Dream for Two
On this CD:
1. Nocturne for piano in C sharp minor, KK Anh.Ia/6 (doubtful)
Composed by Fryderyk Chopin
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
2. Espańa, 6 album leaves for piano, Op. 165, B. 37 Malaguena
Composed by Isaac Albeniz
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
3. Sites auriculaires, for 2 pianos Habanera
Composed by Maurice Ravel
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
4. Romanza Andalusa
Composed by Pablo de Sarasate
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
5. Liebesleid "Love's Sorrow" for violin & piano
Composed by Fritz Kreisler
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
6. Liebesfreud "Love's Joy" for violin & piano
Composed by Fritz Kreisler
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
7. Schön Rosmarin for violin & piano
Composed by Fritz Kreisler
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
8. Chardaz
Composed by Vincent Monti
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
9. Suite bergamasque, for piano, L. 75 Claire de Lune
Composed by Claude Debussy
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
10. Arabesques (2) for piano, L. 66 Unspecified Arabesque
Composed by Claude Debussy
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
11. La plus que lente, waltz for piano (or orchestra), L. 121
Composed by Claude Debussy
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
12. Ritual Fire Dance (from "El Amor brujo"), for orchestra and various arrangements Danse du Feu
Composed by Manuel de Falla
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
13. Ręve pour deux
Composed by Dimitar Masevski
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
14. Hora Staccato for violin & piano (or orchestra)
Composed by Grigoras Dinicu
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
15. Reflexion-Meditation
Composed by Kiril Ribarski
Performed by Kiril Ribarski, Milica Sperovic-Ribarski
Dream for Two, Music, Dream for Two, Classical, Classical Music
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
|
Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
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Similar Items:
- Best of the Millennium: Top 40 Classical Hits
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- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Classical Music in the Universe
ASIN: B000003QWH
Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
|
Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
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Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
|
Mendelssohn In Words And Music
Felix Mendelssohn , Johann Sebastian Bach , Louis de Froment , Aaron Rosand , and Arthur Hannes
Manufacturer: Vox (Classical)
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Similar Items:
- The Story of Schubert
- Story Of Chopin In Words And Music
- The Story of Tchaikovsky
- The Story Of Brahms
- The Story Of Handel
ASIN: B000001KCR
Release Date: 1995-05-01 |
Tracks:
- Overture To 'A Midsummer Night's Dream.' Op. 21
- Concerto For 2 Pianos In A-Flat Major: Allegro vivace; Presto
- 'A Midsummer Night's Dream,' Op. 61: Scherzo
- Song Without Words No. 30 In A-Major, Op. 62 No. 6 'Spring Song'
- Octet In E-Flat Major, Op. 20: Scherzo
- St. Matthew: Chorale
- Hebrides Overture ('Fingal's Cave'), Op. 26
- Symphony No. 3 In A Minor, Op. 56 'Scottish': Vivace non troppo
- Symphony No. 4 In A Minor, Op. 90 'Scottish': allegro vivace
- Symphony No. 4 In A Minor, Op. 90 'Scottish': Con molto moderato
- Overture To 'Calm Sea And Prosperous Voyage,' Op. 27
- Symphony No. 4 In A Minor, Op. 90 'Scottish': Saltarello-presto
- 'A Midsummer Night's Dream,' Op. 61: Wedding March
- St. Paul, Op. 36: Dir Herr, Dir Will Ich Michs Ergeben
- Piano Concerto No. 1 In G Minor, Op. 25: Molto allegro con fuoco
- Violin Concerto In E Minor, Op. 64: Allegretto non troppo
- Song Without Words No. 23 In C Major, Op. 67 No. 4: 'Spinning Song'
- Symphony No. 3 In A Minor, Op. 56 'Scottish': Allegro un poco agitato
- Overture To 'Ruy Blas,' Op. 95
- 'On Wings Of Song,' Op. 95
- A Midsummer Night's Dream,' Op. 61: Scherzo
- Violin Concerto In E Minor, Op. 64: Allegro molto appassionata
- Violin Concerto In E Minor, Op. 64: Andante
- Violin Concerto In E Minor, Op. 64: Allegro non troppo; allegro molto vivace
Average customer rating:
- Copland conducts Copland
- Profound
- review and comparison with Slatkin's CD
- Great music, bad orchestras
- Red Pony Review
|
Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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| Copland, Aaron
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Similar Items:
- Copland: Music for Films
