Shura Gehrman - Schubert

On this CD:

1. Fischerweise ("Den Fischer fechten Sorgen"), song for voice & piano, D. 881 (Op. 96/4)
Composed by Franz Schubert
Performed by Nina Walker

2. Im Frühling ("Still sitz ich"), song for voice & piano, D. 882
Composed by Franz Schubert
Performed by Nina Walker

3. Meeres Stille ("Tiefe Stille herrscht im Wasser"), song for voice & piano, D. 216 (Op. 3/2)
Composed by Franz Schubert
Performed by Nina Walker

4. Gruppe aus dem Tartarus II ("Horch, wie Murmeln"), song for voice & piano, D. 583 (Op. 24/1)
Composed by Franz Schubert
Performed by Nina Walker

5. Der Jüngling am Bache III ("An der Quelle sass der Knabe"), song for voice & piano, D. 638 (Op. 87/3)
Composed by Franz Schubert
Performed by Nina Walker

6. Gesang ("Was ist Sylvia,..."), song for voice & piano, ("An Sylvia"), D. 891 (Op. 106/4)
Composed by Franz Schubert
Performed by Nina Walker

7. Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3)
Composed by Franz Schubert
Performed by Nina Walker

8. Schwanengesang ("Wie klag' ich's aus"), song for voice & piano, D. 744 (Op. 23/3)
Composed by Franz Schubert
Performed by Nina Walker

9. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Gute nacht (Good Night)
Composed by Franz Schubert
Performed by Nina Walker

10. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Die Wetterfahne (The Weathervane)
Composed by Franz Schubert
Performed by Nina Walker

11. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Gefror' ne Tränen (Frozen Tears)
Composed by Franz Schubert
Performed by Nina Walker

12. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Erstarrung (Numbness)
Composed by Franz Schubert
Performed by Nina Walker

13. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Der Lindenbaum (The Linden Tree)
Composed by Franz Schubert
Performed by Nina Walker

14. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Wasserglut (Flood)
Composed by Franz Schubert
Performed by Nina Walker

15. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Auf dem Flusse (At the River)
Composed by Franz Schubert
Performed by Nina Walker

16. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Rückblick (A bachward Glance)
Composed by Franz Schubert
Performed by Nina Walker

17. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Irrlicht (Will-o' the Wisp)
Composed by Franz Schubert
Performed by Nina Walker

18. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Rast (Rest)
Composed by Franz Schubert
Performed by Nina Walker

19. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Frühllingstraum (A Dream of Springtime)
Composed by Franz Schubert
Performed by Nina Walker

20. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Einsamkeit (Loneliness)
Composed by Franz Schubert
Performed by Nina Walker

21. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Die Post (The Post)
Composed by Franz Schubert
Performed by Nina Walker

22. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Der Gresie Kopf (The Grey Head)
Composed by Franz Schubert
Performed by Nina Walker

23. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Die Krähe (The Crow)
Composed by Franz Schubert
Performed by Nina Walker

24. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Letzte Hoffnung (Last Hope)
Composed by Franz Schubert
Performed by Nina Walker

25. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Im Dorfe (In the Village)
Composed by Franz Schubert
Performed by Nina Walker

26. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Der Stürmische Morgen (A Stormy Morning)
Composed by Franz Schubert
Performed by Nina Walker

27. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Täuschung (Deception)
Composed by Franz Schubert
Performed by Nina Walker

28. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Der Wegweiser (The Signpost)
Composed by Franz Schubert
Performed by Nina Walker

29. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Das Wirtshaus (The Inn)
Composed by Franz Schubert
Performed by Nina Walker

30. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Mut (Courage)
Composed by Franz Schubert
Performed by Nina Walker

31. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Die Nebensonnen (The Phantom Suns)
Composed by Franz Schubert
Performed by Nina Walker

32. Winterreise, song cycle for voice & piano, D. 911 (Op. 89) Der Lieermann (The organ Grinder)
Composed by Franz Schubert
Performed by Nina Walker

33. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Das Wandern (To Wander)
Composed by Franz Schubert
Performed by Nina Walker

34. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Wohin? (Whither?)
Composed by Franz Schubert
Performed by Nina Walker

35. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Halt! (There!)
Composed by Franz Schubert
Performed by Nina Walker

36. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Danksagung an den Bach (Thanks to the River)
Composed by Franz Schubert
Performed by Nina Walker

37. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Am Feierabend (The day's work done)
Composed by Franz Schubert
Performed by Nina Walker

38. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Der neugierige (The Question)
Composed by Franz Schubert
Performed by Nina Walker

39. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Ungeduld (Impatience)
Composed by Franz Schubert
Performed by Nina Walker

40. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Morgengruß (Morning Greeting)
Composed by Franz Schubert
Performed by Nina Walker

41. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Des Müllers Blumen (The Miller's Flowers)
Composed by Franz Schubert
Performed by Nina Walker

42. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Tränenregen (A Shower of Tears)
Composed by Franz Schubert
Performed by Nina Walker

43. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Mein! (Mine)
Composed by Franz Schubert
Performed by Nina Walker

44. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Pause (Pause)
Composed by Franz Schubert
Performed by Nina Walker

45. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Mit dem grünen Lautenbande (The Green Ribbon)
Composed by Franz Schubert
Performed by Nina Walker

46. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Der Jäger (The Huntsman)
Composed by Franz Schubert
Performed by Nina Walker

47. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Eifersucht und Stolz (Jealousy and Pride)
Composed by Franz Schubert
Performed by Nina Walker

48. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Die liebe Farbe (The Favourite Color)
Composed by Franz Schubert
Performed by Nina Walker

49. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Die Böse Farbe (The Hateful Color)
Composed by Franz Schubert
Performed by Nina Walker

50. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Trockne Blumen (Faded Flowers)
Composed by Franz Schubert
Performed by Nina Walker

51. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Der Müller und der Bach (The Miller and the Brook)
Composed by Franz Schubert
Performed by Nina Walker

52. Die schöne Müllerin, song cycle, for voice & piano, D. 795 (Op. 25) Des Baches Wiegenlied (The Brook's Lullaby)
Composed by Franz Schubert
Performed by Nina Walker

53. An den Mond ("Guess, lieber Mond"), song for voice & piano, D. 193 (Op. 57/3)
Composed by Franz Schubert
Performed by Nina Walker

54. Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32)
Composed by Franz Schubert
Performed by Nina Walker

55. Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3)
Composed by Franz Schubert
Performed by Nina Walker

56. Der Wanderer an den Mond ("Ich auf der Erd'"), song for voice & piano, D. 870 (Op. 80/1)
Composed by Franz Schubert
Performed by Nina Walker

57. An die Musik ("Du holde Kunst..."), song for voice & piano, D. 547 (Op. 88/4)
Composed by Franz Schubert
Performed by Nina Walker

Tracks:

SYMPHONY NO. 1 IN D MAJOR, D. 82: I. ADAGIO - ALLEGRO VIVACE
SYMPHONY NO. 1 IN D MAJOR, D. 82: II. ANDANTE
SYMPHONY NO. 1 IN D MAJOR, D. 82: III. MENUETTO & TRIO
SYMPHONY NO. 1 IN D MAJOR, D. 82: IV ALLEGRO VIVACE
SYMPHONY NO. 2 IN B FLAT MAJOR, D. 125: I. LARGO - ALLEGRO VIVACE
SYMPHONY NO. 2 IN B FLAT MAJOR, D. 125: II. ANDANTE
SYMPHONY NO. 2 IN B FLAT MAJOR, D. 125: III. MENUETTO & TRIO: ALLEGRETTO
SYMPHONY NO. 2 IN B FLAT MAJOR, D. 125: IV. PRESTO VIVACE

Tracks:

SYMPHONY NO. 8 IN B MINOR, D. 759: I. Allegro Moderato
SYMPHONY NO. 8 IN B MINOR, D. 759: II. Andante Con Moto
Symphony No. 5 In B Flat Major, D. 485: I. Allegro
Symphony No. 5 In B Flat Major, D. 485: II. Andante Con Moto
Symphony No. 5 In B Flat Major, D. 485: III. Menuetto & Trio: Allegro Molto
SYMPHONY NO. 5 IN B FLAT MAJOR, D 485: IV. Allegro Vivace
SYMPHONY NO. 3 IN D MAJOR, D. 200: I. Adagio Maestoso - Allegro Con Brio
Symphony No. 3 in D Major, D. 200: II. Allegretto
Symphony No. 3 in D Major, D. 200: III. Menueto & Trio: Vivace - The Hanover Band
Symphony No. 3 in D Major, D. 200: IV. Presto Vivace - The Hanover Band

Tracks:

SYMPHONY NO. 4 IN C MINOR, D. 417: I. Adagio Molto - Allegro Vivace
SYMPHONY NO. 4 IN C MINOR, D. 417: II. Andante
SYMPHONY NO. 4 IN C MINOR, D. 417: III. Menuetto And Trio
SYMPHONY NO. 4 IN C MINOR, D. 417: IV. Allegro
SYMPHONY NO. 6 IIN C MAJOR, D. 589: I. Adagio - Allegro
SYMPHONY NO. 6 IN C MAJOR, D. 589: II. Andante
SYMPHONY NO. 6 IN C MAJOR, D. 589: III. Scherzo: Allegro
SYMPHONY NO. 6 IN C MAJOR, D. 589: IV. Finale: Allegro Moderato

Tracks:

SYMPHONY NO. 9: I. Andante - Allegro Man Non Troppo - Piu Moto
SYMPHONY NO. 9: II. Andante Con Moto
SYMPHONY NO. 9: III. Scherzo: Allegro Vivace
SYMPHONY NO. 9: IV. Allegro Vivace

Tracks:

String Quartet No. 13 In A Minor: Allegro ma non troppo
String Quartet No. 13 In A Minor: Andante
String Quartet No. 13 In A Minor: Menuett And Trio
String Quartet No. 13 In A Minor: Allegro Moderato
String Quartet No. 14 In D Minor 'Death And The Maiden: Allegro
String Quartet No. 14 In D Minor 'Death And The Maiden: Andante con moto
String Quartet No. 14 In D Minor 'Death And The Maiden: Scherzo - Allegro Molto
String Quartet No. 14 In D Minor 'Death And The Maiden: Presto

Tracks:

STRING QUARTET NO. 15: Allegro Molto Moderato
STRING QUARTET NO. 15: Andante Un Poco Moto
STRING QUARTET NO. 15: Scherzo. Allegro Vivace
STRING QUARTET NO. 15: Allegro Assai

Tracks:

String Quintet In C Major, D. 956: Allegro ma non troppo - F. Schubert
String Quintet In C Major, D. 956: Adagio - F. Schubert
String Quintet In C Major, D. 956: Scherzo: Presto - Trio: Andante sostenuto - F. Schubert
String Quintet In C Major, D. 956: Allegretto - F. Schubert

Tracks:

DIE WINDTERREISE D. 911: Gute Nacht
DIE WINDTERREISE D. 911: Die Wetterfahne
DIE WINDTERREISE D. 911: Gefror'ne Tranen
DIE WINDTERREISE D. 911: Erstarrung
DIE WINDTERREISE D. 911: Der Lindenbaum
DIE WINDTERREISE D. 911: Wasserflut
DIE WINDTERREISE D. 911: Auf dem Flusse
DIE WINDTERREISE D. 911: Ruckblick
DIE WINDTERREISE D. 911: Irrlicht
DIE WINDTERREISE D. 911: Rast
DIE WINDTERREISE D. 911: Fruhlingstraum
DIE WINDTERREISE D. 911: Einsamkeit
DIE WINDTERREISE D. 911: Die Post
DIE WINDTERREISE D. 911: Der Greise Kopf
DIE WINDTERREISE D. 911: Die Krahe
DIE WINDTERREISE D. 911: Letzte Hoffnung
DIE WINDTERREISE D. 911: Im Dorfe
DIE WINDTERREISE D. 911: Der Sturmische Morgen
DIE WINDTERREISE D. 911: Tauschung
DIE WINDTERREISE D. 911: Der Wegweiser
DIE WINDTERREISE D. 911: Das Wirtshaus
DIE WINDTERREISE D. 911: Mut
DIE WINDTERREISE D. 911: Die Nebensonnen
DIE WINDTERREISE D. 911: Der Leiermann

Tracks:

DIE SCHONE MULLERIN D. 795: Das Wandern
DIE SCHONE MULLERIN D. 795: Wohin?
DIE SCHONE MULLERIN D. 795: Halt!
DIE SCHONE MULLERIN D. 795: Danksagung an den Bach
DIE SCHONE MULLERIN D. 795: Am Feierabend
DIE SCHONE MULLERIN D. 795: Der Neugierige
DIE SCHONE MULLERIN D. 795: Ungeduld
DIE SCHONE MULLERIN D. 795: Morgengruss
DIE SCHONE MULLERIN D. 795: Des Mullers Blumen
DIE SCHONE MULLERIN D. 795: Tranenregen
DIE SCHONE MULLERIN D. 795: Mein!
DIE SCHONE MULLERIN D. 795: Pause
DIE SCHONE MULLERIN D. 795: Mit dem grunen Lautenbande
DIE SCHONE MULLERIN D. 795: Der Jager
DIE SCHONE MULLERIN D. 795: Eifersucht und Stolz
DIE SCHONE MULLERIN D. 795: Die liebe Farbe
DIE SCHONE MULLERIN D. 795: Die bose farbe
DIE SCHONE MULLERIN D. 795: Trockne Blumen
DIE SCHONE MULLERIN D. 795: Der Muller und der Bach
DIE SCHONE MULLERIN D. 795: Des Baches Wiegenlied

Tracks:

Sonata In G Major, D.894: I. Molto moderato e cantabile
Sonata In G Major, D.894: II. Andante
Sonata In G Major, D.894: III. Menuetto- Allegro moderato
Sonata In G Major, D.894: IV. Allegretto
Unfinished Sonata In C Major, D.612-613: I. Moderato
Unfinished Sonata In C Major, D.612-613:: II. Adagio
Unfinished Sonata In C Major, D.612-613:: III. Allegretto

Tracks:

Sonata In Eb Major, D. 568: I. Allegro moderato
Sonata In Eb Major, D. 568: II. Andante molto
Sonata In Eb Major, D. 568: III. Menuetto- Allegretto
Sonata In Eb Major, D. 568: IV. Allegro moderato
Sonata In A Major, D. 664: PS In A Major, D.664: I. Allegro moderato
Sonata In A Major, D. 664: II. Andante
Sonata In A Major, D. 664: III. Allegro

Tracks:

Unfinished Sonata In F Minor, D.625-505: I. Allegro
Unfinished Sonata In F Minor, D.625-505: II. Adagio
Unfinished Sonata In F Minor, D.625-505: III. Scherzo- Allegretto
Unfinished Sonata In F Minor, D.625-505: IV. Allegro
Sonata In B Flat Major, D.960: I. Molto moderato
Sonata In B Flat Major, D.960: II. Andante sostenuto
Sonata In B Flat Major, D.960: III. Scherzo- Allegro vivace con delicatzza
Sonata In B Flat Major, D.960: IV. Allegro, ma non troppo

Amazon.com

In addition to the 9 symphonies played by the period instrument Hanover Band with zing and authority, you'll find on these 12 CDs the Chilingirian String Quartet's stunning "Death and the Maiden" Quartet (and more), 6 big piano sonatas, handsomely done by Marta Deyanova, and a stunning performance of the C-Major Quintet with the Brandis Quartett and cellist Wen-Sinn Yang. In addition, Shura Gehrman (who owned Nimbus) sings both Die Schoene Mullerin and Die Winterreise--two of the more bizarre musical events of the last quarter century--both worth it, if nothing else, as party discs. But what a great collection this is! --Robert Levine

Customer Reviews:

This would appear a bargain, but..........2005-11-29

I am familiar with these recordings from separate releases I bought in the early 1990s, especially Goodman's Hanover Band Schubert Symphonies, and Shura Gehrman's Schubert Lieder. All I can say is that this appears to be a bargain on the surface, but as the ancient Romans said, "es caveat emptor", LET THE BUYER BEWARE.

I must begin by praising Roy Goodman's recordings of Haydn Symphonies (Hyperion) which I am thrilled to have, and would give 5 stars, but his Schubert seems pedestrian and dull: period instruments do not serve Schubert well in these Nimbus recordings. There is alot of reverb/echo in the hall where they were recorded, and some tempos are too slow, and lack impact. I find Symphony 9 especially dull and at over 60 minutes, just too long to hold my attention. Other listeners may not agree, but I find Goodman's Schubert rather boring.

Shura Gehrman once told Dietrich Fischer-Dieskau something like (paraphrase) "if you weren't so tall and good looking, you wouldn't have the career you do" or similar meaning. Gehrman had a different method of singing Schubert, claiming Fischer-Dieskau and other German singers were using all the wrong techniques which would - Gehrman believed - eventually ruin their voices. Well, listening to Gerhman is rather a chore, I'm sorry to say: some notes sound strained, and almost strangulated to me. I'm not a professional singer, but it sounds as though Gehrman used different techniques with his nose and throat than are commonly accepted in vocal production worldwide. Incidentally, Gerhman was born and raised in France, and escaped with his life and little to his name, to reside in England during the dark days of World War II. He had a title bestowed on him by Britain's government, and was the founder/owner of Nimbus records. He died during the mid 1990s, but I don't know the exact year.

