Schubert/Wolf/Schumann: Lieder

On this CD:

1. Winterreise, song cycle for voice & piano, D. 911 (Op. 89)
Composed by Franz Schubert
Performed by Theo Adam, Rudolf Dunckel

2. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 Der Atlas
Composed by Franz Schubert
Performed by Theo Adam, Rudolf Dunckel

3. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 Ihr Bild
Composed by Franz Schubert
Performed by Theo Adam, Rudolf Dunckel

4. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 Das Fischermädchen
Composed by Franz Schubert
Performed by Theo Adam, Rudolf Dunckel

5. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 Die Stadt
Composed by Franz Schubert
Performed by Theo Adam, Rudolf Dunckel

6. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 Am Meer
Composed by Franz Schubert
Performed by Theo Adam, Rudolf Dunckel

7. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 Der Doppelgänger
Composed by Franz Schubert
Performed by Theo Adam, Rudolf Dunckel

8. Drei Gedichte von Michelangelo, for voice & piano Wohl Denk Ich Oft
Composed by Hugo Wolf
Performed by Theo Adam, Rudolf Dunckel

9. Drei Gedichte von Michelangelo, for voice & piano Alles Endet, Was Entstehet
Composed by Hugo Wolf
Performed by Theo Adam, Rudolf Dunckel

10. Drei Gedichte von Michelangelo, for voice & piano Fühlt Meine Seele
Composed by Hugo Wolf
Performed by Theo Adam, Rudolf Dunckel

11. Gedichte von Eduard Mörike (53), for voice & piano Fußreise
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

12. Gedichte von Eduard Mörike (53), for voice & piano Verborgenheit
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

13. Gedichte von Eduard Mörike (53), for voice & piano Gesang Weylas
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

14. Gedichte von Joseph v. Eichendorff (20) for voice & piano Der Musikant
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

15. Gedichte von Joseph v. Eichendorff (20) for voice & piano Heimweh
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

16. Spanisches Liederbuch, nach Heyse und Geibel, for voice & piano Wenn Du Zu Den Blumen Gehst (Spanisc
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

17. Morgentau ("Der Frühhauch hat gefächelt"), song for voice & piano (Lieder für eine Frauenstimme)
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

18. Spanisches Liederbuch, nach Heyse und Geibel, for voice & piano No 21, Alle gingen, Herz, zur Ruh
Composed by Hugo Wolf
Performed by Jorg Demus, Theo Adam

19. Dichterliebe, song cycle for voice & piano, Op. 48
Composed by Robert Schumann
Performed by Jorg Demus, Theo Adam

Schubert/Wolf/Schumann: Lieder, Music, Theo Adam, Franz Schubert, Robert Schumann, Hugo Wolf, Jörg Demus, Rudolf Dunckel, Classical, Romantic Music for Voice and Keyboard, Song Collection for Solo Voice and Piano, Song Cycle for Solo Voice and Piano, Vocal
Lieder
Average customer rating: Not rated
    		Lieder

    Manufacturer: Deutsche Grammophon
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000M05VNE
    Release Date: 2007-04-10

    Tracks:

    1. Das Veilchen K. 476
    2. Die Verschweigung K.518
    3. Das Lied Der Trennung K. 519
    4. Das Kinderspiel K. 598
    5. Die Kleine Spinnerin K. 531
    6. Als Luise Die Breife Ihres Ungetreuen Liebhabers Verbrannte K. 520
    7. Einsam Ging Ich Jungst Im Haine K. 308 (295b)
    8. An Chloe K. 524
    9. Abendempfindung K. 523
    10. Sehnsucht Nach Dem Fruhling K. 596
    11. Auf Dem Wasser Zu Singen D 774
    12. Lachen Und Weinen D 777
    13. Dein Blaues Auge Halt So Still Op.59 No.8
    14. Der Mon Steht Uber Dem Berge
    15. I. Mit Der Njanja
    16. II. Im Winkel
    17. III. Der Kafer
    18. IV. Mit Der Puppe
    19. V. Abendgebet
    20. VI. Steckenpferdreiter
    21. I. Heuernte
    22. II. Bei Der Braut
    23. III. Hochzeit
    24. IV. Wiegenlied
    25. V. Burschentanz
    26. An Eine Aolsharfe
    27. Das Verlassene Magdlein
    28. Begegnung
    29. Standchen Op.17 No.2

    Tracks:

    1. Die Lotosblume Op.25 No.7
    2. Mit Myrten und Rosen, Lieblich Und Hold Op.24 No.9
    3. Du Bist Wie Eine Blume Op.25 No.24
    4. I. Seit Ich Ihn Gesehen
    5. II. Er, Der Herrlichste Von Allen
    6. III. Ich Kann's Nicht Fassen Nicht Glauben
    7. IV. Du Ring An Meinem Finger
    8. V. Helft Mir, Ihr Schwestern
    9. VI. Susser Freund, Du Blickest
    10. VII. An Meinem Herzen, An Meiner Brust
    11. VIII. Nun Hast Du Mir Den Ersten Schmerz Getan
    12. Der Konig In Thule D 367
    13. Das Lied Im Grunen D 917
    14. Die Junge Nonne D 828
    15. Fischerweise D 881
    16. Seligkeit D 433
    17. Die Forelle D 550
    18. An Die Musik D 547
    19. Traum Durch Die Dammerung Op.29 No.1
    20. Meinem Kinde Op.37 No.3
    21. Allerseelen Op.10 No.8
    22. Morgen! Op.27 No.4
    Kennst du das Land: Goethe und die Musik (Box Set)
    Average customer rating: Not rated
      		Kennst du das Land: Goethe und die Musik (Box Set)