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- Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO
- Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man
- The Copland Collection: Orchestral & Ballet Works, 1936-1948
ASIN: B0000026GF
Release Date: 1990-10-25 |
Tracks:
- Our Town
- The Red Pony Suite - Morning On The Ranch: I. Morning On The Ranch
- The Red Pony Suite - Morning On The Ranch: II. The Gift
- The Red Pony Suite - Morning On The Ranch: III. Dream March And Circus March
- The Red Pony Suite - Morning On The Ranch: IV. Walk To The Bunkhouse
- The Red Pony Suite - Morning On The Ranch: V. Grandfather's Story
- The Red Pony Suite - Morning On The Ranch: VI. Happy Ending
- El Salon Mexico
- Danzon Cubano
- Three Latin-American Sketches -: Estribillo
- Three Latin-American Sketches: Paisaje Mexicano
- Three Latin-American Sketches: Danza de jalisco
Customer Reviews:
Copland conducts Copland.......2003-11-27
Aaron Copland was, admittedly, NOT a great conductor. Nevertheless, musicians enjoyed working with him, possibly because he was so exuberant and enthusiastic. One friend said Copland might tell musicians to "hit a home run." He certainly wanted the musicians to have fun and it's clear that usually happened. Along the way, Copland did manage to give his interpretations of his own music, setting a standard of how it should be played.
It's very apparent in Copland's numerous recordings for Columbia (now available on Sony) that the composer left an important legacy. Among the more original American composers, Copland was distinctly American. He enjoyed a fine musical education from Nadia Boulanger in Paris that gave his compositions some added depth. Initially, Copland followed George Gershwin's example and made considerable use of jazz and blues in his works. Copland himself said he felt he soon exhausted the possibilities of popular music and then turned to American folk music.
A trip to Mexico, where he met and befriended Carlos Chavez, resulted in Copland's first great musical triumph, "El Salon Mexico." It became the only Copland work to ever be conducted by Arturo Toscanini with the NBC Symphony Orchestra. On this CD one has a chance to hear the composer himself conducting this 1936 triumph.
This writer has long enjoyed Copland's wonderful music for the 1948 Technicolor western "The Red Pony," an adaptation of the John Steinbeck story by Lewis Milestone that starred Myrna Loy and a young Robert Mitchum. The music is such an important ingredient in this classic film. Fortunately, Copland extracted a concert suite from the film score and it is included in this CD.
Copland wrote other film scores, too, and we get to hear some of the music he wrote for the 1940 film adaptation of Thornton Wilder's very American play, "Our Town."
The CD includes some additional Latin-influenced works, "Danzon Cubano," which rivals Gershwin's "A Cuban Overture," and "Three Latin American Sketches." These are very colorful, exciting works.
Perhaps, as some have said, the London Symphony Orchestra and the New Philharmonic Orchestra were not up to par in these recordings. Some of that may have been Copland's fault. Still, these are competent performances and they convey what the composer wanted.
Profound.......2003-10-31
Forget what the guy above says about the London Symphony Orchestra's recording of "Our Town." Hands down, the most beautiful piece of music I have ever heard. Moving, surreal, profound. Truly a once in a lifetime experience.
review and comparison with Slatkin's CD.......2003-05-10
It does seem (and I have heard from professional conductors) that performance standards of orchestras in the 1960s and 70s were not what they are today, but I would not necessarily hold that fact against this CD. While Leonard SlatkinÕs more recent recording with the Saint Louis Symphony Orchestra (on the RCA label) is much more pristine, and the musicians sound much more in tune, I find something in CoplandÕs own interpretation of his music that is missing from SlatkinÕs (still very capable) rendition.
Comparing the two versions of ÒOur TownÓ, for example, the difference in character is striking. With Copland the tempo is much slower, the intensity is proportionally much greater, and Copland, with a composerÕs sense of intimacy with his score and the music intended behind it, derives more musicality out of each phrase and note than I hear in SlatkinÕs faster-paced performance. The same can be said for the rest of CoplandÕs CD--what the older recording might lack in technical musicianship, it makes up for in greater interpretive depth. While it is aggravating sometimes to hear instruments out of tune (and I am only assuming that what sounds out of tune to me today was equivalently considered out of tune back then), the tradeoff may be worth it for some.
