterpiece of grand compositions in the hands of brilliant performers.

A linkage between the past and the modernism!.......2006-11-28

If Goethe's Werther was the prototype of the Romantic hero per excellence, inflaming the imagination and creativeness of newcomer artists, I guess the legitimate Ambassador in the music, had its embodiment around the egregious figure of Robert Schumann. No other composer in the history of the music has embraced new genres and styles with as much febrile intensity, uncertainty but at the same time with as much determination as did Schumann. The remarkable fact he had composed 138 songs in just one year, supports with striking stubbornness he blended music and poetry; despite of the fact his enormous knowledge of literature. Of course the main pivot for his incursions in the chamber music were his passionate analysis around Beethoven's late Quartets. His immense devotion for the chamber music was in visible counter flow with the tendencies of the New German School. He was aware about the dissolution of the piano as protagonist instrument ( just think in Busoni `s Piano concerto, for instance) and in this sense he consecrated all his efforts to preserve and defend the power of expression of the noblest instrument.

On the other hand, the set of Trios surmounted the well known Op. 54's Piano Concerto. That reveals a very careful design in the tonal architecture, interlinking parts and polyphonal material which points to the future and Brahms securely had to have discussed this issue with his friend.
Such emblematic attitude made that composers such Mahler and Schoenberg were so influenced due its modernist projections.

The second is by far, the most romantic of the set with Schubertian reminiscences try to realize th far echoes of the last movement of Cesar Franck's Sonata for violin in the third movement of this trio, while the last one is evidently as we expected the most futurist of the three; and you certainly may find seminal seeds for modern age and the Viennese school of the early ages of the XX Century.

So, consider a wise acquisition to have these distinguished and refined Trios because reflect fundamental works that far to be transitional were the most perfect linkage between the dying Romanticism and the arousing musical modernism and illustrates wisely that smart statement of Octavio Paz: "The past is function of the future. The will of future makes the dead bodies stand and puts order in its works..."

great deal.......2005-10-12

These are well-played and well-recorded versions of these pieces. The price is also right.
Personally I found Schumann's compositions excessively mercurial at times but that's my problem. If you like him this should'nt be missed.

Excellent performances, superb value.......2002-04-07

This collection of Schumann's piano trios, Op. 47 piano quartet, and Op. 44 piano quintet is excellent, epsecially since it's offered at Philips' Duo (2-for-1 price). Having recently performed the piano quartet and quintet, I can say that the Beaux Arts Trio brings much finesse, refinement, and superb musical judgment to these performances. The famous Quintet gets an oustanding performance, not as volatile as the live EMI recording led by Martha Argerich, but then without that recording's self-indulgence either. I think the piano quartet is underrated; it has a absolutely beautiful slow movement and an exhilarating last movement filled with counterpoint. The Beaux Arts gives it an excellent performance, though the slow movement seems rather too ponderous and lacking the radiance it should have. The piano trios aren't as well known: they come from later in Schumann's career and are often considered inferior to the earlier works. I cannot agree, especially in the case of the first two trios, which cotrast beautifully, the first one passionate and tragic, the second one lighter and fresher, almost Schubertian, both with beautiful slow movements. The snag is that the first trio is split between the two discs, which is an inconvenience. Very good sound, too. By the way, if you enjoy the trios, you should also check out the Florestan Trio's two outstanding discs on Hyperion (one with the first two trios, the other with the Piano Quartet, the third trio, and the Op. 88 Fantasiestücke for piano trio). The Florestan's performances are perhaps more imaginative than the Beaux Arts', and they are even better recorded.

Not just for chamber musik freaks! This is Schumann's best........1999-10-09

This 2 CD set offers an extraoardinary bargain. Five works by the underrated German master are heard in incisive performances that only occaisionally succumb to the usual pitfall of many Schumann performances: Zu Viel Schmaltz. When Robert indulged in self-pity, he bathed in it! (especially when he was "Eusebius").... The sound overall is consistent and adequate, although some selections are remastered from analog. Many people have said, "Why couldn't Schumann write a truly great symphony?" He did---the Eb Quintett, op. 44. If you love romantic period chambermusic, you should not miss this collection. This is more than two hours of great music...

Daniel Barenboim, Pinchas Zukerman & Jacqueline du Pré - Beethoven: Piano Trios

Average customer rating:

Enraptured and inspired recordings!
A Treasure!!!

Daniel Barenboim, Pinchas Zukerman & Jacqueline du Pré - Beethoven: Piano Trios
Ludwig van Beethoven , Jacqueline du Pré , Pinchas Zukerman , and Daniel Barenboim
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002S12
Release Date: 1989-06-06

Tracks:

Piano Trio In E Flat Op. 1 No. 1: I. Allegro
Piano Trio In E Flat Op. 1 No. 1: II. Adagio cantabile
Piano Trio In E Flat Op. 1 No. 1: III. Scherzo (Allegro assai) & Trio
Piano Trio In E Flat Op. 1 No. 1: IV. Finale (Presto)
Piano Trio In G Op. 1 No. 2: I. Adagio - Allegro vivace
Piano Trio In G Op. 1 No. 2: II. Largo con espressione
Piano Trio In G Op. 1 No. 2: III. Scherzo (Allegro) & Trio
Piano Trio In G Op. 1 No. 2: IV. Finale (Presto)
Fourteen Variations In E Flat Op. 44