      Manufacturer: Capriccio
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000026BPE
      Release Date: 1999-01-01
      A Romantic Songbook
      Average customer rating: 5 out of 5 stars
      • Quasthoff at his most inspiring
      • Quasthoff's best release to date
      		 A Romantic Songbook

      Manufacturer: Deutsche Grammophon
      ProductGroup: Music
      Binding: Audio CD

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      1. Arias
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      4. Schumann: Dichterliebe Op39; Liederkreis
      5. Schwanengesang; Vier Ernste Gesange

      ASIN: B0001BUC0G
      Release Date: 2004-05-11

      Tracks:

      1. Fruhlingsglaube D 686
      2. Heidenroslein D 257
      3. Die Forelle D 550
      4. Im Fruhling D 882
      5. Auf Der Bruck D 853
      6. Im Abendrot D 799
      7. Ungeduld (Die Schone Mullerin D 795, No.7)
      8. Belsatzar Op.57
      9. 1.Widmung
      10. 2.Freisinn
      11. 24.Du Bist Wie Eine Blume
      12. Fruhlingsglaube (12 Lieder Op.9, No.8)
      13. Auf Flugein Des Gesanges (6 Lieder Op.34, No.2)
      14. Auf Einer Wanderung
      15. Der Genesene An Die Hoffnung
      16. Storchenbotschaft
      17. Odins Meeresritt Op.118
      18. Herr Oluf Op.2, No.2
      19. Tom Der Reimer Op.135a
      20. 1.Zueignung
      21. 8.Allerseelen
      22. 3.Heimliche Aufforderung
      23. 4.Morgen!
      24. Danny Boy

      Amazon.com

      Thomas Quasthoff is unique as singer and artist. His voice, always astonishingly powerful, has over the years acquired an ever-growing warmth, purity, range, and expressiveness, and his extraordinary wealth of dynamics, colors, nuances, and inflections is truly amazing. He uses these for instant changes of mood and atmosphere, while his seemingly unlimited breath control lets him spin endless lines and phrases. In these songs, all these qualities are on full display; indeed, Quasthoff admits choosing them with this in mind. However, the program is beautiful, judiciously varied and contrasted, combining popular favorites like Schubert's "Trout" and "Heidenröslein" with unfamiliar gems by his unjustly forgotten contemporary Carl Loewe, who wrote hundreds of splendid ballads. Of special interest are two very different settings of the same Ludwig Uhland poem, "Frühlingsglaube" ("Faith in Spring"), one by a very young Mendelssohn, the other by a mature Schubert. The former overflows with youthful exuberance, joyousness, and ecstasy; the latter breathes lyrical serenity. In a rather unusual reading, Quasthoff starts it with a sense of tremulously hopeful anticipation, gradually becoming more confident and finally blossoming out into radiant affirmation. Otherwise, the Schubert group is least convincing: always sensitive to the fusion of text and music, Quasthoff, perhaps seduced by the resources of his vocal palette, indulges in fussy, excessive "word-painting" and loses the songs' essential simplicity. However, in the more complex, dramatic, declamatory songs, this works wonderfully. Loewe's ballads, in which he impersonates three distinct characters, and Schumann's "Belsatzar" become veritable operas, and he regains a moving simplicity in the more lyrical songs, like Mendelssohn's "On Wings of Song" and a Strauss group. Justus Zeyden is an exemplary collaborator, but even he is defeated by the long sustained notes in Strauss' "Morgen!" where the violin obbligato is sadly missing. In "Danny Boy," Quasthoff turns himself into a very persuasive American-style crooner. --Edith Eisler

      Customer Reviews:

      5 out of 5 stars Quasthoff at his most inspiring.......2004-05-17

      Thomas Quasthoff has set the highest standards for himself in lieder singing, challenging the dominance, on records, of Schwarzkopf and Fischer-Dieskau. Here he seems to soar even above those exalted artists, because of his thrilling range, total commitment, deep insisght, and complete lack of artifical "personality." The arc of his mastery has risen from his fine RCA years to reach this peak, and now he has no one to surpass but himself. It's a humbling experience to hear an artist of this greatness...perhaps the last living exemplar of a great German singing tradition.

      5 out of 5 stars Quasthoff's best release to date.......2004-05-13

      I may just be a sucker for these songs, but I really think this is the best solo recording Quasthoff has made so far: some of his other recordings suffer from an improper balance between piano and voice (like his WINTERREISE or SCHWANENGESANG), but here, Justus Zeyen's contribution feels an equal partner; each interpretation is fresh and vivacious; and the program is put together well. This is also the first time I've felt a recording comes close to the electric experience of hearing Quasthoff live; the sound quality captures everything very intimately.