I heartily disagree with Gerhman's observation of Dietrich Fischer-Dieskau (born 1925), a great singer with an encyclopedic knowledge of Schubert lieder. Due to Fischer-Dieskau's work in the later 1940s and 1950s, there was a real Renaissance of interest in Schubert's lieder, beyond the 20 favorite songs known by many singers and music lovers before the late 1940s.

For most of this repertoire I would look elsewhere: Bohm/Berlin (DG) or Halasz/Failoni (Sym. 1,2,3,4,6 - Naxos) for the Symphonies; or recordings of Fischer-Dieskau (DG) or Prey (Philips, DG, Decca) for the Schubert Lieder sung by a baritone. I'm not an expert on the Schubert Quartet literature, either, but like Naxos Kodaly Quartet recordings for the later, famous quartets. The Tokyo (RCA) are also very fine for Quartets 13, 14 and 15.

Good value, but..........2005-10-12

This is an outstanding bargain which offers all the symphonies and a decent sampling of the chamber music and piano sonatas, plus the two great song cycles. However it can't be recommended without some serious reservations.
The chief problem lies with the song cycles. I can't imagine anyone wanting to hear them more than once. The performances are frankly dreadful. Eccentric might be he kindest adjective one could employ. These are sublime works, the weight of which is entirely lost in amateurish and often bizarre singing and playing. Weird tempi, dynamics and diction.

The symphonies are far better, but I don't think any would be first choice interpretations. They're recorded in a church and the sound is sometimes rather muffled and diffuse, although it's pleasig to hear the period instruments employed.
The same orchestra and conductor were better served in the Hyperion recordings of the Haydn symphonies.

The chamber music is the least problematic part of the package. The three final string quartets are given taut and dramatic performances, whilst different forces offer an excellently recorded and impressively integrated view of the great string quintet.

Finally Maria Deyanova plays six piano sonatas, only two of which - D894 and D960 - are among the mature masterpieces. She is reminiscent of Richter, which is high enough praise, especially in D894 where she takes almost half an hour of slow burning intensity to complete the first movement.

Anyone buying Schubert for the first time would get here a good deal of great music for rather little outlay, but please, go elsewhere for the song cycles which are dire in these performances.

Schubert, Schubert, Schubert.......2004-09-08

In Washington D.C. in recent years, there has been an annual three-day series of concerts titled, "Schubert, Schubert, Schubert" featuring, of course, the works of the great Vienesse composer. The concerts are offered to appeal to new music lovers. The cost is low, and those patrons who state that they have never before attended a classical music concert get admitted free. It is a worthy event.

This 12 CD compilation of Schubert reminds me of the concert series in its elan, appeal, and accessibility. At a price of less than $35 this set is indeed a gift. The set consists of the complete (8) Schubert symphonies, the final three string quartets, including the "Death and the Maiden", the string quintet in C, the song cycles "Winterreise" and "Die Schone Mullerin", and six piano sonatas. The works are on the whole beautifully performed. There is no better way to acquire a great deal of Schubert at one swooop for a low price.

Schubert's 8 symphonies (the last one is referred to as no. 9, but there is no no. 7) are mostly early works, but they include three masterpieces: nos. 5, 8(the "Unfinished), and 9 (the "Great). The remaining symphonies all are pleasant and include lovely moments. I enjoy the slow movement of no. 2, and the finales of nos. 3 and 6 for starts. This compilation features period recordings from the 1970s by the Hanover Band conducted by Roy Goodman. It is an excellent set which will serve most listeners well. (I would suggest acquiring an additional version of the Ninth. I reecommend Furtwangler or Klemperer.)

Schubert's three last string quartets are masterworks and beautifully performed here by the Chilingrin String Quartet. These recordings will stand with any, regardless of price. I enjoyed especially the final quartet, No. 15 in G major. This is a lyrical but surprisingly difficult work which will reward repeated listening.

The set also includes Schubert's greatest chamber work, the String Quintet in C performed by the Brandis Quartet with Win-Sinn Yang, cello. Many listeners regard this as Schubert's greatest work. It ranks among the most moving works of chamber music ever composed.