Great music, bad orchestras.......2000-06-13
While this is some of Copland's best (and most under-recognized) work, the orchestras represented on the CD are, as a whole, awful. Even the London Symphony orchestra had an off day on "Our Town," and the New Philharmonia Orchestra does a good job of butchering the rest of the CD, particularly "Danzon Cubano." The recording of "Danzon" is quite possibly the worst I've ever heard any symphony orchestra play. While it may be worth the money as a bargain CD, do NOT pay full price for this.
Red Pony Review.......2000-01-05
I am currently studying my A-Levels, including a music tehcnology course. One homework was to compose a piece. I played this piece two years ago, and remembered the incredibly difficult timing, and then the satisfaction of getting it right at the start of the Walk to the Bunkhouse. Since I first heard it I kept noticing new sounds, and parts to it. I love it, and keep listening to it again and again, hearing new life in it. Buy this Now!
Average customer rating:
- More than the sum of the parts.
- A Great First CD
- The sublime collection
- Ultimate Collection is Gross Understatement
|
The Ultimate Recorder Collection
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000J916
Release Date: 1999-06-15 |
Tracks:
- Concerto In E, Op. 8 No. 1, RV 269 - Spring: Allegro
- Concerto In E, Op. 8 No. 1, RV 269 - Spring: Largo e pianissimo
- Concerto In E, Op. 8 No. 1, RV 269 - Spring: Allegro - Danza pastorale
- Gymnopedie No. 1
- Op. 55 No. 4: Solveig's Song
- Op. 46 No. 3: Anitra's Dance
- Sonata In G Minor, Op. No. 2, HWV 360: Larghetto
- Sonata In G Minor, Op. No. 2, HWV 360: Andante
- Sonata In G Minor, Op. No. 2, HWV 360: Adagio
- Sonata In G Minor, Op. No. 2, HWV 360: Presto
- Moonchild's Dream (Conlusion)
- Sonata No. 3 In F Minor: Triste
- Sonata No. 3 In F Minor: Allegro
- Sonata No. 3 In F Minor: Andante
- Sonata No. 3 In F Minor: Vivace
- Conerto Grosso Op. 6 No. 8 - 4th Movement: Vivace - Allegro - Pastorale ad libitum
- Melody And Dance Of The Blessed Spirits
- Op. 43, No. 4: Little Bird
- Op. 43 No. 1: Butterfly
- Sonata No. 5 In D Minor - For Treble Recorders: Largo
- Sonata No. 5 In D Minor - For Treble Recorders: Vivace
- Sonata No. 5 In D Minor - For Treble Recorders: Grazioso
- Sonata No. 5 In D Minor - For Treble Recorders: Allegro
- Concerto For Recorder And Orchestra, Op. 133: Lento
- Concerto Op. 10 No. 3 In D: II Gardellino - III. Allegro
Tracks:
- Two Norwegian Dances, Op. 35: No. 1
- Two Norwegian Dances, Op. 35: No. 2
- Air From Suite In D
- Concerto In F For Soprano Recorder: Allegro
- Concerto In F For Soprano Recorder: Andante
- Concerto In F For Soprano Recorder: Allegro assai
- Variations
- Sonata In E Flat, BWV 1031: Allegro moderato
- Sonata In E Flat, BWV 1031: Siciliano
- Sonata In E Flat, BWV 1031: Allegro
- Nele's Dances: No. 15
- Nele's Dances: No. 16
- Nele's Dances: No. 17
- Nele's Dances: No. 18
- Dance Suite, Op. 29 - V -: Molto Vivace
- Sonata In G Minor - Devil's Trill: II. Allegro
- Zion Hears The Watchmen's Voices
- Concerto No. 2 In G Minor: Largo
- Concerto No. 2 In G Minor: Presto 'Fantasmi'
- Concerto No. 2 In G Minor: Largo
- Concerto No. 2 In G Minor: Presto
- Concerto No. 2 In G Minor: Largo 'Il sonno'
- Concerto No. 2 In G Minor: Allegro
- Op. 54, No. 3: March Of The Trolls
- Op. 71, No. 1: Once Upon A Time
- Souvenir: An Encore For Michala
Customer Reviews:
More than the sum of the parts........2001-02-04
I bought this as wallpaper music - and got a very pleasant surprise!