Tracks:

Piano Trio In C Minor Op. 1 No. 3: I. Allegro con brio
Piano Trio In C Minor Op. 1 No. 3: II. Andante cantabile con variazioni
Piano Trio In C Minor Op. 1 No. 3: III. Menuetto (Quasi allegro) & Trio
Piano Trio In C Minor Op. 1 No. 3: IV. Finale (Prestissimo)
Piano Trio In B Flat Archduke Op. 97: I. Allegro moderato
Piano Trio In B Flat Archduke Op. 97: II. Scherzo (Allegro) & Trio
Piano Trio In B Flat Archduke Op. 97: III. Andante cantabile ma pero con moto
Piano Trio In B Flat Archduke Op. 97: IV. Allegro moderato
Allegretto In B Flat WoO 39
Allegretto In E Flat Hess 48

Tracks:

Piano Trio In D 'Ghost' Op. 70 No. 1: I. Allegro vivace e con brio
Piano Trio In D 'Ghost' Op. 70 No. 1: II. Largo assai ed espressivo
Piano Trio In D 'Ghost' Op. 70 No. 1: III. Presto
Piano Trio In E Flat Op. 70 No 2: I. Poco sostenuto - Allegro ma non troppo
Piano Trio In E Flat Op. 70 No 2: II. Allegretto
Piano Trio In E Flat Op. 70 No 2: III. Allegretto ma non troppo
Piano Trio In E Flat Op. 70 No 2: IV. Finale (Allegro)
Ten Variations On Mueller's Song 'Ich bin der Scneider Kakadu' Op. 121a

Customer Reviews:

Enraptured and inspired recordings!.......2006-09-08

This set of Beethoven' s piano trios has overly been one of the most famed in the late sixties. The inspired and magnificent musical chemistry among these three soloists was of first-rate class. On one hand you should be aware the fabulous rapport between Mrs. Dupre and his husband Mr. Barenboim in the set of cello sonatas; on the other hand Pinchas Zukerman and Barenboim recorded too some Beethoven 's violin sonatas; so it's not easy to understand the positive vibes.

It should be underlined we are talking interpretative freshness, and that youthful breadth among this ensemble that hardly, adding all his ages, would be under the 100 years. If you are seeking for definitive versions, go for the set of Kempff, Szerying and Fournier, but this is a very wise option.

A Treasure!!!.......2006-05-03

It would take a long, long time to write all that could be written about this historic CD. Here, you have three of the best musicians ever in their respective fields playing some of Beethoven's very best music. I now have a large classical music collection. This CD is one of the gemstones of my collection. I love it. Reference grade.

Average customer rating:

A constant companion
Haunting
Very nice
TWV numbers incorrect
Agreeable Baroque listening

Telemann: The Six Paris Quartets

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B00004TQQX
Release Date: 2000-10-10

Tracks:

Quatuor No. 1 in D Major: I. Prelude: Vivement
Quatuor No. 1 in D Major: II. Tendrement
Quatuor No. 1 in D Major: III. Vite
Quatuor No. 1 in D Major: IV. Gaiement
Quatuor No. 1 in D Major: V. Moderement
Quatuor No. 1 in D Major: VI. Vite
Quatuor No. 2 in A Minor: I. Allegrement
Quatuor No. 2 in A Minor: II. Flatteusement
Quatuor No. 2 in A Minor: III. Legerement
Quatuor No. 2 in A Minor: IV. Un peu vivement
Quatuor No. 2 in A Minor: V. Vite
Quatuor No. 2 in A Minor: VI. Coulant
Quatuor No. 3 in G Major: I. Prelude
Quatuor No. 3 in G Major: II. Legerement
Quatuor No. 3 in G Major: III. Gracieusement
Quatuor No. 3 in G Major: IV. Vite
Quatuor No. 3 in G Major: V. Modere
Quatuor No. 3 in G Major: Vi. Gai
Quatuor No. 3 in G Major: VII. Lentement

Tracks:

Quatuor No. 4 in B Minor: I. Prelude
Quatuor No. 4 in B Minor: II. Coulant
Quatuor No. 4 in B Minor: III. Gai
Quatuor No. 4 in B Minor: IV. Vite
Quatuor No. 4 in B Minor: V. Triste
Quatuor No. 4 in B Minor: VI. Menuet
Quatuor No. 5 in A Major: I. Prelude: Vivement
Quatuor No. 5 in A Major: II. Gai
Quatuor No. 5 in A Major: III. Modere
Quatuor No. 5 in A Major: IV. Modere
Quatuor No. 5 in A Major: V. Pas vite
Quatuor No. 6 in E Minor: I. Prelude
Quatuor No. 6 in E Minor: II. Gai
Quatuor No. 6 in E Minor: III. Vite
Quatuor No. 6 in E Minor: IV. Gracieusement
Quatuor No. 6 in E Minor: V. Distrait
Quatuor No. 6 in E Minor: VI. Modere

Customer Reviews:

A constant companion.......2007-06-11

We purchased this CD a little while back. The enjoyment is has afforded us since then has made it a constant companion. It is always handy, and often playing in the evenings.

