Stabat Mater / Te Deum

On this CD:

1. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58)
Composed by Antonin Dvorak
Performed by Slovak Radio New Philharmonic Orchestra with Nelly Boschkowa, Miroslav Dvorsky, Miriam Gauci, Peter Mikulas
Conducted by Alexander Rahbari

2. Te Deum for soprano, bass, chorus, & orchestra (once listed as Opp. 93 & 98), B. 176 (Op. 103)
Composed by Antonin Dvorak
Performed by Slovak Radio New Philharmonic Orchestra with Nelly Boschkowa, Miroslav Dvorsky, Miriam Gauci, Peter Mikulas
Conducted by Alexander Rahbari

Stabat Mater / Te Deum, Music, Dvorak, Gauci, Boschkowa, Rahbri, Classical, Classical Music
Salve Regina: Gregorian Chant
Average customer rating: 4.5 out of 5 stars
  • Clerveaux Monks
  • Hauntingly Beautiful
  • Meditate as you listen........
  • What a Magnificat!
  • Soothing
 Salve Regina: Gregorian Chant

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Lost in Meditation: Meditative Gregorian Chants
  2. Lost in Meditation: Meditative Gregorian Chants, Vol. 1
  3. Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
  4. Catholic Latin Classics
  5. Chant II

ASIN: B0000040ZC
Release Date: 1990-10-25

Tracks:

  1. Gregorian Chant: Magnificat - Tu es pastor ovium
  2. Gregorian Chant: Stabat Mater
  3. Gregorian Chant: Lauda Sion
  4. Gregorian Chant: Te deum (tonus monasticus)
  5. Gregorian Chant: Adoro te
  6. Gregorian Chant: O sacrum convivium (tonus monasticus)
  7. Gregorian Chant: Ave, verum Corpus
  8. Gregorian Chant: Tantum ergo
  9. Gregorian Chant: O salutaris Hostia (tonus monasticus)
  10. Gregorian Chant: Salve Regina (tonus monasticus)
  11. Gregorian Chant: Ave Maria
  12. Gregorian Chant: Sub tuum praesidium (tonus monasticus)
  13. Gregorian Chant: Alma Redemptoris Mater (tonus monasticus)
  14. Gregorian Chant: Inviolata
  15. Gregorian Chant: Regina caeli (tonus monasticus)
  16. Gregorian Chant: Victimae paschali laudes
  17. Gregorian Chant: Veni, Creator Spiritus (tonus monasticus)

Customer Reviews:

5 out of 5 stars Clerveaux Monks.......2007-07-11

It was quite wonderful to find this as the monks had none for sale at the Abbey.

5 out of 5 stars Hauntingly Beautiful.......2007-01-19

This is an excellent cd. The emotion present in the monks' voices, espcially in the "Salve Regina" is deeply moving and beautiful. Highly recommended for anyone who is a fan of Gregorian chant, and a great first buy for someone who just wants to know what Gregorian chant sounds like.

1 out of 5 stars Meditate as you listen...............2007-01-04

This lifts your heart to God as you listen. Beautifully done.

5 out of 5 stars What a Magnificat!.......2006-09-01

I have listened to this recording since it was on a cassette tape and I always come back to it. What a gentle and sincere recording. The Magnificat is especially beautiful.