Several of the pieces stopped me in my tracks, made me sit down and forced me to listen.
Michala Petri demonstrates a masterly control of her instrument and a high level of musicianship in a wide ranging selection of material - from reconstituted Bach to specially composed 20th Century pieces.
Outstanding for me was the Sammartini Concerto: Ms Petri shows a lightness of touch combined with serious enthusiasm and an obvious delight that literally stopped me from working and made me listen. The support given by the Moscow Virtuosi also deserves mention.
Koppel's pieces are fun, as are the arrangements from Grieg and Satie.
Overall, although this could be taken as a glorified sampler... it is much more - there are complete works played intelligently and lighter, throw away pieces you'll want to chase after and listen to again.
A Great First CD.......2000-06-22
After falling in love with the recorder, I started searching for CDs and this was the first I bought. It quickly became a favorite CD. I like the fact that it ranges over a wide period--Baroque to Modern, and showcases the instrument in different settings. The liner notes are quite comprehensive as well. In a word--enchanting.
The sublime collection.......2000-06-18
I must confess up front to being a Michala Petri fanatic. I also play the recorder, although after listening to this album, I feel like throwing my instruments into the nearest dumpster.
Michala Petri is a national hero in Denmark, and a recognized name among classical music fans in Europe, Asia, and Canada. If you listen to this album, you will ask yourself how the music business in the USA can frantically promote "The Three Tenors" while mostly ignoring the genius of this amazing young woman.
This is not your kid's recorder. Ms Petri's complete technical and musical mastery of her instrument transforms the recorder into the equal of other familiar solo instruments, but with its own peculiar sound, penetrating but sweet, that sets it apart.
This album is made up mostly of tracks from her many earlier recordings. Some are transcriptions of well-loved piano miniatures (the Grieg numbers are perhaps more charming here than on the piano, if that is possible); of baroque works for flute, recorder, or strings; of modern recorder music written for Ms Petri by contemporary masters. Some are accompanied by small orchestra and others by Ms Petri's husband, the excellent guitarist and lutist Lars Hannibal. The combination of recorder and guitar is an intimate match made in heaven, and I recommend also this duo's complete album, 'Air'.
Ultimate Collection is Gross Understatement.......2000-03-28
This is by far the best "sampler" I have ever heard. The playing is so superb and the recorder so perfect a vehicle that I found myself listing to too often played pieces like Satie's Gymopedie No.1 as if for the first time. Same for the Grieg. It is very hard to believe these renderings aren't the original intention of the composers. This is a guaranteed winner.
Average customer rating:
- Uneven quality but great value
- A superb collection of Mendelssohn
|
Mendelssohn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Dvorák: The Masterworks [Box Set]
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ASIN: B00062FLJ2
Release Date: 2004-11-30 |
Customer Reviews:
Uneven quality but great value.......2007-04-30
Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.
Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.
A superb collection of Mendelssohn.......2007-03-24
Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
Average customer rating:
- not to great
- Not so bad, 100 tunes for 4$
- You get what you pay for.
- Now I know why there were no song samples to listen to ...