      Then again, this might be my personal love of these song talking. One review I've read of this recording refers to it condescendingly as a "Lieder's greatest hits" CD with "all dessert and no meat". But who cares: Schubert's "Im Fruehling" and "Ungeduld"; Schumann's "Belsatzar," "Widmung," and "Du bist wie eine Blume"; and Strauss' "Zueignung" and "Morgen!" are at the top of my list of favorite songs of all time, and to have them all sung so beautifully on one CD makes this a great CD for me. Plus, these "greatest hits" are also songs that ideally suit Quasthoff's artistry--so what's wrong with a CD that shows a singer's mastery in this repertoire?
      Lotte Lehmann: The Complete Victor Recordings (1935-1940)
      Average customer rating: Not rated
        		Lotte Lehmann: The Complete Victor Recordings (1935-1940)

        Manufacturer: Romophone
        ProductGroup: Music
        Binding: Audio CD

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        Lehmann, LotteLehmann, Lotte | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
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        ASIN: B000001S3G
        Release Date: 1995-11-22

        Tracks:

        1. An Chloe, K.524 - Lotte Lehmann/Erno Balogh
        2. Die Verschweigung, K.518 - Lotte Lehmann/Erno Balogh
        3. Die Schone Mullerin: Ungeduld, D.795, No.7 - Lotte Lehmann/Erno Balogh
        4. Im Abendrot, D.799 - Lotte Lehmann/Erno Balogh
        5. Die Kartenlegerin, Op.31, No.2 - Lotte Lehmann/Erno Balogh
        6. Liederkreis: Waldesgoesprach, Op.39, No.3 - Lotte Lehmann/Erno Balogh
        7. Der Tod Das Ist Die Kuhle Nacht, Op.96, No.1 - Lotte Lehmann/Erno Balogh
        8. Therese, Op.86, No.1 - Lotte Lehmann/Erno Balogh
        9. Meine Liebe Ist Grun, Op.63, No.5 - Lotte Lehmann/Erno Balogh
        10. Anakreons Grab - Lotte Lehmann/Erno Balogh
        11. In Dem Schatten Meiner Locken - Lotte Lehmann/Erno Balogh
        12. Do Not Chide - Lotte Lehmann/Erno Balogh
        13. My Native Land - Lotte Lehmann/Erno Balogh
        14. Midsummer - Lotte Lehmann/Erno Balogh
        15. Fa La Nanna, Bambin - Lotte Lehmann/Erno Balogh
        16. Canto Di Primavera - Lotte Lehmann/Erno Balogh
        17. Ich Liebe Dich - Lotte Lehmann/Erno Balogh
        18. Schlafe, Mein Susses Kind - Lotte Lehmann/Erno Balogh
        19. D'Une Prison - Lotte Lehmann/Erno Balogh
        20. Vierges D'Athens - Lotte Lehmann/Erno Balogh
        21. Gretel - Lotte Lehmann/Erno Balogh
        22. Selige Nacht - Lotte Lehmann/Erno Balogh
        23. Storchenbotschaft - Lotte Lehmann/Erno Balogh
        24. Der Gartner - Lotte Lehmann/Erno Balogh
        25. Du Denkst Mit Einem Fadchen Mich Zu Fangen - Lotte Lehmann/Erno Balogh
        26. Fur Musik, Op.10, No.1 - Lotte Lehmann/Erno Balogh
        27. Gute Nacht, Op.5, No.7 - Lotte Lehmann/Erno Balogh
        28. Lehn' Deine Wang' An Meine Wang' - Lotte Lehmann/Erno Balogh
        29. Gretchen Am Spinnrade, D.118 - Lotte Lehmann/Erno Balogh
        30. Schlafe, Schlafe 'Weigenlied', D.498 - Lotte Lehmann/Erno Balogh
        31. Du Bist Wie Eine Blume, Op.25, No.24 - Lotte Lehmann/Erno Balogh
        32. Liederkreis: Fruhlingsnacht, Op.39, No.12 - Lotte Lehmann/Erno Balogh

        Tracks:

        1. Alte Laute, Op.35, No.12 - Lotte Lehmann/Erno Balogh
        2. Botschaft, Op.47, No.1 - Lotte Lehmann/Erno Balogh
        3. Das Madchen Spricht, Op.107, No.3 - Lotte Lehmann/Erno Balogh
        4. Mein Madel Hat Einen Rosenmund, No.25 From 49 Volkslieder - Lotte Lehmann/Erno Balogh
        5. Visions (Tonerna) - Lotte Lehmann/Erno Balogh
        6. Drink To Me Only - Lotte Lehmann/Erno Balogh
        7. Gebet - Lotte Lehmann/Paul Ulanowsky
        8. Nun Lass Uns Frieden Schliessen - Lotte Lehmann/Paul Ulanowsky
        9. Fruhling Ubers Jahr - Lotte Lehmann/Paul Ulanowsky
        10. Auf Ein Altes Bild - Lotte Lehmann/Paul Ulanowsky
        11. In Der Fruhe - Lotte Lehmann/Paul Ulanowsky
        12. Auch Kleine Dinge - Lotte Lehmann/Paul Ulanowsky
        13. Und Willst Du Deinen Liebsten Sterben Sehen - Lotte Lehmann/Paul Ulanowsky
        14. Peregrina I - Lotte Lehmann/Paul Ulanowsky
        15. Der Knabe Und Das Immlein - Lotte Lehmann/Paul Ulanowsky
        16. Heimweh - Lotte Lehmann/Paul Ulanowsky
        17. Er und Sie, Op.78, No.2 - Lotte Lehmann
        18. So Wahr Die Sonne Scheinet, Op.37, No.12 - Lotte Lehmann
        19. Unterm Fenster, Op.34, No.3 - Lotte Lehmann
        20. Familien - Gemalde, Op.34, No.4 - Lotte Lehmann
        21. Ich Denke Dein, Op.78, No.3 - Lotte Lehmann
        22. Winterreise: Die Nebensonnen, D.911, No.23 - Lotte Lehmann/Paul Ulanowsky
        23. Winterreise: Die Post, D.911, No.13 - Lotte Lehmann/Paul Ulanowsky
        24. Winterreise: Der Sturmische Morgen, D.911, No.18 - Lotte Lehmann/Paul Ulanowsky
        25. Winterreise: Der Lindenbaum, D.911, No.5 - Lotte Lehmann/Paul Ulanowsky
        26. Winterreise: Der Wegweiser, D.911, No.20 - Lotte Lehmann/Paul Ulanowsky
        27. Winterreise: Die Krahe, D.911, No.15 - Lotte Lehmann/Paul Ulanowsky
        28. Winterreise: Das Wirtshaus, D.911, No.21 - Lotte Lehmann/Paul Ulanowsky
        29. Winterreise: Tauschung, D.911, No.19 - Lotte Lehmann/Paul Ulanowsky
        30. Winterreise: Mut! D.911, No.22 - Lotte Lehmann/Paul Ulanowsky
        31. Winterreise: In Dorfe, D.911, No.17 - Lotte Lehmann/Paul Ulanowsky
        32. Winterreise: Ruckblick, D.911, No.8 - Lotte Lehmann/Paul Ulanowsky
        Elisabeth Schwarzkopf Unpublished Recordings
        Average customer rating: Not rated
          		Elisabeth Schwarzkopf Unpublished Recordings

          Manufacturer: Testament UK
          ProductGroup: Music
          Binding: Audio CD

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          Similar Items:
          1. Elisabeth Schwarzkopf Farewell Recital 1977
          2. Unpublished Emi Recordings - 1955-1958
          3. Elisabeth Schwarzkopf: The Unpulblished EMI Recordings, 1946-1952
          4. The Very Best of Elisabeth Schwarzkopf
          5. Schubert: 24 Lieder

          ASIN: B0000517A5
          Release Date: 2001-02-13
          Follow Goethe
          Average customer rating: 5 out of 5 stars
          • What a wonderful recital!
          		 Follow Goethe

          Manufacturer: Cpo Records
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B000026CXH
          Release Date: 1999-10-26

          Tracks:

          1. Freisinn Op.25, 2: Lasst Much Nur Auf Meinem Sattel Gelten!
          2. Herbstgefuhl, Op. 19a , 1: Fetter Grune, Du Laub
          3. Phanomen: Wenn Zu Der Regenwand Phobus Sich Gattet
          4. Neue Liebe, Neues Leben, Op.75, 2: Herz, Mein Herz
          5. Meeres Stille D 216: Teife Stille Herrscht Im Wasser
          6. An Die Turen Will Ich Schleichen Op.98a, 8: An Die Turen Will Ich Schleichen, Still Und Sittsam...
          7. Erster Verlust D 226: Ach, Wer Bringt Die Schonen Tage
          8. Blumengruss: Der Strauss, Den Ich Gepflucket
          9. Wonne Der Wehmut Op.83, 1: Trocknet Nicht, Tranen
          10. Singet Nicht In Trauertonen Op.98a, 7: Singet Nicht In Trauertonen Von Der Einsamkeit Der Nacht
          11. Dammrung Senkte Sich Von Oben Op.19a, 2: Dammrung...
          12. Op. 7 Alles Kundet Dich An: Gegenwart
          13. Wandrers Nachtlied D.768: Uber Allen Gipfeln Ist Ruh
          14. Erlkonig op.1, 3: Wer Reitet So Spat Durch Nacht Und Wind?
          15. Op.7: Gesang Der Geister Uber Den Wassern: Des Menschen Seele Gleicht Dem Wasser
          16. Der Fischer: Das Wasser Rauscht', Das Wasser Schwoll
          17. Anakreons Grab: Wo Die Rose Hier Bluht
          18. Nachklang Op.19b, 1: Es Klingt So Prachtig
          19. Lynceus Der Turmer, Auf Fausts Sternwarte Singend Op.9 H. VIII, 3: Zum Sehen Geboren
          20. Mailied: Op.26,5: Wie Herrlich Leuchtet Mir Die Natur!
          21. Versunken D 715: Voll Locken Kraus Ein Haupt So Rund!
          22. Jagers Abendlied D. 368: Im Felde Schleich' Ich Still Und Wild
          23. Wanderers Nachtlied Op.9, H.1, 3a: Uber Allen Gipfeln Ist Ruh
          24. Hoffnung D. 295: Schaff', Das Tagwerk Meiner Hande
          25. Fruhlings Ubers Jahr: Das Beet, Schon Lockert Sich's In Die Hoh
          26. Der Rattenfanger: Ich Bin Der Wohlbekannte Sanger
          27. Zur Rosenzeit Op.48,5: Ihr Verbluhet, Suss Rosen