4 out of 5 stars Soothing.......2006-02-21

I bought this disk while feeling depressed and not being able to focus. The chanting soothed me and gave me some piece of mind. Why then not 5 stars, you ask? Because the sound lacks a bit of clarity despite the remastering and the performance is good, but not exceptional.
Verdi - Requiem · Quattro pezzi sacri / Orgonasova · von Otter · Canonici . A. Miles · Gardiner
Average customer rating: 5 out of 5 stars
  • Superb Requiem performance, Quattro Pezzi Sacri unforgettable
  • A balanced view, please
  • Magnificant
  • Gardiner or Shaw: A difficult choice
  • Maybe 'Classical' but Revelatory - and Orgonasova is supreme
 Verdi - Requiem · Quattro pezzi sacri / Orgonasova · von Otter · Canonici . A. Miles · Gardiner
Giuseppe Verdi , John Eliot Gardiner , Luba Orgonasova , Anne Sofie von Otter , Orchestre Révolutionnaire et Romantique , Monteverdi Choir , Luca Canonici , and Alastair Miles
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Brahms: Ein deutsches Requiem Op.45
  2. Mozart: Requiem / Bonney, von Otter, Blochwitz, W. White, Gardiner
  3. Mozart: Great Mass in C minor /McNair * Montague * Rolfe Johnson * Hauptmann * English Baroque Soloists * Gardiner
  4. Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner
  5. Beethoven - Missa Solemnis / Margiono * Robbin * Kendall * Miles * EBS * Gardiner

ASIN: B00000418W
Release Date: 1995-04-11

Tracks:

  1. Messa da requiem: 1. Requiem - G. Verdi
  2. Messa da requiem: 2. Dies irae - Dies irae - G. Verdi
  3. Messa da requiem: 2. Dies irae - Tuba mirum - G. Verdi
  4. Messa da requiem: 2. Dies irae - Liber scriptus - G. Verdi
  5. Messa da requiem: 2. Dies irae - Quid sum miser - G. Verdi
  6. Messa da requiem: 2. Dies irae - Rex tremendae - G. Verdi
  7. Messa da requiem: 2. Dies irae - Recordare - G. Verdi
  8. Messa da requiem: 2. Dies irae - Ingemisco - G. Verdi
  9. Messa da requiem: 2. Dies irae - Confutatis - G. Verdi
  10. Messa da requiem: 2. Dies irae - Lacrymosa - G. Verdi
  11. Messa da requiem: 3. Offertorio - G. Verdi
  12. Messa da requiem: 4. Sanctus - G. Verdi

Tracks:

  1. Messa da requiem: 5. Agnus Dei - Verdi
  2. Messa da requiem: 6. Lux aeterna - Verdi
  3. Messa da requiem: 7. Libera me - Verdi
  4. Quattro Pezzi Sacri: Ave Maria - Verdi
  5. Quattro Pezzi Sacri: Stabat Mater - Verdi
  6. Quattro Pezzi Sacri: Laudi alla Vergine Maria - Verdi
  7. Quattro Pezzi Sacri: Te Deum - Verdi

Amazon.com

This religious masterpiece, composed in memory of the great Italian novelist Alessandro Manzoni (1785-1873), has themes even more cosmic than any in Verdi's other operas: life and death, heaven and hell, the Christian vision of humanity's redemption, the end of the world, and the last judgment. Verdi's music rises to the tremendous demands of this subject matter; it is music of grandeur, guilt, terror, and consolation, with a breadth of vision and an intensity of feeling unique in the composer's work and in religious music. John Eliot Gardiner's is the first recording made with period instruments, a kind of performance that some musiclovers still dismiss as dilettantism, more concerned with musicological correctness than feeling and communication. Gardiner's powerful performance blows such objections away, and this recording takes a rightful place alongside the best modern instrument versions. --Joe McLellan

Customer Reviews:

5 out of 5 stars Superb Requiem performance, Quattro Pezzi Sacri unforgettable.......2007-04-15

This is one fantastic recording of the Verdi Requiem. As previous reviewers have mentioned, the Monteverdi Choir (69 members strong) produces a powerful sound that easily holds its own against the bigger choirs. The Orchestre Revolutionnaire et Romantique uses period instruments, but you won't hear the tinny sound, vibrato-less strings, or the over-miked percussion of typical period instrument CDs. This orchestra sounds every bit as good as the "modern" orchestras that have recorded the Verdi Requiem. And they have a GREAT bass drum!

The soloists are not the blood & guts Verdians that many listeners associate with this piece. The liner notes by John Eliot Gardiner include a reference to Verdi's letter to Ricordi in which he adamantly cautions against singing this work like an opera. It is not surprising, then, that a scholarly conductor like Gardiner would choose soloists that would match Verdi's own desires.