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100 Favorite Patriotic Songs
Manufacturer: Bci / Eclipse Music
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Similar Items:
- America's Favorite Patriotic Songs
- United We Stand: Songs for America
- American Pride: Sixteen Stirring Patriotic Themes
- America's Bugle Calls
- Patriotic Country
ASIN: B0000A1HT8
Release Date: 2003-08-12 |
Tracks:
- America the Beautiful
- All Quiet on the Potomac Tonight
- Ballad of the Green Berets
- On Top of Old Smokey
- Coyote Warrior
- Semper Fidelis
- Breeze from Alabama
- Onward Christian Soldiers
- Come Where My Love Lies Dreaming
- Patriot
- Sweet Betsy from Pike
- Marines' Hymn
- America Is
- When Johnny Comes Marchin' Home
- Happy the Soldier
- American Trilogy
- Home Sweet Home
- Washington Post March
- Enraptured I Gaze
- Jeannie With the Light Brown Hair
- Yellow Rose of Texas
- Over There
- Simple Gifts
- Liberty Bell
- Star Spangled Banner
Tracks:
- God Bless the USA
- Yankee Doodle Dandy
- Katy Cruel
- I Vow to Thee My Country
- King Cotton
- Beautiful Dreamer
- America
- American Patrol
- Mine Eyes Have Seen the Beauty
- Mohican Dream
- Red, White and Blue
- Some Folks
- Liberty Song
- Pomp and Circumstance
- Hail to the Chief
- Bennington Rifles
- Peace on the Battlefield
- I've Been Working on the Railroad
- Under the Double Eagle
- Red River Valley
- My Country 'Tis of Thee
- Camptown Races
- Wild Blue Yonder
- Hands Across the Sea
- Fanfare for the Common Man
Tracks:
- Stars and Stripes Forever
- Living in America
- Home on the Range
- Old Colony Times
- Clementine
- Invincible Eagle
- Ring Ring de Banjo
- Yankee Doodle
- Largo from "The New World"
- To a Wild Rose
- Hail Columbia
- Alexander's Ragtime Band
- Gettysburg
- Carry Me Back to Old Virginny
- Capitan
- Prairie Daughter
- Little Brown Jug
- Marching Through Georgia
- Entertainer
- Steamboat Around the Bend
- Revolutionary Tea
- Cassions Keep Rollin' Along
- Johnny Has Gone for a Soldier
- Amazing Grace
- Grand Old Flag
Tracks:
- God Bless America
- National Emblem
- Soldier, Soldier Won't You Marry Me
- Anchors Away
- Oh, Susannah
- Tramp, Tramp, Tramp
- Toast
- Dixie
- St. Louis Blues
- Appalachian Spring
- Bonnie Blue Flag
- Old Hundreth
- Swanee River
- Battle Cry of Freedom
- U. S Field Artillery
- Sidewalks of New York
- Chester
- Auld Lang Syne
- Kingdom Come
- My Old Kentucky Home
- Hail to the Spirit of Liberty
- Battle Hymn of the Republic
- Shenandoah
- Abraham's Daughter
- This Land Is Your Land
Customer Reviews:
not to great.......2007-04-04
We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.
Not so bad, 100 tunes for 4$.......2005-06-22
I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.
You get what you pay for........2004-07-04
You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.
Now I know why there were no song samples to listen to ..........2004-07-04
I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.
Average customer rating:
- More of the bland stagnance of Takemitsu's later symphonic work
- Really enjoying this one
- A fine collection of late works and an ideal introduction
- Another world
- Takemitsu draws you into his dream world
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Toru Takemitsu: Quotation of Dream (20/21 series) - London Sinfonietta / Oliver Knussen
Oliver Knussen , Paul Crossley , Peter Serkin , London Sinfonietta , Sebastian Bell , Michael Collins , Andrew Crowley , Gareth Hulse , Joan Atherton , Rebecca Hirsch , and Timothy Lines
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Similar Items:
- Takemitsu: A Flock Descends into the Pentagonal Garden
- Takemitsu: Requiem; Twill by Twilight
- Takemitsu: A Flock Descends into the Pentagonal Garden
- Takemitsu: Chamber Music
- Takemitsu: To the Edge of Dream / Folios for Guitar / Toward the Sea / Transcriptions for Guitar
ASIN: B00000I0L6
Release Date: 1999-02-09 |
Tracks:
- Quotation Of Dream: Day Signal
- Quotation Of Dream
- Quotation Of Dream: How Slow The Wind
- Quotation Of Dream: Twill By Twilight
- Quotation Of Dream: Archipelago S.
- Quotation Of Dream: Dream-Window
- Quotation Of Dream: Night Signal
Amazon.com
Sometimes, even while you are listening, it can be very difficult to understand how Takemitsu created such exquisitely beautiful music using so much dissonance. As the brief Day Signal opens the disc, for example, you're more likely to think of the glory of sunrise than of the discords. And Quotation of Dream, which quotes freely from Debussy's La Mer, is nearly as beautiful as its source. Rather than waste time figuring out how Takemitsu's spacing of notes and imaginative scoring influences our perceptions, it's much more rewarding just to relax and let the music wash over you. Knussen, who leads amazing performances here, has programmed the disc for a continuous listening experience, although the novice should probably listen only to a couple of pieces at one sitting. --Leslie Gerber
Customer Reviews:
More of the bland stagnance of Takemitsu's later symphonic work.......2007-06-03
It's inexplicable that so little of Takemitsu's extraordinary film music has been released in affordable editions outside Japan, while compilations of his boring, overtly derivative late orchestral output have enjoyed inclusion on releases by the likes of DG. Then again, DG hasn't had a good string of releases since the late '70s, so I don't expect too much from that fallen giant.
