Telemann: Organ Works
On this CD:
1. Concerto for organ in G minor, transcription of Bach's BWV. 985
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
2. Passacaglia for organ in B minor
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
3. Chorale prelude for organ "Allein Gott in der Höh' sei Ehr'
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
4. Chorale prelude for organ "Vater unser im Himmelreich"
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
5. Chorale prelude for organ "Herr Jesu Christ, dich zu uns wend'"
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
6. Chorale prelude for organ "Komm heiliger Geist, Herre Gott"
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
7. Fantasia for organ in D major
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
8. Sonata for organ in D major, for 2 manuals & pedal
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
9. Choral Preludes (2) for organ on "Nun freut euch lieben Christen G'mein"
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
10. Concerto per la chiesa, for organ, in G major, transcription of J. G. Walther
Composed by Georg Philipp Telemann
Performed by Wolfgang Baumgratz
Telemann: Organ Works, Music, Johann Sebastian Bach, Johann Valentin Goerner, Georg Philipp Telemann, Wolfgang Baumgratz, Chorale Prelude or Chorale Treatment for Keyboard, Classical, Fantasy/Fantasia for Keyboard, Keyboard, Music for Keyboard, Music for Organ, Transcription for Keyboard
Average customer rating:
- poor sound quality
- SUPERB
- In this case: I'm baroque
- Come to laugh and stay to cry
- Great Introduction to Beautiful Music
|
25 Baroque Favorites
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ASIN: B0000058I7
Release Date: 1996-08-20 |
Tracks:
- Canon
- Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
- Water Music: VI. Minuet
- Trumpet Concerto In D: II. Adagio
- Sarabande
- Oboe Concerto In D Minor: II. Adagio
- Concerto In D For Trumpet & Strings: III. Grave
- Air On The G String
- Adagio For Strings In G Minor
- The Four Seasons: Spring, II. Largo
- Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
- Concerto In D For 2 Trumpets & Strings: II. Largo
- Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
- Concerto In D For 6 Trumpets & Strings: II. Adagio
- Ombra mai fu: Handel's Largo
- Trumpet Sonata No. 1 In F: II. Grave
- Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
- Concerto In C For Viola Pomposa & Strings: II. Andante
- Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
- Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
- Sonata For Trumpet & Strings: I. Allegro
- Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
- Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
- Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
- Trumpet Voluntary
Customer Reviews:
poor sound quality.......2004-09-29
a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.
SUPERB.......2004-02-19
An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.
If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.
In this case: I'm baroque.......2004-02-07
I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.
Come to laugh and stay to cry.......2003-11-26
Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.
"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".
At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.
Great Introduction to Beautiful Music.......2000-07-08
The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.
This CD is considered an introduction to baroque music. It includes some of the most famous composers and their best songs. For example, Bach, Handel, and Vivaldi each have three songs on this disc. The liner notes are sparse, but a brief history of baroque music is included. Because of the inexpensive price and the huge amount of music (25 songs, 74 minutes of music), I highly recommend this for anyone who already loves the baroque style or wants an excellent introduction to this beautiful music.
Average customer rating:
- vintage Maurice Andre: absolutely top notch
- Great Interpretations by the Master
|
Maurice Andre Performs Trumpet Masterpieces
Manufacturer: Polygram Records
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Binding: Audio CD
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ASIN: B000001G5M
Release Date: 1995-04-11 |
Tracks:
- Concerto pour Trompette et Orchestre en Mi Bl Majeur: 1. Allegro
- Concerto pour Trompette et Orchestre en Mi Bl Majeur: 2. Andante
- Concerto pour Trompette et Orchestre en Mi Bl Majeur: 3. Allegro
- Concerto pour Trompette et Orchestre en Ut Mineur: 1. Grave
- Concerto pour Trompette et Orchestre en Ut Mineur: 2. Allegro
- Concerto pour Trompette et Orchestre en Ut Mineur: 3. Andante
- Concerto pour Trompette et Orchestre en Ut Mineur: 4. Vivace
- Concerto pour Trompette et Orchestre en Rajeur: 1. Allegro moderato
- Concerto pour Trompette et Orchestre en Rajeur: 2. Andante
- Concerto pour Trompette et Orchestre en Rajeur: 3. Allegro
- Concerto pour Trompette et Orchestre n9 en Si Bemol Majeur: 1. Vivace
- Concerto pour Trompette et Orchestre n9 en Si Bemol Majeur: 2. Fuga - Allegro
- Concerto pour Trompette et Orchestre n9 en Si Bemol Majeur: 3. Andante
- Concerto pour Trompette et Orchestre n9 en Si Bemol Majeur: 4. Allegro
- Concerto pour deux Trompettes et Cordes en Ut Majeur, P. 75: 1. Allegro
- Concerto pour deux Trompettes et Cordes en Ut Majeur, P. 75: 2. Largo
- Concerto pour deux Trompettes et Cordes en Ut Majeur, P. 75: 3. Allegro
- Sonate 'Prima' pour Trompette et Orgue en Ut Majeur: 1. Andante
- Sonate 'Prima' pour Trompette et Orgue en Ut Majeur: 2. Allegro
- Sonate 'Prima' pour Trompette et Orgue en Ut Majeur: 3. Presto
- Sonate 'Prima' pour Trompette et Orgue en Ut Majeur: 4. Allegro
- Sonate 'Prima' pour Trompette et Orgue en Ut Majeur: 5. Adagio
- Concerto pour Trompette et Orchestre aCordes en Re Majeur: 1. Allegro
- Concerto pour Trompette et Orchestre a Cordes en Re Majeur: 2. Adagio
- Concerto pour Trompette et Orchestre a Cordes en Re Majeur: 3. Presto
- Concerto pour Trompette et Orchestre a Cordes en Re Majeur: 4. Allegro - Maurice Andre
Tracks:
- Concerto pour Trompette et Orchestre ordes en Rajeur: 1. Allegro
- Concerto pour Trompette et Orchestre ordes en Rajeur: 2. Andante
- Concerto pour Trompette et Orchestre ordes en Rajeur: 3. Allegro
- Sonate de Concert pour Trompette, Cordes et Clavecin en Rajeur: 1. Moderato e Graciozo