Haunting.......2006-04-14

This is NOW the album that is running thru my mind. I love it, such a unique blending of instruments. It sometimes has the feel of new age music, (of course, it was) very haunting and ethereal. Quatuor #2 in A Minor VI coulant....wow, I play this over and over. I now love Teleman and am looking for more. If you like something different try this!

Very nice.......2006-02-05

Some info I didn't know about this cd till I bought it:

Wilbert Hazelzet: Flute
Monica Huggett: Violin
Sarah Cunningham: Viola de Gamba
Gary Cooper: Harpsichord (on pieces 1, 5)
Mitzi Meyerson: Harpsichord (pieces 2,3,4,6)

2 cds, 17 pieces

I was afraid the harpsichord would get in the way of the strings, but no it doesn't. And the flute is wonderful.

TWV numbers incorrect.......2004-12-10

Don't trust the TWV numbers in the "On this CD" section.

I compared titles of the movements of each piece with those listed in the TWV catalog web page at

I think the correct TWV numbers are, in order:

TWV 43:D 3 (not D 2)
TWV 43:a 2
TWV 43:G 4
TWV 43:h 2 (not g1)
TWV 43:A 3 (not e1)
TWV 43:e 4

Agreeable Baroque listening.......2003-12-02

During their respective lifetimes Georg Philipp Telemann and Johann Sebastian Bach were at one point considered for the same musical post. Those in charge selected Telemann, which does not speak well for the concept of search committees in general. However, it is easy to hear from this CD, which presents some of the former's most successful (during his lifetime) chamber works, the so-called "Paris" Quartets, why contemporary musicians might have preferred Telemann's music. These works, for combined solo string and wind instruments and continuo, are in several movements, always carefully crafted, melodious, and utterly easy on the ear. The variations that conclude the A minor quartet are a good representation of Telemann's elegant style. All of the suites are superbly played here by a group of musicians that includes the estimable Baroque violinist Monica Huggett.

Tracks:

I. Allegro Vivace Con Brio
II. Largo Assai Ed Espressivo
III. Presto
Tema ('Ja, Ich Muss Mich Von Ihr Scheiden'/Dittersdorf)
Var. I
Var. II
Var. III
Var. IV
Var. V
Var. VI
Var. VII
Var. VIII
Var. IX
Var. X
Var. XI
Var. XII
Var. XIII
Var. XIV
I. Poco Sostenuto - Allegro Ma Non Troppo - Tempo I - Tempo II
II. Allegretto
III. Allegretto Ma Non Troppo
IV. Finale: Allegro
Allegretto

Tracks:

I. Allegro Moderato
II. Scherzo E Trio: Allegro
III. Andante Cantabile Ma Pero Con Moto - Poco Piu Adagio - Tempo I
IV. Allegro Moderato - Presto
I. Allegro Moderato
II. Scherzo E Trio: Allegro Ma Non Troppo
III. Rondo: Allegretto

Customer Reviews:

Fine Beethoven Chamber Works.......2007-07-12

These CDs are discs 3 & 4 of the complete piano trios of Beethoven. They were recorded from 1979 to 1984, and remastered and re-issued on EMI classics in 2004; I am surprised that this is the first review posted on Amazon.
The major works on these CDs are the later trios, opus 70 no 1, "Ghost", opus 70 no 2, and opus 97,"Archduke", dedicated to Beethoven's friend, pupil and benefactor the Archduke Rudfolf. This, opus 97, is probably the best trio sonata, but some of Schubert's come close. These later trios are more interesting as the cello is a full member of the group, no longer restricted to tagging along with the left hand of the pianist.
The players are Vladimir Ashkenazy on piano, Itzhak Perlman on violin and Lynn Harrell on cello. The first two are big names from the 1980s, and Harrell is a first class player, if much less well known. So you would expect a first class performance, and that's what you get. Ashkenazy leads but never dominates, the performace is light and airy, precise, often delicate, and joyful. It's the best "Archduke" I have heard, and that is the one you will come back to time
When you consider the budget price it has to get 5 stars.

Mendelssohn: Piano Trios Op. 49 & Op. 66

Average customer rating:

The best performance of these trios.
The Best!
Beautiful Mendelssohn!
Near perfect
Chamber music at its finest

Mendelssohn: Piano Trios Op. 49 & Op. 66

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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ASIN: B000002A8S
Release Date: 1995-12-05

Tracks:

Trio For Piano, Violin And Violoncello No. 1 In D Minor, Op. 49: I. Molto allegro ed agitato
Trio For Piano, Violin And Violoncello No. 1 In D Minor, Op. 49: II. Andante con moto tranquillo
Trio For Piano, Violin And Violoncello No. 1 In D Minor, Op. 49: III. Scherzo. Leggiero e vivace
Trio For Piano, Violin And Violoncello No. 1 In D Minor, Op. 49: IV. Finale. Allegro assai appassionato
Trio For Piano, Violin And Violoncello No. 2 In C Minor, Op. 66: I. Allegro energico e con fuoco
Trio For Piano, Violin And Violoncello No. 2 In C Minor, Op. 66: II. Andante espressivo
Trio For Piano, Violin And Violoncello No. 2 In C Minor, Op. 66: III. Scherzo. Molto allegro - quasi presto
Trio For Piano, Violin And Violoncello No. 2 In C Minor, Op. 66: IV. Finale. Allegro appassionato

Customer Reviews:

The best performance of these trios........2007-06-02

This is the best performance rendered to these trios.