"Quotation of Dream" is easily one of Takemitsu's worst compositions and an absolute waste of time: a meandering exercise that tediously quotes Debussy's "La Mer" and recycles portions of Takemitsu's own "Dream/Window." Technically, this piece is as expertly constructed as all of Takemitsu's work, but that doesn't make it any less counterfeit of its' source material, or any less embarrassing for it. Why should I listen to this tiresome pablum when the compositions it borrows from are readily available?
"How Slow the Wind," "Twill by Twilight" and "Archipelago S." are typical examples of Takemitsu's late orchestral works: they assume a lovely sound and were composed with ingenious design, but that doesn't make them even remotely interesting or memorable.
There are a few works on this disc that are worth hearing. The aforementioned "Dream/Window" is a brilliant, beautiful twelve-tone composition that's infused with the drifting, dreamlike sonority common of his works - an aesthetic which is almost anathema to the rigorous character of most serialist compositions.
Also notable are "Day Signal" and "Night Signal," a pair of dissonant, evocative fanfares that bookend the album's content. These brass-voiced compositions seem almost facile to the ear at first listen, but repeated plays distinguish the cleverness of these little pieces as antiphonal movements.
None of the negative comments of this review should obscure the fact that Takemitsu was a truly gifted and intuitive composer. But it's inexplicable that so much of his best (and in many cases, most accessible) works of film, piano, chamber and electronic/tape music remain either out of print (often since being released on LP) or entirely unavailable for domestic consumption of his North American and European listeners when the least of his orchestral oeuvre is readily on hand.
There's nothing that I can say against these performances by Knussen conducting the LS. They're excellent, informed executions of mostly mediocre compositions. However, I'd much rather hear Knussen performing the best of his own small (but distinguished) oeuvre!
The production is decent: as transparent and pristine as most of the best digital recordings. These compositions don't demand any venture into extreme registers, but the soft passages are capably, audibly reproduced without any loss of their inherent subtlety.
Really enjoying this one.......2006-04-29
I have only recently begun listening to Takemitsu. Was introduced at a guitar recital. I have been slowly accumulating more of his compositions. For me, this is possibly the best.
Composition intrigues me perhaps more than any other aspect of music, and this fellow was clearly inspired. I would liken his music to that of Alan Hovhaness, but without some of the more brash moments of that composer. I can also hear the influence of Debussy, but Takemitsu takes the listener in many enjoyable directions throughout this CD.
The playing and recording are also top-notch.
A fine collection of late works and an ideal introduction.......2004-12-11
QUOTATION OF DREAM is the first of Deutsche Grammophon's several collections of pieces by late Japanese composer Toru Takemitsu, who thankfully has been getting ever-more attention since his untimely death in 1996. Takemitsu was a mainly self-taught composer, and because of this there seems to be little that connects him to his serialism- or minimalism-inspired colleagues. Nevertheless, Takemitsu's own path is fascinating, exploring Japanese and Western compositional principles in isolation and in combination and striving to transcend them both. These pieces, several of them related by shared thematic materials. are lovingly performed by the London Sinfonietta conducted by Oliver Knussen, who was a friend and admirer of Takemitsu.
The disc is framed by two antiphonal fanfares written in 1987, "Day Signal" and "Night Signal", together called "Signals from Heaven". They are closely related, both using dissonance to suggest the changing of the skies, but with one inverted from the other to suggest an opposite tone.