- Sonate de Concert pour Trompette, Cordes et Clavecin en Rajeur: 2. Largo
- Sonate de Concert pour Trompette, Cordes et Clavecin en Rajeur: 3. Vivace
- Concerto pour Trompette et Orchestre en Rajeur: 1. Adagio
- Concerto pour Trompette et Orchestre en Rajeur: 2. Allegro
- Sinfonia n2 en Rajeur pour FlTrompette, Cordes et Continuo: 1. Spirituoso
- Sinfonia n2 en Rajeur pour FlTrompette, Cordes et Continuo: 2. Adagio
- Sinfonia n2 en Rajeur pour FlTrompette, Cordes et Continuo: 3. Allegro
- Sinfonia n2 en Rajeur pour FlTrompette, Cordes et Continuo: 4. Adagio
- Sinfonia n2 en Rajeur pour FlTrompette, Cordes et Continuo: 5. Presto
- Concerto pour Trompette, Cordes et Continuo n8 en Si Majeur (d'apres le concerto pour hautbois n.1): 1. Adagio
- Concerto pour Trompette, Cordes et Continuo n8 en Si Majeur (d'apres le concerto pour hautbois n.1): 2. Allegro
- Concerto pour Trompette, Cordes et Continuo n8 en Si Majeur (d'apres le concerto pour hautbois n.1): 3. Siciliana: Largo
- Concerto pour Trompette, Cordes et Continuo n8 en Si Majeur (d'apres le concerto pour hautbois n.1): 4. Vivace
- Concerto pour Trompette, Cordes et Continuo n10 en Sol Mineur (d'apres le concerto pour hautbois n.3): 1. Grave
- Concerto pour Trompette, Cordes et Continuo n10 en Sol Mineur (d'apres le concerto pour hautbois n.3): 2. Allegro
- Continuo n10 en Sol Mineur (d'apres le concerto pour hautbois n.3): 3. Sarabande: Largo
- Continuo n10 en Sol Mineur (d'apres le concerto pour hautbois n.3): 4. Allegro
- Concerto pour Trompette, Cordes et Continuo en Mi Mineur (d'apres le concerto pour hautbois): 1. Andante
- Concerto pour Trompette, Cordes et Continuo en Mi Mineur (d'apres le concerto pour hautbois): 2. Allegro
- Concerto pour Trompette, Cordes et Continuo en Mi Mineur (d'apres le concerto pour hautbois): 3. Largo
- Concerto pour Trompette, Cordes et Continuo en Mi Mineur (d'apres le concerto pour hautbois): 4. Allegro
Customer Reviews:
vintage Maurice Andre: absolutely top notch.......2000-11-04
The first person's review said it all; absolutely top notch. There's none better than Maurice Andre for baroque trumpet anywhere. For other great CDs later in Andre's career (closer to his peak and he's only getting warmed up now well into his sixties), look for legendary performances of Maurice Andre and the Academy of St. Martin's in the Fields (also Berlin Philharmonic but there are many others).
Great Interpretations by the Master.......2000-07-20
This is a collection of some of the greatest recorded performances of the works included. The recording quality, alas, is very uneven, and some of the items are decidedly rough as recordings. But as performances, ahhh! Several of the pieces (the exquisite Handel concerto, for example) were actually written for oboe, but Andre makes them sound as if they were not only conceived for the trumpet, but as if they were never meant for anything else. The orchestral accompaniments are excellent -- oddly, especially in some of the older, rougher items. And crowning the whole recording is a benchmark version of Haydn's greatest concerto, the wonderful Trumpet Concerto. The slow movement is gently lyrical and dreamy -- which are not easy attributes to draw from a trumpet! -- and the famous and delightful finale is brilliant and big-hearted and joyous. At this budget price the disc makes a remarkable bargain!
Average customer rating:
|
Organ Works Complete
Johann Sebastian Bach , and Christopher Herrick
Manufacturer: Hyperion UK
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ASIN: B00006L3WC
Release Date: 2002-11-12 |
Customer Reviews:
The royal music!.......2003-11-05
Organ king's music performed by a prominent organist at his best on ones of the best organs in the world!
Average customer rating:
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The Trumpet Shall Sound
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ASIN: B00008ZPE9
Release Date: 2003-05-13 |
Tracks:
- 1. Andante
- 2. Allegro
- 3. Largo
- 4. Allegro
- 1. Allegro Ma Non Troppo
- 2. Adagio
- 3. Allegro
- 1. Adagio
- 2. Allegro
- 3. Siciliano: Largo
- 4. Vivace
- 1. Vivace
- 2. Fuga: Allegro
- 3. Andante
- 4. Allegro
- 1. Grave
- 2. Allegro
- 3. Sarabande: Largo
- 4. Allegro
- 1. Grave
- 2. Allegro
- 3. Andante
- 4. Vivace
- 1. Allegro
- 2. Andante
- 3. Allegro
- 1. Adagio
- 2. Allegro
Tracks:
- 1. Allegro Moderato
- 2. Andante
- 3. Allegro
- 1. Spirituoso
- 2. Adagio
- 3. Allegro
- 4. Adagio
- 5. Presto
- 1. Allegro
- 2. Largo
- 3. (Allegro)
- 1. (Andante)
- 2. (Allegro)
- 3. (Presto)
- 4. (Allegro)
- 5. (Adagio)
- 1. Allegro
- 2. Adagio - Presto - Adagio
- 3. Allegro
- 1. Allegro
- 2. Andante
- 3. Allegro
- 1. Moderato E Grazioso
- 2. Largo
- 3. Vivace
- Aria 'Sie Schallt, Die Posaun' ('The Trumpet Shall Sound' From 'Messiah')
Average customer rating:
- Great Trumpet Music From Great Composers
|
Virtuoso Trumpet
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000SMX
Release Date: 1994-07-05 |
Tracks:
- Tsar Saltan: Flight Of The Bumble Bee
- Concerto In A Flat Major: Allegro
- Concerto In E Flat Major For Trumpet And Orchestra, H. VIIe, 1: Finale: Allegro
- Suite No. 2 In B Minor, BWV 1067: Badinerie
- Concert Valse
- Theme And Variations On 'The Carnival Of Venice'
- Concerto In D Major For Trumpet And Orchestra: Allegro
- Concerto (I) In D Major For Trumpet, Strings And Continuo: Allegro-Adagio-Presto-Adagio-Allegro
- Concerto (II) In D Major For Trumpet, Strings And Continuo: Allegro-Adagio-Allegro-Grave-Allegro-Adagio-Allegro
- Concerto In D Major For 3 Trumpets, 2 Oboes, Strings, Timpani And Continuo: Overture
- Arbucklenia Polka
- Hora staccato
- Concerto In C Major For 2 Trumpets And Orchestra: Largo-Allegro molto
- Trumpet Voluntary
Customer Reviews:
Great Trumpet Music From Great Composers.......2001-10-01
This CD was great! It has all sorts of cheerful, skilled trumpeting. It has everything from "Flight of the Bumblebee" to "Carnival of Venice" to "Badinerie." My personal favorite is "Carnival of Venice." I also, however, enjoy "Flight of the Bumblebee", "Badinerie," and "Allegro(the second one)." The trumpeting is very nice, and even SOUNDS challenging. The tone quality is perfect, with no static or mistakes in the CD. All in all, I would recommend this CD to anyone who likes trumpet music, anyone who likes good music, or just anyone who likes music.