Luba Orgonasova (born in Bratislava, Slovakia) is a lyric soprano much in demand in Europe. She was personally invited by Karajan to co-star in 1990 Salzburg Festival's Fidelio (the production was conducted by Kurt Masur following Karajan's death). In Verdi's Requiem, she provides a sound that shimmers like glass. Her high B-flat in Libera Me is almost vibrato-less, creating a pure crystalline sound.

Anne Sofie von Otter (1955 - , Stockholm, Sweden) is well-known among American and European audiences alike. In addition to her many trouser stage roles, she has extensive recordings of oratorio literature. Her Verdi Requiem is totally without theatrics. The music is all you get - and that's good enough for me.

Luca Canonici (1961 - , Tuscany, Italy) is a lyric tenor not very well-known outside of Europe. His recordings include Donizetti's Linda di Chamounix, Bellini's La Sonnambula , Rossini's Il Signor Bruschino, and Verdi's Falstaff (Solti). His Requiem is also devoid of theatrics, much like Gedda's (Giulini) and Araiza's (Hanns-Martin Schneidt). His Ingemisco did not please me at first, but I gradually grew to enjoy it with additional hearings.

Alastair Miles (1961 - , UK), bass, is a superstar in England. He made his Metropolitan debut in 1996. He has a beautifully resonant sound that reminds me of Simon Estes (Hanns-Martin Schneidt). Okay, he's not Ghiaurov (Karajan, Giulini) or van Dam (Karajan), but I really enjoyed how he sang this Requiem.

The Monteverdi Choir gives a totally stunning performance of the Quattro Pezzi Sacri. The fine work of the orchestra adds to the sonic grandeur of the singers. This is definitely one of my all-time favorite recordings of this work.

I was highly pleased with the recorded sound; it is one of the main reasons why I love this album. Liner notes include texts and translations, names of all orchestra and choir performers, artist photos, and essays by Julian Budden and Gardiner. This album was recorded Dec 1992 in London.

While I highly recommend this album, I realize its high price may deter some. But try to get it if you can.

4 out of 5 stars A balanced view, please.......2006-09-27

So far at Amazon every reviewer seems to echo the same opinion, that Gardiner's is a revelatory performance, the best ever, incomparable on every score. I don't think such overkill helps a recording, however. There have been monumental accounts of the Messa da Requiem from Toscanini, De Sabata, Serafin, Giulini, Fricsay, and Reiner, with soloists the likes of Schwarzkopf, Ludwig, Jussi Bjorling, Pavarotti, Leontyne Price, and so on. In the light of so much glorious history, it's quite a feat to make a highly successful new recording of this great work.

Gardiner has certainly done that. He leads a propulsive, exciting reading, and trimming down his orchestra and chorus adds much-needed clarity and impact. It's rare to get a professional chorus on the order of the Monteverdi Choir, and they sing perfectly in tune throughout, with wide dynamic contrasts. But Gardiner's soloists aren't the absolute best I've ever heard. Tenor Luca Canonici is nowhere near the level of Bjorling, Pavarotti, and Domingo in this work, appealing as he is; the Ingemisco runs out of steam after the first few lines. Von Otter is exceptional, of course, and Alistair Miles acqits himself well. The major solo part belongs to the soprano in the Libera Me, and Luba Organosova has a good, if fairly light voice, free of Slavic wobble and edge. She sings with intense passion and has good vocal control. Is she the equal of Leontyne Price? If she were, she'd be a headliner in every opera house in the world. Expect a good-to-very good job form her, as form the others.

Finally, the only real deficit is the sound, which is edgy and harsh in loud climaxes and shows evidence of microphone shatter. Also, Gardiner's rough, punchy style in the fastest passages, like the Dies Irae, may not be to everyone's taste. Otherwise, this is one of his best recordings outside the Baroque repertoire.

