Tomkins: Keyboard Music, Vol.2

On this CD:

1. Prelude for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

2. A Fancy, for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

3. In Nomine (Version I)
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

4. In Nomine ll, for 3 viols
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

5. In Nomine, for organ
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

6. Voluntary for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

7. Paduan with division to it, for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

8. The galliard to the pavan in A re, for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

9. Fantasia, for 6 viols
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

10. Toy, Made At Poole Court, for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

11. A Paven, for keyboard (August 20, 1650)
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

12. Robbin Hood, for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

13. A Paven, for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

14. A Paven, for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

15. Ground for keyboard
Composed by Thomas Tomkins
Performed by Bernhard Klapprott, Bernhard Klapprott

Tomkins: Keyboard Music, Vol.2, Music, Thomas Tomkins, Bernhard Klapprott, Chamber, Chamber Music, Chamber Music & Recitals, Classical, Classical Composers, Keyboard, Music for Keyboard, Pavane for Keyboard, Prelude for Keyboard
Instruments of the Russell Collection, Volume 2
Average customer rating: Not rated
    		Instruments of the Russell Collection, Volume 2

    Manufacturer: Delphian
    ProductGroup: Music
    Binding: Audio CD

    PavanesPavanes | Ballets & Dances | Classical | Styles | Music
    PolonaisesPolonaises | Ballets & Dances | Classical | Styles | Music
    Bach, J. C. F.Bach, J. C. F. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by Franz Xavier MozartAll Works by Franz Xavier Mozart | Mozart, Franz Xavier W | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    SuitesSuites | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    ClassicalClassical | Imports | Stores | Music
    ASIN: B000EJ9LSY
    Release Date: 2006-08-29
    Tomkins: Keyboard Music, Vol.2
    Average customer rating: Not rated
      		Tomkins: Keyboard Music, Vol.2

      Manufacturer: MD&G Records
      ProductGroup: Music
      Binding: Audio CD

      PavanesPavanes | Ballets & Dances | Classical | Styles | Music
      PreludesPreludes | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      Similar Items:
      1. Thomas Tomkins Keyboard Music, Vol.4
      2. Tomkins: Complete Keyboard Music, Vol. 3
      3. Thomas Tomkins: Complete Keyboard Music, Vol. I
      4. Adriano Banchieri: Il Virtuoso

      ASIN: B0000021HE
      Release Date: 1997-01-21

      Tracks:

      1. Prld
      2. Fancy
      3. In Nomine (Version I)
      4. In Nomine (Version II)
      5. In Nomine
      6. Voluntary
      7. Pavan
      8. Galliard
      9. Fancy
      10. Toy-Made At Poole Court
      11. Pavan
      12. Robin Hood
      13. Pavan
      14. Pavan
      15. Ground - Bernhard Klapprott B
      When They Had Pedals, Vol. 1 - The Pleyel
      Average customer rating: 5 out of 5 stars
      • Foot-Notes
      • "If it SOUNDS Right, it IS Right"
      		 When They Had Pedals, Vol. 1 - The Pleyel

      Manufacturer: Lyrichord Discs Inc.
      ProductGroup: Music
      Binding: Audio CD

      Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by TallisAll Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
      CanzonesCanzones | Sonatas | Forms & Genres | Classical | Styles | Music
      SuitesSuites | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
      GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
      Similar Items:
      1. Handel: Keyboard Music, Suites 3, 13, 11, 14, 15, & 8

      ASIN: B00000DC24
      Release Date: 1998-10-20

      Tracks:

      1. Three Gailards (Nos. 1, 2 & 3)
      2. Partite 12 Sopra L'Aria di Ruggiero
      3. Canzona Seconda
      4. Partite 6 Sopra L'Aria Di Follia
      5. Canzona Quarta
      6. Four Correnti
      7. Canzona Prima
      8. Partite 11 Sopra L'Aria Di Monicha

      Tracks:

      1. a) O Ye Happy Dames
      2. b) When Griping Griefs
      3. c) Tres Partes In Una
      4. a) Christe Qui Lux With A Meane
      5. b) Christe Qui Lux
      6. c) Eterne Rex Altissime
      7. a) Gloria Tibi Trinitas iii
      8. b) Gloria Tibi Trinitas iv
      9. a) Pavan
      10. b) A Fansye
      11. a) Ex More Docti Mistico
      12. b) O Ye Tender Babes
      13. c) Natus Est Nobis
      14. Galliard
      15. The Perpetual Round
      16. In Nomine
      17. Ut Be My Fa Sol La
      18. Fortune My Foe

      Customer Reviews:

      5 out of 5 stars Foot-Notes.......2007-01-19

      In our modern day of historical accuracy (such as it is) in harpsichord playing, we are taught to despise the instrument built with pedals to control the registers; yet in the very time period we venerate harpsichord makers were looking at alternatives to hand-stops to make register changes easier and more convenient for the player. This fine recording surely demonstrates that the presence of pedals does not have to spoil in any way the musicality of the playing, and more than looking at a Bach manuscript in good light makes it less remarkable than if peered at in dim candlelight. A terrific recording!

      5 out of 5 stars "If it SOUNDS Right, it IS Right".......2004-09-07

      These works were recorded in the late 1950's on a 1907 striped zebra wood double manual Pleyel Harpsichord with six pedals, exactly like the one Wanda Landowska played(This Pleyel however, I believe, did not have a 16')The brilliant Paul Wolfe was himself a student of Wanda Landowska in Lakeville,CT,and had an illustrious recording career, which incudes, amongst others, The Complete Handel Suites.
      What I love so much about this recording, as well as all of Mr. Wolfe's recordings, is that the music LIVES. Until hearing these recordings, I had only heard Frescoboldi and early English viriginalist music on "historical" instruments, and was bored to tears. But here, because of the MEDIUM and the creative, imaginitive and liberated artist playing them , this music sounds electrifying!
      The early music movement has become a boring box of rules. If you can't defend the way your're playing something with historical data(treatises,accounts of composers and their contemporaries) then you're wrong and uninformed and undisciplined. Well that's a lot of crap and that's why early music is dying. Noone really cares if you're playing a harpsichord Bach would have played or playing Bach or Frescobaldi that thunders in a manner like Beethoven! All an audience really cares about is that you did something beautiful and moving with the music-something that this young writer feels that 99% of harpsichordists today DON'T DO. O yes, today's harpsichordists do a great job of playing out of time all over the place, playing Bach as though it's Couperin because, "Historically,The French infuence on the Germans was so acute," sitting on the downbeats,breaking the line constantly so they can "speak" the music rather than play it, as they put it. But there's very little moving,beautiful harpsichord playing going on.
      I myself am a young(19 years old), studying harpsichordist and have had it with the dusty old early music movement and their treatises and their historical performance practice.I am out readying to buy myself a harpsichord complete with a 16' stop and pedals!
      And a word on those kinds of instrumnets: It IS arrogant to be of the opinion,"O well we know better today than to play those kinds of instruments and in THAT manner." Do you really know better, those of you who say that, hm? If you knew better, then early music departments in colleges all over the world wouldn't be closing down. If you knew better, the harpsichord would still be readily known by most people. If you knew better, the harpsichord would still be thought of as a hot-fired,hot-blooded, romantic SOLO instrument, the way it was when Landowska was running the show and calling the shots.
      But not anymore, thanks to you boring,dusty, musicological-"truth"-seekers. Nope, now the harpsichord is this NICE instrument, that NICE people play NICE music on. It's the instrument you sit in the back of the orchestra and strum! It is now a "proper" instrument.Landowska would spit upon such an idea and is probably rolling over in her grave, poor girl, to see the damage the purist twits running things now, have done.
      I am so thankful then for recordings like Paul Wolfe's, who abides by something Landowska once told him in a lesson: "...If it SOUNDS right, then it IS right!" This is a recording this young listener is time and time again floored by, looks up to and aspires to! The Old School Shall Live Again! If you want to help it do so, you may email me at UUguy16@aol.com

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