The Best!.......2007-05-14

Mendelssohn wrote several works that can safely be called "Masterpieces." His piano trios are most certainly amongst them. Add to that the famed Stern, Istomen and Rose trio, with their bouncy, passionate and absolutely precise rendering of these classics and you have the definitive recording of the Mendelssohn trios. Period.

Beautiful Mendelssohn!.......2005-12-16

Chamber Music seems so right during the boisterous mechanics of the holidays and one sure respite from the garish noise of the external season can be found in works like the Mendelssohn Piano Trios.

Here Eugene Istomin, Leonard Rose, Isaac Stern perform Piano Trios 1 and 2 in a manner that bespeaks camaraderie of the performers as well as a complete respect for these luminous works. Some have called these works piano sonatas with obbligato and while for this listener that is an unfair judgment, Eugene Istomin plays the piano part with enough flair and thoughtful propulsion that he does at times sound the more important. But that is Mendelssohn's writing and not a self-aggrandizement of a pianist.

The overall sound is simply superb. These two trios are some of the loveliest ever written from that era and the gentlemen performing them offer sophisticated and informed interpretations. The recording is excellent, the music is rarefied! Highly recommended. Grady Harp, December 05

Near perfect.......2005-03-06

The Mendelssohn trios are some of the most beautiful music ever written. While I thoroughly enjoyed this recording and would highly reccomend buying it (at a bargain price here), i do have one small problem with it. Stern and Rose accompany each other quite well and while Stern here is at his usual, fiery and passionate, i feel that the pianist, Istomin, failed to match the fire that his accompanists create. Mendelssohn is said to have called his piano trios, "piano sonatas with accompaniment", as Mozarts works; which puts more emphasis on the piano part. And unfortunately here, there are more passages in whcih Istomin fails to live up to that than there should be. But where he fails, Stern makes up for, and that is why this recording is worth it.

Chamber music at its finest.......2004-11-29

I purchased this CD with the intent of finding fine players playing fine music. What I found, however, was and outstanding example of chamber music as its finest. The ensemble these 3 players generate is some of the finest ensemble music playing recorded. Each player displays exceptional technique, both in the mechanical and lyrical aspects of their playing. Most impressive is listening to Istomen who, playing a very technically and lyrically demanding part, voices his playing with such finess and carefull attention to detail to the strings; a feat very difficult to do as a pianist. This is an excellent recording for the professional to study a score from or for the avid listener to play over and over.

Beethoven: Piano Trios, Vol. 1; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell

Average customer rating:

A great way to buy Beethoven's chamber music

Beethoven: Piano Trios, Vol. 1; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell
Itzhak Perlman , Vladimir Ashkenazy , Lynn Harrell , and Ludwig van Beethoven
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy

ASIN: B0000CE7FI
Release Date: 2004-06-01

Tracks:

I: Allegro
II: Adagio Cantabile
III: Scherzo E Trio: Allegro Assai
IV: Finale: Presto
I: Adagio - Allegro Vivace
II: Largo Con Espressione
III: Scherzo E Trio: Allegro
IV: Finale: Presto

Tracks:

I: Allegro Con Brio
II: Andante Cantabile Con Variazioni
III: Menuetto E Trio: Quasi Allegro
IV: Finale: Prestissimo
Allegretto
Introduzione: Adagio Assai
Tema ('Ich Bin Der Schneider Kakadu'/Wenzel Muller): Allegretto
Var.I: (L'Istesso Tempo)
Var.II: (L'Istesso Tempo)
Var.III: (L'Istesso Tempo)
Var.IV: (L'Istesso Tempo)
Var.V: (L'Istesso Tempo)
Var.VI: (L'Istesso Tempo)
Var.VII: (L'Istesso Tempo)
Var.VIII: (L'Istesso Tempo)
Var.IX: Adagio Espressivo
Var.X: Presto - Allegretto
I: Allegro Con Brio
II: Adagio
III: Tema Con Variazioni ('Pria Ch'io L'Impegno'): Allegretto - Allegro

Customer Reviews:

A great way to buy Beethoven's chamber music.......2005-08-03

I am attempting to consolidate my CD collection of classical music by obtaining collections, especially of chamber music, and particularly piano trios. This collection of Beethoven's piano trios more than met my expections; it is wonderful music and bueatifully played.

Average customer rating:

Emblematic and desert island choices!
fantastic Recordings!
it just can't be 5 stars
Definitive Performances Of Dvorak's Piano Trios

Antonín Dvorák: Complete Piano Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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ASIN: B0000041F3
Release Date: 1996-09-17

Tracks:

Piano Trio In B Flat, Op. 21: Allegro molto
Piano Trio In B Flat, Op. 21: Adagio molto e mesto
Piano Trio In B Flat, Op. 21: Allegretto scherzando
Piano Trio In B Flat, Op. 21: Finale (Allegro vivace)
Piano Trio In G Minor, Op. 26: Allegro moderato
Piano Trio In G Minor, Op. 26: Largo
Piano Trio In G Minor, Op. 26: Scherzo (Presto - Poco meno mosso)
Piano Trio In G Minor, Op. 26: Finale (Allegro non tanto)