Average customer rating:
- Bach for professional listeners
- Bach Organ Works on original organs
|
Bach: The Organ Works (Box Set)
J.S. Bach , and Werner Jacob
Manufacturer: EMI Classics
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ASIN: B00004YA0W
Release Date: 2000-11-07 |
Tracks:
- Fantasia C, BWV.570
- Chorale Vars (Partite Diverse): Sei Gegrusset, Jesu Gutig, BWV.768
- Fugue On A Theme C, BWV.574
- Chorale: Wir Christenleut', BWV.710
- Trio Son No.4 e, BWV.528: I: Adagio
- Trio Son No.4 e, BWV.528: II: Vivace
- Trio Son No.4 e, BWV.528: III: Andante
- Trio Son No.4 e, BWV.528: IV: Un Poco Allegro
- Chorale: O Lamm Gottes, Unschuldig
- Chorale: Christ Lag In Todesbanden, BWV.718
- Kleines Harmonisches Labyrinth, BWV.591: Introitus - Centrum - Exitus (Andante)
- Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV. 711
- Toccata, Adagio And Fugue in C, BWV.564: I: Toccata
- Toccata, Adagio And Fugue in C, BWV.564: II: Adagio
- Toccata, Adagio And Fugue in C, BWV.564: III: Fugue
Tracks:
- Prld And Fugue in E, BWV.566: Prld
- Prld And Fugue in E, BWV.566: Fugue
- Prld And Fugue in E, BWV.566: Chorale Vars (Partite Diverse): O Gott, Du Frommer Gott, BWV.767
- Prld And Fugue in E, BWV.566: Fantasia in C, BWV.573
- Prld And Fugue in E, BWV.566: Fugue in G, BWV. 577
- Prld And Fugue in E, BWV.566: Chorale: Ein' Feste Burg Ist Unser Gott, BWV.720
- Prld And Fugue in E, BWV.566: Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV.717
- Prld And Fugue in E, BWV.566: Chorale: Christ Lag in Todesbanden, BWV.695
- Prld And Fugue in E, BWV.566: Fugue in c, BWV.575
- Prld And Fugue in E, BWV.566: Chorale: Wie Schon Leucht' Uns Der Morgenstern, BWV.739
- Prld And Fugue in E, BWV.566: Chorale: Vater Unser Im Himmeireich, BWV.737
- Prld And Fugue in E, BWV.566: Chorale: Wir Glauben All' An Einen Gott Vater, BWV.740
- Prld And Fugue in E, BWV.566: Chorale Var (Partite Diverse): Christ, Der Du Bist Der Helle Tag....
Tracks:
- Prld And Fugue in a, BWV.551: Prld
- Prld And Fugue in a, BWV.551: Fugue
- Orgel-Buchlein Nos.1-7, BWV 599-605: 1. Chorale: Nun Komm' Der Heiden Heiland
- Orgel-Buchlein Nos.1-7, BWV 599-605: 2. Chorale: Gott, Durch Deine Gute
- Orgel-Buchlein Nos.1-7, BWV 599-605: 3. Chorale: Herr Christ, Der Ein'ge Gottes-Sohn
- Orgel-Buchlein Nos.1-7, BWV 599-605: 4. Chorale: Lob Sei Dem Allmachtigen Gott
- Orgel-Buchlein Nos.1-7, BWV 599-605: 5. Chorale: Puer Natus In Bethlehem
- Orgel-Buchlein Nos.1-7, BWV 599-605: 6. Chorale: Gelobet Seist Du, Jesu Christ
- Orgel-Buchlein Nos.1-7, BWV 599-605: 7. Chorale: Der Tag, Der Ist So Freudenreich
- Aria in F, BWV.587
- Orgel-Buchlein Nos.8-10, BWV.606-608: 8. Chorale: Vom Himmel Hoch, Der Komm' Ich Her
- Orgel-Buchlein Nos.8-10, BWV.606-608: 9. Chorale: Vom Himmel Kam Der Engel Schar
- Orgel-Buchlein Nos.8-10, BWV.606-608: 10. Chorale: In Dulci Jubilo
- Pastorale in F, BWV.590
- Orgel-Buchlein Nos.11-12, BWV.609-610: 11. Chorale: Lobt Gott, Ihr Christen Allzugleich
- Orgel-Buchlein Nos.11-12, BWV.609-610: 12. Chorale: Jesu, Meine Freude
- Prld And Fugue in c, BWV.549: Prld
- Prld And Fugue in c, BWV.549: Fugue
- Orgel-Buchlein Nos.13-14, BWV.611-612: 13. Chorale: Christum Wir Sollen Loben Schon
- Orgel-Buchlein Nos.13-14, BWV.611-612: 14. Chorale: Wir Christenleut'
- Prld And Fugue in b, BWV.544: Prld
- Prld And Fugue in b, BWV.544: Fugue
- Orgel-Buchlein Nos.15-19, BWV.613-617: 15. Chorale: Helft Mir Gottes Gute Preisen
- Orgel-Buchlein Nos.15-19, BWV.613-617: 16. Chorale: Das Alte Jahr Vergangen Ist
- Orgel-Buchlein Nos.15-19, BWV.613-617: 17. Chorale: In Dir Ist Freude
- Orgel-Buchlein Nos.15-19, BWV.613-617: 18. Chorale: Mit Fried' Und Freud' Ich Fahr Dahin
- Orgel-Buchlein Nos.15-19, BWV.613-617: 19. Chorale: Herr Gott, Nun Schleuss Den Himmel Auf
- Fantasia Con Imitazione in b, BWV.563
Tracks:
- Prld And Fugue in e, BWV.533: Prld
- Prld And Fugue in e, BWV.533: Fugue
- Orgel-Buchlein Nos.20-24, BWV.618-622: 20. Chorale: O Lamm Gottes, Unschuldig
- Orgel-Buchlein Nos.20-24, BWV.618-622: 21. Chorale: Christe, Du Lamm Gottes
- Orgel-Buchlein Nos.20-24, BWV.618-622: 22. Chorale: Christus, Der Uns Selig Macht
- Orgel-Buchlein Nos.20-24, BWV.618-622: 23. Chorale: Da Jesus An Dem Kreuze Stund