          Amazon.com

          The poetry of Goethe has a unique place in German literature and German song--the sheer variety of his lyrics, from heaven-storming passion to calm acceptance, from tender love to vicious cynicism, made his words the source-material of many composers' finest settings. Christoph Prégardien and Michael Gees have put together an intelligent program that combines some of the best-known composers of the German song--Schubert, Wolf, Schumann, Beethoven--with lesser masters--Loewe, Schoeck; we get both Schubert's and Loewe's setting of the achingly nostalgic "Wanderer's Nightsong," and Loewe's jaunty setting of "Der Erlkonig," perhaps Schubert's best-known song, but by no means his exclusive property. Two songs of Gees's own are intelligent modern pastiches of the romantic style, solidly accomplished word-settings with interesting piano writing. All the songs here are admirably selected for Prégardien's darkly sorrowful pure voice and Gees's tactful, occasionally intense, accompaniment. --Roz Kaveney

          Customer Reviews:

          5 out of 5 stars What a wonderful recital!.......2000-02-17

          After listening this CD we will finally know why Goethe is an great poet. Too much possibility contained in his poems, as this CD shows us. This unusual recital consists of 27 lieder from 11 composers, spanned from old Beethovan, Wolf to modern Diepenbrock, Shoeck, Gees. Thank God it contains very few over-sung Schubert-Goethe cliche. Pregardien selected and arrange these lieder wisely and carefully, and he deliberately changes style from one song to another. With his gold, clean voice and deep, intense interpretion, they reflected the wild and wide soul a great poet can be. Gees's accompaniment is as well.
          Christa Ludwig - Les Introuvables
          Average customer rating: 5 out of 5 stars
          • Wonderful
          • Terrific recording
          • Christa in her prime
          • Christa Ludwig is in great shape
          		 Christa Ludwig - Les Introuvables
          Johannes Brahms , Gustav Mahler , Robert Schumann , Max Reger , Franz Schubert , Hugo Wolf , Richard Strauss , Maurice Ravel , Camille Saint-Saens , Sergey Rachmaninov , Gioachino Rossini , Richard Wagner , George Frideric Handel , Johann Sebastian Bach , London Philharmonia Orchestra , Berlin Symphony Orchestra , Otto Klemperer , Horst Stein , Karl Forster , Christa Ludwig , Gerald Moore , Geoffrey Parsons , Herbert Downes , Amaryllis Fleming , Douglas Whittaker , Alexander Pushkin , and Mathilde Wesendonk
          Manufacturer: EMI Classics
          ProductGroup: Music
          Binding: Audio CD

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          Similar Items:
          1. The Very Best of Christa Ludwig

          ASIN: B000002S2Z
          Release Date: 1992-04-14

          Tracks:

          1. Sapphische Ode, Op. 94 Nr. 4
          2. Liebestreu, Op. 3 Nr. 1
          3. Der Schmied, Op. 19 Nr. 4
          4. Die Mainacht, Op. 43 Nr. 2
          5. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): He, Zigeuner
          6. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): Hochgeturmte Rimaflut
          7. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): Wisst ihr, wann mein Kindchen
          8. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): Lieber Gott, du weisst
          9. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): Brauner Bursche
          10. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): Roslein dreie
          11. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): Kommt dir manchmal in den Sinn
          12. 8 Zigeunerlieder (d'apres les quatuors vocaux Op. 103): Rote Abendwolken ziehn
          13. 2 deutsche Volkslieder: Och mod'r, ich well en Ding han!
          14. 2 deutsche Volkslieder: We kumm ich dann de Pooz erenn?
          15. Dein blaues Auge, Op. 59 Nr. 8
          16. Von ewiger Liebe, Op. 43 Nr. 1
          17. Das Madchen spricht, Op. 107 Nr. 3
          18. O wusst ich doch, Op. 63 Nr. 8
          19. Wie Melodien zieht es mir, Op. 105 Nr. 1
          20. Madchenlied, Op. 107 Nr. 5
          21. Vergebliches Standchen
          22. Der Tod, das ist die kuhle Nacht, Op. 96 Nr. 1
          23. Auf dem See, Op. 59 Nr. 2
          24. Feldeinsamkeit, Op. 86 Nr. 2
          25. In stiller Nacht ('Deutsche Volkslieder' Nr. 42)
          26. Schwesterlien ('Deutsche Volkslieder', Nr. 15)
          27. Immer leiser wird mein Schlummer, Op. 105 Nr. 2
          28. Standchen, Op. 106 Nr. 1
          29. Gestillte Sehnsucht, Op. 91 Nr. 2
          30. Geistilches Wiegenlied, Op. 91 Nr. 2