A quip of Takemitsu was "I am self-taught, but I consider Debussy my teacher." The first major work here, "Quotation of Dream - Say sea, take me!" (1991), is a tribute to Debussy using quotations from his "La Mer" as if the composer was trying to recreate the piece he had just woken up from dreaming. The title also refers to its use of some material from "Dream/Window", an earlier composition present on this disc. "Quotation of Dream" is a lovely tribute to the composer's greatest inspiration, but the majority of the work comes only from Takemitsu. His use of a zig-zag of harmony, of orchestral colour that comes forth and recedes like waves is nothing you have ever heard before in orchestral music.
"How Slow the Wind" (1991), inspired by a poem by Emily Dickinson, is rather more brooding. It's most interesting moments occur toward the end, when cascading woodwind sounds and the faintly mechanical notes of two Swiss cowbells transform the work into something different. This is one of Takemitsu's most impressive works,
"Twill by Twillight (in memory of Morton Feldman)" (1988) is an experiment with a musical "tapestry", where a theme "weaves" through the piece. The piece is pretty music, but does little to make itself memorable and for me remains the low point of this collection.
The title of "Archipelago S." for twenty-one players (1993) refers to the landscapes of Seattle, Stockholm, and the islands of the Sato Inland Sea . The piece has an innovative stage layout, with the players grouped into five "islands": a five-person brass group, two mixed seven-piece groups, a clarinet sitting to the right, and a clarinet sitting to the left. The effect is indeed somewhat nautical and this recording exploits the space well.
"Dream/Window" (1985) is probably the most important composition on this disc. Every note of this piece is of the greatest delicacy, and the work as a whole is so crystalline and fragile that one feels one will break it just by listening to it. Though Takemitsu's later works are impressive, they have never seemed to me to acheive the perfection of "Dream/Window". What is surprising is that this work is true twelve-tone music, yet with Takemitsu's skill it does not sound dull or scientific.
If you ever think that modern-classical music is written only by dispassionate ivory-tower robots like Pierre Boulez, the works of Takemitsu will show you that contemporary techniques can, under the right hands, touch the emotions as much as the intellect. While it takes some time to get used to (nearly six months for me), this is probably the single best introduction to the music of Toru Takemitsu. And one should certainly listen to this before getting the other DG "20/21" discs, which are rather more specialised (with, for example, one having traditional Japanese pieces and the other flute and guitar works).
Another world.......2003-10-18
Toru Takemitsu was one of the late 20th century's most individual composers whose scores use primarily the traditional instruments of western classical music. Perhaps in part because he wrote film scores in addition to concert pieces, his art is highly communicative and un-academic. It has the double merit of being about as far as you can get both from gnarly, dissonant modernism and from pretty-pretty New Age ear candy.
Quotation of Dream includes seven pieces from the last decade of Takemitsu's life (he died in 1996), including the premiere recording of the title piece. The disc begins and ends with fanfares that, while perhaps effective as aural bookends, are to my ears undistinguished. The music that lies in between, however, is extraordinarily compelling.
Takemitsu's style in these works is generally meditative, with frequent slow, quiet passages, strings predominating. But there are dramatic incidents and color as well: flaring brass, rising like a mountainous island from a tropical sea; raindrops of chimes; drawn-out woodwind lines weaving sinuously through swirls of massed violins. The music sometimes pivots around silent pauses, like the empty spaces in Zen painting. In Quotation of Dream, twin pianos (played by Paul Crossley and Peter Serkin, respectively) dominate the foreground with gentle cascades of notes while orchestral clouds form in the background.
The musical language is often reminiscent of Debussy and Ravel; in mood (though not in technique) it can resemble the slowest and most mysterious moments in music of the second Viennese school (Schoenberg, Berg, Webern et al.). The subtlety and elusiveness probably owe something to the composer's Japanese heritage. But this is no cut-and-paste job; the overall impression is startlingly original.
I have not read the liner notes, and have no idea of what Takemitsu is trying to "say," or what these scores "mean." I would also suggest that those considerations are pretty irrelevant: the important thing is the sound world that he has created, which is both other-worldly and bracing.
Oliver Knussen, a contemporary British composer and a friend of Takemitsu, conducted the London Sinfonietta in these recordings. It is apparent that that he helped the players, who sound expert, get "inside" the music.
Anyone who already knows and appreciates Takemitsu's sensibility need not hesitate to acquire this disc. It can also be recommended for all but the most determinedly "mostly Mozart" classical devotees.