- Orgel-Buchlein Nos.20-24, BWV.618-622: 24. Chorale: O Mensch, Bewein' Dein' Sunde Gross
- Fantasia And Fugue in c, BWV.562: Fantasia
- Fantasia And Fugue in c, BWV.562: Fugue (Fragment)
- Prld And Fugue in f, BWV.534: Prld
- Prld And Fugue in f, BWV.534: Fugue
- Orgel-Buchlein Nos.25-26, BWV.623-624: 25. Chorale: Wir Danken Dir, Herr Jesu Christ
- Orgel-Buchlein Nos.25-26, BWV.623-624: 26. Chorale: Hilf Gott, Dass Mir's Gelinge
- Trio in c, BWV.585
- Orgel-Buchlein Nos.25-26, BWV.625-627: 27. Chorale: Christ Lag In Todesbanden
- Orgel-Buchlein Nos.25-26, BWV.625-627: 28. Chorale: Jesus Christus, Unser Heiland
- Orgel-Buchlein Nos.25-26, BWV.625-627: 29. Chorale: Christ Ist Erstanden
- Prld And Fugue in C, BWV.531: Prld
- Prld And Fugue in C, BWV.531: Fugue
- Orgel-Buchlein Nos.30-32, BWV.628-630: 30. Chorale: Erstanden Ist Der Heil'ge Christ
- Orgel-Buchlein Nos.30-32, BWV.628-630: 31. Chorale: Erschienen Ist Der Herrliche Tag
- Orgel-Buchlein Nos.30-32, BWV.628-630: 32. Chorale: Heut' Triumphieret Gottes Sohn
- Trio in d, BWV.583
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 33. Chorale: Komm, Gott Schopfer..
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 34. Chorale: Herr Jesu Christ,...
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 36. Chorale: Liebster Jesu, Wir Sind Hier
Tracks:
- Prld And Fugue in c, BWV.546: Prld
- Prld And Fugue in c, BWV.546: Fugue
- Orgel-Buchlein Nos.37-39, BWV.635-637: 37. Chorale: Dies Sind Die Heil'gen Zehn Gebot'
- Orgel-Buchlein Nos.37-39, BWV.635-637: 38. Chorale: Vater Unser Im Himmelreich
- Orgel-Buchlein Nos.37-39, BWV.635-637: 39. Chorale: Durch Adams Fall Ist Ganz Verderbt
- Trio in G, BWV.586
- Orgel-Buchlein Nos.40-42, BWV.638-640: 40. Chorale: Es Ist Das Heil Uns Kommen Her
- Orgel-Buchlein Nos.40-42, BWV.638-640: 41. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ
- Orgel-Buchlein Nos.40-42, BWV.638-640: 42. Chorale: In Dich Hab' Ich Gehoffet, Herr
- Pedal-Exercitium, BWV.598
- Fuge in g, BWV.578
- Orgel-Buchlein Nos.43-46, BWV.641-644: 43. Chorale: Wenn Wir in Hochsten Nothen Sein
- Orgel-Buchlein Nos.43-46, BWV.641-644: 44. Wer Nur Den Lieben Gott Lasst Walten
- Orgel-Buchlein Nos.43-46, BWV.641-644: 45. Chorale: Alle Menschen Mussen Sterben
- Orgel-Buchlein Nos.43-46, BWV.641-644: 46. Chorale: Ach Wie Nichtig, Ach Wie Fluchtig
- Trio in g, BWV.584
- Orgel-Buchlein No.35, BWV.633: 35. Chorale: Liebster Jesu, Wir Sind Hier
- Chorale: Gott, Durch Dein Gute, BWV.724
- Chorale: Gottes Sohn Ist Kommen, BWV.703
- Chorale: Herr Christ, Der Ein'ge Gottes Sohn, BWV.698
- Trio Son No.3 in d, BWV.527: I: Andante
- Trio Son No.3 in d, BWV.527: II: Adagio E Dolce
- Trio Son No.3 in d, BWV.527: III: Vivace
- Fantasia And Fugue in g, BWV.542: Fantasia
- Fantasia And Fugue in g, BWV.542: Fugue
Tracks:
- Con in a, BWV.596: I: Grave - Fuga
- Con in a, BWV.596: II: Largo
- Con in a, BWV.596: Finale
- Con in a, BWV.593: I: (Unknown)
- Con in a, BWV.593: II: Adagio
- Con in a, BWV.593: III: Allegro
- Con in C, BWV, 595
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.731
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.730
- Con in C, BWV.592: I: (Unknown)
- Con in C, BWV.592: Grave
- Con in C, BWV.592: Presto
- Con in C, BWV.594: I: (Unknown)
- Con in C, BWV.594: II: Rezitativ: Adagio
- Con in C, BWV.594: III: Allegro
- Chorale: Nun Freut Euch, Lieben Christen G'mein, BWV.734
Tracks:
- Toccata And Fugue in d, BWV. 734: Toccata
- Toccata And Fugue in d, BWV. 734: Fugue
- Trio Son No.6 in G, BWV.530: I: Vivace
- Trio Son No.6 in G, BWV.530: II: Lento
- Trio Son No.6 in G, BWV.530: III: Allegro
- Alla Breve in D, BWV.589
- Fantasia in G, BWV.572
- Chorale: Herr Gott, Dich Loben Wir, BWV.725
- Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.709
- Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.726
- Prld And Fugue in G, BWV.541: Prld
- Prld And Fugue in G, BWV.541: Fugue
Tracks:
- Fantasia Super Komm, Heiliger Geist, Herre Gott, BWV.651
- Chorale: Komm, Heiliger Geist, Herre Gott, BWV.652
- Toccata And Fugue in d, BWV.538: Toccata
- Toccata And Fugue in d, BWV.538: Fugue
- Prld And Fugue in D, BWV.532: Prld