          Tracks:

          1. Ich ging mit Lust durch einen grunen Wald ('Des Knaben Wunderhorn')
          2. Hans und Grete
          3. Fruhlingsmoren
          4. Wo die schonen Trompeten blasen ('Des Knaben Wunderhorn')
          5. Der Schildwache Nachtlied ('Des Knaben Wunderhorn')
          6. Um schlimme Kinder ('Des Knaben Wunderhorn')
          7. Ich atmet' einen linden Duft
          8. Liebst du um Schonheit
          9. Um Mitternacht
          10. Das irdische Leben ('Des Knaben Wunderhorn')
          11. Wer hat dies Liedlein erdacht ('Des Knaben Wunderhorn')
          12. Lob des hohen Verstandes ('Des Knaben Wunderhorn')
          13. Ich bin der Welt abhanden gekommen
          14. Des Antonius von Padua Fischpredigt ('Des Knaben Wunderhorn')
          15. Rheinlegendchen ('Des Knaben Wunderhorn')
          16. Frauenliebe und Leben, Op. 42: Seit ich ihn gesehen
          17. Frauenliebe und Leben, Op. 42: Er, der Herrlichste von allen
          18. Frauenliebe und Leben, Op. 42: Ich kann's nicht fassen
          19. Frauenliebe und Leben, Op. 42: Du Ring, an meinem Finger
          20. Frauenliebe und Leben, Op. 42: Helft mir, ihr Schwestern
          21. Frauenliebe und Leben, Op. 42: Susser Freund, du blickest
          22. Frauenliebe und Leben, Op. 42: An meinem Herzen
          23. Frauenliebe und Leben, Op. 42: Nun hast du mir den ersten Schmerz getan
          24. Der Brief, Op. 76 No. 8
          25. Waldeinsamkeit, Op. 76 No. 3

          Tracks:

          1. Die Allmacht, D. 852
          2. Fischerweise, D. 881
          3. An die Musik, D. 547
          4. Der Musensohn, D. 764
          5. Ganymed, D. 544
          6. Auf dem Wasser zu singen, D. 774
          7. Ave Maria, D. 839
          8. Die Forelle, D. 550
          9. Gretchen am Spinnrade, D. 118
          10. Fruhlingsglaube, D. 686
          11. Der Tod und das Madchen, D. 531
          12. Lachen und Weinen, D. 777
          13. Litanel auf das Fest 'Aller Seelen', D. 343
          14. Erikonig, D. 328
          15. Der Hirt auf dem Feisen, D. 965
          16. Gesang Weylas
          17. Auf einer Wanderung
          18. Die Nacht, Op. 10 Nr. 3
          19. Allerseelen, Op. 10 Nr. 8
          20. Schlechtes Wetter, Op. 69 Nr. 5

          Tracks:

          1. 3 Chansons madecasses: Nahandove
          2. 3 Chansons madecasses: Aoua! Aoua!
          3. 3 Chansons madecasses: Il est doux
          4. Une flute invisible
          5. Chanson georgienne: 'Oh! cesse de chanteer, gentille jeune fille,' Op. 4 No. 4
          6. 'Moisson de tristesse'
          7. La regata veneziana: 3 canzonettas en dialecte ventien: Anzoleta avanti la regata
          8. La regata veneziana: 3 canzonettas en dialecte ventien: Anzoleta co passa la regata
          9. La regata veneziana: 3 canzonettas en dialecte ventien: Anzoleta dopo la regata
          10. Wesendonk-Lieder: Der Engel
          11. Wesendonk-Lieder: Stehe still!
          12. Wesendonk-Lieder: Im Treibhaus
          13. Wesendonk-Lieder: Schmerzen
          14. Wesendonk-Lieder: Traume
          15. Julius Caesar: Acte I: 'Es blaut die Nacht' (Cleopatra)
          16. Johannes-Passion, BWV 245: Nr. 58 - Aria: 'Es ist volbracht!'
          17. Tristan und Isolde: III Akt: 'Mild und leise (Isoldes Liebestod)

          Customer Reviews:

          5 out of 5 stars Wonderful.......2003-07-20

          This is a wonderful set. I would like to correct an error below. The climax in the Liebestod is a high A flat not high C. But you have to cut through the dense orchestration. That's why it's hard.

          5 out of 5 stars Terrific recording.......2003-07-06

          I write this as s service to Christa Ludwig fans. This is a set of Lieder. Christa Ludwig is fabulous - as usual.

          But if you want to hear Christa ludwig in a set of operatic recitals that will knock of your socks and blow you to bits. Look for this CD called "Celebrating Christa Ludwig". It has Christa Ludwig singing excerpts from Elektra (as Elektra!!!), Ariadne auf Maxos (as Ariadne!!), Die Frau Ohne Schatten (as the Dyer's Wife), Barber of Serville (as rosina) and the Immolation Scene of Gotterdammerung (as Brunnhilde!!!). She will blow you to bits with her unmatchable dramatic sense, vocal power and beauty of tone - the greatest Brunnhilde that never was and the greatest Elektra that never was. She did sing Ariadne once in Salzburg in 1964, and she sang the Dyer's Wife for 10 years from 1964 (Vienna State Opera) to 1974 (Salzburg Festival). Her complete Ariadne is available under Myto records.