The disk includes Schubert's two great song cycles, "Winter's Journey" and "The Miller's Lovely Daughter" perfomed by Shura Gehrman. Mr. Gehrman was the founder of Nimbus records and he sings with force. These performances will appeal to those who love and who collect versions of the song-cycles, particularly Winterreise. Unfortunately, texts and translations of Muller's poems are are not provided.

The compilation concludes with a well-chosen selection of Schubert's piano sonatas performed by Marta Deyanova. The selections include the final sonata in B-flat major, the G-major sonata, D. 878, the familiar sonata in A-major, and three lesser-known incomplete works. I have read criticisms of Ms. Deyanova's performances based largely on the slow tempos she adopts in some of these works. I think the criticisms unfounded. In particular, the G major sonata is one of the most reflective, lyrical works in the piano repertory. Ms. Deyanova takes the opening movement very slowly and includes the repeat, but I found the performance of this difficult music compelling and moving. I also thought she did extremely well with the B-flat major sonata.

It is difficult to go wrong with this set at the price. The program notes are sparse and inadequate and, as I noted, there are no texts or translations for the song cycles. But the collection should inspire the listener to find out more.

The most obvious appeal of this set will be to the lover of Schubert on a tight budget or, perhaps, to the new listener who wants to explore. But the lover of Schubert will want several components of this set for themselves. Many will enjoy having unusual performances of the song cycles and the quartet and quintet playing are first rate. Although there are those who may disagree, I loved Ms Deyanova's piano playing, especially of the great sonata in G-major which remains unfamiliar to many listeners.

This set includes nearly 13 hours of inexhaustible music.

Amazing........2001-08-25

An outstanding collection with some remarkable moments. Marta Deyanova's performance of the Sonata in E is amazing. She is often critisized for her slow renditions, but this is the most moving performance I have ever heard. And Shura Gehrman's interpretation of Die Winterreise, previously unavailable anywhere, is remarkable and genuine. Nothing like you've ever heard.

Amazing bargain.......2001-06-02

12 hih quality CDs ...!

The symphonies are outstanding with period pieces. These are the core of the set. The song cycles are characterful distinctive performances, not as polished or well recorded as some but good and interesting. I especially like the Winterreise.

The chamber pieces are well performed as well, as are the piano sonatas. Nothing stunning, but good solid well recorded perfomances.

No clunkers, some great stuff from the orchestra, and a fresh approach to the song cycles.

Customer Reviews:

Amazing.......2004-03-05

Colour and intensity.
Rudolph Sabor wrote, "Gehrman has obviously steeped himself in all his songs, for he sings them with complete spontaneity ... this singer has discovered the heartbeat of each song. Then, instead of meticulously (intellectually) working out his phrasing, dynamics etc., he tries to re-create what he had found in the music. One could imagine that no two performances of the same song would necessarily sound alike."

Shura Gehrman: Eyes to a Distant Horizon

Average customer rating:

Shura Gehrman: Eyes to a Distant Horizon

Manufacturer: Nimbus
ProductGroup: Music
Binding: Audio CD
ASIN: B000P3Y3XM

Average customer rating:

Schubert: Die schöne Müllerin

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B00000E04H
Release Date: 1992-12-02

Average customer rating:

Painful and embarrassing
Best of the Century

Shura Gehrman - Schubert
Franz Schubert , Shura Gehrman , and Nina Walker
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B0000037B9
Release Date: 1995-08-08

Tracks:

Fischerweise, D.881B
Im Fruhling, D.882
Meeres Stille, D.216
Gruppe Aus Dem Tartarus, D.583
Der Jungling Am Bache, D.638
An Silvia, D.891
Du Bist Die Ruh, D.776
Schwanengesang, D.744: Liebesbotschaft
Schwanengesang, D.744: Kriegers Ahnung
Schwanengesang, D.744: Fruhlingssehnsucht
Schwanengesang, D.744: Standchen
Schwanengesang, D.744: Aufenthalt
Schwanengesang, D.744: In Der Ferne
Schwanengesang, D.744: Abschied
Schwanengesang, D.744: Der Atlas
Schwanengesang, D.744: Ihr Bild
Schwanengesang, D.744: Das Fischermadchen
Schwanengesang, D.744: Die Stadt
Schwanengesang, D.744: Am Meer
Schwanengesang, D.744: Der Doppelganger
Schwanengesang, D.744: Die Taubenpost

Tracks:

Die Winterreise, D.911: Gute Nacht
Die Winterreise, D.911: Die Wetterfahne
Die Winterreise, D.911: Gefror'ne Tranen
Die Winterreise, D.911: Erstarrung
Die Winterreise, D.911: Der Lindenbaum
Die Winterreise, D.911: Wasserflut
Die Winterreise, D.911: Auf Dem Flusse
Die Winterreise, D.911: Ruckblick
Die Winterreise, D.911: Irrlicht
Die Winterreise, D.911: Rast
Die Winterreise, D.911: Fruhlingstraum
Die Winterreise, D.911: Einsamkeit
Die Winterreise, D.911: Die Post
Die Winterreise, D.911: Der Greise Kopf
Die Winterreise, D.911: Die Krahe
Die Winterreise, D.911: Letzte Hoffnung
Die Winterreise, D.911: Im Dorfe
Die Winterreise, D.911: Der Sturmische Morgen
Die Winterreise, D.911: Tauschung
Die Winterreise, D.911: Der Wegweiser
Die Winterreise, D.911: Das Wirtshaus
Die Winterreise, D.911: Mut
Die Winterreise, D.911: Die Nebensonnen
Die Winterreise, D.911: Der Leiermann

Tracks:

Die Schone Mullerin, D.795: Das Wandern
Die Schone Mullerin, D.795: Wohin?
Die Schone Mullerin, D.795: Halt!
Die Schone Mullerin, D.795: Danksagung An Den Bach
Die Schone Mullerin, D.795: Am Feierabend
Die Schone Mullerin, D.795: Der Neugierige
Die Schone Mullerin, D.795: Ungeduld
Die Schone Mullerin, D.795: Morgengruss
Die Schone Mullerin, D.795: Des Mullers Blumen
Die Schone Mullerin, D.795: Tranenregen
Die Schone Mullerin, D.795: Mein!
Die Schone Mullerin, D.795: Pause
Die Schone Mullerin, D.795: Mit Dem Grunen Lautenbande
Die Schone Mullerin, D.795: Der Jager
Die Schone Mullerin, D.795: Eifersucht Und Stolz
Die Schone Mullerin, D.795: Die Liebe Farbe
Die Schone Mullerin, D.795: Die Bose Farbe
Die Schone Mullerin, D.795: Trockne Blumen
Die Schone Mullerin, D.795: Der Muller Und Der Bach
Die Schone Mullerin, D.795: Des Baches Wiegenlied
An Den Mond, D.193
Die Forelle, D.550
Der Tod Und Das Madchen, D.531
Der Wanderer, D.870
An Die Musik, D.547

Customer Reviews:

Painful and embarrassing.......2005-04-12

This man cannot sing. He never seems to have heard about mixing the registers or singing legato. He makes all the mistakes you would expect from a beginner or a bad amateur, like pushing up the chest voice in the high registers or sitting on the low notes. The shapes of his vowels are inconsistent and completely lacking in taste, sometimes reminding of noises from the digestive system.
His command of the German language is practically non-existent, his pronunciation is atrocious and painful to listen to. What I found surprising was that he managed to get so many grammatical mistakes into a printed text that he was merely to memorize and repeat (During the recording he probably would have had the score including the text in front of him). That obviously shows the amount of care that went into his preparation.
This man apparently has made it a publicity stunt to criticize singers of traditional background, infering that his is the natural and better way to go. To that I can only answer with the German saying:
"Kunst kommt von können nicht von wollen, sonst hieße es ja Wunst." (Art involves mastering certain skills, not just the whim of wanting to express something. Without the skill you get only a mess.)

Best of the Century.......2004-03-05

Shura Gehrman was somewhat of an outsider in the classical world when his label, Nimbus, released these interpretations of Schubert classic lieder and song cycles. He remained so after several critics attacked his vocal artistry, calling it "chaotic and antiquated". Shura admited it may be archaic, but never chaotic. Further examination showed he was singing in a technique popular in Schuberts' time, and in a form Schubert would have most likely preferred: emotional, heavy and dramatic. Centuries since then have nearly watered down the feelings Schubert wanted to express with his songs, making them exercises rather than expressions. Shura brings an emotional intensity unheard of in the past century to these works. Matched only by Nina Walker's outstanding piano work, this is the ultimate collection of Schubert lieder. Beautiful and amazing. An excellent recording makes you feel you are attending a private concert. Cinematic beyond words.