Tracks:

Piano Trio In F Minor, Op. 65: Allegro ma non troppo - Poco piu mosso, quasi vivace
Piano Trio In F Minor, Op. 65: Allegro grazioso - Meno mosso
Piano Trio In F Minor, Op. 65: Poco Adagio
Piano Trio In F Minor, Op. 65: Finale (Allegro con brio - Meno mosso - Vivace)
Piano Trio In E Minor, Op. 90 (Dumky): Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I - Allegro molto
Piano Trio In E Minor, Op. 90 (Dumky): Poco adagio - Vivace non troppo
Piano Trio In E Minor, Op. 90 (Dumky): Andante - Vivace non troppo - Andante - Allegretto
Piano Trio In E Minor, Op. 90 (Dumky): Andante moderato (quasi tempo di marcia) - Allegretto scherzando - Meno mosso - Allegro - Moderato
Piano Trio In E Minor, Op. 90 (Dumky): Allegro
Piano Trio In E Minor, Op. 90 (Dumky): Lento maestoso - Vivace, quasi movimento - Lento - Vivace

Amazon.com essential recording

Dvorák composed four piano trios, and all of them are fine works. The very last, the so-called "Dumky" Trio, has eclipsed the others in popularity, which is a pity, particularly with respect to the Trio No. 3 in F minor. This work, composed at exactly the same time as the Seventh Symphony, is clearly the finest work of its type since Beethoven--and that includes the three trios of Brahms. Perfectly proportioned, emotionally intense, and chock full of incredible tunes, it grabs you from the first note and never lets you go. The Beaux Arts Trio performs all of this music with their customary musicality and expertise, and the "twofer" price in unbeatable. Now try that Trio No. 3--you'll be glad you did. --David Hurwitz

Customer Reviews:

Emblematic and desert island choices!.......2006-11-19

Dvorak's immense talent as composer of chamber works deserve to him, even a major status that most of people tend to estimate. The spirit of eloquency, sheer lyricism and brisky musicality make of this set a true must-have.

Don't miss this set under any pretext.

fantastic Recordings!.......2005-12-16

The beaux arts' performances of these trios, like most recordings of their golden period, wih Cohen and Greenhouse, set a benchmark, for both the technical as well as the emotional depth in the interpritation of chamber music... Their tension and beauty, particularly of Isidore Cohen's distinctive tone, thrills the heart, as much as the ear.

it just can't be 5 stars.......2003-08-15

Okay, I have to be honest, I don't own these CDs, though I have listened to them a little, which is what's most important. What I simply must tell to the prospective buyer is that there is one part about 40 seconds into the scherzo of the g minor trio that is absolutely atrocious on the part of the violinist, where he (Isidore Cohen, who for the record I think has a nasty tone in general although many people would disagree) goes flatter and flatter on an upward run landing on the note of the climax of the section about halfway between two pitches! To be quite honest, it's absurd that they didn't do another take, because it's pretty painful, yet entertainingly bad, to listen to. If you can enjoy Isidore Cohen's tone, though, this should be a good buy overall.

Definitive Performances Of Dvorak's Piano Trios.......2001-12-08

This is yet another excellent compilation of the great recordings made by the Beaux Arts Trio when its lineup included Isidore Cohen as violinist and Bernard Greenhouse as cellist as well as pianist Menahem Pressler. These are lively, exciting performances replete with warmth and Slavic charm, gracefully played by these exceptional musicians. Of course, the highlight is their exquisite performance of the "Dumky" trio, but the others are equally compelling. This is one of the highlights of my CD collection of Dvorak's music; it should be yours too.

Average customer rating:

Fine Mozart at a Bargain Price
Mozart with a heart
Unbalanced, sloppy and poor intonation at a good price
Elegance
BEAUX ARTS' MOZART MAKES THIS KITTY PURR!!! (SNOOKIE)

Mozart: The Complete Piano Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Mozart: Complete String Trios & Duos
Schumann: Complete Piano Trios
Franz Schubert: Complete Trios
Beethoven: The Piano Trios
Mozart: The Six String Quintets

ASIN: B0000041BU
Release Date: 1995-04-11

Tracks:

Piano Trio In E, K.542: 1. Allegro
Piano Trio In E, K.542: 2. Andante grazioso
Piano Trio In E, K.542: 3. Allegro
Piano Trio In B Flat, K.502: 1. Allegro
Piano Trio In B Flat, K.502: 2. Larghetto
Piano Trio In B Flat, K.502: 3. Allegetto
Piano Trio In G, K.564: 1. Allegro
Piano Trio In G, K.564: 2. Andante. Thema mit Variationen
Piano Trio In G, K.564: 3. Allegretto
Piano Trio In C, K.548: 1. Allegro
Piano Trio In C, K.548: 2. Andante cantabile
Piano Trio In C, K.548: 3. Allegro

Tracks:

Piano Trio In B Flat, K.254: 1. Allegro assai
Piano Trio In B Flat, K.254: 2. Adagio
Piano Trio In B Flat, K.254: 3. Rondeau. Tempo di menuetto
Piano Trio In G, K.496: 1. Allegro
Piano Trio In G, K.496: 2. Andante
Piano Trio In G, K.496: 3. Allegretto. Thema mit Variationen
Trio In E flat, K.498: 1. Andante
Trio In E flat, K.498: 2. Menuetto
Trio In E flat, K.498: 3. Rondeaux. Allegretto