          5 out of 5 stars Christa in her prime.......2001-09-19

          Being an admirerer of Christa Ludwig, I went into purchasing this recording with great expectations, and it did not disappoint in any way. Ludwig is in her prime and is heard in wonderful interpretations and beautiful singing from among several composers and works. I not only enjoy listening to her personally, but am also able to put it to great use use in my Vocal Literature class here at the college in which I teach.

          5 out of 5 stars Christa Ludwig is in great shape.......2000-04-15

          She sang all the major mezzo roles, and also some in the dramatic soprano repertory, notably Leonora in Fidelio, Lady Macbeth and the Marschallin.

          Her voice is a rich, expressive mezzo capable of dramatic incisiveness and even throughout its considerable range. Her upper register in mezzo music is excintingly projected.

          Although this compilation is composed of different recordings in different settings in different years, all of them show a young Ludwig when she had not yet acquired her prime and her status of, arguably, the best mezzo of the world, which would arrive in the years to come.

          Ludwig, thirteen years Schwarzkopf's junior, was also a member of the legendary Ensamble of Berlin, which meant that each appearance of hers in any opera produced in Berlin, Munich, Vienna, London, Paris....by this Ensamble was backed by many hours of rehearsals with the same group of musicians. Usually this group comprised Schwarzkopf, Grümmer, Seefried, Berger, Güeden, Dermota, Tauber, and of course Furtwängler. This is how the legendary recording of COSI FAN TUTTE was made, in which she shared credits with Schwarzkopf.

          Disc one is devoted to Brahms -not less than 30 Lieder are here. She doesn't sing Brahms with intimacy, rather she attacks each song with open throat. Her diction, her care for words is now proverbial. My favorite Lied in this disc is In stiller Nacht. She sets the melancholic mood of the song with her rich, vibrant contralto-like tones.

          Disc two brings us Ludwig singing Mahler, Schumann and Reger. From the melodic lines of Mahler's Des Knaben Wunderhorn to the tortuous inflexions of Max Reger's two songs, she shows an extreme afinity with these composers. Schumann is taken very sensously, one can almost feel her velvety and creamy narrations of the woman-in-love of the song cycle.

          Disc three is devoted to Schubert, Wolf and Strauss. Ludwig was not compelled to sing too much Wolf or Strauss (only 5 Lieder by these composers). It is her Schubert that shows her in splendid form. Auf dem Wasser zu singen is sung at such a low speed that her tone can only be described as luxurious. Erlkönig finds in her voice an ideal interpreter for the four characters of the song. In Wolf's Gesang Weylas, Gerald Moore has produced some magical arpeggios in the piano accompaniment, but of course this in only natural in him being the best accompanist ever.

          Disc four is a miscellaneous melange of Ravel, Saint-Saëns, Rossini, Wagner, Händel and Bach. Ludwig never tried to sing on stage Isolde, but she recorded it; the Liebestod is taken at an exciting pace and one is only waiting for the climax to see if she can do it (the top c's). Yes, she can do it. Händel's aria from Julius Caesar is, again, sensous and exciting. Händel is another composer with whom she felt communicated. Ravel's Chansons Madécasses can only be described as magical. And of course she was outstanding in Bach oratorios, as is the case of Johannes Passion.

          Wagner's Wessendonk Lieder are sung lustrously. I especially enjoyed Träume, which actually is sung, as its title suggests, dreamily.

          Praised be the two accompanists for the majority of the recordings, Gerald Moore and Geoffrey Parsons. Both have gone now and the musical world seems so empty without their supreme touch. I do believe that 50% of Christa Ludwig's success as a Lieder Singer was due to them.

          Thank you to EMI for this reissue.
          Liederabend
          Average customer rating: 5 out of 5 stars
          • Live Schwarzkopf
          • If Soprano Music Is Getting Right ino Your Nerve
          		 Liederabend

          Manufacturer: Aura Classics
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B00000JHM5
          Release Date: 1999-08-31

          Customer Reviews:

          5 out of 5 stars Live Schwarzkopf.......2003-06-23

          She practised, fretted, and re-recorded for her performances for EMI produced by her husband until the Voice became fettered. To her, and many of her listeners, they were perfect: each word modulated, dissected. To others, they were not: "mannered and arche" were often used to describe her performance by her haters.

          This recording of a live performance is a treasure. Her voice fresh and a sense of spontaniety. Even her critics would yield to her this one time.

          5 out of 5 stars If Soprano Music Is Getting Right ino Your Nerve.......2003-03-03

          Then try Schwarzkopf. She is soothing. She was the one who made Furtwangler forsake his baton for a moment, sitting fairly and squarely at the piano when she sang; she was the one who caught, strangely enough, even the ears and admiration of the loneliest musician of the century, Glenn Gould.

          The recording is very nice and the equilibrium between the piano and the singer is superb. And Schwarzkopf was obviously still at her best. Well, if Callas is more dramatic, Schwarzkopf is more lyrical.