5 out of 5 stars Magnificant.......2003-10-07

This is absolutely glorious music. The Requiem Mass of Verdi has long been a favorite for both listeners and vocalists and is now acquiring a semi-popular following. The only limitation to even more public performances is the extraordinary length. What is even more remarkable about this deeply moving piece is that Verdi himself was not a religious man though being Italian the Church must have made a deep impact on his psyche.

The synthesis of the orchestra and chorus is near perfect and the tempi are just right. Many times one hears parts of the Mass taken at near neck-break speed and other parts at a near standstill. The depths of the emotional range is astounding - from the thundersou blasts of the Dies Irae to the mournful, languid, rapturous Lacrymosa to the piercing sopranas and warm altos - it is the kind of music that comes along rarely.

The sound is sterling, the acoustics just as clear. I liked the informative accompanying pamphlet with the original (Latin) words along with a translation as opposed to a transliteration. Add this to your collection.

5 out of 5 stars Gardiner or Shaw: A difficult choice.......2002-08-08

Verdi's mass for the dead is one of my favorite pieces in the western canon, so I've collected a few over the years. You can read the other reviews for poetic waxing on the themes and scope of this work, but I will concern this review with the musical and performance merits of two specific recordings: the best period performance (Gardiner's, albeit the only one) and arguably the best modern performance (recorded by the regrettably late Robert Shaw, and there are some other moderns in close contention).

I won't make you read the entire review to get my take: I prefer the Gardiner/ORR recording to the Shaw/ASO for the simple reason that there is more fire, drive, dynamic, or other related adjective involved in this performance than any other.

Gardiner's players are absolutely deadly - you need look no further than tracks two and three for evidence of that! The tempi, while quite brisk, do not daunt this remarkable ensemble, and they play with an astounding precision. 50 percent of that credit is due, however, to Gardiner's outstanding conducting (most/all of his recordings with just about any group are staggeringly precise - check out The Planets with the Philharmonia!).

The choir, being the Monteverdi Choir, sings an incredible performance, but using far more vibrato than is normally heard from them - consistent with the style of the work. Their technique and facility equal that of the orchestra: a combination that is difficult to beat.

The tempi, taken as literally from the score as possible, are faster than we normally hear (by lesser ensembles) so, some listeners may feel that the music is not given enough time to breathe, or that it is too fast to comprehend. Enter Dr. Shaw...

Robert Shaw's outstanding account of this requiem has an incredible asset: phrasing unparalleled in any other recording. Under the guidance of the best choral conductor of his time, the Atlanta Symphony Chorus responds to their director's brilliant musicality with aplomb. His superb vocal phrasing transfers well to the strings too. Every phrase has a top and bottom, and he exposes many textures that other conductors do not.

But, Shaw's larger, less agile, and more-distantly miked ensemble do not capture the immediacy that Gardiner's does. Compounded with a slower performance, Shaw's - while breathtakingly beautiful - does not have Gardiner's impact.

So here's my recommendation: purchase Gardiner for the recording quality, tempo, orchestra, perferable choir, and effect. Purchase Shaw for the contemplative setting, outstanding choral phrasing/conducting, and superior soloists. Really, purchase both when you can.

But to feel the true power and effect of Verdi's opera for church, Gardiner's is the one to get.

5 out of 5 stars Maybe 'Classical' but Revelatory - and Orgonasova is supreme.......2001-11-16

This recording has been the subject of equally passionate praise and denouncement. Some critics threw about words like 'classical' and 'unidiomatic'. They were not entirely unjustified, but after acquiring this recording of one of my favourite pieces of music, I no longer care. This is revelatory.

No other recording has such detail, such clarity, such remarkable presence. Phillips should be congratulated. Few other performances have no weak links. All the soloists are excellent, the choir & orchestra superb.