Customer Reviews:

Fine Mozart at a Bargain Price.......2007-04-06

I can't add much to Mike Powers excellent review, but a few thoughts. This is another in the Philips Duo series, which I find a good source for the chamber music of Mozart, Beethoven, Schubert etc at bargain prices. The way these composers are played remains pretty much unchanged since these recordings were made in the late 60s and the 1970s, and made by the finest players of the time. When you thought piano trios you thought the Beau Arts Trio, who made the piano trio their speciality. So you can be sure that the interpretation will be excellent, which it is, and, despite the age of the recording, the sound is very good. And the music ? Some who take life too seriously might put them down as " more Mozart lollipops", well, they don't pretend to compare with a Brandenburg, but they are joyfull and airy, more like a small scale piano concerto, plenty of fine melodies for all the players.
I have no hesitation in giving five stars, there might be a better version available, but it will cost at least twice as much.

Mozart with a heart.......2006-05-20

The last two star review is frankly flabbergasting. I guess some people may be just a little hard to please and perhaps if you are a musical expert or virtuoso you may have a case against these performances by the uniformly excellent Beaux Arts Trio.

Look at what everyone else thinks! This is exceptionially beautiful music played with heart and soul. There are so many performances of Mozart's chamber music that to these untrained ears just sound dull, thin-lipped and polite - for a long time I found much of Mozart's music rather superficial - very clever and witty - but ultimately superficial - I could fully understand why Glenn Gould recorded his sonatas just to show how overrated he had become!

Listening to the Beaux Arts Trio, all is forgiven. I can hear all instruments perfectly equally; the pacing is spot on and somehow the performance brings out a profundity in Mozart's chamber music I was unable to hear before.

Having said all this I would of course love to hear the other Phillips recording that is meant to be so definitive.

Unbalanced, sloppy and poor intonation at a good price.......2006-02-22

I take my chamber music very seriously, and thought this would be a good deal at $14 from Amazon. I'm severely disappointed, but concede you get what you pay for. Both the remastering and the playing leaves something to be desired. I have these same three players playing the Dumky Trio and the Mendelssohn d minor Trio, and the Schubert Trios and they're quite good. These are bad enough that I would not even consider backing the CDs up.

First, the balance seems to be biased towards the violin / clarinet. Daniel Guilet is often criticized for milking the music too much, and it is no exception here, and this, imho, is a severe flaw when interpreting Mozart. His style is also inconsistent. For example, his Mozart spiccato at pianissimos becomes sloppy detaches that are way too long at fortes. Menahem Pressler sounds like he's playing with the soft pedal and the lid down. At times Mozart's clever left hand counterpoint is lost in the background. In the Clarinet Trio, the viola is often lost behind the clarinet. Overall, the intonation is not very good, especially in the awkward passages, like in the E major Trio. (Both Guilet and Greenhouse have issues tuning against the piano... perhaps because the lid was down?)

I give two stars because it could be even worse. My expectations compare to the excellent (especially in comparison) interpretation by Ingred Haebler of the Mozart Piano Quartets (released by Philips). There the exacting intonation and precociousness of Mozart shines. With these recordings I feel like I'm listening to a sight-reading through the wall, closest to the violinist/clarinet player.

Elegance.......2005-06-23

These performances are wonderful, pure, relaxed and elegant. Mozart's Piano Trios are mostly mature works, still more easy listening and less expressive, less demanding than his "Haydn" quartets, most essential string quintets (K. 515, 516, 593), the piano/wind quintet (K 452), the piano quartet (K. 478) and the trio labelled "Divertimento" (K. 563). This makes it more difficult to explain what their charm consists in. Let me try with words like playful coolness, charming equanimity, happy serenity, light imperturbability, natural elegance, soothing purity or unruffled whiteness... Elegance is the keyword.

BEAUX ARTS' MOZART MAKES THIS KITTY PURR!!! (SNOOKIE).......2003-05-06

I have had this recording for about five years, and have enjoyed it immensley. Recorded in the 1960's, it features the original personnel (Menahem Pressler, Piano - Daniel Guilet, Violin - Bernard Greenhouse, Cello).

The Beaux Arts Trio is just wonderful in this literature. Menahem Pressler's dynamic shading, articulation, and interactions with the other instruments are always "just right".

The sound of the recording itself is fine. Even though it was recorded in 1967, it was digitally remastered to cd.