          My only grumble for this record is the thundering big applause from the audience of this recital. But look at the price, it's a real bargain whichever way you look at it.
          An die Musik [2 CD & DVD Limited Edition]
          Average customer rating: 5 out of 5 stars
          • An excellent overview of Dietrich Fischer Dieskau with Deutsche Grammophon
          		 An die Musik [2 CD & DVD Limited Edition]

          Manufacturer: Deutsche Grammophon
          ProductGroup: Music
          Binding: Audio CD

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          Similar Items:
          1. The Art of Dietrich Fischer-Dieskau
          2. Schubert - Winterreise / Dietrich Fischer-Dieskau, Alfred Brendel, Sender Freies Berlin
          3. Legend: Dietrich Fischer-Dieskau [CD & DVD]
          4. The Magic of Wunderlich [Includes Bonus DVD]
          5. Schwarzkopf, Seefried & Fischer-Dieskau Sing Mahler, Richard Strauss & Schubert (EMI Classic Archive 21)

          ASIN: B0008064XY
          Release Date: 2005-07-12

          Customer Reviews:

          5 out of 5 stars An excellent overview of Dietrich Fischer Dieskau with Deutsche Grammophon.......2005-11-08

          "An die Musik", aptly named after the famous Schubert lied of the same title, is an excellent overview of Dietrich Fischer-Dieskau's recorded output for Deutsche Grammophon over the past 56 years. On the CDs, there are six Schubert lieder from Fischer-Dieskau's 21 disc set with pianist Gerald Moore, (dating from ca. 1970) and other lieder by Wolf, Richard Strauss, Brahms, and Schoeck. Also included are two chansons of Claude Debussy, and arias from Mozart's "Die Zauberflote" and "Don Giovanni", both conducted by Ferenc Fricsay; small part of Fricsay's Orff "Carmina Burana" (rec. 1949), Schubert's "Dichterliebe" cycle with pianist Jorg Demus; and the 4 Ruckert lieder with Karl Bohm/Berlin Philharmonic. Fischer-Dieskau is amazing, with such a wide repertory, and such enthusiasm for singing such varied and different styles of music.

          The bonus DVD, lasting about 28 minutes, is very interesting to watch and listen to. Dietrich Fischer-Dieskau and pianist Sviatoslav Richter peform 8 famous Schubert lieder in the great room of a hotel in a remote Bavarian village, in utterly charming and rather informal surroundings. The camera work is minimal, the sound, very fine but a little low level mono: filmed in 1978. Fischer-Dieskau looks alot younger here than more recent photos of him, but a little older and more classy than the photos I'm used to seeing of him, which date from the late 1960s. Fischer-Dieskau and Richter work as one, and their partnership and great working relationship is evident from measure 1. There is no doubt watching this that they had alot of fun performing for the cameras.

          I am grateful DG released this set: 2 very full discs at over 70 minutes of music each, + the DVD of a telecast not seen since 1978. The sound is very good, even in the mono tracks, and if you like lieder and opera excerpts, you will be delighted. I mention this as one who's experienced Fischer-Dieskau's recordings for 25 years, and been usually delighted by them.
          Recital at Carnegie Hall, November 25, 1956
          Average customer rating: 4 out of 5 stars
          • A missable item among the riches of the Schwarzkopf catalog
          • A complete Schwarzkopf lieder recital.
          		 Recital at Carnegie Hall, November 25, 1956

          Manufacturer: Capitol
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B00000DO02
          Release Date: 1990-10-25

          Customer Reviews:

          3 out of 5 stars A missable item among the riches of the Schwarzkopf catalog.......2006-03-20

          Since this double-CD is long out of print, I suppose there's not much value in criticizing it in detail. EMI has released dozens of lieder and opera recordings with their preeminent star, including great live concerts from Salzburg with Gerald Moore from this period in the mid-Fifties.

          Compared to Moore and Edwin Fischer, by far her best accompanist, George Reeves is stiff and unimaginative, not to mention that the paino sounds thin and clattery. Schwarzkopf recorded every song here in at least one and often multiple versions that are much better. Unless you want a souvenir of Schwarzkopf live in New York, this set is a miss.

          5 out of 5 stars A complete Schwarzkopf lieder recital........2003-09-07

          Lieder recitals featured prominently in the career of Elisabeth Schwarzkopf. Not many were recorded in their entirety, however, announced encores and all, or approved for issue. This double CD offers an opportunity to hear her in her prime, recorded in Carnegie Hall, New York, 25th November 1956.

          With George Reeves, who brings vast experience and plenty of personality to the piano accompanying, Schwarzkopf delivers a succession of her favorite items, none too demanding (apart from an operatic aria) and all enthusiastically applauded by the audience. One or two of the Schubert strophic songs are given interesting dynamic "interpretative" presentations, not attempted in her studio recorded versions. After a bracket of Mozart lieder, Schwarzkopf announces that she has received many requests for the inclusion of an operatic aria. She provides one of Fjordiligi's arias from "Cosi fan tutte", coping wonderfully well with its many difficulties.

          No allowances need be made for "on location", mono recording. The sound is astonishingly realistic, and the total duration is 103 minutes.

          Music Review:

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