In particular, I cannot find enough superlatives for Luba Orgonasova. It is an endless mystery to me why this soprano is so scarce in the catalogue. In this role, at least, she reigns supreme. Schwarzkopf; Studer; Stader; Sutherland; Scotto - all the "S" sopranos seem to have sung this! - Price; Gheorghiu; Caballe; Freni, the list goes on, NONE of these excel Orgonasova in this part. Verdi made incredible demands on his soprano soloist and the far lesser-known Orgonasova meets those demands better than any in this illustrious company.

The key to her success is that she has a strong chest voice which is properly integrated tonally with her head voice. To understand what I mean, just listen to that crucial part in the Libera Me (Requiem Aeternam), where she floats a high B which is truly pianissimo, followed by the ferocious recapitulation of the Libera Me culminating in the word "terra", which so many sopranos either under-power, or resort to a distortion of tone. Not Orgonasova. This is one phenomenal instrument.

The other aspect of this recording where its quality has the edge over all the competition is in the remarkable integration of Orgonasova and Von Otter's voices in the Recordare & Agnus Dei. No other recording I have heard blends the two parts so perfectly - almost like one singer who can sing in harmony with herself!

For buyers who can afford a few recordings, this may be an excellent complement to a more operatic recording (I would recommend the intermittently-available live 1960 Fricsay - don't confuse with his studio recording) and/or the great Giulini with Schwarzkopf; Ludwig; Gedda; & Ghiaurov, now at mid-price on EMI Great Recordings of the Century. The present recording is full price over two discs; which may deter the budget conscious, but it is well worth it for anyone who cares to know this music intimately, to have its mastery revealed afresh.
Renaissance Masterpieces (Box Set)
Average customer rating: Not rated
    		Renaissance Masterpieces (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000092Q5W
    Release Date: 2003-04-29
    Iste Confessore: The Choral Music of Domenico Scarlatti
    Average customer rating: 5 out of 5 stars
    • outstanding!
    		 Iste Confessore: The Choral Music of Domenico Scarlatti

    Manufacturer: Coro
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005QIRK
    Release Date: 2002-06-15

    Tracks:

    1. Te Deum
    2. Iste Confessor
    3. Missa Breve La stella
    4. Stabat Mater

    Album Description

    Remembered mostly for his keyboard works, Domenico Scarlatti is revealed here as a masterly choral writer encompassing a wealth of musical styles. Taking its name from the captivating but rarely heard Iste Confessore (Witness of the Lord) it includes his glorious polyphonic setting of the Stabat Mater, a powerful depiction of the Virgin Mary at the foot of Christ's cross.

    Customer Reviews:

    5 out of 5 stars outstanding!.......2002-07-22

    A wonderful performance from the Sixteen and Harry Christophers.
    Just as the 19th C developed a romanticized version of classical music, i.e. sonata form, the early baroque-era composers like schutz, monteverdi, etc. "romanticized" renaissance-style choral music, and this disk of Scarlatti is an excellent example. His Stabat Mater is rich in amazing 10-voice polyphony of a much more "romantic" sort (amazing dissonances and harmonic colors, with occasionally some solo/soli sections alternating with polyphony, in a concerto style) than that found in Josquin et al. This is thoroughly contrapuntal music, actually more than I expected from Domenico Scarlatti. Perhaps there is some comparison to Schutz, though this is somewhat warmer, more italianate and completely ravishing!
    Gregorian Melodies: Popular Chants, Vol. 2
    Average customer rating: 4 out of 5 stars
    • Gregorian Chant!
    		 Gregorian Melodies: Popular Chants, Vol. 2

    Manufacturer: Solesmes
    ProductGroup: Music
    Binding: Audio CD

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    Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
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    4. The Gregorian Missal for Sundays
    5. Vespers And Compline

    ASIN: B0000CERL6
    Release Date: 2003-09-30

    Tracks:

    1. Sprinkling Of Holy Water: Asperges Me
    2. Sprinkling, Eastertide: Vidi Aquam
    3. Kyrie VIII
    4. Gloria VIII
    5. Alleluia: Tu Es Petrus
    6. Sanctus VIII
    7. Agnus VIII
    8. Hymn: Condistor Alme
    9. Alleluia: Ostende Nobis
    10. Puer Natus In Bethllehem
    11. Alleluia: Dominus Dixit
    12. Hymn: gloria Laus
    13. Sequence: Stabat Mater
    14. Alleluia: Confitemini Domino
    15. Brief Responsory: Spiritus Paraclitus
    16. Chant Of Exposition: O Salutaris
    17. Chant Of Exposition: Ecce Panis
    18. Hymn: Pange Lingua, Gloriosi
    19. Psalm 116: Laudate Dominum
    20. Antiphon: Alma Redemptoris (Simple Tone)
    21. Antiphon: Ave Maria
    22. Antiphon: Ave Regina Caelorum (Simple Tone)
    23. Brief Responsory: Ave Maria
    24. Hymn: Ave Maris Stella (Simple Tone)
    25. Antiphon And Benedictus: Ego Sum
    26. Hymn: Te Deum (Simple Tone)

    Album Description

    Following the success of GREGORIAN MELODIES, VOLUME I, this album contains more of the most popular chants including the TE DEUM, STABT MATER, and AVE MARIA. Also included are chants for the Liturgical Year from Advent to Pentecost, as well as chants devoted to Our Lady and the Blessed Sacrament, and the "Mass of the Angels."

    Customer Reviews:

    4 out of 5 stars Gregorian Chant!.......2007-01-07

    Before getting this CD, I had only previously had one other chant CD. I had listened to the CD so many times though that it had become too familiar for me so I sought out this CD and it has replaced my last CD quite nicely. The Monks of St. Peter's Abbey are probably my favorite Gregorian Choir and if you're into this kind of music I can't imagine why you wouldn't like this as well. Also, if this your first time purchasing a chant CD, know that its not really dance-like and I usually just play it in the background as I am doing my everyday activities. Great stuff!
    Great Choral Classics
    Average customer rating: Not rated
      		Great Choral Classics

      Manufacturer: Telarc
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00005JH7C
      Release Date: 2001-05-22

      Tracks:

      1. 'Gloria All'Egitto'
      2. 'Agnus Dei'
      3. 'Magnificat Anima Mea'
      4. 'In Taberna Quando Sumus'
      5. II. Psalm 23 & Psalm 2:1-4
      6. 'Laudamus Te'
      7. 'Kyrie'
      8. 'Tui Nati Vulnerati'
      9. 'Te Deum'
      10. 'Sing To God'
      11. 'Osanna In Excelsis'
      12. 'Cum Sancto Spiritu'
      13. 'Selig Sind Die Toten'
      Scarlatti: Stabat Mater/Te Deum/Magnificat; Choir of Kings College, Cambridge
      Average customer rating: 5 out of 5 stars
      • Scarlatti's masterpiece.
      		 Scarlatti: Stabat Mater/Te Deum/Magnificat; Choir of Kings College, Cambridge
      Domenico Scarlatti , Stephen Cleobury , and Choir of King's College - Cambridge
      Manufacturer: EMI Classics
      ProductGroup: Music
      Binding: Audio CD

      All Works by Domenico ScarlattiAll Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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      GeneralGeneral | Opera & Vocal | Styles | Music
      MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
      ASIN: B00008S0WB
      Release Date: 2003-05-06

      Tracks:

      1. Te Deum laudamus
      2. Te ergo quaesumus
      3. Stabat mater dolorosa
      4. Cujus animam gementem
      5. Eja mater, fons amoris
      6. Sancta mater, istud agas
      7. Fac me vere tecum flere
      8. Juxta crucem tecum stare
      9. Inflammatus et accensus
      10. Fac ut animae donetur
      11. Amen
      12. Miserere in E minor
      13. Magnificat anima mea Dominum
      14. Fecit potentiam
      15. Gloria Patri
      16. Laetatus sum
      17. Propter fratres meos
      18. Gloria Patri