- Prld And Fugue in D, BWV.532: Fugue
- Trio Son No.5 in C, BWV.529: I: Allegro
- Trio Son No.5 in C, BWV.529: II: Largo
- Trio Son No.5 in C, BWV.529: III: Allegro
- Chorale: Komm, Gott Schopfer, Heiliger Geist, BWV.667
- Prld And Fugue in G, BWV.550: Prld
- Prld And Fugue in G, BWV.550: Fuge
- Chorale: Jesus Christus, Unser Heiland, BWV.665
- Chorale: Jesus Christus, Unser Heiland, BWV.666
- Prld in a, BWV.569
Tracks:
- Toccata And Fugue in F, BWV.540: Toccata
- Toccata And Fugue in F, BWV.540: Fugue
- Chorale: Nun Komm, Der Heiden Heiland, BWV.659
- Chorale: Nun Komm, Der Heiden Heiland, BWV.660
- Chorale: Nun Komm, Der Heiden Heiland, BWV.661
- Prld And Fugue in a, BWV.543: Prld
- Prld And Fugue in a, BWV.543: Fugue
- Trio Super Herr Jesu Christ, Dich Zu Uns Wend, BWV.655
- Fugue On A Theme in b, BWV.579
- Chorale: An Wasserflussen Babylon, BWV.653b
- Fantasia And Fugue in c, BWV.537: Fantasia
- Fantasia And Fugue in c, BWV.537: Fugue
- Chorale: O Lamm Gottes, Unschuldig, BWV.656
- Canzona in d, BWV.588
- Chorale: Vor Deinen Thron Tret'ich, BWV.668
Tracks:
- Prld And Fugue in C, BWV.547: Prld
- Prld And Fugue in C, BWV.547: Fugue
- Chorale: Von Gott Will Ich Nicht Lassen, BWV.658
- Prld And Fugue in A, BWV.536: Prld
- Prld And Fugue in A, BWV.536: Fugue
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.662
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.663
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.664
- Trio Son No.1 in Eflat, BWV.525: I: (Unknown)
- Trio Son No.1 in Eflat, BWV.525: II: Adagio
- Trio Son No.1 in Eflat, BWV.525: III: Allegro
- Chorale: Schmucke Dich, O Liebe Seele, BWV. 654
Tracks:
- Passacaglia And Fugue in c, BWV.582
- Fantasia Super Jesu, Meine Freude, BWV.713
- Prld And Fugue in d, BWV.539: Prld
- Prld And Fugue in d, BWV.539: Fugue
- Chorale Vars: Vom Himmel Hoch, Da Komm' Ich Her, BWV.769
- Prld And Fugue in g, BWV.535: Prld
- Prld And Fugue in g, BWV.535: Fugue
- Chrale: An Wasserflussen Babylon, BWV.653
- Prld And Fugue in C, BWV.545: Prld
- Prld And Fugue in C, BWV.545: Fugue
- Chorale: Nun Danket Alle Gott, BWV.657
Tracks:
- Prld: Eflat, BWV.552/1
- 1. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.669
- 2. Chorale: Christe, Aller Welt Trost, BWV.670
- 3. Chorale: Kyrie, Gott Heiliger Geist, BWV.671
- 8. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.676
- 10. Chorale: Dies Sind Die Sind Die Heil'gen Zehn Gebot', BWV.678
- 12. Chorale: Wir Glauben All' An Einen Gott, BWV.680
- 14. Chorale: Vater Unser Im Himmelreich, BWV.682
- 16. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.684
- 18. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.686
- 20. Chorale: Jesus Christus, Unser Heiland, BWV.688
- Fugue: Eflat, BWV.552/2
- Duetto No.1: e, BWV.802
- Duetto No.2: F, BWV.803
- Duetto No.3: G, BWV.804
- Duetto No.4: a, BWV.805
Tracks:
- 7. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.675
- 4. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.672
- 5. Chorale: Christe, Aller Welt Trost, BWV.673
- 6. Chorale: Kyrie, Gott Heiliger Geist, BWV.674
- 9. Fughetta Super Allein Gott in Der Hoh' Sei Ehr', BWV.677
- 11. Fughetta Super Dies Sind Die Heil'gen Zehn Gebot', BWV.679
- 13. Fughetta Super Wir Glauben All' An Einen Gott, BWV.681
- 15. Chorale: Vater Unser Im Himmelreich, BWV.683
- 17. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.685
- 19. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.687
- 21. Fuga Super Jesus Christus, Unser Heiland, BWV.689
- Prld And Fugue in e, BWV.548: Prld
- Prld And Fugue in e, BWV.548: Fugue
- Chorale: Wachet Auf, Ruft Uns Die Stimme, BWV.645
- Chorale: Wo Soll Ich Fliehen Hin, BWV.646
- Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.647
- Chorale: Meine Seele Erhebet Den Herren, BWV.648
- Chorale: Ach, Blieb' Bei Uns Herr Jesu Christ, BWV.649
- Chorale: Kommst Du Nun, Jesu, Vom Himmel, BWV.650
- Trio Son No.2 c, BWV.526: I: Vivace
- Trio Son No.2 c, BWV.526: II: Largo
- Trio Son No.2 c, BWV.526: III: Allegro
Tracks:
- Fuga Sopra Il Magnificat, BWV.733
- Chorale: Nun Komm' Der Heiden Heiland, BWV.699
- Chorale: Lob Sei Dem Allmacht'gen Gott, BWV.704
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.738