The presentation is not ideal. Deutsche Grammophon has never excelled at digital recordings, and the sound of this disc, while detailed and transparent, is a bit bright and clinical. The disc is contained in one of those cardboard containers that some labels are now trying to get you to accept in lieu of the standard jewel case because it's cheaper to produce (but not cheaper for you to buy). The atmospheric sepia-toned photo on the cover has a fat round sticker on it that shouts "World Premiere Recording"; if you try to peel off the sticker, it leaves ineradicable shreds. The plastic tray with the central claw ring is glued to the cardboard. Take care not to break the plastic, because there is no way you can replace it.
Takemitsu draws you into his dream world.......2002-04-07
These pieces from Takemitsu's maturity represent the pinnacle of achievement for this gifted composer. Without regard to trends and fashion in contemporary music has has created his own sound universe. A peaceful, yet oddly non-somnolent, serenity informs virtually every bar of these wonderful pieces. The music is beautiful, lush and imaginative at every turn and despite strong ties to the French impressionists it is creative and unique and infused with Takemitsu's personal stamp and his nature-mystical aesthetic. The sound and the performances are first rate and Oliver Knussen must be congratulated on doing such a fine job in bringing these excellent pieces to life. If you love Takemitsu, you will love this CD. If you are new to Takemitsu, this is a wonderful introduction to one of the 20th century's finest composers.
Recommended without reservation.
Average customer rating:
- Brilliant vintage hamonics!
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Auf Wiederseh'n
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Similar Items:
- The Comedian Harmonists
- The Harmonists
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- Definitive Collection
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ASIN: B000001HJO
Release Date: 1997-01-21 |
Tracks:
- Creole Love Call
- Must I Now Leave My Little Town?
- Perpetual Motion
- A Little Madness Is No Bad Thing
- Tea For Two
- A Little Spring Breeze
- Darling, My Heart Longs To Greet You
- Congo Lullaby
- When Russian Sonja Is Dancing
- Whispering
- The Blue Danube
- The Old Spinning-Wheel
- The Barber Of Seville Overture
- The Wedding Of The Painted Doll
- At The Well Before The Gate
- Barcarolle
- Woodchoppers' Ditty
- I Dream Of A Magical Night
- In Silent Night
- Night And Day
- A Boy Saw A Wild Rosebush
- Death's Evening Recitals At The Ship's Piano
- Close Your Eyes
- Tell Me Tonight
- Auf Wiederseh'n, My Dear
Customer Reviews:
Brilliant vintage hamonics!.......1999-07-21
The Comedy Harmonists were an a close harmony group who recorded in Germany from '28 to the late '30's. They were harassed and force to disband because of Nazi disapproval of their semitic origins as well as their avant-guarde, jazz-oriented material. They sing here in German and English doing everything from folk songs to Tea for Two with clarity, musical grace and lightness. Their comic songs are very deft and witty. If you enjoy close harmonics, you will find this recording a revelation.
Music Review:
- Dvorák: Piano Trio Op.21 & Op.90 'Dumky'
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- Eshpai: Piano Concerto, Violin Concerto, Viola Concerto, etc
- Etudes Tableaux
- Federico Mompou: Melodies - Combat del Somni / Cinq Melodies / Sant Marti / Cançó de la Fira / Aureana do Sil / Quatre Comptines / Becquerianas / Cantar del Alma - Carmen Bustamante, Soprano
- Four Ballades/Polonaise in F Sharp Minor Op44
- Franz Schubert: Symphony No. 5/Mass In G Major
- French Music for Flute and Harp
- Handel - Messiah / Schlick, Piau, Scholl, Padmore, Berg, Les Arts Florissants, Christie
- Hear, O hav'ns,Chapel Royal Anthems
Music Review
music review
Music Review
Unknown Territory [Import]
Cherubini: String Quartets 2 & 5
Casadesus: Toccata Op.40, Violin Sonata No.2, Wind Sextet Op.58, etc. [Import]
For Sentimental Reasons
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Como Poder Olvidarte
Collection of: Songs in the Key of Love, Vol. 1
Blender
Best of New Zealand [Import]
De Luxe [CD-single]
Contrasts [Extra tracks]
Cine Ipanema [Import]
Break 4 Love, Vol. 1 [CD-single]
Paint the Town Red
The Real Thing