Tracks:

Trio No.1 in E flat, Op.1 No.1: I. Allegro
Trio No.1 in E flat, Op.1 No.1: II. Adagio Cantabile
Trio No.1 in E flat, Op.1 No.1: III. Scherzo (Allegro Assai)
Trio No.1 in E flat, Op.1 No.1: IV. Finale (Presto)
Trio No.2 in G, Op.1 No.2: I. Adagio - Allegro Vivace
Trio No.2 in G, Op.1 No.2: II. Largo Con Espressione
Trio No.2 in G, Op.1 No.2: III. Scherzo (Allegro)
Trio No.2 in G, Op.1 No.2: IV. Finale (Presto)
Trio No.8 in One Movt in B flat, WoO 39: Allegretto

Tracks:

Trio No.3 in c, Op.1 No.3: I. Allegro Con Brio
Trio No.3 in c, Op.1 No.3: II. Andante Cantabile Con Vars
Trio No.3 in c, Op.1 No.3: III. Menuetto (Quasi Allegro)
Trio No.3 in c, Op.1 No.3: IV. Finale (Prestissimo)
Trio No.2 in E flat, Op.70 No.2: I. Poco Sostenuto - Allegro Ma Non Troppo
Trio No.2 in E flat, Op.70 No.2: II. Allegretto
Trio No.2 in E flat, Op.70 No.2: III. Allegretto Ma Non Troppo
Trio No.2 in E flat, Op.70 No.2: IV. Finale (Allegro)
Trio No.1 in E flat, Op.44 (14 Vars On An Original Theme): Tema (Andante) Con Vars

Tracks:

Trio No.7 in B flat, Op.97 'Archduke': I. Allegro Moderato
Trio No.7 in B flat, Op.97 'Archduke': II. Scherzo (Allegro)
Trio No.7 in B flat, Op.97 'Archduke': III. Andante Cantabile, Ma Pero Con Moto - Poco Piu Adagio
Trio No.7 in B flat, Op.97 'Archduke': IV. Allegro Moderato
Trio No.9 in E flat, WoO 38: I. Allegro Moderato
Trio No.9 in E flat, WoO 38: II. Scherzo (Allegro Ma Non Troppo)
Trio No.9 in E flat, WoO 38: III. Rondo (Allegretto)
Trio No.11 in G, Op.121a (10 Vars In Wenzel Muller's Song 'Ich Bin Der Schneider Kakadu'): Intro...

Tracks:

Trio in E flat, Op.38 (After The Spt, Op.20): I. Adagio - Allegro Con Brio
Trio in E flat, Op.38 (After The Spt, Op.20): II. Adagio Cantabile
Trio in E flat, Op.38 (After The Spt, Op.20): III. Tempo Di Menuetto
Trio in E flat, Op.38 (After The Spt, Op.20): IV. Andante Con Vars
Trio in E flat, Op.38 (After The Spt, Op.20): V. Scherzo (Allegro Molto E Vivace)
Trio in E flat, Op.38 (After The Spt, Op.20): VI. Andante Con Moto Alla Marcia - Presto
Trio No.5 in D, Op.70 No.1 'Ghost': I. Allegro Vivace E Con Brio
Trio No.5 in D, Op.70 No.1 'Ghost': II. Largo Assai Ed Espressivo
Trio No.5 in D, Op.70 No.1 'Ghost': III. Presto

Tracks:

Trio in D (After Sym No.2): I. Adagio - Allegro Con Brio
Trio in D (After Sym No.2): II. Larghetto Quasi Andante
Trio in D (After Sym No.2): III. Scherzo
Trio in D (After Sym No.2): IV. Allegro Molto
Triosatz in E flat: Allegretto
Trio No.4 in B flat, Op.11 'Gassenhauer': I. Allegro Con Brio
Trio No.4 in B flat, Op.11 'Gassenhauer': II. Adagio
Trio No.4 in B flat, Op.11 'Gassenhauer': III. Tema: Pria Ch'io L'impegno (Allegretto) Con Vars

Customer Reviews:

Still the Best.......2007-01-10

My husband and I have loved the Beaux Arts Trio for many years and were very happy to find the edition of the Beethoven piano trios. The interpretations are superb, the playing is masterful and flawless. As long as the pianist Menahem Pressler will remain with the Trio, we will always try to hear them in concerts or on CD. We own most of their recordings.

Beethoven shines.......2006-09-24

When one thinks of Beethoven, one often imagines the grand symphonic sound. This collection of piani trios, however, is a feather in the wind. They are beautiful and warm. There is room to breathe as one basks in the sheer genius of this composer's gift of melody and composition.

Amazing and eternally listenable.......2006-04-11

I decided one day to look into string chamber music, and lucked out completely by getting this five-disk series.

I was not familiar with these pieces and am still amazed that such sounds were ever created or could be conceived of.

I particularly love the third CD in this production.

I would love to put the first few chords on Trio 7 on my cell phone, it would be so superior to everybody else's little ditties that we all suffer through!

I have listened to this CD for a couple years now and do not tire of it.

Ben

Trios and music education.......2006-02-26

I have become interested in trios since we had a visit this year of a wonderful trio that played Haydn, Brahms, and Schubert. I realized here was a whole area I had missed. Since then I have been making up for it. I am learning much about various composers I already thought I understood fairly well. What has been most surprising is the function of music in the home -- the market these pieces were primarily written for. With that in mind, it is certainly interesting to imagine what a home must have been like in the evening with some friends playing these pieces. They must have been fairly accomplished or these would not have gone very well. They are challenging. What does that say about the way people thought? How did music influence their imaginations and their reasoning? (The Mozart Effect). I find that even though I enjoy these what makes them worth having and listening to is this bit of cultural imagining I add to listening to them. That said, I have not figured out yet if I have a favorite. I know the Schubert was the favorite of the cellist that recently visited and he explained why. But that was from the point of view of a person playing. Otherwise, I wonder if these are more like baseball. They can be really boring if you are not in the game.