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV. 715
- Chorale: Gelobet Seist Du, Jesu Christ, BWV.722
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.700
- Chorale: Christum Wir Sollen Loben Schon, BWV.696
- Chorlae: Lobt Gott, Ihr Christen, Allzugleich, BWV.732
- Chorale: In Dulci Jubilo, BWV.729
- Chorale: Gelobet Seist Du, Jesu Christ, BWV.697
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.701
- Prld in G, BWV.568
- Fantasia Super Valet Will Ich Dir Geben, BWV.735
- Chorale: Ach Gott, Vom Himmel Sieh' Darein, BWV.741
- Chorale: Ach Gott Und Herr, BWV.714
- Chorale: In Dich Hab' Ich Gehoffet, Herr, BWV.712
- Chorale: Erbarm' Dich Mein, O Herre Christ, BWV.721
- Chorale: Herzlich Tut Mich Verlangen, BWV.727
- Chorale: Wo Soll Ich Fliehen Hin, BWV.728
- Chorale: Jesus, Meine Zuversicht, BWV.728
- Chorale: Wer Nu Den Lieben Gott Lasst Walten, BWV.691
- Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.690
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.706
- Chorale: Valet Will Ich Dir Geben, BWV.736
Tracks:
- 1. Chorale: Der Tag, Der Ist So Freudenreich, BWV.719
- 2. Chorale: Wir Christenleut', BWV.1090
- 3. Chorale: Das Alte Jahr Vergangen Ist, BWV.1091
- 4. Chorale: Her Gott, Nun Schleuss Den Himmel Auf, BWV.1092
- 5. Chorale: Herzliebster Jesu, Was Hast Du Verbrochen, BWV.1093
- 6. Chorale: O Jesu, Wie Ist Dein Gestalt, BWV.1094
- 7. Chorale: O Lamm Gottes, Unschuldig, BWV.1095
- 8. Chorale: Christe, Der Du Bist Tag Und Licht, BWV.1096
- 9. Chorale: Ehre Sei Dir, Christe, Der Du Leidest Not, BWV.1097
- 10. Chorale: Wir Glauben All in Einen Gott, BWV.1098
- 11. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.1099
- 12. Chorale: Allein Zu Dir, Herr Jesu Christ, BWv.1100
- 13. Chorale: Ach Gott Und Herr, BWV.714
- 14. Chorale: Ach Herr, Mich Armen Sunder, BWV.742
- 15. Chorale: Durch Adams Fall Ist Ganz Verderbt, BWV. 1101
- 16. Chorale: Du Friedefurst, Herr Jesu, BWV.1102
- 17. Chorale: Erhalt Uns, Herr, Bei Deinem Wort, BWV.1103
- 18. Chorale: Vater Unser Im Himmelreich, BWV.737
- 19. Chorale: Wenn Dich Ungluck Tut Greifen An, BWV.1104
- 20. Chorale: Jesu, Meine Freude, BWV.1105
- 21. Chorale: Gott Ist Mein Heil, Mein Hilf Und Trost, BWV.1106
- 22. Chorale: Jesus, Meines Lebens Leben, BWV.1107
- 23. Chorale: Als Jesus Christ in Der Nacht, BWV.1108
- 24. Chorale: Ach Gott, Zu Dich Erbarmen, BWV.1109
- 25. Chorale: O Herre Gott, Dein Gottlich Wort, BWV.1110
Tracks:
- 26. Chorale: Nun Lasst Uns Den Leib Begraben, BWV.1111
- 27. Chorale: Christus, Der Ist Mein Leben, BWV.1112
- 28. Chorale: Ich Hab' Mein Sach Gott Heimgestellt, BWV.1113
- 29. Chorale: Herr Jesu Christ, Du Hochstes Gut, BWV.1114
- 30. Chorale: Herzlich Lieb Hab' Ich Dich, O Herr, BWV.1115
- 31. Chorale: Was Gott Tut, Das Ist Wohlgetan, BWV.1116
- 32. Chorale: Alle Menschen Mussen Sterben, BWV.1117
- 33. Chorale: Mach's Mit Mir Gott, Nach Deiner Gut
- 34. Chorale: Werde Munter Mein Gemute, BWV.1118
- 35. Chorale: Wie Nach Einer Wasserquelle, BWV.1119
- 36. Chorale: Christe, Der Du Bist Der Helle Tag, BWV.1120
- 37. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ, BWV.639
- 38. Chorale: Herr Christ Der Ein'ge Gottes-Sohn, BWV.601
- Prld And Fugue in C, BWV.553
- Prld And Fugue in d, BWV.554
- Prld And Fugue in e, BWV.555
- Prld And Fugue in F, BWV.556
- Prld And Fugue in G, BWV.557
- Prld And Fugue in g, BWV.558
- Prld And Fugue in a, BWV.559
- Prld And Fugue in Bflat, BWV.560
Customer Reviews:
Bach for professional listeners.......2006-01-30
What I found amazing about this boxset is the opportunity to enjoy Bach in complete form. From my point of view Passacaglia performed by Werner Jacob is a five star performance. Also BWV 593 and BWV 596 push up and show up no limits for the listener. This 16 CDs aggregate the perfect union between the artist, instrument, listener and Bach. And at the end of the day I can say that organ works can still be ... trendy. Enjoy!
Bach Organ Works on original organs.......2004-10-24
121 organ tracks or works on 16 CDs has to be spaced out in about six days. The music is so restful I found myself dowsing. The price for a new set through Amazon was right. Bach organ hymns made Luther.