      Customer Reviews:

      5 out of 5 stars Scarlatti's masterpiece........2006-03-04

      When we think about the great choral works of classical music, the names we often repeat are Pergolesi, Bach, Mozart, maybe Beethoven and some others. But very rarely does Domenico Scarlatti, the profilic composer of several harpischord pieces, come along. This, in my opinion, is truly a shame, cause one of the greatest music he ever wrote, was choral music. And in this field, his crowning achievement was "Stabat Mater" for unacomppanied voices. It is a gem of a highest order. It has a beautiful structure, and it contains several immortal melodies. I myself put it right up to the greatest choral works ever written.Do yourself a favour and try it, if you love great choral music or beautiful music in general, you wont be disappointed. The perfomance of King's choir in this cd is solid and clear. Highest of recommendations!
      Poulenc: Stabat Mater; Bizet: Te Deum [Australia]
      Average customer rating: 5 out of 5 stars
      • Bizet's Unknown Masterpiece Other Than Carmen
      		 Poulenc: Stabat Mater; Bizet: Te Deum [Australia]
      Pollet , Greenberg , Winbergh , Dutoit , and Orchestre National De France
      Manufacturer: Decca
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Classical | Styles | Music
      The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
      ClassicalClassical | Imports | Stores | Music
      ASIN: B0007MR20M
      Release Date: 2005-05-30

      Tracks:

      1. Poulenc (1899-1963): Stabat Mater
      2. Poulenc (1899-1963) Gloria
      3. Georges Bizet (1838-1875): Te Deum

      Album Details

      Choral Music from France - Charles Dutoit's Poulenc Stabat Mater with Jesus Lopez-cobos' Poulenc Gloria. The Coupling - Long Awaited - is Bizet's Very Rare Te Deum Making Its First Appearance on CD.

      Customer Reviews:

      5 out of 5 stars Bizet's Unknown Masterpiece Other Than Carmen.......2005-08-15

      George Bizet. The name is synonymous with his opera Carmen. But few know of his spectacular religious choral work- his Te Deum. This Catholic Mass has been composed by several composers, including Bach, Charpentier and Gounod. A Te Deum was even written into Puccini's Tosca. Bizet's Te Deum is very operatic (very much like Verdi's Requiem) and is energetic, dramatic and highly spiritual. I found the work uplifting, especially the finale. The Poulenc piece - Stabat Mater is a fine intro that leads to Bizet's piece. But Bizet's magnificent, gorgeously sung Te Deum is definately the highlight. This recording marks the first appearance of Bizet's Te Deum on record. Looking at it from a musical perspective, the two religious works are very different. Poulenc (who composed the opera Les Dialoge Des Carmelites about bold nuns in the French Revolution)is a mystic in his composition, with religious themes written everywhere but very modern and atonal as compared to the 19th century work of Bizet, who remains French even when composing the Te Deum. This is a great recording all hardcore classical music lovers ought to own. It's a rare treasure.
      Sanctus: 1000 Years of Sacred Music (Box Set)
      Average customer rating: Not rated
        		Sanctus: 1000 Years of Sacred Music (Box Set)

        Manufacturer: Musica Di Angeli
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00005AU4Y
        Release Date: 2001-04-24
        The Wonderful World of Classical Music (Box Set)
        Average customer rating: Not rated
          		The Wonderful World of Classical Music (Box Set)

          Manufacturer: Delta
          ProductGroup: Music
          Binding: Audio CD

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          GeneralGeneral | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
          SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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          Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
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          Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
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          National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
          Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
          GeneralGeneral | Symphonies | Classical | Styles | Music
          Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
          Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
          GeneralGeneral | Opera & Vocal | Styles | Music
          FrenchFrench | Languages | Opera & Vocal | Styles | Music
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          OperettasOperettas | Opera & Vocal | Styles | Music
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          MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
          MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
          OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
          RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
          ASIN: B00005YKWJ
          Release Date: 2000-07-10

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