Caution On This Set.......2006-02-21

The piano is not balanced with the violin and cello, it drowns them out. The violin at times is quite muted and the cello is often indistinct. Listen to the samples critically before buying. I found the same problem on another Philips set of Haydn Piano Trios.

Average customer rating:

Correction to review concerning the versions of the op. 8 trio
Excellent buy, whether "budget" or not
Excellent, delightful
Becoming a favorite
a real disappointment

Brahms: Complete Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Brahms: Complete Piano Quartets
Schumann: Complete Piano Trios
Franz Schubert: Complete Trios
Antonín Dvorák: Complete Piano Trios
Brahms: The Complete Quintets

ASIN: B00000416K
Release Date: 1993-08-10

Tracks:

Piano Trio In B, Op. 8 - H-dur, en si majeur: Allegro con brio
Piano Trio In B, Op. 8 - H-dur, en si majeur: Scherzo (Allegro molto)
Piano Trio In B, Op. 8 - H-dur, en si majeur: Adagio
Piano Trio In B, Op. 8 - H-dur, en si majeur: Allegro
Frio In E Flat Op. 40 For Piano, Violin And Horn: Andante - Poco pimato
Frio In E Flat Op. 40 For Piano, Violin And Horn: Scherzo (Allegro)
Frio In E Flat Op. 40 For Piano, Violin And Horn: Adagio molto
Frio In E Flat Op. 40 For Piano, Violin And Horn: Finale (Allegro con brio)

Tracks:

Piano Trio in C, Op. 87: Allegro
Piano Trio in C, Op. 87: Andante con moto
Piano Trio in C, Op. 87: Scherzo (Presto)
Piano Trio in C, Op. 87: Finale (Allegro giocoso)
Piano Trio In C Minor, Op. 101: Allegro energico
Piano Trio In C Minor, Op. 101: Presto non assai
Piano Trio In C Minor, Op. 101: Andante grazioso
Piano Trio In C Minor, Op. 101: Allegro molto
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Allegro
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Adagio
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Andante grazioso
Trio In A Minor, Op. 114, For Piano, Clarinet And Cello: Allegro

Customer Reviews:

Correction to review concerning the versions of the op. 8 trio.......2006-06-10

Christopher Smith is in error in saying that the Borodin Trio's performance of Brahms's B Major Piano Trio, on Chandos CHAN 8334/5, is the original version. The Borodin Trio recorded only the revised version (unless they made a second recording I'm unaware of). So far as I can tell from the Amazon Web listings and old Penguin Guides, the original version has been recorded by the following groups: Odeon Trio, Trio Opus 8, Altenberg Trio, and Parnassus Trio. The last two groups recorded both versions. Apart from listening, one can tell from the movement designations which version one is dealing with. For instance, the first movement was originally allegro con moto and was revised to allegro con brio, and the third movement was changed from adagio non troppo to adagio. Also, I think you will find that the "great chunks" Brahms removed in his revision are from the first and third movements, not the second (scherzo) movement. Incidentally, I would have preferred not to rate this recording, as my purpose is only to make a correction and the Beaux Arts Trio recording I have is another version with a different violinist, but Amazon's system would not let me do so without including a rating, so I have provided a rating that corresponds to the average of the other ratings.

Excellent buy, whether "budget" or not.......2006-02-02

The three trios on the "B" CD especiall show the emotional depth of Brahms later life chamber music. The Clarinet Trio is well rendered with a supple, yet reserved, but not austere, style.

Excellent, delightful.......2004-11-04

This set is a treat for any Brahms lover. Excellent performance, elegance, depth and profound understanding. True Brahms !!!

Becoming a favorite.......2000-10-17

After listening to the first movement of the C major I'd agree that it's a shade brisk and perfunctory. I've now listened to this performance of the clarinet trio many times. This is a piece that made no impression on me until I listened repeatedly and studied the score. I now realize that, while it's not a perfectly satisfying masterpiece, it has a subdued, elusive beauty, plus it's a remarkably concise piece. I have a theory that it was written in memory of Schumann. Some reasons: 1) the key of A minor was a favorite of Schumann's, 2) the opening melody for cello resembles the opening theme of Schumann's cello concerto (also in A minor), 3) the climax of the coda of the first movement (bars 194-200) has several Schumannesque descending fifths in the melody, 4) the whole piece has a feeling of sad reminiscence such as one can imagine Brahms would feel late in his own life thinking back on his friend, now dead thirty years. The clarinet trio is played very beautifully with no hint of the perfunctory quality mentioned above in connection with the C major trio. This is great music that deserves to be studied and thought about, not just played in the background.

Addendum (10/2002)...I just want to take back what I said about the C major being perfunctory. I've had many hours of enjoyment from all tracks on these discs, particularly the C major and C minor piano trios and the clarinet trio. That business about "perfunctory" was a very superficial initial reaction. These guys play with fire and sweep...crack open a beer and crank it up!

a real disappointment.......2000-07-19

Although I haven't listened to all of it extensively, I found that both the Opus 8, B Major and Opus 87, C Major, were played with jarring tempo changes, unintuitive and displeasing phrasing, and a seeming lack of interest. I am a huge fan (and player) of Brahms and these trios in particular, and it was astonishing to discover that this compilation's recordings were so lacking in feeling and grace.

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