Average customer rating:
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Baroque Trumpet Concerti
Manufacturer: Amadis
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ASIN: B00000IKN6
Release Date: 1992-01-01 |
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Works For Trumpet And Organ
Manufacturer: Hanssler Classics
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- Ceremonial Music for Trumpet & Symphonic Organ
ASIN: B000003JSA
Release Date: 1995-11-01 |
Tracks:
- 5 Heroische Marsche: La Majeste
- 5 Heroische Marsche: La Douceur
- 5 Heroische Marsche: La Gaillardise
- 5 Heroische Marsche: L' Amour
- 5 Heroische Marsche: L' Armenent
- Sonata g-Moll: Moderato - Grave - Allegro - Andante - Moderato
- Choral: 'Ach Gott vom Himmel sieh darein'
- Choral: 'Komm heiliger Geist, Herre Gott'
- Choral: 'Jesus bleibet meine Freude' (aus: BWV 147)
- Konzert B-Dur, op. 7, Nr. 3: Allegro
- Konzert B-Dur, op. 7, Nr. 3: Adagio
- Konzert B-Dur, op. 7, Nr. 3: Allegro
- Aria in F
- Nocturne
- Variationen uber ein Thema von J.Clarke op.132
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J.S. Bach: The Works for Organ, Vol. 14
Manufacturer: Nimbus Records
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ASIN: B00005QX6U
Release Date: 2001-11-13 |
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- Buy the works you like....
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Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)
Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas
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ASIN: B00001IV8B
Release Date: 1999-09-14 |
Tracks:
- Wie schon leuchtet der Morgenstern
- Du Wahrer Gottes und Marien Sohn
- Erfuellet, ihr himmlischen goettlichen Flammen
- Ein irdscher Glanz, wein leiblich Licht
- Unser Mund und Ton der Saiten
- Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
- Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Tracks:
- Ich elender Mensch, wer wird mich erloesen
- O Schmerz, o Elend, so mich trifft
- Solls ja so sein
- Ach lege das Sodom der suendlichen Glieder
- Hier aber tut des Heilands Hand
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
- Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber
Tracks:
- (Caro) Was Gott tut, das ist wohlgetan
- (Alto, Tenore) Was Gott tut, das ist wohlgetan
- (Soprano) Was Gott tut, das ist wohlgetan
- (Basso) Was Gott tut, das ist wohlgetan
- (Alto) Was Gott tut, das ist wohlgetan
- Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Sinfonia
- Nach dir, Herr, verlanget mich
- Doch bin und bleibe ich vergnuegt
- Leite mich in deiner Wahrheit
- Zedern muessen von den Winden
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
- Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Tracks:
- Die Zeit, die Tag und Jahre macht
- Auf, Sterbliche, lasset ein Jauchzen ertoenen
- So bald, als dir die Sternen hold
- Es streiten, es siegen die kuenftigen Zeiten
- Bedenke nur, begluecktes Land
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens
Tracks:
- Kyrie eleison
- Christe eleison
- Kyrie eleison
- Gloria in excelsis Deo
- Laudamus te
- Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
- Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
- Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner
Tracks:
- Singet dem Herrn ein neres Lied
- Der Geist hilft unser Schwachheit auf
- Komm, Jesu, komm
- Jesu, meine Freude
- Fuerchte dich nicht, ich bin bei dir
- Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall
Tracks:
- Fantasia et Fuga in g BWV 542
- Fuga in g BWV 578
- Canzona in d BWV 588
- Praeludium et Fuga in h BWV 544
- Praeludium et Fuga in a BWV 543
- Fant in c, BWV 562 - Ton Koopman
- Prld Et Fuga in C, BWV 531 - Ton Koopman
- Fant in G, BWV 572 - Ton Koopman
- Fant in C, BWV 570 - Ton Koopman
- Passacaglia in c, BWV 582 - Ton Koopman
Tracks:
- Inventio 1 BWV 772
- Inventio 2 BWV 773
- Inventio 3 BWV 774
- Inventio 4 BWV 775
- Inventio 5 BWV 776
- Inventio 6 in E, BWV 777 - Zuzana Ruzickova
- Inventio 7 in e, BWV 778 - Zuzana Ruzickova
- Inventio 8 in F, BWV 779 - Zuzana Ruzickova
- Inventio 9 in f, BWV 780 - Zuzana Ruzickova
- Inventio 10 in G, BWV 781 - Zuzana Ruzickova
- Inventio 11 in g, BWV 782 - Zuzana Ruzickova
- Inventio 12 in A, BWV 783 - Zuzana Ruzickova
- Inventio 13 in a, BWV 784 - Zuzana Ruzickova
- Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
- Inventio 15 in b, BWV 786 - Zuzana Ruzickova
- Sinf 1 in C, BWV 787 - Zuzana Ruzickova
- Sinf 2 in c, BWV 788 - Zuzana Ruzickova
- Sinf 3 in D, BWV 789 - Zuzana Ruzickova
- Sinf 4 in d, BWV 790 - Zuzana Ruzickova
- Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
- Sinf 6 in E, BWV 792 - Zuzana Ruzickova
- Sinf 7 in e, BWV 793 - Zuzana Ruzickova
- Sinf 8 in F, BWV 794 - Zuzana Ruzickova
- Sinf 9 in f, BWV 795 - Zuzana Ruzickova
- Sinf 10 in G, BWV 796 - Zuzana Ruzickova
- Sinf 11 in g, BWV 797 - Zuzana Ruzickova
- Sinf 12 in A, BWV 798 - Zuzana Ruzickova
- Sinf 13 in a, BWV 799 - Zuzana Ruzickova
- Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
- Sinf 15 in b, BWV 801 - Zuzana Ruzickova
Tracks:
- Prelude and Fugue in A minor: Praeludium
- Prelude and Fugue in A minor: Fuga
- Prelude and Fughetta in E minor: Praeludium
- Prelude and Fughetta in E minor: Fuga
- Prelude in G major BWV 902a
- Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
- Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
- Prld in E, BWV 937 - Zuzana Ruzickova
- Prld in C, BWV 939 - Zuzana Ruzickova
- Prld in d, BWV 940 - Zuzana Ruzickova
- Applicatio in C, BWV 994 - Zuzana Ruzickova
Tracks:
- Suite in G minor BWV 995: Prelude
- Suite in G minor BWV 995: Allemande
- Suite in G minor BWV 995: Courante
- Suite in G minor BWV 995: Sarabande
- Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
- Ste in g, BWV 995: Gigue - Luca Pianca
- Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
- Ste in e, BWV 996: Allemande - Michele Barchi
- Ste in e, BWV 996: Courante - Michele Barchi
- Ste in e, BWV 996: Sarabande - Michele Barchi
- Ste in e, BWV 996: Bourree - Michele Barchi
- Ste in e, BWV 996: Gigue - Michele Barchi
- Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca
Tracks:
- Concerto for two violins BWV 1043: Vivace
- Concerto for two violins BWV 1043: Largo, ma non tanto
- Concerto for two violins BWV 1043: Allegro
- Concerto BWV 1042: Allegro
- Concerto BWV 1042: Adagio
- Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
- Con in a, BWV 1041: Allegro - Alice Harnoncourt
- Con in a, BWV 1041: Andante - Alice Harnoncourt
- Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
- Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
- Con in g, BWV 1056R: Largo - Alice Harnoncourt
- Con in g, BWV 1056R: Presto - Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
Amazon.com
The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.
Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).
Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.
The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).
Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.
The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May
Album Description
Volume 1, 15 Discs
Sacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt
Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt
Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt
Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt
Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others
Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others
Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet
Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman
Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova
Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others
Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others
Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt
Customer Reviews:
Bach is priceless.......2006-11-10
I believe, as another reviewer has stated, Bach's music may be the best ever written. Also, I think the cantatas are not where Bach placed his heart and soul. He was, after all, employed as a canter and in a position he did not wish for, but was forced to take to feed his large family. (I recommend "Bach and the High Baroque" lecture series by TTC.) What really stands out on this collection are all works in volumes 8 and above. Some of these works are hard to find and having them all in this collection and preformed on original instruments is great. Bach is priceless and so then is this collection.
Buy the works you like...........2006-01-11
If you love Bach, which you must if you are looking at this particular item, you probably own a couple of his works already. Perhaps some of them are on the Teldec label. There is nothing wrong with Teldec if you are just getting into "classical" music. You will probably enjoy the music thoroughly. I know I did, as one of the first "classical" releases I bought was on Teldec, and it was Bach. I was amazed how great Bach was. Then my brother showed me the same recording, performed by another group, on another label. It had a lot more passion, and the instrumentalists were obviously of a higher level. Pardon my rambling, but what I'm trying to say is, the recordings found in this boxset are not the "cream of the crop." They are perfectly acceptable, easily listenable renditions of what many consider the greatest music...EVER. Take it from me, someone who has leapt into boxset land one too many times: Save your money, buy the individual albums. Take your time, talk to record store clerks (read Amazon reviews), do your research. If you are lucky enough to have a decent record store around, listen to multiple versions of the same work. No one said you had to buy it all at once. It can take a lifetime to fully realize the potency of this music, so enjoy the discovery as long as possible.
Poor Bach.......2005-11-26
In Antony & Cleopatra, Shakespeare wrote: "I shall see some squeaking Cleopatra boy my greatness...."
I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.
The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)
Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?
If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.
A Treasure Trove.......2004-03-07
This set is the culmination of several decades of work on the part of the West German record label Teldec (formerly known as Telefunken-Decca). With their early-music subdivision Das Alte Werk (similar to DG's Archiv or Decca's L'Oiseau-Lyre), Teldec have been in the forefront of exploring the world of period instruments and authentic performance practice, with special emphasis on the works of J.S.Bach. The lion's share of recordings here was originally made for Das Alte Werk, with the odd exception here and there licensed from other labels in order to fill in the gaps. The centerpiece of the set is the famous recording of the 199 church cantatas by Nikolaus Harnoncourt and Gustav Leonhardt. If you're not familiar with the cantatas, there's a whole world of drama, color and expression right here waiting for you. You'll also be surprised to learn how many of the "tunes" you know from popular arrangements, like "Jesu, Joy of Man's Desiring" and "Sleepers Awake" are actually movements from cantatas. The names of Harnoncourt and Leonhardt pop up again and again; they were both mainstays of the Teldec roster. Leonhardt gives us his 1965 Goldberg Variations on a Dulcken harpsichord whose every tone is like a bell, and Harnoncourt's "home" recording of the Cello Suites (never intended for general release) shows the ferment of a great musical mind. Ton Koopman gives us his provocative and controversial re-thinkings of the organ works, and Thomas Zehetmair's performances of the unaccompanied violin sonatas and partitas are like dramatic scenes spoken by a solo violin. Here are the uniquely bizarre Brandenburg Concertos by Il Giardino Armonico; the rhetorical and transparent performance of the motets conducted by Harnoncourt (perhaps his best-ever recording); Leonhardt's relaxed and smiling versions of the harpsichord concertos; Alice Harnoncourt's tawny, leonine performances of the sonatas for violin and harpsichord; Harnoncourt's chiaroscuro-filled performance of the Christmas Oratorio, and so on. This set is one of the most worthwhile CD buys you could make. You will never be bored with this to dip into over the years.
147 out of 153 ain't bad!.......2001-04-29
Having listened to the complete set, I can confidently recommend it, if you would use a complete set of Bach's works.
If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.
In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!
I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].
The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.
We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.
It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.
If you would use a set of all of Bach's extant works, it is a great choice. It is competitively priced and I love the packaging.
Music Review:
- The Mravinsky Collection - Tchaikovsky: Nutcracker, suite from the ballet, Op. 71a; Symphony No. 5 in E Minor, Op. 64 / Brahms: Symphony No. 3 (including rehearsal sessions) / Mussorgsky: Dawn on the Moscow River
- The Mravinsky Collection - Tchaikovsky: Symphony No. 5 / Stravinsky: Apollon Musagete
- Toscana
- Tosti: Romanze su Testi di Gabriele D'Annunzio
- Trombone Quartets
- Trompetenglanz: Music For Trumpet And Corno Da Caccia
- Twenty Fanfares for the Common Man
- Vainberg and Levitin Cello Concertos
- Vivaldi: L'Olimpiade / Clemencic Consort
- Vivaldi & Telemann: Oboe Concertos
Music Review
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